Figure Drawing Course From Beginner to Advanced

1. Introduction: Hello friends, welcome to the pencil figure drawing course. In this course, you'll learn step-by-step how to design the human figure and learn about the anatomy of the body. In this course, you'll learn everything you need about figure drawing. And of course, you will first learn different methods of figures sketching. Then you'll learn how to draw the figure as style of a woman's body and how to hedge and shade it. Next to the anatomy of a man's buddy, you'll learn how to draw muscles and shape them as well. Then by drawing the body of two male athletes, you'll learn step-by-step how to draw muscles, bonus structures of the body, turns and twists of the body and shape them with a pencil. And finally, by drawing a cloth man in a sitting position, you will also learn to draw a closed figure. I hope this course is useful for you. And with a lot of practice, you can become a professional figures sketcher. Good luck. 2. Tools: Hello everyone and welcome to a new course of sketching with me. Well, in this course we are going to create figurines and styles together. Well, before we start that, I should tell you what equipment you can use in this course. The tools that we need for this course is a B6 sketching pencil that we've used in previous courses as well. Our eraser and an H2 or a normal pencil. We also need a normal and an eraser as well. Well, next session, we're going to see how we can create the proportions. 3. Types of figure drawing: Hello, welcome to another episode of sketching with me. In this episode, we're going to start creating figurines and styles. And before we want to do it professionally, I should tell you how the proportions work in figuring or a human bodies style, or how we can create it. Based on what we can create our proportions. Gets your normal HB pencil and you start from the top is part of the human's body, which would be the head and until the toes, which is actually the ending part of the body, is as the amount of eight heads. In the beginning. I will create eight equal circles, which also look like ovals. I mean, it's a shape, something between an oval and a circle. And I'm going to create eight of them equally as our presenter of the head. And I need eight heads from the top to the bottom of a human's body. Then we will the proportions. How was the sixth 78? The eighth one would be a semicircle and indicate engineers, I'll tell you why. Is it going to be a semi-circle or it would be in half? From the top to the bottom. I would have the amount of eight heads almost there. I would have to make, actually transform these eight heads into complete figuring. So I will have to divide each head into a separate part. And the last one. The first one is pretty clear. The first one is our figurines. Head. Or better to say our character's head. Alright. Then between the first head and the second head would be our neck area, which basically it looks like this. Then with a little distance between the first dividing line of the first, second head, I'll create the line for the shoulders. And then until the end of the second head would be the ending part of the chest area. Just like that. Until the end of our second head measure would be the placement of the ending part of the chest area. Alright. Now these would be the collarbones and from here we would have the shoulders. Now to create, I'm now going to create the arms right now. I want to create the rest of the body first. Above this separating line between 34, I mean, over here, little above that. This would be the ending part of the waist area. Okay. And then over here, we would have the area between the waist and the hips. It starts from here and it continues until the middle part of the fourth measurement or the fourth head. This would be our pelvis. Okay. Now, from here, from our fourth measurement until r until the end of our fifth little bit. Even below that, I mean, this area would be our knees. These two points that I've created here. Would actually be Denise. So I'll create, create a Sy over here and another one on this side. Here. We would have the nice. Then from the knees until the ankles, I would have this much. Well, the ankles would be on the beginning line of the eighth head. This would be the ankles from the knees I'll continue. And L connected to the ankles. Dislike that. Okay. If done. Well, if the feet we're in a way that she was standing or he was standing on his toes, this eighth head would be completely, but if our character is a standing normally on their feet, this eighth head would be 1.5 and we will create a semicircle for that. But again, I say, if your character is standing on details, that will be a complete head. Now, area between the chest and waist would be actually our elbows. So we'll start from the shoulders and I'll continue up to here. And also on this side, these would be our elbows. And now, where would be the risks? It would be here below this area in the middle of the fourth measurement. So I'll bring it down just like that. And then I'd be creating the hands like this up to here. This is a normal proportions for a normal anatomy. So it would be as a proportion of a hit. Okay, if I want to create the same, figuring in a different style and a different way, I should continue these measurements. And then I will be creating an angular style. I mean, I'll create my anatomy. And an angular way. I'm just going to continue this so you would know where would everything go? Okay. Well, dad is the head. It doesn't change in any style. Then we would have the neck in this way. And I'm just going to change this figure in a bit. This time. I'm going to give it another style and a position. And then this time the collarbone would be actually in this way. It's the steep and sideways. I want her to take one hand up and turn it over her head. That's why her collarbones are not straight. Then we would have the chest and depressed. So first of all, I should create the center of the body like that so I can have my things symmetrical. So from here, this would be the shoulder joint. I bring it down up to here which would be the ending part of our chest. And then again from here, I'll bring it down until I hit the pelvis. Here I would have my models ways then at last, it will finish here over the pelvis. Okay. Now, the next thing that we should do is determining these parts. I told you this would be the ending part of the chest, so I'll show it over here. And over here we'll have the chest itself, which contains the breasts. Each on each side. One on each side. Sorry. Okay. Now what are we going to do next? In next step, we are going to create the arms. Here would be our elbows. I'll just create it, create DRM until the elbows. And then from here, I want to take the arm over here toward the lower part of the chest. Basically almost on her waist. This would be her hand. I can also use my eraser to erase extra lines from Mark and that would actually make my work, is there, make it cleaner to do the rest? Then I'll work on the lower part of my work. This would be actually the ending part of the pelvis. Here would be my characters hips. And now I want to consider the knees here. Well, this time I want to create the legs in a way that the left leg is stretched and it's coming in front of the right leg. So if I want to create my one of my knees over here and I want to shape it in a more curved way. It would be placed over here. So from here that I have my hip. I'll connect it to this knee area. And from this part I'll do this say okay. Now leg is actually more in behind and it's stretched out underground. It's like it's keeping our bodies straight and it will come from behind the other leg. And the knee cannot be seen completely because it's been covered by this first leg. If you want to create the ankle in the same direction, it would be placed here. You remember? I've told this in the previous style from both sides. I'll move on toward the ankle. And then this time I would have to create a stretched feed on the toes. So this time I'm going to create the feet completely. And this one because actually this leg is straight. I'll just put the ankle over here and create the foot normally like I did before because one of the legs and one of the foot basically is placed whole lot underground and the other one was a stretched out on the toes. Didn't have to create this other arm. This would be my elbow. I'll bring it down up to here to the shoulder. And then from the elbow down it will come toward the head and it will be turned to create the hand. So just as easy as that, we've created a style like that based on the proportions that we've created on the first part of our tutorial. Let's move on to the next way of creating a fingering or proportions of anatomy. 4. Continuation of types of figure drawing: Hello again and welcome to another episode of creating figures with me. Well, this episode, I'm going to tell you this third way of creating a figure or a style, and this way is linear way. As usual, the first part would be the head area. So I'll create the head as usual. Then. I'll create a line as a representer of the neck. Then I will create the shoulders area and I'll continue it until here, until the lowest part of the chest, the ending part of the chest. And it would be sideways, as you can see, it's not as straight. Then my body has came through here. I'm considering the central line. This would be the waist area. And then again, I want to create the hips this way. And then this shape, this would be the hip. These two would be actually the leg joins. Those two were the shoulder joints and in the middle we have the waste. Just as easy as this. If I wanted to create the arms, this would be the elbow, again being placed as a joint and here would be the wrist. I want her hand to be placed on her hips. It's the same thing for over here. I'll create the arm. This would be the elbow, and here would be the wrist and the hand. Just as easy as that. Now I want to work on the leg area. I'll continue this same line. First. Let me just create a straight line down. This would be the central line. Now, I want to place this leg student on the floor. I will have this knee joint and I'll create the leg. The upper part of the leg here would be the ankle and allergists connected to here. And that will be the foot. I want to create the other leg in a particular angle. So I'll bring the knee over here and I'll create the ankles this way. Go sideways and the other foot as well. So this is actually a third way to create a style in Illinois array. Up to here, I've told you about three ways of how you can create a figure and a body anatomy. Well, in a way of eight heads, the angular and linear way. If you want to use one of these three ways, you can actually create the figures and bodies styles in anatomy is very easily, I'll simply, we had these three ways. And I hope you can use them to create beautiful anatomies. 