Toad-ally Adorable: Drawing Cute Toads in a Bottle in Procreate

1. Introduction: Hello, everyone. I'm Yuni, and in this class, we are going to draw this cute kawaii illustration of the toads in a bottle in Procrit. During this class, you'll get familiar with a lot of useful features like QuickShape tool, Symmetry Tool, recoloring with reference, clipping masks, and blending modes, and learn the basics of drawing in Procreate. By the end, you'll not only draw an adorable illustration you'll be proud of, but also feel super confident using procreate. And now let's spend some time drawing. 2. Bottle: Begin our class firstly by deciding what kind of canvas we're going to be using. Today we are using a standard square canvas from Procreate with pixel width and pixel height to the 2048 pixels. DPI at 300 and our color profile is at a SIGB with this loan number. When it's all done, let's hit down. Let's get to our new canvas. And before starting with our illustration, let's do a bit of a preparational part. So firstly, we'll need to go under the project and rusher Step and download all the materials mentioned for this class. When you did it, let's go and deal with the brush firstly. So go into the icon with a brush, going inside the brush library, go into the calligraphy folder and choosing monoline brush. We want all of our lines to be pretty smooth and easy to work with. So let's tap on this brush. Go inside the brush studio. On the left, we will choose stabilization, and we'll be played with amounts of streamline and amount of stabilization. You can go to the drawing pad, try it out right here, and you can set the settings the same way as you see them right now onto your screen, or you can tweak them until you like how it feels. So when you find what works for you, let's hit D over Aro pride. And when we have our brush selected, let's go to our color palette that you downloaded, and we will select the first colour that we will be creating our illustration. So this is going to be the color with the title dark red. The very last thing for now is going to our size slider and setting the size of our brush to something around 6%. And when we are all prepared, let's start working on our illustration. We will start with a bit of the simple shape of the perfectly rounded circle that will be our little bottom. So let's go towards the canvas, and with one line, we will create a shape of the circle. In the end of the line, we will hold our Apple pencil. We'll snap the shape to a better one and we also will put one of our fingers on the screen to make the shape a perfectly rounded circle. If you want to adjust the size while holding everything, you can move your Apple pencil from side to side. For now, let's go with something not too big and not too small and when you have the size that you like, let's lift up everything that we are holding right now. Now when we have the sheep, we will need to position it at the center. Let's go to the rake on the top left. We will go under snapping right here on the bottom, and into the settings, we will toggle snapping here too. We are using uniform method and we are getting back to our canvas, holding our Apple pencil at some blank space, and we'll be looking for the orange line that is going from top to the bottom. When we have this line, this is our center and we will go along this line slightly down, so we will have more space over the top than we have on the bottom. When you have the position like that, let's straightaway go to our layers, and we will make a copy of this layer for our future liquid. So let's swap the layer from right to left and we will choose the option duplicate. When we have this second copy, we will need to make it slightly smaller. One more time, we are going to our Aoki on the top lat and again, we are using our uniform method. Let's go toward the middle node on the top and we will drag it slightly down and we will do the same on at the bottom. We don't need too much space between these two elements, so when you have enough of the space, let's make sure that we are right at the center. Again, we're holding our Apple pencil and we are looking for these two lines, one vertical and one horizontal. They either can be both blue or one of them could be orange. When you found these two lines, we know that we are right at the center and that's exactly what we need. Now when we have these two shapes, let's continue working on Arbuta. Firstly, we straightaway go on to our layers, and we will create one more layer on top by tapping on the plus icon. Now, when we have this new layer, let's go and work onto the top part of Arbota and we want to use symmetry here because we don't want to create two details on both sides. We want everything to be at one side and mirred on the opposite side magically. So when this layer is selected, we will go to the range icon over the top left. We will go under Canvas and who will toggle drawing guides. Now you can see we have these cells, but it's not the option that we need. Let's hit 80 drone guides, and on the bottom, we will use the option symmetry. When we have just one line like that, we are not touching anything here, we will hit down over art to price. When we are all prepared, let's go to the top with the same brush and with the same size of the brush, going slightly to the side from this middle line that we've created, and we are creating a line go in that way. You can vary the position of this line, hold your line and the end with your Apple pencil and also hold it with your finger on the screen. That way we will know that it is highly vertical. When we have it, let's go and lift up everything and we will continue creating the top part by first going slightly to the side from this first line that we've created and a little bit higher and we will again create another straight line going up like that. Doing the same thing, holding our Apple pencil, holding one of our fingers on the screen. You can adjust the size if you want to, but don't go too far up with the shape. When we have it, we will go and create the future cork. So for the cork, firstly, let's go toward this first line that we've created. We will go a little bit more toward the inside part, and we will go a little bit lower than these two lines that we have for our main shape. So with this knowledge, we will go and create a line going in that way. Hold your line in the end so you can adjust the curvature here, the angle, and when you like how it looks, let's also think about whether we want to maybe change the position of it. So when you are holding everything, lift up your Apple pencil and let's go to this option line on the top. This is our editing tool. In the editing mode, you can see we have the nodes, so you can go to them. You can hold your Apple pencil there and you can adjust the angle here, for example, or the position of the shape. If you want to change the placement, hold your Apple pencil and move it more toward the place that you want this shape to be. So when we have the result that we like, let's tap on the screen, and let's continue working on this top part so it doesn't look too weird as it is right now. Let's go to our lays one more time, and we will create one more layer on top. Onto this layer, let's first go and work onto this middle part. So for the middle part with the same brush with the same size of the brush, we will go right between these two lines that we've created, and we will start from the first one and from the line that we have on the top, we will go to the opposite side and create an ellipse like that. Hold your line at the end and also hold one of your fingers on the screen to make sure that the shape is horizontally positioned. You can adjust the size, and what we need to do right now is to match it with the previous shapes that we have on the side. Adjust the size and if you need to adjust something here, the placement or the size one more time, let's go to our Aoki on the top left and we will go and try to position the shape in alignment with these two lines that we have on the side. So hold your Apple pencil and move the line towards these two lines. As we are using our snapping, you might see some lines that are our guiding lines. If you need to adjust the size, you are welcome to go to the nodes and match the shapes with the previous ones. So when you found the placement, let's tap onto our error key, and let's take a look at our line. If you have some gaps on it, you are welcome to grab your brush