Transcripts
1. Introduction: Hello, everyone. I'm
ni, and in this class, we are going to draw this
cute why illustration of an adorable reindeer
girl in procreate. During this class, you'll
get familiar with a lot of useful features like quick
shape two, liquefied two, symmetry two, alpha
log, clipping masks, and blending mold, and learn the basics of drawing
in procreate. By the end, you'll not only draw an adorable illustration
you'll be proud of, but also feel super
confident using procreate. And now let's spend
some time drawing.
2. Basic Scheme + Head Sketch: Let's start by deciding what kind of canvas we
are going to be using. They were using a
standard canvas that you can find in Procreate, our Pixel weed and Pixel
had a set at 2048 pixels. Our DPI are at 300 and our color profile is set as
SRGB with this low number. When it's all done,
heating down, getting redirected
to Arne Canvas, zooming it out
just a little bit. And when we have our
canvas right here, let's just go under the
project and research app and download all the materials
mentioned in the tutorial. When you've downloaded the
colors and everything, let's just go first
to our lyrics. Let's just go to the
background color. We'll go the cards
right here and we will select the color with
the title background. When we did it,
let's go again to our color palette so tap in on this little icon
on the top right. And let's just go and
select some darkish colors. It doesn't matter which one,
just select one of them. And when you have
the color selected, let's just go to
our brush library. We'll go to the
sketching folder, and this time we will select
nearing their pencil. When we did it, let's
just start by creating a little scheme that will help us to create our illustration. Firstly, just go boldly
to our canvas and creating a shape of the
rectangle with one line. In the end, we will hold our Apple pencil and we
will go over the soap. And if we have the
option rectangle here, we will just go and select it. If you don't have this option, just go and adjust it to
your liking just manually. If you want to go
a little bit to the side and make it a little
bit narrower right here, you are welcome to
go and do that. Basically, what we need
is something like that. When we have the
results like that, let's just tap on the screen, and let's just go and position this little element right at
the center of our canvas. To do that, we will just
need to go to our Aro key. We will use uniform method. We will go under snapping
right here and we'll turn on snapping right
here in the settings, and then we will
just get back to our canvas and we will
hold our Apple pencil, and we'll be looking for
these two orange lines, one vertical and one horizontal. If you want to make this
shape a little bit smaller, you are welcome to go
to one of the nodes either on the top or on
the bottom in the middle. If you change the size of it, let's just go again and find
these two orange lines. When we have something
going in that way, let's just go and tap on our air key to
accept the changes, and then we will get back
to our layers and create one more layer on top
and onto this new layer, let's just go to the center
of the sheet and let's create a straight
line going through the whole shape and
through the whole canvas. Let's hold our Apple pencil
and the end of the line, and also let's hold one of our fingers on the
screen to make sure that this line that we
are creating is straight. When we are done with
it, one more time, let's just go to our Er key. Let's just go to the uniform
method snapping is on. We are again looking
for this line that now is going through the
center on the horizontal axis. When you are in this line, just lift up your
Apple Pencil and let's just tap on our Ero key
and accept the changes. When we have these
two shapes done, let's go to our layers. Let's tap on this layer
on the top and let's merge it down so we will have
everything on one layer. When we did it, let's also go to this N icon and let's just go and adjust the opacity so we still can see
what's happening here, but it's not that bright. When we have the
opacity that we like, let's just tap on the plus icon and create a new layer on top. Now let's continue creating our additional lines that will help us to create
our illustration. Firstly, let's just
go a little bit lower than this line that we
have right here on the top, and again, we'll just go and create a straight line
going right here. Hold your Apple pencil, hold one of your
fingers on the screen. Let's just go to the
editing mode over the top and shift this
line a little bit. So when you've positioned
it in that way, let's just tap on the screen
and let's continue by going to the bottom and we will create a
line for the chin. Going from this
line that we have right here on the middle part, we will step a bit
from it, and again, we will just go there and create a straight line right here. Holding our Apple pencil, holding one of our
fingers on the screen. If you want to move this line, let's just go to our timot and
move it just a little bit, so we'll have some
space on the bottom. So let's position
it in that way. And when we hand the
results like that, let's just tap on the screen, and let's just go and
name these lines. So this line on the
top will be our head, and our line on the bottom
will be our line for the chin. When we am these lines, let's just go to the bottom and let's just deal with this
little space right here. We'll just go and create another line right here that will go through the center of the
rest of the sheep, again, holding our Apple pencil, holding one of our
fingers and moving this line right at the center from the editing
mode if we need to. This line will be the
bottom part of our coat. So if you want, you
can just go and write down something
about the coat. When we have something
going in that way, let's go and deal with the facial features,
the facial structure. Firstly, let's just go to this line that we have
right here in the center, we'll go just a little
bit underneath it and we'll create another
straight line going there. Hold your Apple pencil,
hold your line, hold your one finger on the screen and adjust
it to your liking. When you have this shape, you can just go and
write down ice. When we have this line, let's just go a little bit higher than this line that
we have in the center, but we will have
a bit more space than we have on the bottom. Go in there and creating
another line right here, holding our Apple pencil, holding one of our fingers. This is our line of the ice too. So if you need to, you are welcome to go and try
down Ice one more time. When we have something
going in that way, let's also go just a
little bit higher than this line that we
have just created and create one more
line right here. This is going to be our
line for the glasses. Again, holding everything
that we need to hold. If we want to move this
line a little bit, you are welcome to go and move
it and write down glasses. Also, if you are a little bit
confused with these lines, we can go to our
Metric one tool, saturation and brightness and
adjust the color of them. These lines are different
from what we have as our base scheme that we have
on the layer on the bottom. When we have the
color that we like, when we have the distinction
between these little lines, let's just tap again on our Magic q tool and get
away from this mood. Now when we have the
result like that, let's go and start
creating our first scheme. Firstly, let's just get back to our layers and if you
want you can go to this N icon and
adjust the opacity of this layer to find the
aman that works for you. Tap on the layer, and let's just go and create one
more layer on top. Onto this layer, we will
start creating our sketch. So when we hand this
layer selected, let's just go and do
one more thing that again will help us to
create our illustration. We'll be using symmetry to
create both sides on one shot. So when we have this
layer selected, we are going to arrange icon. We are going under Canvas, and we are toggling
drawing guide right here. When you first toggled it, you will see the cells. It's not the option
that we need, so we will just need to go
under eight drawing guide, and we just need to go
under symmetry right here. When we have this line it is going from
top to the bottom, we are not touching
anything here. We are just hitting
down over the to prt. Now when we have the
result like that, let's just go to
our brush library. We'll go to the sketching
folder and this time, let's just go and select
some other brush. For example, technical
pencil will work perfectly. When we have this
brush selected with the same color that we are using right now, dark pink line, we will start going to our scheme and figuring
out where we are going to be putting
our little shapes that later on will turn
into our illustration. Firstly, let's just
go and start from this land that we have
right here for the chin, and we will be just going
from this little line toward the soap and creating the line that we will use for our fest. So let's just go and
start very easily just by going with a soft shape
like that going up, going higher than this land that we have right here
for our glasses. So just creating our soft lines. If you want, you
can just work onto this little line just go in and creating a
couple of lines like that. If you are not seeing
clearly what you are doing, you are welcome to grab your eraser and just clean
up everything that you are creating right here
and just go with a cleaner look for
your sketchy lines. So now let's just go
and maybe make it a little bit less rounded. Go and creating the
line going up the same way as we have it on
the outside parts. If you want to go and erase
these additional lines, let's just go and do that. For now, we're
going to be working on the symmetrical elements. And when we have
this first shape, let's go a little
bit higher than these lines that we have
right here for our glasses. And when we have it, let's just go and create
the facial features. Firstly, let's just go to this actual line where
we have our glasses, and from this line,
we will just go and create a big
circle like that. Again, just with one line, holding our Apple pencil, holding one of our
fingers on the screen, and let's just go to our option that popped
up our 18 mode, and we will adjust the
placement on this element. Let's position it a little
bit closer to one another. And when we have something
going in that way, just make sure that
you are positioning this shape right
here on the top, and you have a bit of the space
right here on the bottom. You are in the engine
mode and if you want to adjust the
size of this element, you are welcome to
go right between the nodes that you
have right here. Hold your Apple pencil there and just drag this shape
a little bit inwards. When you adjusting the size, just move this shape a
little bit higher again. And when you have something
going in that way, when you are satisfied
with everything here, let's just tap on the screen and we'll accept our changes. Now when we have the
results like that, let's go inside this shape, and let's just go
to these two lines that we use for our eyes. Let's just go right to the center of this shape that we've created right now and we will go with another shape
of the circle. Again, just holding our
line when we are done, creating the sheep, holding one of our fingers right here, go into our 18 modes, and let's just
position it right at the center of this first
sheet that we've created. Position it right between
these two lines that we've created for our guiding
lines, for our eyes. Now when we have the
result like that, let's just tap on
the screen and let's just go right between the sheep. Where we have our eyes, we will go to this line that we have right here
for our center. We'll go just a
little bit above it and we will create
a curve like that. When we have it, let's just
go underneath our line. We'll go to the same
line where we have the bottom part of our
eyes and from this line, we will just go and start
creating the mouth. Let's go to this line and we will start by creating
a straight line right at a guiding line of our bottom part of the
eyes and from this line, we will just go down and we will start creating an
open mouth like that. You can experiment
with the shape. If you want to you can go with a bigger shape with a smaller
shape, it's up to you. You are welcome to maybe work on a more open shape on the bottom or on a shape that will look
like straight right here, it's all up to you and just play around with the shape,
find what works for you. When you are done,
we can also go and map out what we
will have inside. We will have a little
tank right here, and we will recolor everything
differently later on. So now when we have
the result like that, let's again go and start working onto some
other elements. Let's go to this line that we have right here for our head, and from this line, we will
be just going to the side. So first, let's just go to it, and we will be just going and creating a little
line like that. From this line, let's just go
to the sides and we will be starting to map out where we are going to be
having our hair. Just going down with
little shapes like that, you can go a little
bit flatter on the top and a little bit
wider on the bottom, just go and creating
something going in that way, trying to make everything
rounded and nice. If you want to go and adjust
