Oil pastel houses

1. Welcome and Introduction: Welcome to this class on easy all pistol houses. In this class you will learn to paint these three simple and beautiful, oil-based still houses. You will learn to draw and paint this three vertical houses with background trees, sky as well as flowers. We will start the class with basic understanding of oil-based still and some of the techniques. How you can draw trees. Three different types of background is skies, different type of house in different orientations, and find neat how you can draw pathways. After all this demonstration, we will move on to the main project and myths we'll be drawing and painting three beautiful houses with different color combination and different backgrounds. Hi, my name is Michelle MSG, and I'll be your instructor for this class. I am an artist from India and by probation, I am a civil engineer. You can find my other drawings on Instagram. I hope you learned something new and exciting from this class. Happy painting. 2. Class Project: That's what the class project I encourage you to paint any of the three painting. Audio and welcome to come up with your own unique competition called the reducer in realtime. So join along with me and let's paint. 3. List of Supplies: For this class, you will need a pencil and release it, it still paper or any paper up more than 140 DSM redo the work. But all the paintings, I'll be using brown paper. You can use whatever paper you have. Masking tape all the papers using Q-tips, blending stumps. See you in the next video. 4. Oil Pastel Basics: I'll still give very versatile medium, the uneasy to get in. They provided by blend colors and they are easily mixed with each other. This ILP is Delta very persistent setup with this oil pastels, you can apply three types of pressing. The first one is the light prison, the second one is the medium pressure. And the third and the final element is the high prison. There's different kinds of places are used in different situations. This light, medium, and heavy basis are useful in different situations depending upon the types of places, different blending tools and different techniques that I use. Next, we will talk about how light, medium and heavy place that use different blending results. Moving on to the blending. But this I'll be using the same color and I'm playing the same place as the light prison. Applying medium prison and applying heavy prison. So you how these colors blend. I'm going in with a Q-tip to blend the colors. For this first one, I felt really heavy pressure with a Q-tip to blend the colors. And the blending of colors is not uniform. Moving on to the second one, I have to apply comparatively less preservatives and the blending, it's somewhat uniform. And for the third one, I don't have to apply much pressure to blend the colors. And even if I don't blend the colors, the blending will be smooth and uniform. So as you can see, the light, medium and heavy blizzard use different result in case of blending. Now moving on to the tools that you can use to blend the colors. What does the demonstration? I'll be using my finger tip, blending stump and tissue paper. I'm going in with a CMYK color and applying medium prison to drop both circles. Now going in with my pen nib, left blank, have implicit to blend the colors. As you can see, the blending is smooth and uniform. The second one, I'm going in with a Q-tip supplying heavy, but instead of a table to blend the color, as you can see, the blending smooth and uniform, but the area covered is much less as compared to the one we did earlier with my finger moving much at the third one, going into the blending stump to blend the colors, we can really be used blending stumps with precision and detail, but it's required. Now moving into the fourth one, going in with a tissue paper to blend the colors. Somehow, some white but this text to my tissue paper and it got transferred to the paper. Now let's talk about planning a pregnancy that can be easily achieved by blending the colors you can clearly see very good learning can be a tube. By blending with your fingers. Are blending with that. It's good to see you in the next video. 5. Oil Pastel Techniques: Now let's talk about some other different techniques that can use with the oil-based. Since ILP is still a very versatile medium, it can mimic different techniques from the different mediums. Maker eating ladders talks with the ILP still, you can do the hatching techniques. And my crisscrossing goes larger strokes. You can do the cross hatching and migrating small dots with the ILP cell. You can do this stippling. Apart from these, we can do the overlay technique by overwhelming, I mean, overlaying one color on top of the other. Here I'm going with them in green. That's the primary layer. And on top of this, I am going in with a burgundy. The second color is clearly visible on top of the first one. Another example of this overlaying technique. I'm just inverting the order of the colors. Using burgundy is a prime brilliant and adding mint green on top of it. The main cleaner top of it, it's not clearly visible. Bullies modeling technique to work through peddling your purse vitamin, but the different colors and see which colors can be added on top of which colors. We'll be using this person and cross hatching technique for that lease agreement for the flowers. And I would link like me what this guy's, as well as the houses. Now let's talk about running a left with IP. You can easily blend two or more colors with IoT is two and the three uniform consistency throughout the whole competition for this blending demonstration using the red, yellow, blue. And right. Now Let's start. I'm going in with a