and manually go to this place and add the filling to this part. When we have it, we will go and make a copy of the shap and position it right here onto the bottom. Let's go to our layers. We will go to this layer with the shape and swipe it from right to left. We are choosing the option duplicate and then with this new shape, we will go again to our oke uniform method snapping it on, moving along the guiding lines that we have on the sides and trying to match it with the line that we have on the bottom. So again, trying to find the perfect placement, and when we have it, let's go and tap onto our key to get away from this mode. When we have the result like that, we also can grab our eraser and straightaway go and erase the lines that we don't need. Let's make the size of the eraser a little bit bigger and let's go toward these little parts that we have right here. Try to make a nice connection between the parts. If you also see that you are going a little bit beyond with this shape, beyond the frame that you have right here as the vertical line, you are welcome to erase the parts here too. Then let's continue and erase this line on the top completely. Going toward the opposite side and starting to very carefully go toward this little part where we have a connection and make a nice connection between the parts here too. Again, if you have some extra elements that you need to work on, go and work on them. When we have the result like that, let's continue by working onto our quirk. For the quirk, firstly, let's go back to our layers and we will merge these two layers together that we have for our top part of our bottle. So we will tap onto our layer on the top, and we will use the option merge down right here. Then when we have it on one layer, let's tap on the plus g and to create another layer and we will do the same thing. But this time we will go slightly higher and create our qq. So firstly going toward the top and again connecting these two sides with the shape of the ellipse. Hold it at the end, hold one of your fingers on the screen to adjust the position of it. Adjust the size if you need to and if you need to do something else right here, position wise or size wise, let's go to our Ao key and let's find the placement for it and match it with the previous shap. When we have it, we can either tap onto our yoke or go straightly toward our layers to make a copy of this layer. Let's swad the layer from right to left and choose the option duplicate. When we have the second copy, we will get back to our Aoki and we will move it down toward these two little lines on the bottom. You can try to make this shape smaller if you want to, but we can stay the same way as we have it right now. We will grab our eras and erase all the extra parts that we don't need. So straightaway, going to our eraser and going toward these parts on the sides, trying to erase them, and erasing the line that we have at the back. So let's go with our eraser. You can go with a smaller size or with a bigger size, erase everything that we don't need right here. You also can go toward the corners that we have on the bottom, and you can soften them up manually by changing the size of the eraser slightly and going toward these parts and softening them up by creating curves inside these very straight corners. Let's do it on both sides to soften up our illustration. And when we have it, we will go and take a look on what we need to adjust else. So when we have the result like that, let's go and get rid of this line that we have onto our top part of the Bota. So we will need to get back to our layers and find the needed layer. If you want, you can go and merge these two layers together, where we are right now at, let's tap only and use the option merge down. Then we'll get back to the layer that we used for this middle part. We will grab our eraser. We will make it slightly bigger and we will go toward this back part and erase it completely. Now when we have it, let's continue working on other details. Going back to our layers, we will go to this layer that we have right here for our quirk, and we will go toward these little lines where we have extra little details and we will go and erase them. When we have the result like that, we also can go and add one more detail toward the quirk to make it even peculiar. So we will go back to our layers and we will find the layer with our top part of the quirk. You can go to the check mark right here. You can go back and forth, hiding and unhiding it to make sure that you are right at this layer that you need. And when we have it, let's make a copy of this line that we have on the bottom. Do that, we will go to the ribbon icon. We will use free hand method I color field is turned on, turn it off, and let's go toward this little part that we have right here on the top. Let's go and make the selection like that. So go only to this line, looping this whole thing around. When only this element is selected, we will use three fingers. We will swap them down firstly and invoke this copy and paste menu. Firstly, we are selecting the option copy and then one more time, three fingers, swiping them down and using the option paste. Now, if you go to your list, you will see that you have inserted image right here and that's exactly what we need. When we have it, when this layer is selected, we will go to our Aoki uniform method and we will move this line slightly down. Again, going like that and starting to move the shape down and when we have it, we will grab our eraser and erase these extra lines on the sides. When we have the result like that, we will go back to our layers. We will go to this layer where we have the lines on the quirk, we'll grab our eraser, and we will go toward the sides. And very accurately, we will erase these parts right here. So again, going like that starting to create a nice connection between the parts. If you ord it, try it out one more time, or if you need to add something, use your brush. When we have the result like that, I'll probably go right here and add a little bit of color toward this little crease. And when we have it, we will go and work a little bit more on the bottom part that we have for our bottle. Firstly, let's get back to our layers and we will find the layer with our main shape for the bottle. This is our layer that we have on the bottom. We'll grab our erasa and we will go toward this part that we have right here where we have the intersection and we will go and erase this part completely. Let's go toward the opposite part with our eraser and very accurately erase everything that we don't need. Now, when we have the result like that, our bottle is done. Let's go and work on our little liquid part. Firstly, go into our layers and we will go and find the layer with our liquid. This is our second ellipse and we'll create one more layer on top. Onto this layer will get back to a brush and we will go more toward the top part of this sp and we will create another little ellipse right here. This time, let's make it a little bit more open, so going on like that. Again, with one line creating our shape, holding it at the end, adjusting the size if we need to holding one of our fingers on the screen to make sure that it is horizontal, if we need to move it or adjust it, we are going to our ki on the top left, uniform method, and moving it to match it with the previous ship. When we have the result like that, let's get back to our layers. Let's find the layer with our actual shape for the liquid. We will grab our eraser and we will go very carefully toward these little intersections, and we will need to make sure that we are somehow creating the continuation of the shape. With a smaller size of the eraser, we will need to create a nice connection right here between the shapes in the shape of the curve, and when we have it, we will go and do the same onto the opposite side too. Starting to erase these parts and trying to make a very smooth connection right here. Then with the bigger size of the eraser, let's go over the top and erase this line completely. And when we have the result like that, our bottle is done. So let's go to our layers and merge all the layers that we have right here together. So go into the layer on the top with one finger and using another finger on the layer on the bottom and making a pinch movement like that. And when we have the result like that, we are ready to start adding some additional elements inside our little liquid. 