Paw-sitively Roar-some: Draw a Cute Lion in Procreate | Uni Corn | Skillshare

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Paw-sitively Roar-some: Draw a Cute Lion in Procreate

teacher avatar Uni Corn, ⭐Kawaii Art Enthusiast⭐

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      0:29

    • 2.

      Scheme

      5:15

    • 3.

      Sketch Head

      4:54

    • 4.

      Sketch Body

      9:50

    • 5.

      Colors

      18:59

    • 6.

      Shadows & Final Touches

      8:03

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About This Class

Into this class, we’ll draw a cute lion illustration. You'll learn how to draw cute pictures by using simple techniques. We're starting from scratch, so you don't need any additional preparations.

This class doesn't require any previous experience or fancy tools, so it's good for both beginners and experienced artists. Everything you’ll see will be happening in Procreate, however if you have other software or want to try traditional materials – you’re welcome to join!

During the class, we'll explore:

  • ⭐️ QuickShape Tool;
  • ⭐️ Assisted Drawing with Symmetry Tool
  • ⭐️ Liquify Tool
  • ⭐️ Clipping Masks & Blending Modes,

Upon completion:

  • 💛 You'll get a full colored illustration of a cute lion which you might use, for example, as clip art, stickers or as a full-fledged illustration – you can print it or use digitally;
  • 💛 You'll know the basics of making cute characters;
  • 💛 You'll be ready to start creating your own kawaii pictures.

All class materials, such as color palette and brushes, you could find under Resources

Looking forward to seeing you in class!

Liked this class? Check out other Procreate tutorials:

Galaxy Humanization Character: Drawing a Cute Anime Girl Portrait in Procreate

Kawaii Pumpkin Girl: Drawing a Chibi Portrait in Procreate

How to Draw a Kawaii Pineapple Girl in Procreate | Cute Anime Portrait Illustration

