Stinkin’ Cute: Draw an Adorable Skunk in Procreate

1. Introduction: Hello, everyone. I'm Uni, and in this class, we again to draw this cute kawaii illustration of an adorable skunk in procret. During this class, you'll get familiar with a lot of useful features like QuickShape Tool, liquefied tool, recoloring with reference, and clipping masks, and learning the basics of drawing in procret. By the end, you'll not only draw an adorable illustration you'll be proud of, but also feel super confident using procret. And now let's spend some time drawing. 2. Scheme: Let's begin our class from some tiny preparations. Firstly, we will deal with our Canvas. Today we are using a standard square canvas from Procreate with pixel width and Pixel heights, the 2048 pixels. DPI 300 and our color profile is set as SRGB with this loan number. When it's all done, let's hit down. Let's take a look at our new Canvas and then to continue with our preparational part, let's go under the project and reso stab and we will download all the materials mentioned for this class. When you did it, let's continue by going to our brush library. We'll go to the sketching folder and we will select, for example, six B pencil. First, if you want to use any other brush for the sketching part, you are welcome to pick it. When you are done with picking up the brush, let's go to the color palette that you downloaded from the Project Eros Stop. We'll go under palettes and the cards right here on the top to see the colors names, and we will pick the first color that will help us to build up our little scheme. So for example, let's go with this contrast red color. When we pick the color, we can do one more thing. If you are okay to work onto the blink canvas like that, you can keep everything as it is right now. But if you want to have a bit of the grid right here to see clearly what you are doing and straightaway when you are creating, maybe fix something, we can go and turn on the grid. Let's go to the range icon over the top left. Let's go under canvas and we will toggle drawing guides right here. We will use these cells, but we will make them slightly bigger. Let's go under eight drawing guides, and we will go under the grid size right here. Let's tap onto this little window and let's type down 130 pixels. When we are done, hitting down over our top right, and now we are good to go to start working on our first scheme, and we will work with the shapes today. So let's first go toward our canvas and we will eyeball where we have our center. So let's make a little markdown somewhere at the center. When we have it in that way, let's go and create the shape for our future head. So from this markdown that we've created, we will go toward the left and we will create a shape of the ellipse like that. Hold your line in the end to create a better shape. If you want to adjust the size, you are welcome to hold your Apple pencil and move it from side to side to find the size that works for when you're done, let's lift up our Apple pencil and if you want to adjust the placement all this element or something else, we can go to the poked up option ellipse on the top, and this is our editing too. When we are in the editing too, we have the notes right here. We can go to them with our Apple pencil. We can go and adjust the size or adjust the overall shape that we have right here for our shape. We can go and reposition everything that we have right here by holding our Apple pencil at some blank space and moving our shape to the place we want it to be. For example, let's go with the position like that and the size like that, and when we have the result that we like, let's tap onto our screen to accept the changes. Now, when we have the first shape for the head, let's go and create one more shape that we will turn into one part of the body. Let's go to this intersection that we have right here to this little markdown that we've created and from it, we will go down with another elliptical shape. But this time we will create a bit more of the horizontal shape. Again, with one line, let's create the shape and then let's go to our editing tool to adjust it. We will go and make it a little bit tilted, so we will go to this node that we have on our right. We will drag it a little bit more towards the right, and we will put it a little bit higher than this node that we have on at the left. As for this node on the left, we will go and reposition it slightly, so we will have this new shape positioned somewhere at the center of the shape that we have created in the first place. We have the result like that, let's again take a look at everything whether we like it or not, whether we want to go and adjust it. If you want you can go and put this line right here onto this little checkmark that we've created, it's okay. When we have the result like that, let's tap on the screen to accept the changes, and let's go and create the rest of the body in the shape of another circle right here. Let's go again to this little markdown that we've created and with one line again, we will create another shape of the circle. To hold you in the end, go toward the editing tool right here on the top, and let's make it slightly smaller. Then we have the first shape right here for our head. Working with our little node right here and adjusting our sheep. We will go and position it slightly higher than we have the shape on the bottom. So we will have a very nicely looking shape for the whole body that we are creating. If you want, we also can go and squish it a little bit and position it, for example, in that way, you can go with the bigger size of the body or the smaller size of the body. It's up to you. We have the result like that, let's tap on the screen to accept our changes, and then we will create a couple of more shapes right here that in the future, we will turn into some other elements. Firstly, let's go toward this part right here over the top of our head and the intersection that we have right here between our head and the body. Here we'll create another shape of the smaller version of the circle right here. Create the shape like that, hold it, go to the editing to adjust it. Now we are creating a future here, create it in a way that you prefer bigger one, smaller one, maybe position it differently, move it a little bit higher, lower it's up to when we have the result like that, we need to do the same onto the opposite side. First let's accept our changes by tapping onto our screen, and then we'll go to the opposite side and create a bit smaller version of the similar element that we have onto R. Let's go to the editing tool if we need to adjust it, if we need to make it a little bit rounder, we will go and do that. If we need to reposition it, again, we are moving our shape a little bit toward the inside part or outside if you need to. When you found the placement tab on the screen, and let's go and create the shape for the tail. For the tail, let's first go towards the shape that we have for our future bump. So the element that we have onto our right and from it, we will go up and we will create a very simple shape of the ellipse like that. We will go more toward the bottom and create the shape like that. You don't need to create the elements with one line. You can go and add to these elements if you want to adjust something. When you have the shape like that, let's also go toward the bottom and work a little bit onto the bottom elements that we need right here. Firstly, let's decide where we want to finish up our little ex right here. Let's first go and create one line that will look like that. We are creating a circular element, a little bit of an arc right here. Hold your line at the end, go and create it in a more open way or less open way. All that we need right here is the shape that will look like that. When we have it, we