some parts with your eraser, you are welcome to
go and do that. Let's just go and start creating something
going in that way. Just going outside the shapes and creating something
going in that way, going more towards
the inside part going around our
shape of the head. And when we have something
going in that way, let's just go over the top
and we will start creating the shape that we are
going to be using for this reindeer girl. So we will firstly go to this part that we've
created for our head. So you can just go and maybe make it a little
bit more rounded. You can go a little bit lower than this line
that you've created. If you want to clean
everything up, create a nicer look
for your lines, you are welcome to
go and do that. Let's get back to Abrash
and we will go toward the sides and we will start by creating little antlers here. Firstly, going towards one of the sides as we are
using symmetry, it doesn't matter to which one. We will go toward this line that we have right here on
the top and from here, we will step a bit and we will start
creating our antlers. Firstly, we can just go and create the guiding line
going in that way. We are creating just
a very soft curve. When we have it, let's just go and add some thickness to it. Just creating a little bump on the top and then going down and starting to create this peculiar shape
of our antlers. Go a little bit toward the side and creating these
peculiar shapes like that, going and creating one more
of them on the bottom, and we are paying attention to the inside part to these
connection parts on the sides. We are making them
very soft and we are just going and creating
something going in that way. When we hand the result like that going toward the bottom and creating our thickness for
this shape on the bottom, don't worry if it doesn't
look quite right right now, we can fix everything
later on if we need to. Let's just go and
continue going to the opposite side and creating a rounder shape
on the top first, and then we will just go
again outwards and start creating the peculiar shape right here for the
shape of the antler. Let's just go with this
little shape like that, and then we will just go
down with another curve and we will nicely connect it with the overall shape
that we have right here. For now, let's just work
more onto the ship. If we need to go and
erase some parts, we will just go and do that. We will need to soften
everything up and make nice connections
between the ship. And overall, just work onto the ship that
we have right here. If you have some
additional lines that you need to
work on or erase, you are welcome to
go and do that. Just try to make these shapes
pretty soft and follow the direction that we
have right here for our sheep that we've
created as a guiding line. If you need to maybe work on the overall shape of these little parts that you
are creating right here, you are welcome to
go and do that. If you want to maybe try out different directions when
you already have the sheep, you are again, welcome
to go and try it out. Find what works for you, work
a bit onto these sheeps and try to create nice overall shape for the antlers right here. Again, don't worry if it doesn't look very
nice right now. We can fix everything
later on if we need to. Basically, what we
need is to have these little parts even
and equal to one another. So if some of them are a
little bit too protruding, go and work onto this part and just have a nice look for
these parts generally. When we have something
going in that way, let's go underneath
our little antlers right here and let's
create little here. So firstly, let's just go a little bit lower than
one of the antlers. We'll go over one of the sides. We will step a bit from it, and we will just go and create
a shape going in that way. Just go into this line that we have right
here on the side, and when we have it,
we will just go down and create a more open
shape right here. Just creating something going in that way and then going inside the shape and creating a
peculiar curve right here. Let's just work onto the shape. Let's make it a little
bit more rounded. You can work on both sides. It's easier for you to probably go from one
side to another. Let's make nice connection between the shape that
we have right here for our head and we will work on the oral shape that we
have right here for the ear. When we have something
going in that way, we can just go grab our eraser and erase this part that
we have right here. Then let's just go inside the shape and let's
just go step a bit from the top and we will go and create a langon in that way. You can just go and work
more onto the ship. If you want to, you can go and maybe adjust it to your liking. You are welcome to play
around with the overall ship, maybe have it a little
bit more in a pointy way. It's up to you find what
you like right here. And when we have something
going in that way, let's go underneath
this little antler that we have on
one of the sides, and let's just go and create additional elements in
the shape of the boo. Let's go and make it
in a peculiar way. So we will just go a little bit outside the
shape that we have right here and we will go
with the shape of the heart. Let's just go and create
it going in that way, create a heart shape like that. Try to make it a
little bit flatter than the actual heart
that you would like to do right here to make it and when you have
it on one side, soften it up right here where you have the
connection with the bottom part and we will go to the middle
part right here. We will create a
little bump right here on the top and the
same on the bottom. If you want to work more
onto the shape right here, you are welcome to
go and do that. And then we will just
go to the opposite side and create something
similar here. So again, just rotating our canvas and creating a
shape of the heart right here. Try to make it even
on both sides. So if you soften up the inside part of this
little bow right here, you are welcome to do the
same on this side too. Let's just go and
try to make it even on both sides size wise too. When you are overall satisfied, let's just go and
erase all these lines that we don't need that
are overlapping or maybe some lines that
are a little bit of kind of mistakes or
something like that. When we have the
result that we like, let's take a look at everything
from the distance and decide whether we want to
maybe adjust something or not. For example, we can go and make this part a
little bit bigger, so it is even to the part that we have
on the opposite side, so we can erase something. And then we will
just go right here to this little sheet that
we have in the center. If you want to work on it a little bit more, you
are welcome to do it. We'll go to the sides
from it and we will create one shape like
that on one side and similar shape on the
opposite side too to make sure that it is some kind
of the bow right here. So now when we have
the result like that, let's go and start
working onto the here.
3. Hair & Body Sketch: Let's go to these
little parts that we've created right here and let's
work on them a little bit. So firstly, we will just go to this shape where
we have our boo, and we will start figuring out where we want to create our ear. Let's just go and start
creating the peculiar shape. Let's maybe start to work onto the overall shape
right here of our hair. Let's overlap this
part a little bit. If you need to go and
work onto the ear, a little bit more, you are
welcome to go and do that. When we have something
going in that way, let's just go towards the part where we have our little
assets right here. From this part, we will
just go to one of the sides and we will start figuring out where we will start
creating our here. As we right now are
using our symmetry, we can just go and mark down just where we want
to start our here. It will be somewhere right underneath our bow or
a little bit lower. And when we hand
this out like that, let's go toward our face, and we will start
creating the here. So we will need to pay attention to this little
markdown that we have just created because here is where we are going to be
starting to create our here. This is where we are going
to be having our fringe. So we'll just need to step
a bit from this line, and we will just
go to the sides, and we will need to make a
nice freeing for the here. Let's just go and work a little
bit more onto the sheep. If you have some additional
lines that you have right here that you've
created in the first place, we can just go and work
on them a little bit. We will just go a little bit underneath the
chin right here, just a little bit,
and we will start by going and creating the strength
of the here right here. Let's just go and start by creating a little
shape like that, and then we will make a little triangular shape and go up with another strength. We'll just need
to make sure that the parts that we are
creating on the bottom are a little bit wider than the shape that we are
starting with on the top. So let's just go and work
on this little strength, just creating a very
soft here right here. If you don't want to go with a pointy outlines with the
pointy shapes on the bottom, let's just go and work on them. Let's just make them soft. Try to go in a
direction with the here with the gravity
and try to make this shape that you have right
here on the inside part a little bit lower than the shape that you have on
the outside part. So if you just need to go and maybe cut some
parts a little bit, work with your brush,
work with your eraser, and adjust it to your liking. So erase the parts that you
don't need with your eraser, and when you have the
result that you like, let's go and continue
creating our ships. So firstly, let's just go
to these outside parts, and we will go and find
where we are going to be ending our hair
on the bottom. So let's just go to this line that we have right
here on the bottom. We'll step a bit from it, and we will make a little
markdown like that. When we have this mark down, we will be just going from it higher and we will be
creating a curl right here. Let's just go with a
big shape like that. You can see we are creating
it on both sides nicely. Let's just go and create
something in that way. When we have it,
let's just go and maybe add a bit
more of interest to these parts and we will
just go a little bit outside the shape and we will create a smaller
shape right here. Again, just working
with very soft curves, just creating
something in that way. When we have something
going in that way, let's go toward the bottom and let's create some
curls right here, some end parts of our hair, doing the same thing as we
have right here on the top, creating the triangular
shapes right here and making some
partings into our here. Let's just go and create
three of them like that, maybe work onto the size or onto the direction of the
elements, it's all up to you. When we have the
result like that, let's just go
underneath our chin and let's just go and create a
little scarf right here. Firstly, let's just go and make sure that we have our chin right onto our line that we
have right here for our chin. If you just need to go and
maybe adjust something here, you are welcome to
go and do that. Use your brush, use your eraser, and make sure that you are liking the result that
you are working on now. Let's just go and maybe create the lines
going in that way. If you need to go and
adjust some parts, over these shapes that you
are creating right now. So maybe the chin and the shapes that you
have for the here. Let's just go and adjust them. When we have these clean
outlines right here, let's just go underneath
the little chin that we have here and we will
start creating the scarf. Firstly, let's go
and make something similar to what we have right
here for the chin line. Let's just go and start creating the rounded
shape like that somewhere a little bit in a center or a little bit
higher than the center. So you decide how thick
you want the shape to be. When you have something
going in that way, the first curve, let's
just go to the sides, and we will start continuing creating our scarf right here
and closing up the shape. So we will go to the
sides and let's just go and create the
shape in that way, and then we will nicely connect it on the bottom with our curve. The first curve that
we will have right here as our line of the scarf. When we have something
going in that way, let's just go and start
working on the body. From this line that we've
created for our scarf, let's just go a little
bit toward the sides and we will be just going
with little lines like that. When we have something
going in that way, let's just go to this line
that we've just created, and we will go and create
the peculiar shape like that in a shape of the
circle or a little ellipse. So when we have something
going in that way, let's just go underneath these little parts and we will create another shape
of the ellipse here. This will be our little hands, and we will need to work more ont the shape that
we've created before. We will not have just a circle
right here or an ellipse. We just need to connect it with our shape that we
have for our sleeve. Let's just go over the top and let's just go and
connect it in that. If you want to work more on the shape that we are going
to be using for our hands, let's just go and work
with our brush and with our eraser and create
something going in that way. Just a simple shape like