5. Drawing the figure of a sitting woman: Hello, welcome to our new episode of creating and sketching styles and positions with me. We're going to create a sitting position in a side view and a three faces view altogether. First of all, I'd be creating ahead. No. You see? This would be the head of my model. So after Dad, I can create the neck area. Alright, now I can start creating the position and the style of the body. Create a line. And I'll bring it down from here. With this angle. I'll be doing the same from this side as well. Okay? You see my dear friends, I'm actually sketching very easily and very simply. If I bring this part of the neck down, this would be actually the symmetrical line of the whole body. So from here I'll go up and okay. So this would be the chest and until the end of the ribs. This would be stomach area. Here we will have the waste. And from here down, again, it would be the waist and the stomach. And this part would be our pelvis area. I'll shape it as a circle for now. Okay. For placing D arms, because our body is placed in a three-phase is via position. We can only see one of the arms. The other one would be on the other side of the body and cannot be seen. So I'll continue from the neck down. This area here would be the shoulder. As you can see, I've created a circle as the placement of the shoulder joint. I cannot create the rest of the arm now. And now I am going to create the body parts. If this is my drawings from below that, from beneath that actually be the armpit. And when it comes to here, this area would be the placement of the breasts. And they would look like this. And it would be the same for both sides of the body. Just as easy as that. Over here, I'll have a curve for the stomach and then I will come out a little bit again. After that. This would be the lower part of the waste. And then I can get to the pelvis area, which I want to create in a sitting position. So the pelvis would be wider than it should be because she's sitting. This would be the back of my character. So it's our back. Okay. Now I'd be erasing the extra lines of my work. I'll make these lines neater and cleaner. While you're erasing the extra lines, you might erase some of your main lines by mistake. Don't worry. You can always bring it back like this. Right now. I can even give some shading to these areas as central part of the body cavity here, the curves here. And also the apps. Abdominal muscles. Which are created like this. Easy. Here we have a shading for the lower part of the bag, for the curve in the back. Here, we would have so more shades to show the back even more. Alright. When I come down from here, this part would be well, back and the legs would be actually starting from here. Alright. This is the knee joint over here. And very easily all connected to the beginning of the leg. So that will be the ankle. And again, from the knee. I will connect the lines to the ankle joint from both sides obviously. And then over here we can have the foot. Alright. Now we want to work on the arm area. First. I'll create my elbow. Over here. We had a circle. So I'll bring down the arm with a slight curve and then with this light prominent part up and down, right after each other. And over here, I would have the rest of my hand. I want her to place her hand on her thigh or on her waist. So also from this side, I'll be connecting this line to the elbow joint and to the wrist joint to create a whole are. Then I'd be erasing all the extra lines. So I would have a cleaner image. And then I'd be having to hand over here. Here we go. Now this is this part of our work. This side is complete almost. Then. I'd be adding some more shading to the work, completing the seating area. And we also need another leg as well. So we would have to create the other leg. The other leg which is behind here would be the placement of her other hand. And the lower part of her leg would come down like this. Then you can see that the leg which is behind, is in a position which is placing a bit in front of the first leg. C. We are actually emphasizing on the position and on the style of her sitting. And I've erased day extra lines so you would understand it better and more. This would be our other elbow. And as I told you before, we cannot see the other arm completely because it's on the other side of the body. We can not see the shoulders completely or some other parts. Okay. I'll be erasing the extra lines again. As I said, if you even erase some of your main lines, don't worry, you can come back and complete it again. Here we go. I would also have some more extra lines over here. I will erase the chest area depressed so I can do it's the sketching. Better and more, correct. So I would not be confused by any of these extra lines. Here we go. Okay. Now I get my B6 pencil, which is my sketching pencil. And with that, I'd be starting to create the shading that I need. The starting from this part of the arm. And very, very slowly and carefully, I will shade the style that I have created here. Very easy. Just like that. Over here, I would have some more shading just below the breasts and even a little bit on them. Okay. Now I'm just doing it like that. Just like this. And also from these parts, I can create a slide shadings going to the central area, which is actually the cavity and the curve beneath the ribs. I can even show the ribs. And then I can create apps. Her abdominal muscles. Alright, here we are. And then I can even move on to the pelvis area little. Then I can also shade the waste. As you can see, I am not darkening all the parts in the same way, in the same amount. I'll actually keep the prominent parts lighter and I'm shading more curved parts. It can bring it up a little bit more or you can just create it more thinner in the waste area. Pens on you. But as I told you, just be careful to shade the curved areas a bit more and keep the prominent parts a bit lighter while you're shading your whole list style. So I'd be creating the arms are actually, I'd be shading the arms and that will create them. Okay. Then you should work very, very slowly and just give time to it. Spend as much time as you can on your shading so you can get the volume and the style that you really want. And the other point is that you shouldn't not only create your style once or twice, or even three times. You should try to create the same style for over ten times. So you can get it in a very professional way. In a node care about the face right now. So again, I say, the more you do it, the better you get. Promise that to you. So don't just give up after you've created two or three of your style. So I'd be applying the darkness over here. And then just like that would be coming down towards the hand. As you can see, I'm just applying the shadings wherever I need them. That's the important thing that you should know where to apply your shadings. And this is why I tell you it's better that you create your style, singles style over ten times. Then I get my B pencil in order to create even a stronger darkness into my work. Then for some parts, I will apply a stronger shades. Stronger darkness. Just like that. This would be the back curve. And even over here, we need more darkness. And I'd be shaming this area as well. I'll be applying the darkness for the background of my work. Between the hand, the arm, the leg, and the body. Then I create this contrast over here. Therefore, you can divide the body from the background. You can easily separated. So just like that, with darkening the background and creating a contrast in my body with my eraser. I've divided them. And I have created a great work. I mean, I, you shouldn't move your pencil easily on the paper over here. Should just let it leave a trace. Just like that, I'll be applying more darkness on the background of this side, again, creating another contrast. And this will actually make your work look more interesting. Okay? Now we want to work on the legs. Let me just do some touch ups here. Here we go. Here. And then for the legs from here, from the seating area and the pelvis, I move forward, I get to the call and then I get to the foot. So I consider the whole leg. Then I be applying a darker shade for the lower part of her thighs and basically her leg and the back of her hips. And also at darkness over here, where is the placement of the knee joint and this would be the back of the knee. Then I'll create a circle our part for the knee and a lighter shade going up for the top part of the leg. And events, some shadings over here, the front part of the mouth and the back part of it. I'm mostly keeping the middle part lighter. If you can see. Because this area is actually the lowest area and the part which is in the back, this area would be the darkest because as I said, it's the lowest area of the thigh or the cough. I apply it. It doesn't receive that much light. And very here we would have