Draw a Cute Kawaii Reindeer Girl in Procreate | Cozy Winter Chibi Illustration

Meet Your Teacher

Teacher Profile Image

Uni Corn

⭐Kawaii Art Enthusiast⭐

Teacher
Level: All Levels

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Transcripts

1. Introduction: Hello, everyone. I'm Uni, and in this class, we are going to draw this cute cow why illustration of an adorable lion in Procreate. During this class, you'll get familiar with a lot of useful features like QuickShape tool, Symmetry Tool, liquefied tool, clipping masks, and blending modes, and learn the basics of drawing in Procreate. By the end, you'll not only draw an adorable illustration you'll be proud of, but also feel super confident using procreate. And now let's spend some time drawing. 2. Scheme: Begin our class firstly by deciding what kind of canvas we are going to be using. Today, we're using a standard square canvas from Procreate with Pixel Weed and Pixel heights at the 2048 pixels. DPI a 300 and our color profile is set as SRGB with this loan number. When it's all done, heating down, taking a look at our new canvas, and then to continue with our preparational parts. Let's go to the Project reso Sub and download all the materials mentioned for this class. When you did it, let's first go and select the brush that we are going to be using for our sketching part. We will go to the brush library and we will select this brush that you downloaded Doll flat pencil. If you prefer any other brush, you are welcome to go to the sketching folder and select any brush that you prefer. When you are done with it, let's go to the color palette to this color palette that you downloaded. We'll go to the palettes on the bottom and to the cards on the top to see the colors names, and we will pick some darkish color. So for example, let's go with this dark, red, orange color. Now, send the size of the brush to the level that you prefer, go with something not too big, not too small. And when we have the results like that, when we are all prepared, let's start creating our little scheme that will help us to build up our illustration. So with one ln we will go to our canvas and we will create a shape of the recting hold your line at the end, and you also can try to hold one of your fingers on the screen and you might see the shape of the rectangle here. When we have something going like that, let's lift up everything and let's go to the ky on the top plate. On the bottom, we first will go under snapping and we'll turn on snapping right here into the settings, and then we will select the free form method. For now, what we're going to be doing is going into the nose that we have right here and we will be squishing our sheep slightly. We will need to end up with pretty tall shape like that, and we also will need to position it at the center. To position it at the center, we turned on snapping right for this part. So let's hold our Apple pant and we'll be looking for these two orange lines, one vertical and one horizontal. When we found them, we know that we are right at the center. So when we have the result like that, let's tap on our Ike to get away from this mode, and let's create a couple of more lines right here. We will need to deal with the proportions right here. Let's go and create a couple of lines to help us with that. We will go toward this middle part, the shape that we've created, and we will need to find five equal parts right here. So let's go and try to do that. We will be going with the straight lines going from this side, and what we are going to be doing is creating this line. Firstly, going like that, holding our line at the end and holding one of our fingers on the screen to make the line straight. Now when we have it, we can go and start to do it on the separate list, so it will be easier for us to navigate through this whole sheet. So let's get to our list. We will create one more lay on top, and one more time, we'll go and create another straight line right here. So again, hold your Apple pencil, hold one of your fingers on the screen to adjust it. If you need to move it slightly, go to the Aoki and move this line to the place you want it to be. Again, reminding you that we will need to have five equal parts right here ons this she. Now when we have this one more time, going to our last, creating one more layer on top, going again to our brush and creating another little line right here, going through the horizontal axis. Again, holding our line and then if we need to move it, we can go to this editing tool on the top two. This is another option of what we can do right here to move this line. So we will again need to find the equal part right here, and when we are down tap on the screen, one more time, go to the list and create last line right here. So again, the same way, holding our Apple pencil, holding one of our fingers on the screen, and now we will need to position these lines, so we will have them equally right here. So the bottom part right now is a little bit too big. So we can go to the layer where we have these parts, and we can move everything that we have right here. So, for example, let's select these three layers that we have right here for this part. So when the first one is selected, we'll go to the next one. We'll swipe it from left to right, and we will do it one more time like that. We will then go to our Aero key and we will move these lines that we have on the bottom, a little bit more toward the bottom, so we will have equal space right here. And now when we have the results like that, let's tap onto our oke, and now we have our scheme. So what we need to do next is to find the center with the line that will go from top to the bottom. So what we need to do right here is to go to our range icon over the top left and we will go under the drawing guide. We also need to go to AD drone guide and tap on the symmetry option on the bottom, and that's our middle line from top to the bottom. So that is the line that is going from middle part right here. Now, when we have the results like that, let's tap on De option, and let's go to our last, and we will go to all these layers that we have for our scheme, and we'll merge them together. So we will put one of our fingers on the layer on the top and another on the layer on the bottom and make a pinch movement like that. Now, to make it a little bit less disturbing, let's tap onto the N icon, and we will go to the opacity slider, and we will make everything a little bit more transparent. So let's go with something around 50%. Now when we are done with it, our scheme is done, so let's move on to our sketch. 