that when we have it, let's just go and continue creating our little
sleep right here. Just go into this
connection that we have right here on
the side and we will be just going
underneath it and creating another
connection right here. Probably we are just creating the rounded rectangle
right here, not a circle or an ellipse, so it will look
more natural with the overall shapes that we are creating for
our illustration. So if you have
some elements that you need to erase,
go and erase them. And when we hand the
results like that, let's just go toward the curve. We will go a little
bit lower and we will be just going
toward the sides, and we will be creating
the shapes like that. So we are connecting
it nicely with the sheet that we've created
for our arm right here, and we are going toward the sheet that we
have for our coat. When we have reached this line with these additional outlines that we have right
here on the side, let's just go right
underneath it and we will create
a curve right here. So let's just go with a
peculiar shape like that. So just creating
it in a nice way. And when we have this shep, let's just go underneath it, and we will add a bit
of thickness and a bit of furred here with our code, so just creating something in that way and then
when we have it, we will just go to
the side and we will need to connect
it with our code. Firstly, let's just go and work on the connection right
here onto the sides. Let's make it a little bit more rounded and going
lit bit more inward. When we have it, we will
get back to our brush, and we will be just going to this line that we've just
created and we will make a little curve going on this side right here where
we have this fluffy part. Just having some peculiar
shape right here, connecting it nicely with the oral shape that we
have on the bottom. If you want to go with more straighter lines right here or if you prefer the curves, you are welcome to use
the curves here too. You can always take a
look at everything from the distance and
decide whether you like the lines that
you've created or you want to maybe change
them to straight ones. Let's just go and work
onto these elements, and when you are done, let's just go and create
the legs here. Let's go to the center. We will just step a bit from the center line
that we have right here and we'll be just going with two little lines
going in that way. Actually, let's just go and create not the lines,
but the curve, we will just go to the
bottom and we will be starting to create the
line going up in that way. If it's easier for you,
you can just go with one line and create half of the ellipse like that and go to the 18 mode and
adjust it from here, so you will have a
nicer of the legs. You can go and make them a little bit thicker or
little bit thinner. You can go and maybe play around with the placement
of these elements. When you're overall done, let's just tap on the screen, and if you have
some lines that you need to erase or adjust, let's just go and adjust them. Now when we have the
results like that, let's also go to the bottom of these legs that
we've created. Let's create a little lingon in that way and maybe
another line right here. So these lines will represent the socks or maybe the
little boots right here, so you can just go and shade this shape that
you have right here on the bottom so you
are not confused later when we have
the result like that, we are done with our sheets that are supposed to be drawn
with our symmetry. Let's just go and turn it
off and let's just work on the additional elements
that we need to work on here. Firstly, let's just
go to our layers and you can see that our layer
number three is assisted. We just need to turn it off. Let's just tap on this lay and just choose the
drawing assist, we will tap on it
and we will turn it. So now when we have the freedom to create everything
that we want right here, let's just go and
start doing it. So firstly, let's just go
and work onto our shape of the head and onto our shape of the fringe
and everything here. Let's go to the slide
that we have right here and we will be parting our here. So let's just go a little bit closer to this left side first, and we will be just creating a little bump right
here and then we'll go to the opposite side and create a bigger bump right here. If you have some additional
lines that you need to go and work on or erase, you are welcome to
go and erase them. Let's just go and create
a nice shape right here. When you have something
going in that way, we are going to this little line that we've created right here as our guiding line from where
we are going to be creating our little shape of the fringe. And we will be just going
and starting by going toward the left side and
we will just go and create a fringe
going in that way. Start by creating a
little curve going toward the right part from
the left and we will be just going and creating it just going toward the shape that we have
right here for our glasses. Let's just go with something
asymmetrical here, just creating the curve
going toward the glasses, work under the curvature, and then let's just go up and let's create a nicer
line right here. Again, just going a
little bit higher than this line that
we've just created and creating something similar here and going a little bit bolder at and creating maybe two
little lines like that. If it's easier for you,
you can just rotate your canvas and create
something in that way. That will be a little bit more natural for the natural flow of the hand and you will be just creating
nicer shapes right here. Let's just map out what
we want to create. Let's just make two
bumps like that, and let's just go toward
the top part right here, and we will be just creating the continuation with the
shape of the little curve. For now, let's just work
more onto the shape. Let's maybe go with a
bigger shape right here. Map out what you
want to create here, work onto the outlines, if you need to go and
erase some parts, you are welcome to
go and erase them. Work on the overall
shape of the fringe, maybe make it a
little bit longer or if you want to go and create
something different here, you are welcome to
go and do that. Just create a nice shape that
you would like to see here. When we have the overall
shape that we like, let's go and work more on the shapes that
we have outside. Let's go and connect our shape right here nicely
with the fringe. I probably will go and make it just a little bit longer so it is going to this part that we have right
here on the side. Let's just go and make
this part a little bit longer just by repeating the shapes that we
already have right here, erasing everything
that we don't need, and when we have something
going in that way, let's go and erase this
part right here too. So when we have something
going in that way to make everything not as symmetrical
as we have it right now, we can just go and maybe work on some additional
elements right here and make some of them
different from one another. For example, we can just go
to this little part that we have right here for
our hair and adjust it by creating a
different pattern right here with our so you
can just go and par these parts a little
bit or make them in a different way from what you
have on the opposite side. When you have something
going in that way, let's just go to this curve that we've created
for our fringe. We will step a bit from this peculiar shape that we
have right here on the top, so you can just go and
create a hook like that. And from this hook, we
will go a little bit lower probably to where it's
starting to create this hook, and we will be just
going there and creating a little shape
going in that way. That will be the top part
of our head of our face, and we'll be just
going there and creating the little
curve like that. When we have it, we
will go higher than it and we will add a bit of
the volume right here. We will start in by creating a little sheep like that
going up and then we'll turn the sheep into a curve
and we will connect it nicely with the strength of hair that we have right here. If you want to work more onto the thickness
of this element, you are welcome to
go and do that. You are welcome to go and erase this line if you have something
that you need to erase. So just go there and create this additional volume
right here for the here, and if you have some
peculiar shape right here that you still
need to go and connect, you are welcome to go and continue creating
this line right here. Now let's just take a
look at everything from the distance and make sure
that we like everything here. Let's just go and maybe
work more onto the here. Let's just go and add some difference right
here onto this side. Let's just go and continue creating this shape right here. Go into this little
peculiar shape and let's just go a
little bit outwards, and let's create a
strand goon in that way. We're not going to be creating
it on the opposite side, just right here onto the left. And when we have it, let's
go right here on the bottom, and let's work onto
this here here, so let's just go to these sites that we
have on the bottom. Let's just go and work on them. Let's make them not
that similar to one another that we have
on the opposite side, so you can just go and create something different right here. We also will need to add
the hair right here. So you can just go and create a little strand in that way. Or if you prefer
something different, you are welcome to
go and do that. Let's just go to
the opposite side and let's create some
strands here, too. So again, you can just go and create different
shapes right here, different from what you
have on the opposite side. Now let's just take a
look at everything right here and let's go and
work onto the scarf. When we have our
scarf in that way, let's go to the left side
or to the right side if you prefer and let's just go and create this loose
end right here. We'll be just going
to bottom part of our scarf and we will be just going with little
peculiar shape like that. Just creating the rounded
shapes on the side, not too rounded, just
slightly rounded. When we have them, we
will be just going to the bottom and we will create some peculiar shapes right here, just go there and create some maybe fluffy part
or something like that. Let's connect it nicely
with the overall shape of our scarf right here and let's just go and create
something pecular here. When we have something
in that way, we also can go and add a
bit of a line right here to make a difference
into the shape. And when we have
something in that way, let's also go to
the opposite side, and let's create a bit
of the fluff right here. Let's just go and create
something in that way. You can overlap the shape of the scarf just create
something in that way. If you want to go and erase some parts that you don't
need that are overlapping, for example, let's
just go and do that. When we have the
result like that, let's also get back to a brush. Let's just go to
this little place underneath the hair on the left, and let's just go and create
a little eyebrow right here. We won't see it on
the opposite side, so let's just have
just one of them. And when we have the
result like that, let's just go and take a look at everything that
we have right here without the lines of these guiding elements
that we have right here. Just get back to our list
and let's just go and hide these two layers that we have right
here on the bottom. We'll be just going
to these check boxes and we will be just
tapping on them. Now, when we don't
have our lines of symmetry and of
our guiding lines, let's just take a
look and critically decide whether we want to
adjust some parts or not. We can do it very
easily just by going to our Magic plan to and we will be using our liquefied
tool right here. On the bottom, we have
a lot of options. We'll be using the option push and we can just go and adjust
the size of our brush. With these two, we will
be going to some of the places and we will be just
going and adjusting them. And to make it even
on both sides, if you want to start by
adjusting it on both sides, we'll just need to
get back and we will just need to
go to these layers. We'll need to tap
on our layer and turn on our drone
assist one more time. So that way, when you've turned
on the assisted drawing, we can get back to our
adjustment liquefied two. And if you are going to be changing something on one side, you will be changing it
on the opposite side too. So for now, let's just go
and adjust some parts that are supposed to be symmetrical
with the liquefied two. When you are done, adjusting your shapes with
the symmetry one, you can just go
away from this mode by tab on the adjustments twice, and then just go
back to your list, turn off assisted drawing, and if you need to
go and maybe adjust some other elements
without the symmetry, you are welcome to get
back to your adjustments, liquefy to and play around with some elements
without the symmetry too. Again, if you want to spend
some time here without the lines of the
symmetry and maybe adjust some additional elements
that you have right here, you are welcome to
go and do that. Just spend some time here and create something that you
would like to see here. When you are done with everything that you
have right here, let's just tap on our
adjustments twice one more time. And when we are done
with this task, we are done with our sketch
so we can move on to our next part where we are going to be creating
our clean lights.
