Paint Winter Landscapes Using Watercolours

1. Introduction: Everything about when S mesmerizing. It's the season that inspires many actors. If you are also inspired by the cold season, then you will allow what I have to offer you in this class. Hello, and welcome to my Skillshare class. In this class we will be painting. Landscapes, lead two main projects and one practice project, where we will be learning basic and important watercolor techniques that you need to know before you begin when the action projects. I'm so excited to share this painting process where we've been too loudly, snowy winter landscape captures the seasons essence. I will teach you step-by-step exactly how to paint these two winter landscapes. There are two main concepts that we will be concentrating on. Diapers paint using limited palette and paint it using a wet on wet approach to create delicate soft, misty background and the snow. I am so excited to share this painting process with you. Let's learn few important but basic watercolor techniques and look at the watercolor supplies that you will need to start the projects. Let's quickly do that in the next section. 2. Materials Required: Let's quickly talk about the colors that we'll be using for this project. So these are the colors that we will be using the projects. And it's a very minimal color palette. And I will go through each of the colors that we will be using. We'll be using colors from the Indian brand called to lead. Free to use colors from any brand. First color that you will need is cobalt blue. Men number is BB 28. X color that you will need as indigo. And its pigment number SPB Fifi became 61 22. In case you do not have indigo color, you can mix one-third of red to blue. Next color that I will be using is ivory black, which contains pigment PB K6, and P became nine. You can use any black that is available in your watercolor set. Next color that I will be using for the project is blue, violet, which contains the pigment p me 1929. In case you do not have the exact shade, you can use any violet or purple that comes in your set. You can mix two parts of blue, red, one part of Fred to create a shade off book, but next color is permanent red, which contains pigment PR to 54. In case you do not have the exact shade, you could go for any drug that is available with you. We would also need burnt sienna, which contains pigment BB R7. That says the very basic color that comes in your watercolor set box from these colors, we'll also be using white gouache. I'm using this meant White from Xiaomi. In case you do not have white gosh, you can go for the white watercolor that comes in your watercolor set. Talking about the brushes, I will be using these brushes from the Princeton CDS. This set includes a wash brush or a flat brush of size three by four, round brush size stem. Then the round brush of size three and lawn brush off size three by zero can go for any flat brush that you have. But on brush of size preferably eight to ten. Add the details. Use a round brush off size zero. Or you can also use a liner brush. Next coming to the most important material, which is the watercolor paper. So I'm using this watercolor paper from Honk, which is cold pressed or rough textured paper. And it is 300 GSM paper. Who can go ahead and use any watercolor paper that is 100% cotton and 300 GSM or a bot. If you have a rough textured paper well and good. If not, you can use any hundred percent cotton watercolor paper. Each paper is off the size 20 by 14 cm. Apart from these, you would also need a pencil and an eraser for sketching a painting palette to mix, mix the colors. It will lead to jars of clean water, one to clean your brushes and other one for the washers or to mix the paint. And you will need a paper towel or cloth rag to wipe the excess paint or excess water from the brushes. So if you're already with this supplies, Let's move on to the next section and start the projects. 3. Practise Project -Sketching and painting the background: Before we start with our actual project, let's do a quick exercise to understand few watercolor techniques. I'm going to take a watercolor paper and stick it to a stiff surface, your skin masking tape. While I'm doing this, let me quickly tell you feel watercolor techniques that you need to know. That will be wet on wet, wet on dry and dry brush techniques. So I will explain each of this technique and this weekend simple watercolor exercise. The techniques learn in this exercise we'll be also used in our main projects. I will explain each of these techniques while painting. So let me begin this exercise by doing a very simple sketch. So I'm going to draw a slanted horizon. I'm going to add a cottage here. So I'm going to start by drawing an inverted V, the ends, the horizon line that we sketched. And then I'm going to add the roof and joined the end to the horizon as well. So this is it. So keeping the sketch ready light and very simple. So you don't really have to struggle a lot with the sketching here. All you, all we have to do is add an inverted or upside down V, the roof and join the ends. Adding a tiny little. We know. And I'm going to stop it kept coming to the colors. I will be using emerald, green, indigo, and burnt sienna for this project. You can go ahead and use any green that you have in your watercolor set, indigo and burnt sienna for the cottage. So let's start by applying a layer of clean water using flat brush technique that we are going to do here as wet on wet. That is applying a layer of clean water on the paper. And I'm going to wet my paper evenly using a flat brush. Makes sure that it is evenly wet and there are no water