3. Sketch Head: For this sketch, firstly, let's create one more layer on top by tapping on R plus icon. And then we will go to this area, the second and the third little part right here, and between them with one line, we will create a shape of the circle. Hold your line at the end, hold one of your fingers on the screen, and if you need to adjust the size, while holding everything, move your Apple pencil more toward the inside part. So let's go with something like that for now, and when we have it, we will need to position it straightly at the center. And we know how to do that, we will need to go to our Aoki on the top plus. Using right now the uniform method, snapping is on and we are moving our shape until we find this orange line. When we have the result like that, when you are sure that you are right at the center, let's tap onto our e key, and let's go and work a little bit onto the sheep. This is our head, but we don't want it to be very boring. We want it to be a little bit more peculiar. To do it, we will go firstly to our less and onto this leer where we have the shape for the head, we will tap on it and we will use the option drawing assist. When we have this assisted little thing on the bottom of our layer, we will be using our asymmetry too and that means that if we will adjust something, we will be adding the same thing onto the opposite side too. With this knowledge, let's go to our magic one, two over the top left and we will use the option liquefy. On the bottom, we will use the option push and we also will go to the side slider to adjust the size of the brush that we are going to be pushing with. So when we have the size pretty big, let's go to one of the sides and we will be adjusting our shape by moving it and making it a little bit squished. So we are going in that way. You can play around with the roundness of the ship with the overall look of it. We are creating a head right now, so we will need to have it in a pretty rounded way, but also in a bit of a peculiar way. So spend some time here and adjust the shape to your liking and end up with something going in that way. So when we have the shape like that, some kind of the loaf of bread shape. Let's go and tap onto our major Q two twice to get away from the mode, and we will get back to our brush to go over the top, and we will add little ears right here. So for the ears, let's tap a bit from this line that we have on the top, and we will go with half of the circle like that. Hold your at the end, if you want to make it a circle, hold one of your fingers on the screen to make sure that it is a circle. If you need to adjust anything here, the placement or the size or anything, go to this option on the top circle. This is our editing mode. And inside the editing mode, you can see that we have some notes right here, so you can go to them. You can tweak them. You can make everything smaller, bigger, differently positioned, and in that way, you can adjust your thing right here. So when you have the result like that, let's tap on the screen, and let's go inside the shap, and let's create the similar shape to what we have on the outside part. So we are creating the inner part of the ear. For now, we don't need to be very perfect with our shapes and everything. We are mapping out everything that we are going to be creating later on. So you can go and create it in that way and later on deal with what you've created right now. So when we have the results like that, let's go and work with our facial features. So for the facial features, firstly, let's go to the middle part right here to our line of symmetry and to this line that is going through the middle. And onto this line, we will go and create a little, very, very soft triangular sheep right here. So go like that and starting to create a little nose. Straight away, you can go and shade it. So you can go with a bigger shape with a smaller shape. It's up to you if you overdid it a little bit, go to your eraser, make it smaller, make it bigger, and adjust the shape to your liking. So, for example, let's go with something like that, and then let's get back to our brush. Let's go underneath the nose. We will create a little line in that way. And from the bottom part of this line, we will go to the sides and we will create a little mouth like that. Again, you can play around with the shape, make it bigger, make it smaller, adjust the placement of it, find what looks good to you when you have the results like that, let's go and create little ice. For the ice, let's go to this line that we have right here. We'll go slightly lower than it is, so we are not going with this line to the center, a little bit lower than the center, and go and creating a rounded shape like that. Hold it in the end, hold your Apple pencil and hold one of your fingers on the screen, adjust the size to your liking. If you don't like the placement, go to the editing mode and adjust it slightly. So for example, let's go with something like that, and straightaway, let's tap on the screen and go inside these eyes, and we will shed them. Now, when we have the result like that, let's also go and map out where we are going to be putting our cheeks. So go into the side slightly lower than the shep that we have for our eye and creating a shape of the eps like that. Now, when we have the result like that, we are done with our fees. So let's go and work onto them. 4. Sketch Body: For the mean, we can go with our symmetry tool turned on, but also we can go and be a little bit more spontaneous, so we can go back to our layers. We can tap onto our layer with the lines that we've created, and we are welcome to go and hit drawing assist right here to get rid of this option onto this layer. When we did it, let's go toward the top firstly, and we will go from the center and start to create the shapes going like that. We are going with half of the circles, half of the ellipses, going along the shape and starting to add these details going down with our whole illustration. So going like that and starting to create these details. You have created the details and you see that maybe you want to try it out one more time, so maybe go with the bigger shapes right here. You are welcome to go and do that. Let's, for example, go and try it out one more time, so creating something go like that, creating a bigger shape onto the bottom, and starting to do something similar onto the opposite side too. You don't need to be very similar on both sides because we turned on our symmetry tool, and we can play around with the shapes that we are creating right. When we have the top part done, let's go to the bottom and start to add the details here too. Let's go toward this line that we have on the bottom, created in that way, and then we'll go slightly higher towards the right part and we will finish up by creating the shape going in that way. If you need to fix some parts, maybe make some of the lines a little bit bigger size wise, you are welcome to go and do that. Create what you want to create right here if you see that you can go with your eraser and erase the parts that you don't need. You are welcome to do that, too, to have a clean look of your sketch. So when we have the result like that, let's get back to our brush, and let's go and add some details that later on we will create. So we will go from the shape of our head and we will go toward the sides, and we will create some kind of the folds right here. So we are creating a couple of lines going in that direction, and we are creating them not in a street way. So we are creating them, not going toward the top or toward the sides strictly. We are creating little curves that later on we will turn into some details. So now when we have the result like that one more time, take a look at everything from the distance, whether you