4. Clean Lines: Let's begin this part firstly
by going to our layers, and we will go to this layer
where we have our sketch. We'll tap on the N icon, and we will adjust the opacity. When we have the result that we like when we are satisfied
with the opacity level, let's just tap on the layer, and let's create one
more lay on top. One more time, let's
just turn on symmetry, so we will be able to recreate the elements in a nice way
on both sides one time. Let's just tap on the
layer and let's just go and turn on our drawn as. When we did it, let's just get
back to our brush library. Let's just go to our
calligraphy folder. If you want to use the
lines that will be looking nice everywhere that will
be quite even everywhere, let's just go and use
the monoline brush. If you want to have some
flow into your line, if you want to have some kind of the difference when you are creating the line
with the pressure. We can just go to
the ink and folder and we can select
technical pen brush. So decide on the brush that
you want to use right here. And if you want your
lines to be very smooth, we can go and tweak one option of the brush of your choice. We can just tap on the brush, go inside the brush studio, go under stabilization,
and play around with the amount of streamline and
amount of stabilization. You can try it out onto a
drawing pad, how it feels. If you want to go and maybe tweak some options right here, you are welcome to
go and do that. Remember that you can always get back to this option later on if you need to and adjust
it to your liking. So when you are satisfied
with everything here, let's just heat down, and
let's just go to our canvas. We will be using
the same color that we are using right
now, dark pink line, and we will start recreating the elements that are
supposed to be symmetrical. So what we are doing firstly is going and changing
the size of a brush. So try out a couple of sizes, find something that
works for you. And when you are done,
let's just go and start recreating the
elements right here. So we will be going toward the elements that we
have right here and we will be just starting by creating very smooth
and very soft lines. Let's just go and try to make nice connections
between the sheep. So if you have something
going in that way when your line is a
little bit not smooth, you are welcome to go
and manually adjust it just by going and erasing or adding something to
your line and just making it smooth so it
is even everywhere. If you want to go and try
out something different, you are welcome to
go and do that. You actually don't need to
work with the smooth lines. If you want to go with
the natural lines, you are welcome to
go and do that. When we have this
first line right here, let's just go and
continue creating RH. Also, you can just use the same options
that we used before. You can just start creating
the shape and you can hold it at the end
to create a smooth. If you want to go to the 18 mode and adjust the curvature, you are welcome to
go to the nodes that you have right here
and adjust them. All that we need to
achieve right here is to create smooth and connected
and closed lines. Everything that we
are creating outside, all of the outlines that we have right here should be closed. That means that we don't have
any gaps into our lines, and that is what we are
trying to achieve here. When we are done with this task, let's make sure that we
have connection right here. Let's just go and edit. When we have this result, let's just go and continue creating the shape right
here on the bottom. Or if you change
it a little bit, it is not even on both sides, we can keep it as
it is right now and just move on to the
symmetrical elements. Let's just go and maybe
start working on the face. You can rotate your canvas to create it in a better way for you in a more way that
kind of convenient. When you hand the
result like that, let's go and recreate
this line right here. If you are working with
the technical pen, you can see that it
is a pressure brush. You will see how the brush
behaves when you use pressure. It is either getting pretty solid and even when
you are adding pressure and it thins up if you are lighting the
pressure of the pencil. Again, when we are
creating our clean lines, it doesn't need to be similar to what you have
onto your sketch. If you want to
adjust some parts, you can just go and
adjust them to your like and you can try out
different things right here. It's all up to you. For now, let's just focus
on the parts where we have the symmetry
elements onto our sketch. Again, pay attention
to the connections. If you want, you also can go and maybe play around with the
thickness of the lines. For example, you
can go to some of the elements and
make them lt bit thicker and mostly we can
do it outside the shapes. If you want to go and create
the thicker outlines, you will be working
with the outside parts, and if you are
inside the shapes, you probably would want to go with the thinner
lines right here. So when we are done
with the scarf, let's just go and
continue creating the shapes that we have
right here for our sleeves. If you want to
experiment a little bit, you are welcome to
go and do that. Probably let's just go
over the top and create the shape the same way as we
have it onto our sketche. Let's connect it nicely. So if you are creating a
thinner line right here, you will just need to
make a nice connection right here between the shapes. When you are done with it, let's just go and recreate
this part right here. Again, just with one line, we are creating our shape, holding it at the end. If we want to adjust
it in any way, maybe move it, we can go to the 18 mode and
do it from here. If you want to maybe try
out a different direction or different size from what
you have onto your sketch, you are welcome to
go and do that too. As for the bottom, let's first accept the changes
for this little part, and then we will move
on to the bottom. Let's just go and make
it a little bit fluffy. Let's just go and create the peculiar shape
going in that way, not just a plain
curve right here. When we have it, let's just go and recreate this
little line right here. But let's go not
with a solid line, but with a bit of
the line like that. Let's just go along
this shape that we have right here and we will create
peculiar shapes like that. When we have it, let's go and create this additional
line right here. If you want to again experiment
a little bit and create it in a different way from what you have onto your sketch, just create it in a nice way, and when you have
it, let's just go and continue creating
right here on the bottom. So just creating a nice curve and making a nice
connection right here. The middle part. If you just
need to go and adjust it by creating a couple of
lines right here to make a smooth transition
between the sides, you are welcome to
go and do that. If you see that
maybe you want to go and work on this connection
right here on the side, you are welcome to
go and do that too. We also can go to this
little part where we have this not so pointy line and make it more pointy just
by using our eraser, going very slightly
right here and creating a nice point element right
here and when we have it, let's just go again to
our brush and let's go and continue creating our additional
elements right here. Let's just go to this
bottom part and let's just start by creating a curve
going down in that way. When we have this curve, let's again go to the bottom and let's create
a similar curve, the perl one to what we
have right here on the top. Again, let's make a nice
connection between the halves. When we have it,
let's again get back to our brush if you're
using a different to, let's just go right
here where we have our legs and with one line, let's create the
shape like that. Again, if you want to adjust it, let's just go and find
our editing mode. Let's just go and maybe take a look at it
from the distance and decide whether we want to maybe adjust what we have
onto our skage, try to make the legs
pretty straight. And when you have the
result like that, let's just tap on the screen. Let's make sure that our
lines are connected. And then we'll just go to the bottom and we will create
straight lines right here. Again, just creating a line, holding our Apple pencil, holding one of our fingers on the screen to make
this line straight. When we have it going a little bit higher and
creating another line, similarly to what
we have before, and we will just again
hold our Apple pencil, hold our finger on the screen, and adjust it in that way. Now, when we are done
with the bottom part, let's move on to
the top and let's start probably from
our facial features. Let's just go and create the shape that we have
right here for the eye. Let's just go and create
it just with one line, hold your Apple pencil, hold one of your fingers, adjust the size if you need to. When you are done, let's just drag and drop the color inside. When we have it done, let's go and recreate our shapes that we have
right here for our glasses. Again, just with one line, creating our shape, holding
one of our fingers. If we need to go and move it, we are going to
our 18 mode and we are finding a placement
for the element. When we are done with this task, taping on the screen and
let's just go and create this little part and let's just go with a thinner
line right here. When we have it, let's just
go and recreate the mouth. Again, starting by creating a little straight line
right here, again, working with thinner
lines right here and then just go into the bottom
and creating a shape. Again, you can hold
it at the end, make a nice connection
right here. If you want to go to the 18
mode and adjust it from here, maybe make it little
bit more rounded, you are welcome to
go and do that. So just spend some time here, adjust it to your liking. If you have some extra
parts that you don't need, you are welcome
to grab an eraser and erase the parts
that you don't need. Connect it nicely, make a nice connection right
here on the bottom, make a nice connection
right here on the top. And when we have
it, let's again, go to the toppy top, and we will be recreating these elements that we need
to recreate right here. So let's start by going to our little shapes of
the bows, for example, and let's just go and with our curves by holding
them down on the side, on the end of our curve, let's just go and
recreate these elements. Let's just go and hold our
Apple pencil at the end. Let's go to the 18 mode. If you want to go
there, let's again go and adjust the curvature
of these elements. If you have some overlapping
parts that you don't like, for example, right here, you are welcome to go and erase it, work onto the
connection right here if you need to when you have it, let's just go to the
bottom and let's continue creating shape of
the bow right here. Again with one line, hold it at the end, go to the 18 mode, if you need to adjust it, and then go into the
opposite side and recreating the second
part right here. Again, just hold R line, trying to make a
nice connection. If you want to go to the 18 mode and adjust the curvature, adjust the element right here, if you want to adjust
it more than it is, let's just adjust
it and then go into the opposite side and creating
the last part right here. Again, holding it nicely, go into the 18 mode if you need to trying to make
a nice connection. If you want to take a look
at it from the distance to make sure that it is
similar on both sides, you are welcome to
go and do that. Try to make it even. When you are done, just
tap on the screen. If you have some elements
that you need to erase, go and erase them. Soften up the little curse little connections that
you have right here. And when you are done with it, let's go and recreate these additional elements with
thinner lines right here. So use a little bit of less
pressure onto a brush. Now when we have this, let's go and recreate our little
ears right here. Let's just go and maybe
rotate our canvas so it will be easier for us to create
our curse right here. Let's go and recreate these additional
elements right here. You can again play around
with the shapes that you have on your illustration
onto your sketch right now. If you want to maybe try
out a different shape, you're welcome to
go and do that. When you have these outlines,
