Satisfy Your Sweet Tooth: Learn to Draw a Cute Kawaii Dessert | Procreate | Uni Corn | Skillshare

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Satisfy Your Sweet Tooth: Learn to Draw a Cute Kawaii Dessert | Procreate

teacher avatar Uni Corn, ⭐Kawaii Art Enthusiast⭐

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      0:26

    • 2.

      Preparing the Canvas & Making a Pudding Sketch

      22:27

    • 3.

      Finishing up the Sketch with Additional Objects

      17:24

    • 4.

      Adding Clean Lines

      6:56

    • 5.

      Adding Colors

      10:05

    • 6.

      Adding Shadows & Highlights

      16:14

    • 7.

      Recoloring the Lines & Final Touches

      3:48

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About This Class

Into this class, we’ll draw a sweet & cute dessert composition. You'll learn how to draw cute pictures by using simple techniques. We're starting from scratch, so you don't need any additional preparations.

This class doesn’t require any prior experience or fancy tools. Everything you’ll see will be happening in Procreate, however if you have other software or want to try traditional materials – you’re welcome to join!

During the class, we'll explore:

  • How to make a simple composition;
  • Simple shapes with QuickShape tool;
  • Clipping Masks & Alpha Lock;
  • Reference tool for a quick way of recoloring your objects;
  • How to be consistent with shadows and highlights.

Upon completion:

  • You'll get a full colored illustration which you might use, for example, as an individual sticker, clip art, or as a full-fledged illustration – you can print it or use digitally;
  • You'll know the basics of making cute characters;
  • You'll be ready to start creating your own kawaii pictures.

All class materials, such as color palette & brushes, you can find under Resources.

Looking forward to seeing you in class!


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How to Draw Kawaii Sticker Illustrations: Cute Cookies | Procreate

Let's Draw Cute Kawaii Sweets Stickers | Procreate

An Easy Way of Recoloring Your Illustrations | Let's Draw Cute Kawaii Bears | Procreate

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Simple & Cute Characters: Food & Drink Illustrations | Procreate Drawing for Beginners

Easy & Cute Characters: Bubble Tea | Simple Shapes & Techniques | Procreate for Beginners

