Let's Draw Fantasy Houses | Procreate Illustration

1. Introduction: Hello everyone. My name is senior and I'm an illustrator and graphic designer. Today we'll draw a few illustrations of fantasy homes based on the wedges. We're gonna make all the pictures from scratch, starting from the sketches. And as a result, you'll have three full colored illustrations. During the class, we will be working with reference pictures, colors, layers, blending modes, and so on. You can use the final picture is a single stickers Sticker Pack, put them on the postcard, make a pattern from them, turn them into some digital products and use them in whatever way you want. These class is for everyone. So don't worry, if you have no prior experience. All the drawings I made in Procreate, but it doesn't mean that you cannot use any other graphic software or even traditional materials. So with that said, if you're really launch your software and let's begin. 2. Theme, References & Mushroom House Sketch: Today we're drawing fantasy hopes and this class will be more creative and she will have a lot of opportunities to express yourself. But it doesn't mean that we are not going to be drawing. We will be drawing a lot, I'm sure and you will probably agree that houses can tell us a lot about the owners through their exterior. And to support these thoughts, let me show you a few examples of pop cultural movies and especially the cartoons. The first thing that I have here is SRX swap. And you can see that I especially took their favorite movie over the first one because it tells us more about their new life. And it really differs from what we saw in the first movement, really speaks to us, right? The next thing that I have here is Shire. And again, these buildings cell has a lots about the owners and they depict The Hobbit live in the best way. The next thing that I have ease the Borough from the Harry Potter movies. And again, it tells us a story of Whistler, his family and how lack of monitoring into these. But again, it still looks kind of homie, right? The last thing that I have is that bikini bottom. And we can see the three houses of three main characters here. So the first one is very simple. The second one is kinda quirky and RC, and the last one is pretty weird. So what I wanted to show you with all these examples is that houses can tell us a lot about the personalities of their owners. And that's our main course today, during the class, we will create three different houses. And as it's still a full season, let's just limit ourselves by creating them over the veggies. During the class, we will be working with reference pictures. We will create the sketch, and we will be working with clean lines and of course colors. And after completing this task, I really invite you to go and create your own home that will depict your personality or its exterior. Just imagine that you walk in up at some fantasy worlds and you have all the magic and all their labor forces and all the resources of this realm to just create a house you're on middle limit here will be to create it over the edges. Of course, if you hate veggies, you can pick another theme and tried to recreate something from it. With that said, legis, go to our Canvas and start with our class. So firstly, we will need to grab some brush and grab some color. And we will need to divide our Canvas by three pieces. We will go to the actions and we will toggle drawing guides. When we did it, we will go to Edit Drawing Guide here. We need to pick two degrees and we need to toggle assisted draw it. When it's done, it will go to the top right corner and we will tap on that. Now we can divide our Canvas by three pieces. So let's just go and try to make the equal pieces. When it's done, we will again go to the actions and we will toggle Drawing Guide right here. Also, we will go to the layers and we will see that the lady that we are using for our sketch is now called assisted and it's not what we need. We need to tap on it and we need to choose Drawing Assist from this drop-down menu. Now I can freely go and create our sketch. But firstly, as I said before, today, we are working with reference pictures. So let's just go and bring the reference window to our procreate. We will go to the actions and we will toggle reference by default, you can see that each shows the canvas and we need to go to the image, tag, all the images that I'm going to be using during this class. You can find in a project and resources tab, you can download them and use them into your illustrations as well. So let's just step on the input image. And firstly, we will be working on these mushroom. Let's go and grab this reference window and put it aside, make it a little bit smaller. And also we will work on the size of the image itself. So let's just make it smaller and put it aside. So when we have our reference picture ledger start working on our first. I like how this mushroom look, but what I wanted to do is to add some dynamics into the illustration. So firstly, let's just go and let's create the guides in line that will represents the position of their style of the marshmallow. So for example, I will go and create the curve like that. When we have this curve, Let's go to the bottom part and we will add some elements that our mushroom home we'll see. So for example, we can go with the simple ellipse like that. You can always get back to this elements. And so you can always get back to all the elements that you have gone through your sketch