3. Toads: Begin this part firstly by going and tapping on the plus cad into our list to create a new layer. We will go and start by creating some lily pads. Let's get back to our brush, and with the same size of the brush, let's go toward the bottom and we will create another set of our little ellipses right here. Let's go from the bottom. We will have some of the similar distance from what we have right here on our canvas, so you can map it out like that. Then with one line, again, we are creating a shape of the ellipse. You can make it bigger. You can make it small use one of your fingers on the screen to make sure that you are positioning it horizontally. When you have the first shape like that, you can also hold it and then go to the editing tool right here onto the top to maybe make it a little bit more open. You can go to the nose that you have right here and make it, for example, like that, you can reposition it too, for example, let's move it slightly higher. When we have the result like that, let's tap on the screen and let's create another little shape of our lily pad. Going towards the left side first and create another little shap right here. You can go again with a different site with a different placement for it. It's up to you. Try to make it horizontal. So if you need to move it, go to the editing tool, or if you need to make it a little bit more open, again, use your editing tool to do that. Find the placement for it, and when you are done, let's tap on this screen and let's go to the opposite side to create a couple more of these elements. Firstly, let's go right here toward these ellipse that we have on the bottom, and let's create a bigger one shape right here. So again, hold your line at the end, hold one of your fingers on the screen. Let's go toward our editing tool and maybe readjust it slightly. So maybe make it a little bit less open and find a different placement for it. When we're going toward the top, and let's create one more little pad right here. To go in like that, the same way, creating the shep, holding one of our fingers on the screen to adjust it. And when we have the placement like that, let's go towards some of the parts that are overlapping and we will get rid of the overlaps. So let's grab our ureasm and we will go toward this part. And with our reasm probably with the smaller size of it, we will go and very carefully erase everything that we don't need. Now when we have everything set in that way, let's continue by going to our layers, and we will create one more layer on top to make sure that we are not discouraged with everything here and not very distorted with everything right here. Let's get back to our layer with our little pads. We will tap on the icon on this layer and we will change the opacite so we still can see what's happening here, but when it's not that bright. When we have the results like that, let's get back to our new layer. And let's create a little flour right here. So for the flour, let's get back to our brush, and let's make the size of the brush a little bit smaller. So we'll use 4%. With the size of the brush, let's go toward this little part right here, and we'll create a very simple flower. Firstly, we are going with a bit of the shape like that. You can go and create it with one line or if you need to go with a couple of lines or maybe adjust some parts when you already created the line, you are welcome to adjust it in any way that you want. So go and create a nice looking drop shape like that. And when you have it, let's go toward the side, and let's create a couple more leaves right here. To go into one side firstly, creating a leaf going like that. Try to make it a little bit less open right here. Again, if you want, you can hold your line at the end and go to the editing tool if you need to j something here. When you have it, go into the opposite side and trying to create something similar here too. You can go completely symmetrically here or you can try out different things. For example, I will go right here and make this a little bit more pointy and when we have it, we will go towards the bottom part and we will create a more open shape right here. On one side, when it's ready, we are going to the opposite side and creating a similar shape right here too. Try to make nice connection, so if you have some gaps between your lines, go and adjust. When we have the result like that, let's go toward these two parts and let's add a couple more petals right here too. The same way as before creating some of the shapes like that. If you want to create more of these details, you are welcome to go and do that. When we have the result like that, let's take a look at it and decide whether we want to maybe move it or adjust it in any way. If we want to do that, we will go to our Ark on the top left uniform method. If you want to reposition it, hold your Apple pencil and move the shape toward the place you want it to be. For example, let's go slightly higher. If you want to rotate it, go toward the green note, hold it and make a rotational movements. Now when we have this flower, let's continue and add a couple of frogs. Firstly, going toward our layers, and straightaway, let's go to this layer where we have our flower. Let's tap on the N icon and adjust the opacity. Going towards the plus icon, creating a new layer here, grabbing our brush and with the 4% of the size, the same size that we use for our flower. Let's go toward this part and let's create firstly a big ellipse like that. Hold your line at the end, adjust it, position it in that way. If you need to adjust the placement or anything, go to the editing tool. I will probably make it slightly smaller and position it slightly higher. We will have position the position of the frog that it is sitting onto the pad, when we have it, we will tap on the screen and let go and create the eyes right here. To make it easier for us, let's go to our less and create one more layer on top, and we will go toward the top right here and create the circles. So with one line, we are again holding our apple pants at the end of the line, holding one of our fingers on the screen, adjusting the size if we need to. When you have the first eye, let's go toward the opposite side and create the similar shape right here too. So again, hold line, trying to match it with the size of the previous elements. If you need to try it out one more time, go and try it out one more time. If you need to go to the editing tool, go there and adjust your shape from here. So we'll need to have a bit of the space above the overall shape of the frog. When you have it, let's tap on the screen. Let's grab erasa and let's go toward this eye that we have on the left, and probably erase the bottom part of the circle right here. We also will do the same with the bottom part of the circle on the eye that we have on our right, and then we will get back to our previous layer where we have our mean shape and we will go to the right part with slightly smaller size of the eraser and we will erase this line right here that we have as our top part of the frog. So going like that, erasing it. If you want to soften up the corners, you are welcome to go and do that. When we have it, let's merge the two layers together. G again to our lays, goto layer on the top, taping and select and merge down. Now we will grab our brush one more time, and we will go toward the bottom and create the little legs right here. For the legs, firstly, let's go toward the bum area. We will go and create a little line going like that, and when we have it, we will go toward the bottom of it and create some fingers here. When we have it, we will go toward the top and we will create the very peculiar looking leg like that. You can try it out a couple of times. You can create it in a different way. When we have it, we will need to get rid of this line right here. So let's grab our eraser, smaller size ove it and we will go and very accurately erase the parts that we don't need. Now when we have it, let's also go and create the front leg. Again, getting back to our brush, and we will go slightly to the side from this big little line right here, and we will go and create two lines going in that way. Again, you can go with the curves, you can go with straight lines, go toward the bottom and create the fingers right here. And then when you are ready, grab your eraser and erase the lines that you don't need. Everything that is overlapping should be gone. Now when we