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Meet Your Teacher

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Uni Corn

⭐Kawaii Art Enthusiast⭐

Teacher
Level: All Levels

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Transcripts

1. Introduction: Hello everyone, I'm uni, and enter this class, we'll draw a very cute and sweet dessert and position. This class doesn't require any prior experience or fancy tools. We'll start from scratch and we'll be using simple techniques throughout the process. Everything you'll see will be happening in Procreate. However, even have other software or one to try to traditional materials, you are welcome to join if you are ready to start, Let's jump right into it. 2. Preparing the Canvas & Making a Pudding Sketch: Let's start our class by deciding what kind of Canvas we are going to be using. You can see it is a very simple standard square canvas because both big sepal width and pixel height are 2048 pixels. As for DPI, we are using 300 and S1, the color profile we are at SRGB with this low number. When it's all done, let's hit Done and we will be redirected to our new canvas. And now, if you would like to use the same brush for this kitchen part and use similar colors to what you will see throughout the class. Go to the project and resources tab and download all the materials. When you are done with this task, let's just go straight to our color palettes and we will check out what we have here. Here we have two options of how we can use the colors, the compact here, and the cards. We will go to the cars because here we have all the colors, names, and they are ready for us to be used. Well, I still here under our color palettes, Let's select our first color for this gauge in parts, and it will be dark red lines. Let's tap on it to select. And when we did it, we will need to go and select this brush that we have downloaded from the Project and Resources tab. Dao fled pencil when you have arrogance that led you to start by creating a simple scheme. Today we are starting by creating a very simple shape that will help us find the composition that will work with our sketch and the whole illustration in general. Before starting just a few words about composition. Simply, composition is some kind of structure or into your Canvas. Your objects aren't scattered randomly. They are grouped in some way and that makes it more pleasing to the eyes without going too deep into the theory, we can start with a simple shape, a triangle, circle, rectangle, etc. When we have a guide in a form of simple shape, we can position all of our elements in accordance with the balance. Because composition is all about balance, you don't want to end up with something very big on one side and something very small on the other side. This way, everything will be unbalanced and your eyes will be not very pleased with the composition. So now when we know just a little bit about composition, Let's move on to our Canvas and we will start creating our little scheme that was mentioned before. We will start by creating a triangle. But if you would want to find out something different, if you want to experiment a little bit, you are welcome to use any simple shape that you like. Now let's just go to the canvas and width one line without lifting up our Apple pencil, we will start creating our shape. Let's just go and try that. Just going across the Canvas and creating these beak shape. Hold your Apple pencil and the end of the line, and you will see that you snap your shape to a better one if you need to adjust the angle and make this line on the bottom straight, you can move your Apple pencil in a circular direction. If you need to make it bigger or smaller, you will need to move your Apple pencil from side to side or from top to the bottom, depending where you have stopped creating your line. If it's on the top, you will need to go from top to the bottom. If it's on this side, you will need to go from sites. This act when you have something like that, Let's hold our Apple Pencil and we will go to this option that pops up on the top. You can see for me it's polyline, but for you it might be a triangle or something different. Then just tap on it and we will see that we have a few options here. If you have the option triangle, Let's select it. Now you can see that we are in the editing mode. And this editing mode had some nodes. That means that we can adjust our shape by moving these notes. All you need to make sure that our triangle is similar on both sides. So we will need to go over the top nodes and we will need to move it right above our nodes in the middle on the bottom part. So when you have something like that's ledgers go and adjust our shape just a little bit more. Firstly, let's position it right in the center. To move the whole shape, we will need to go and find some blank space onto our canvas and hold our Apple pencil there. When you did it, we will need just to move our shape to the place that we need. Position it right in the center. And when you are done, ledgers go to the bottom part and we will adjust it a little bit more. Firstly, we will make our triangle a little bit wider. We will need to keep some space from the bottom, from the sides and from the top. Everything should be balanced. But we will just go to this side, to the bottom nodes on this side, and we will tweak them more toward the sides. Let's just go firstly, our right side and we will move the dots more toward direct when you have something like that, Let's move on to the left side and let's do something like that when you are done and when you feel that your triangle is very pretty ledger step on the screen with one of our fingers or with our Apple Pencil and we will get away from the editing mode. So now we have this scheme on the triangle, and it is too bright for us to use it. So we will go and change the opacity level on this layer. The opacity level shows how bright or transparent your objects on your canvas. So now let just go to our layers. You can see that we have this layer number one straightaway. We can rename it as triangles scheme. So let just tap on it and choose Rename. We will go to this little icon near the checkbooks. We will tap on it. You can see that we have this opacity slider, which we can grab and move toward the left side and make it less bright and less border it. So find the opacity level that works for you. And when you're done, let just tap once at this triangle skin layer to get away from this mode. And we will need to create one more layer for our sketching parts. But before doing that, let's make sure that we are not creating any new objects onto our layer with triangles scheme. So we will just go and look at, we will swipe this layer from right to left and choose look. Now, if you try to create something onto this layer, you will have this message. Now, when we are safe to go, we are going back to our layers and we will create one more layer. So let just tap on the plus icon and straight away, Let's rename it as Sketch tab and on the layer and choose and rename. And when we have this triangle, when we have our new layer for this gauge, we are ready to start creating this gauge. And we will start by creating a big object inside of this triangle. And we will try to position it right in the middle. We don't need to go very precisely and use this line of the scheme strictly trying to position everything inside. You need to make sure that you are somehow inside these frames to keep in mind the balance. But you are using the frame as a guide, not as an unbreakable rules. So now let's just go inside of our triangle and we will start by creating a little jar or a little glass with some Putin. Firstly, go over one of the sides and creating a descending line like that. You can play around with its position. You can play around with the angle, and you can play around of how you are making these slides. You can create a few of them and work manually. Or if you want to work very neatly, you can go and create one line and hold it at the ends and snap it to a straight line. You can adjust the angle by moving your Apple pencil from side-to-side. And if you need to adjust it even more, you are doing or the top to this edit mode. So now when you have the first line on one side, Let's move on to the opposite side. We will mirror the slant. So that means that we will need to keep the same angle and we will need to put it on the same place where you just go and create this line on the opposite sex. When you have something like that, Let's move on to the bottom and we will connect these two lines with a curve. Again. You can create it manually. You can play around with the curvature. It's all up to you, or you can hold your life and the end and snap it to a perfect curve. Let's just go and create something like that. So you can see that we are not staying inside this shape on the triangle. It's okay. We are using our lines as a guide. Now when we have these bottom part of our jar, Let's move on to the top and we will finish it up by creating a little ellipse here, going over one of our alliance and from it we are creating the ellipse here. Hold your shape and the ends. And when you snapped it to a perfect ellipse, Let's go over the top to edit modes and we will adjust it even more. So now let us go to our notes and we will need to combine our nodes on this side with the lines that we have for our jar. So let's just go and combine the lines. And if you are satisfied with it, we will tap on the screen to get away from this mode. If you need to adjust it even more, if you want to make it more open or more closed or position it more horizontally, ledgers go and do that when you have the shape that you like. Let's just tap on the screen to get away from the editing mode. When we have this basic shape, let's just go inside and we will add some thickness. So that means that we will need to step a little bit from our sites and we will need to repeat the lines that we already have. Let's just go over one of our sides. Firstly, we will go and start repeating our lines. Just go in with the same direction that we have. And we are trying to keep this distance going across the whole shape in that way we are creating some thickness. And later on when we are going to be aging some colors and when we are going to be working onto our characters, this part will be a glass part. The part inside will be the part with the pudding. And now when we have these shape, we are ready to go to the top and we are ready to add some melt and Putin, firstly, let us go over one of the sides. So e.g. the left one, we will go to this intersection where we have our ellipse connecting with this side of our glass. And from this intersection, we will start creating our dripping parts. Firstly, ledgers due to this line that we have on top of our Alice. And we will go a little bit above it and going down and create a little curve going in that direction. Don't go too far from your glass elements. And