puddles on your paper. In case you do not have a flat brush, you can go for any because I round brush to apply apply a layer of clean water on the paper. Now while the paper is wet, I'm going to use my size ten round brush and load it with some emerald green and apply the paint on the wet paper. This is basically the wet on wet technique. That is when you apply wet paint on the wet paper. You can see that the color takes its own shape while the paper is wet, creating a nice beautiful background. So you can, you can create the misty look using this wet on wet technique that we are going for the background. That is, we are going for this misty background for this painting. Wet-on-wet technique as the one that you need to use to achieve a tube that in your painting. You can see how beautifully the vein just spreads on the wet paper. Now, I'm going to add some, a bit of indigo in-between the screen. So I'm going to load my brush with barely diluted indigo color and I'm going to add some white. I'm going to drop the color on this wet paint. So again, this is wet on wet. Make sure that when you your paper, in fact, while you do this, because I'm using a textured paper here, you can see the textures or texture on the paper while you apply this color. You can already see the result has created a nice misty background. So we will wait for this layer to dry, to add more details in the foreground. Now it's time to paint the pine trees in the foreground. So I'm going to use my size three round brush, and I'm going to load it with some emerald green and add the pine trees in the foreground. Make sure that your background paint is completely dry. Before you add this trees in the foreground. You can go ahead and add the pine trees of any shape or size that you like. There are different techniques to paint the pine trees. So you can go ahead and add pine trees in your own style. Or you can just, and the way I'm doing it, just filling the color right above the horizon line. And I will start adding the pine trees. I will just add the tree trunk first. And I'm just moving my brush like to left or left to right and random direction to add the branches to this pine tree. This is my technique, my messy technique to paint pine tree. And it turns out to be pretty good. I think one more tiny one right next to the house or the god HER. In filling in the details. Adding a tall pine tree. Again, draw the, I'm drawing, I'm painting the tree trunk first and adding this plantains by going in random direction from left to right. But make sure that it is in triangular shapes. Start from the top. When you reach the board. It has to look like triangular. Triangular shape, pine tree. I'm just outlining like about the loop of this cottage and I will fill in and add the pine tree. Don't keep those size of the tree uniform. Make it different shapes and different sized pine tree. Now filling the rest, you can see that I'm using the same emerald green color that I used for the background. Because we followed the wet on wet technique for the background, the color appears much lighter compared to the color and the foreground. And the technique that we are following your wet on dry because we are applying the wet paint on the dry paper. This is the wet on dry technique. Adding the last pine tree here. 4. Painting the cabin and snowy pine trees: I'm thinking of add some more trees in the background. I'm going to use diluted, diluted color of emerald green. I will add some background trees in between this foreground trees. Make sure that the shade that you use a slider compared to your foreground tree, so that it looks like it is tree that's far away. Just add them in between the gaps that you see in between this foreground trees. Now, we have to add some snow to this trees in the foreground. So we have to wait for this paint to dry completely before we add white gosh onto it. I'll be waiting for it to dry. We can get started with snow areas. So I'm going to use my flat brush and wet this area using clean water. We are going to add soft shadow to the snow area using the wet-on-wet technique. That is, I'm going to wet my paper using a flat brush. And while the paper is still wet, I'm going to load my size ten, brush with some indigo, very light shade of indigo and add the shadow to this back area so that it looks really soft and not very like it looks like the soft shadows in the snow. And you don't want it to look very bright. It has to be like really soft. We're following the wet-on-wet technique here. Like that is added some random slanting strokes to this new area to add the soft shadows. Now we can paint the cottage, yours. So I'm going to use my size three round brush loaded with some burnt sienna and fill in the color. For this cottage. I'm leaving area for this window and a door as it is and filling the rest of the cottage using this color. Once this is done, I am. I will intensify the color or adding some depth by just loading my brush with some indigo and intensify or add some shadows around the edges of this cottage using indigo color. While it is still wet again, we are adding the shadow to this cottage using the wet-on-wet technique. Just darken the value, intensify the color around the edges. Now it's done to add snow. Using wide caution, I will load my size zero, round, brush with it and add this node to this tree is in the background. Make sure that the background layer is completely dry before you add this wide gosh. I am adding those new randomly on this pine trees that we painted earlier. You can experiment with the background color for painting. That is, instead of using emerald, green or anything, you could also use black