want to adjust something or not. When we have it, let's go and work with our body right now. So for the body first, let's go with the front legs and we will start by going to the line that we have right here for our head and from it, mentally, we will go and create a very nicely looking diagonal line. You can go straightaway, not mentally and create it in that way. And when we have it, we will go and start to create a line on like that. Now when we have it, we will go towards this line that we have on the bottom. We will step a bit from it and we will create another line in that way. So creating it, and when we have it, we will need to connect this thing that we've created on the bottom with this line that we have on the top and create a little pull. So for the pull, let's go with a very simple shape of half of the circle like that, and we'll connect it nicely with the line that we have right here onto the top. If you have the lines that you need to erase, grab your eraser, erase everything that you don't need, and when we have it, let's go slightly toward the and we will create another little line right here. So going closer to this line that we have in the center, you also be toward the left from it and creating a line that will be quite parallel to what we have right here onto this side. So when we have it, we will need to recreate this thing that we have for the pow, creating the similar shape to what we have onto the opposite side. Now to finish up with our pause, let's go towards the pore that we have onto the left first, and we will create some definitions right here to create some kind of the fingers. Going like that, repeating the overall shape that we have onto this side, but making it slightly smaller. Going toward the next side, and we are creating something similar here. Again, creating a little lingon like that and one going more toward the outside part. If you want to work a little bit onto the bottom part, you are welcome to go and make it slightly rounded. And when we have the result like that, let's go and work on the back part of our line. So for the back, firstly, let's go and create the pow and we will go toward this little space that we have right here, and we will create a shape going in that way. So create a little ellipse that will be to be tilted, and when we have it, we will go towards this side and we will create a little bam right here. So go like that from this little shape that we have on the mean and go into the bottom with a very rounded shape like that. When we have it, we will need to go toward this part and we will need to connect it, and we also will need to think that we are creating a seated line. The part that we are creating right now should be on the ground. That means that we will need to create it in a bit of the flat way. Let's create a line like that. Let's try to connect it with our bam right here. Work on the line right here that you have on the top, try to make a very nice and smooth connection with everything. When we have it, let's go and work on this pot that we have right here. For the pow, we are going alone this shep that we've created for our ellipse and we are going with a couple of fingers right here. Go like that over the top and starting to add half of the circles, half of the ellipses like that, and then going alone this shep and starting to add more fingers right here. We will end up with four fingers onto this pore. So let's go like that, and we will finish up by creating a little shape going in that way. If you want to go with different shapes or define the shapes a little bit more, you are welcome to go and do that. When you have it, let's go toward the bottom part and we will create the actual pot. We will need to go and create the ellipse that will go in that way. So we are mainly repeating what we have outside. You can go with a bigger shape with a smaller shape. You can decide on your own. When you have it, we will need to create the fingers right here. So probably let's make this part a little bit bigger to go on like that. You can straightaway go and sheet it. And when we have it, let's go toward this part that we've created, and let's create little elements like that. So go along the shape starting to add these details in that way. Now when we have it, we also can straightaway go and think a little bit about perspective. So we will need to go and position these fingers more on the diagonal line. You can spend some time here and you can adjust the placement of these elements, or you can go again to your liquefied tool that is our magic one to liquefy and play around with this poor by adjusting it with this option. You can go with your push and with the side slider and adjust the things slightly right here. For example, let's spend a bit of time right here and adjust the placement of these elements or a little bit of the perspective of it. When we have the result that we like, let's get back to our layer and we will go again with our brush, we will go toward this part and we will need to create firstly, the continuation of this pause. We are going toward the bottom and we are thinking where it ends. If we need to create a little line right here, we will do it and we also will go toward the top and we will elongate this line going up in that way. When we have it, we will go slightly toward the right and we will create a little fold going in that way. When we have it, we also will go towards this part and we will create a little Let's go slightly higher than this line that we have on the bottom, and from it, we will and create a little langon up in that way, and then we will create a little fluffy part like that. You can spend a bit of time right here. You can create different shape if you want to. And when we have the result like that, let's take a look at everything from the distance and decide whether we want to adjust some parts or not. When we have the result like that, we don't need our scheme anymore, so let's get back to our list and hide it by typing into this check mark on the bottom. Now when we have that, if you want to adjust something, you are welcome to go and do that. For example, we can go to our Aoki on the top left. We can go to the free form method and we can go towards the node that we have right here in the middle and we can squish our little line a little bit. If you want to squish it even more, you are welcome to go and do to other nodes. You are welcome to spend some time here. When you are done, the main thing that we will need to do right now is to go and position it at the center when you are done adjusting it. So go towards the lines that we have right here and adjust everything that you have. What we need to do right here is to position our face onto this line, so our halves that we have for our mouth is in a misle. So when we have the result like that, let's tap onto our ki. Again, if you want to adjust some parts slightly or more than slightly, you are welcome to go back to your liquefied tool, push option and adjust some parts to your liking. For example, we can go to the mean and we can adjust it slightly, make it a little bit fluffy, maybe or adjust some other parts if you prefer that. So let's spend some time here and adjust the parts to our lichen. I decided to move the pace a little bit down and make the poor a little bit bigger so everything is more kawaii. And when we have the result that we like, when we are done, liquefy it, let's tap one of our adjustments twice to get back to earlier. And also, if you want to go manually and adjust some parts, you are welcome to go and do that. So for example, we can go to the ice and make them a little bit bigger. You can go and experiment a little bit and create the details in a different way from what you had before. So you can spend some time here and adjust some parts. When you're done, adjusting everything, let's move on to our next part where we are going to be creating the colors. 