have it, let's get back to our brush, and let's go toward the top part right here and we will create little nostrils. Going and creating the lines going in that way and also let's go towards the bottom part from our nostrils and let's create a big mouth like that. You can go with different facial expressions if you prefer, you can try it out a couple of times, and when we have it, let's go and add the eyes. For the eyes, one more time, it will be easier to go to a new layer, so let's go to the layers, create one more layer on top. Change the size of your brush to something bigger, so you will be able to only put the dot right here and create the eyes. I'll probably go with something a little bit bigger, and I will position it in that way. You are welcome to create a different facial expression if you prefer. So put the dot and go to the opposite side. Try to match the placement with the previous side. If you want to maybe try it out a couple of times, you are welcome to go and do that. If you see that you will need to go and adjust something, erase something, for example, the extra parts, you are welcome to grab your eraser and erase the parts that you don't need. When you are ready, let's get back to our lays and again merge these two layers together. So tapping on the layer on the top using the option merge down, getting back to our brush. And if you want, we can get back to our 4% of the size of the brush that we use for the outlines for example, add some beautifications in the shape of the eye lashes like that. When we have it, let's go and create another frog and we'll position it right here on this side. Again, let's go and create one more layer by taping on the plus icon. Let's go toward this little pad that we have on the top. And again, we will start by creating a shape of the ellips like that. Let's go slightly smaller this time. If you want to adjust the shape, go to the editing tool over the top, try to make it very rounded or on the contrary, if you want to try out something different, you are welcome to go and do that. Position it in that way when you already tap on the screen and let's go toward the top and add the ice. Again, for us, it will be easier to go to the layers and create one more layer on top and add these elements onto a separate layer. Again, going and creating our circles, go to both sides and starting to create these elements right here. If you want to overlap the shape right here with the previous frog, you are welcome to go and do that. Tap on the screen when you are ready, and let's go toward the bottom part of the circles that we've created and let's erase these parts that we don't need. When we have it, let's also get back to our layers, go to the previous layer, and let's erase these lines that we have for our top part of the head. Again, erasing everything that we don't need. When we have it, we also will go to this overlapping part and we will go and erase it too. Now, when we have it, let's get back to our layers. Let's merge these two layers together so go into the layer on the top, tapping, selecting our merge down, and when we have it, let's go and work once our legs. Once this layer or by creating a new layer on top grab your brush, go toward the bottom firstly, and let's create this back leg firstly. For the back leg, let's go more toward the side and we will create a lingon like that, and then we will add a bit of the bum right here by creating another little line like that. If you want, you can go and create some fingers right here and then get rid of the line that we don't need right here in the middle. If your line looks a bit wobbly, you are welcome to go alone at one more time with your brush and create a more clean line right here. Again, if you need to adjust something to make the line weight even everywhere, go with your eras and erase the part that you don't need. Now let's get back to the brush and let's create the front leg right here too. Stepping a bit from this leg that we've created and creating another little leg right here. Go like that, creating our lines and eras and everything that we don't need. Now when we have it, let's go and work on official features. Firstly, let's get back to our brush. Let's go toward our nose area, and let's create the nostrils right here. Again, you can go and play around with the official features to create something that you would like to see right here. You are welcome to experiment. And when we have it, let's straightaway go toward these parts that we have for our eyes and let's add our little eyelashes right here. When we have it, if you don't like how this part looks, you are welcome to keep it as it was before. We will go and add our little ice right here. Again, let's go to our layers, create one more layer on top, change the size of the brush and go towards the ice areas and put the ice right here. You can again try out it a couple of times. You can go and find the placement for this element and do the same onto the opposite side too when you are ready with the first eye. So when we have the result like that, let's get back to our list and merge these two layers together. So tapping on the layer on the top using the option merge down. Now, when we have the result like that, we will go toward the top part right here, and we will add a couple more frogs here too. So let's get back to our list, create one more layer on top, going back to our brush and creating the ellipsis right here onto the top. So let's first go and create the frog like that. Firstly, going back to the smaller size of the brush that we used before, 4%. Going like that, creating half of the circle on the top. You can try to hold one of your fingers on the screen if you want to maybe match it with the prettier or if you want to do it manual, you are welcome to go and do that. When we have this half of the circle, it just the placement so you will have a bit of space over the top and when you are ready, let's go toward the bottom and complete the shape by creating a curve on the bottom. When we have it, let's go and do the same onto the opposite side. You can go with a smaller sit with a bigger size with maybe different size and shape. When you have the result like that, let's finish up creating the shape by creating a curve on the bottom and closing the shape. When we have it, let's take a look at it and decide whether we want to maybe adjust samping or not. For example, I would want to go to this part and position it a little bit more horizontally, and when we have a couple of details on one layer, we can go to the turban icon again, free hand method, select this part when it is selected, going to our Aoki and adjusting the shape and placement and traction and everything that we want to adjust right here. When you are done with it, tap on the first icon that you were using, it was our urban icon. Let's go toward the top and add our little ice right here. Again, we will do it on a separate layer, creating it from our layers and going toward the top and creating our little circles right here. Hold your line in the end, go to the opposite side, create something similar here, go toward the second frog that you have and create the ice here too. For example, on this frog, we can go with slightly smaller elements and create it in that way. Now when we have it, let's go and get rid of all the lines that we don't need. We are grabbing our erasa and firstly going toward the bottom parts of our little eyes and we are erasing these parts here. Go into the opposite side and erasing these lines here too. Then when we are ready with this task, we will go toward our layers, find the layer where we have our main shapes, and we will go and erase these lines that we have on our eyes. The same way as before, creating these cuts right here, go into both sides, trying to make nice connections between the shapes. So if you need to erase it a couple of times to achieve nicer result, you are welcome to do it as many times as you need. Going to the opposite side too and erasing the parts here too. If you see that you didn't cut the parts correctly or in a neat way, we can get back to the previous layer and do it one more time. Again, if you want to go and soften up the corners, you are welcome to go and do that. When we have the result like that, we will need to get rid of this line that we have as our back part of this liquid. So let's go and find this layer, and we'll grab our eraser and erase the parts that we don't need. Again, with the