yellow applying her interests it no editing just below it. What links them of the red on top of the yellow by applying medium pressure. And to blend these two colors, I'm going in with my finger and that blank, I replace the two Glenda yellow with the red. As you can see what the colors are blended unit, pardon me? The second demonstration, right in the middle, starting with the yellow adding waves. Now, going into that aid. This day I am going in with a Q-tip to blend that color, starting from the middle and moving downward. And now blending the right with the yellow and tiny, learning the pretty colors. When I use the white in the Middle East and from the red, blue, yellow is the visible part of it. For the demonstration, I'll be using yellow and the blue. And you've already started with a yellow. Now earning Lucas Malory. Know what links some of the blue and no blending these two colors but thriving lip. Rounding up this yellow with the blue has led to one measurement from what green color. Now moving on to the fourth and final demonstration, I'm reversing the order of the colors, starting with the blue. I didn't yell at the bottom and going into the right, but the middle portion. Now let's blend the colors going in with a Q-tip to blend that color starting from the middle. Since I read it right in the middle, the transition from blue to white to yellow will lead to farmers end up being in the middle. With these, we are done for the blending demonstration. You can clearly see the applied right in the middle to get a smoother and uniform brightness and in-between the two colors. In Quito over ln two colors to achieve the blending effect, you will not get smoother transition and evidence. Continuing forward with creating gradient with the colors. Toward gradient recent demonstration, I'll be using four to five colors. I'll be showing you two different techniques. The first technique, albumin over length technique. Here I'm starting with that it just below this date. I'll be using orange, light orange, yellow, lemon yellow. And right now going into the audience, willing to love the auditing and Papa bedded and blending those two pallets player playing heavy pressure. Light on this below the orange. Now I'm going in with the yellow. Yellow with a light orange. With this, we are done with the yellow continuing forward with a lemon yellow. Blending the lemon yellow with a yellow. And finding going in with the white would link them of the right-hand top of the lemon yellow and blending the two colors. Mood lemon yellow to blend with a bite. And by ni, adding a little bit of more white release, we are done with our class grading creation. Moving on to the second gradient equation. For this, I'll be using different techniques. I'll be using the same colors that I'll be leaving a space in between. Here we use overlay technique to blend that allow us to create that gradient. This time, I'll be going in with the blending modes to blend the colors to a gradient. I'll use intuitive to blend my colors to achieve a gradient. Going in with the right. Now let's blend the colors with a Q-tip to achieve the gradient. Instead of this Q-tip, you can use your finger P2P, but our blending stump, whatever you people applying heavy preferred with the Q-tip to blend the colors. You said be careful while blending the colors. Here you can see I have made a mistake. I bought at it from the top to the bottom section. So as to rectify this mistake, I decided to add some white in the bottom section. Know going in again with a Q-tip to blend the white to the rest of the colors. With these, we are done with the gradient creation and the techniques. See you in the next video. 6. Sky: In this video, I will so three example of this guy that we will be using for the background of the paintings, starting with citrulline blue for the courses can put all the three demonstration of the sky painting that we'll be using for the background, as well as for the real paintings. I'll be using sibling blue and white only. For this first demonstration, I'll be using citrulline blue and white diagonally opposite to each other. Here I've already added the cereal in blue. Now, going in with a white, I'll be overlaying this white on top of the serine. You would lean white on top of the seed will in blue. I've used medium pressure to apply the colors. Now filling in the rest of the EDA with w. After this white, I'll be going in with acute taper blend the colors. Once again with the white on top of the schedule in blue, with the three element that collect firewood with a Q-tip. Applying heavy bristle with a Q-tip to blend the CBN blue with the white. Blending the serene blue with a bite petroleum uniformly. Instead of using Q-tip to blend the colors, you can go with your finger. You can use this to paper for faster learning the color wherever required. And with these two are done with our first demonstration of the blues style. Maintaining parent with a second time. For the second time, I'll be creating six. I'll be adding three to four streets of sibling move across the sky. And on top of that, I'll be going in with the white. And with this we're done with creation of streets with the citrulline glue. Continue forward with the white invite to speech outer guideline for this guy. And now filling in the rest of the video with the white as well, it's overlaying right on top of that sticks that people leave it blank, medium pressure with the white and overlaying this right on top of the blue as well as filling in the rest of the area. And with this, we're done with the white. And to move forward with a Q-Tip. Going in with a Q-tip to Blender civilian blue with the light. Applying her replace it with