this part of the foot. Just like that. Again, with good shadings. We will consider it with shavings on the sides and edges. And as I told you before, I tried to keep the central part of the umbrella, say middle part of the cough, lighter comparing to the other parts. This area would be the sitting area. So it should also have some more shadings. It should be dark, and maybe even some more up here. And now I'm actually doing the touch ups, the final touch ups and the final edits of my work. Remember Dad's in editing, you can definitely basically, you should definitely use erasers in order to lighten some parts up like the breast that I've done in order to create a better contrast and a better shading. Then again, I will apply a darker shade right beneath them. And this will actually pop their volume even more than day wear. Okay. And Atlas, I'll consider a dark background for my work, for o on my work. Overall. Just be careful that while you're creating your background, you would not get into your work too much. We do our shadings. You don't want to miss things up. You know. It's the same on this side as well. I'll get a darker pencil in order to do a darker background. So as you can see, I am darkening the background even more because I want more contrast between my model on my character with its background. Then again, I will erase this part of the arm because might get a bit messy if I get any shadings accidentally into the arm. So I just bring the darkness from around my work onto background. Okay. Just like that, as you can see, the background under hill shadings of our work is done. Again, I'll just emphasize the darkness on the hips, a bit more. Also to darkness in this area. And we're almost done here for doing the touch-up. So you can use any stronger darkness or any erasers wherever you feel like you need it. And just as simple and easy as that, we have executed a beautiful style and position per se. Sitting position in a three-phase says view. Okay? And that's it. I hope you've enjoyed it and it was useful for you. 6. Draw a sketch of the back figure of a man: Hello and welcome to another episode of sketching styles with me. In this episode we're going to work on anatomies together. I mean that we're going to create the shape of bodies, muscles together before anything. I'll create a simple figuring here. And you can create disfiguring exactly as I'm creating here for you. Well, the one that I'm creating is basically a male character from behind. I mean, that we want to show him from his behind to show his back. First, I will create a lightly. So then later, if there was any problems, we can edit it and fix it. So here would be the waist. And you can create different types of anatomy is indifferent positions. You can even search them on the internet and you can easily practice with them. So this is a very good practice for the figurine style. Then we would work on the hips. Right here. I just need until this area of him a little bit lower than the hips, so I wouldn't not move further. And that's enough for me. Just remember to complete the general shape of the body. Therefore, we can apply the details on our model here. Alright. This would be our spine and basically the symmetrical line of our body. Okay, Now, from here, I will create a muscle over here for this area. So this would be the muscle for the chest and continue that to the back. And here we have a triangle muscle continuing up to here. And then from here it will move up. Just like that. Again, from here you see it looks like an x. Basically. We have the exact same shape on the other side of the body. And x. And the same separating line would be applied here. This is actually the line which is separating the back area from the hips. I had to erase that area. And then again from here, the muscles on the hips. See over here. These would be the muscles on the hips. And then it would have some this sense over here. Some space better say. And then from this area, which has been stuck to this area, and from here it will look like a snail and it's will go down. Basically, we have. Strong curve over here and strong turn goes up to here. This would be our snail area for the back of the hips. And we would also have to create the shape of the muscles on this side of the thighs, I can say. And they would look like this. I worked on this with the anatomy of a human being. You can do the same as I told you before. So I just need practice on this. And then we're going to work on the other part of the leg. And we're going to do the exact same thing, but we're doing this mirrored. I mean, see over here this area would be darker and it can be seen from here. So it's the exact same thing. It will be mirrored over here. These will be actually the muscles for the lower part of the foot. The leg basically. See. Just like that very easily. You'll have a snail muscles as we had in the previous part of the leg on the other side. Right now we don't want to get into the shading, so we are just creating the basics and the shapes of human anatomy. Shapes of the muscles. In their most basic form. You see the different shapes of anatomy, the placement of the different muscles. Just creating these shapes would be enough for you. You should just reach parts are more prominent and which parts are more curved in and where are the muscles, especially if you want to create athletes models or fingerings. So if you learn this anatomy, it would be actually very well for you. I mean, when I say you should know anatomy, it doesn't mean that you should know the names of each one of the muscles. It just means that you shouldn't know where everything is. It will help your sketch. And it would be really great for you when you want to create a whole character. This would be my spine that I've created. Then with the help of this, I'm going to create the rest of the back muscles. Okay. From this middle area, I'll create a muscle toward the shoulders. I'll just drag it up. And then from here, from the armpit, I will have another line going to this area. And from here it will go up, which goes actually behind the arm. Okay. So it would be the back of the arm. And it should be just as easy as this. Over here, I'll have a shape like this. Then. From this lower area, I will separate the back muscle into two parts. That from here, I'd be apply a darkness. I want to show a curve right next to this area, right next to the spine that has a muscle shape. I mean, these muscles are actually the things which are keeping the spine. So they are right next to it. And the rest of this curve just continues up. Okay? We have the same exact thing on the other side of the body, again, mirrored because they should be symmetrical. So we get up to here. And from here I go toward the line that I've created. This would be the back from the armpit looking like this. Okay. To create the exact same lines for my muscles on this side as well. But again, I emphasize that they should be mirrored. So I'll be creating them just like that. Here we go. See. It's very easy if you just spend your time on it and pay attention to the details. I would also have to create some more muscles for this area on the waist. So then from here on, it would be the arms. Here we will have the shoulder and the shoulder area has a separate muscle. So if it comes over here, this would be actually the muscle on my shoulder or the beginning of the arm. That's from Here. It comes to the shoulder and it gets Susan neck. I mean, these are all connected to each other. Here we go. You only need this part of the arm. I would not want to work on the rest of the arm, especially from the elbow down. It's just enough for you up to here. Then I would also have to create these muscles for the shoulder. Okay. Then again for the other arm and for the other shoulder, we'll do the exact same thing, creating the exact same muscles with the same shapes. Just like that. Okay. And then over here, I'll have a curve on the bone and from the shoulder it will connect to the NIC. Just as easy as this. We have created the primary entity of our work. And for continuing this very, very practical tutorial, please follow us and watched and next episodes. 7. Shading and hatching of muscles: Hello, and welcome to the continuous of this tutorial with me. Well, here we are going to do some shadings on our anatomy and on these muscles. Starting to shading from the top of my work, from the neck area. So over here, I'll just create a simple shading. Just like that. It's not very dark as you can see. But over here from behind the arm, I'll use more darkness. And then I moved toward this area. I'll create a line for their for this area. And then from below it again, I'll start darkening my shapes. And if you've remembered, I've already explained this curve to you, right next to the spine. And then from here, because it's a curve, obviously, we would have some are shadings. And as I move down, they would be lighter. I mean just shadings. Then from behind the arm, I will apply some more darkness like that toward the spine. And then from here, from this side of the spine, I'll just do the same. This is a main structure of our skeleton. So again, from here I'll be applying darkness and now faded upward because as you can see toward the neck, it would be lighter. And we don't want to work on that too much. Actually. You want to work on the muscles of the back more than that. Okay. Here on the back, I should apply some more darkness also from here. Just be the same. Okay, and over here, I apply a very normal shading. Then I'll be expressing some dark areas. Over here. Basically, I'm emphasizing on the muscles being curved in, in these areas with several lines and some are shadings in some parts. Alright? Now, also because this area is in the shadow phase, it doesn't receive any light. It would be completely dark from behind. This in a position that cannot have any light. Now we move on to the