will go toward our body and we will create a couple of lines that later on we will turn into the lex. Firstly, let's go toward this element right here where we have the intersection between the head and the body from it, we will go down and create the arc shape like that. We have it going more toward the right and creating similar shape right here. Again, from the body going down and creating a similar curvy element going down in that way. Now when we have the result like that, let's go and work on the opposite side. First, we are going toward this element that we have onto our right, our bum element, and we'll go find some of the center of it and from the center, we will go and create another little arc going down. When we have it, we also need to add one more little shape like that, and this time we will go right here where we have these two shapes, and we will go slightly toward the left from this intersection. We will create a smaller arc right here, so go like that and creating a little shape going in that way. Now, when we have the result like that, we can take a look at everything and decide whether our scheme is looking nice or whether we want to adjust some parts. If we are satisfied with it, we can move on to our next part where we will start to create the sketch. 3. Sketch: Head: Begin working onto our sketch. Firstly, by going to our layers, and we will go and create one more layer by tapping on the plus icon. When we have this new layer, if you want, you can go back to your layer where you have the scheme. If it looks a little bit too bright, we can go and fix it by going to the icon right here, going to the opacity slider and adjusting the opacity level onto this layer. Adjust it if you need to try to make it quite transparent. So you see what's happening here, but it does need to disturb you. When you are satisfied with the opacity level, let's tap once this layer to close this window and we'll go to our new layer. We will select it. And when we are in this new layer, we will go to our color palace to select a different color. For example, let's go with this main line color, and we will use the same brush that we used before. It is our six B pencil. When we have everything set, let's go and start working on our ships. So firstly, let's go toward the ship of the head, and we will go and work on it. So firstly, what we need to do is to find the center of our ship, and we don't want to create it in a worn way. We don't want our skunk to look straight at us, so we want to have a bit of the three D effect and we want to position our face litle bit in perspective. What we want to do right now is to go to our little circle that we have right here. We'll go from the top of it and we will go and create a line going down in that way. Hold it at the end, try to position it at one third of the whole shape and when you have it, let's do the same onto the horizontal axis. We will go and find the center and we will go and create a very rounded shape like that. If you want you can go all along this whole shape and create a three D shape right here by going behind the element that you working on right now and create a full ellipse. But that way, we will have everything that we need and we can work on our facial features and everything that we want to work on our little skunk. When we have this little cross, let's go and work a little bit onto the overall shape of our head, and we will go and start to create a bit of the cheek right here onto the side. Firstly, let's go toward the top and we will repeat the line that we have right here for the hat, going like that and very easily repeating the line that we have right here, go slightly lower than this line that we have for our center on the horizontal axis, and then going a little bit toward the side and creating a bit of the cheek right here. If you need to try it out a couple of times, you are welcome to go and do that. We will need to have a bit of the protruding part and when we have it, we will need to connect it with the shape that we have on the bottom. Let's go from the bottom and we will start to create a more elliptical shape going in that way. We have it, you can take a look at it from the distance to decide whether you like the protruding part or whether you want to go a little bit far to the side with the shape. When we have it, we will need to go toward the opposite side too, and we will again, go towards the shed that we have for our head. We will go to the top part first, and then we will go down and start to create some kind of the shade that we have right here, but not in this protrudon way. All that we need to do is to go a little bit outside the shape that we have right here and create a bit more of the protrudon part right here, a bit bigger shape that we have for our shape of the head. Now let's go toward the bottom and let's recreate this line right here. So connecting everything in a nice way, go and creating something going like that. Now, when we have the result like that one more time, take a look at everything from the distance, whether you like how it looks or whether you want to go and adjust it with your brush and with your eraser, maybe. When we have the result like that, let's work on the ears. So firstly, we will go toward the left side and we will just go and recreate what we have right here on our with them. So very easily going along the lines that we have right here and creating the line going in that way. When we have it, we will go toward the next year that we have onto the right part and we will do it a little bit differently. So firstly, we will go toward the top part and we will go and recreate it. So go over these lines and create this half of the circle. And then we will go a little bit more inside and we will create the lines going in that way. So going to both of the sides and creating the parts that will go inside the shape of our head. Now, when we have the result like that, we can go and play around with the amount of these lines going inside so you can go and elongate these lines or make them a little bit smaller. It's up to you. When we have it, we will go and create the inner part right here. So firstly, let's go from the top and we will step a bit from this line that we have on the top, and we will kind of repeat what we have for the outside part. You don't need to create it with one line. You can go and create a couple of lines and then choose which lines are working for you and erase the lines that you don't need. When we have the result like that, we also will go and create a bit of the protruding part right here, the inner part of the ear. We will go from the tip that we have right here on the left and we will create some of the line going like that. We will create the shape of the ear. When we have it, let's go and again, take a look at it from the distance. If you feel that maybe it's not enough, you are welcome to try it out one more time, maybe create this little part in a bigger way or smaller way, it's up to you. Try it out a couple of times, create the shape that you like. And when we have the result like that, let's go and continue working on official features. Firstly, let's go and work a little bit on the nose. We will go toward this little cross that we have right here and we will go towards the bottom part of this line that we have right here in the middle and we will start by creating the rounder shape on the top like that. You can go with a bigger shape with a smaller shap probably go with one cell size like that, and when we have it, we will go more toward the bottom and we will first go over the left side to create a rounder shape right here. So when we have the rounder shape, go closer to the shape that you have in the middle and when we have it, we will go toward the opposite side and we will create slightly different shape