let's just go inside. Again, with the thinner line, let's create this curve. When you are done
with this task, let's go and recreate
our antlers. So go in there and recreating our elements as they
are onto your sketch, or if you want to
experiment a little bit, you are welcome to
go and do that. Let's just go with very
soft curves right here. And as for these parts that
we have right here inside, we are making them rounded too. So let's again, take a look at everything from the
distance if we need to, and we will be just going there
and recreating this part. We are avoiding to create the very straight
corners right here. If you have some
straight corners, let's just go and
soften them up. Let's work onto the overall
shape right here and let's continue by going and recreating the rest of
the elements right here. Connect them nicely, work
onto the connections, just by going with your
brush and with your eraser. Try to make nice lines
all over the place. So just work with your brush and work with
your eraser if you need to. You can go with a
more rounder shape right here on the
top if you want to. If you have some, again,
additional elements that you need to work on with your
brush and with your eraser, you are welcome to
go and do that. Let's go to this little
part and make it a little bit straighter
but not too straight, and we will just work with our brush and with
our eraser here too, to create a nice
shape right here. Now let's just take a look at everything that we
have right here, whether we edit all the elements that require our symmetry too. If we are done with everything, let's just go again to our list. Let's tap on our
layer where we have our lines and we'll turn
off our assisted drawing. Now when we did
it, let's just go and recreate the rest
of the elements. Again, getting back to our brush and doing the same thing here. Just go in there and recreating the lines either the
same way as we have them onto our layer with the sketch or in a different way if you
want to experiment alphabet. The main goal is
to go and create closed and smooth
and nice lines. Let's just go to the stop
part and recreate it. If you want to go with
a different line, you are welcome to
go and do that. If you want to work
with your eraser and maybe open up this little
part a little bit, you are welcome to go and
adjust the size of your brush. So adjust it to your liking and also as a pecular element, we also can go right inside
this sheet and we can just go and add two little lines or three little lines
going in that way. We are creating some kind
of the bend right here. When we have it, let's
just go and recreate these additional elements
right here onto our bottom. Trying to make the curves
right here, the nice ones, go in there and recreating them as they are
onto our sketch. We are not creating them in
a similar way on both sides, so just spend some time here and create them one by
one on both sides. Again, if you are recreating everything in a different way, you are not supposed to create everything with
100% of similarity. You can just go and play around with these
additional elements. You can just go
and maybe lift up this little element that we are creating
for this strength. Just make sure that all of your lines are
smooth and doesn't have the gaps or doesn't have
a very weird connection, just work onto the smoothness of the lines and onto
their closeness. Let's just go and
continue creating the same hair on
the opposite side. Let's just go from
the top and we can just go with the shape
just with one line, so you can just hold
your line at the end and try to make a connection
right here on the bottom. If you need to work
with your eraser, work with it, again, try to make nice
connection right here. Try to avoid these abruptions, and then let's just go and recreate this little part
that we have right here. Again, if you want you can
just work with the curves, you can just hold your
lines at the end to create additional
elements right here. You are welcome to
experiment with the gaps that you have right
here in the strengths. You are welcome to
also play rounds with the roundness and the
volume of the hair, so it's all up to you. Just try to work with
the natural flow of the hair and try to
create this peculiar, nice curve going down. Now let's just go and erase
the parts that we don't need. If you have some go in and again, creating
nice connections, nice smooth lines, trying to avoid these very
abrupt elements. If you have some elements that you need to work on even more, let's just go and work on them. Again, trying to make
nice connections. Again, I'm creating the very
pointy elements right here. If you don't want
to create pointy little shapes right here, you are welcome to
go and soften them up and create something
different right here. Let's also go and recreate
this little bra right here. When we have it, let's
just go over the top and let's recreate the
rest of the elements. We also have this
line right here. We don't want to maybe
recreate it the same way, so we can just go and
elongate these parts right here and follow this line that we have right
here for our head. Just going like that and creating the different line
right here over the top. Going toward the opposite side
and doing the same thing. First elongating the
shape that we have right here for the
antler and then just going and recreating the line just by following this line
that we have right here. Generally, we are following
the same line that we have onto our skege but we are just moving it
a little bit down. Now, let's just work onto
the connection right here and then let's move on
to our little fringe. Let's go and create
this first hook right here going down, going a little bit towards the sheet that we have
right here for our glasses. You can hold your
line at the end and go and continue creating
the shape right here over the let's just go a little bit lower than
the shape that we have right here and let's
just go and create some kind of a sausage
part right here. We will be just going there and creating it in a wavy way. So just go in there,
connecting it nicely, creating a nice outline. Don't try to create
some bumps right here, just go and soften them up. When you have this first part, you also can go and
straightaway erase this part that you don't need as
are part of the glasses. So just go with your
eraser and erase it, try to make a nice connection, try to create something
that is looking quite good. And when we have
this first element, let's just go and continue creating our fringe
just by going over the top firstly and creating this peculiar
shape right here. Try it out a couple of times, and it's also good to maybe zoom out your canvas just
a little bit so it will be easier for you to create
the smooth curve right here and to avoid this very
blotchy effect right here. Let's just go and create
this first shape, try it out a couple of times. Let's just go with a little bit of curvy shape right here. If it's not happening
from the first try, try it out one more time
or a couple of times. Just create something that
you would like to see here. When you have this
first element, let's just go and
create the bottom part. Let's just go and repeat the
similar shape right here. Let's just go and
connect it nicely, go a little bit beyond the frames that you
have right here. Again, try it out a couple
of times if you want to. The part that we have right here on the bottom should be a little bit narrower than the shape that we
have on the top. Let's just go and spend
some time here and adjust it to our liking and create
something going in that way. Connect the overall
shape nicely and if you want to work more on
the sp, go and do that. Try to erase everything
that we don't need here. If you need to go
with your erasa and maybe erase some parts
or maybe just go and make this part where we have the connection a little
bit less protruding, you are welcome to
go and do that. Let's just go and
create something in that way and we also will go and erase the overlapping
parts with our glasses. Again, very accurately, just continue to create
our line right here, going with the flow and erasing the peculiar
shape that we don't need. Trying to create an even line, and when we have the
results like that, let's just go and recreate these elements
that we have right here for our additional
parts of the scarf. Just go in there and recreate
our little scarf element, just go with our soft brush, just going with the peculiar
shapes on the bottom. If you want, you can go
with a different shape. You can overlap the coat with the loose
parts if you want. And also, let's just go and create this little fluffy part. So again, let's just
go with wavy shape. Let's overly make it some
kind of rounded chip, but we will go with wavy line, so we will have some kind of
the fluff bowl right here. Let's just go and erase
this overlapping line. So very easily just working
onto the oral sheep, trying to create
a nice connection right here where we
just erasing our parts, taking a look at everything
from the distance, and let's just go and work onto our hair that we have just left. So Let's just go to this
little part, and again, nicely connected with the first shape that you
have right here. Try to make a nice and full shape right
here on the bottom. We are creating a bigger
shape right here, creating a nice rounded element. If you want to hold it at the
end and go to the 18 mode, you are welcome to
go and do that. Make a nice connection
right here on the top. When we have it, let's
just go to the bottom and again create our
strength right here. The repeat what you have onto your layer with the sketch or try to create
something different. Go with the curse instead of the straight line so it will
have a nicer overall look. Let's also go and
vary the amount of the peculiar shapes
that we have right here. You can just go and maybe try to create
something like that. Try to overall create the
rounded shape over the bottom, if you have something
going in that way, try to avoid connecting
the parts in that way. You can either go a little bit higher or a little bit
lower so you don't have a weird connection between the parts that are
not supposed to be connected. So let's just work a
little bit more onto this part and create
something different, maybe maybe going and creating this part a
little bit bigger, creating a nice
strength and creating a nice connection right here
that won't look very weird. Probably we will just
need to go and create this curve alto bits in
a more curved way and create something in
that way closer to this first shape that we have
right here near our body. Let's work on the connections. Let's work onto the
corners right here. Let's make them nice. If you want to go and maybe
work with your brush, instead of the eraser, you are welcome to
go and do that. Work on this connection
right here to make them connected
in a nice way too, when you are done,
let's continue by going firstly right here and
connecting our shape. Again, trying to avoid
creating the lines straightly going to other lines that we already
have on our screen. Then let's just go again
to this part and let's just go and create our
little shapes right here. Again, if you want, you can
hold your line at the ends. Try to create nice curves
if you are creating a curve and if you are
holding it at the end and it is not
snapping to a curve, but it is snapping
to a straight line. You can try it out
one more time, or you can just try to go to the eting mode and
probably you will have the option arc here that
you can select from there and just use it
from the editing modes. So now when we have the
overall look, let's again, take a look at everything from the distance or if you want, you can just go
with a closer view and work onto the
connections right here. Let's just go and make nice
connections on the corners. Just go with your eraser
and with your brush. Make sure that
everything is closed. So to do that, let's
first go to Ayers, and let's just hide
Ayer with the sketch. Let's take a look at everything and make sure that
everything is closed. When you are sure that everything is closed and
when you are sure that everything is nice and smooth and you don't
want to change any let's just move on to our next part where we are going to be aging the base colors.