when you have this little curve, Let's just go and create a little drop. So it will be looking like that. You can play around with its size. You can play around with its curvature. You can play around with a chunk in as. And when you're done with the first droplets, move on and go along the whole size of our glass and we will add a few more draping parts. You can play around with their amounts. You can play around with how big they are. It's all up to you. Just go with some pattern and create some melting parts. All you need to do is to go and create the way we lights when you've reached the other sides, you will need to repeat the same thing that you have here. So let's just go firstly for our top part of the ellipse. And from it, we will just repeat this curve that we have on the opposite side. And we will create a little drop on the site. So now you can play around and work more once a year dripping parts. You can just make them a little bit thicker, you can work on. So these connections right here make them more melting down. So to do so, you will need to soften this part a little bit, either if you need to go a little bit above or inside the shape that you have for your ellipse. It's okay. You can just go and soften it up. Most of the times your bottom part on this drip will be a little bit wider than the top part. So you can play around with these options. Now when your eyes down ledgers, grab our eraser tool and we will erase all the lines that we don't meet. Now when we have this melting parts, we are ready to move on to the top of it and we are ready to add some additional elements. So e.g. Lynch's go over one of the sides. Maybe they're right one or the left one. It's up to you and we will add some whipped cream. But before starting with our whipped cream, we will need to figure out where we need to put it. So firstly, let us give a little bit above these lines that we have for our dripping part, we will repeat the same line that we have for our little ellipse over the top. But this time we can play around with it. We can put it a little bit lower or a little bit higher. We can play with the curvature and do whatever we want here. Basically, what we need to do is to go alone the size of our glass and create a curve like that. When you have this curve here onto these little elements, we will be aging are additional elements. So let's start with our whipped cream before it starts and we will need to figure out how it works when we are aiding the whipped cream. We are doing inner spiral movement, but we are not looking at our whipped cream from the top. We need to figure out how to turn these as if we are looking at it from this side. So basically what we need to do is to create something like that. As you can see, we are adding some layers and the layer on the bottom will be the biggest one. The layer on top of it will be a little bit smaller and the layer on top of it will be the smallest. So now let's just go and start by creating a few ellipsis. We are going over one of the sides, so e.g. the right side. And we will start by creating a shape like that with very fine lines. Let's just go and create this ellipse. And now we will go over the top of it and we will add another ellipse that will be a little bit smaller. You can overlap these shapes and when you have it, we will go over the top of this shape and we will add another layer here. So again, making an ellipse and making it a little bit smaller. Now for the top part, we will need to go to the middle part on this little ellipse that we have created over the top part. And we will need to create a little hook here. When you have this basic shape, we will need to work on site. We will need to figure out what shapes will overlap, what shade, and we will just grab our eraser tool. And firstly, we will go over this part and we will erase all the oral 11 elements. So we are doing it in that way so that top element is overlapping the bottom parts. When you have something like that, we can work on it even more and we can make the connection between these elements. So now we are going to the second element right here, and we will just grab our brush and we will connect it with the previous part. So what we're doing is creating a little line going through the whole shape. You can play around with how it looks on the board. So you can just make a smooth connection between these two elements. When you have something like that, just grab an eraser tool and erase all the lines that you don't need. And now we'll do the same thing with the top elements. So again, we are going to these elements where I go into the bottom of it and we are turning this line that is separate now into a curve that is connected to a previous shape. So now you can see that we are creating some twirl. When we have these, you can just go grab your eraser tool and erase everything that you don't need if you are okay with what you have right now, ledgers go over the top and work onto this hook elements. So what we need to do is to go along this line and we will need to thicken this hook by creating another line like that. So we are just going and repeating the line and just go and down and creating a little hook in that way. Also, we will need to work on to this part and we will need to connect these bottom part with our hook. So we will just go to our bottom part and we will create a curve going in that direction over the top parts, play with a curvature when you add downgrade the Eraser tool and erase everything that you don't need. If you think that you can adjust some parts, just go and do that. And when we are done with our width cream, let's move on to the opposite side and let's put a little strawberry here. We will start by creating a little triangle. So firstly, we will need to pay attention on how we create the bottom line, because we will need to position our strawberry. We will need to put it on top of our Putin and we will need to make it believable. So it's not just hanging out there, it is just laying on the surface. So let's just go over this line and we will create the diagonal line like that. When you have this first line, just continue and create a triangle. And as you can see, we can go and overlap our objects, play around with the size of your strawberry. Just create this triangle and when you have the lines, ledgers go and turn them into the curves. So just go and above these very straight lines and we are turning them into the curves. When we are reaching our corners, we are turning them into the curves too. When you are done adjusting your sheep led just grab our eraser tool and we will erase all the lines that we don't need. Now when we have the shape for our strawberry ledgers go over the top of it and we will add some leaves here. Firstly, let us go to the top of our strawberry and ledgers, find its center just marking down. And when you have it from this little mark, we will go above it and we will add a few guiding lines for our leaves. So let's just go and create a few curves going in opposite directions. When you have your guides in lines, all you need to do is turn them into leaves. You can play around with the sheep own beliefs. You can just go and create some drop shape. Or if you want, you can create something similar to the lemon shape. It's up to you. Let's just go and create a few of these slides. When you are done, grab the eraser tool and erase everything that you don't neat. Now let us go inside the shape of our strawberry and we will add some seats. You can just play around and add a few lines like that going in the whole shape of our strawberry. Or you can play around with the shapes and maybe add some hearts here because we are creating acute illustration. Just find what works for you and when you are done, let's work a little bit more on our glass. So we will go inside the shape and we will add some layers. All we need to do is to go alone the whole shape of our inner part and add a few lines. Let's just go and create the first curve going a little bit apart from our middle parts, you can hold your line and the, and snap it to a better shape. And when you have the line that is looking nice for you, just hold your Apple pencil and let's go and create one more line. We will go to the top of it. Or if you want to create a layer on the bottom, just go and add the line here. Later on, we will color these little parts with a different color. Now, if you have some parts that you need to erase, grab your eraser tool and erase them. And let's work on to our acute phase for our first illustration. Let just go and find the center of iron glass. So we will just create one line that is going vertically and one line that is going horizontally. We know where our center is, so we are going to the top of our little triangle that is RSA scheme. And from it we will just go and create a line going down. If you see that it's not a center of your illustration, you can go over the top to this edit mode and find the center manually when you have it, let just tap on our screen to get away from the editing mode. And when we have this vertical line, we will go and repeat the curve that we have right here. We could have created just a straight line, but it's not our case because we are creating some kinds of volume here. And when we are going to be aging our facial features, we will need to use this volume to NGOs go to this line and we will just repeat it a little bit lower. Hold it and the end, find the curvature that works for you. And now we will go and add our facial features. Firstly, we will go over our left side and we will add the first eye here. We will just add a little dot here. Or we can start by creating a shape of the ellipse. Find the position that works for you. Step a little bit from our center onto this line that we have just created, the horizontal one. We will create the first dot when you have it on one side. Let's move on to the opposite side and let's add this similar shape here. We will need to put it on the same line. We will need to keep the same size and we will need to keep the distance from the center when you haven't slept. Just go inside this shape and let's shade it. When you have done one side, Let's move on to the opposite one and let shaded two. Now let's go over our eyes and we will add little browse, e.g. we have some free space over the left side. Let's just go and add a little brow here by creating, just have on this circle over the right side, we don't have the free space because here we have this dripping parts. So here we just can leave it as it is. Or if you want, we can go over this drooping part and add a little brow here. Now when we have our eyes, Let's just go and add our little mouth. We will go to the same line that we have right here of where we have created our eyes. We will go in the middle part and we will create a little curve like that. You can hold your line and the ants, you can play with the curvature. If you think that you want to put this line a little bit lower or a little bit higher. Let's hold our Apple pencil and go over the top to edit mode. You can play around with the position here. And always, you can just go and zoom out your Canvas and take a look at your object from the distance, because that way you will see more clearly what you're doing. Now play around, find a position that works for you. And when you're satisfied, ledgers tap on the screen to get away from the editing mode. Now, let's just zoom in our canvas and let's go to one of the sides and we will add a little tongue over our mouth. So we are going over one of the sides and we are creating the shape like that. It is the bottom part of the lips. When we have it, we will go just in a middle part and we will add a little line like that. When we have our little tongue alleges go underneath the ice and we will add little chicks here. So let's just go over one of the sides, the left one, e.g. we will go just below the eye and we will add a little ellipse here when you have it on one side. Let's move on to the opposite side and let's do the same thing here. If you don't like the ellipsis, you can just go and create the circles. Now we have our main shape, but let just go over the whipped cream and we will add some details here. So e.g. we can add some sparkles, ledgers go and add a few hearts if you little sparkles and if you just play around and position of these elements and try not to overdo it. When we are done with aging are little elements, are little sparkles or little hearts. We are done with our first and main object. And in the next chapter, we will be adding the additional elements. 