Muffin Magic: Drawing a Cute and Delicious Treat in Procreate

1. Introduction: Hello everyone. I'm Uni. And into this class we'll draw acute muffin. This class doesn't require any prior experience or fancy tools. We'll start from scratch and we'll be using simple techniques throughout the process. Everything you'll see will be happening in Procrit. However, if you have other software or want to try traditional materials, you are welcome to join. If you are ready to start, let's jump right into it. 2. Base Scheme: Let's start our class by deciding what kind of canvas we are going to be using. You can see it is a very simple standard square canvas that you can find. In procreate, both pixel width and pixel hide are set at 2048 pixels. If you would like to use any other dimensions for your canvas, just go for it. As for DPI, we are using 300. And as for the color profile, it is set as SRGB with the slow number. When it's all done, let's just get done and will be redirected to our new canvas. Now we will need to decide what kind of colors and what kind of materials we are going to be using throughout the whole class. You can go to the Project and Rester Stop, and you can download everything that you will see throughout the class when you did it. Let's just go straightly to our color palettes and let's check out what we have here. Here we have two options of how we can use our colors, the compact and the cards. We'll go straight to the cards, because here we have all the colors, names and it will be easier for us to navigate through our colors while we are still here into our color palettes. Let's select some tras, color that we will use for creating our scheme. For example, let's just go either with dark pink or dark pink red. Select the color, and when you are done, we will go to our brush library. And again, if you downloaded the brush, let's just go and select it. We'll be using dull flat pencil when we have our brush and when we have our color. All that we need to do is to go to our list and change the color of our background. We are going to our background color layer. We are selecting it here into our color palette. We are selecting the color with the name background. When we did it, let's just get back to our canvas and let's start creating our scheme That later on will help us to build up the whole illustration. What we need to do, firstly, is to create a few ships. And we will start by creating a ship of the rectangle very easily. Let's just go to our canvas. We'll go to the bottom part of it and we will start creating our ship. We will do just with one line. Let's just go and start creating our lines. Going across our sheep. We will hold our apple pencil at the end of the line and we will snap the ship to a better one. When you are satisfied with the size, we will go over the top to this option that popped up. For me, it is polyline. For you, it might be something different. This is editing mode. If you have the option rectangle, you are welcome to select it. If you don't have the option rectangle, you can go to the nodes that you see on your screen and you can just go and adjust them. What we need to do is to create a pretty straight rectangle. Let's just go and make the lines straight. We will go to one of the nodes that we have on one of the sides, for example, to the middle one. And we will just drag it down so our rectangle is straight. If you need to adjust other nodes, you are welcome to go and do that. When we have something like that, we are ready to get away from our edited modes. And we can do it by tapping on our screen, either with our pencil or with one of our fingers. When you have the sheep, we will need to make sure that it is right in the center of our canvas. How can we do that? We will go to our top left part where we have our arrow key. Let's just tap on it. On the bottom, you can see that we have a panel. And we will need to go under snapping. And we will need to select snapping into this menu. When you did it, we will get back to our canvas. We will hold our apple pencil at some blank space. And what we need to see is this line that is going through the center. When you have it, we are right in the center of our canvas. Now you can position your element in a way that you like. Basically what we need is to put it to the bottom when you have it. Let's just go and deselect everything by heating our arrow key. One more time. When you did it, let's just get back to our layers and we will create one more layer. It will be easier for us to create our shapes on separate layers and later on we will just merge them together and we will create one layer for our whole scheme. Now just tap on the plus icon and onto this new layer we will go to the top of our rectangle and we will create a triangle again the same way as before. We will just go with one line without lifting up our apple pencil and we will create our ship. At the end of the line, hold your apple pencil, and then we will go over the top to our option triangle. Or maybe for you it's something different. Basically we are going to our editing mode. What we need to do is to put the top node over our bottom nodes. So we will have the straight triangle. We need to make the even sides. When you have it, we will just need to go and combine this little nodes that we have on the sides together. Let's just go and move the whole shape more toward the center. We will go to some blank space on our canvas. We will hold our apple pencil, and we will just move this shape if it's not very straight, we can just go away from our editing mode and we can go again to our arrow key on the top left. And we can adjust this shape from here if you want to make the shape a little bit smaller or if you want to make it bigger, we will go to one of the nodes that we have on the sides, for example, to the top right. And we can just drag it up if we want to make it bigger and if we want to make it smaller we will drag it down. We are using uniform method onto our panel on the bottom. For now let's just make it a little bit bigger than our recto Then again, we will go under snapping. If it's not turned on, if you want, you can go and turn it on. Then we just need to go and put it right in the middle of our canvas. What we are doing is going to some blank space. We are holding our apple panel at some blank space, and we are finding this line that is going through the middle part of our canvas. When you found it, let's just go and deselect everything. And we will need to go and create one more shape. Now let's just go to our okey on the top left. And then we will get back to our layers. And we will create one more layer on which we will create an ellipse. We will go right between these two shapes and we will create our ellipse the same way as before. Just go in there and creating the shape just with one line. Hold your apple panel at the end of the line to snap it to a better shape. Try to make it straight. If you move your apple pantel in a circular movement, you will see that you are changing the position of your elements. When you are done, we will just go over the top to our editing mode. Try to make it straight. If you need, go to the nose on the sides and try to position it correctly. When you have something like that, we'll combine our shapes on the sides. And when you have it in that way we will get away from our editing mode. Let's just tap on our screen to get away from our edited mode. And then we'll go again to our key on the top left. And we will try to position this element right in the middle of our canvas. Again, holding our apple pantel at sampling space. And then moving until we see this line that is going through the center when you have it. In that way we will go again to our air key on the top left and we will deselect everything. Now let's just go to our layers. And let's combine all of these three layers together. What we need to do is to go to the layer on the top, tap on it, and select Merge down. When we did it, we will do it one more time. Let's just tap on this layer on the top. And we will select Merge down from the list when we did it. Let's just go again to our arrow key. And we will position this element a little bit differently. We will put it more toward the center again, when the snapping is on, we are holding our apple pantel and we are dragging it a little bit up. If you want, you can go and make the whole shape bigger or smaller. It's all up to you. This scheme we are going to be using for creating our whole illustration. When you're satisfied with everything here, let's just go to our arrow key one more time and let's deselect everything now. We will get back to our list and we will rename this layer as a scheme to do so, we will need to tap on the layer and choose to rename from the list when we have it. We will also go and change the capacity level of this layer. We want to see what's happening onto our layer with the scheme, but we don't want it to be very bright. We will make it a little bit more transparent. Let's just go to our layer with the scheme and we will tap on this little icon near the check box. You can see that we have the slighter capacity and we can grab it and move it toward the left until we still can see what's happening here. But when it's not that bright, when you're satisfied with the capacity level, let's just tap on our layer with the scheme to close this window. Now we are ready with our scheme. So let's move on to our next part, where we are going to be aiding our skitch. 