5. Base Colors: Let's begin this part firstly
by going to our layers, we will select this layer
where we have our lines, we will tap on it and this
time we will choose reference. That will help us to use
these lines that we have onto this layer and end the
colors on separate layers. Let's select it as reference. Let's just go underneath the lay and let's create
one more layer from here. Now when we have
this layer selected, let's just go to
our color palettes and let's select the skin color. With the skin color,
we will go and recreate everything that
belongs to our skin. So everything, our mouth, our additional
elements right here beneath our little glasses. To make sure that you
recolored everything, we can just go to our layers and hide our layer
with the background, just for a second,
make sure that everything is recolored and
then get this layer back. Now when we recolor this, let's go and create one
more lay on top and let's just go and start
picking a different color. Let's just go with the
color of the hair. With the color of the hair, we will just go and
recolor the hair. Let's just go to all of the elements that we
have for our hair, and let's just go and recolor everything that we
have right here. We also with this color can go to the ears and
recolor them too. Make sure that you
recolor everything that belongs to these little
parts, and when you are done, let's just go to our
least one more time, create one more layer on
top and let's just go to our color palette and let's
go with this red color. With this red color,
we will go and tricolor our little bows
right here on the top. We will go and
tricolor our scarf. And if you want to recolor something else with this color, you are welcome to
go and do that. But basically, let's just
go again to our les. Let's create one
more layer on top, and let's just go and
recolor our coat. So let's again go with the
color of the hair right here. So we would be just going to this part that we have
right here for our coat. And when we have it, we
will go again to our list, we will create one
more layer on top. We will go again to
our color palette and select the
color of the skin. With this color, we will go recolor this little part
right here on the bottom, and also we will just
need to go and recolor these little fluffy
parts right here onto our code to make it very easily, we can just go to our layers. We will go back to the layer
where we have our code. We'll tap on the lay and we will choose the
option select. Now only these
areas are selected, so we will be just
going back to our list, go into this layer where we've recolored this bottom part. We can go to our brush library, and for example, we can
select the studio pen brush, and very easily we will be
just going to this little part and with our brush very accurately just go and
recoloring this part. Go closer to these parts
that you have right here, work on the oral sheep that
you would like to see here, go else beyond the
frames or if you want to go straightly to this line
that you have right here, you are welcome to
go and do that. So when you have something
going in that way, do the same on the
opposite side too. Try to make it even
on both sides, and when you are
done, let's deselect everything by hitting
our S ribbon icon. Now, with the same color, we will go and recolor this little fluffy part
right here onto our coat. Then let's again go
back to our list. Let's create one more layer
on top with the same color. We will be just going to the legs and we will be
recoloring them too. We will recolor these
two parts right here, so the top part and
this part right here between our boots and our
little socks right here. When we have the
result like that, let's get back to our list. Let's create one more leader. We will go and select the
color with the title brown, and with this color,
we will go tr color what we have right
here for our boots. We will also go entry color our little shapes that
we have for our arms, and with the same color, we will go entry color our antlers. So now when we have
something going in that way, the one thing that
we will need to add as the basic colors, we will be just
going and recoloring this part that we have
right here for our mouth. Let's just get back
to our list and either go to the same
layer where you have everything that
belongs to the fish or just go up and create
one more layer from here. When we have the new layer, let's just go and select
the soft pink color, and we will be just
going there and putting the color right
here to our mouth. So now we are done
with our basic colors. So let's move on
to our next part where we are going to be adding the beautification in shape of the shadows and
everything like that.
6. Shadows: Let's begin this part firstly
by going to our layers, and we will go to this layer where we have our reference on, we'll tap on it,
and we will turn it off by tapping it from our list. When mediate while
we are still here, let's go and create
one more layer above. We'll tap on this layer and
we will choose clipping mask. That way, we'll be using only the elements
that we have on our previous layer to
add new elements on. So we will be just
going and working on our little
shapes for the eye. Let's just go and add some
beautification straightaway. Let's do it on
both sides evenly. Let's just tap on this lay and let's select a drone assist, and then we will just go into
our color palette and let's just go either with pink lines
color or he dark shadow. You can try out one
of these colors. They are pretty similar
to one another. Let's just go to the
bottom part of our eyes, and let's just go and
create the shape like that. You can go with a rounder shape, so you can just go
to the eating mode and adjust the curvature
of this element, try to make it nice and even on both sides
of one of the eye. When you are done
with this task, let's just go and manually
recolor the rest of the area. Now when we hand the
result like that, you can see that maybe
it's too bright, so we can just go
back to our list. We can tap on this
icon on the lay and adjust the opacity to the level that we would
like to see here. When we are done with this task, let's just tap on the layer. Let's turn off our drawing
assist. We don't need it here. We'll be just going
to the bottom and we will be starting to
add some shadows here. Firstly, let's
just go right here to our layer where
we have our fs. Let's create one more
layer on the top. Let's tap on the layer. Let's select our clipping mask. Let's go to our color palettes and let's select the
here shadow color. We will be using it right
here onto the top first, so we will be just
going there and creating the shadow
going like that. Go there and create
a shadow underneath the shape that is supposed
to be a volume for the hair. When we have it, we will
go to the opposite side and we will put a little
shadow right here so you can just go and either repeat the shape that
you have right here for your hair or just go alone and just create a shadow going
in some kind of that way. When we have it, we can see that we will need to
add the shadow right here. Let's just go and add just a little shadow that will be repeating the overall shape of the strength that
we have right here for our shape that we
have for our fringe. When we did it, we
can definitely say that this shadow is too bright. We will be just going
again to our last, going to this and icon and
adjusting the opacity. Just go with something
around maybe 40, 45%. When we are done, let's just go to this little part
where we have our mouth. Actually, let's not create
an additional layer here. Let's do the additional work that we need to do here
Ota the same layer. To do that very accurately, we can just tap on the layer and choose our Alpha
lock and we will be adding the additional
elements only on the areas that we already
have Ota this layer. So when it is selected, we will go again to our either pink lines color or
hair shadow color, something not too dark, and we will be just going over the top and we will be just going there and creating
this little part like that. When we have it, let's just take a look at it
from the distance, decide whether we are
liking the result. If you think that
it is too bland, you are welcome to go to
the color palettes and maybe select some other color and try to do it one more time. Probably this darkish color
works a little bit better, try to create a similar
curve that you had before. And when you hand the
result like that, let's go again to our layers, and let's just go back
to this layer where we have our fas and let's
create one more layer here. We will use our normal
blending modes, and we will go to
our brush library, and we will switch our brush to the airbrush and folder
soft blend brush. When we did it, we will
get back to our less. We will tap on the lay and
we will choose our drawn as, so we will be doing it
on both sides evenly. And we will be going
to our color palettes, and we can just start with soft pink color or you can just go straight away
with the red color. Let's just go and
set the opacity of something around
20% for this brush, and we will be just adjusting
the size of our brush, going underneath the eyes, and very, very softly. We'll be just going and
edding the checks here. So very, very softly, just start adding
these elements, take a look at it
from the distance. If you feel that maybe it's too much or if the
color is not right, you are welcome to go
to the adjustments, use saturation and
brightness and maybe adjust the
saturation here or brightness here so you
can just play around with these elements and
adjust it to your liking. When you are satisfied with it, you are welcome to tap on the
adjustments one more time. And let's again, get back
to our brush library. We'll get back to
our inkin folder. We will choose either a studio pen brush or a technical pen. So select the brush, and let's just go
inside these sheets. Let's adjust the
size of our brush, and let's just go and add
little lines like that. If it is too bright, you are welcome to go and
adjust the opacity of the brush to something
around maybe 45% or so. And let's just go and add
these peculiar lines here. Just try to make them
a little bit less visible maybe and maybe
in a different shape. So you can just try it
out a couple of times. So they are looking nice overall onto this shape
that you are creating. When you are done
with this task, let's get back our
full opacity and let's go and start edging
the other details. So let's just get
back to our list and let's just start
working with our here. For the hair, firstly, let's just go and add
additional color. So we'll be just going and creating one more layer on top, tapping on the lace,
selecting our clipping mask, going back to our brush library. We'll go again to our
airbrush and folder, soft blend brush, and we will go with the soft pink color. Let's adjust the size of our
brush to something very, very big and very, very softly. We will be going to
the bottom and we will be adding some kind
of a gradient here. We don't want to see the harsh transition between the colors. So we're just working very, very softly and with the same brush and
with the same color, let's just go to the inside
parts of our little ears, and we will be adding this
blush right here, too. If you want to go
some other areas, maybe to the bottom part
of the fringe right here, you are welcome to
go and do that. Just try to make very, very soft connections and soft transitions
between the colors. When we have the
result like that, when you are satisfied
with everything here, let's just get back
to our brush library. Let's just go again to
our ink in folder and select our previous
studio pen brush or technical pen brush. When we're done with it, let's just get back to our layers. Let's just tap on our plus icon crete and you layer on top, top on this layer, select
our clipping mask. Let's go to our color
palettes and let's start creating the shadows
with the hair shadow color. With this color, let's
first go to the bottom and let's start creating the big strength right
here with this color. Go into the second one or
a little bit closer to the edge and just go in there and creating a nice
curve right here. If you want to create
the smooth lines, you can get back to the
technical pen brush and start working with it. To adjust the size of the brush, try to create it
in a natural way. The overall shape that
you have right here, go underneath the shape that
you have right here for the fringe part or for the
front part of the fringe. Let's just go and
close the shape, and we'll be just going and creating the shadow
going in that way. Make sure that the shape is
closed and when you are done, just drag and drop the
color to this area. Let's take a look at
it from the distance. Is it looking
natural right here? If it is, we are going to the opposite side and trying to create something
similar here too. Again, just starting by creating a first curve, going
to the bottom. If it's not happening
from the first try, try it out one more time. Close the shape just by going manually and then add
the color inside. Try to make nice
connections right here where you have the other shapes, and when you have something
going in that way, let's also go toward the other areas and add some
peculiar shapes here too. For example, we can just go to some of the strengths
and go with peculiar shapes of
some little dots or some little lines like that. Just try to go with the shapes that will
be soft and rounded, not just straight elements, just go in there and add a couple of little
lines like that. When we are done, let's go to this part that we
have right here for our little shape of the volume and we will
add the shadow here too. Just go on and completely
putting it in the shadow. When we did it, let's go
to the ear right here and we will be just going and
adding a little shadow, more of a difference
in the color between the shape of our hair and
our little ears right here. Just go on there, creating
soft shadow like that, go on to the opposite side and creating another
shape right here. If you want, you
can go a little bit higher and create it in
a bigger way like that. Then when we are done, we also will need to go underneath the sheet