5. Colors: Begin this part firstly by going to our layers and we will tap into the icon on our layer with the gauge and adjust the opacity of it. When we have it, we will go to the layer underneath it and from here we'll create one more layer on top. When we have the position of the layers in that way, we will go to our color palette to select the color with the title skin firstly. When we have it, we will get back to our layers. We will tap onto this layer that we have right here that we've created, and we will tap on it and use the option drawing assist. Now to see clearly what we are doing, we also can go straight away to our background color and select the background color for everything that we are going to be creating right now. When we are done with it, make sure that you are on the right layer. And let's go to our brush library, and we will go to the ink and folder to select technical pen brush. When we are at this brush library, and if we want to make all of our lines smoother, we can tap onto our technical pen, go inside the brush studio, go under stabilization and play with amount of streamline and amount of stabilization. You can set the settings the same way as you see them right now onto your screen. You can try it out onto the drawing pad. Feel how it feels. If you want to adjust something here, you're welcome to tweak these options, and when you are ready, let's tap on down on the top. Now when we have the result like that, let's go and recreate the shep that we have right here for the face. You can set the size of the brush to something not too big or not too small, something around 12% or so let's go to where the lines that we have right here and let's create our sheep. As we turned on our assisted draw, we are creating the lines on both sides at the same time. And basically, what we are doing right now is repeating what we have onto our layer with the sketch. Make sure that your lines are looking nice and smooth, make sure that the line is closed. To see clearly whether the ship is closed, you can go to your last and hide the layer with your sketch. So tapping onto the check mark. Straightaway, you can see whether your lines are okay. Whether you need to go with your eraser or Aja something, try to make everything very, very smooth and create the shape going in that way. When it is created, let's go to our icon with the color and drag and drop the color inside. Now, when we have this, let's get back to our list. Let's unhide our layer with our sketch, and let's continue by going to our brush and recreating the shape that we have for our ears. So you can go and repeat the same shape that you have onto your sketch, or you can experiment a lttle bit and create it in a different way. So for example, lit bit more round. Just it by going to the editing tool if you need to adjust the curvature of the elements, take a look at it from the distance when you already tap onto the screen and drag and drop the color inside these shapes. Now, with the same color, let's go and recreate the bottom. But firstly, we will need to go to our layers and we will need to turn off our assisted drone. Let's tap on the layer and use the option drone assist from the list. You can recreate the shapes that we have on the bottom on the same layer where you have the face, but you also can go and create one more layer on top and go to these places and add the details onto this layer. Let's go and going around the whole shape that we have right here, starting to add the colors. Create the outlines, go along the lines that you have right here. Remember that you don't need to go with 100% of similarity to what you have onto your sketch. If you want to adjust something, go and adjust it. Just go around everything that you have right here and create the closed and clean and smooth lines. For now, going like that and starting to add the lines to everything that we have right here. Again, you can hold your lines and the ends and adjust them with the editing tool on the top. You don't need to create the lines with one line. You can go partially. And when you have created the shape, let's go to the top right here and let's create the clothing shape element like that. When we have it, drag and drop the color inside and straightaway, let's go with a bigger size of the brush and create the line that we will create right here for the teal. W one line going like that and creating the shape going in that way. Now let's get back to the previous size of the brush, and when we have it, let's go and create the men right here. So for the min, we need to go underneath the layer with our face and we'll create one more layer here. Let's go to our color palettes and select the main color, and let's go and recreate everything that we have right here. Again, we are doing the same thing. We are holding our lines at the end to create a nicer and smoother sheet. If you need to adjust it, go to the editing tool on the top and adjust it from here. Let's go around everything that we have right here and create our elements. When you reach the bottom, you might see that you are creating your lines, but you don't see what's happening right here on the shape that you have for the body. We can go to our s. We can grab this leer where we have the body. We can hold it and we can drag it underneath the layer with armine. That is the right position for this part. And when we did it, let's get back to our layer where we have mine and let's continue creating our details. G on the round the same way as before, holding everything that we need to hold at the end of the lines and going on to create the whole shape for me. Dusting it with our editing tool if we need to and trying to make everything nice, everything smooth, and everything closed. Have the result like that when we went through the whole circle right here, let's go to our list and one more time, hide the layer with the sketch to see whether everything that we've created is closed. So you can zoom in, zoom out to check out, and when you have everything closed, let's go and drag and drop the color inside. Now, when we have the result like that, let's get back to our list and hide our layer with the lines, and let's work onto some of the details right here. Firstly, let's go and work on the detail that we have right here. We'll need to create one more layer. Let's tap on the plus icon. Let's go to our color palette, select dark, red, orange color, and let's go and create this little shade that we have right here. So either with one line