bigger size of the eraser, going like that and completely erasing these little shapes. Going to the opposite side, doing the same thing here, trying to erase everything so we don't need to get back and forth and add or erase the parts even more. When we have the result like that, let's continue by going to earlier. Go into this layer where we have our eye and let's go and start to add the additional elements right here. Firstly, let's go towards the bottom parts and let's create little mouth. For example, for this little frog on the left, let's create a mouth in that way. If you want to go and with the same size of the brush, add the details over the top, you are welcome to go and do that. When we have it, let's go toward the opposite side and create a little nostril ratium. Let's go with the shapes like that and maybe create a mouth here that will look a bit different from what we already have once our frogs. When we have it, if you want to add details onto the ice here, too, you are welcome to go and do that. When we are done, let's go and change the size of the brush to something a bit bigger, and we will go and add the ice toward these frogs. If you need to try it out a couple of times, you are welcome to do it. Go toward the next frog that you have and put the ice here too. When we have it, we will need to go and deal with these things that we have on the bottom. So let's first get back to the size of the brush that we used before. Then let's go to the needed layers and we will go and get rid of all the overlapping lines. Firstly, going toward our layers, we will go toward the pads firstly, grab your eraser and go and decide what lines you don't need to see right here. Firstly, let's go toward this part, and we'll erase all the overlapping lines that we don't need to see right here. So go with your eraser smaller size, owed, bigger size, Ovid, get rid of all the lines that you don't need. Go to the next element right here and start to erase the lines here too. We also will go right here where we have the flower and erase the lines here too, going like that, alone the whole shape and erasing everything from the petals. Go toward the bottom, erasing these parts here too. When we have the result like that, we will need to get rid of some of the lines that we have winter flower too. Let's get back to our layers, find the layer with our flower, and we can decide whether we want to maybe go and keep these two elements, two petals on the top front or whether we want to go and get rid of them. I'll probably go and erase only this part that we have on the bottom and keep these two petals on the top. That means that we will need to go to this layer where we have this frog and get rid of this overlapping line. Again, if you notice that you didn't erase some of the elements, you are welcome to get back to the needed layer and erase everything that you don't need. And now when we have the result like that, let's get back to Alaers. Let's first go to the layers where we have the reduced opacity and let's get back the full opacity on them. So tapping on the N icons and go into the opacity sliders and starting to make the full opacity right here. When we have the result like that, take a look at everything and decide whether you want to maybe change something or not. If you are satisfied with everything, let's get back to our layers and we'll merge all the layers together. So go into the layer on the top with one finger and with the second finger on the layer on the bottom and making a pinch movement like that. The very last thing that we are going to be doing for the illustration that we have right now, let's go and add some details. Firstly, we'll grab a erasa and we will go towards some of the pats right here, for example, and we will make the cuts right here. For example, going like that, going right here, grabbing a brush and going toward these cuts, and we are connecting them with little triangular shapes like that. So again, you can track out a couple of times. If you need to get to the eraser and erase some parts more, you are welcome to go and do that. Connect these shapes nicely, try to make nice connections where you had the line two. And when we have it, let's also go toward the quirk and add some interest here too. So again, starting with our eraser, and let's go, for example, right here, create a little cut, go into this part, go into some other parts, for example, right here. If you want to add more of these elements, you are welcome to go and do that. When we have it, let's get back to our brush, and let's go toward these parts, and let's connect them in a bit of the different way. So let's create some kind of the rounded connections right here. Going toward all of these little cads that we've created and creating differently shaped elements right here. Try not to go too beyond the frames of the original lines that you have right here. If you need to go with your eras, go and erase everything that you don't need, go to all of these little cats that we've created and create some peculiar little details right here. If you want to go and maybe adjust some of the lines to create more interest right here, you're welcome to go and change the curvature of the lines. But if you change something on the top, for example, like that, you will need to go with your eraser and do the same ones at the opposite side too. So when we have the cuts done, let's get back to our brush, for example, we can go and add some texture, very little texture right now. So for example, we can go and create some creases. So for example, you can go with some peculiar shape like that, try to make it pointy, try to work with your brush, work with your erasa and create something that will look nice. Also can go and add some dots. For example, let's go with slightly bigger size of the brush and go and create some of the effect of the core right here. Try not to overdo it, but when you are done with this little task, let's take a look one more time at everything that we have right here, whether you need to adjust something or not, let's continue by going and starting to add the colors. 4. Base Colors: Begin this part firstly by going to our Range icon, and we will toggle drawing guide right here because we don't need this line anymore. And when we have it, let's get back to our layers, and we will do the fol. Firstly, we'll go to our background color layer, and we will go to this color palette that you downloaded. We will go and select the background in a color of frog. So when you change the color, let's get back to our layers, and we will go to this layer where we have lines will tap on it and we will use the option reference so that we will be able to use these lines and add the colors on separate layers. When we did it, let's create one more layer by tapping on the plus icon, and we'll grab this layer, hold it and drag it underneath our layer with our lines. When we did it, let's get back to our color palette, and let's start recoloring the elements. Firstly, let's go with the glass and we will go and recolor everything that belongs to the glass. So one by one, let's go and recolor everything, or you can use this option continue filling when you've put color to one element and then just go to these elements and tap on them to recover them. When we have the result like that when we recolored all the glass, let's get back to our layers and let's create one more layer on top. When we did it, let's get back to our color palette. Let's select the color with the title quirk top. We will go with the slot to the quirk top and we will recolor it. When we did it, let's get back to our color palette and change the color to quirk middle, and with the colour, we'll go to the rest of our quirk, and we will recolor it. When we're done with it, let's get back to our lays, create one more layer on top. We will go to our car palette and change the color to liquid top. With this liquid top color, we go toward the liquid top and we will recolor it. When we're adn with it, let's get back to our lays and create one more layer on top, and we will change the color to our liquid meat. With this color, we'll go to the main color that we have right here as our liquid and we'll recolor this area. When we have it, let's get back to our layers, create one more layer on top. Onto this layer, we'll change the color to pads, and we will recolor all the pads that we have right here. Again, either one by one or by using our continued filling on