3. Sketch: Let's start the sketch and part by going to the layers. And we will create one more layer for this part. Let's just step on the plus icon and let's rename this layer as Sketch. When we have our new layer, you can decide whether you want to go to your color palettes and select some contrast color. You will see what's happening onto your canvas, or if you want to continue with the same color that you were using for your scheme. Either way works. When you are done with this task, let's just get back to our canvas and we will firstly go and increase the size of our brush. Our brush is a little bit softer. When you are done, we will roughly start figuring out what we are going to be doing for the whole illustration. First, let's just go to the bottom part where we have our rectangle and we will adjust the shape so it will look like a muffin. We are firstly going over one of the sides and we will go and create a diagonal line like that. You can play around with the angle on this line, you can make it very angular. Or if you want, you can just make a little bit of an angle. When you have the line that you like, we will need to go to the opposite side and we will need to do something similar there. Let's just go and create another line that is going toward the center. We are holding our line at the end so it is straight. When we have our sides like this, let's just go to the bottom and let's combine our shape together. We will need to go and other ellipse and we will need to merge the shape. Firstly, let's just go to the bottom part. And the same way as before, we are just creating our shape just with one line and holding it at the end. When you are done, try to make it straight. And then we will go over the top to our editing mode. Now you can decide how big you want your muffin to be. You can just move the shape higher or lower When you've decided on the size of your muffin, let's just go and try to make the whole shape more straight. Our nodes on the side should be on one line when you have it. In that way, let's just get away from our editing mode. So we will need to tap on the screen either with our apple pencil or with one of our fingers. Now let's just grab an eraser tool and we will erase all the lines that we don't need. We don't need these lines on the sides, and also we don't need the whole curve that we have over the top. Let's just go and erase everything that we don't need while we are still here. Let's just get back to arm brush and we will go to these corners that we have on the bottom. And we will soften them. Instead of the very straight corners, we will create the curves. When you are done with the first side, do the same on the opposite one. And then we will grab our eras or too, and we will erase these parts that we don't need when we have our sheep on the bottom. We will need to go inside of it and we will need to add a few lines so they will represent the paper that we have on our muffin. Let's just go and create a couple of lines like that. Later on we will work on them and they will look better. Now when we have something like that, let's just move on to the bottom part. And we will add a little shadow here. What we need to do is to go underneath our little shape on the muffin and we'll create a wobbly shape like that. You can play around with its size, you can play around with the curviness of it. You can play rounds with everything that you want to play around with. When you are done, let's just go over the top and we will start aiding the feeling here. Firstly, let's just go to this line that we have right here, which is the bottom part of our ellipse. And we will use this line to start creating some cream. What we need to do is to roughly find the place for the cream. Let's just go over this line and we will create the lines going in that way. We are going a little bit beyond the frames of our muffin on the bottom. And we will create the curves going on the top in that way. When you have it in that way, let just go and add some fruits. Firstly, going over our left side, and let's just add a little strawberry here. Let's first go to the left part, and we will create a line going in that direction. If you want, you can play around with the angle. And this line will represent the center of our element, so it will be easier for us to create it. When we have it, we will just go to the top of it. And we will start by creating a shape like that. When you have the curve like that, we will go to the bottom and we will go and create a shape in that way. If it's easier for you, you can start by creating an ellipse and then cut the bottom part and create the shape of the strawberry. If you want, you can play around with the whole shape. You can make it more curvy, or if you want, you can go and make it very slender. It's all up to you. When you have the ship, we will go to the top of it and we will start by adding some guiding lines that will help us to add the leaves. We are going to this line that we have in the middle of our strawberry. And from this line we will go and create a few more lines. Going in that way, you can go with three lines or four lines. When you have it, let's just go and add some leaves. These lines that we have created are guiding lines, and they will be in the center of our leaves. Let's just go to the first one, for example. Let's go to the right part, and let's just go and start creating the leaves in that way. You can overlap them with the shape of the strawberry. If you don't want to overlap them, you are welcome to grab an eraser tool and erase the bottom part. And when you have this first leaf, let's just go and add three more of them. You can play with their size, you can play with their position. If you want to play around with something else, you are welcome to go and play around with. Remember that now we are creating just a cage. So you are roughly figuring out what we are doing here and you don't need to be perfect. If you want to go and grab an eraser tool and erase the lines that you don't need, you are welcome to go and do that. If you want to go and add more details or maybe more leaves again, you are welcome to go and do that. Just find what works for you and always take a look at your picture from the distance. When you have the strawberry that you like, let's just go inside it. Let's just add some seeds. We will need to go and add little elements like that. Let's just go over the whole shape of our strawberry and let's add the rows of our seeds. When you are ready, let's continue adding different elements. For example, let's just go a little bit underneath this first strawberry and we will add another strawberry, but this one it will be cut in half. We are going to be creating a half of the strawberry here. We can always go to our lies and we can create one more li, on which we can add other details. Later on, we can go and merge all of these layers together. When we are creating different layers, it will be easier for us to adjust the elements. Maybe go and at empires that we don't need and then we can just merge them. Now on the layer, let's just go a little bit underneath this little ship and we will create another guiding line. In that way, what we need to figure out here is that we are adding the details on the top of our cream. Our elements are not floating, they are inside these shapes. What we need to do with this guiding line is to go to the top. And we are going in the editing mode. And we will need to make sure that we will be putting our half of strawberry on the cream. We will need to go and move it a little bit in that way and maybe adjust the angle when you have something like that. Let's just tap on our screen to get away from our editing mode. Now let's just go and create a similar shape that we had right here, and then we'll add the details inside. Firstly, we are going to the bottom and we are creating this rounded shape. When you have it, we are going to the top and we are creating the half of the strawberry. Adjust the shape to your liking. You can repeat what you had on your first strawberry or maybe find something different. It's all up to you. Let's just end up with the sheep and when you have it, we will just go inside and we will add some details here. What we need to do is to go to this line that we have in the middle and we will need to create a shape like that. We are stepping from the top and we are creating a line in that way. When we have it, we will go a little bit to the sides of it and we will repeat the whole shape. Later on when we are going to be recoloring everything, it will look better. Now we will need to go to the sides and we will need to create some lines like that. Later on we will turn them into these little peaky parts. Let's just go through the whole shape, and when we have something like that, we will go and adjust the whole shape. In general, what we need to do is to go to our arrow key on the top left. Firstly, let's just go and make this whole shape a little bit smaller. We are going to one of the corners and we are dragging it down. Also, we can position it differently, we can rotate it. It's all up to you. To rotate the shape, we will need to go to this green node that you have on the top. We will need to hold our apple panel there and make a rotational movement. Find the angle that works for you if you want to make sure that it is laying on the cream, we can adjust the perspective on this element. Just a little bit. To adjust the perspective, we will need to go to the bottom panel and we will need to choose distort. When we are choosing distort, we can go to the nose that we have on the sides and we can adjust the perspective. Firstly, let's just go over the top right node and we will drag it more toward the center. You can see how our shape is changing. We just need to go and figure out how we want to position this whole shape. Either we want to make the bottom part a little bit bigger and that will make it look like it is in the perspective. If you want, you can go and play around with this nodes. If you don't want to do that, you can skip this little part. In general, we will need to have something like that. Our bottom part is a little bit bigger than our top part. If you need to make this element a little bit different, if you want to make it smaller or bigger again, you can go to the uniform method and adjust it to your lichen. Find the rotation and the position that works for you. Take a look at your illustration from the distance. And when you are done, let's just go and deselect everything by hitting our arrow key one more time. Now when you're satisfied with the position of this element, let's just get back to our layers. And we will go to our layer with the sketch. We will grab our eraser too, and we will erase these overlapping parts. Now if you want, you can get back to your layers. Go to the layer where you have this half of the strawberry, tap on it and choose Merge Down. Now we have all of our sketch elements on one layer and we are ready to move on and add more details. Firstly, let's just go between these two elements and let's add two more berries, but this time they will be blueberries. Again, if you want, you can go to the layers and create one more layers so it will be easier for you later on to erase these little parts that we don't need. We just will go to these little parts right between these two ships and we will add a circle. In that way we are overlapping our shapes. If you want to create a perfectly round circle without lifting up your apple pencil, when you're holding it at the end of the line, you will need to hold one of your fingers on the screen. You can adjust the size by moving your apple pencil from side to side. And if you want to change the position of these elements, we will lift up everything that we are holding right now. And we will go over our top to the editing mode. Let's find the position that will work for us. We will go, for example, with something like that. And then we will tap on the screen to get away from our editing mode. Now if you are satisfied with the position of this element, let's just go and add one more element. We will go with another blueberry. Let's just go and add it a little bit underneath the first one. Again, the same way as before. We are creating our shape just with one line and we are holding it at the end. If you want a perfectly round circle, hold one of your fingers on this screen. You can adjust the size of these elements, make it bigger or smaller than your first one. And if you want to change the position, go to the 18 mode and find the placement that you like. When you are positioning your elements, it's always best to go and overlap them rather than put them in that way where you have your elements touch each other. When