or with a couple of lines, create firstly the bottom part like that. Go and create it in a nice way, in a smooth way. Try to create nice connection between the parts if you are creating the parts, work with your brush, work with your eraser, adjust it nicely. When you have it, let's go and create the details right here. So you can repeat what you have onto your skage or you can play a little bit around and create something a little bit going in that. When we have it, make sure that it is closed, drag and drop the color inside, and if you need to work on it, go to your o key on the top left, rotate it by going to this green note, holding your Apple pencil there, and moving it in a rotational movement. Find the placement and rotation that you like. When you are ready, you also can get back to your eraser and maybe work a little bit on these parts that you have on the top to make them a little bit more pointy and on the overall shape that you have right here for the tail element. When you are quite satisfied with everything, let's get back to our brush, and let's go and work onto the facial features. For the facial features, firstly, let's go to the lay that we have for our face. Let's create one more layer on top and to make sure that we are creating it on both sides, at the same time, let's tap on the lay and use the option drawing assist. Now, let's go and work onto the ice firstly, go like that with our brush with one line, creating our shape, holding it at the end, holding one of our fingers to make sure that it is a circle, adjusting it if we need to size wise or position wise, when we have everything like we want it to be, let's drag and drop the color inside. Now when we have it, let's go to our colors, and let's switch the color to a different color. We will go and select this red orange one. When we have it, we will go and create our little mouth firstly, going into the line that we have in the center and creating the line going down like that firstly. Try to create only one line, and when you have it, let's go down from it to the sides and create our little mouth like that. Again, if you need to adjust it, go to the Editing tool on the top, adjust it from here, try to make it pretty friendly. And when we have it, let's tap on the screen, and then let's go and create our nose. We will need to create it with the same color that we used for the eyes. Very easily go into our colored little finger right here onto the top. We will hold our Apple pencil there and we will get back to the previous color. Now let's go and create our little nose right here. So you can experiment a little bit with the placement and with the overall shape. Go and end the colors straight away inside. If you have some elements that are overlapping the previous color or something, go and get rid of these little places. Take a look at everything from the distance, decide whether you want to adjust some parts or no. So, for example, we can go and make it a little bit bigger or a little bit more triangular. So spend some time here and adjust the shape to your liking. When we have the shape that we like, let's also go toward our color palettes and change the color to cheeks, and we will go to our layers and we underneath the layer where we have our facial features. Again, to our layer with the face, and we'll create one more layer here. Tapping on the lay, selecting our drawing assist go into these places where we have our cheeks, and we will create the cheeks here. Repeating the same shape that we had before. If you need to go to the editing tool and adjust it slightly, you are welcome to go and do that. You are welcome to go and decide on the size and the rotation of this thing and the placement of find the placement and everything, tap on the screen when you are ready, and drag and drop the color inside. And also, let's go toward this little part that we have right here on the top, and we will go and create this half of the circle things. So again, you can hold one of your fingers on the screen to make sure that you are creating a circular shape, and then let's go toward the bottom, and we will close the shape and dragon drop the color inside when we are ready. Now when we have the result like that, let's go to our layers one more time. And let's go and start adding some additional little lines. Firstly, let's go above all the layers that we have and we'll create one more layer on top. And let's first go towards the line that we have right here for our face and let's recreate it. So we can go with the same brush that we are using right now, our technical pen brush from the ink and folder, where we can make it a little bit more fun. We can go and select this well behaved liner that you can download from the project and reso Stap and we can work with this line here. So we will go and select one of these brushes and then go into our color palettes and changing the color firstly to this dark red, orange color. Now, when we have it, let's go back to our layers. Let's go and hide our layer with our sketch, so we will tap onto this little icon. Now, going toward our brush, and we are going toward the bottom part right here for our fast, and we will go and recreate this line right here. You can go with a different size of the brush, and we will go and start to add the additional little texture right here by going around this whole thing that we've created. Like that starting to recreate everything that we have right here. Let's go around the whole thing and create these lines. When we have it, we will go to our color palette and switch the color to red orange, and we will go toward the top part toward this very, very top part of our head, and we will add this reddish line right here to this part. When we have it, we will go again to our color palette and switch the color to orange. And with this orange color, we will go toward the inner part of the ears, and we will go and add the color here too. So we will need to repeat the overall shade that we have for our head and go like that and starting to add the color. Going toward the top parts and making sure that we are adding the line right here to this part, too. So going around and starting to add this additional little line right here to create a nice looking effect. If you want, you can go and grab your eraser and get rid of this little line. So we will need to have only the line that we have on one side. If you need to go to some of the places a couple of times to create a nicer looking element, you are welcome to go and do that. And don't forget that we will need to go to the opposite side and do the same thing here. So let's very quickly go and do that. If you want to connect it with other lines that you have right here, you are welcome to go and do that. If you want to go back to some of the lines and work on them, maybe work onto the connections between the parts, you are again, welcome to go and do what you need to do right here. If you need to change the color and add some details, go and do what you need to do. And when we have the result like that, let's go and work onto these little parts that we have onto our sketch. So let's first go to our list and unhide our layer with this sketcheGting back to this