the top, let's go through all of these elements and let's go and recolor them. If you have some smaller areas, it will be easier to go to them with your brush and recolor them in that way. When we have the results like that, let's get back to our last, create one more layer on top. With the same color that we used for the pads, let's go and recolor the frogs. Go in the same way as before using continue filling or going one by one to all the areas that we need to recolor and recoloring every frog that we have. If you have some smaller elements that you need to recolor, go and manually recolor them with your brush. Now when we have it, all that we need to recolor right now is our flowers. Let's go and create one more lay on top and change the color to flour. With this color, let's go and recolor everything that belongs to our flower. And when we have the result like that, we are done with our basic colors. So let's move on to some shallowing part. 5. Final Touches: Begin this part. Firstly, by going to our layers. We don't need reference anymore, so let's tap, tap on it one more time and select reference from the list. Now, we also will need to go to the layer with our quirk and we will need to rearrange it. So taping on this layer, selecting it, holding it, and drag it underneath our layer with the bottle. If you did it and it's not happening, try out one more time, and when we have it, we also will need to go toward these areas where we have the quirk, and we will need to reduce the opacity of our bottle so we will be able to see. What we're going to be doing? When we are in this layer with our quirk, we will tap on it and we will use the option select. We will select everything that belongs to this quirk and then we'll get back to our layers and we will go to our layer with our bottle. When we did it, we will go to our eraser and we will change the brush of our eraser. So we will need to go to the ear brush and folder and we will select the soft blend brush. The opacity of this brush is around 30%, and we will go toward this area that we have in the middle and we will start to reduce the opacity right here. So we will need to go and start to cut the parts but very, very softly. We need to have more transparency in the middle, but more color on the top. So we are kind of erasing everything from the middle right here. When we have the result like that with a bigger size of the same brush, we'll go toward the bottom and we will start to erase the element here too. Again, we will need to see more of the bottom part and have a bit of the color, the white color on the top to make it believable, and we will create something going in that way. If you overdid it a little bit, try to make a nice transition between the colors. When we have the result like that, let's tap onto our ribbon icon, and let's go and continue working on our quirk. So first, let go into our last, go into our layer with our quirk and creating one more layer on top. Let's add the shadows to it. So to end the shadows, we will firstly need to tap onto this new layer and use the option clipping mask. That way we will stay inside the color of the quirk. And as we accurate in our shadows, let's tap onto the icon, and we will change the blending mode to multiply. As for the opacity, let's go to the slider and let's set it to something around 30, 35%. And if we need to change it, we will change it later on. When we have the leer set in that way, let's go and change the color to quirk shadow, and also we will go to our brush library and we will go to the ink and folder to select the studio Pam brush. With this brush, we will go more toward the left side of our quirk and we will create a bit of texture right here. Let's go firstly from the top and we will start to create the element in that way. We can go and loom the shape around to be able to add the color inside, and then we can go and work on the overall shadow right here to create some peculiar little details, some kind of the texture parts. So let's go and create a couple of fibers like that. You can go with some peculiar little details maybe with other pattern right here. When we have the result that we like, let's also go and do the fam. We will grab erasa the same eraser that we used before, soft bland brush for it. We will go from this left side where we've eddied our shadow and we will go and erase it slightly. We are again creating a bit of the transition here and we are making a very nicely looking effect. So when you erase this part very sadly, let's get back to our brush, and if you want, you can go and maybe add more of the texture to the quirk. You can go to the top parts here too and adjust some parts here. You can maybe add a bit of the shadow over the top part too. It's up to you. You can experiment a little bit and create something that you would like to see right here. Again, you can go with some texture over the top and create something going in that way. If you want to also you can go toward this shadow part and with your eraser, cut a bit of the space right here to emphasize onside the texture part. If you are okay with everything here, decide onside the level of opacity. If you think that it is bit too much or not enough, we can get back to the layer where we have our shadow, tap onto the icon and play around with the opacity slider. So for example, let's go with something around maybe 40, 45% to make it a little bit more visible. And when we have it, let's get back to our layers, and let's work onto the next layer. So let's keep this layer with the bottle. We can't do much to it. Let's go to this layer that we have for the top part, and we will create one more layer here. Let's tap on this layer and let's use the option Clipping mask. We will be using the same brush that we used before studio pan, and we also will go toward our color palettes and we will change the color to white. With this white color, we will go toward this part, and we will start to add some kind of the pulse right here. Let's go and very randomly create some of the rounded shapes like that. We will go along the whole shape that we have right here and create some wobbly little lines right here. Create some pattern, make it interesting, and when we have the result like that, let's also add a bit more interest to this part by edging the secondary color right here. So we'll get back to our layers. We will go back to this main layer that we have for this top part, create one more layer on top. It will be automatically clipped and we also will get back to our brush library. We will go the same way to the airbrush and folder and again select soft blend brush. Let's change the color to liquid dark and with this color, we will go towards the bottom part of our sheep right here, and we will add the secondary color. Are trying to create a very soft transition, so a bit of the color will be enough right here. Try not to have a very blotchy effect right here, very subtle, very neat. When we have the result like that, let's continue by going to our layers, and we will go to our next layer. So go into the main shape and creating one more layer right here, tapping on the layer and using the option clipping mask. Again, with the same brush, we will go toward the bottom part and we will start to add the secondary color here. We will need to have more color over the bottom and less color, the reducing effect over the top. If you need to try it out a couple of times, you are welcome to go and do that. If you over did it, you can grab the blending brush, the smudge tool right here and go over this part over the top and make a nice transition between the colors. When we have the result like that, let's all secure and add a bit more interest toward this bottom part by adding some little reflections. So what we're going to be doing? Firstly, we are going to our list and creating one more layer on top, the same way we are tapping on it and using our clipping mask, and then we will get back to our brush library. We'll go to the painting folder and select spectra brush with this brush and with a different color. The color will be our liquid top. With this color, we will go toward the sides right here and we will create a peculiar looking element right here. Probably with a smaller size of the brush, it will be easier to do. So let's try it out one more time. We'll be going right here and creating the reflection part like that. Let's go toward the opposite side and create something similar here. If you need