that we have right here for our little bow and just repeat it right
here on the here. Let's just go and do that. When you are done, go into this little part right here and adding a bit of shadow here too. You can just go and follow the direction that we have
right here for the here. Just create something
going in that way. If you did it, you are always welcome to go grab
your eraser and work more on the oral shape so it will look nice and smooth. When you are done
with this task, going again toward
our little bore right here and adding the
second shadow right here too. Something similar to what you
have on the opposite side. Onto this side, we can go with a bit of the bigger shadow, and we can just continue creating the shadow
right here on the top just by going with
a little curve like that. Let's add the color inside and then when we
have this curve, connect it nicely with
the overall shape right here and let's move on to our ear and let's
add a shadow here too. Just go on mostly toward
the top part where we have these shapes
that we have on the top that are overlapping and adding the shadows to our
little elements right here in the shape
of the ears and just adding our little
shadow right here. Take a look to the
ear and maybe decide to add just a slide shadow
right here on the bottom, so we will have a nice look. And when we have the
results like that, let's continue by going toward
this side onto our right. And firstly, we'll just go to this little peculiar
shape that we have right here for our shape
that we have for our fringe, and we'll be just
going there and adding little shadows here. You can also go underneath this little line and add a
peculiar shadow right here. So mostly we are adding
the shadows toward the bottom parts and
toward the parts that are some kind of overlap on the so now when we have
something going in that way, let's go underneath the ear right here and add a
little shadow here. We also can go right here to this little part and
make some kind of a separation right here and add the little strength
with the shadow part. You are always welcome
to go back to the eraser and work on the oral shape of the shadows that
you are creating. Try to make nice
connections here to try to avoid having some kind
of little gaps again. So just go in there and create something similar
to what we had before. So the attitude is the same. And when we have
something like that, let's go take a look at
riffin and decide whether we want to add so shadow right
here onto this little part. If you want to do that,
let's just go and do that. You can go and work
with the rounder shape, connect them nicely
with the shape that you have for your overall
shape of the here. And when you have the
results like that, let's again go back
to our layers, and let's create one
more layer on top. Let's tap on this layer. Let's select again,
our clipping mask, and let's just get back
to our color palettes and select this dark shadow color. Here, dark shadow.
When we have it, we will go toward these parts
that we have right here. We can also go to
this little part and put this part in the shadow. So let's just start from here, and then we'll be just
going closer to the body, and we will be eating
the second color right here for our shadow. Again, create a nice strand, try to make it natural, close the shape, dragon
drop the color inside. Take a look at it
from the distance. If you need to maybe thin
this shape up on the top, you are welcome to grab
your eraser and work on it, and let's just go and do the same on the opposite side too. Again, let's just
go and maybe put these complete part in shadow, and we'll be just going
again to the top, closing up the shape, and dragging and dropping
the color inside. Again, take a look at
everything from the distance, decide whether you want to maybe adjust it in any way,
work with your brush, work with your eraser, when you have the
result that you like, let's go to some other
places and let's add bigger shadows
with these shapes. Let's just go toward
this little part. Let's just go and
create the shadow here. Mostly, we are just
going and repeating the overall shade that we have right here
for this strength. If you want to go
to the other areas and add the shadows
with this darker color, you are welcome to
go and do that. Go and put this
little part in shadow or this little part
completely in shadow, so it's up to you what you want to do with this
additional elements. So play around with the shapes. If you want, you also can go and maybe add some
texture parts, you are welcome to go and do something similar to what you have right here with the
color that you used before. When you are done
with this task, we are done with our shadows. Let's just go and
maybe take a look at Araf one more time
and decide whether you want to add more
additional elements with either the previous
color or with this color, some texture parts. If you want to do that, you are welcome to get back
to the layers, go to the previous layer, go to the previous color and
add some textural elements to some of the places just to add some
interest to the picture. Let's just spend
some time here and adjust these little
parts if we want to. Very easily going and adding some peculiar little shapes
just to add some interest. When you are done with this, let's just go to our
layers and let's just go and start eating the
shadows to other elements. Let's just go to the next layer where we have our
additional elements. This is our red layer. So let's just go and
create one more layer on top. Let's tap on the layer. Let's select our clipping mask, and let's just go and select
the different colors. So we can just go with
the same red color, but we'll just go and choosing a different blending mode for this layer so everything
will look nicer. Let's just go to the N icon, and let's just go and select
multiply blending mode. And for the opacity, let's go for now with
something around 50%. When we did it, let's first go to our main
part of the scarf. Let's start by creating a
little shape like that. Let's go and manually
recolor these parts, just go in there, finding what we are looking
for right here, just creating something
going in that way. When we are done, going toward this little part right here, going underneath
this little part and just creating additional
shadows in that way. If you want to go maybe with different parts with
different shapes, you are welcome to
go and do that. If you want, we
also can go toward these little parts
right here onto the bows and add the color here. We also can go to
one of the sides. For example, right
here on the right, we are repeating what we
have as our main shadow, just adding the shadows
to the same places, but on our bow. So just go in there, adding
these additional shadows. If you want to go to
the opposite side, let's first go and recolor these little parts
right here inside. Then we also can go and end the shadows right here
on the bottom part. If you feel that maybe
this color is not working, maybe it's too bright, you are always welcome
to get back to the saturation and brightness and adjust the color right here. You can work with
the brightness, you can work with saturation. You can work either
with the hue. You can just spend some
time here and adjust something in a way that
you would like to see it. When you are satisfied
with everything here, let's just go away from our adjustment and let's
just get back to our layer. Let's go to our next layer, which is our layer
with the coat. Let's create one more layer on top. Let's tap on the layer. Let's select our clipping mask, and let's just go and add
additional color to the bottom. Again, we can just go with our soft pink color or if you want you can
go with the red color, just select one of the colors, and let's just go again to our air brush and
soft blend brush. Let's just go toward the bottom, and let's just add a bit of the difference in a color
right here on the bottom. Very softly just adding a
bit of the color right here, trying to avoid very
straight connections, very straight transitions, just trying to make everything
very, very soft. You are done with this task, if you feel that maybe
you over did it, you are welcome to
go to the layers, go to the N icon and adjust
the opacity from here. When you are done, let's
just tap on the plus icon, create new layer, clipping mask, going back to our brush library, going again to our
ink in folder, selecting either our technical
pen or studio pan brush, and let's just go and add this
little shadow right here. Let's again go with the soft pink color or
hair shadow colors, select one of these
colors and let's just go and start
adding the shadow first underneath our little sheade that we have
right here for our scar. When we have it, let's
just go and edit right here underneath the
scarf on the bottom too. Just go in there and repeat
in the shape that we have right here for
this additional part. If you overdid it, just go grab your eraser and work
onto this part. A shadow right
here to underneath the scarf then let's just go toward the opposite side
toward the right part, and let's just go with
a big shadow like that. Hold it at the end
the first curve that you are
creating right here, and then let's just go and manually add the color
to the bottom part. Just go on with a brush
adding the color, going toward the
bottom part two, trying to make no little gaps, the miscolord places right here. When we have this first curve, let's just go toward this
part that we have right here and let's just go and add a
little shadow to the rea. Just go in there toward
this little part toward the sleeve and just creating
a little curve right here. Let's add the shadow manually, and let's work on the overall shape of it
just with our erasa. Let's make a nice connection with the first shape
that we have right here. If you want you also can go
with the same brush and with the same color right
here to the sleeve on the opposite side and
add it right here. If you think that maybe the opacity of this
layer is too much, you are welcome
to go to the icon and play around with it. If you want to try out the
multiply blending mode, you can go and do that. Probably it looks better. You can just go and set it
to something around 40, 45%. When you are done, let's continue by going
to our next layer, which is our whitish
layer right here. Let's create one
more layer on top, tap on it like clipping mask. Straightaway, if you like it, you can go and select
multiply blending mode, set the apacty to
something around 35, 40%, use the color
of your choice. You can go with the
same color that you are in right now or switch it
to something different. Let's just go and continue
creating the shadow right here onto our bottom
part of the coat. Let's just go a little bit
closer to the edge with our first curve and
let's just go and put this part completely
in the shadow. Try to create no
gaps right here, so just zoom in your canvas and try to make nice connections
within the sheep. When you have it, let's just go toward this little
part right here and let's just emphasize our
little flacky part right here, so we'll be just going
with rounded shapes, rounded wavy elements and dragon dropping the
color when we are ready. If you want to maybe refine
the edges right here, you are welcome to
go grab your eraser, work with your erasa
onto these little parts. When you are done, go
to the opposite side and do the same thing here. So just going
toward these parts, edging the wavy lines, looping the shape
around, dragging and dropping the color inside. If you want to work
with your eraser, you are welcome to
go and do that. On the same layer, we have
this fluffy part right here. So again, just go in
with a wavy line, edging the color inside. If it's recoloring everything. You know what you need to do. You just need to
refine the line, make sure that you
don't have any gaps, and then just drag and
drop the color inside. Now when we hand the
result like that, let's continue by
going to our layers, going into our layer
with our legs, creating one more
layer on top topping, selecting our clipping mask. And icon, if you want to use multiply blending mode,
you are welcome to use it. You can set the same amount of opacity that
you used for your previously where you have
these whitish shadows. So with the same color, let's just go toward
the bottom parts. So we will go toward
our little legs and we'll be creating these
pecular shadows like that. Let's just go with the very
diagonal line like that. You can go with a bigger shape
or with a smaller shape. If you think that
maybe you want to try out more opacity right here, you are welcome to go and find the opacity that works for you. When you are done, let's
go again to our less. Let's go to our last layer
with these peculiar shapes. Let's create one more
layer on top, tap on it, let clip in mask, tap on the N icon, multiply blending mode. Let's go with something
around 50% of opacity this time
and let's just go to our color palettes and select either the same brown color
or any other darkish color. Let's just go toward
the bottom firstly, we will go and create
the shadows here. Just go and repeating the
shape that we have right here, going toward the other elements and continue creating
the shadows right here just as a continuation of the overall shadow that
we've created on our sleeve. Just go with the rounded
shape and when you have it, let's just go to our antlers and let's add the
shadows here too. Let's just go first
over our right part. We will go toward the bottom
and we'll be just going and overly repeating the shape
that we have right here, looping the shape
around, dragging and dropping the color inside. Then we'll be going toward
this part right here over the top and adding a
nice shadow right here. If you want, you also can go to the bottom parts
right here on the inside parts of the
antlers and the shadows here. If you don't want
to do that, let's move on to the opposite side, and let's start from
this little parts and doing mostly the same thing as we did on the opposite side. Creating the first curve in
a wavy line and creating the shadow just by looping the overall shape around and just dropping
the color inside.