3. Finishing up the Sketch with Additional Objects: We have finished our previous part by creating our Putin, and now we need to continue and add additional elements to finish up our whole composition. And it's also very good for the composition to have multiple objects with different sizes, a big one, medium ones, and small ones. If we go with a percentage, we don't need to make everything equal. 30% of your illustration is for a big object, 34, the medium and furtive for the small. Your big object is your main object. So you will need to give it about 50 per cent of space, 30, 35%, you will need to spend on medium-size objects, and you will leave 15 to 20% for small objects. And of course, you don't need to measure everything precisely. So now let's just go to this side and let's continue agency American position. We won't go firstly over our left side and we will add another strawberry here. We will do the same thing as we did on the top. We will start by creating a little triangle. Again, we will be overlapping Irish shapes. So let us firstly go and create the line going in that direction. We also need to think about how it lays on the surface. So you don't need to make it floats above the surface. You will need to figure out how to put it on the surface. Now, when you have this first line, let's just continue by creating our little triangle. When you have it's, let's turn our straight lines into the curves and we will do the same with the corners. You can play around with the size of this object, because now we are adding the medium-size objects. You can make it a little bit bigger than the strawberry that you have over the top part. When you soften the corners lie, just grab the eraser tool and erase everything that we don't need. Now, again, let's just go to the top of our strawberry. We will find its center and we will add a few leaves here. So e.g. let's play around with these shapes here. And let's go with something like that. We will create the first shape in the middle part, and then we will go to the sides and we will create a few smaller ones. You can make them straight or you can turn them into some bean shapes elements. And when we have our strawberry lead, just turn it into a character and we will add the facial features here. So firstly, lead, just zoom our Canvas and we will find the center on these elements. Again, we will create one vertical line and one horizontal leg just go over the top and we will create these guiding lines. Your lines, if you need to adjust the angle, move your Apple pencil. If you need to adjust it even more go or it's up to Edit mode. When you have the vertical line ledgers go and create the horizontal line, but we will make it not a straight line but a curve. Hold your land and the end. And if you need to adjust the placement, go over the top to edit mode. Let us try to put it somewhere in the center. When you aren't, then tap on the screen and ledgers go and start agent our facial features. And again, we will start by creating the ice. We are going over one of the sides and we are aiding our circles here. If you want to play around with the size, if you want to play around with this shape, you are welcome to do it. Now when you have the first, I move on to the opposite side and do the same thing here. Try to put it on the same line. Try to keep this size and try to keep the distance from the center. Now let us go and add our little mouth. We will go right between the eyes and we will create an open mouth. So this time we will start by creating an ellipse going in that direction. And when we have this first ellipse, we will go to the opposite side and we will just mirror it here. We are ending up with some kind of the heart shape. Let's shade it right away. If you want to make it more rounded, you are welcome to do it when you are done with the whole shape. If you want to go and add some Browse, you are welcome to do it. Now, let us go underneath the eyes and let's add our cheeks again. You can play around with the shape. You can go with the ellipse or with a circle. And now let's just go to the empty space and let just add some little seats. Again, you can play around with the shape. You can just end up with creating some ellipses like that. Or if you want to make it even cuter, ledgers go and add some hearts. Maybe this time we will make them a little bit smaller. When you are done, optional part is to add some arms or maybe Lex. So e.g. let's just go over our left side and we will go to the bottom part of our strawberry and we will add a little arm going in that way. If you want to work on your shape even more, maybe soften it up even more. Just go and do that. If you want to add another arm on the opposite side, Let's just go to this side and we will continue the line that we have for the body. We will create it. And on the top we will add a few more lines for the hat. Now when we have our second character lead, just add a little elements. That small one, we will go right here where we have a little intersection that now is looking Not quite good. So this intersection, we will add another buret. So this time let's just add a little blueberry. We can work just with a circle, or if you want to change the shape and play around with it, you are welcome to do it. So let's just go there to this intersection and we will create a little element right here. When you have it, let just grab our eraser tool and we will erase all the parts inside that we don't need. Now let's just go over the top of it and we will add a few leaves here. So again, we can play with something like that. You can end up with three leaves. Or if you want, you can play around and add as many leaves as you like to make it cute. You can just add a little heart and later on we will color it as leeks. Now when we have our shape for this little berry, Let's just go and add some facial features. You can play around with your facial features right here. So e.g. let's just go and add our little eyes. And let's just go and add a little cute mouth here. So we will go and create the shape like that. If you want to add some browse and if you want to end the cheeks, you are welcome to do it. And now let's just turn it into a character to, and we will add a few Lex. So we will go to the bottom part and we will go in a direction where our surface is. And we will add a few lines like that. At the end of this line, we will add two opposite lines, so we are turning them into the vertical direction, making the diagonal lines. And when you have this, if you want to add some little arms, you are again, welcome to do it. Now we are done with our left side, so let's move on to the right side and let's continue finishing up our composition. We will need to make aref imbalanced. So that means that we will need to add another object of the medium-size. Each should be similarly weight wise to the object that we have on our left. Let's just go there and create another object. And maybe this time we will create some muffin. So firstly, we will go or our right side and we will start by creating a little guides in light. Let's just go and create a diagonal line like that. When you have this diagonal line, we will do to this side and we will create two descending lines similarly to what we did to our shape of the jar. So let's just go to the top part of this line. Maybe a little bit above the center or Ellis will be below the center. And we won't go and create these descending lines. So e.g. you can mark down where you want to finish them and go to the sides and add these diagonal lines. Also, if you go and start creating the lines, Try not to create something like that. Don't touch one object with another object. But when you are touching them, you are creating some kind of tension and you are inviting an unwanted attention to this place. And generally, it doesn't look very nice. So it's always better to go and overlap one object with another object. When you hand this to descending lines, Let's just go over the bottom and we will connect them with a curve. When you hand this curve, let's just go to the bottom part of this line that we have created. And we will tap a little bit from this side, and we will create two more descending lines like that. You can play around with its size. Or if you don't want to add them, You are welcome not to do that. When you have these two little lines ledgers go and connect them with another curve. And now we will go over the parts and we will create a wavy line here. And this wavy line will represent some kind of morphine wrap. Let's just go and create something like that. When you have it led, just grab our eraser tool and we will erase all the lines that we don't need. Now when you have the clean shape, Let's just go and add our facial features straightaway so we can go and find the center. The better one that we had before with this line that we have created before. So again, we are creating one line that is going from top to the bottom and another line that is going through the center of our shape, which will be horizontal, but it will be not a straight line but a curve. So let just go and create this curve. We can hold it and the ends if you want to, if you need to adjust it even more or find a better placement for it, go to the edit mode and find what works for you when you are done leg just go and add our facial features. So firstly, going over one of