next part. Over here, again, a light shade. Then I'd be starting from these parts. Now. We have flying to darkness, the shadings. So it would go like this and come down to these lower areas of the back. Then I'd be erasing this extra line. Nodes get mistaken and I'll just give my finger in a better shape. Okay? My dear friends, it doesn't matter which phase you're in. You should constantly looking at your work and see wherever it needs, any editing. You should apply it. As you move on with your work and develop it toward the end of the mistakes and problems of your work would show themselves more and more so, plan by plan, step-by-step, phase by phase that you're doing anything, you should stop, wait a minute, check your work and wherever you feel like your work has a mistake or an error, you should fix it and correct it. Then from behind of this muscle will shade down. It's even easier when you check your work part by part. And then you can edit it where it's needed or when it's needed. But if you just leave that until the end of your work, you might face a whole lot of problem and some of them cannot be fixed anymore. Okay? Right now, as you can see, I'm even working with a normal pencil, even sketching pencil. This is my primary steps, so I'm going to use my normal pencil. But in next steps we will definitely move to work with a sketching pencils. Then we will work on the spine, bring it up and down shades all around it. And I come down up to here, which is the lower part of the back end would be connecting the waste, would be coming back to the hips. And it is called the waste. Actually. In this area, as you can see, we have the darkest shadings. Then I'd be actually editing these muscles over here. As I told you, you should edit your work constantly. So I'm actually showing the muscle texture all around my work completely. And then just like that, the lower part of the hip, the thighs, the beginning of the thighs. Then a light shading in these areas altogether. Try to keep it the same shade. And a very, very light shade over here because actually know the hips are one of the most prominent parts of the body. So they would have lighter shadings. Then from here, I'll start dark. And up to this part of the leg, I'll be shading like this. And then I'll darken this area as well because this leg is actually behind the other leg. So this area between the two legs would be the dark part of my work because this side of the leg is actually placed behind the other leg and it doesn't receive as much light as we want. Okay. And this would be the ending of the leg. Then also from this top area, I'll continue these muscles. I will shape the muscles completely. And now my work is done on one side of the hip. Okay. So on the left side is done and now I'm going to work on this side of the hip. So for this side, again, I should do the same. I should apply the muscle texture on this part of the body. Okay. And then I'll work on this side part of the leg and obviously the back part of the hip. Okay. Here we go. Just like this easily and Smith, just shape these muscles, shape them and shape them same time. Then I'll shade this area a little in order to create some more curves. In this area. A bit more curves over here. Curves and dark sides of here as well. I've done the main part and now we are going to shade these areas as well. This lower part would be the darkest because I doesn't receive any line exactly like this inner part of the other thigh. And then this would be the beginning of the muscles and I'd be dark in them. As I come to the middle, to the center, I'll be lighten my shading. As you can see, the edges and neural endings are darker. And when it comes to the middle, they would be lighter because that's the prominent part of our muscles. These were also the waste muscles and the chest muscles as well. Which I've shaped and shaded like that. As you can see, this part is the only part that has been left. So first I start from the armpit coming towards the chest with a light shade and then I will actually faded to its surroundings. As you can see. I am applying my shadings very, very light, lemon. My hand pressure is too light. Just to leave a trace on the paper and give this beautiful illusion of the muscles. Just like that. I'll shake my muscles on the arm as well. And are just shade these areas in order to get them out of that white color. But if you can see, I've just shaded them very lightly. Here is the muscles for the arm itself. And these parts would be too dark because it's the ending of our muscle. And obviously this area is more curved in because the muscles are more prominent and they would be above them. So the work is done just like that very easily and very simply. As I said before, I'll say again, you just have to spend time on it as much as you have to. You can see the continuous of our tutorial in next episode. 8. The end of shading and hashing: Hello again and welcome to continue the shading of the anatomy and the muscles of the body. Here we are actually doing the last and final shadings on our anatomy and doing the touch ups and therefore, our work would be complete. I'll be starting with my B6 pencil because I want to add final darkness and the final shapes over here. So I'm using my basics pencil because it's darker. And I'd be darkening wherever I feel like it's more needed and very, very slider. I just go through it with a very light shade. This would be the dark shade being the arm. And over here again, I would have to clean this area because the waste is dark but its surroundings should be light so we can keep the contrast as well. Area of the back is the darkest area. As you could see. I've just erased around it with my eraser. And over here, as you can see, again, I'm just going over these muscles one-by-one and I'm shading them in organizing them one-by-one. In order just to make them more organized, cleaner, and better looking. Obviously, if you spend time on the muscles one-by-one, you should have a better outcome. Alright. I will shade this area as well. This would be actually behind the chest area, behind the ribs, basically. And again, over here, I would also have to shade the muscles of the hips one-by-one, again in their own direction, create these hatches and these shadings. Then I'll make these parts more organized. I'll apply a darker shade over here as well. I would have more darkness over here. And also here. You see these dark spots, these dark shades and the lighter ones are the things that make that contrast for us. And they are basically showing the curves and prominent parts which gives us the volume of our whole work. I should erase this area because I want to connect these two parts together. Show it's one muscle. Alright. Now for these parts, I would have to create more shadings or better say, make them more organized. And again, I'm taking them one-by-one in order. So as you can see, I'm shading wherever I feel like it's needed more. As you can see, I'm working on each part more precisely. We'll darken these parts also over here. I can even add some more darker hatches like this. And then I can start using my eraser. With my eraser. As you can see, I am applying some lights on some parts. Basically I'm using my edit eraser on the parts which are prominent in our anatomy. These muscles are prominent, so I'll be using my eraser to erase these shadings over here and basically apply some light on the work. Here we go. In these parts of our muscles, we have a little bit more light which we create and also in this Back parts. And over here. Then again, I get my sketching pencil Walmart time, and I will shade these areas with it. Again. I'd be applying some touch-up shadings to my whole work with my normal pencil later, I mean. So he can use your normal pencil to add some touch ups to your work at the end. Then I'll come down and I'll just apply a very general shading all over these areas. Therefore, they would get out of that completely white color. For example, over here. As you can see, I'm using a very, very light shadings with a very low hand pressure in order to just give it a trace of color and take it out that white color shape. That's it. Then I'll get my eraser and then I'll erase all around my work, making my work completely clean and neat. Here we go. Then I can even use my eraser and then I can erase the extra lines or extra things around my work. You see when you use your eraser around your work on your background, it to make it completely neat and clean. So you'd have a white background. So just like that. All right, my dear friends. Now the tutorial of this anatomy sketch is finished completely. I hope you've enjoyed it and it was useful for you. And these are the placement and the shapes of the body's muscles. And another thing that I want to emphasize is that you can create these anatomies in different positions, different angles, and do not give up on two or three times o sketching go over more than ten. So see you later. 