than what we have onto our left. We will go and create the part going up in that way and we will connect everything nicely onto the top. Again, if you want to tread out a couple of times, maybe take a look firstly at it from the distance to decide whether you like the position and the overall shape of this element or whether you want to go and adjust it in any when we are done, we can go and straightaway shade this part so we see clearly what we are doing. And when we have it, we will go and continue working on artificial features by going toward the bottom part of our nose and we will create a little mouth right here. So for the mouth, let's first go toward this line that we have right here and we will go a little bit to the side from our nose, and we will go and create half of the ps like that. You can go and play around with the size of the element with the position of this element. When you have it, we will go to the opposite side and we will create the second half of our mouth, but it met in a bigger shape. Let's go from the middle and create the shape going up in that way. Again, trying to make it slightly bigger than we have it onto the opposite side. Take a look at it from the distance. If you like it, you like it, if you want to fix it, go and fix it. When we have this shape, let's go underneath it and let's create an open mouth right here to make everything even queer. We are going from the left side, we will find the center of this element and we will make it a little bit crooked like that and create the shape of the open mouth in a shape of half of the circle or half of the alps. Again, if we need to try it out a couple of times, we will go and do that. You can go and make it rounder or a little bit longer if you want to. If you don't like how this line looks, we don't need it anymore, so we can go and erase it. Take a look at everything that you've created from the distance one more time to see whether you need to adjust it or not. If you need to go and adjust it and let's create one more detail when you are ready to create it. When we have the open mouth like that, we will need to add a tank right here. Let's go toward the left side and we will go and create the line gone in that way. Straightaway, we can go toward this little part and we can shed it to again see clearly what we are doing with everything that we are creating right now. Now when we have the result like that, we will go and start to work on our eyes. Let's first go toward the left side and we will go slightly from the shape that we have for the nose toward this little cell that we have right here, and we will create a shape of the llps. W one line or with a couple of lines, let's go and create the shape going in that way. We have it straight away, you can go and shed it like that, and when we have it, we will go toward the opposite side and create a similarly looking shape inside the side too. Again, we are stepping a bit toward the right from our nose and from our mouth, but this time we need to go a little bit farther beyond the sheep. Let's go a little bit closer toward the right part and we will again go and create the shape of the llpe. Let's make it similarly size wise to what we have onto the opposite side. Let's straightaway go and shed it like that. When we have the result like that, let's grab our erasa and we will erase this cross line that we had before to see clearly what we are doing as always. Let's go like that very accurately and erase everything that we don't need. Now we also can go toward the eyes right here, toward the top parts and we can make little highlights right here. You can go and firstly erase the parts and then go and add these little circular elements like that. Take a look at everything. If you want to adjust some parts, we can go and do that. For example, we can go and maybe work on the overall size of the nose right here to make it a little bit cuter and a little bit smaller. You can go and try it out one more time, go and erasing firstly the elements that we don't need, and then adding them one more time, but in a smaller way. Let's try it out one more time with our nose and then again, take a look at everything from the distance. If you see that straightaway, you can go and adjust some parts, but you already have them onto your screen. We can go and do it very easily. We can go to our matric one or the top left. We will go under liquefy and we'll use the option push. We can go to the size slider and adjust the size of the brush that we're going to be pushing with, and we can go to some of the elements that we already have onto our screen and adjust. So we can go and make some parts smaller, some bigger, reposition them, find the different placement for these parts, and overall adjust the illustration in a way that you would want to see. For now, if you want to adjust some parts, let's spend some time here and adjust the shapes to our len. I decided to move the eye on the right, a little bit more toward the right, and make the overall shape of the mouth a little bit more crooked, so it will have a more friendlier look. So if you want to adjust anything else, you are welcome to go and do that. You can go and maybe adjust the overall shape of the hat, so it's not that rounded. You are welcome to experiment a little bit and spend some time here and adjust the shapes to your liking. But when you are overall satisfied with everything here, when you don't want to sculpt anything else, let's go back to our canvas by tapping onto our major Q tool twice. When we have the result like that, let's get back to our brush if you are not at the brush right now, let's go toward the top and we will create a couple of more details right here. First, we'll go from our nose and we will start by going toward the top. And we are going to create a line that later on we will turn into a different color. If you need a couple of attempts, we will go and create it. All that we need to do is to create a wavy line like that. When we have it going toward the opposite side and creating something similar here, going toward the ear and trying to create a very, very nice looking element like that. When we have it, we can go also underneath our shapes of the eyes. If you need to fix something right here manually, you are welcome to go and do that. So work with your brush, work with your eraser to adjust the shapes that you need, and we will go underneath the shapes of our eyes, and we will create the shapes for our cheeks. So let's go with a very simple shape of the ellipse like that on both sides. So go and creating two little elements going in that way. When we have the results like that, let's continue and we will work onto our body. 4. Sketch: Body: For the body, firstly, let's go toward this part that we have right here and we will go and create a very curvy element in that way. We don't need to repeat the line that we have right here the same way as we have it onto our scheme. We can go straight toward the ear right here and start by creating a little bit of the dance right here, going toward the top. Let's go like that and create the shape and then we will go along the whole shape that we have right here and create a very rounded bomb element like that. Let's go more toward the bottom to go on like that, and we are following the direction that we have right here of our line that we are creating and going slightly down with our sheep. When we have the result like that, we will go and work on the leg right now, the leg that we have right here at the back. Let's go towards this element that we have right here, and we will start by stepping toward the middle part. So if you need to make a little markdown in the middle of the shape like that, go and do it. When we have it, we will go down from it and we will start to create a very rounded shape going in that way. So