to rotate your canvas to do it, you are welcome to go and do that. When we have the result like that, let's also go toward the bottom and create some kind of the t or something like that, a bit of the reflection here too. Let's go with wavy lines like that and create some pattern. Again, try not to overdo it, but try to create something peculiar right here. When we have the result like that, decide whether you like the opacity of this layer. If you want to change it, go to the layers, go to the Nc and adjust it from here. For example, something around 65, maybe 70% will look better. And when we have the result like that, let's continue by working on some other elements right here. So first let's get back to the previous brush that we used. It was our calligraphy folder and it was our monoline brush. We will go toward our lays and we will create one more layer above the layer that we are right now on. Let's create one more layer and with this new layer, we will go to our color palettes and we will change the color to frogs. With this color, we will go toward the bottom parts of our pads and we will create some kind of the roots right here or some kind of the little lines right here. So let's go and create a couple of them very subtly. You can go with wavy shapes. You can go with probably the bigger size of the brush and create a couple of details. They don't need to be very seen, but it will be a nice touch to have them here. So let's go through all of our little shapes right here and create these additional details. When we have the result like that, let's continue by going to Ales, and we are going to Aly with the pats. Let's go and add the shadows to them. So ncreating one more lay on top, tapping on it, clipping mask, changing the blending mode to multiply, and let's go with something around 30% of opacity. We'll change the color to liquid dark, and with this color, we'll go underneath the frogs and we will start to add the shadows here. Let's go and repeat the shapes or we can go with simple shapes like that, the circles, the ellipses, something in that way. Try to add the color toward these parts, try to make the shadows pretty horizontal too. So going toward this area and adding the color here too. If you want to go to this little pad and maybe completely put it in a shadow, you are welcome to go and do that. If you want to go some other areas and add the shadows to them too. Again, you are welcome to go and do that. When we have the results like that we are done with our pad, let's go to our next layer, which is our lay with the frogs. Let's create one more layer on top, top on the layer, and use the option clipping mask. Let's start by adding a bit of the pattern toward our tots. So going toward our color palette, and we will be using these frogspots and frog spots darker color to add the spots. So let's start with the lighter color with a bigger size of the brush. We will go towards the back parts and we will start to add some pattern toward our little tools right here. You can go with dots like that, create something peculiar here, go toward the legs here, too. Try not to overdo it, but try to add enough of these elements to add some interest toward the picture. Go into the next frog that we have right here and starting to add the details here, too. You can go with different sizes of the brush to add the nice pattern. And we also will go toward these little frogs and maybe add some pattern here too, go like here, right here and dd a bit of the texture to these little bodies right here. When we have it, let's get back to our color palette. Let's select the darker color. And with this darker color, let's go and add a couple of details here too. We will add a couple of these bigger elements, darker elements, and we will create something in that way. If you overdid it, grab your eraser. Firstly, go back to the normal eraser that you will use for everything that you are trying to erase. I'm using round brush. We will go and erase everything that we don't need, and when you erase everything, let's go and add a couple more details toward our tools. When we are done with it on the same layer. Let's go toward our color palettes and select this liquid top color, and we will go and create the bellies right here. So go on toward this little frog that we have in front, creating half of the circle like that, and then manually recoloring the rest of the areas that are supposed to be the tummy right here. So going like that, starting to create the additional element right here and recoloring the whole area with a brush. Going towards the next frog probably with the smaller size of the brush, going on right here, starting to add our little timing right here too. To go on like that, starting manually to add the color, avoiding to create the color onst the leg, try to create a very rounded shape over the top and continue creating the elements right here on at the side. If you want to go to these two frogs on the top, you're welcome to go and do that. For example, you can go right here and add a bit of the timing on this little frog here too. Firstly, create the shape, then with the bigger size of the brush, add the color toward the inside. The same onto this part here too, if you want to add the belly here too. Now when we have the result like that, let's continue by adding a bit of shadows right here to our thoughts. Firstly, go onto our layers, craton one more layer on top, tapping on it, using our clipping mask, changing blending modes to multiply, changing the opacity something around 40%, and one more time going toward our color palettes and selecting this liquid dark color. Let's go toward the bottom part of our frocks and let's go and start to add our shadows. Go like that, starting to create the shadow going along the whole shape that we have, starting to add the lines first and then going with our brush and manually edging the color toward the inside part. Going toward the legs, going and edging the nicely looking shadows. Try not to go beyond the frames and starting to add bit of shadows right here on the Tammy too. When we have it on one side, going toward the next frog, starting to add the shadows here too, go mostly toward the bottom part. And when we have it on this frog, let's go toward these little bodies that we have on the top and let's add the shadows over the bottom parts of them. Going like that and starting to add the shadows following the direction that they have onto the bottom. And we have the result like that, very last thing will be to go and add the little chicks right here, let's go and select the color, for example, quirk top, and we can go to the layer that we already have right here. For example, the one where we have created the sports and everything, let's go underneath the ice and put little chicks right here. This is optional. If you don't want to add the chicks, you are welcome to keep them as they are right now. But let's go, for example, to all of them and add little chicks on in that way. When we have the result like that, let's go and add a bit of the interest toward the bottom part right here and we will add some additional little elements. Firstly, we'll go toward the flour. Let's go and add the shadows to it. Selecting the layer, creating one more layer on top, tapping, clipping mask, changing blending mode to multiply, and let's go with something around 60% of opacity. Changing the color to flower shadow and going toward the bottom part of our flower and adding the shadows here. You can go with some simple shapes. You can go with very simple shape like that and add the color toward it minuallyO you can go and maybe create some peculiar little pattern right here. Start to add the shadows toward all of the elements and mostly go toward the bottom part of your flour to add the shadows to this part. If you overdid something, grab your eraser and erase the parts that you don't need. When we have the result like that, decide ta the opacity of this layer. If you want to change something, go to the layers, I can adjust it, make it brighter, make it lighter, it's up to you. When we have the result like that, let's continue by going again to our list and we will create one more layer above all the layers that we have except our layer with the line. When we have this new layer, let's get back to our color palette, and let's go and select the color with the quirk top color. With this color, we will go and start to add some bubbles and some peculiar little