9. Figure drawing of a sportsman: Hello and welcome to another episode of our tutorials. In this episode, we aren't going to create a front view of a muscular body. Basically the body of an athlete or a sportsman. And we want to have it from the front view this time. Okay, In order to do that, first of all, I need to create an oval like this. So it wouldn't have may actually do much of an oval. It's something between a circle and an oval. Most circle. I mean, mostly circle. Then on the top of this oval or circle, I'll have this shape, which would be the neck area. And then from these both sides, I'll bring them out, which would be the depth and the curves on the shoulder. And then I will come down here. So this collarbone here is made and I've just made it a bit darker so it would be easily visible for you. Now from here, I'll connect it to this part. You see my dear friends here would be the center of my work. So from here, I'll create a line, almost a curved line like this, in order to give a three phases via to my character, if it was completely into front view, I would have to create a very straight line, but I wanted to have more Three Faces via therefore, this time would be a bit curved. Then from this side, I'll make a turn. We'll make a curved line. I will be coming up to here. This would be the chest area. And then I will make it just like that. Very easy. Alright. And then again, from this lower part, I'd be creating shapes like this. Alright. Then from here I'll go out like this. The sides of the body. By me just create this line better for you. And this would be the lower part of the body. And then over here, this side that I've created on this side can be seen less actually because our body is in the three phases we as so one of the sides would be seeing less. Obviously. That's up to here. I will erase this middle line because we don't actually need it. We just created in the beginning, so we will not misplaced anything else during our work. Now, I actually have to create the abs over here. And the muscles of the stomach area. Here we go. Just like that. Alright. And then for the shoulders and the arms, I'd be starting from here. You see, this would be my shoulder, which I've created by a circular at first and then I will create it like this. And then I'll continue that to make the arm. And because it's a muscular body, as you can see, it's a bit big and it has all these muscles. Here we go. Just like that. And I'll do the same for this side of the body as well. But the difference is that we cannot see the whole shoulder or the whole arm on this side of the body. It so that we can not see a lot of it, but still we miss a bit of it because it's on the other side. Up to here was the shoulder. From here to here that I've just completed would be the arm. And from here down would be the elbow down. Like this. Here we go. Alright. Let me just edit this part. It was done by mistake. So just like that. And again, I emphasize wherever you think that your work needs editing, you should definitely do it. Now, in this side area, Let's see. We would have the ribs. So they would look like this. Okay. Then I'll bring the pants a little bit higher. And basically I'll be starting them from here. Okay. Here we go. Just like that. Then the neck area is done as well. No mistakes over here. And just as easy as that we can create our whole muscular body. You just need to research a little about the human anatomy. Again, I emphasize that you don't need to know each muscle by their name, but it's good to know where everything is. Now I want to have my B6 pencil in the hand and I am actually going to start shading my muscles so I can get a volume out of them. A dimension. Starting from the neck area. Here would be the collarbones or the collarbones. Same difference and be shading over here. Alright. Then from the center of the chest, I will get this shape out of its rough shape. And going. I actually got around it with rounded lines. So it would get out of its rough shape, would be softer. And when I start shading it, it would be smoother. Yet it would be big and beautiful. I would also have to shade this part of my collarbone as well. And over here, on the arms, I will emphasize on the depth on the curved parts on the muscle. And I'd be shading them more. I mean, it's like that everywhere, wherever you have a depth, you have two shaded more. Make it darker and the prominent parts would be stay lighter. Okay. Here would be our six packs on the abdominal that we are actually creating it like this. And he has really good looking. Look at the apps. And I'll do the same thing on this side. And I want to make sure that they are totally symmetrical because they should be, alright. Here we go. Then these would be actually the sides of his body. And because it doesn't receive as much light as the other parts, it would be darker definitely. So I'd be shading it more. And you see this side of the body is in the shadows. It doesn't receive to light. So if you want to shade the abs and the muscles, they would be darker on this side and as they move toward right towards this side, day would get lighter. You see? On this side they are darker and as I move on, I make them lighter by decreasing the hand pressure while I'm shading. This will gives us a more realistic look considering the light somewhere there. Okay? So I'd be applying shades over here. I'll consider it like that. And that's it. Okay. We want to work on this side of our chest area. Again. We would have, you know, darkness over here. And here we go. Then I'd be working on the arms more. This side of the arm and the shoulder would be darker and this part which has come forward and more in front would be lighter. So the left side would be almost completely dark. That's it up to here. Thank you for being with me. In the next episode, we will continue this tutorial. 10. Shading and finishing the drawing of the sportsman's figure: Hello and welcome to another episode of our sketching tutorial. Well, you see we've worked on this figuring and this style in previous episode and now we're going to make it more complete. See my dears, I will erase this area little. Therefore, I can keep the shape of the body in a best way. Then. I'll be darkening from over here like this. And I keep darkening from this area. The prominent part or the bump on the arm. Bicep, you can say. Okay. I be darkening this part of the arm. A little bit more. K side would look like this. Okay, then I can edit some parts of my work with my eraser. And then I'll bring this part of the arm and little bit toward inside. I mean, I'll reduce it a little. I'll put more of it behind the body. You see, as I told you before, even in this case, you should constantly check your work and wherever you feel like it needs editing, you'll just take your eraser and edit that place. I'm just going to shade over this area generally. And then I'll use my eraser to shape it more. Then I'd be darkening in between them so we can have the shape of the ribs. The rib bones actually, just like that. Okay. Now in this case, I want to get my normal pencil and I will make the shadings smooth ER, with my normal pencil. I'll be starting from the darker parts and then I'll move to the lighter ones. See, just like that. So when I do this, my shadings would actually be smoother, softer. And also I'll do the same in the chest area. Then I'd be working on his six packs, his Apps. And that's just it. Just like that. I went over all the dark shading is that I've created before and I've edit them, make them softer and smoother. Okay. Even I went through the lighter shades too, but less than I went through the darker ones. I would also work on his pants because we want to create a whole character. Then I'd be applying the darkness of this area with my sketching pencil. Make the pants looking better. So it would be just like that. And here we go. I'd be creating the shadings and the darkness which is necessary for this area. You see as a minute as you start shading your work and creating these contrasts and lights with your eraser, it will actually give you a work more dimension and it will give it a greater volume. Then again, be using my eraser. And wherever I have lights in my work, I'd be applying them. Basically, I'm erasing the parts which I have to create delights. And I'll give my work didn't need it. Contrast, which will make great volumes for me. That's the whole point. And dress like that. So I'd be erasing around my work. And then I can shade this area again. Here we go. And I'll be shading here as well. Okay. Here we go. Just as easy as that you have created beautiful body structure, or better say. You have created a great anatomy with beautiful muscles. And you've created them with volume, with your shadings and contrast. So this episode of our sketching is also over. I hope you've enjoyed it and it was practical for you. And you can practice it and see the results. See you later. 11. Sketch of a sportsman: Hello everyone and welcome to a new episode of a sketching with me. Well, in this episode we are going to create a very, very cool Figuring and style, of course. Well, first of all, in order to create that, I will create a head for my character in this part of my frame. Alright. Dad I'd be creating is actually behind the head. So that's back of the head and we would not see the face at all. And this area is behind the head. And so basically it's all hair. Then from here up to here would be my shoulders, the shoulder length area. So I would have a shoulder like this. I'm showing it with the circle right now. Bringing it down to make the arms. Here we go. Then over here, I have another shoulder, which is obviously for this side of the body. And this would be my characters neck. Over here. Here's the neck. Is C, dear friends, these two where the shoulders, so from this angle and this position, I know that there would be the shoulders, one on each side. And then the arms, the elbows would be here. And here. We'll have the hands in the shape of a fist. Both of them. So you can see It's like maybe he's doing some push-ups. And then we go to create the back of the body. And from this part of the neck down would be the center of my body, the central and my work. This would be his back. Alright? And then over here, it would be the same thing because the body is symmetrical. Alright. Now for the next part of the work, let me just make this upper part a bit better edited. And then just like that. So up to now you've understood the position than our body is going to be in. Now I want to drag the body toward this side. I mean the rest of the body, so I'll bring it out from here. Alright. Then this part would be the end of my upper body part that can be seen. Now I want to create the two legs. I want to create one of the legs over here. This would be our knees. So basically the leg would be