we are going with our back leg. We are starting to create a shape. Again, we can go and create a couple of lines right here and then decide which one is looking good to us. When we are done with it, we can go and again, take a look at everything from the distance and decide whether we want to go maybe further with this line and make it a little bit curvier. We can go and do that. Spend some time here, decide under this element, and when we have it, we will go towards the bottom part right here. Firstly, going toward this line that we've created and going a little bit more toward the inside part. And then going toward this line that we have as our guiding line and starting to create a pool. Firstly, go with the line goon in that way and when we have this line, we are going toward the bottom part and we will start by creating a rounder shape right here. Let's go like that and create an ellipse goon in that way. Again, take a look at it from the distance to decide whether you like the size or not. You can go with a bigger size or with a different shape. You can go, for example, with the shape going up in that way. Again, if you don't need some of the lines, go and erase them. All that we need to do is to create the connection that will look in that way. When we have it going toward the bottom part, starting to create a bit of the flatter shape right here. So basically following the direction that we have for our line and creating the shape that will create a pool. When we have it going toward the opposite side and starting to create a line going up in that way. Again, you can decide whether you want to create it in a thicker way or a thinner way, it's up to you. All that we need to do right now is to create the line going up in that way, and then we will need to connect it with the shape onto the top. Firstly going a little bit inward like that and then creating a bit of a triangular shape and connecting it with the shape onto the top. So again, going along the lines to create a better shape if we need to. If we want to go over some of the parts and maybe scalp them differently, create them in a smaller way, bigger way, maybe position them differently. It's again up to you. If you want to do that, go and do that. Go along the lines and create the shape that you would like to see right here. Also you can go toward the bottom part right here and adjust the overall connection by creating a very soft curve. Going toward this little part, if you need to create a better connection right here too, go with your brush, go with your eraser, adjust the parts if you need to. For now, we are mapping out what we are going to be creating right here. So if you feel that maybe you will need to go and adjust the parts, later on, we can go and do it with our liquefied tool later on. For now, when we have this sheep, let's go and start to work on some other elements. Firstly, let's go toward the tummy and we will create the line go in that way. Go on like that and starting to elongate this line to create a tummy of our little scat. When we have it, let's go towards the front legs and let's create them here too. All that we need to do right here is to create the thickness for these lines, and we also would want to create something similar to the pose that we have right here onto the back leg. Let's first go towards the bottom parts and we will start by creating two ellipses onto these two lines. Go on like that and start in to create these elements and then go about them and starting to create the lines that will go. So basically we are repeating the line that we have right here on the guide, and we are adding a bit of some kind of sure right here onto the bottom part, the pore. And then adding the similar line towards the line that we have right here onto the right and repeating overall shape that we have right here for the poor. Again, on the bottom, we will need to have a bit of the flatter shape. So if you need to go and work with your brush and with your eraser onto this shape, go and do that. When we have it, we will do the same on the pot that we have right here onto this side. So for now, let's work onto the basic shape and if we need to adjust it, we will do it later on. So for this pot that we have onto this side, we will do the same thing here. We will go and try to create similar thickness to what we have onto the opposite side. When we have it, we will go a little bit inside the shape and we will erase this line that we have for the tummy. So when we have it, let's take a look at it from the distance to decide whether we like the position, the thickness, the everything, or whether we want to go and adjust it. If you want to go and adjust some lines, you are welcome to go and do it with your brush and with your eraser. So you can see we are creating a bit of a playful shape right here. So the elements that we have in front should be a little bit stretched. And now when we have these two elements, let's go and create a similar put to what we have right here. But this time, we will need to have it in a smaller way. So again, we will go first toward the bottom, and we will start by creating this little shoe right here, going like that, and then starting to create something similar to what we have ta, this little pot. Go on like that and creating the similar shape to what we have Ota the right. When we have it, let's take a look at everything and decide whether we want to go and adjust some parts or not. So for example, we can go and move this shoe a little bit toward the bottom. Again, working with our brush, working with our eraser, adjusting the parts that we need to adjust. If you see that you can go to some other elements and maybe adjust them too, you're welcome to go and do that. Work with your brush, work with your eraser, and adjust the parts to your. Example, we can go to this little part and maybe make a bit of the rounder shape right here on the side. So again, spend some time here, adjust the parts that you want to adjust. And when we have the result like that, let's finish up with the body right here by adding a little stripe that later on we will recolor differently. Again, we will go toward the shade that we have right here onto the back and we will create the little stripe in that way. Again, we will add a bit of the thickness right here. You want to create a differently shaped element, you are welcome to go and do that. When we have this stripe, let's go toward the tail, and let's work onto it. So for the tail, firstly, let's go toward this little part right here, and let's go and start to go along the ship. If you don't want to follow the overall shape directly, as you have it onto your scheme, you are welcome to go alone and maybe create the different shapes. And you can see we are starting to add the details straight away while we're going along this overall shape. Let's create a couple of strands of hair like that, and then we'll go and start to create a rounder shape over the top. So go in that following the direction that we have onto our scheme. And then when we have the soap element, let's go and start working from the bottom. So first, let's go in from the bottom and starting to create a line going up in that way and then go a little bit inside and starting to create some kind of the curl right here. You can go and spend some time here and adjust the shape to your liking. You can go a little bit bigger with the shape, smaller with the shape, work onto the overall shape of the cut and create something very, very nice right here. For example, let's go with a shape like that, and of course, if you want to add more details, for example, maybe the line going in that way inside that's okay. You can add the details. Take a look at fin from the distance one more time to decide whether you want to adjust some parts or not. And when we have