or indigo or binds creek for the background. And the pine trees instead of emerald green. Use a smallest size brush to add this snow on the trees. And make sure that you do not cover the tree entirely with this white gosh. Them randomly on different parts of this pine tree so that it looks like the snow settled on the trees. So notice that I'm not mixing white gosh with water and directly loading the paint and applying this dry paint on the dry paper, which is again the dry on dry technique. In case you do not have white gosh, you can always go ahead and use white watercolor paint. And adding some snow to this roof of this cabin. I'm loading my size three by zero round brush with a tiny amount indigo color and add some depth to this roof so that it doesn't look like a blank white. And now adding some snow on top of the roof. I'm just adding the snow on the sides of the roof. I'm going to add some snow on the ground where the house digest this new area. For the last set of detail, I'm going to add some more details to the snow area. Make sure that this this part of snow area is completely dry. And I'm using my size three by zero round brush and loading it with some indigo. And adding this dry brush techniques will feel areas. Here. If you have loaded too much. You can use a paper towel to wipe the excess paint from the resistance and just add this dry brush strokes. I'm just loving the crystals on the paper. Now let's add some detail to this door and the window of this cabin. So I will use my size three by zero round brush again. And I'm going to add some shadow here on the side using indigo color, very light shade of indigo. Now I will load my side. She by zero round brush with burnt sienna. And I'm drawing a vertical and a horizontal line for the window so that it looks like the girls of the window. We'll make sure that paint is dry before you add details to the door. Load my size three by zero round brush with some burnt sienna. And I'm going to draw the lines on the sides. And the same dog. I do like this. Not going to select completely with all been seeing now she fell down. I'm going to keep it like transparent door. Grunts on the sides and the center. Then this is said, we are done with lactose project. I hope you'll learn the basic and important water color techniques in this project. Now it's time. We often masking tape. This is Mary first, warmer, warm. It's more like a warm-up project. Will learn about few of the watercolor techniques. 5. Project 1 - Red cabin snowy landscape: It's time for the first project. So I'm going to use this paper and I will use a masking tape and stick this paper to a step selfies using masking tape. It's not a compulsion to use the masking tape. You can you can start painting without it. But I like to secure my paper doorstep surface. So when I'm painting, the paper doesn't move. And also I like the clean borders to my paintings, so I'm using the masking tape. Once you have secured your paper doorstep surface, it's time to start sketching. I'm going to use the pencil line and we'll start with this sketch by drawing a descending coffee line from the left and get it all the way towards the right. Going to add one more ascending line from the left to right. Now it's time to sketch the cottage. So I will start by drawing an upside down V. And then we will add the roof by drawing slanted rectangle, or you can call it up badly low gram. Now, I will draw straight lines like this to complete their house. Finished by drawing the diagram here for the roof. And then draw a line and complete the house. This set, this is a very simple sketch of the cottage that we are going to paint. We will add the details like the door and windows later on. We'll make sure to keep sketch very lightly. You don't want, don't make it too dark. Because watercolor is a transparent medium and pencil mask can be seen through it. So make sure to keep the sketch very light. I'm going to draw the sketch of the trees that we will be painting. So I'm adding only the foreground trees here. We will be adding background trees as well, but we will paint that directly. And this is, this is it. So these are the foreground and the background trees that we will be painting. We can add much details to it later on. So this is set, this is the basic sketch of our first painting. Once you're ready with this sketch, let us quickly swatch the colors that we will be using for this project. The first color that I'm swatching here is cobalt blue. Next color that I'm using. Indigo. This is burnt sienna. Next would be this color that I'm swatching here as bombed I dread. And finally, this is ivory black. So this is that these are the five colors that we will be using. From this. We will need white goulash to add snow. Now, let us start with the painting process. I will be using my flat brush or the wash brush. And I'm going to load it with some clean water. And I will wet my paper evenly. That does the sky section. I'm going to wet this guy section evenly using clean water and this flat brush. Make sure that I know what a paddles on the paper and the paper is evenly wet. I will now switch to my size standard round brush, and I'm going to load my brush with cobalt blue and mix it with a tiny amount of indigo. And fill this guy section. But cobalt blue, I am going to go for a graded wash of this color. That is, I will keep the color dark at the top and I'm going to drag my brush with pigment that is left to the bottom section of the paper so that we have a nice graded color. Going to intensify the color a little bit. By going with my second layer of colors. You can see that and going but horizontal strokes. We have