extending from here towards this side, toward left side. Okay. Now this would be the lower area. This would be at his cough. And then I get to the ankle and I'll create his foot in a vertical shape to create the other leg like the hands which is underground. So I will place this other leg underground on the knees. Say my friends. You can even only find the joints with circles and then you can apply your work on top of it. That will be really easy for you to do. And then from here also, I can create the rest of the knee going to the front part of the coal fanned ankles and the foot. Alright. Here we go. Just as easy as that we could have created. Actually, we have created a very cool time figuring. Now we are going to add some details to this work. So we would be applying the muscles on his body and bones. Alright, I'll be starting from this area, the shoulder area. Here we have the muscle of the shoulder coming down and ending here. And from here it will come down with a curved in. It will turn like this, turn out a little. And then very straight. I'll bring it down. Okay. Then after that, I can have 1234 fingers. And over here I can show the fist of our hand. Alright. And it came back. And from here it would look like this. Then we will have the shape of the arm over here. Then for this part of our neck, we will create a line shaped like this. I'm done. I'll create the shoulders again. Of this side. The shapes are basically the same, but they might be a bit different because of their positions and their sites. And this is the central part of our bag. And I will create some lines over here so I can show that is the center of my body and it will have some curves in it. So this area would be the neck to going down like this. Here we go. You should be erasing the extra lines. And over here we would have the abs or six packs here. We can see a part of them. And I'm just going to show the part that we can see. Alright. I'll be considering it over here. We will have two arms and then I'll come a bit more down. I would also be creating the fist for this other arm as well. You'll come down 34 fingers here. And then we'll be creating the thumb going in the back to show the shape of the fist. Precisely. And there it is. Then again, I'd be erasing any extra lines off my work so I can work easier with it later. And then from here, I'll go up and I'll create the bicep, the bump on the arm over here. Just like this, it would be over. So now we will work on application of this area of the body. I will be creating the thighs. Going down towards the knee. We will have some ups and downs here, so I'm prominent parts. Then it would be curved here again. And getting to Denise. Then this would be the knee. And over here we will have the muscle of the thigh. And this is behind the foot, behind the leg. To call for whatever you wanna call it. It would just look like this. And from here, we will create the leg and the foot horizontally. Then this part of the leg should come down. I mean, it's better for me to start from the top. Sorry. So I will be creating the thigh coming toward the knee up to here. It will be placed like that. And my friends, this would be actually the knee joint itself. And then we will have the muscles over here. The thigh muscles, which are pretty big for him. And day would look like this. Easy. Alright, then I'll come a bit low or lower. And this would be the back of the leg, again, back of the coal. And because it's in a vertical position and it's pressuring on the ground. This part of our cough has a very, very big muscle and it's been popped out and it's very prominent. So I will just create it the way it's going to be, It's supposed to be. Then we go to the ankle and creating the rest of the foot event, creating the toes. That would even help to alright, Just like that. Okay, so up to here, we could have created domain. And the primary sketch of our work are figuring and we've created the muscles to permanent parts and the curved parts and its correct position and style. So this would be enough for the general shapes, but we're going to detail it more in shadings in next episodes. 12. Beginning of shading and hatching the body: Hello again and welcome to another one of our episodes of sketching and shading. Well, in this episode we're going to do the lightnings and the shadings on our figuring. I'd be starting with the H2 pencil and start shading from the shoulder area and dress like Dad various slowly. I'd be applying the shades on my work. See me do it just really, really slowly. Rather I have lines. I will apply shadings and then I will get these lines from notes paying, I mean, I'll get them out of their linear shape. I turn this lines into shadings and basically I fit them into the whole work. For example, over here, I have to get it out of its linear shape. Alright. Now, I would also shaded surroundings a bit more too. Then over here on the arm, I would also have some are shadings. Just like that. Here we go. Alright. Then very, very slowly and smoothly and softly. I'll create shadings for my work. My dear friends, when you want to do it by yourself, you should not do it as fast as I'm doing right now. I'm doing it fast so I can show you more stuff in the time that we have. But when you want to do it at home, you should take your time with it. You should spend as much time as you can on your work. Again, I say do not just keep it with creating it only once or twice. You should do it over and over again until you create a masterpiece. Then again like that, I would work on these curves on his muscular arms. And then I'll just give a general shade to this area. Alright. And this is the elbow we have here. Will have actually a darker shade over here for the elbow area. Because I want to show that this is a separation part between the upper part of the arm and the lower part of it. And they are separated by the elbow. Over here, it has some more darkness. And that's it. Alright. Then I will shade this area just like that. Then from above the shoulders, I will continue the shading. Then you are shadings and your hatches should be continuously and should be constantly going through one another. And also they should be very soft and smooth. You should not create any rough shadings. And my dear friends, you should try to eliminate all the lives that you've created them with your shadings. And if it's too dark that you can not do anything with it with your shadings. He should erase it definitely. Because existence of the lines in your sketching actually makes your work EBIT Ralph, and it doesn't look good in the end. So you would have to erase them or you would have to cover them with your shadings. I suggest you to cover them with your shadings. The way that I'm doing right here, see, I'm actually facing my lines and get them out of it. They're linear shape. In order to get them right. Then I would want to work with my B6 pencil, which is my sketching pencil. And with this pencil, as you know, I would be applying stronger darkness and stronger shades for my work. For example, over here, I want to apply more shadings. I would actually have stronger darkness and stronger shades. And just like that, I'd be starting from here, the back of the head, I'd be applying these shadings because he made some shadows and shading on the back of the head. I would also add some more darkness over here in order to emphasize on this small curves that we have here and also be separating the small prominent parts that we would have there. Then I'll just get a darker shade. Just like that. And then put a slight distance. I will shade over this area again. I would also consider a curve over here which has been curved in actually, then another shading for this area. Then it would be all done in this part. Well, if you actually, if you cannot fade these lines through inside of the body, toward inside of the body, you can fade the lines that you create toward outside of your body. The way I'm doing right here. Right now. It's actually even easier. Una just like that. It will be faded. I mean, they will be faded and there will be no more lines visible here. Then I will create some more veins and muscles on this part of the arm below DL book. Alright. Then I will move up and keep applying these shadings and these darkness. I'm actually increasing the darkness over here. I would even go on, you know, the wrist area. And that will be it. Okay. Here we go. In this way. It's really easy to do just you just have to take your time with it and be patient, be careful with the placement of the shadings. And that's it. Just as easy as that you can get what you want. Again, I choose my H2 pencil and I will fade all these shadings and I will make all those shades to softer ones. I make them softer and smoother. My H2 pencil. When I run it over them once more. Alright, then I'd be adding the darkness from behind my figuring from behind my character. Choose a background. And would be dark. As dark as you can see here. Making your background darker would actually make your work to pump out more. And it would make it look better. And it will create that beautiful contrast that you want to show the dimension of your character, to show the volume of your character and also separates the body parts from the background. So it's really recommended, is highly recommended for you to do that and do not forget about it. You can just turn your work upside down, can just turn it into another level. So do not forget to do it. Alright. Now I'm going to use my B pencil. I be applying some strong, some very strong darkness. In some places you see wherever I can see very, very dark parts, like over here behind in the back of the head, which we can also show our model's hair. These parts are too dark and I'm going to show this great amount of darkness with my pencil. Here it is. Alright. Now we've created the shape of our model's hair. I mean, we've created a Harris soil for