a Q-tip to blend the sibling blue with the white uniformly. Like I said earlier, instead of using this Q-tip to blend that, you can use your finger or tissue paper for pasta result. In uniform in blending the two colors with a Q-Tip. We are almost done with the blending for this painting. And with this, we're done with our second demonstration of this guy and continue forward with the pad and the final demonstration of the Skype ending. For this third demonstration, instead of using blending techniques for the colors, I'll be creating small stocks with the CBN blue and the white slider earlier painting, I'll be creating streaks of look around the sky and on top of that alveolar, worldline white, leaving smallest troops with the seed William blue to create the six across the sky. And with this we're done with acetylcholine loop operating suites across the sky. Continuing forward with the white, doing nothing with the white fleeting smaller strokes with the White Album filling the rest of the space for this guy, we, despite the scopes and I'll be overlaying the brightest groups on top of the tibial. Now overlaying the right on top of the sibling, blue streaks across the sky. Overlaying on top of the last speaker cross there is pain. We're almost done with our third demonstration of this type vaping. Just adding by two stops wherever required on top of this blue as well as the space. With these, we are done with our third and final demonstration of the sky. See you in the next video. 7. Trees: In this video, I will show how you can draw pine trees and normal trends, starting with their own. But for the pine trees, the pine trees, I'll be showing you three demonstration. The first one will be lighter batteries and a pine tree. The second one, ammonium ion, and the third and the final one, a darker variation of the pine trees. Now going in with a lemon yellow coat, the first pine tree, I'll be using overland back knee put all the trees. That's where the colors put all the trees. I'll be using lemon, yellow, but green. We read in green, bottle green and a little bit of black. And for the flower versus apart from the greens, I'll be using a skin tones and a little bit tough, right? With this, we are done with the lemon yellow containing forward with but green overlaying is bad green on top of the lemon yellow color demonstration of that breach or in real time. So I encourage you to join along with me and bring this Greece, leaving lemon yellow on the edges of the pine tree untouched. Put all these trees. I'll be using over link technique to blend the colors. No, I didn't read in green on top of the green. By me adding mortal green on top of the green. Meetings small dots towards the pine tree with the buttons mean with this word millimeter with lighter variation of the pine tree. Does the mute button with the second part entry for this, I'll be using, but we really didn't green or mobile green. I have already started with about green, defining the shape of the pine tree with this bug green, not overlaying with these in-between on top of the bird going and finding, going in with a bottle green greeting medium and the smallest talks with this butter greens and overlaying it on top of the median and mean. So with this, we are done with our second variation of the pine tree. Containing forward with the third and the final demonstration of the pine tree. That is a darker variation in the pie. Bring this albumin we read in ring, ring and little bit of black. I have already started added to the detail will define the thickness of the pine tree. Now going in with the bottle, the bottle green on top of that we did in the moon by creating small and medium-sized the strokes. Now adding little bit of black. Greetings, small dots and the scopes with a black on the bottom of the pine tree. To blend the black to the rest of the tree. I'm going into the butter cream and overlaying even top of the black. With this, we're done with our demonstration for the pine trees. Continue forward with the normal tree. I'll be using the same combination of the color lemon, yellow, green. We read in green and bottle green. Apart from this, I'll be using a little bit of black for the parse tree. I have already said that it's lemon yellow. With finding the people that drink and filling in the rest of this piece with this lemon yellow. I have applied medium vessel with this lemon yellow. Now going into the bulb green. Smallest stocks with this bird, green and overlaying it on top of the lemon yellow. Not completely covering up the lemon yellow that we painted anion on top of this dark green, I'll be adding in really didn't know going in with the viridian green, creating competitively smaller Stokes family, adding this viridian green on the bottom of the tree. Increasing the intensity of the strokes near the bottom of the tree. By increasing the intensity, I need to add more strokes near the bottom of the tree. And with this we're done for the green. Now adding the trunk of the tree. With these, we're done with our first doing continuing forward with the darker variation on the same train, the second pre albumin, but when we read in green and black, when creating a darker variation of the first screen, I already started with the bud green, defining the outline of the tree as well as spelling in there, but doing both MBB and now I'm going in with a viridian green, creating smaller stones with the viridian green. I'll be adding more strokes near the bottom of the tree as compared to the top of the green? I didn't calculate them. Let's just go for the top of the tree. With this, we are done with the viridian green. Now I'm going in with the black dots and the smallest dose with the black. And