nice graded wash or the school board blue mixed with indigo. Once this is done, it's time to paint the background trees. So I'm going to use my size ten brush loaded with some indigo paint. And while my paper is still wet, I'm going to add the background trees. So we are following the wet-on-wet technique to add this background trees in the distance. As you can see, I am adding this background trees just about the descending line that we sketched earlier. You can create a nice effect. You can. As you can see, the wet-on-wet technique is a wonderful technique to add the background. Florida's trees. Now I'm using the tip of my brush and I'm going to add the three peaks using the tip like this. As you can see, I've got some shorter and some longer trip beaks. And if there's not of the same size, going and adding some more trees. We are done with the background trees. Now, we wait for this layer to dry before we proceed with the next step. Once the background layer is dry, we are going to add or paying the snow area. So I'm going to use my size than John brush. And I'm going to wet the area below the horizon line or the background layer. I load my brush with a light shade of indigo and add some shadow to the snow area using the wet on wet technique. As you can see, I am adding them randomly in few areas to depict though. Shadow and the snow. Use the tip of the brush and add the shadows like this. You can do this. Adding those shadows step using the dry brush technique as well. You need not follow the exact wet-on-wet technique. If you have a rough textured paper. 6. Painting the background and foreground trees: Once this is dry, I am going to use my size three round brush and I'm going to load my brush with some black paint. And once the paper is completely dry, it's time to add the foreground trees. I'm going to use the size two round brush. And I will start adding the foreground trees that we have sketched earlier. We are adding really long and thin tree, so I'm going to keep it. So it's better to use a smaller sized round brush or any brush that has a wind. To add this thing. Tree branches on the tree trunks. As I was telling earlier, if you have a rough textured paper. So you can add the background shadow in this new area using the dry brush technique. In stove wet on wet technique. The texture of the paper really helps in achieving the dry brush strokes very easily. I'll repeat the same step and use my size three round brush loaded with some black paint. And I'm going to add though tree trunks on the other side that have sketched adding the foreground trees. Now, we will add some lighter shade background trees as well later on, once we are done with this. As you can see, the treats may not be straight. It's okay to have slanted tree trunks. Now I'm going to add few more background trees using a little lighter shade than the ones that we use for no foreground trees. By adding tiny amount of water to the black paint. And in-between the gaps, I'm going to add few lighter shade background trees. You have to do is mix the black paint with some amount of water. And you being the same step of adding the treatments that we did for the foreground. You can add asked me me foreground and background trees as you like. Just make sure that you use a different shade of lag when you're adding this background trees. That is the lighter shade of light when you're adding this background trees. Once this is done, it's time to add some branches to this foreground and background trees. So I will use my size three by zero round brush. And I will start by adding branches to this background trees plus by using a lighter shade of black. Adding them randomly. I'd like really thin branches to this background trees. Now it's time to add some branches to the folk down trees. It'll be the same step. Really thin branches to this foreground trees using smallest size brush or a liner brush. If you do not have a smallest size rush, we can go for a liner brush to add these details. Make sure to keep these branches really thin because our tree trunk is also not valid thick. We have added really think drink drugs. So the branches need to be thinner than the tree trunk. So it's better to use ready. It's better to use a size zero or a liner brush to add this really thin details to the HDRI. I'm going to repeat the same step and add the branches to the trees on this side as well. And don't keep those eyes of this branches, even just add them randomly. All possible directions. All that said, we are almost done with adding details to this branches and the foreground and the background. 7. Painting the red cabin: It's now time to pain. Though. Plot H. I will use my size three by zero round brush, loaded with some red and mix it with tiny amount of indigo. Going to add some more permanent red and make it a little darker. And I will start filling this area here with the mics. Don't all have to be more like a dark brown sheet when you mix it with illegal. So I'm going to load my brush with bone marrow and fill the idea with this color. I'm going to keep the edges dark and go mid section is going to be red. The front portion and decide portion of this goal. He using this spreadsheet. I'm going to use some indigo. And I'm going to darken the borders are the sites of discord, choosing the color. Just on the corners. I'm going to add some indigo and dark and no video or add some shadows to this H, blending it together. And I think I've been stopped at hill. Now it's time to some details to the roof of this cottage. I am going to use my size three by zero round brush and load it with very light shade of indigo that is mix the color with a lot of