you are touching elements, it makes a little bit of attention between them. And your eye is looking at this place and it feels like something is wrong. When you're creating your elements, it's always best to overlap your ships, for example. Let's keep it in that way. And then we will go right between these two ships and we will decide which element is in front of us. We will grab our eraser to, and we will erase the lines that we don't need. For example, let's just go to this little part and we will erase it from our front elements When you have it in that way, take a look at your illustration from the distance. If you want to change something, it's good that we are on the separate layer. You can always go to your arrow key on the top left and you can just go and move your elements. Find the position that works for you if you want to adjust the size, if you want to adjust the rotation, you are welcome to go and do that. When you are satisfied with the position of your elements, let's just deselect everything by hitting our arrow key. Now let's just get back to our layers. We will get back to our layer with the main sketch we will grab our eraser to, and we will go and erase these overlapping parts. When we are done, we are getting back to our layers one more time. We are going to the top layer, we are tapping on it, and we are choosing merged down. When we are done, let's just go and create one more layer on this layer, we will go and create a cookie in the shape of the bear. Firstly, let's just go between these two strawberries that we have on the top. We will step a little bit from this little crack and we will go and create a shape. In that way, we are creating half of the circle. You can play around with the size of it. It's all up to you. What we need to do next is to go to our top, to the editing mode. Let's just go and adjust the ship to our liking. And you can see how our scheme is helping us. We are not going too much beyond these frames and we are creating a nice composition. Now, play around with your ship. If you want to make it smaller from the editing mode, you will need to go right between the nodes. Hold your apple pencil there and drag it down, for example. Let's keep it in that way. And then when we are ready, we will tap on our screen to get away from our editing mode. Now we will go right to the left side where we have this little gap. And into this gap we will add a little hand here. Let's just go and create half of the ellipse here. The same way as always, we can start by creating a guiding line if you need to. If you don't need to, just go straightly and create half of the ellipse here, hold your shape at the end. And when you are done, let's just go over the top to our editing mode. And let's just make it look more like a poll. What we need to do is to move it a little bit to the left so we have some space here on the face. And if you want to make it a little bit wider, you are welcome to go to the side nodes. And you are welcome to adjust them the same way as if you would like to change the size of this element. You can go and change the rotation of it. Again, will need to go right between the nodes, hold your apple pencil there, and make a rotational movement. Find the position on this element that works for you. And when you are done, let just up on the screen to get away from this mode. When we are done, let just go over the top of our head. And let just did aid in some ears. If you want, you can go and help yourself by creating the guiding lines going through the center on the shape, for example. We can just go and create the guiding line going in that way. In that way, we will know where is our center, the vertical one. When we have it, we can just go to the soap and we will go over our left side firstly. Let's just go and add a little ear element. In that way, we will create half of the ellipse here. We will hold it at the end, and if we need to, we will go over the top to our editing mode and we will adjust it, find the position and size that works for you. The rotation should work for you too. When you have it, we will go to the opposite side and we will do the same thing here. Again, try to keep the distance from the center similar on both sides. If you need to, you just need to go and make a little mark down from where you need to start. As you can just go and create the line going in that way so you will know where you need to finish your little ear when you have it. Let's just go and create a similar shape as always. Hold it at the end, Go to the editing mode and adjust it if you need to. Also, let's just put this little cookie a little bit in the perspective. Again, when we are talking about perspective, some elements that are closer to us will look a little bit bigger. We will need to put this second ear that is closer to us, a little bit closer to us. What we need to do is to grab our little ear and move it more toward the right side when you have it. We also will need to go and make sure that this ear is a little bit bigger than the previous one. We are going right between our nodes and we are dragging it a little bit up. Try not to overdo it when you have it in the way that you like. Let's just go and adjust other elements. Firstly, we will go inside our little ears and we will add these inner parts of the ears the same way as before. We are going inside the ear and we are creating a similar shape that we have on the top. When you have it, we will do the same on the opposite side. You can play runs with these elements. You can make them very small or very big. It's all up to here when you have something like that. Let's just go and add the facial features. We have this line that we have in the middle, and let's just go from it to one of the sides. And we will start by creating the shape of the circle that will represent the eye. Let's just go somewhere here. Let's create our shape when you have it. We will go inside of it and we will shade it. When we have our eye on the first side, let's move on to the opposite one. And let's do the same thing here. We just need to go to the side and we will need to create the eye a little bit bigger than we have it on the left. Let's also go a little bit further away from our middle part, just a little bit. Let's just go on the same line and let's create our eye here. You can see that the distance from the center is a little bit bigger and our eye is a little bit bigger itself too. Shade it when you're ready. And if you feel that maybe you want to adjust some parts, for example the ice, we can go and select them and we can adjust only them. What we need to do is to go to our S ribbon icon on the top left. We will use free hand methods. With this method, we will just go and select our eyes. We will just go around them and we will create the shape, we will loop it around and we will select only our eyes. You can see when only these shapes are selected, you will see them more clearly than the whole illustration. When you did it, we will need to go to our transform too, which is our air key. Again, on the top left, we are using uniform method and we can just go and adjust these little elements. For example, if you want, you can go and make them bigger. Let's just go to one of the nodes that we have on the sides. And let's just go and adjust these elements again, if you want to tate it, go to the green nodes. If you want to move the eyes, for example, a little bit more to the left, you are welcome to go and do that. Take a look at your illustration from the distance and when you're satisfied with it, let's just go and deselect everything by hitting our ribbon icon on the top. When you are done, let's just go and add the nose and the mouth. So we have this little part that is going from our middle line. Let's just go and erase it. We will go to the same line that we have our eyes on, and we will start by creating a little nose. Let's just go right in the middle. And let's create a very soft triangle like that when you have it. We'll go inside and we will shade it. When you have the nose, let's just go underneath it and let's create little shapes like that. You can play around with their size. You can play around with everything that you want to play around with. Let's just go and create these two shapes. Again, we are thinking about our perspective and we are making this line on the right, a little bit bigger than our line on the left. If you want to go and add some additional elements, maybe browse or maybe little cheeks, you are welcome to go and do that. For example, let's just go right above the eyes. And let's create two little shapes like that that will represent our eyebrows when you have them, we will go underneath our eyes and we will add little cheeks there. Let's just go with ellipses like that when you have it on the first side, let's move on to the opposite one. And let's do the same thing here. When you are done, let's just go to this little gap that we have on our left and let's connect it with our poor. When we have connected our sheep, Let's just go to the pore and we will add a few lines here. When you have it. If you want, you can go and add some additional elements here too. For example, you can go underneath this little lines and add a little shape in that way. If you don't want to add it, you are welcome not to when we have it. Let's just go to our layers. If you're satisfied with the position of this element with everything, you don't want to adjust anything here. You are welcome to go to the layers and you are welcome to merge these two layers together. But before that, we will need to go to earlier with the sage, grab our eraser tool and erase these overlapping elements. When you are done erasing the elements, we are welcome to go to the layers. We are welcome to go to Li with the bear. Tap on it and choose Merge Down. Now when we are done with our bear, let's continue adding more details. Again, we will go and create one more lier. And onto this lier, we will go to our right part and we will add one more strawberry again. Let me just go firstly and create the guideline. In that way, if you want to adjust the angle, you are welcome to do it. If you don't want to adjust it, let's just continue creating our shape of the strawberry again. Firstly, we are going over the top and we are creating this shape in that way. When you have it, we will continue by creating the rest of the shape the same way as we did before. If you want to add some additional elements, for example, play with the whole shape, maybe add a little dent or something. You are welcome to go and do that. Also, if you want to go and add other fruits or other berries, you are welcome to go and do that when you have the basic shape. Let's just go over the top and let's add the leaves again. If you want, you can go and start by creating the guiding lights. When you have the guiding lines, let's just go and add three leaves. Take a look at your illustration from the distance. If you want to adjust some parts, just go and adjust them. When you are ready, grab an eraser two and erase the parts that you don't need. Now let's just go inside our