and adjust them just for now, go and create something that hour element will sit on when we have the bottom part. Let's move on to that so parts, and here we will need to start by creating that bottom part of the Marshall hats. So for example, we can go with the shape of the ellipse that we created before. You can tilt it as you like or you can go with a straightforward view. So for example, I will go and create an ellipse like that. So I decided to tilt it and I decided to make it closed. When it's done, Let's move to the top and we will create this dome shape for our top elements. So create a curve like that and create another curve on the other side. Try to make them even on both sides. If you want to adjust the shape. Anyway that you like, you can go for it and you are welcome to do. So when you are satisfied with your shape, Let's move on to the middle part and we will add the site. So all we need to do here is to try to put it in the center of the cap and we need to go and repeat this curve that we already have. So I decided to make it a bit chunkier on the boards and ends when you are satisfied with the shapes, Let's go and grab the eraser tool and let's erase everything that we don't need. That will be this line here. That will be the line that we used for our direction and the line on the bottom. So when you have everything that you need, Let's go and connect these parts together. So we will just go with a curve like that and try to make the corners. So after that we will go to the bottom part. And again we will connect the parts together by agent the curve, work on the corners and try to make themselves as well. Now, if you take a look at the reference picture, you will see that the mushroom has some kind of a skirt underneath this soap elements. So let's just try to recreate it. We will go and we will start from this part and we will create the curvy lines like that when it's then let's grab an eraser to erase everything that we don't need. Now we are almost done with our base. The last thing that we will add here is a little volume to these elements on the bottom. So you can go and adjust that in any way. Tried to make it bigger or tried to make it closer, it's up to you. And when you are done with finding what size of this element works for you, Let's add some volume to it. So we will repeat this curve that we have right here, and we will try to recreate it on the board side. When exam, we will go to the sides and we will create the tilted lines like that to connect the elements with the soft corners as well. So when it's done, our base is ready. If you want to adjust anything, you are welcome to do it and she can do it in that way. We will go to the selection, so we will choose the free hands methods. We will select our object and we will go to that transform tool into the Transform tool menu. You have a few options of how you can interact with your sketch. So for example, I will go and I will shrink it down and then so be it ends with the word method. I will play around and try to make what I want it to look like. So play little bit with your sketch and when you're ready, just deselect everything by going to the top panel. So when our base is ready, let's start adding some building elements. And we will start by agent that door. And for the door he can go with any shape that you like. But probably, I will think that this mushroom is a bit tall and the person who is leaving into this house might be true as well. So you can go with any shape that you like. So for example, go with something simple like that, go with something peculiar, maybe like that. Choose any shape that you like. I will probably go and I will repeat the curves that we have on the sites. If you overdid it a little bit, again, you can go to the selection so you can select these elements and she can transform it with the transform tool. So for example, for this door, I will select it and I will make it a little bit smaller. So when we have the door, let's add some attributes to it. Firstly, we will go with some drawing nope, or with door handle. Again, it's up to you what shape you will choose. I would probably go with something simple like that. And let's now add some volume to the door. We will need it to be not glutes to the surface of this house. We need to put it a little bit in depth. So let's go to one of the sides and we will repeat the curve that we have here. You can adjust it with an eraser tool to make it even ends. You can also shade it right away. So now you can see that it is not glued to the surface, it is in depth. You can add some elements to the door. So for example, I would like to add some texture here, and I would like to add the wooden sexual. And to end this wooden texture, I will go just with very subtle lines like that. I will add some knobs and something in that way, and I will just try to recreate the texture of the woods. Remember that now we are creating just a sketch and all that you create right here will be red's on later with a clean lines and with all the color. When you are satisfied with your elements of the door, Let's move on to the windows. And for the windows, again, you can go with any shape that you like. I will probably again go and repeat the curves that we have right here on the sides. And I will put two windows open. So this surface, when you have the windows, we will need to add this part to them as well. So S for the window on the left, we will repeat the same volume here from the same side as we had on