layer where we are right now at and going underneath it to create one more layer here. Onto this new layer, we will go firstly with this darkish color that we are using right now our dark red, something color, dark red, orange color, and we'll go to this part with a bigger size of the brush, and we will be going and creating these additional little details. You can go and repeat what you had onto your sketch. What we're going to be creating is a bit of a thicker element onto the bottom and a bit of a thinner one onto the top. Let's go and create these little details right here. If the lines that you have onto your schaue are a little bit distracting, you can go and hide this lay and improvise a little bit and create these lines going very naturally to your hands, going like that and starting to add the details, and remember that we will need to go not with the straight lines and not on the straight angle right here. We will need to go along the shape and we will need to create the curves. Now when we're done with it, let's get back to our list, hide the lay with our sketch and see what we've created. If you want to go and adjust some parts, you work with your brush, work with your eraser, adjust some parts that you don't need, erase them, or maybe go along the lines and make them a little bit more clean if you prefer so when you have the result that you like, go take a look at it and then let's go and add the lines over our body. So when we are at this stage, let's get back to our layers. Let's un hide our layer with this sketch. And let's go to the layer that we are either right now on or we can go and create one more layer for what we are going to be creating right now onto this new layer or onto the previous layer, let's go back to our color palette, select the red orange color, and we will go towards the lines that we have right here for our legs firstly, and we will go and create the lines here. So let's go firstly toward this little part, we will go and create it. When we have it, we will go to the definition the pause between the fingers, and we will go and create them here too. You can go with the thicker lines right here or with the thinner ones. It's up to you. When you have it, let's go toward this little part. We will create a line here too. Go and enter creating the pull line, so we will have, again, some definition between the parts. When we have it, make a nice connection right here and also we'll need to create another line right here, so it will be our chest part. Let's go and create a very nicely looking line in that way. Now when we have it, let's continue by going Andre creating these details. Also, you can go to the bottom parts and make the lines a bit thicker there and create something in that way. And also, let's go and recreate these little parts that we have for our fingers. Now when we have it, let's recreate this little line and also we'll go with the same color towards these little shapes that we have for our paw and let's go and create them too. Let's go and start to recreate the lines going like that, going along the fingers. Again, repeat what you have onto your sketch or create something different right here. It's up to you. Go toward the bottom part to have a very nicely looking defined little paw and then go toward the top and finish up creating the lines right here. So going like that, going around the whole thing, and creating the lines in that way. And also, we'll need to go right here and create a little line like that, a little definition right here. So let's go and switch the color to orange to make it a little bit softer. And let's create it in that way, a bit of the bigger line right here. If it's easier to start from the top, it's okay, you can go and do that. Let's go and create this line. And when we have it, let's go and take a look at everything without our lines of this sketch. So let's again go to the list, hide if we need to go to some of the areas and adjust some parts right here, we will go and do that. For example, you can go and maybe add some color towards the lines right here. So for example, you've created something in a red way and you want to go and maybe create it in orange way, it's up to you. You're welcome to go and do that. Make sure that you are not going to other elements with your lines right here. So if you need to go and adjust something, erase some lines, go and do that. When we have the results like that, we also can think a little bit about the overall sheet that we've created. So for example, we can go to the layer where we have our body, and we can work on this little part right here with our erasa. So let's clean it up in that way and then let's get back to our layers one more time and hide our layer with our sketch, and finally go and recreate this little element right here. Let's go and create one more layer. For example, we can go straight away from here where we are right now at creating one more layer here, going back to our technical pan brush, going to the dark red, orange color and recreating these details, the same way as we have them onto our sketch. So firstly, create these ps that you have on the bottom, adjust everything that you want to adjust right here, add the color inside, and work onto the fingers that you have on the top. Take a look at it from the distance and without the lines that you have for your sketch, whether you need to go and adjust some parts or not, you will see it when you are doing it in that way. If you need to adjust something, go and adjust it. If you see that some of the lines are not too perfect, you are welcome to go and adjust them too. So for example, go right here to the layer where we have our main shape for the bottom part and if we need to adjust some parts, we will go and adjust them. If you see that you missed some colors, for example, right here, you are welcome to go and add the color here too. Now when we have the result like that, let's do the final part right here, and we will go and add some shadows. 6. Shadows & Final Touches: Begin with our shadows firstly by going to our layers. We will go underneath our layer with the body, and we will create one more layer here. Let's change the color to orange, and with our technical pan brush, we will go toward the bottom and we will create a little p right here where our little line is sitting. Let's hold it at the end. We also can hold one of our fingers to make sure that we are going straight with the shep. So adjust the size if you need to go and end the color inside when you are ready. Need to adjust it, go to the key on the top left, go to the freeform method or Uniform method to adjust the placement and the overall look of this element. If you want to. When you are done, you also can go and change the opacity of this layer, so this is not too bright. You can tap onto the N icon right here onto this layer and adjust the opacity from the opacity slider. Now when we have it, let's continue by going to our next layer, which is our layer with the leg. We'll create one more layer here. We'll tap on it, and we will use the option clipping mask. That way we will stay inside the shape that we have underneath. Also, we'll go to this N icon, and we'll change the blending