more bell and create a very light shade of indigo and add some shadows to this roof covered with snow. So we're adding a little bit of shadow to this, which should look like it is covered with snow, but we are adding some shadows to it so that it doesn't look like a blamed by truth. And status done. I will also add some extra fill this area in the ground section. So I'm using the same brush and wiping the excess paint from the brush and adding some shadows to this brown area using indigo of year following the dry brush technique here. I'm adding the shadows below each tree using the dry brush technique. You have to make sure that your brush is not too bad. Use a paper towel to wipe off the excess paint from the brush. Like this and add these shadows. And below each tree. I drink some more extra in-between. And that's it. We are done with adding this dry brush x show to the painting. Now it's time to add some snow texture in this foreground trees. So I'm loading my size three by zero round brush with some white quash and adding some white texture in each of this tree in the foreground. Now, if you do not have white gloss, you can use white watercolor and add this white texture to the trunk of each tree so that it looks like it is covered with snow. It also add some dimension to the painting, adding this white strokes. I'm going to add some snow to the roof of this age as well. Keeping it a little wonky. Keeping the roof a little bumpy and not straight so that it looks like the roof is covered with snow. Now coming back to the trees on the left side and adding some texture to this tree trunks. Again, make sure that again, you can see that it is the dry brush technique that we are following here. To add this white texture. I'm going to stop with the details here. It's time to add the last set of details to the Scottish Swan. Am using my size three by zero round brush and adding the doors and windows to this cottage using black paint. Just adding a rectangle shape here. And I will add two tiny windows again. And going with the rectangle shaped windows. Now, use burnt sienna and add some horizontal lines to this code. Just adding small details to this code so that it looks better. Here, I'm adding the vertical lines. I will load my brush with black paint and add me too, me here, it has got h. And I'm going to add some shadow here. And we are done with the first painting. I am very happy with the result. Now it's time to peel off the masking tape. So let me just move my palate aside and the masking tape to reveal the final artwork itself. First projects snowy landscape, but tiny LED code page. 8. Project 2- Winter cabin in forest: It's time for the second project. And again, I'm going to take my watercolor paper and stick it to a steep cell fates using masking tape. We are going to paint all winter forest and a lonely winter cabin. Once your paper is secured to the step cell face, Let's move on to the next section and do very basic sketch. So I'm going to draw a slanting horizon line. I've been drilled out and go case right in the center of the paper. So again, I'm going to start by drawing an upside down V. Then I will add the roof by drawing a parallelogram and then join the gardeners by drawing straight lines. And that is simple garden cottage. It is pretty much similar to the one that we sketched earlier. It's the simple sketch of the second project. It does just a very rough and basic sketch. We will add more details to it later on. I am erasing some extras that does that I have drawn and this and making keep the sketch very lightly. You don't want to keep it fairly dark. So that's it. Let's move on to the next section. Now. Let's look at the colors that we will need for this project. So the first color that I'm swatching your indigo, we would need burnt sienna. Next ode be blue-violet. So in case you do not have this exact shade, you can go for any purple or violet that you have in your watercolor set. And finally, we will need black. So that's it. These are the only four colors that we will be using for this project. It is just a full color palette. And let's begin with the painting process now. I'm going to start by using my flat brush, dipping it and clean border. And I'm going to go with clean water wash for this guy. I'm going to wet the paper evenly using a flat brush and clean water. Spread the water evenly on the paper. Once this is done, I am going to switch to my size ten brush and load my brush with some indigo. And I'm going to randomly add or add some brush strokes. I'm leaving some white gaps in between and keeping this color very light. As you can see, it's not too dark or very light shade of indigo and random strokes for this guy. Next, I'm going to load my brush with some blue violet. And I'm going to start from the horizon line that I've sketched and add this. Hello, I'm going to make some indigo and between blue, violet and add the strokes here. This is going to be the forest sections. Makes blue violet with a tiny amount of indigo and add load to the paper while it is still wet. So this is again the wet on wet technique that we are using here. Don't have to worry about the shape of this forest. I'm adding some indigo in-between and intensifying or just deepen the color of blue violet here. Unlike the previous project, I'm not adding the three peaks, just keeping it the shape that it takes. Adding some indigo in-between violet is still wet and intensify the color. This is it. We are done with the background forest. Now we need to wait for this layer to dry. I'm going to stop it here. And we need to wait for this layer to dry before we move on to the next section. Oh, this