that door. So let just try to repeat this curve and again, you can shade it right away. As for the Windsor on the right, we will need to go with a different sites. So let's go to the right side and repeat the curve right here. Again, shade it right away and we are done with the depths. So now we need to add the window frames for the Windows. And if we take a look strictly to the window, the frame will look kinda like that. But as we have the curve right here, we will need to shift this frame a little bit to the side. So for the window on the left, we will need to shift it to the right. And for the window own the rights, we will need to shift it to the left. So let's just try to do it. Also, you can show that it is curvy by creating these lines that are horizontal a little bit in a curvy manner, not in a straight one. So when we are done with these frames, Let's add some minor elements to our builds up. So for example, I will go and add some balcony right here. And I will do it in a simple way. So let's just go and create a rectangle like that. And we will add some Rails right here, and we will repeat it on the other sides. So when it's done, we can add even more details to our buildup. So for example, we can go and add some lights. Let's create the line like that. Let's add some rectangle and above like that, and we will repeat it on the other side. We also can work with the elements right here. So for example, we can go and add some bush here. For the bush, we'll go with a simple shapes like that, connects the parts together, erase everything inside and add some branches. For the other side, I will go and create the bench. So for the bench, we will need to create one line like that and we will need to repeat it on the other side. We need something to sit on. So let's create a horizontal line like here. We will need to create one more horizontal line to connect these two parts together. And we will need to add two more legs for the batch. So here you can connect it with a line that is stilted and connects it with a line like that. So when you have the bench, Let's move on to the top part and we will add some beautification here as well. So for example, we can go and create this dots on them mushroom cap. So let's just go and say very simply create some training goes or the shapes that are resembling training goals or any kind of dots that you can see on the reference picture as we have the house here. Let's go and create the chimney. So for the chimney, go to one of the sides of the mushroom cap. And let's just create something like that. You can go and create two lines in that way they are reversed L, and we will need to repeat them to add some thickness. Let's connect them together with a curve. And we will go to the top part and add some triangle on the top. Now let's grab an eraser tool and erase all this lines that we don't need. The bottom parts looks a little bit sad. So let's add some bushes on the background. Go just with a simple lines like that and we will repeat it on the other sites. I think that's, we can add a little bit more of the personality to this house by eight and some strings of lines to the cap. So let's just go and create a few lines, a few curves. In that way. You can connect them together or you can just make the separate lines. It's up to you. And when we have the strings, we can go and create some bulbs. So for the bulb, we will use just that line like that ends a little L clips on it. So let's just go all over these places and we will add some bulbs right here. And when we're done with these elements, our sketch is ready. If you want to adjust anything, you are welcome to do it. Again, go to the selection, so select your elements, transform it in any way that you like, because it's always good to do all these adjustments at this stage of the sketch. Because every time you are adjusting your sketch, every time you are adjusting your picture, you are making the quality a little bit worse. So let's just work on our sketch one more time, adjusted in any way that we like it. And we will move on to the next part where we are going to be creating the clean lights. 3. Mushroom House: Making the Clean Lines: So I guess now you are ready with your sketch and we can move on to the clean lats. Let's go to the layers and we will go to this layer with our sketch. We will need to turn the opacity a little bit down. So let's tap on the icon and we will move this slider a little bit to the left. We still need to see what's going on onto the canvas, but we don't really need to bother us. Now once again, while we're still on the layers, Let's slide our layer with the sketch from right to left and we will choose lock that will prevent us from working on the wrong layer. Now let's create a new layer for the clean lights. Our main goal while working with a clean lines is to create the closed lines. And to do so, we will need to bring another brush. I will choose the technical pen also. I will tap on it and I will go and play a little bit with the amount of streamline. You can see how it will work here in the drawing pads and when you are satisfied, let just go to the top corner and he done so with its technical Pam, what we are going to be doing, we will go all over the places and we will create the closed lines. We will need to do it because we will use that color and methods that's supposed to have the closed lines. So we are going to be colored, dropping our colors to the places and they need to be closed. Let's just quickly go through all the places and we will create a closed lines ends outline every fit. If you want to change some elements, if you don't want to repeat everything that you have on a sketch with a 100 percent of similarity, you are welcome to do it. So let's just quickly outline everything and we will meet a little bit later. So when we're ready with our aligning part, Let's go to our layers and we will hide the layer with the sketch. Now we will go for all the shapes that we have here and we will try to find the places that we need to fix and fix them. Remember that you need to have the closed lights and when you are done with this part, we can move on to the coloring parts. 