mode to multiply because we are creating the shadows. Straightaway let's go to the apacte slider and set it to something around 20, 25%. Now, got our color palette to select the main color, and we will go towards the slider with the size. We will adjust the size of it, and we will go toward this leg that we have right here and we will put it completely in the shadow. If you want to change the brush, for example, to something more behaving, you are welcome to go and do that. So you can go, for example, to the calligraphy folder and select moon line brush and work with this brush to add the color in that way. So let's go and put this leg into the shadow. If you already go and erase the parts that you don't need. Also, we can go underneath the main right here and follow the direction that we have right here for the mean shape of the main and add the little shadows going in that way. So for example, going like that, starting to add a bit of the shadow, going right here to this part and adding a bit of the shadow here too. When we have it, we will go with the smaller size of our brush going towards the tip that we have right here on our tail. We are creating a bit of a shadow right here and then going toward this little part that we have and we will add a bit of a shadow here too. Firstly, we are elongating the line that we have for our paw and then going toward the outside part and creating a shadow going like that. You can go and end the color inside and then we'll take a look at it from the distance to see whether we need to adjust the overall shape right here. For example, we can go with slightly smaller shapes so grab your eraser and adjust the look of the shadow. When you are satisfied with everything here, let's go and add the details towards some other elements. Firstly, let's go and work with our sheet that we have for the fees. Let's go and create one more layer above it. We will again tap on this lay and use the option clipping mask. We will tap on the icon and send the blending mode to multiply. Let's go and adjust the opacity to again, something around 20, 25% and with the same color, we will go with the bigger size of the brush toward the bottom part right here and we will add the color here. Firstly, probably we will need to select the brush rather than eraser and go and try to do it one more time. Go and repeat in the same shape that we have for our face. Go on like that, you can hold your line at the end, you can go to the editing tool over the top to adjust the overall look of this line. Let's go with something going like that, maybe slightly smaller. And when we have it tapping onto the layer, tapping onto the screen, and if we need to adjust something, make it a little bit more peculiar or more clean, we will go with our eraser and do what we need to do right here. If you see that this is a bit too much, you are welcome to go and adjust the opacity of this layer by tapping on the icon. For example, let's go with something around 15%. Now when we have it with the same brush, with the same color, we can go toward our ears, and we can go toward the bottom parts of them and add a bit of the shadow here. Repeat the overall shapes and go to the both sides with these details. When we have it, we will go and work a little bit on the inner parts of our ears. Let's go and find the needed layer. We'll go toward this layer, we will create one more layer on top, tapping, selecting clipping mask. Let's go for now with the normal blending mode and change the color to red orange and we will go with ears, the inner parts of them, and we will go toward these little parts and add a bit of the shadow here. Going toward these parts, if we need to work with our eraser, we'll go and do that, doing the same onto the opposite part too, so trying to repeat what we did onto the opposite side. Again, if we need to work with our eraser, we will erase it. Now when we have these things, let's go and adjust the opacity of them. Tapping onto the icon and adjusting the opacity slightly so it looks nice. When we have the result like that, straightaway, we can go with the same color and with the smother sides of the brush toward the cheeks and we can go and end the lines like that to create some blushing effect. Let's do it on both sides like that, and when we have the result like that, let's continue by going to the men and add a bit of a shadow right here too. Firstly, let's go and find the needed lair to go into our lay with the men and again put in one more lay on top. Tapping on the list, selecting our clipping mask, going to the icon, and adjusting the blending mode to multiply. Straightaway, let's go with something around 20, 25% of opacity. Let's go and select the color. Let's probably go with orange color. Let's go to our size slider and let's go towards the ears firstly. We will go underneath them and we will start to create the believable shadows right here. Basically, we are repeating the shape of the ear and then going a little bit toward the bottom and starting to continue creating the shape of the shadow right here. If you want to go down or if you want to go with a thicker shapes for your shadows, you are welcome to go and do that. Let's continue creating the shadow on the bottom, and we will go and create something in that way. Then we will move on to the opposite side and again go underneath the ear and create a little bit of the shadow right here too. If you want to go and connect it with slide shadow right here onto the side, you are welcome to go and do that too. Of course, if you want to go and add more shadows, you are welcome to do it too. And if you want to change the blending mode or if you want to change the opacity of this layer, you are welcome to go and do that too. And when we have the result like that, now let's go to our layers. Let's go above all the layers that we have right here. We'll create one more layer. We will first go to our color palettes and change the color to white. And if you want, we can go and make our face a little bit cuter by adding the little highlights toward the eyes. Let's go with slightly bigger size of the brush. We'll go to one of the sides of our eyes and we'll put the eye highlights like that. And when we have the results like that, let's first go to our range icon, Canvas, and we will toggle drawing guide right here to get rid of this middle line that we've created. And to finish up with our illustration, let's again go to our last, create one more layer on top, and we will go outside the shapes, and we will add some additional elements right here. For example, let's go with the bigger size of the brush, and let's create some peculiar little details like that. Adjust this size of your brush to something smaller, and let's go and add a couple more details going in that way. So for example, create a couple of these details, go with the dots, go with peculiar little details like that. Try not to overdo it, and when you are satisfied with everything, when you are done with adding these additional elements, we are done with our illustration. Thank you for watching this class. Le review if you liked it and continue subscribing for Markai videos in the future. Looking forward to seeing your projects.