strawberry and let's add the rows of our seeds. Now, when you are generally satisfied with your strawberry, let's just go and adjust it. Firstly, we will go to our K on the top left, and we will plead with the position of the element, with its size, with its rotation, with everything. Let's just find what works for us. So find what works for you. And when you are done, let's just deselect everything by hitting our arrow key one more time. Now let's just get back to our layers. Let's just go to earlier with this cache and we will erase the lines that we don't need. All these overlapping lines should be gone. Now let's one more time get back to our layers. We will go to earlier on the top, we'll tap on it and we will choose merge down. Now let's just go and create one more layer on which we'll add more elements. For example, let's just go and add three more berries that are blueberries. Again, we are starting by going to some blink space and we are starting to create our shapes the same way as before, just with one line and holding it at the end, If it a perfectly round Beery. Hold your apple pencil and hold one of your fingers on the screen, adjust the size, and go to the editing mode to find a better placement for the elements. When you are done with your first bear, let's just tap on the screen to get away from the editing mode. And let's add two more berries. If you want to play with the position of this element, you know what you need to do. You will need to go to your Roche on the top left. Use uniform method and find the placement that works for you. For example, let's go with something like that. We will select everything by hitting our arrow key one more time. Then we will need to go and decide what parts are overlapping other parts. Let's just grab our eraser tool and as the parts that we don't need. When you are done, we are getting back to our layers and we are going to our layer with this sketch again with an eraser tool. We will go through the parts and we will erase something that we don't need. When you are done, let's just go again to our layers. We are going to the top layer and we will merge these two layers together. Now let's just go again to our layers and let's create one more layer. Firstly, we will go to this part that we have for the cream, and let's just go and add some lines. In that way, we are creating some swirls and we will need to add a few lines going in that way. Later on we will make them better. Also, we can go to the bottom parts where we have the swirl elements and we can add some little curves there. Basically what we need to do is something like that. When we have it, we will get back to lies. We are going back to lie with the sketch, grabbing our eraser two and erasing the lines that we don't need. When you are done, let's just get back to our layers. Go into the top one and merge these two layers together. Now let's create one more layer on which we will add more details. Firstly, let's just go to the top part, to the head of our bear, and we will add a little cream element here too. Firstly, let's just go right between our ears. And we will create two died in a lines like that. Basically we are creating a triangle. And we are using this line that we have in a center, as a center line. When you have these two lines, we will go to the bottom. And what we need to think about here is that we are putting these elements on the heat, and this heat is not flat. We will need to follow the sheep. What we need to do is to create a line going in that way. Now let's just go and turn this into the cream element. What we're going to do is to go to our layers. One more time we are going and creating one more layer. Let's first go to the bottom left. And from here we will create a shape in that way. When you have it, we will step more toward the right side again. We will create another curve and it will go again to the top. When we have the second curve, we will do the same going toward the right part, even more, again, stepping a bit and then creating our curve. Now let's just go to the corner, and from here again we will create another curve going up. You can make the segments more protruding. So for example, if we go to the second segment right here, let's just go and create the curve on the top. And then we'll grab our eraser two and we'll erase these parts that we don't need. Also, we can go to the left side, right here, and add another curve in that way. Also we can go to the very tip of our little part right here, and add it in that way. Now let's just go through the whole shape and make it more even and more rounded. And then we will move on to the bottom part. Now for the bottom, let's just go and connect our lines with the curves. When you have these curves, let's just go and make these corners right between them, more round it. Now if you want to go and make this shape a little bit smaller, let's just go to our arrow key. Let's just go to the uniform method and let's adjust it if you want to find a different placement. If you want to play around with the rotation again, it's all up to you. Go and find what works for you. Also, if you want, you can adjust the shape even more drastically. Firstly, let's just deslect everything by hitting our arrow key. Then we will go to our magic one tool over the top left. On the bottom on this list, we will select liquefy. You can see on the bottom we have a lot of options. We will go and select Push. You can go to the bottom and adjust the size of the brush. When we are using liquefied tool, we can just go to some places and we can adjust them by moving them toward the center or toward the side, for example. Let's just go to one of the sites and just move it more toward the center. You can just go and liquefy everything. You can make it more rounded. You can play around with the whole shape in general. Just find what works for you when you spend some time playing with this shape and when you found that works for you. Let's just go and deselect everything by hitting our magic one to one more time. Now let's just get back to our layers. We will firstly go to the lier, where we have our additional scheme. We can just go and erase it. What we need to do is to swipe the layer from right to left and choose the lead. When we are done with this part, let's just go back to our layer with the sketch. And if you are satisfied with this shape that you have on the top of the head of your bear, when you don't want to adjust it anymore, you are welcome to go and grab an eraser to and erase all of these overlapping parts. And again, remember that this is not the final render, the final illustration that we are going to be having. If you're not quite satisfied with what you have right now, you have the chance to adjust it later on. Now when we have everything in that way, let's just get back to our layers and let's combine these two layers together. Go into the top one, tap it on it, and choose and merge down when we have it. Let's just get back to our brush, and let's just go to our cream on the top. And let's add the facial features here too, for example. Let's just go to the middle section here. Let's add some ice in that way. And then we will add a little smile right between our little ice if you want to add some additional elements. Some cheeks, brows. Anything that you want to add here, you are welcome to go and do that. Now we are almost done with the whole illustration. Let's just go and add some additional elements to the bottom and some elements that are floating around the whole shapes. Let's just go firstly to the bottom left and let's add a strawberry here. Again, we will go to this intersection that we have between this element that is a blobby shape here. We will one more time go to our lis, create one more layer, and onto this layer we will create a strawberry. If you want to add a different berry or different object, you are welcome to go and do that as always, let's just start by creating a guiding line. Then we will turn it into a strawberry. You can play with the shape. You can make it very peculiar or very generic. It's all up to you when you have the shape. Let's just go over the top and let's add some leaves This time, let's just add the leaves with a little stem. Firstly, we are going over the top and we are creating a stem in that way. Then we will go to the sides and we will repeat the shape of our beer that we have on the top. Let's just go and create the shapes in that way. Now let's just go and add our leaves if you want, you can go and create the guiding lines and then turn them into the leaves. Play around and add a few of them. When you are done, erase the parts that you don't need. Now lets just go inside our strawberry, and let's add rows of our sets. When you are done with this task, let's just get back to our archey on the top left and let's play around with the position of the shape. If you want to play more with the shape and maybe work a little bit on the perspective, you are welcome to go to the distort option and play with the whole shape when you are done. Let's just go to our key on the top left. Let's deselect everything when you're satisfied with everything. Here we are ready to get back to our layers. We are going to our lie with the sketch we are grabbing our eraser to and erasing the parts that we don't need. Now let's get back to our layers. Let's merge these two layers together and let's create another layer. We will go to the opposite side, and we will add a few more elements here. For example, again you can go and add some berries, Strawberry or maybe some blueberries. You are welcome to go and play around with this part. For example, let's create the second berry the same way that we have put it on our left side. Then we'll add one more blueberry. When you are done with your berry, go to the transform tool and find a better placement for it. When you are satisfied with the position, go to your previous layer with the sketch, grab an eraser tool and erase the parts that you don't need. Now let's just get back to our layers and we'll merge these two layers together. Go into the top one, tapping, and select, and merge down. Also, we will go and create one more layer on which we'll add more details. For example, let's just go to this blank space that we have on the bottom left, and let's add a few more blueberries. You can go with one or a multiple of them, for example, let's just go and start with one of them. As always, hold your apple pencil. Hold one of your fingers on the screen A, just the size. Adjust the placement by going to the editing mode. When you are satisfied, just tap on the screen to get away from the editing mode. Decide whether you want to add more on these elements and if you don't want to, please go to the layers. Go to the layer with the Skage and erase the parts that you don't need. Now let's one more time, get back to our layers. Let's merge all the layers together. All the layers that belong to our skate. We are going to the top one, select and merge down. Now let's just take a look at our illustration from the distance. If we like it, we are ready to go and create one more