7. Final Touches: We have the results like that, we are almost done. All that we need to do
right now is to go above all the layers
that we have right here and we'll be creating
one more layer here. Let's go to our color palette and let's select
the white color. And with the white color, we will be going and adding
some little highlights. Firstly, let's just
go toward our eyes. We will go toward the top part and we will be just
going and putting the dots right here just to create little shapes
for our highlights. Go with a bigger shape
or with a smaller shape, create a circle right
here on one eye, so you can just go and do this same thing that
you did before. So just create a curve. You can go with a technical
pen or if you want, you can go to the
Caligraphy folder and select Monoline brush. It will be easier for
you to just go and put the dot like
that on both eyes. When you have it, let's just get back to
our previous brush, so inking folder,
our technical pen, or studio pan brush if you want. We also can try out to use the syrup brush because now we are going to be
working with our hair. And serum brush will
be a nice touch here. So now let's just
go with this brush, and we'll be going towards here and we'll be
going mostly toward the opposite sides where
we have our shadows and we'll be adding little
dots for our highlights. You can just go and create
something like that. You can go to some
other areas and just try to create
a few highlights, a few shapes with these
little peculiar shape. Just go all over the here
and add a few of these dots, a few of the highlights, go in there and adding a few of the sparkly elements
towards our little here. Adjust it if you want to just go and create something that
you would like to see here. When you are done
with this task, let's also go to
some other areas. So for example, we can go to the ears and add some
peculiar shapes here too and go to the little bows that we have
here, add some sparkles. Add in some peculiar
shapes right here toward our little elements
that we have right here. And also, if you want you
can go and maybe create some little dots closer to the elements that you
have right here outside. For example, to the antlers, you can go toward
the bows right here, go toward the opposite
sides where you have your little shadows and add
the highlights in that way. You can do it on both sides. You can just go and create
something in that way. So just play around
and add a few of these little highlights in the shape of the dots and
maybe some little lines. Just go and try not to overdid. If you want to go to
some other places, you are welcome to date. For example, you can add some sparkles to the
coat and to the scarf. When you are done
with this task, all that we need to do to
achieve a complete look of our illustration is to go and
recolor some of the lines. Let's just go to our layers. Let's just go above
our layer where we've created these little
elements for our eyes, and let's create one
more layer here. Let's tap on the lay. Let's select our clipping mask, and let's first go toward our color palettes and let's select here dark shadow color. We'll start by
working on our here. So we'll be just going inside the shapes and we'll be
recoloring our lines right here. Just go all over the
lines that are inside the shapes and start
recoloring all of these lines. You can use this brush that you are using right now,
the syrup brush, or if it's easier
for you you can just get back to the previous
brush that you were using. So just go there and recolor the rest of the elements
all by yourself. When you have some places
where the hair, for example, is meeting the
shape of the head, you are welcome to create some peculiar
connections right here or just try to elongate the
line so it looks natural. Let's just go and recolor
all of these lines. At some of the places, you can switch your brush color
to the hair shadow color. So for example, you tried out to create the
outlines right here, but it is the same color that
you have for the shadow. You are welcome to
try out to create these peculiar shadows that
you are creating right now, the peculiar colors for the
lines with a softer color. So when you have created
something going in that way, just take a look at it
from the distance and decide whether you want to
switch the color or not. Let's just go to these
little places right here inside the years two
with a darkish color, and let's just go and
recolor them too. With the same color,
let's also go to these little places right
here and let's recolor them, and we will do it on both sides. When you are done
with this task, let's go toward this little
part that we have right here, and we will recolor
this line too. Again, just try to work on the connection
between the shapes that you are recoloring. So if you have some nice
connection right here, that will be a
little bit better. Try to create it on both sides evenly and make
nice connections. When you are done
with the same color, let's just go and
recolor our mouth. And also, let's just go
and recolor these little please that we have right
here for this fluffy element. If you did something, you are welcome to go grab your eraser and work
onto the lines. Try to make the lines nicely. And when you have the
results like that, let's also go and recolor these little lines that we have right here onto our socks. Let's just get back to our
red color right here and just go and recolor this little part right
here with this color. Or if you want you can try out this pink lines color or
dark red lines color. Just select the
color and let's just go and try it out onto
our illustration. This doesn't look very right, so we can just go and
switch it to pink lines and recolor this little part
with this color here. If you recolored something and
you don't like the result, you are welcome to go to the Ribbon icon, free hands method. Just select these elements
that you want to recolor. So for example, the straps right here and let's just go
to our adjustments, hue saturation and brightness and maybe play around
with these elements. You can just go
and create them in a more saturated way or
in a different color. So play around with it,
and when you are done, just tap on the first
icon that you were using and it was
our ribbon icon. When we hand the
result like that, if you want to recolor
some other areas, you can go again to the dark
red lines, for example, and maybe work onto
these little lines right here onto our little scarf. You can just go all over them and very accurately
recolor them. Let's just go and
very quickly do that. Then when we are
done with this task, we will be going and creating a few more
additional elements. You also can go inside these
little parts right here on the bows and add this
reddish color right here. Now when we have the
results like that, let's go and add a few more additional elements
on our scarf. Let's just go toward our layers and either
let's just go to the same layer where we have these peculiar little sparkles or create just one layer on top. Let's just go and add some
little stars, for example. You can go to the
Project restor app and download the folder with the stem brushes and use them right here on
these little parts. So for example, let's just go to this folder UniSA brushes, and let's just go and select
some star brush right here. We will be just using
the white color, and we'll be just going toward this little scarf that
we have right here. We'll be rotating our
canvas and we'll be just putting our little
stars onto the scarf. Let's just go and add a couple of these little
elements to the scarf. If you feel that the
very small amount of the brush is too much, you are welcome to go back
to the brush library, tap on this brush, go inside the properties
right here and adjust the minimum size
of the brush right here. And then try it out one
more time onto your scarf. Try not to overdo it, add a few of these elements. If you want to maybe
erase some parts, if you overdid it,
you are welcome to grab an eraser and erase them. If you want to go outside the sheep and maybe add some
additional elements here, you are welcome to
use this folder with the brushes and maybe go with
some sparkles right here. You are also welcome
to switch the folder and check out the other
brushes that you download it. So if you want to add some additional elements
outside the shapes, you are welcome to
go and do that. Use the colors that you already
have inside your folder and just go and add a few of the additional elements
outside the shape. And when you are
done with this task, the very last thing that
we need to do is to go to our range icon Canvas, and we will toggle
drawing guides to see clearly what we have
for our illustration. And if you like the
result and if you don't want to adjust
anything here, we are done with
our illustration. Thank you for
watching this class. Let review if you liked it, and can tine subscribing for Mirkawi videos in the future. Looking forward to
seeing your projects.
Uni Corn, ⭐Kawaii Art Enthusiast⭐