4. Mushroom House: Adding Base Colors, Shadows & Highlights: For the coloring part, we will need to create one more layer. So let's just go to the layers and do this. We will need to put it under the layer with our alliance. And while we're still here into the layers, we will go to our layer with the lines and we will tabulate and we will choose reference that will help us to work with the same lines that we have here, but only different layer. So now let's get back to the layer that we just creates it and we will start agent the colors to our elements. You can find this color scheme that I'm going to be using into this class in the project and restaurants app. You can download it and use it into your illustrations. So what we are going to be doing here, we will pick some color and we will color drop with x2. The places that we need, we will go for all the sheep's in that way. So let's just quickly recolor everything that we have here. If you need to recolor some minor places, you can go with just the brush, go to the Brush Library, peak the brush. And if you need to adjust it and go to adjust the streamline value. When you have recolored everything, we can move on to add in some shadows and highlights. Let's start with the shadows. We will go to the layers and we will create one more layer above the layer without coloring, we will tap on it and we will choose the clipping mask. With a clipping mask, we are working just with the content that we have underneath this layer. Now, also we will need to go and tap on to this icon. We will need to choose the different blending mode for the shadows. Let's use the multiply blend mode. For now, we will leave the capacity at the maximum, but if we need to change it, we will get back to this layer and we will change it later. So now we will go and we will pick some color and we will go through the places and start agent the shadows own sub m. So for the shadow, you can pick one color for all the elements that you have here, or you can pick different colors for any new objects. So let's just start from the top and I will show you what we are going to be doing. I will go and grab this dark red color. I will grab some brush. I will increase its size, and I will go to the right side and I will add the shadow in that way. You can see that I'm not going beyond the frames because of the clipping mask. So now I will go and I will create the shadow in that way. So when this main shadow is done, you can work on a cheap and you can see that it is dark to our mushroom itself. So let's again go to our layers. Let's go to this icon and we will adjust the opacity. So for example, 40 something percent will work perfectly. And in that way, we will go for all the places and we will add the shadows to make the believable shadows try to understand where your light source is. So for example, as a created the shadow on that side, I will go and I will create all the other shadows on the same side and my light source will go from the sides. So let's just quickly go and we will add our shadows. And now you can see that I added the shadow onto the body of the mushroom and it doesn't look as bright as the shadow on the top. And we can adjust it in that way. We will go to our layers and we will go to our layer with the lines. We will tap on it and we will choose a reference one more time to get rid of these modes, we'll go to our layer with the shadows and we will go to the selection tool with the selection. So we will choose the automatic selection and we will tap on the places that we need to change the capacity or the color. So for example, I chose these shadows that we have on the body of the Marshall. Now we will go to the adjustments and we will go to hue saturation and brightness can go to the bottom. And you can change the opacity, you can change the brightness, hue, and saturation of these selected areas. So let's just try out these methods. So when you're done playing here, Let's go to the adjustments, Let's tap on it. Let's go to the selection, deselect everything, and continue agent our shadows to go and pick the same color that we used right here that we changed. We can go against our layers. We can go to this icon. We can set the capacitor as maximum weekend go to the normal blending mode because the color and get back to that multiply blending modes and that capacity that is reduced. Also with the shadows, you can add some details. So for example, like here on the islands and here on the door. And so when you are done with A1, them massive shadows, Let's move on and add some highlights. So again, we will go to the layers and we will create one more layer above our layer with shadows. We will set it as a clipping mask. And this time for the highlights, we will use the different color modes. We can use. A few of them, go in from the ads to soft light or overlay. You can try out every one of them and find what works best with your illustration. I will probably go and big there. I will go and grab another color. So probably it's going to be this white one. And I will go to the different parts that we created the shadow on, and I will add the highlights right here. So for example, here on the top, I will go and add these bolts highlights. In that way, I will go for all the shapes and add a little highlights on them as well. If the white color is too bold, you can pick another one. Try not to overdo graphene and when you're ready, we can move on to the beautification parts. 