the sides and aiding our first i, if you want to play around with the shape, you are welcome to do it when you hand the first eye. Let's move on to the opposite side and do the same thing here, putting it on the same line, keeping the same size, the same shape, and trying to keep their distance from the center. When you have the isolate just go and add a little mouth. We will go this time a little bit above this line that we have in the center. And we will create something similar to what we had right here. Let's just go and create this half of this circle. Play around with this curvature, play around with its placement if you want to. When you have these curved ledgers go to this side and let's add little teeth, suggest creating some rectangular shapes. And two, when you're done with the teeth, let just go to the top. We will create some eyebrows here. And when you're done with the eyebrows, we will go and add our little cheeks underneath the ice. And let's continue working on these main shapes. So we will go to this intersection right here of our line on the top. And we will continue this lines by going a little bit down. So we're just repeating this angle and we are creating these lines here. We will go to the bottom part and we will try to create these lines on the bottom too. All we need to keep in mind that these lines are going in that direction because our allies are descending. The lines on the bottom will be a little bit closer to each other. But again, try to remain the line as if it is solid. When you have these lines, let just go to the bottom part and here we will create the solid lines. Now when you're done, ledgers go over the top of our muffin and we will add some cream here. So e.g. let's just go and create some curves like that. As always, you can play around with the amount on this elements, with their shapes, with everything. And when you have them, ledgers, grab the eraser tool and erase everything that we don't need. Now, let's just go to this little wheat cream and we will add a few details the same way as we had on the main whipped cream. Let's just add a few sparkles. If you heard everything that you want to add here. When you are in San Lun, just go over the top parts to these elements and we will add a little straw here. So we will go and firstly, creating a line going in that direction. Hold it and the hands. When you have it, we will go and repeat it a little bit as site. So step one to the right side and creating this draw in that way, you can hold your line and the eons and you can go to the edit modes and e.g. you can play with the shape of this trope. You can make it a little bit narrower on the bottom and make it more white on the top. When you are done with this shape, Let's just tap on this screen and we will go over the top part and we will create this Indian part of the straw. So we won't go to one of the sides, e.g. the right one. And firstly, we will create a line going in that direction. And when we have it, we will go over the top of it and we will end this same relation that we had on our main strokes. So one of our sites will be a little bit wider and one a little bit narrower. Let's finish it up by connecting the dots. Now let us go inside of the straw and we will create a few diagonal lines that later on we will color differently and we will create some stripes. If you want to work on this shape even more, you are welcome to do it. Now we are done with our main parts. But if we take a look at your illustration, you will see that we have something very blank here on this little corner. And I create an, a triangular composition. We need to pay attention to it and we will need to fill it up to make it more balanced. So let's just go to this corner and we will add a few berries like that. You can play around with their size. You can play around with their position. If you want. You can add a little story to this little berries. Let's just go and fill up this little corner. So e.g. you've ended up with something like that. If you have some overlapping parts, grab the eraser tool and erase them. And let's just go and add some story to our little berries here. E.g. we will go to this big Barry and we will add a little elements like that. So basically we are just adding a little hard on this side, or we can start by creating a digit three, but it is reversed when we have it, we will know that these big Barry just kissing our little buret. So let's just go to our various and we will add some facial features here, play around and find what works for you. At the top of the berries. Let's add our little leafs so we can repeat this same thing that we had on our first Barry ledgers go to the top and we will add this little heart here. If you want to add some arms and legs for your little elements, you are welcome to do it. We are done with our main character is, but let's just go to the bottom of our Canvas and we will add a few beautification. Firstly, we will start by creating some chocolate puddles. We will do, or one of the sides and we will create some wobbly shapes like that. When you have it on one side, Let's move on to the opposite side and let's create another wobbly sheep. If you want to add more of them, you are welcome to do it when you have all of your wobbly shapes, ledgers go audit soap and we will add a few sparkles going alone the whole shape of our composition. So we will just go to the sides and to the top. And we will add a few sparkles. We can add a few highlights, little stars. Everything that you want to add here, all we need to do is to go in the direction of the triangle. Try not to overdo it. Just add a few own these elements. And when you're done, ledgers go to our layers and we will hide our layer with a triangle scheme. Let's just take a look at our composition. And if you want to adjust some parts, you are welcome to do it. We can do it by going to our arrow key on the top-left. Firstly, you can see that we have this little bottom panel. Here we have the uniform methods and we can move our shapes in accordance with the center of our canvas. So let's just go with Elizabeth app. So we have the equal space on the top and on the bottom also we have the equal space from the sides when you're satisfied with the position, if you want to adjust it even more, we can go under work. You can see that here we have this bounding box and we have some intersection insights. We can just go there and we can move these lines to adjust our illustration. So e.g. you can make it a little bit bigger. You can adjust the whole illustration in general, if you want, you can play with these two. If you don't want to just leave it as it was, play around, find what works for you. And if you don't want to use this word method, we can use another method. We can just go away from this mode. So we will need to tap on the arrow key. We will need to go to this little magic wand tool and select liquefy. We will use the push option. We can adjust the size of it, we can adjust the pressure. But basically it works similarly to that worked so, but here you have a little bit more of freedom. So you can play with all the elements separately and they are not some kind of attached to one another. So let's just try it out the leg, just adjust the size of our push and we will go to this whipped cream and e.g. we can make it a little bit differently placed. So you can play around with your elements. You can make them a little bit bigger, smaller, maybe push them to the other sides. Just find what works for you. Find what works nice with your composition. If you want to make some parts smaller, you are welcome to do it. If you want to liquefy them again, go and do whatever you need to do here. When you are done playing with your elements lead, just deselect everything by heating our magic one tool one more time. And when you are done, we are done with our sketch. In the next part, we will be creating the clean lights. 4. Adding Clean Lines: Let's start our clean lines marked by going to the Brush Library and changing them branch. So we will tap on the brush icon. We will go to the calligraphy folder and we will choose monoline brush while we are still under our brush library late, just go to our monoline brush and we will tweak just one setting of it. So tapping on the brush and you're inside the brush studio. On the left, we will need to go under stabilization. And here you can see that we have the value streamline. This value has this slider amounts. If we change the amount of streamline, we are changing the way our stroke looks. So now they just go to the drawing pad and try to create a line here, you can see when we are creating a line with a lower amount of streamline, it is very natural. It has some flaws. It is just following the direction of our hands and it is a little bit jagged. It's not what we need. We want arrogant to be very smooth. So let's just go and adjust these amounts. You can go and try out maximum and then try out what works for you later on. So now if we go to our drawing pad and if we tried to create our line, you will see how smooth it is. Yes, you are losing a little bit of control over it. But if you go a little bit slower with your stroke, it will work perfectly. So now, just play around with the amount that works for you. If you don't want to use this option, if you want to go with natural lines, you are welcome to do it when you are ready with the settings. Let Jess, he'd done and we will get back to our canvas. So now let's just go and prepare our layers. We will go to the layers and firstly, we will change the opacity level of our sketch layer. Just tap on the icon. We will go to our opacity slider and we will find the amount of capacity that works for us. We still need to see what's happening on our layer with the sketch, but we don't need it to be very bright. When you find the amount of capacity that works for you. Ledgers tab on our sketch layer, and we will need to create one more layer. So let's just step on the plus icon and straight away, we will rename this layer as clean lines. So again, tapping on the layer and choosing Rename. Now when we have this new layer, we can go to their color palette and select a different color for our lines. Or if you want to use the same color, that dark red lines, you can go with it. If you want to try out a different color, these purple lines, you are welcome to select this color, e.g. let's select it. Let's just go and try out how our line works. If it is too thick, go to your slider over the top-left to the top font and adjust the size of your brush if it's okay for you, the same size that you have right now, let us go to our sketch. And what we need to do here is to repeat what we have onto our sketch with the queen lines. You don't need to repeat everything with 100 per cent of similarity. If you think that you'll find some places that you want to adjust, maybe tweak something, maybe make something bigger or smaller, or maybe at all lose some elements. You are welcome