layer on which will add some additional miscellaneous objects. For example, let's just go over our whole shape and we will go and add some sparkles, some dots, maybe some little flowers, some miscellaneous objects. Let's just go and add a few of them. When you are done with this part, let's just get back to our layers and we will hide our layer with the scheme. We are going to the little chat box near our icon and we are tapping on it. Now let's take a look at the whole illustration from the distance one more time. If you're satisfied with the position of all of your miscellaneous objects, let's just go and merge these two layers together. Again, go into the top one, taping, and select and merge down. Now when we have all of our sketched elements on one layer, let's just take a look at them one more time. And we will need to decide whether we want to adjust something here. For example, if you feel maybe that your bottom part of the mapping is too big, we can go and adjust it. For example, let's just go to our ribbon icon. We will select this bottom part and we will try to make it smaller. Select the bottom part. Loops around when only the element is selected, and then we'll go to ou 4. Clean Lines: Let's start this part by going to our layers. And firstly, we will go to our layer with the Skage will change its capacity. We are going to our icon, We are going to the Opacity slider. And we are dragging it toward the left side until we still can see what's happening onto this layer. But when it's not that bright, find the capacity level that works for you. And when you are done, just tap on your layer with the Skage to close this window. Now when we have our lay with the sage with a different capacity, let's just go and change the color of it. Because later on when we are going to be aiding our clean lines, we will be using the same color that we used for our Skage. It might be a bit confusing. When the layer with the sketch is selected, we are going to our magic one tool on the top left. When we are into our adjustments, we are going under hue saturation and brightness. Now let's just go to our hue slider and let's find some quantrastclor, For example, something blue will work perfectly when you found the color that works for you. Let's just deselect everything by hitting our magic 121 more time. Now when we've prepared our sketch, let's get back to our layers. And let's create one more layer that we will rename as lines. And when we have our new layer, we will be using the same brush that we were using for our sketch. If you want, you can go and select other brush and create very smooth and very clean lines. But we will be using the same sketchy brush, but we will need everything to be pretty neat. What we are going to be doing is creating the lines in a very neat way. Now we are using the same color that we were using for our sketch. Before we changed it, it is our red color. Now let's just go and start creating our lines from the bottom of our muffin. Let's use one option that procreate has and it will help us to create these lines inside this little shape. Firstly, let's just go to our range icon over the top plate. We will go under canvas and we will turn on drawing guides. When you did it, you will see the cells that are going through the whole shape of your canvas. That's exactly what we need, but we will need to adjust one option. We are going under aided drawing guides. And on the bottom first, let's just go and change the grid size. You can see that we have the slider and let's adjust it to 75 pixels. When we are done with adjusting the grid size, let's just go to the bottom right and we will total assisted drawing. When we did it, we are going to the top right and we are tapping down. Now we are ready to go and recreate the ship. When we have this drawing assist turned on, we are able to create only the straight lines. Firstly, let's just go over our left side and we will go to the top point where we have our line off, the bottom part of the muffin. From this line, we will go down with the straight line. You can see how easily we can create this line. When we have this line, we will go on the opposite side and we will do the same thing here, going to the top and creating the line going down. Let's just go to the lines that we have on our grid. And let's just go and create a few more lines, just recreating them. When we have our straight lines, we will need to adjust them and we will need to make these diagonal elements that we have on the side. And also we will need to follow the lines inside to firstly, let's just get back to our ranch and let's turn off drawing guide. But if we now go back to our canvas and if we try to create something, you will see that we are still managing these lines that are straight. What we need to do is to go to our layers. We will see that our layer with the lines is now assisted and we will just need to go and turn it off manually. From here, let's just stop on our layer with the lines and we will choose Drawing Assist from the list. Now we can go to our canvas and create our lines freely. What we need to do right now is to create these diagonal lines. When we have this layer with the lines selected, we will go to our Ero key on the top plate and we will go under this sort. When we have selected our distorted option, we will go to the bottom nodes that we have on the sides and we will just drag them more toward the center. Let's just go firstly over our right note. And we will just drag it following the line that we have on our sketch. When you have it, we will do the same on the opposite side. If you need to adjust the lines to match what you have onto your sketch. You are welcome to go to the top notes or some other nodes and do it when you have it. Let's just go and tap on our error key one more time and we are ready with this part. Let's just go to the bottom. We will grab our eraser tool and we will erase all these lines that we don't need. Now we can get back to our brush and we can recreate this line that we have on the bottom. When we are creating our clean lines, we can use all the tools that we use before. If you want to hold your line at the end to make a more straight line, or if you want to create a better curve, you are welcome to go and use this option. If you need to adjust your line, go to the top to the editing mode. Now in the same way, let's just go over all of our objects and let's create these clean lines. Remember that you don't need to recreate everything with 100% of similarity. If you want to adjust some parts, you are welcome to go and do that. Now very quickly, let's just go and recreate our objects and maybe add more details. When you are done recreating your main elements, let's just get back to our liars and we will hide our lie with the skitch. We will then go to our lie with the lines and we will check out whether everything is nice and smooth and clean. If you need to adjust some parts, please go and adjust them. If you want to add some details, go and end them. Also, while we are using this brush for creating our clean lines, we also can use the same brush for our eraser tool. When your brush is selected, just go to the eraser tool and hold your apple pencil. There you will see a little option on the top that tells you that now your eraser is the same brush that you are using for your main brush. Now let's just go all over our places and let's go and adjust the tos and add some of them. And when you are satisfied with your lines, let's move on to our next part where we are going to be adding the base colors. 5. Base Colors: Let's start our basic color, in part by going to the layers. And first we will go underneath our layer with the lines to our layer with this gauge. And from here we will create a new layer. We will be creating a new layer for every new color that we have onto our illustration. For example, if we want to recolor all of our strawberries with red color, we will create a layer. We will rename it as red. And we will add this red color onto this layer. And we will do it with all the elements that we have here, green on green, white and white and et cetera. Now let's just get back to this layer that we have just created and let's rename it as Muffin Bota. As we have created our lines in a very sketchy way, it will be quite hard for us to just drag and drop the color inside. It might leak out or it might not recolor all of the areas that we want to recolor. We will use a different technique in this class to recolor our elements. When this layer is selected, we are going to our S ribbon icon over the top left. And we are using free hand method. With the free hand method, we will just go along the lines and we will select this area that we want to recolor. Let's just go and select it. When the whole area is selected, we are getting back to our color palettes and let's select the color with the name, Dark Beach. When we have the color, we will just drag and drop it to this selected area. When we are done, we will go and deselect everything by heating our ribbon icon one more time. Now let's just get back to our lis and let's create one more layer. Let's rename it as cream. Now in the same way, we will go and select these two areas, one in the middle and one on the top of the head of our bear. And we will just add the color the same way as we did with our muffin bota. Firstly, when the layer is selected, we are going back to our ribbon icon using free hand method and firstly selecting one on these areas. Let's just go and very quickly do that when the first area is selected. Let's move on to the top, and let's select this little part here too. But firstly, make sure that on the bottom panel, you have the option selected when both of our areas are selected, we are going back to our color palette and we are selecting the color with the name white. And we will just drag and drop it to our selected areas. When you are done, let's then select everything by hitting our S ribbon icon. Now one more time where I getting back to our layers and let's create a new lier for our strawberries. The same way as before. We will just go to our S ribbon icon and we will select the bodies of all of our strawberries very quickly. Let's just go and do that. When all the cherries are selected, we are getting back to our color palette and you can decide what color you want to use for these parts. For example, we can go with cherry red or rat. Select the color and when you are ready, just drag and drop it to the needed places. When you are done, we will deselect everything by heating our S ribbon icon. Again, we are getting back to our layers and we are creating the layer for our green parts. Let's just rename it as leaves. Again the same way as before. Selecting our S ribbon icon freehand methods. And we are going over our leaves and we will select them when all of our leaves are selected. One more time, getting back to our color palette and let's select this color with the name, Pale Green. We will just go all over these places that we have selected and we will drag and drop the color to time. When you are done, we will select everything by