5. Mushroom House: Beautification: For the beautification part, we will go and change the color of the lines and we will do it in that way. Let's go to the layers and we will create one more layer above the layer with the lens. We will tap on it and we will choose clipping mask. Again. You know how the clipping masks work. And we will go through the shapes and we will recolor the lines in the same way as we added the shadows. So let me show you what we are going to be doing. I will go and I will pick the same color that we have for the main color of the cap. I will go along the line and I will just recolor it. I will pick another color for these part that is in the shadow, and I will recover the line in accordance with the shadow. By using this method, I will go for all the shapes and I will recolor all the lights when he recovered all the lines. Let's finish up our illustration by agents some texture. And again, we will go and create the new layer. We can put it above all the layers, or we can attach it to our main colorant. So let's firstly try with the colorant. We will need to adjust that blending mode. So for example, let's go and select Multiply. We will also go and adjust the opacity right away and we will pick another color. So for example, let's start with this type and we will go with some yellow color right here. Let's go and grab some brush that will be nice for the texture. Have some brush that you like to add the texture you can use it or you can find a brush that I'm going to be using in the project and resources tab. So with this brush, we will just go through our Canvas, through our elements and we will add some noise. I pick different colors for different elements. And at the ends, Let's just go and adjust the capacitor rights away. So we will find what works without illustration. You can select the amount that you like. And when you're done with this part, we are done with our first illustration. Let's move on to the second one. 6. Pumpkin House: The Sketch: For our second illustration, Let's create a house based on the pump cap. We will go to our layer with the sketch. We will unhide it and we will unlock it onto this layer. We will need to use the same brush and the same color that we used for the first sketch. Just a quick note about reference picture. If you need to change it, you can heat it and you can go to the Inputs tab. You can change your picture here and you can use it. Or if you don't need the reference picture, you can just go and hide it. So let's move on and let's start creating our pumpkin by creating two ellipses that will be tilted toward the center. Let's connect them together on the boards them with a smooth line. Let's move on to that soap bars and we will get rid of these depth. We will go and connect these two shapes together again with a smooth line. If you want to adjust your sheep, let's go to the selection. So we will choose the free hands methods. We will select our object and we will adjust it by using that transform tool. When you have the shape that you like, Let's deselect everything. Now when we have the back part of the pumpkin, we need to think about the front part of the pumpkin, and we need to show that it has some segments. So let's go along the shape and we will create a few ellipsis. When you're done with this task, let's grab the eraser tool and erase everything that we don't need. When we have the base for our pumpkin. Let's create this step. We will go to this dense and we will need to find the direction where the stem will look at. So for example, let's create the line like that. When you have this line, we need to create another one and we need to connect them together. But let's make it's not parallel to one another, but make it wider on the bottom and a little bit narrower on the top. So when we have these two lines, Let's connect them together on the top part by creating some peculiar shape. So for example, I will go and create the zigzag shape like that. Let's connect the lines on the bottom part and we will erase the line that is inside our stem. If you want to add some segments to the stem, you are welcome to do it. When we have the whole base. Let's move on to the bottom. And we will create this little islands where the whole sheep will sit on. So we will start by creating an ellipse like that. When you're satisfied with the shape, Let's create one more line beneath it to connect these two shapes and to add some thickness, go to the site and create the tilted lines. Don't forget that we need to create the smooth corners. So now our pumpkin is ready, and let's move on to agents some homie details. Let's start again with aging the dwarf. For this illustration, I think it will look nice if we added some kind of that circular door. So let's go and try to create the circle right here. So when it's done, Let's add some thickness