details toward our liquid. With a bigger size of the brush, let's go toward the bottom part and start to add some little dots, little lines like that. You can vary the size of the elements. You can go to the whole area that you have right here on the bottom and on the top with bigger elements, smaller elements. If you want to change the color, you are welcome to go and do that too. For example, we can go maybe with the pads color right here. You can experiment and create something that you would like to see right here. And try not to overdo it, but try to add enough of these elements to add a nice effect right here for this little part. When we do with it, let's change the color to something lighter. For example, liquid soap. Let's go toward these lighter elements right here, lighter area, and let's add a couple of details here too. When we have the result like that, we can go to some other areas and add the additional elements here too. For example, let's switch the color to something darker. For example, liquid mean or liquid dark or frog color, and we can go towards this little part that we have over the top and maybe add some bubbles here. You can go with the full circle right here or if you want to create the actual bubbles, you are welcome to erase the parts inside, and with the same color, let's go toward the top and we will create some bubbles here too. For example, let's go with a big shape like that and add a couple more of them going outside. When we are done with it, let's also go and switch the color to white, and let's add a couple more details right here with this white color. With a smaller size of the brush, let's go and add a couple of brighter elements right here and dt in that way. When we're done with this task, let's go and add the highlights toward the eye. We will go toward our layers. We'll go to the clear that we have our lines one and we will create one more above. With the same white color, we will go toward our eyes and we will start to add the highlights in that way. With a bigger size of the brush with a smaller size of the brush, go over one of the sides from our elements right here and start to add this big highlights. For the bigger eyes, go with the bigger size of the elements that you are creating your highlights with and create them going in that way. Also, we can add a bit of interest toward the eyes by adding the secondary color right here. Let's go toward our color palettes and select this flower lines color, and we will go toward the bottom part of our eyes and we will create little details like that. You can go and adjust it by moving them slightly down, and we'll go through all of the lines that we have for our eyes right here and add this additional color to them. Very easily going like that and starting to add the color. On the same layer, let's go and add big highlights toward our little bottle. So we will first get back to our color palette and change the color to white. And then with the bigger size of the brush, let's go over the left side first, and we will go and create a big highlight that will repeat the overall shape of our bottle like that, and then you can add the color inside by dragging and dropping it toward this little. Also, you can go with some smaller shapes, for example, something like that. And when you have this first highlight, let's go toward the opposite side and create a smaller highlight here too. I go like that, trying to repeat the shape of our bottle, creating a couple more of these details going toward the bottom part, and creating something going in that way. Now when we have the result like that, we could go and soften up some of the lines, and we can do it very easily. We will go toward our layers. We will find our layer with the lines, and we'll create one more layer here. Let's tap on this layer and use the option Clipping mask and let's go toward our color palette. Let's select the frog color, and with this color, we will go towards the lines that we have onto our liquid and we will go and recolor everything that we have right here. Let's go along the whole shape and recolor the lines that we have here to soften up our illustration. When you've reached the frog, for example, go with a smaller size of the brush and add the line only to this line that is belonging to this liquid part. When we have recolor this line, we also can go toward the bottom part of our frogs and recolor this line here too to make sure that they are somehow inside the liquid. If you want to recolor some other lines, you are welcome to go and do that. For example, we can change the color to flower lines and go inside the flower, entry color the lines that we have right here inside. If you want to recolor all of the lines that are here for our flower, you are welcome to go and do that. Let's go toward the lines, entry color them the same way as we recolored the main shape for our liquid. Go on like that manually and starting to add the different color toward our lines. When we did it, we also will go towards the quirk that we have right here to the bottom part and we will recolor the lines here too. Everything that is some kind of inside the bottle will be recolored with this color. Very accurately go toward this connection right here and add the color manually toward the lines that you have right here. When we have the result like that, we are done with our illustration, but we can do one more thing to make it look like a sticker. So we will go towards the layers. We will find the layer where we have our lines. We'll select it and we will go to our S Ruben ca. We will go toward the automatic selection right here, and we will go and tap onto the outside parts from our lines. So when we have the result like that when everything except our illustration is selected, we'll go back to our bottom panel and we'll use the option invert. When our illustration is selected, we will go toward our layers and we will go toward the bottom to the layer where we have a shadow on the quirk. Let's select it. Let's create one more layer here. Let's select the white color and we will drag it toward this selection. You will see it right here on your layers and we will need to drag this layer underneath everything that we have. So when we have the result like that, we don't need our selection anymore. So let's tap onto the ribbon icon. And then let's go and create this die-cut effect. So when this layer with the white element is selected, we will go and do the follow. We'll go to our major quantol over the top plat. We'll use Gaussian blur, and we will go to a screen with our Apple pencil and drag it more toward the right. You can go and add as many bluer as you want, but something around 9% will be enough for this part. So when we have the result like that, let's go and do the following. We'll go toward our S ribbon icon. Will again use automatic selection, and we will go toward this blurry little line that we have, and we will go and try to select it. So go on from the middle and you can see if we are moving our Apple pencil toward the side, we are creating the blue outline right here. That is what's going to be recolored with white color. If you go a little bit more outside, you will have a thicker outline. If you go closer to the center, you will have slightly less of the outline right here. When we have it, we can hit our color fill option right here on the bottom, and we will have this nicely looking die-cut. Now, when we have the result like that, let's finish up our illustration by adding a couple of sparkles good outside the sheep. So let's get back to ours and create one more Ota Ala panel. And then let's go to this folder that you downloaded with the sparkle brushes, Uni Stem brushes, and let's go and select sparkle full steel brush with the same white color and with the bigger size all the brush will go outside the sheeps and we will go and add a couple of additional sparkles right here. So try not to overdo it. Try to add a couple of these details, vary the size of the brush and go and add a couple of the additional elements to finish up with your illustration. So let's go and create something in that way. Again, try not to overdo it. If you, of course, want to overdo it, you are welcome to do it. Add a couple of these details, and when you are ready, we are done with our illustration. Thank you for watching this class. Le review if you liked it, and consider subscribing for MekaY videos in the future. Looking forward to seeing your project.