many people getting the black on the left of the screen as well as the bottom of the tree. Now going into the green and overline pent up with the black to blend the two colors. Creating some motor Stokes theorem there with the green and adding it wherever required. Bandwidth. These we are done for the top of the tree trunk to complete their dream. With this, we are done with the darker region on the tree containing node with a flower. Here I'm starting with the skin tone, drawing small circle with the skin tone. On top of this, I'll be adding in the red lead, the resemblance of roses. And that's what the green algae only using but green and we read in green. Now going into the board, meeting small stocks with this bird green, adding the small stocks in between the flowers, get fully creating small stocks in between the flowers. I think the motor's broken, the urine there wherever required. And with this, we're done with that. What about green? Containing vibrant green, creating small and medium strokes with this, with human being and overlaying it on top of that word mean that we used earlier. Good belittling in the viridian green in between the flowers. So with this, we're done for the green for now, going back to the flowers, I'm going in with the red and creating smallest dose for the flowers, earning lead wherever required for the flowers. And with this, we're moving back to the tree. I decided to add ground for the trees. For this I'll be using to variation and the greens. I'll be using the darker berries and near the bottom of the tree and the lighter batteries and for the rest of the ground. Now going in with a bad green, blending the bud green near the bottom of the tree. Moving back to the pine tree. And in that there really isn't a green near the bottom of the pine trees. No, blending the rest of the ground with a bad dream. I decided to add some more blue for the screen. And with this, we're done for our demonstration for the trees. See you in the next videos. 8. Houses: In this video, I will go through example of the houses with three different colors and different orientation that you can draw for the main paintings. Here, they've already started with the pencil to draw out a guideline for the first house. I'll be drawing simple houses to black doors and the windows. Moving on to the second hours, changing the orientation of the second house. And finally, sketching or the guideline for the third house. The third house is behind this second house. So with this we are done put as kitting and leaning forward with the colors and adding it over the pencil sketches that we did earlier. Adding lines on top of the roof. That's what a rule for this first house. I'll be using Newton, put a dot and every nose, I'll be using black and white. The rest of the house, I'll be using Romberg and yellow ocher. Now going into that end and overlaying it on top of that are most overlaying it on top of the edges of the room. With this, we are done with the root for now. Later on, I'll be coming back on the road with the unknown, moving forward with the rest of the house, going in with that onward and adding it on top of the pencil sketch. I'll be creating resemblance of code where this around mud. Creating a straight line with that Obama to create the determinant of the old logs. Now, I'm going in with the yellow ocher and overlaying it on top of that arm bone. Put over link this yellow color on top of the dome and I'm applying heavy prison. As you can see, that all but it's somewhat visible. And appearance of this row a month just below the yellow. That is imbalance of audit logs going in once again with my brother, I just have the house know going in with the black for the adults and their windows, creating small rectangles with the black for the doors. And it's moles are good for them ventilation. An S squared for the windows to make their dosing there were no look plastic. I decided to add little vertebra on top of the black and release. We're done with our first day doubts. Moving on to the second house, following the same steps as we did earlier with the bus styles, starting with a roadmap for the outline of the house, as well as the details for the row. That's what the color. Red with a yellow, green. Otherwise, I'll be using the theme color yellow ocher and black. Release we are done for defining the outline of the house as well as adding between two that are containing fibers with an algorithm for them for the house. Adding this color green for the roof of the house. What liens have a look, Hello green for the edges of the rows. With this, we're done with the color green for the roof of the second now, continuing forward for the rest of the house, following the same steps that we did earlier with the pastels going in with that Alma grid lines and old link. Yeah, Logan on top of it. Now going into the yellow circle, defining the edges of the house with their own book. Redefining that straight plane that we did earlier with that on both going in with the black who entered notes and every node, creating a rectangle for the door. I said could put them alkylation, small rectangle for the windows. I didn't tell you it up wrong but on top of the black to bleed the old and the rest of the pack for the notes. And there were no going back once again with that Halloween and adding it on top of the roof wherever required. No. Moving on to the third and the final, how's it going with at all, but to redefine this up the house, starting with that rule, adding more details on the root node ordering gray on top of that are coming forward with the rest of the house. Going in with that Ahmed, really by ladies of the house, as well as creating a straight line with that on the lingual yellow color on top of that all matter, straight lines. Filling in that album. Now, once again, redefining the state line with their own money. Now, going into the blackboard with notes on that note. And with this, we are done for the house demonstration. See you in the next video. 