the basic shape for our tell, for example, we can go right here and maybe make it a little bit less rounded right here, so you can spend again some time onto your sketch and adjust it to your liking. When we have the overall shape for the teal, we can go again inside the shape and create something similar to what we have right here on our head and on our body. So let's follow the direction that we have for tail, and we will go and start to create the elements going like that. So for example, let's go from the bottom and let's start to create a couple of strands that we will later on recolor differently. For example, let's go in that way, let's see what we have created, whether we like it or not. If we want, we can go and turn over our lines that we have for rgides by going to our layers and tapping into this check mark right here on the layer where we have gts. So we can hide we can see what we have created. Again, if we want to go and adjust some parts, for example, maybe shorten the legs right here or work onto the overall shape of the tail, we will go first, make sure that we are at the right layer where we have everything that we have for our sketch, and then we are going to our adjustments, going to the liquefied too. Again, we are working with our push option and side slider. Again, let's spend some time here and adjust the shapes to our liking. I decided to move the back part a little bit toward the right to create a bit more of the playful shape and also move the leg right here and a little bit work onto the til. So when you have the result that you like, let's go and start working onto our clean lines. But before doing that, let's accept our changes by tapping onto our magic one, to twice, and we will prepare our canvas for the clean lines by going to our layers. We will tap onto the icon right here, and we will adjust the opacity of this layer. When we did it, let's create one more layer on top. And now let's move on to our lion part. 5. Clean Lines: Start with our clean lines, let's go to our brush library and we will change the brush. So we will go to the calligraphy folder and we will choose Monoline brush. We want all of our lines to be very, very smooth and easy to work with. So let's tap onto our monoline brush and go inside the brush studio. On the left will go under stabilization, and we will be playing with amount of streamline and amount of stabilization. First, you can go to the draw pad and try it out right here how it feels. You can go to the amount of stream line and amount of stabilization to these two slides and set them the same way as you see them right now onto your screen, try it out right here onto the draw pad. If you want to tweak these options to your liking, you're welcome to go and do that. And remember that you can always get back to these options later on if you need to adjust the streamline or stabilization of your brush and adjust them later on if you need to. So when you are satisfied with everything here, let's tap onto our done button over the top, and let's start working onto our clean lights. Firstly, let's go and set the size of the brush to something around 9% and we will go along the shapes that we have right here and we will be starting to recreate them. We can use all the options that we used before. We can go with our holding of the Apple pencil at the end of the line and create the smooth line. We can go to the editing tool and start to adjust the shapes from here. We will need to pay attention to the connections that we are creating and we will need to make them as if our line is seamless. We don't need to create our line with one line, but we will need to make sure that everything looks as if we have created it with one line. If you see that some line is looking a little bit bulkier or you have not very cute connection, a little bit straight one or something a little bit to straight, you are welcome to go with your brush and with your eraser to adjust this part. Again, we are going toward the bottom, again, starting to create the line right here, holding our Apple pencil, going along the connection. If we see that the line is looking bulkier or not too nice, again, working with our brush and with our eraser to create the seamless bin. Let's continue by going to the opposite side and we will finish up with the bottom part of the face. Going like that, hold R line. If it snaps to something like that, you can try to lift up your Apple pencil and go to this option on the top. If you have the option arc, you can go and use it. If you don't have it, go away from this mode and try to create your line one more time. Try to make a nice connection, go to the editing tool if you need to adjust the curvature of your line, try to make the nice connection from here if you want to. When you are done, try to get rid of all the lines that you don't need and the bulkiness of the lines if you have it onto your connection. When we have the results like that, let's go and create the shape for our ear. Again, either with one line or with a couple of lines, go right here and starting to create the line that will recreate the shape of our ear. Again, go into our 18 to if we need to adjust it, adjusting it, if we need to try to make nice connections and going a little bit inside the shape with this. When we have it, again, taking a look at everything from the distance, going toward the inside part and starting to recreate it. Again, if you want to create it a bit in a different way from what you have te your sketch, you are welcome to go and try it out right here. If you want to create it in a similar way, you are welcome to try it out here too. Again, with our clean lines, we don't need to create everything with 100% of similarity to what we have t our sketch. If you want to try out something different, for example, maybe reposition the ear or change the shape of it, you are welcome to try it out right here, take a look at it from the distance if it looks right to can keep it. If it's not, you are welcome to get back to what you had onto the sketch and try it in that way. When we have the ear, let's go and work on the artificial features. Firstly, we will go and maybe recreate the eyes. It will be easier for us. G along these shapes with one line, creating our shape, starting to position in the same way as we have it onto our sketch. And then when we have the outline when we don't have any gaps in it, we'll drag and drop the color inside, and then we will do the same onto the opposite side. Again, either create something similar to what you have onto your sketch or adjust it to your liking, maybe reposition it, maybe make it bigger. When you have the outline, drag and drop the color inside. Now when we have the ice, let's go and recreate the nose. So again, following the direction of the lines that we have it onto our sketch, and we will create the outline and drag and drop the color inside. Again, take a look at it from the distance. If you need to fix something, go and manually fix it. So for example, we can go over this little part on the top and make it a little bit more horizontally positioned. When we have it, let's go toward the bottom and we will recreate the shape for the mouth. Again, holding our lines at the end to create smooth shape going toward the opposite side, recreating the mouth here too. Adjust it with your editing tool if you need to. When you have it, take a look at it from the distance. When you are satisfied, tap onto the screen, and let's go and recreate this bottom part of the mouth by creating a shape of the half of the ellips. Again, create it, go toward this little part where we have the tank created and then either manually add the color right here or by dragging and dropping it from this little to over the top prime. When we have the results like that, let's continue by going to some