him. And you can see I've darken it, went my pencil, the dark pencil that I've chose. And now you can see the whole Harris style shades beautifully done. Then you'd be also using your eraser to create some more hair lines as well. And that's it. Thank you for being with me up to here and you can see the rest of the tutorial in next episode. So stay with us. 13. Drawing the muscles and continuing to shade and hatch the body: Hello to all of my dear friends and welcome to continue all of the rest of my sketching. And we're going to continue the shading basically in this episode. So I'd be darkening this area even more. And I'm working with my B6 pencil. And also from here I'll come down. I just create these remarkable shadings and I fade the lines. At the same time. I mean, basically fight them into my whole work. And then I can even use my eraser. And I will erase some parts literary because I want to create the veins on his hand and arm. Then I'll be darkening exactly around the edges of the parts that I've just erased. So I'd be shading all around the edges. This way I can create the veins appearing on his arms. And then I would also darken some parts of it. Therefore, I can give more volume to these veins coming out and popping off the skin. Alright, I'll be continuing my work with my B6 pencil the same way, mostly. And I would also have some more curves over here and some spots on his actual hand and even his fingers. Alright. Now, I'd be working on the rest of my work. I mean, I want to move on further work on the other parts as well. Okay. Let's just fix this area first and then I'll tell you again. Okay. My dear friends, I'd be putting paper over here under my hand so that when I want to work on the rest of my work, my hand would not be dragged on my previous work and it would not make my work dirty. So that's why I have placed a paper underneath my hands so I would not get my previous work dirty. This way. I can easily create the risks of the shadings. I will create a darkness that I need and be fading the lines and dress like that. I can work on the neck area. This curved part, right snake sue my models is spine on his back. I will actually make it darker to show that it is a curved part. Alright. And obviously over here where the neck meets the shoulder. In this position, we would have a curved area over here. Therefore, we would have darkness and more shapes. Alright. I will continue my shadings. Then over here I would have a curved shape which shows a muscle popping out. Okay, then I'll be shading toward this side from this line to dive created over here in order to fade it and get my shadings correctly. Then I'll get my H2 pencil or your normal pencil. And then you can go over your shadings and make them more cohesive and softer. Blending all these shadings together and blending the lines into the shadings that will make your work look much more better. It'll change it so quickly as you can see. Then I would work on the shape of the arm or the top part of the arm. Then with my B6 pencil, I would apply. Some are shadings over here where the distance, again, I'll be starting my shading from here. And also over here. And as you can see, I am shading in specific directions, which shows the direction of the muscles being placed on the body. Then I can continue to shading on my work. Here we go. And then when a normal pencil or an H2 pencil, again, I run over all on my shadings so I can make them all cohesive and smooth, ER, as I told you before. Alright. Now I want to work on the lower area of that, a bit lower from here. And I just keep it like that. I will get my shadings actually on the back of the arm and leading to the armpit and a part of his back leading to the chest and his waist. I'm just shading very generally. And because it's facing upwards, it is facing the light so it won't be too dark. As I move up. We just have one darker spot on the armpit area and another one over here around the waist just to show the wrinkles on his body because of the position that he is in. Okay. As I told you, we will come lower. And from here on, this would be my characters elbow. And moving down. Bring one straight line down, almost straight up to the wrist. And from here again, I'll be shading and coming down. So here we go. We're practically following the same procedure as we've done for the other arm and day out our hand. But just some directions of the shadings and some placements of them would be a bit different. So we are doing it like this. Also, we have some curved parts over here. This part of the arm has been curved in. So we are going to shade it a bit more. Even going onto bicep little, the front part of the arm. And then come over here again. So now I'll take my normal pencil or my H2 pencil. And then I run over the shadings I've already created in order to make them more cohesive and make them look better, prettier. And of course more realistic. Okay. Then I be working on his wrist as well. And then we should also move toward the fingers, shaping them and shading them simultaneously. Here we go. And over here would be applying a general shading just like that. And then from here, I'll go like this. I'll move on and grab my eraser. Then with that, I will create lights on some parts. For example, these areas or these parts over here. And maybe even there. Okay. I am creating these lives forever. I need to, again, just like the previous arm, the other arm, we are going to create veins out of them on the muscles. So you know that after you've created these slides, so you have to go on the edges around them and shape them. This way. I can create the veins popping out. Very simple and basic. You just have to take your time with it. Again, I say do not rush through it. Just be patient and be precise. Therefore, you can create beautiful sketches. Here we go. You can spend less time on it, but be sure that your outcome would not be as pretty as the time that you will spend more time with it. And as you can see, I'm just getting my lines out of there linear shape. So basically I am fading them and blending them toward inside of my work. Not forget erasing some parts, creating my lights. And that will be it. Here we go, Here we're done. Okay. Now we are moving to the other parts, which is actually the upper body part or the body part c from here. This would be the ear. I would not work on it so much. And I'll just shade it generally. And starting from here. So in this area you can see his abs. And I just create a general shading for it because it's actually under the body and its source visible too much. The shadings are not visible as well. I mean, not as well as the other parts. So it would be dark mostly. And we're just going to shade it cohesively. And we're just going to create some darker lines in-between them. See, just to show his abs. But basically again, I say because of the position of his body and the fact that his bending over on the front part of his body. We would not see much details in it. Then I can even get my editor eraser and create several lines over here. Are ever, I think they're needed mostly on the top areas because that's where the light is hitting Kim. He does look like a Greek goddess, and he's a great God. I mean, you can create these beautiful enemies for any character that you want in any position that you want, if you learn it in the basics like this. Alright? Now I want to work on the right thigh. I be starting from here, the part which is between cuts between the hand and the background. Then I'll be using my pencil or my normal pencil to shade this area. And then from the corners and basically from the edges, I'd be doing my fading for the lines with my B6 pencil. Then I'll use my edit eraser to lighten this area up a bit. And then again with my H2 pencil, I will apply darkness in my work. Over here. I like this. I just keep in mind that I should go into correct direction of the muscles. This is very important when you're shading. Alright, and also from this lower part, we would have to continue the same way because it's the lower part of our work and the darkness would definitely be more here. I mean, I would apply more darkness and more shadings here, so I'd be continuing like that for now. And then later IB even detailing to shadings as I did for the arms and the upper body part. Then I get my B6 pencil. And first of all, obviously, I'd be fading all the lines that we have over here because we don't need any lines in our sketch. And I would also create this shading, create this dark shade over here. So I can show the fact that this arm, which is in front of this leg, is actually applying some shadow on it because it is placed in front of it. So it would have a shadow on the leg. And that's how I'm showing it with my dark shading around the edges. Then I'd be fading the rest of the lines. Just as I supposed to. Then that will be the darkness for these parts. And over here, the thigh itself or his crunch. Okay. Then I'll come to the lower areas. I will get to the knee and I'll shade it like this. You just have to follow the way of the shading. And you say this would be the lower part of the leg, which is basically on the ground. So it would be really dark. And over here we have the foot and the ankle. So I'd be shaving them to alright. Got to the cove. And just like that, I'll shade the lower part of the leg and we'll get to the foot. This would be actually the prominent part of our leg which receives lights. And it is light because it is. And we want to emphasize on the fact that it's prominent. And then I'll get my H2 pencil and I'll go over all the shadings to make them smooth, ER, and softer. Basically to blend the whole thing into one another and make a cohesive shading. And as I said before, it just gets your work to another level. Alright, Here we go. Then at last, I have to start some darkness creating over here to create a dark background for my work. And I want to separate my character's body from the background. And as I said before, this contrast gives it a better look. So I'll just continue this shading until I'll have the background blocked. Because see the rest of the tutorial in next episode. 