9. Pathways and Ground: In this video, I will show how you can draw the pathways as well. Let's paint along the pathway, starting with Belzec to DOD does get for the pathway. I'll be demonstrating two examples of the pathway. I'm using yellow ocher with a battery. And let's put the fence. You could use any brown, burnt sienna, burnt umber, or Van **** brown, and black. So with this, we are done for the sketching. Continue forward with a yellow could applying medium pressure with a yellow ocher to fill the pathway. Now going in with the green, I think this yellow green in-between the battery as well as near the edges of the pathway. Apart from this yellow-green, I'll be using but green and green. Now going into the bird wing. And finally going in with a bottle green, adding the bottle green in between the pathway as well as on the upper edges. We met with about Greenland overlaying the button in the top of the bottle green, as well as the yellow-green blend medium vessel at the Berkman to blend the colors. With this, we are done with the ground for now. We met once again with the yellow, but for the pathway overlaying some of the yellow going on top of the green and blend mainly yellow ocher with a tweens by applying medium pressure. I think the mode vertical green on apparatus. I'm blending that bottle green with about blurring. The background appear parallel belt. So I decided to do the bedroom going into this color green for this guy. We can speak about this guy with this pedigree. We overlaid on top of it, going into the whites. Willing in the right in-between, hello green screen overlaying the right on top of the Pellegrino. Blaine High repressor with this white to blend it with the color green would be three are done with the yellow-green light as the bedroom. Going back once again with the butter cream. When people smoke boosters where this kind of integral on top of the bottle when running the Buddhas with the rest of the ground. I think a little bit of more Bartleby near the edges of the buses. With D3, we are done with the green for the ground. Moving on to creating the pens, going in with the Adorama to create the wooden posts for the pens. Increasing the site of the old and post as we move away from the hydrogen and now conducting the Auden both with each other. I think a little bit of black on one side of the fence. And moving on to our second pathway. This I am going in with a black during the theme, sleeping with inputs with a black unopened episode enforced with each other. I didn't little bit operon, but on top of the black friends going inventory gave me the green and adding gave me at the bottom of the order and told I was not satisfied with the second pencil. So I decided to add some more brown and the black. And with this, we are done with this video. See you in the next video. 10. House with flowers: For this bus project with the painting to houses with two trees and Tim, climate versus setting with pencil to draw desk. It just put the houses. Moving on to the sketching out the guidelines for the second house. This is just an F escape. I'll be making adjustments as I paint the whole radios in real time. So I encourage you to join along with me. Moving on to shooting out the guidelines for the flower with signatories, drawing the reference gate for that tree. Moving on to the roughest case for the secondary. With this, we are done for this getting. Now let's paint starting with Sydney and blue for the background. Applying medium tested with the civilian blue and creating streaks across this guy. I'll be overtly white on top of the city and go to compete the best-known staying. Creating another streak across the sky with the citrulline blue. We're almost done with the street trees and across the sky with blue. Now, continuing forward with the white, starting with adding a white in-between acetylcholine blue streak across the sky. Good for you, filling in the white in between the houses and then adding the right with the upper part. And find me overlaying the white on top of the seedling, adding in white wherever required. So with this, we are done with the white and the blue for the sky. Continuing forward, going in with a Q-tip to blenders will be in blue with the right applying how replaced it with a Q-tip to blend the two colors. Here I have a staggered with blending the seedling blue streak across the sky. Instead of using Q tip, you can use this super faster than quicker. Today. We're almost done with blending the first 2 min later throughout the sky. No blending doesn't speak with the right. Moving on to the second syllable in blue streak across the sky. A blank copy, but instead of at the Q-tip to blend the colors. No blending the streak with the rest of this guy in an environment with a lower part of this guy. Good, really blending in the right in between the houses and trees. Blending in with the cute the way there by the client. And with these, we are done for the background continuing forward, starting with lemon yellow for the tree. Leading smallest ones with the lemon yellow by applying medium pressure. Moving on to the secondary, doing the thing, fleeting smallest droplet grow the tree by applying medium reason. I decided to add some white below the tweet to differentiate between the flower versus a lottery. Now going into the Q-tip and blending the right to the rest of this guy. Apart from this lemon yellow, I'll