heating our ribbon icon. Now let's just get back to our layers. And let's create the layer for our blueberries. And the same way as before, we will go to our ribbon icon. And we will select all of our objects that are blueberries. When you are done going back to our color palette and let's select the color with the name, Magenta, Pink. We will go and drag and drop the color to the selected places. When you are done, let's deselect everything, and let's just go and create one more Lia for our bear. Again, the same way as before, selecting the whole shape and then we will recolor it. When the bear is selected, we are getting back to our color palettes and we are selecting the color with the name Bear, Orange. Let's just drag and drop it to our beer. Now let's just get back to our S ribbon icon To deslect everything. We will take a look at the whole illustration and we will need to recolor the additional elements that we have here. Again, let's just go and create one more Lia and we will rename it as miscellaneous. Now let's just go and select all of these little elements on the top. And also we will select this element on the bottom, which is our little shadow, when all the needed areas are selected. Let's just get back to our color palettes. And as for these elements on the top, let's use two colors, white and some pink color. Let's just go firstly with white, and let's recolor some of our elements. When you are done with the white color, let's get back to our color palette and let's select this pink to color with this color. We'll go to the rest of the elements that we have on the top and we will recolor them. As for the elements on the bottom, let's get back to our color palette and let's select the color with the name, grayish, magenta, pink. We will just drag and drop it to this place that is selected. Now take a look at your selections and make sure that you recolored all the objects. And if you need to drag and drop the color to some of the places, please go and do that. When you are done we will deselect everything by heating our S ribbon icon. And now you can see that we are done with our base colors. And in the next part we will fix some of the places where we have some blank little places and we will add some little details. 6. Adjustments: Let's start this little part by going to our canvas. We will zoom it in and we will see that some elements have little white borders. We will need to go and manually adjust them by adding the similar color. For example, let's start with our blueberries. You can see when we're zooming it in, we have these little white gaps that we will need to go and manually adjust. Firstly, let's just get back to our liars and let's just go to our li with blueberries. When we are at our layer, we will need to select the same color that we were using. For these blueberries, we can either go to our color palettes and select the color from here, but as we already have the color onto our canvas, let's invoke the Eye Dropper tool and select the color in that way. What we need to do is to go to the unit color. And we will need to hold one of our fingers on the screen until we see this little too. If you move it, you will see that the top part of this tool is changing its color. And that's exactly what we need. We will need to go to the color that we need when we have it on the top of the tool. We will just unhold our finger. Now we have the new colors. So let's just go through all of these little miscolored places and let's recolor them when we are done with our blueberries. Let's do the same with the rest of our layers. Zoom in your canvas, find these little white gaps. Find the layer where you need to add the color, manually. Go to this layer, select the color, and fill these areas. And when you are done adjusting this little parts, let's just go and add some details. Firstly, we will go to our layer with strawberries and we will add the additional colors there. Firstly, let's just go to the half of the strawberry and we will then go to our color pallet and select the pale beige color. Or if you want, you can select light greyish orange. You can try out one color, and if you don't like it, you can get back and select another one. What we need to do is to select the first color and go inside this little part. Let's just go entry color it. When we are done, we will get back to our color palettes and we will select the white color. When we have this color selected, we will go entry color this area that is outside. When you are done, we will go even more outside omnes elements and we will go along these lines and create the shape in that way. We are using the same color that we're using inside and you can play around with the thickness omnis elements. When you are done adjust in this line, we will need to go through the whole shape of our strawberry with the lines like that. Just follow the sheep, and when you have the guiding lines, we will need to turn them into very soft triangles. Let's just go and create something in that way to make them even better. Let's just grab our smug tool and we will go and blend the colors just a little bit with a very small brush. We will go around these elements and we will smash them. Smash these elements nicely. Try to make the corners not that peaky. If you want to make it even fancier, you can get back to your color palette, select the white color, and add it to the little pick elements. If you want to blend these elements even more or if you want to add more details, you are welcome to go and do that then with the strawberry, let's just go and add the color to the sets one more time. Where are getting back to our color palettes and you can decide what color you want to use. White or peel beach, or maybe dark beach or light gray orange. You can select one of these colors and then go to the sets and recolor them. Now with the same color. We will get back to our li with the beer and we will add our details on the inner parts of the ears, on the eyebrows, and on the paw. Let just go and recolor these little parts. If you want to select a different color, you are welcome to go and do that. Also, as you can remember, we had little cheeks on our skitch. Let's just go and add that. If you need to find a place where you put your cheeks on the sketch, you can do the following. We will need to get back to our layers and we will need to find our layer with this sketch, we will hold it and we will drag it above all of the layers that we have when you did it. Let's just go and hide it. Now you have your little sketch so you can get back to your layer with the beer and add the cheeks on these places. Firstly, let's just get back to our color palette and let's select one of these pin colors. When you are done adding the cheeks, let's just get back to our liars. And let's hide the layer with the skitch. Let's check out how our cheeks are looking. If you need to adjust some places, you are welcome to go and do that. Remember that we are working on the same layer where we have our fur. If you need to adjust some parts, don't use the eraser tool, just select the color that you need. For example, this color with the bear color. We will just need to invoke the Eye Dropper tool, select the added color, and go to these places that we need to adjust when you are done adding the additional elements to your bear. Let's just get back to our layer with blueberries. Onto this layer, we will get back to our color palette and we will select some darker color. Dark magenta will work perfectly with this color. We will go to some places onto our blueberries, for example, to the top parts or to the bottom ones. And we will be adding these elements in that way. Basically, we are adding little ellipses and you can decide how big they want to be and where you want to place them. If you need to adjust some parts, go grab the same color that you were using before. If you want to make the elements a little bit more soft, you can grab the smash tool and smash them. When you are satisfied with everything here, when you have added all of the details, we are ready to move on to our next part, where we are going to be adding some shadows. 7. Shadows: Let's start our shadows part by deciding where we need to put these shadows. To do so, we will need firstly to decide where is our light source, because we don't want to be random with our shadows. And later on with our highlights, we want to be consistent and we want the whole illustration to be nice. Firstly, we will need to decide where we need to put this light source, because objects that are closer to our light source are lighter, and objects that are farther from it, they are in the dark. Firstly, let's just get back to our layers. We'll go above all the layers that we have here. From here, we will create one more layer onto this layer. We will go above our illustration either to the left side or to the right. You can decide. And we will need to create a little arrow that will show us the direction of our lights. So for example, let's just go over the left side and let's create this little arrow in that way. Now later on when we are going to be eight in R shadows and highlights, we will take a look at this arrow and we will know where we need to put them when we have this arrow. Let's just go to our layers one more time. And we will start from the bottom. We are going to our li with muffin bottom. And from here, we will create one more layer that will clip to a previous layer. Firstly, let's tap on the plus icon. Let's rename this layer as Shadow. We will need to clip this layer to a previous one, because we only want to add the details on the existing areas that we have on the previous layer. We don't want to add more details going outside of the shape. To do this, we will need to tap on our layer with the shadow and we will need to choose clipping mask. Also, as we are creating our shadows, we will need to take a darker color. And we want everything to be very nice. So we will just need to go and change the blending mode on the layer. Blending modes are different ways your layers can interact with each other. And by changing blending modes, you can add different visual effects for our shadows. Let's just go to our icon, and we will need to select multiply blending modes. As for the opacity for now, let's keep it at 100% If it will be too much, we can get back to this option one more time later on and we can adjust it. Now let's just tap on our lie with the shadow one more time to close this window. And then we will get back to our color palettes and we will select some darker orange color. For example, let's just go and select this color with the name orange. When we have the color, we will go and change the brush. You can find the brush that we are going to be using for this part in a project and reser, stop. This brush is dark edge water color. When we have this brush, we are taking a look at our arrow. And we are going to the bottom right part of our bottom part of the muffin. And we will start adding our shadows here. Let's increase the size of our brush. And very easily, let's just go to the bottom part. And we will add the