looks uneven, so on, just straightening it out using the tip of my brush. Once this dries, while we wait for this layer to dry, I'm going to just lighten the sketch here using an eraser. And I'm going to read this section using clean water. We're going to add some shadows to this snow area. What I'll do is I will load a tiny amount of indigo and my brush and wipe the excess paint using a paper towel and add this shadows to this new section. You can see it's just random strokes here and there to show the shadow. And the set, we will wait for this to dry. So I'm going to stop it here and wait for this layer to dry. Now it's time to add the fence. So I'm going to switch to my size three by zero round brush and load it with some black and indigo mix. And I'm going to draw vertical lines like this. For the fence. It's better to use the smallest size brush to add this really thin lines. And I'm going to draw a line connecting these fences, this vertical lines, making them a little bigger. I'm going to repeat the same step. On the other side, I will start by adding tiny vertical lines like this. You can see I'm increasing the size of this vertical lines as I come closer to us, the sites. And I will join this vertical lines using very thin horizontal line. It doesn't have to be straight offense, so it's fine. Now I will add shadow right below this vertical lines. I'm just matching the paint using the brush with a tiny amount of water. 9. Painting the wooden cabin and snowy forest: Now, if you load too much paint, you can use a paper towel and wipe the paint or water from the paper, from the brush and just match the ends of this vertical line. It looks too dark, so I'm going to take off the excess paint by just going to smash them together. It's too much. So wipe off. Always use a paper towel to wipe off the excess paint from the brush and start the process. I think this looks good. Now it's time to stop and move on to the next section. So I'm going to switch and use my size three by zero round brush again and load my brush with burnt sienna. This is going to be round caught. H would incorporate the brush wet burnt sienna, and pain though. Section here. The roof is again going to be white so you can leave it as it is. And remaining section of the house should be filled using this color. I load a tiny amount of indigo and darken the edges of this cottage that link the rest of the portion that this color don't do it with tiny amount of indigo. And I will intensify the colors or make it a little darker on the edges. This looks better. You can see the shadows of the roof on the house. So I'm going to stop it here. I'm going to erase this section. But you can see though, fancy math. I'm going to load my brush with a very light, very light value of black paint and add some dry brush strokes to the roof so that it doesn't look like a flat to white surface? Yeah. Just a tiny amount and I think I should stop it here. It's time to add details to this background trees. So I'm going to use my size three by zero round brush loaded to load it with some white quash paint. And I'm going to add the tree trunks in the background forest area that we painted earlier. So all the trees are going to be YPO. That is, we are adding this white tree trunk and the branches to this blue violet section that we painted earlier. So that it looks like trees covered with snow. So add this really, really thin white branches and tree trunks in this area. The first set of three terms that I am painting, you're really thin and very light. I will be adding the next set of buttons which are going to be bigger and brighter. That is, it will be more going to use thick white gouache and make it look more brighter against this dark background. So you can go ahead and add as many regions as you like. The background. Go ahead and add few more like tree trunks in between. Some short and some longer. I will go ahead and intensive try the trees little brighter by going over it and applying another layer of white gouache on top of it and making it a little thicker so that it stands out. So that it looks like the tree that is, it's Nieto to you compared to the ones behind. Out of this few trees, you can go ahead and you can paint over and make it a little brighter so that it looks like the tree which is new to you. I'm making sure fuels the trees a little lighter and keeping to light so that it looks like the ones in the background. I didn't feel more background. White trees, drunks. Few more here. Section and add details to this Odin coated. So I'm going to use my size by size three by zero round brush and I'm going to load it with some black paint. And I'm going to add the door and window to this cottage using black color. I feel we need to add some snow to this roof. So I'm going to use white goulash and add some snow on the roof here. Covering the roof with some white gouache. And that's it. We are done with our second project and it's time to peel off the masking tape. Let me move this aside and feed off the masking tape. So here is our second simple and easy. The landscape, which is meant a forest and normally wouldn't cottage. 10. Conclusion: Thank you so much for joining me in this class today. I hope you enjoyed painting this week, the cabin landscapes with me. If you enjoyed it, please do leave a review about the class. If you have any questions, queries about this class, feel free to drop your questions and discussion section. I will be happy to help you. If you have tried this projects, please upload the projects in the project gallery. I am eagerly waiting to see all the beautiful projects that you will be painting. It good and happy painting.