by going to one of the sides and to repeat in the curve of our door. So for this illustration, and we'll go to the different sites that we used for our first illustration. We can shade it right away and we can move on to adding some Jesus to the exact door. So for these door, I will add that door knob. And also I will go along the shape of the door and I will add some texture of the woods. You can see that I put this door a little bit higher than the door before, and I decided that we can add some letter here. So we will create a letter in a very simple way. Let's go to the bottom and we will create two lines like that. They will be parallel to one another. And when we have them, we will connect them together by creating one or two horizontal lines. So the letter is ready and we can move on to adding more details. Let's move on and let's add the sheds. Firstly, we will go and we will create an auxiliary line that will go through the center of our pumpkin. When we have this line, Let's go and create two tilted lines on both sides. When we have these two lines, we need to connect them together by creating the curves and we need to do it in a special way, so forth deadline that we have on the left, we have two dots and we need to connect these two dots with one dots on the right's legis tried to do it. You can see that we have a little intersection right here, and we need to connect this intersection with the last dog that we have on the right. Our shed is ready and we have these parts in the shadow and this part will be at the light part. When they have the shared, we can add some details. So for example, I will go and add the tilted rails like that. When we're done with this part, Let's move on to aid in their windows. Firstly, we will go and we will create the exit will rely on going through the whole shape. As we have the curve for the sheep, we will need to make this line curve and this land will represent the bottom part of our windows. So when you have this line, we are ready to add our windows. I think that for this shape, it will be fun to add the windows of the triangular shape. So let's go and try that. Have the windows. Let's add some thickness to that because we don't want them to be glued to the surface. For the window on the right, we will need to add this line just on the same side that we have here for our door. So let's just go and do that shaded right away. And let's move on to the second window for this site, we will go with the second site. Now when we have this thickness, Let's add the window frames. Remember that we need to tell them a little bit to the side. As for the window on the left, we will need to shift it to the right. As for the window on the right, we will need to shift it to the left. When we're ready with our Windows. Let's move on and add some additional elements. So for example, let's go to the bottom and we will create some ports with that plants. I will deal with a simple shape like that. And I will go with the peculiar shape for the plants, and I will repeat it on the other side. Let's take the eraser tool and erase these lines. Now we can go and we can add these bushes behind the building. I think that the bottom part looks nice, but we need to add some details upfront. So let's go and add a little smile. I will go with these sites. So for this nail, firstly, we need to create the Slack. We will need to repeat the shape of our pumpkin right here. Start with a curve like that and then create the curve in a different direction. When it's done, we will connect it together and the ends, you need to have some shape of the drop, but a little bit peculiar when you have it. Let's add the ice. So for the eyes, we will go to both sides of this slab and we'll create the shapes like that. If it's hard for you to go and create this lines, these eyes from scratch. You can go and create two lines like that and create a little ball on the top and then connect them together. So when we have this iss, we will go and create the actual eyeballs. You can add the iris if you want and if you want to, you can add some eyelashes. I will also go to the body and I will add a little mouth. So when we have this slack, Let's create the shelf. We will go and create the shape like that. Start from the ellipse and then connected with a little triangle on the bottom. Now let's create the texture of the shelf by creating the curve in that way. Then we will go and grab an eraser to erase everything that we don't need. Now we have everything that we need. And if you don't want to adjust anything, we are ready to go and create the clean lines. 7. Pumpkin House: Making the Clean Lines: For our line in part, Let's go to the layer with the lines. Let me remind you what we're going to be doing here. We will change our brush to some brush that has no texture. We will grab another color if you are using, not the one that we used for the first illustration. And we are going to be going along the shapes and we will be repeating what we have on this gauge with the closed lines. That is our main goal. So let's just go quickly through all the elements and in them. When you are done with the lines, let's go and hide our layer with the sketch. Let's check out whether we need to fix any effect watching you to do is to close the lines and make everything neat. And when you're done, Let's move on to the coloring part. 8. Pumpkin House: Adding Base Colors, Shadows & Highlights: For the coloring part, we need to send this layer with the lines as a