be using my green, yellow, green, green, green, green. Now continuing forward with the lemon yellow. Simply filling in the rest of the tree with a lemon yellow. This lemon yellow will act as the primary layer for the trees. Were in the lemon yellow continuing forward with a yellow-green, creating smallest tooth with a yellow-green and overlaying it on top of the lemon yellow that we painted earlier. Well, these were done with a yellow green for the screen. Moving on to the secondary, know going in with a bad green for the third layer the tree. Adding more strokes with a bat wing for that lower section under three has done better than perfect. We live to the second ring and doing the thing. With this, we are done with the bad green. Continuing forward with a very didn't ring as the product lead for the trees. Doing the theme with their viridian green, creating small strokes and mainly adding the way you didn't drink for the lower ligand of the tooth. Moving on to the firstly with the viridian green Finding, going in with the bottle green. I'll be mainly focusing this bottle green for the lower leg into the dream. Creating small and medium and strokes with a bottle green for the lower beginning that dream. And that's what our polygons of the tree I'll be adding it smallest stops. Moving on to the tree behind the house with the bottle green. And finding we are going to win that race. Continuing forward with the skin tone, reading smallest little bit their skin tone. Are we adding laid on top of it? That's what the flower, but this, I'll be using the same combinations of the green that we used earlier for the tree. Starting with a lemon yellow, leaving small Stokes brought the buttons. Now learning yellow-green and creating smaller stores on top of the yellow stops that we painted earlier. Instead of going in with about doing innovated in green. Going in with the green. I skipped adding viridian green on top of it and said, I am doing in the bottle green. And with this, we're done with the green for the boosters getting flooded with a small dot telescopes to that end and adding even top of the skin tone that they painted earlier for the flowers. I think from a smaller red dots on the top of the flower. We are done with the flower versus the knee forward, going in with a color green for the roof of the house. I blame meaning printed with this Halloween to define the outline of that row. Rolling in the inside of the roof to the color green may applying heavy visit me finding that each of the other side of the road with the tallow green. With this, we are done with the Palo Verde for this first group. Moving on to the second house, going in with the right and defining the outer edges of the rule. Applying heavy present with this rate to define the outer region, this loop. And we leave, we are done for coloring of the roof, containing forward with the yellow ocher for the rest of the house. Applying heavy pressure with this yellow ocher. Moving on to the other house with a yellow circle with D3 are done with the yellow couple. Now, going in with my predefined outlines when the houses a blank medium present with this Rama for defining the outline for the houses. Know, knowing in with the blue for Domino's that I'll be going in with the black to define outline for the windows. I think that a smaller window. Now I'm going in with the blackboard dividing every node. Moving on to the other routes with their black to create a dude. I think Tim is stroked with that almost on top of the black arrow to create the rest, take it back further notes. And maybe finding the edit tab that open, that are creating lines with their own. But to create a resemblance of the owed on top of the yellow ocher. Would this lines I am applying medium pressure without all these, we are done with our houses going in with a yellow card for the pathway. I decided to neglect the other pathway that I skipped earlier and find me going in with the green for the ground. Here. I've already started with the bad green going in with the bottle green near the edges of the house as well as the boosters applying blame me and implicit with the bottle green. Now overlaying as much green on top of the bottle green and blending the two colors by applying heavy prison. We make month again with the bottle green, applying medium preservative about Albania, the pathway. And going in with a robot. I didn't get on top with the pathway with the same at all but creating branches as well as the main trunk of the tree. Adding small branches throughout that ring. I think for more than smaller branches here in the head with that Alma. B3 are done with our past project, like unmask the painting. See you in the next video. 11. Two Houses with Pine Trees: For the second project, we'll be drawing two houses with pine trees, starting with pencil to sketch out the guidelines for the house. Two houses for this predict will be of different side, but I've seen colors. That's where the colors for the houses. I'll be using vermilion and lead oxide for the roof, yellow ocher and burnt sienna for the rest of the house. And black, whatever notes in that nodes will be on to drawing the outline for the second house. This will be competitively began in the past. Sketching out the pathways, but the houses. This is just a rapid sketch. I love making adjustments as I go, the whole videos in real time. So I encourage you to join along with me and let's paint. With this. We are done for the sketching section continuing forward with coloring. Starting with civilian blue for the background. I'll be creating sweeps across the sky with blue. Adding the second streak across the sky with blue adding third and the final streak. You can