14. Completion of the sportsman body design: Hello and welcome back to the rest of this tutorial. Let's go and complete our work altogether. So if you remember, we were dragging these shadings toward this background, a space over here, and we were darkening it. Therefore, we will actually separate our main character and main style and figurine from its background. And at the same time we would create a beautiful contrast and our character, which show itself a lot more better. Okay, that's enough up to here now. And then we are going to work on the left leg. So again, I place another paper over my work. Therefore, I would know it's dragging my hand accidentally on my previous work and make it messy. I'll be using my H2 pencil and I will shade the areas that I need. Just like this. I'd be shading. Shading. Again. I remember that I would have to keep the shadings into direction of the muscles going. It will have some stretch over here. They'll make it like this. And here it goes. Okay. Then I'd be applying a general shading for over here for this thigh area. Actually it's the lowest part of the leg. And then from here, I would apply this shading a bit darker, not too much, just a tad. So here we go. Again. I'll be using my H2 pencil and actually make all of these shadings cohesive and blend them all together. From here, from these parts, I go up and up again. Alright, so I'll just follow this procedure. The same process. This is actually the prominent part of the knee itself and this would be just below this prominent part. Therefore, it should be darker. So I'll be starting my shadings from the part below the prominence. And then I will move up toward the prominent area of the knee. And then I'll shade it from dark to light. Then I'll come to lower areas. And from here I'm using my sketching pencil, which is B6 pencil. And I apply some dark shades, especially over here in the back of the leg. Okay. So I'll just have a general shading. And then from over here, we continuing. We will have the food itself and we'll just continue down to the toes. Again. I pick up my B6 pencil and creates several small curves and several small prominent parts. And I'll be working on all of them altogether. Okay. So I would also have to do some shading over here. These curves on the lower part of the leg going like that. And it will be done just like this. So here we go. Okay, my dear friends, we should also work on his clothes. I mean, a part of clothing that he has. It should also be shaded. So I'm just going to do it. And as you can see, I'm also creating wrinkles on this part of the clothing and just dragging it into the right direction, creating these lines. And then I'd be shading these lines and blending them into the whole world. From the lower part of the clothes, we will form the lower part of the shorts better say, shade towards the thighs and the leg. And from here we will be shading toward inside of the shorts. Alright. We will work on the background of our work. I'll be using my B6 pencil and I'd be starting from here. I'll start from all the surroundings and all around the edges. And I'm actually doing a tonality. I'm starting from a very, very dark color and as I move up, I will bring it to the light color, actually to the lightest color. I'm creating the color palette. I'm starting with one and I'm finishing with 12. From the darkest color, moving up to the lightest one. This will make my background. Just like that. We'll actually apply all the shadings completely all around our character to complete its background. And here we go. Again, I emphasize creating a dark background for your character. Make St. Paul out, makes them separate. It makes him be separated from the winds pay per hour and the background. And it gives it a great contrast for you to look at. It'll actually make the volumes look better. So highly recommend it. And I will just go behind the shoulders as you can see. So here we are. Just shade all of this area. K, This part has been left untouched. We've actually done it before a little, but it should be done more. So just gonna do it right now. Extending the background shapes. Here we go. I'll get my B pencil and wherever I think I need more darkness, I'll go around and I'll apply this darkness into those parts. So here we are. Wherever we lack any darkness or any shadings, a stronger shadings wherever we need them. We can apply it with our b 12 pencils. So here it is, going all around it. Okay. Here we go. I work is almost complete. I'm just doing some touch ups. You can do too. I hope you've enjoyed this tutorial and it was practical for you. See you next session. 15. Quickly draw a figure of a man with a clothing: Hello everyone and welcome to another episode of a sketching with me. In this episode we're going to create a figure in, of a man who is sitting. Alright, this tile and figuring I want to create, we start with the head and this would be the shape of the head over here. So this would be the neck and then from Nick down, we will have a sideway body. I mean, it wouldn't be straight, sideways. Just like this. Seeing my dear friends, I'm doing an angular. And from the waist down it would look like this. This side of his waist and his back is bent a little. And over here we would have him sitting and there goes the legs. Over here. There are some chairs that I don't want to create now. Okay. This is the head. This would be actually the neck as I said before. And here would be the collarbones and the side of the neck, and these would be the shoulders and arms. Over here we can have chest area that would look like this. And they'll continue up to here, which is actually making the stomach. Then we'll have the knees over here. There would be a shape and placement of the knees. Show. That will be it. So this would be actually the knee which is closer to us comparing to the other knee that we've created. So this name would be bigger comparing to the other one, we'll create the pants as they are. Alright. You see how easy I'm working with it. You should do the same. I mean, you should do It's leaner and very simple at first. Then as you move forward in a linear way, I mean, as you progress it and work on it more. Your work which show itself that where you should bring your work up or where you should bring any parts lower or move them anywhere. So this is one of the simplest ways to work with, and it's really easy to work with the linear way. So now we want to work on the arms, that will be the shoulder here we will have the elbow and I will be actually creating the shoulder and the arm connecting it to the elbow. This would be the upper part of the arm. So just like that, real apply it. And then we will also have to create this shoulder and this arm. It's real shape over here. Going down to the elbow and the wrist. This would be the wrist and hand itself that we will work just like that. Okay, So this is actually the general shape of a sketching. And this is our primary sketch with the linear way from our figurine. And now what should we do? Now we should do the editing of our work. It means that from a sketch, actually from a primary sketch will make it into a complete drawing and sketching, which is also organized and ordered pretty well. Alright, so I'm gonna take my B6 pencil and then I'll start sketching with that from this part of the neck. I be starting in this way. Then I'll be shading this part of the neck. Here we go. Then I'd be shading these stones just below the neck in this way. Okay. Then I'll have the shoulder and arms. Oh, there. And then this side of the arm which is a little bit more fill down comparing to the other side of our arm. I mean, comparing to our other arm basically. So it would look like this. Alright. Now for this area, I will have to create these lines to create several wrinkles on his clothes, on his top to show the waste and the chest area. These would be the chest. And I'm just shading it very easily. Here would be the dark area of my work. The dark hair better say. So. That would be it. Be shading the arms completely, looking like this. So Here we go. I'll be shading wherever I feel like there is needed or based on the anatomy, wherever I know there is a curve, destroying the muscles and any ups and downs. Then I'll move on to this outer arm. Again, we will shade the parts which are curved in and we leave the parts which are prominent. Lighter. No2 lives. I mean, we don't want to leave any part to white, but we'll just keep them lighter. So here we go. Alright, now I can work on the pants. So my dear friends, creating the figure in with close is always easier with creating a nude figuring. I mean, if you don't have clothes on, you have to create all the muscles. Exactly. But if you want to practice and when you want to start creating the fingerings and styles, I think it's better for you to start with the models that have clothes on. So it would be easier for you. And then you can get a hand of this and then you can move on to become a professional. And then you can use didn't nude models. Here it is. Just this way. Being working on Japan's and also on the boots. Here would be done nice. Alright, then I'll be erasing all these extra lines. This would be the chair his sitting on are basically he's sitting area. And it would look like this. So here we go. Okay. Alright. So this is this figurine. I mean, we've practically created it. I hope that you would like it and it was useful for you. So that said, I've enjoyed it a lot. And it was really easy considering that he had cleared zone. So practicing and take your time with it. Don't rush through anything and have fun with the things that you create. So I hope you enjoyed it and see you later.