to do it all. You need to remember that now at this stage, we will need to go and create the closed shapes. So everything that you are making should be closed. Closed means that you don't have any gaps between your shapes. This is not closed. This is closed. You can use all the tools that we use before. So e.g. if you need to hold your line at the answers, snap it to a better one, you are welcome to do it. If you need to adjust it even more, you can go over it. It's up to Edit Mode and adjusted from here. If you want to use the eraser tool, you are welcome to Zoom as well. All you need to remember is that we need to create the clean and closed lags. So now with this mindset, very quickly ledgers go and create our clean lines. Very smooth, very nice. And for now, we will focus only on to the main objects without our facial features. Our facial features we will leave to the nth. Now let's just go and very quickly add this green lights. When you are done with the main outlines ledgers get back to our layers and just for 1 s, we will hide our layer with the sketch. We will get back to our Canvas and we will check out whether all of our lines are closed. And if we need to adjust, some parts, will grab the eraser to and we will adjust them. When you've checked everything and all your lines are closed, smooth and nice. Like just get back to our layers and we will get back our layer with the sketch. So we add tapping on this little checkbox and now we will create one more layer for our facial features. So let just tap on the plus icon. Let's rename this layer as facial features. And on-site this layer we will go and repeat our facial features. So let's just go and do that. If you want to adjust the size of your brush, but if you want to keep the same size that you are using right now, you can do the following. We will need to go to our slider with the size of the brush. We will need to tap onto this little mark that we have for our size. When you have this little window with your size, we will need to tap on the plus icon. Here we have a marked down onto our slider. And if we would like to go and change the size, we can very easily get back to the size that we used before. So now, if you need to put the dots for your eyes, ledgers, Gil increase the size of the brush and put the dots. If you see that the maximum size of the brush is not enough to put the dots for your elements, we can do the following. We will need to get back to our brush library. We will need to go to our monoline brush, and we will need to go under properties. Here we have the option brush behavior. Here we change the slider maximum size. You can just pull it to maximum and when you are satisfied, lie, just hit Done. And let's continue. Agent, our facial features. For this part, we are adding only eyes, mouth, and our eyebrows. We will leave our cheeks, blink for this heart shape that we have for the mouth on our strawberry, we can repeat it in this way. We can just increase the size of our brush. We will go to our Canvas and we will create a little V-shape like that, which we will hold at the end. You will see that now it's snapped to a better shape, but that's not it. We can hold our Apple Pencil and we can go over it. It's OK to this option that is popped up. So now I can see that we have some dots here. We can adjust it. We can make it more chunky if you want to find the different placement, go and move it. And as always, when you add Dan, just dab on the screen, get away from the editing mode and let's continue agent our facial features. And when we are done with our facial features, Let's get back to our layers and we will hide our layer with the sketch. One more time. We will take a look at everything that we have on the earlier, just reminding you that we need all the lines clean and when you are ready with this task, we can move on to our next part where we will add our colors. 5. Adding Colors: Let's start our color inspired by changing the color of our background. We are going to the layers, we are going to the layer with background color from our color palettes. We will select the color with the name backgrounds. If you would like to use any other color for your background, you are welcome to do it. So now when we have our color for the background, Let's go to the layers and we will prepare our layer with the lines. So it will be easier for us to add the color on the separate layer. We will need to go to our layers. We will need to go to earlier with clean lines. We will tap on it and we will choose reference. When we are choosing reference, it will use these lines that we have on this layer with clean lines, but it will let us add the color on the separate layer. So now we will go in that way. We will be creating a new layer for every new color, e.g. if we would want to add the red color for our strawberries, we will create a new layer, if you would like to create the color for our stamps on the strawberries, it will be green or a CN. We would want to create a new layer. Later on. It'll be easier for us to add some shadows on it. So now let's just go underneath earlier with clean lines. So we are selecting earlier with this gauge and we will create a new layer here. So let just tap on the plus icon. Let's rename it as red. Now we are going to our color palettes and we isolate in the color with the name rats, with this color is selected. We are going to our top-right corner and we will just drag and drop the color to the new place. Now, if you take a look at the top, you will see that you can continue feeling. Let's just tap on it and you can see that now we are using color drops. So e.g. if we go to our second strawberry, we can just tap inside of it and it will be recolored. Now Lynch's go over our little hearts alone of our elements and let just add the same color there. When you are done recoloring all of your hearts and all of your strawberries lead, just tap on this little check marks near the color drop over the top. Now, let us get back to our layers and we will create a new layer for the next color. So let just tap on the plus icon and let's rename it as Cm. Now getting back to our color palettes and selecting the color with the name, see on lights, doing the same thing, selecting some of our objects and we are recoloring them with its color. So e.g. let's just drop it to our stems and let's recolor the main shape of our muffin over the right set. Again, just go into our top right corner, dragging and dropping the color and choosing continue filling. Then we're arguing to the needed places and just tapping on them. When you are done, let just tap on this little checkmark and let's continue selecting another color and another layer one more time, going back to our layers, tapping on the plus icon, Let's rename this layer as yellow. Now going back to our color palettes, and let's select this color with the name light yellow. These color we will put onto our whipped cream on both of our objects. When you are done tapping on this little check mark, Getting back to our layers and creating another layer, which we will call brown, getting back to our color palettes and selecting the color within the orange chocolate. Now, let's just drag this color to our pudding, to all of our little months and maybe to some other objects, if you would like. When you add down, again, we're arguing to our little check mark or the soap, and we are going back to our layers and create an another color. So let's just tap on the plus icon. Let's rename this layer as white. Now going back to our color palettes, selecting the white color and we will put this color to our outer part on the glass. And also we can recover some of our starts with this white color. When you add down one more time, tapping on to our little checkmark, going back to our layers, creating one more layer. And this time it will be bright yellow. So let just tapping it, Let's choose Rename and rename it. Now, going back to our color palettes, selecting the color with the name yellow. And we will drag this color to some of our stars into the inner part of our jar. Also witness color. We can recolor this little hearts on our main strawberry. Nao. Lynn, just tap once on our little checkmark ledgers, get back to our layers and we will create one more layer and it will be purple. I just tap on the plus icon to rename the layer as purple. Now, getting back to our color palettes and selecting the color with the name purple. With this color, we will recolor our little berries on the bottom. When you add down leg, just tap on our little check mark. And when you see that you have some objects that you would like to recolor it to you, e.g. a. Strawberry the boys and part of our little muffin or some other blank elements. We can just go to our layers and figure out what colors we would want to add here. E.g. alleges put the same color to the bottom part of our muffin ledgers get to earlier with Sian, we will select the same color and we can do it in two different ways. We can always go back to our color palettes and select the color from here. Or if we have the color that we need on our canvas, we can invoke the eyedropper tool. We can do it by going to the needed color and hold in one of our fingers on it until you see this little too. So if you move, you will see that the top part of this too is changing. And when you've reached the color that you need, you can just hold your finger and continue recoloring your objects. If some elements are very small and it's not very convenient to use the color drop. You can just grab your brush and recolor them manually. Also, while we're doing this part manually, we can get back to our monoline brush and we can adjust our stabilization. We go into the stabilization one more time over our left side and we are changing the amount of streamline. So this way, it will be easier for us to just manually recolor some places. Now let's just take a look at our illustration and let's recolor the rest of the areas. If you would like to recolor your little tank with this color that we used for the strawberry. And it's not working onset these concrete keys because we have our layer with our bright yellow above our layer with rats, e.g. if we get back to our layers and if we select our layer with bright yellow, we can drag it under earlier with rest. And that way you can recolor your little part of the tongue here. So to move your layer, we will need to hold it and we will need to drag it to the needed place. And now you can easily go to your LEA with red part and you can recolor your little tongue here. Now, take a look at your elements and figure out whether you want to change some part or recolor them. So e.g. ledgers go and add white color to our little teeth here. When we are done aging the color to all the needed places, ledgers go and beautify our inner part of the jar. We will add the same color that we have for the whipped cream. But as you remember, we had some stripes on our sketch. We will repeat it here. Let us go back