other elements, and let's recreate them too. I would probably want to go and maybe recreate the line that we have right here for the bottom part of the hat to make it a little bit more positioned correctly than it is right now. So I will go with the eraser and erase this line right here and try to create it one more time. We can go and try it out a couple of times. We can take a look at it from the distance to see whether we are doing everything right or maybe we need to go and adjust it even more. Go into Editing tool to create a rounder shape, trying to make nice connections, again, taking a look at it from the distance if it's needed. When everything is looking nice, we can tap on the screen and work on our connections with our eraser and the brush if we need to. Going into the opposite side and recreating the line right here to create a seamless line. Now when we have the result that we like, let's continue by going to Abush and we will go and recreate the shape that we have right here for our body. Let's go and start to create the rounder shape like that, going toward the shape that we have for our back leg, and again, starting to recreate the rounded element. Going to our editing tool, recreating the lines, trying to make everything to look very seamless and very nice and smooth, working with abush with our eraser to achieve this look. Let's continue by going to our brush and we will go and start to work on our legs. Firstly, going toward the back part. Again, if we want, we can go and create something different from what we have onto our Skage. Always take a look at your lines from the distance to see clearly what you are doing and whether you need to go and adjust some parts or not straightaway when you have this option of editing right now. When we have the line that we like, let's tap on the screen and continue to work on the bottom part. Let's make this line a little bit more going on the vertical axis, and then we will recreate this line that we have right here for the pool. Let's start by creating a rounder shape right here, and then we will go toward the bottom and create a bit of the flatter shape right here. Again, connect it nicely, at least try to create it in a nice way when we have it going toward the opposite side and finishing up with our leg. Let's go and create this little element right here. So again, will connect it nicely with our shape and then going toward the bottom end with one line, creating the shape, going in that way. You need to try it out one more time, go in and trying it one more time, or couple of times if we need to work in ones our lines with our brush and with our eraser if we need to. I'll probably want to go a little bit farther with the shape, so we will go and elongate this little line right here. Firstly, erasing it with our erasa and trying to make everything in a nice way. For example, go on like that and go a little bit longer with the shape of the bum. Again, connecting it nicely with our shape right here on the top. If we need to go and fix our lines right here, we'll go and do that, trying to create it in a very smooth way, and then one more time trying to create the leg that we have right here at the back. So one more time, go and creating the line going outside and then connecting it with our line that we have onto the bottom. When we have it, let's work on our connections with our brush and with our erasa. Going in that way and starting to create the seamless and nicely looking lines. Going alone all of the lines that we have created. If you want you can keep what you have right here with a little bit of the fault or if you want you can go with your erasa and erase the parts that you don't need. Now, let's get back to our brush and let's go toward this part that we have for our poll let's create a couple of lines like that to create the actual port here. When we have it, let's go and recreate the line that we have right here for the timing, creating a curve, holding it, and then we can go toward this little pod that we have right here and recreate it too. Creating something similar to what we have on the opposite side, again, starting to create two lines, creating a bit of poor right here onto the bottom, the rounder shape, and then finishing up everything with slightly flatter shape onto the bottom. Connect it nicely, go toward this little part. If you have it too, connect it with your brush and with your eraser work onto the thickness of the lines and evenness of the lines with your brush and with your eraser too. When you have it, let's go and create these couple of lines that will divide our paw. Go on like that and creating two little lines going in that way. When we have it, let's continue by recreating the front pose. Go the same way as we have them onto our sketch and starting to recreate them the same way. With this front poor, we will go a little bit toward the inside part of the body and we will go and create the pole going in that way. We will need to have a bit of the flatter shape on the bottom and a bit of elongated shape on the left side. Let's create it in that way and when we have it, we will go and recreate this chest part, going like that, starting to recreate it to either the same way as we have it onto our schage or maybe differently. When we have it, we also need to pay attention to the line that we are creating right now because this line is the elongation of this line. We will need to position it as if it's not interrupted with our pull, but it is going seamlessly right here on the bottom. Try to do that, and when you have it, let's go and recreate the last poll that we have right here onto our left. So trying to recreate it the same way as we have it onto our sketch, or if you want to fix it a little bit or adjust it in any way, go and do what you need to do. Again, connect it nicely, go and work on your lines onto the corners. If you have some very strong corners, go and soften them up. When we have the result like that, let's go towards the pose and let's create this dividing part onto the pose by creating a couple of lines going in that way. When we have it on one pull, let's go to the opposite side and create something similar here. When we have it going towards the tail, and let's go and recreate it too. Starting to create the curfre here, you can go and overlap the shape of the ear, for example, and go a little bit beyond the shape. You can go and, for example, do something going in that way, and we can very easily go with our eraser and erase the part that we don't. Probably make the size of the eraser smaller and with the eraser, we can use all the options that we are using with our brush. You can go and create the line going in that way and hold your line in the end to create a curve and very easily erase the part that you don't need by using all the options that we already know. When we have it, let's continue by going toward the tail and let's start recreating these details that we have on the top. Go like that, starting to create our very rounded elements using all the options, all the tools that we already know of and going along the whole shape and starting to recreate the tail. Let's go toward the very, very top part and we will create a big curve going down in that way. When we have it going toward the bottom part and starting to recreate these details here too. Again, we are creating the triangular shapes right here, but again, we are trying to create them in a very soft way. So nothing too pointy here is allowed. Of course, if you want to have the pointy elements, go and create it in a pointy way, continue to work onto the tail and create the cut right here onto the top. Again, use all the options that we already know of and create the nicely looking elements right here. Use the eraser if you need to create a softer connection. When you have it, if