reference. So let's go and subnets and we will choose reference from the drop-down menu. Now, we can go to our layer with the coloring and we can start agent the colors to needed areas the same way as we did with the first illustration. So we will go to our color palettes. We will grab the color and we will drag it to the place that we need to recover. And we will do it with all the objects that we have on to our illustration. When you are done with the base colors, let's move on to the shadows. So let's go to the needed a layer. Again, I'm reminding you that you can use one color for all the shadows or you can pick any other color for any other element that you have on your illustration. So for example, let's start from the pumpkin. I will go and I will use this dark orange color. Firstly, we need to establish where our light source is. So let's just go the same way as we did with our first illustration. We will go from the top left, and that means that we need to add the shadows to all the right parts. So let's go and do this. If you want to change the colors of your shadows, you can go to the adjustments and used a few saturation brightness option. So for example, I would like to change the colors here behind the stem. I will go to this top menu and I will choose pencil. I will go with a pencil and I will select these areas here. When you selected this areas, you can go to the sliders underneath and you can move them to decide to find what's used your illustration when you are done recoloring your shadows. Let's get back to our cameras and let's start adding some highlights. So let's go to the needed layer. I will go and grab that whites or this yellow color. And I will go along all the shapes and I will add some highlights. Try not to overdo it. And when you are ready, we can move on to the beautification parts. 9. Pumpkin House: Beautification: Let's start our beautification part by recoloring the lights. We have the layer for it. So let's go for it. And we will need to go and along the lines and recolor them with a nearby color. So let's quickly go and do that. When you recolored all the lines, we will need to add that texture. So let's go to the needed layer. Let's go and grab our brush. Again. I'm reminding you that you can find it in a project and the restaurant step. Or if you have the brush that you like for the texture, you can use it here as well. Now let's grab some color and let's go alone the shapes and add the texture. And when we added the texture, we are done with our second illustration. 10. Eggplant House: The Sketch: For our last illustration, Let's create a house based on the egg plant. Again, if you need to change the picture onto this reference era, we will tap on it. We will go to Import and we will employ the picture that we can use for this illustration. If you don't need this window, if you want to create their house from your head, you can just hide this window. So now let's go to our layer with the sketch. We will unhide it. We will grab the same brush and the same color that we used for the previous sketches. And let's start by creating the guiding light. So for this illustration, we will need to create the curved like that. When you have the curve, we will need to create to helping ellipsis. One on the bottom that will be a little bit bigger and one on the top that will be a little bit smaller. When we have this shapes, Let's connect them together. We will go to the left side and we will create the curve in that way S for the right side, we will need to create a little dent right here. So let's just go and connect these two parts together in that way. Work on the sheep, connect these two parts together and then erase everything that you don't need. If you want to adjust the shape even more, let's go to the selection. So we will use the free hands method and we will select the sheet. Now we will go to the Transform tool. And by using this method, we will adjust our shape in a way that we like when you're satisfied with the shape, Let's deselect everything and we will go to the top part and add the leaves and the stem. Let's start by creating the leaves. We will step aside from these lines and little bits and we will repeat them. When we have these two lines, we need to create the actual leaves. So let's go and create that weird train goes like that. So when we have the leaves, Let's create the stem and we will connect it with the leaves. So for the stem, just go and create a rectangle like that connected with the leafs. Now work on the sheeps and erase everything that you don't need. When we have our egg plants, Let's move on to the bosom and create this little island that it will sit on. So we will start by creating an ellipse like that. When you're satisfied with this ellipse, Let's move on to the bottom part and create the same line that we have right here, but stepping a little asides and let's connect that soap figure with our lines on the bottom. When we have everything that we need, we can move on and add the house features. And again, let's start by creating the door. So for this illustration, I will go and create the huge door like that. I will add some volume by repeating this line, I will shoot it right away and I will add some features for the door. So for example, it's going to be that handle like that. And also I will add a little window right here for the posts. And while we're still here, Let's add a few fibers to the door to represent the wooden texture. The door is ready. So let's