to our layers. We will find earlier with this gauge and we will just drag it above our layer with colors. We can unhide it so that way we will know where we need to put our lines. Also in that way we know where we need to put our cheeks. So let's just go to our layer with a bright yellow and we will do one more thing here. We will need to set this layer as an Alpha Lock. Alpha lock will help us to work only on the existing areas that we have on this layer. So we are not going to be creating some other elements going beyond the frames on the elements that we already have here. Let's just go and do that. So we arguing to earlier with bright yellow, we will need to tap on it and we will need to choose Alpha Lock. Now, if we get back to our color palette and select the color with light yellow, we can go very easily and these tribes that we have on our sketch, we won't be going beyond the fruits. So let's just go and try it out. Let's increase the size of our brush and we will create these traps. As always, you can hold your line and the ends and snap it to a better curve if you need to adjust it, go over the top to edit when you have the first stripe, Let's decrease the size of our brush and create another one above it. When we are ready, ledgers get back to our layers. We will hide our layer with this gauge and we will check out how it looks. If it looks quite okay, we are ready to continue and we are ready to start adding some details. Let's firstly create the layer for our cheeks. We can go to our layer with clean lines and e.g. a. Buret, we can create our layer with the cheeks. Or if you want, you can go to your LEA with rats and edit here. You don't necessarily need to put this layer between your two layers with the lines. You can just leave it on top of all the layers that you have for the coloring. Now when we have earlier with the cheeks, we can just get back to earlier with this gauge. We can unhide it so that way we know where we need to put them. And when we have it, we will get back to our color palettes. We will select the color red. And when this color, we will go to our main object, to our Putin. We will add the cheeks here. You can play around so you can work with the same shape that you have on your sketch. Or if you want to experiment, you can try out different shapes. For the rest of the objects ledgers get back to our color palettes and we will select the color with the name pink. We will go with this color to our strawberry, to our muffin and to our berries, and we will add the cheeks here in that way. When you are done with this part, let us get back to our layers and we will hide our layer with the sketch. Now we are ready to add some details. So let's move on to our next part, where we will add our shadows and highlights. 6. Adding Shadows & Highlights: Let's start our shading part with a bit of theory, just a tiny bit. Don't worry. Firstly, we need to imagine that our objects are exposed to the light. It might be some, it might be some lamp or something like that. To simplify everything, we can imagine that the light goes from one corner, e.g. the top-right. And that will mean that some parts of our objects that are closer to the light will be lead and some that are further from the lights will be in the shadow. Basically, objects have to shed their own shadow that you can see on the objects body and the shadow that they cast from their body to other objects. Don't worry, we will simplify everything because we are creating a stylized illustration. And all we need to know is where our light source is and what objects will overlap other objects. So let us go and try out our shading parts. Firstly, we will go back to our layers and we will start with our layer that we have on the bottom, which is our bright yellow. Let's select it and we will need to create one more layer above it, so it'll be easier for us to adjust our shadows. We will create one more layer, so tap on the plus icon, Let's rename it as shadows. And we will need to clean this layer to a previous one, so it'll be easier for us to create our shadows. Our alliance won't go beyond the object that we already have onset are a previous layer. So it works similarly to the alpha log that we use for the middle part, only jar, but it is on the separate layer. So let's just go and do the following. We go into our shadow layer, we add tapping on it and we are choosing clipping mask. And as we are creating shadows, we can use a different blending modes. Blending modes are different ways your layers can interact with each other, so you are creating a different visual effects. We will use a multiply blending modes and multiply blending mode. Some kind of darkens the areas underneath it. So we will need to go to this icon. From this list, we are selecting multiply. We can go and try it out with 100% of opacity. And later on we can get back to the opacity slider and we can adjust it to our liking. So firstly, let us go to our color palettes and we will select the color with the name yellow. When we have it, we will go underneath this little dripping parts, melting parts, and we will just repeat them by going along the lines and creating another outline here. Let us go and try it out. When you have your new outline, you can go back to your layers and you can adjust the intensity of your shadows. So we will go to this icon and we can get back to our opacity slider and find what works for us. So e.g. something like 70 per cent will work better. Now with this technique, we will go and add the shadows to other objects. So now let us get back to our layers and let's continue with the next layer, which is our red. Above it, we will create one more layer. And again, we can rename it as shadow layer, just tap on it, choose Rename entry, name it. We will clean this layer to a previous one, so tapping on it and choose and clipping mask. And one more thing that we need to do is to go to this icon and change the blending mode to multiply. Now legislative opacity at maximum, and later on we will get back and adjust it. So now going back to our color palettes and selecting the color with the name pink, red shadow. Now we need to take a look at our arrow that we have for our light source. And we will need to put the shadow on the opposite side. So if it's going from our top-right corner, our shadow will be on the bottom left corner. So let's just go to our strawberries and we will put our shadows here. We will go to the bottom part and we will add the shadow. You can simplify everything and create just a little curve like that where you can repeat the sheep of your boards and part of these objects when you have the line, let just go to the bottom part and we will recolor the whole thing in general. Nao Lynn, just go to our second strawberry and we will do the same thing here. Let's just go to the bottom left part and we will add our shadow here. Also here you can see that we have this little hearts that we have for the leaf on this little berry. So we can add a little shadow underneath it to when you have the first outline ledgers go to the bottom and we will recolor the whole bottom part. The same thing we will do with our straw. We will go to the right part of this vertical straw and we will create the shadow here S for the horizontal part. We will go to the bottom part and a little shadow here too. If you want to add the shadow to these little hairs that are floating above, you can go and do that. If you don't want to do that, let us go and change the opacity level of our shadow. We are going back to our layers. We go into our m icon and adjusting the opacity. So e.g. you can leave it at 40, 45 per cent if you want to go with a lower value or with a higher value, it's up to you. Now let's continue agent our shadows to other objects. Let's go to our next layer, which is Cn. We will create one more layer above, and we will rename it as shadow. Let's clip it to a previous layer so we are tapping on it and we are choosing clipping mask. I go into the icon and change in our blending mode to multiply, leaving it at 100 per cent. For now, going back to our color palettes and selecting the color with the name c and shadow. And now one more time we are looking at our light source and we are going to our green objects and we are aging the shadow in accordance with our light source. So to the bottom left parts, when some objects are overlapping, other objects, as it is on our little muffin, the little part is fully overlapped by the top part. We can just go and fully recover it with our shadow. When you identify eight and shadows to our green objects, Let's get back to our layers and we will adjust the opacity level. Again. If you leave it at 40%, it will work perfectly. Now let's continue and go to our next layer, which is our yellow. Let's select it and let's create another layer above it. We will rename it as shadows. Let's clip it to a previous layer. So it's sapping, choosing clipping mask and ledgers go and select them multiply blending modes. Now, let us get back to our color palettes and you can decide what color you would want to use for your shadow here, light yellow or yellow, select one of them and ledgers go to our shapes and let's add the shadow here. Let's start by going to our whipped cream over the top parts. We will go to the bottom part and we will start from here by creating a little shadow here. Here we can also add a little shadow on the job because our top part might overlap it and cast the shadow. So let's just go there and create a little shadow underneath our second element. And we will continue by going to the bottom part of this second part, and we will add the shadow here. Let's continue by going over the top part and we will cast a little shadow from the top elements going over the board, some of it, and we are adding another shadow here. Also here we can use the eraser tool to erase your elements. Now, if you want to add little shadows underneath your additional elements such as stars and hearts, you are welcome to do it. All you need to remember is your light source. And now when we are done with our whipped cream, let's move on to another whipped cream on our muffin, and let's add the shadows here as well. So again, we are aging our shadows either coordinates with our light source. So we are eight and our shadows to the boards and left parts. Now we have the same color on this true. So let just go and continue aging our shadow here. And when you're done, Let's get back to our layers and we will adjust the opacity of our shadow. So again, we're going to earlier with the shadow, we are going to the m, I can end up adjusting the opacity for these elements. Let's leave it at 50 per cent. And now with the same technique, we will go to the next layer, which is our brown. We will create one more layer above. We will clip it and we will change our blending mode to multiply. Now let's get back to our color palettes and we will select the color within the purple shadow. With this color, we will