you want to, we can go toward this top part and maybe create an additional lion like that to create some kind of default right here. When we have the results like that, let's take a look at everything without our lines of the sketch. Go in again to our list and taping onto the check mark right here onto the layer with the sketch to see clearly what we have created. If you like how it looks, we also can take a look at arithin without these lines of the grid. We can go back to our range icon over the top left, Canvas, go into the drawing guide and toggle it to turn it. When we have it, we also can go and start to add some details right here. Firstly, let's go toward our lease and we'll go underneath our lay with the main lines. Let's create one more lay on top by tapping on the plus icon, firstly, we'll go toward the bottom and we will create some kind of the field where our little skunk is standing on. Let's go with one line with the same size of the brush and we will create a shape of the ellipse. Close the shape like that, hold your line at the end. Let's try to make it horizontal so we can hold one of our fingers on the screen to create it in a very flat and very horizontal adjust the size by moving your Apple pencil. For example, let's go not too far beyond the shapes that we have for our pose. Let's create something in that way. We are not going to be erasing the part that we have right here at the back. When we are going to be creating the colors, we will get rid of it. When we have the results like that, we also can go behind our little scan and we can add a bit of the interest right here by creating some peculiar shape. For example, let's go back to our layers. Let's create one more layer on top and we will firstly go and create a shape of the heart. You can go and create it with a different brush, so we can get back, for example, to our sketching folder, six B pencil and we will go and very boldly create the shape of the heart right here behind our little skunk. Let's go like that and very easily create the shape that we would like to see right here, for example, go like that, and when we have it, we will go along the shape that we've created with little bumps like that. Let's go and very easily and very quickly create these little bumps and we will create some kind of the shape of the little stinky part right here. When we have it going towards the opposite side and again starting to create these bumps, if you want, we can later on fix the shape by going to our familiar liquefied tool, but first go along this whole shape like that. If you want to go inside and maybe create a couple of lines here too, you are welcome to go and do that. If you want to fix the shape, go toward the liquefied to push option and adjust the oral shape that you have right here. Let's go and create it maybe in a bit of the smaller way, but we will go and create it in a nice way too. For example, let's go like that. If you like how it looks, let's get away from our liquefied tool by tapping on the adjustments twice, and then we will go back to our layers. We will first go to this layer where we have this little additional part. We'll tap onto the icon and change the opacity, and then we'll create one more layer on top and we will go to our brush library, again, calligraphy folder, Mnulin brush, and we will go along this sheet and we will recreate these little bumps. Very easily, let's go and start to create. Again, you can use all the options that we used before, hold your line and the ends to create nicer shapes. Doesn't need to be too perfect. We are creating some kind of the gas right here, so it doesn't need to be very rounded or very even. You can go and experiment a little bit and create a different shape too. Continue working onto the shape, make the bums bigger, make them smaller. All that you need to do is to follow the shape so we will have a nice result. When we have the intersection with our shape of the, for example, the skunk, we can go toward the bottom and we can close the shape going in that way. So we don't need our bumps on the bottom. If you don't see what you are creating right now, we can go back to ys, hide our yer with our skunk, for example, and this little element that we have onto the bottom and overall, make sure that the shape is closed. Closed shape means that we don't have any gaps into our lines. When we have the result like that, let's go and maybe recreate these little parts that we have on the top. So let's create a couple of these elements to emphasize on the shape. Let's take a look at it without these lines that we have for this sketch. So go and find it and hide it. And then when we have the result like that, let's get back our layers that we have for our main character and our bottom part. And when we have the result like that, we are done with our clean lines so we can move on to the coloring part. 6. Colors: Coloring, firstly, let's work onto our little skunk. Let's select our layer with it. We will tap on it, and we will use the option reference. When we are using the option reference, we will be adding the colors on the separate layers by using these lines that we have right here onto this layer. So we'll go underneath the layer with our lines, and we will create one more layer on top, and then we can go toward our color palette and select this body color. With the body color, we will go toward the body and we will start to recolor everything that we have for our scan right here. You can see we are hiding the lines that we have right here at the back, and that's exactly what we need. When we have the result like that, we will go toward our layers. We'll create one more layer on top. We will change the color to red, or if you want to go, for example, with pink cred, you can go with it. We will be adding the color right here to the tank. When we have it, let's go toward our layers, and we will go and work onto the additional colors right here onto our little skunk. Firstly, we don't need reference anymore, so let's go to this layer where we have this reference. We will tap on it and we will use the ocean reference from the list to turn it. When we have it, we can go toward our layer with the main sketch, so the sketch that we have for our skunk and we can grab it and we can drag it above everything that we have right here. We will unhide it and we will see the lines that we have created before. When we have these lines, we will go towards this layer that we have for our mein coloring and we'll create one more layer here. To stay inside the shapes, we need to tap onto this lee and use the option Clipping Mask. You will have a little error here. That's exactly what we need, and then we will go back to our color palette to change the color to white. With this white color and probably with the smaller size of a brush, let's go and recreate these lines that we have created onto our sketch. Let's go like that, recreate the lines, close the shape on the top, so you don't have any gaps inside this line. And when you have no gaps, let's drag and drop the color inside. When we have it, we will do the same with these two lines that we have on the bottom. Firstly, go toward the bomb area. If you want, you can repeat the lines the same way as you have them on say your sketch. If you want to experiment, go and experiment. Close the shape when you have two lines on the top and on the bottom, and then drag and drop the color inside. When we are ready with this task, going toward the tail and again starting to recreate our little pattern. Going toward the top, starting to create these little elements, going into the opposite side, again, recreate what you have onto your sketch or create something different if you prefer. Close the shape when you are already with the main lines on the top and on the bottom to have no gaps into your outlines