shadow in that way just without letting up our apple pencil when you have something like that. And if you want to add more shadow here, you can go with the next layer of this brush, for example, to some places in the bottom, you can go and add a few more strokes if you want to create some nice pattern, you are welcome to go and do that too. If you over did something, you can grab the smash tool and smash the elements that you need to smash as a final result, let's end up with something like that. When you did it with the muffin bottom, we will need to go and add some shadows to other elements. Firstly, let's just get back to our lies and let's go to our li with the cream. And the same way as before, we will just go and tap on our plus icon. And we will create the new layer which will rename as Shadow. Let's clip it to a previous one. We will tap on it. We will choose Clipping Mask. And then we will go to our icon to change the blending mode to multiply again for the opacity. Let's keep it at 100% for now, when we are done tapping on the layer to close this window. And then we will get back to our color palette and we will select some darker color. For example, let's go with grayish, magenta, pink. If you want to use some other color, for example pink two or maybe light grayish orange or some other color, you are welcome to go and do that in the same way as we did with our muffin bottom. We'll go to the bottom part of our cream shapes, so the one in the middle and one on the top. And we will go and start adding some shadows the same way as before. Let's just go and start adding the shadows just without lifting up our apple pencil, just one layer of this shadow. And if you need more, let's just go and add more. We also can go underneath some of our objects, some of our fruit, some of our berries. And we can add the shadows here too. Always take a look at this arrow that we have on the top to make sure that you're adding your shadows in the right way. Again, if you overdid some parts, you are welcome to grab the smash tool and blend these elements. When you are done with this part in the middle, let's move on to the top. And let's add the shadows here too. One more time, taking a look at our arrow. And we will go more to the right side to add the shadow here. If you need to blend some parts, please go and do that. If you feel that maybe your shadows are too dark to these elements. Let's just get back to our layers. We will go to our layer with the shadow. We will tap on the icon and we will go to the opacity slider. We will grab it and we will drag it toward the left side until we are satisfied with our results. In the same way, we will go through all of our elements. For now, let's just go to left R with strawberries. Again, we will create one more lier. We will rename it as Shadow. Let's clip it to a previous one. And then we'll go to our icon and change the blending mode to multiply. When we have it, we are getting back to our color palettes and let's select some darker red color. For example, dark pink, red. With this color, again, we're taking a look at our arrow on the top left, and we are creating our shadows in accordance with that. Let's just go through all of our strawberries and let's add our shadows. If we need to blend some elements, let's grab the smash tool and let's blend them. If you feel that you need to go back to your lis and adjust the capacity of this li with the shadow, you are welcome to go and do that when you are satisfied. Let's just get back to our layers. Let's just go to the next layer with our leaves. And again, we will create one more layer above and we will rename it as shadows. Let's clip it to a previous one, and let's go to our icon to change the blending mode to multiply. When we have it, we will get back to our color palettes and we will select some darker green colors. For example, yellow green. When we have it, we will take a look at our arrow on the top left and we will go and create the shadows in accordance with it. We are going mostly to the bottom right parts and we are adding our shadows again with the same brush. If you need to blend some parts, grab this match tool and blend them. If you need to adjust the opacity on this layer, go to the layers. Go to the layer with the shadow, go to the M icon and adjust the opacity from the slider. When you are done, let's get back to our layers. Let's get back to our Blueberry Slayer. And again, we will create one more layer above. Let's rename it, let's clip it, and let's change the blending mode to multiply. Now let's get back to our color palettes, and let's select this dark, magenta color. Again, we're taking a look at our arrow and we are aiding our shadows in accordance with it. If you need to blend some parts, blend them. If you need to adjust the opacity, go to the layer, go to the M icon and adjust it from the slider. When you are done, let's just get back to our lay with the beer. And again, we will do the same thing. Let's create one more layer. Let's rename it, let's clip it. And let's change the blending mode to multiply. Now let's get back to our color palette. And let's select this orange color with this color. One more time, taking a look at our arrow on the top and aiding our shadows blend the colors. If you need to and if you need to adjust the capacity, you know what you need to do. You will need to get back to your layers. Go to the layer with the shadows and adjust it from this slider. Now when we are done with our shadows, we are ready to move on to our next part where we are going to be aiding our highlights. 8. Highlights: Let's start our highlights part one more time by going to our layers. And as always, we will start from the bottom. Let's just find our layer with muffin bottom. We will go and select our earlier with the shadow on it. From here, we will create one more layer that will rename as highlights. Let's also clean this layer to a previous 11 more time typing on it and selecting clipping mask. Then we will go and change the blending mode, but this time to overly for now, let's keep it at 100% later on if we need to adjust it, we always can get back to this option. Now when we have our new layer and when we set it up, we will get back to our color palette and we will select the color with the name pale bag when we have it. We also will need to go back to our brush library and we will go to the air brushing folder. We will select medium blend brush. With this brush, we will go to the opposite side from what we have our shadows on and we will start adding very soft highlights very easily. Let's just go over the top part and let's start adding our highlights. You can go a little bit to the shadow that you have in the middle part, but try not to overdo it. If you feel that maybe it's too much, you can always get back to your layers. Go to this lier with the highlights, Go to the icon and adjust the capacity from here. When you have something like that, when it's not too bright, we are ready to add more highlights onto the parts. We will need to go and create one more layer that we will rename as Highlights to. As always, let's clean this layer to a previous one. And this time we will go to our icon and we will change the blending mode. For now, let's keep the capacity at 50% We will go with the same color, but we will change the brush. We will go to the inking folder and we will select Technical Pen. With the technical pen brush, we will go to the left side and we will start by adding the highlight. Going through the whole shape that we have on our left. Let's just go firstly and create this little curve. And then we'll go to these places on our left and we will shade it if you want, you can go underneath this little cream part, and you can add little highlights here too. Also, you can go to the little lines that we have in the middle of our shape. And you can add a few highlights to them too. Now let's just take a look at our illustration from the distance and let's decide whether these highlights are too bright. If they are, we can always get back to our layers. We will go to our layer with highlights two, We will tap on the icon and we will adjust our capacity. Let's make these highlights a little bit more transparent. Something like 25, 30% will work perfectly when you have these highlights. Let's move on to our next objects. Again, we will start by going to our layer with the cream. We will select our layer with the shadow on it. We will create one more layer from here and we will rename it as highlights. Let's clip it, and let's change the blending mode to overly. Now we will go one more time to our brushes. And to make sure that we are just using the same brushes all over again, we can go to the top of our brush library and we will go to reset. Here we have all the brushes that we were using before. We can easily change them from here. Now let's get back to our medium blend brush and let's just go and select some brighter color. For example, let's just go with white or background, or light greyish orange. When we have it, we will go to the opposite sides from our shadows and we will add some bright elements on our cream. When you are done, we can get back to our list and we can create one more liya for highlights two. And again, let's clean. This led to a previous one, and let's go to our icon to change the blended mode to add. For now, let's keep the capacity at 100% We will use the same color, or we will get back to our color palette and select the white color When we have it, we will go back to our brush library and we will select technical pen. Now let's just go and add a few more highlights. For example, let's just go to this middle part and let's go over this line, and let's add the highlight in that way, it's mostly seen on the areas where we have our little shadows. Let's just go over them and let's add a few dots, a few highlights in that way. Remember that we are not aiding our highlights randomly. We are always taking a look at our arrow on the top left. And when we are done with highlights here, one more time going back to our lays and going to our next layer. Our next layer is our layer with strawberries. So let's just go and select each shadow. And let's create one more layer here which will rename as highlights. Let's clean this layer to a previous one. And let's go to our icon to change the blending mode to overlay. Now let's just get back to our color palettes and let's select a different color. So for example, you can go with some pinkish color, or if you're feeling brave and a little bit fancy. Let's just go and select one of these yellow colors. For example, dark beach or peach. When we have it, we are one more time going back to our brush library. We are going to our medium blend brush. And we will take a look at our arrow and we will start adding our highlights in accordance with it. If you want to change the color in a process, when you are creating this highlights, you are welcome to go and do that. In that way you can create something interesting when you're satisfied with your result. Let's just get back to our layers and let's create one more layer that we'll