go to our brown elements, the shadow here. So firstly, let just go underneath our whipped cream and our little strawberry. And we will put this cast shadow here. So we will need to go to our left side and we will just go and create this little shadow, just repeating the shape of our elements. When you have it, we will go along the bottom part of our mountain parts and we will repeat our lines in that way. We will add our shadows. Make nice clean lines. If you need to adjust some furs, just grab the eraser tool and erase some parts that you don't need. And with the same color, we will go to the imports m and we will add our shadows to this little puddles. Again, we are going over our boards and parts. When it's ready, we are going back to our layers and we will adjust the opacity of this shadow, go into the m Eigen and blend with our opacity slider. Let's leave it at 35 per cent. Now let us get back and we will add one more shadow for this white part. Let's create one more layer. Let's rename it, clip it, and change the blending mode to multiply. Now we will get back to the color palettes and we will select the color with the name light yellow. We will go to the bottom part of our glass. And firstly, we will create just a little line here. You can play around with the thickness of this line. And this line, we are showing that our glass is not playing. Now, we will go to the top part. We will go underneath this mountain parts and we will just continue adding the shadow here. If you see that some elements are overlapping your white parts, Let's just go and add the shadow underneath them. If you want to add the shadows to white stars, you are welcome to do it. Just do it in accordance with your light source. If you want to change the opacity of this shadow, you are welcomed to get back to the layers, go to the m, I can adjust the opacity from this slider if it's okay with you, Let's move on to our purple layer will create one more layer above. We will snap it to the previous one, and we will go and change our blending modes. Now one more time, going back to our color palettes and selecting the color with the name purple shadow. And we will go to our bottom left parts and we will add our shadows. Now let's get back to our layers and we will change the opacity of the shadow. 30, 35 per cent will work perfectly. And now let's take a look at our layers and figure out whether we have other elements that we would want to add the shadows too, if we don't have them anymore, we are ready to add some highlights. The highlights will be the very bright parts that are exposed to the light. They will be leaked. Ledgers go and create one more layer. So we are tapping on the plus icon and let's rename it as highlights. Let's add all the highlights just on one layer. So let's just go to our layer and let's rename it as highlights. For the highlights, we will use a different blending modes. So we will go to an icon and we will find at blending modes. For now, we will leave it at 100 per cent. And if we would like to change it later on, we can always get back to our opacity slider and change it. Now, we are going back to our color palettes and selecting white color. And we will go to some of our elements and we will add this white color to the exposed parts. Firstly, let's work on our glass. We will go and add two bright highlights, one on one side and one on the opposite side. Firstly, going over our left side and we will go to this part, it's right where we have our line for the inner part. And here we will create a bright highlight going down. You can hold your line and the ads and then very accurately go inside the shape and recolor it. You also need to pay attention to the elements like here, because your highlights couldn't go under your shadow. So you will need to grab an eraser tool and erase this little parts. Now when you have it on one side, leg, just move on to the opposite sides. And we will step a little bit from these parts and we will create another highlight going from top to the bottom. So basically, we will stop a little bit from the side, as mentioned before, and we will create a curve like that. You can hold it and the answer, you can adjust it in any way that you like. And we will go and thicken it up just a little bit. So let's just go and repeat the same sheet, going a little bit to the right. Now we won't go inside this shape and we will recover it. Grab the eraser tool and erase all the parts that we don't need. So everywhere where it is overlapping the other elements and everywhere where our shadow is above our highlights. If you want to add a few more highlights, once the areas right here inside our Putin, you are welcome to do it so you can go and add a few lines or if you do it, if you like. If you want to work more on the shape, you are welcome to date. When we are done with this shape, Let's move on to our melting part and we will add our highlights here to firstly, we go into our right part and we will add the highlight right here, just repeating the line that we already have. Also, you can go underneath this line right here and you can add a few highlights there. You don't need to go just with the line. You can create a little chunky elements if you want or if you want, you can just go and add some dots. Now let us go to the other elements and we will put our highlights to the shapes that are near our lights. So e.g. here on our whipped cream, we will go on our right side, which is on the top, and we will add a few highlights. And in that way, lynchers go above all of our elements and we will add our highlights. If you want to make it even sparkly, or you can go to the project and resources tab and download the sparkle brush. With this brush, we will go over some of our objects and we will add some highlights. Now, if you want to go and change the opacity of your highlights, you know what you need to do, you will need to get back to your Layers, go to this little icon and adjust the opacity to your liking when you found the amount of opacity that works for you. Ledgers go and do one more. I think we will end the highlights to our facial features and also we will work on the inner part of the mouth. So firstly, let us go to our layers and we will go to our layer with facial features. We will turn on Alpha lock onto this layer. So let just tap on the layer and choose Alpha Lock. We will select this white color. We will select our regular brush. So it is our calligraphy folder and it is our monoline brush. And we won't go to our eyes firstly and put the highlights to them. So let's just go over one of these sides and we can just figure out where our light source is and we can put our highlights to these parts. Let us go over r right top part and we will put the highlights here. When you are done aiding the highlights to the eyes land just go and add little tongs to our open mouth. We will go back to our color palettes. We will select the color with the name pink, and we will firstly go inside the mouth of our little strawberry. And as we are using our alpha log, we can very easily go to the bottom part of the mouth and we can create a little shape here. So when you're done with the first mouth, let just go to our little berry and we will add a little tank here too. And when you are done with this task, Let's move on to our final part, where we will change the color of our alliance. 7. Recoloring the Lines & Final Touches : Let's try this part by going to our layers. And we will need to go to our layer with clean lines and create one more layer above it. So I just tap on the plus icon and we will need to clean this layer to a previous one. If you want to rename it, go for it. Let's just tap on the layer and choose clipping mask. We will also go and change our brush. We will go to the Brush Library, we will go to airbrushing, and we will select medium length that we will use for our recoloring part. Or if you want to use your regular brush, which were our mono line brush, you are welcome to do it with it. So now let us go to our color palettes and we will select the color with the name dark red lines. With this color, we can go over r elements and we can recolor them. E.g. ledgers go over our paddles on the bottom and we can recover our lines. You can go all over all of your objects, the parts that you want to recolor and recolor the lines in that way. So e.g. we can go and get rid on the lines on our glass ledgers. Go select this white color and we will go very easily and add the color to these lines. Lynch's go all over our white part on the glass and recolor the lines. Now when you are ready with your glass elements, let us get back to our color palettes. We will select the color with the name dark lines again. And we will go all over our elements. And if we would like to recolor some of the lines, we will go with this color and recolor them. Or if you want to get rid of the lines, just select the color that you have for these concrete objects. Maybe make it a little bit darker and just go and recolor the lines. Also, you can add just a teen's by going to this second slider on the top-left and adjusting the opacity of the brush. So in that way, you can just go and add just a little bit of color of these little dark brown. If we wanted to get rid of the line completely, we can select the same color that we need. So e.g. if we want to get rid of this line on the pudding, we can invoke our Eyedropper Tool and go over this line and erase it. You might have some parts like here. You just need to select the color that you have for your shadow and go over the line with this color. So basically what we need to do is to recolor our yellow and Tourette elements with brown color and leave green and purple with blue lines. When you are done with recoloring your lines, Let's just do one more thing. We will go and put a little shadow underneath our elements on the bottom. So what we need to do is to go to our layers and create one more Lee under all of our elements. So let just go to our layer with triangles scheme. We will select it and here we will create one more layer. You can go and rename it as shadow. We argue into an icon and we are changing our blending mode to multiply. For now, let's leave it at 100%. Again, we are going back to our brush library. We are selecting our median blend, or if you want, we can select soft blends. We need to go and adjust the opacity of the brush to almost minimum. And we will go back to our color palette and select the color within the bean grad shadow. When the scholar we will go and increase the size of our brush. And very likely we will go underneath our objects and we will add our shadow here. When you have it, we will get back to our layers and we can go to our, an icon and a jazz, the opacity. And when you're satisfied with your shadow, we are done with our class. Thank you for watching this class. Leave a review if you liked it, and consider subscribing for more videos in the future, looking forward to seeing your projects.