and then drag and drop the color inside. When we have the result like that, let's go back to our layers and hide our layer with the sketch the layer that we have on the take a look at everything. If you want you can go and maybe adjust some little mis colored places or the smoothness of the lines or something else. If you need to change something, and change it. When we have the results like that, we will go and work a little bit on the element that we have right here onto the ear. Let's recolor it too. But firstly, we need to get back to our color palettes and change the color to, for example, the same pin cret right here. When we have it, let's go towards the ear, and let's recolor the element that we have right here inside. All that we need to do is to follow the natural direction of the hat, going toward the bottom first in that way and then follow the ear shape, the shed that we have inside, and adding the color toward the middle part. Let's first go toward the outline like that, close it, and then drag and drop the color inside. Take a look at it from the distance to decide whether it looks fine or whether you need to go and maybe adjust it slightly. If you need to adjust it, use your erasa and your brush to adjust the. Now when we have it one more time, we will go underneath our eyes and we will need to add our cheeks. If you need to see them the same way as you have them onto your sketch, go to your las hide the layer and go with the same color that you are using right now to add the cheeks right here onto these areas. Use your brush, firstly, create the outlines. Go with a bigger shape, smaller shape, adjust it for editing to find a different placement if you want to. For example, we can go slightly toward the sheet that we have for our eye right here. When we have the sheet that we like, tap on the screen, drag and drop the color inside when you are ready and do the same onto the opposite. Firstly, create the outline the same way, go toward the editing tool to adjust it. Try to make it similar size wise to what you have onto the opposite side, reposition it if you need to rotate it if you need to do what you need to do right here to create a nice element, except the changes when you are adjusting it, and then drag drop the car inside when you are ready. Now when we have the result like that, let's get back to our layers and hide the layer with our sketch. A straightaway, let's go towards our layer that we have our main lines and we'll create one more layer on top. We'll switch the color to white and we will go towards the ice and we will put the dots right here for our little highlights. Let's go with a bigger size of the brush. We'll go over one on the sides. Maybe even bigger size for the highlights will work for us. We will go to one of the sides and we will put the dots to the same side and to the same level to create these nicely looking highlights. When we have it, let's continue to work on some other elements. Firstly, let's go and work on the bottom part of our little field right here. Let's get back to our list and find the lay where we have the lines for this field. We'll tap on it and we'll use the option reference, and then we will go underneath it and create one more layer here. Let's change the color to yellow green and we will drag and drop the color toward this area. And when we have the result like that, let's go and add a couple of more details toward this part. Firstly, we want to go and add a different color towards this little patch that we have right here, toward the outlines. Let's go and do it very easily. We'll get back to Alas. We will find layer where we have our little lines for this patch, tapping on it, using the option reference to turn it off firstly. Then go and create one more layer on tapping on it and using the option clipping mask. When we have it, changing the color to yellow green, and we will just drag and drop the color toward this part. When we have it, we can go and create a bit of the interest right here toward this part too. Firstly, we don't need this layer to be on top of this layer that we have for lines. We can merge them together to have only the layer with lines. Let's tap onto this layer with this rectangle that we have in green color, and we will use the option merge. Now when we have these little elements recolor it with this green color, let's go toward our brush library, and we will go to the same calligraphy folder, but we will use a different brush with the title script. With this brush and with a smaller size of it, for example, let's go and try out something around 15%. We will toward the lens right here, and we will create some kind of the grass right here. The brush that we are using right now is the pressure brush. If you are pushing with a bit of the pressure right here, you are creating some kind of the little tip right here and you can go along this part and you can add the little grass elements going in that way. So release the pressure create the elements going like that, go along this whole part and create a couple of details going in that way. Go to the top, go toward the bottom, go toward this field that you have here and create a couple of brass strands going in that way. When we have it, also, we can go and add little flowers right here. For example, let's change the color to, for example, grayish, pink or any other pinkish color that you have here. Let's go very easily and start to create the flowers here. Let's create them in a very cartoony way. So going like that and creating five petals, go along the whole shape of this patch of grass that we have onto the bottom. Create a couple of these flowers when you have the result that you like, if you need to try it out a couple of times, go and try it out a couple of times, create some pattern with the flowers. When we have the result that we like, let's go and switch the color to white and let's go inside the shapes that we have created for our flowers, and let's add the middle parts of our flowers in that way. Now when we have it, when we have the grass patch, let's go and recolor these little fumes element that we have in the back. Let's first go toward our layers, and we will find the layer where we have these outlines. We will first go and change the color of it, so we are creating one more lay on top, tapping on it, and using the option Clipping Mask. Now, go into our color palettes and let's select this red color, and we will drag and drop the color toward this part. When we have it, go toward our layers, and we will merge these two layers together. So go into the layer where we have the spin creek tingle, tapping on it, and using the option merge down. Now when we have it, let's tap onto this layer and let's use the option reference, then go underneath this layer and creating one more layer on top. Now, onto this layer, let's go and select this grayish pink color and drag and drop it toward the middle part. When we have the result like that, decide whether you want to put the fumes a little bit behind this patch of grass, so you can go and do it very easily. We will need to go to these two layers that we have for our patch of grass and put them above earlier with the fumes. So when the first layer is selected, we'll go to the next one and we will swipe it from left to right. When we have them, we will drag them above earlier with the fumes and we will have these elements positioned nicely. Now, if you want to add more details, you are welcome to go and do it onto the background. So maybe you have a bit of the dot right here onto the background or some other elements. But if you like how everything turned out right now, we are done with our illustration. Thank you for watching this class. Let review if you liked it, and can do subscribing for MirkaY videos in the future. Looking forward to seeing your project.