rename as highlights to. As always, let's clip it to a previous layer and let's go to our icon to change the blending mode to add. For now, let's set it at 50% When we are done, we're going back to our brush library, where I go in to the technical pan brush. And we will go back to our color palettes. To select white color with the white color, we will go and add the prominent white highlights. Again, take a look at our arrow on the top left and we will add the highlights in accordance with it. If you want to go and add some additional elements such as dots, maybe some little lines or sparkles, you are welcome to go and do that. If you want to go and change the brightness on this layer, you are welcome to go to your layer with highlights. Go to the icon and adjust the capacity on this layer. Find what works for you, and when you're done, let's continue with our lives. Go into the shadow layer that we have clipped on our lives. And from here we will create one more layer. Let's rename it as Highlights One. Let's clean this layer to a previous one. And let's go to our icon to change the blending mode to overlay. Going back to our brush library, selecting medium blend brush. And then we are going to our color palette to select some different color. For example, let's go with some yellowish color, and let's go with pale beige or a dark beige. With this color, we are taking a look at our arrow on the top and we are aiding our highlights. Let's just go over the top of our leaves and let's add little highlights there. When you are done going back to our layers and creating one more layer for the more bright highlights, let's run in this layer as highlights two. Let's clip it and change the blending mode to add. You can go either with 50% of opacity and then change it, or straightway go with 100% When you are done getting back to our brush library, selecting technical pan and going to some color that we used before, either peel green or white. Again, taking a look at our arrow on the top and adding our highlights, our sparkles, our dots, everything that we want to add here. When we are done, again, go into our layers. Go into our next layer with blueberries. Go into the shadow and creating our new layer that we'll rename as highlights. Let's clip it, and let's go to our icon to change the blending mode to overlay. Then let's just get back to our brush library. Select medium blend brush and we will go back to our color palettes. And this time let's select either some pinkish color or again, some yellowish color. For example, let's go with dark beach. With this color, we will decrease the size of our brush Just a little bit. We'll take a look at our arrow and we will go over the top parts of our blueberries to add the additional color. If you want to change the opacity on this layer with highlight, you are welcome to get back to the layers and adjust it from here. If you feel that maybe this yellow color is not working for you, you can always get back to your magic. One tool over the top left, go to the hue satration and brightness, and find the hue that works for you. When you are done adjusting your hue, let's just deslect everything by hitting our magic one tool one more time. If you one more time want to adjust the opacity of your layer, please go and do that. If you don't want to do that, you are welcome to go and create one more layer for highlight two. As always, let's clip it to a previous layer. And let's select the blending mode again. You can play run with the opacity straight away or you can do it later on. Now let's just get back again to our brush library technical pen. And then we are going to our color palettes to select the white color, taking a look at our arrow, and aiding the highlights in accordance with it. When you are done with these elements, if you don't want to adjust your opacity on this layer, let's just go to our lay with the beer. We will select our shadow layer, and from here we will create one more layer. Let's rename it as Highlights 11 more time. Let's clean this layer to a previous one. Let's go to our icon to change the blending mode to overly keep the opacity at maximum or adjusted straightaway. When you are done, let's just go back to our color palettes and let's select some yellowish color. So for example, let's just go with pale base. We are getting back to our brush library, selecting medium blend brush, taking a look at our arrow and aiding the highlights on the top left parts blend it nicely. If you need to go back to your list and adjust the capacity on this highlight, please go and do that. If you want to adjust the whole color, you know what you need to do. You will need to get back to your adjustments. Hue, attrition, and brightness. Find the hue that works for you when you are satisfied with your hue. Let's tap on our magic, one tool one more time to deselect everything. Then we will get back to our brush library to select technical pan, and then we will get back to our color palettes to select the white color. When we did all of this, we are getting back to our layers and we will create one more layer that will rename as highlights two. As always, let's clean this layer to a previous one. Let's go to our icon to change the blending mode to add. If you want to play with opacity straight away, please go and do that when you are satisfied with everything. Here, let's just go over the top parts of our beer. We are taking a look at our arrow and we will add our highlights. And when you are satisfied with your highlights, we are ready to get back to our lies and hide our lie with our little arrow. And now let's move on to our next little part, where we are going to be recovering our lines and adding some additional visual effects. 9. Final Beutification: Let's start this little part by recoloring our lines. Firstly, we will need to get back to our brush library. And we will go and select medium blend brush. When we did it, we are getting back to the layers and we will fight our layer with the lines. We will select it, and from here we will create one more layer. If you want, you can rename it. If you don't want, you can keep it as it is. What we need to do is to tap on this layer and clip it to a previous one. Now let's just go and start recoloring our lines, for example, to these green parts. Let's go to our color palettes and select this color with the name. With this color, we will go over our leaves and we will go and recolor the lines. We will do the same with other elements too. For example, let's go to the strawberry that we have got. Let's just go select this color that we have in the middle. And we will recolor these lines that we have in the middle. We will do the same with the white element. Again, let's select this white color and let's recolor this area. You can see that when we are recoloring some lines, we might end up with little colored gaps. All that we need to do is to get back to the layer where we have these little parts, so it is our strawberry lier. We will just go and manually adjust these parts. When we are done, we will get back to our new layer where we are recoloring our lines one more time and we will continue recoloring other objects. If you want to go over your strawberries and add different color to the lines, you are welcome to go and do that. For example, you can go and select some reddish color. Or if you feel that you want to add a different color, you are welcome to go and do that. Let's just go and recolor our blueberries. Next, we will go to our color palettes, and we will select the dark, magenta color. And we will go over our blueberries. And we will add this color to the lines also with the same color. We can go to our facial features on the bear, and we can recolor them too. Now let us go to our muffin and we will select this color that we have on a shadow. Let us go and invoke our eyedropper tool and select a middle color. We will go and increase the size of our brush just a little bit. And we will go over our lines and we will just mute them a little bit, just randomly go there and add a color to these lines. If you want to recolor the cream parts, you are welcome to go and do that for this part. Something like magenta pink or dust pink will work perfectly. If you want to go and recolor the lines on the miscellaneous parts, you are welcome to go and do that. Let's do the same with our sheep on the bottom. First we'll evoke the eye dropper tool to select the color that we're using inside. Then we'll just go over our outlines and we will recolor them. If you have some tiny gaps between your object and the outlines, you are welcome to get to the layer where you have this object and adjust this little part. Also, if you want to go, for example, to the eyes of your beer and add the highlights with a brighter color, You are welcome to go and do that too. Now take a look at your illustration from the distance and decide whether you want to change some other lines too, if you want to go and do that, if you don't want to. Let's do one more thing. We will add a bit more of the visual effects. What we first need to do is to go back to our layers and go to our layer with the lines. When this layer is selected, we will go to our S ribbon icon on the bottom menu. We will select Automatic Selection. With the automatic selection, we will go outside our shapes, so we will go to our background color and we will tap on it. What we need is something like that. When you have the areas selected, what we need to do is to go to our bottom panel and select Invert. We will need to select only all these areas that we have created. Now when they are selected, we will get back to our layers. We will go above our layer where we were recoloring our lines, and we will create one more layer. Rename this as highlights, or you can keep it as it is right now. What we need to do is to go to our icon. And we will change our blending mode overly, again, we will get back to our color palettes and we will select some yellowish or some other color that you like. For example, let's go with Pale Beach. When we have this color, we will get back to our brush library. We will make sure that we are using medium blends and we will go to some other places and we will add our visual effects there. For example, let's just go randomly and add a few more highlights if you want. You can go to your color palettes and select different colors and add different visual effects with this color. When you are done, we will deselect everything by hitting our ribbon icon one more time. And if you feel that maybe you overdid something or if you want to adjust the capacity of this layer, you are welcome to go back to your layers panel and adjust the capacity if you want. You always can get back to your adjustments, saturation and brightness. And play with the colors here too. Play with these highlights. And when you're satisfied, take a look at your illustration from the distance. If you like it, we are done with our class. Thank you for watching this class liver review if you liked it, and consider subscribing for more Cai videos in the future. Looking forward to seeing your projects.