move on to the windows. For this illustration, I will go with simple rounds windows. I will add two on the body of the elements and 12, the ads are working the windows by aiding the frames and it's a bit of thickness. I also decided to add some curtains. Now we can move on to add some additional elements. Let's start by creating these bushes behind. When we're done with the bushes, I will go and add a little bored with their flower. So creating the rectangle for the ports and creating some peculiar shape for the flower. I want to end the letter right here because this part seems a little bit to play ends. I will go and create two parallel lines like that. And I will add the horizontal rails. Also, I will go to the top and I will add the receiver or adhere. And also I would like to add a little feature on the right side, and this feature will be a lady buck. So for the lady bug, I will go and create the ellipse like that. I will go to the top of this shape and I will create a half of the circle right here. I will add two antennas. I will go to the eraser tool. I will erase everything that we have here. I will divide this body by two pieces and add some dots. When it's done, I will add a few Lex and our sketches ready if you don't want to change anything with that selection and transform tools, we are ready to go and create a clean lines. 11. Eggplant House: Making the Clean Lines: Let me remind you what we are going to be doing. Once at this stage, we will go firstly and change our brush. I will go and speak that technical bad. Also, I will go and adjust the streamline value. Now we will need to go to our layer with Z lines and we need to go for all the shapes and we need to connect them together with a closed slides. So what we need to do is to create a closed lines. Let's just quickly go and do it. When you're done, Let's hide the layer with the sketch and checkout whether we need to fix anything. Whenever Finn looks fine, Let's move on to the coloring part. 12. Eggplant House: Adding Base Colors, Shadows & Highlights: Let me remind you what we are going to be doing for the coloring part. We will go to our layers and we will check out if our layer with the lines is set as a reference. If not, we will tap on it and we will choose reference from this drop-down menu. Now we will go to our layer with colorant. We will start picking our colors from the color scheme that you have here. And we will go through all the places and we will color drop the colors to the needed places. So let's just quickly go and do this. When we're done with our base, Let's move on to the next layer and we will add the shadows again. Remember where your light source ease and create the shadows according to this information. Use one color for all these shadows or use different colors for each element. If you want to change the color of your shadows, you can do it in two different ways. The first one is to go to the layers and go to the layer with our lines, we will need to get rid of the reference here. Now we can go to our shadows, we can go to the selection. So use the automatic selection to select the shadows that we need to change the color of. When we selected our shadows, we will need to go to the View saturation and brightness. Here you can tweak the sliders and find the color that will work with your illustration. Another way to change the colors, ease to go to the hue saturation and brightness, and to use the pencil methods with the pencil go over the place that you want to change and again, select it. When you select it, go to the sliders and adjust the color when you're satisfied with your shadows. Let's move on to our canvas. Let's go to the layer with the highlights, go over the places and create this highlights. So I will pick the brighter color and I will try not to overdo this stage. When the highlights are done, we can move on to the beautification parts. 13. Eggplant House: Beautification: Let's start our beautification part by recoloring the lines. Let's go to the needed layer. Now we will grab the brush, we will pick the nearby color and we will go alone all the lines. When you're done recoloring your lines, Let's add this extra. We will go to our layer with its texture. We will grab our brush that you can find in a project and restaurants up. And we will go along the shapes with some color and we will add this extra in that way. And when you added that texture, we are done with our last illustration. 14. Final Polishing: When we have all of our three illustrations, Let's do the final polish. For example, if you zoom in your illustrations, you will see some nice colored places or weirdly colored places and we need to fix them. So let's go to our layers and we will create one more layer above all the layers that we have. Once it is layer, we will go through our illustrations. We will pick the colors that will suit displays to recolor it, and we will recover it. When you're done with the fixings, you can take a look at your picture in general and maybe add some additional elements. So for example, I will go and add some smoke from the chimneys and maybe some sparkles to make the smoke a little bit more transparent. We can go over it with the eraser tool, but we need to go and change the opacity of the Eraser tool. So when you are done with your little adjustments, we are done with our class. I hope you found this class helpful and if you liked it, please check out the other classes, give a follow and leave your review, and thanks for watching.