add more sleeps with the civilian blue if you prefer. These. We are done with that. Speak to this little blue and put all these street creation with the seed when Lou, I've applied to the implicit. Now going in with the white applying medium, distribute the white, filling in the white in-between the CBN blue streaks. Later on, I'll be overlaying the right on top of the CP Lu, overlaying the white on top of the signal in blue. I'm not covering the whole background with a white because I'll be adding pine tree later on. Filling in the right in between the houses. No. Overlaying the right on top of the beam ludicrous left. Now let's blend the pellet for the background. Doing it with a Q-tip to blend the white with the blue. Instead of using your tip, you can use tissue paper, European Network pastern because they're a blank, heavy but a little bit the Q-tip to blend the two colors. Carefully blending in there right on top of the roof of the houses. Instead of using blue and white for the background, you can use other combinations of the color for the background. Now we're almost done with the blending. Going over the background. One thing him who completely blended fibrillin blue with the white. And with this we are done with the blending percent for the background can be lean forward with the painting, going in with the red outside and creating straight lines. I'm reading isn't straight line. For the final piece. I think two or three state light in front of the house where the pine tree adding more lines on the right side of the house. And I think your modern period, and therefore the pine trees. The pine trees, I'll be using yellow, green, green, green, and bottle green. Here. I've already started with a bright green for creating the first layer for the pine trees. Creating downward strokes with a green on both sides of the main trunk. Knowing the theme for the rest of the truth. Writing down what is go for the client or you can print I've done. Continue with the button for the rest of the pine trees. A significant gap in between some of the pine tree. So I decided to add some more data prep for the mean relative. I didn't want more fine-grain between. These were done with them, but green continuing forward with the viridian, overlaying on top of the green. This time for the Meridian green, the site of this book is comparatively smaller that we use earlier. What about green? Viridian green for the pine trees in front of the house. And doing the thing Whenever I didn't put that isn't the pine trees. With this, we are done with that. Then to move forward with the bottle. Adding the total green is the third in the media for the pine trees. Adding it on top of the building, the mean that we used earlier of the stuff that I'm creating with this bottle green is comparatively smaller to that after we'd been green. And I mean, equals getting the bottle green for the bottom of the pine tree. I think the button for the rest of the pie brief. With this, we're done with the bottle green as well, as well as our pine trees. Going into the burnt sienna to create patterns on top of the roof, as well as the filing the outline for the roof. After creating the pattern over the room, I'll be going in with the Mediterranean and adding it to weather patterns. I didn't quite go into light on top of this slanted vertical line with the bond viola. And with this we are done with the monthly and Nepal the pattern to refill on top of the root containing bothered with about 1 million overlaid with vitamin mineral top of the bunk Fiona, a blameworthy emblazoned with the median by overlaying it on top of the bone. And now let's blend the color going in with a Q-tip to blend in with the burnt sienna, applying movie with it with a Q-tip to blend the two colors. Avoid completely blending the bunch and have it divided million. Lift some of the burnt sienna to be appeared as the texture on top of the loop. Once again, going in with a bunch fitness and overlaying it on top of the pattern that we do earlier. Defining the edges of the house with the burnt sienna. With these, we're a little bit about Amelia and the bug killer. No less than the rest of the house. Going in with a yellow are good when applying medium prefer to fill the rest of those. Here political-legal, a yellow ocher in between lotteries. Know, going in with a Q-Tip, the blender yellow card uniformly. Now I'm going in with the red oxide and creating a straight line. I'm creating a straight line across the house to create a resemble entered all the logs, pleading the straight line for the second node. And now going in with a Q-tip to Blender lead oxide with the yellow ocher. Applying medium presser with a Q-tip and only learning a discipline rate of 30 straight lines that we just created. Then put blending the red oxide with dialogue. Continue forward with the black. I didn't do send them a note with the black. Ventilation. Adding another is malware in love with the black. And we are done with the house. We're now going in once again with the green to redefine the editor of the pine tree in front of the house. And going back once again with the BlackBerry, define the edges of the windows and the door. Increasing the sequence id of this door with the black. Now I'm going in with a bunch of piano. I'm pretty sure the smallest groups on top of the boat and then reload. Now I want to find P in the background with complete blowing in with the yellow ocher to create a pathway in front of the house. Continue forward. Let's bring the ground going into the bottle green and adding it just below the pine tree in front of the house. Adding the theme, or dull green on the ground in front of the other pine trees. I'm pleading speaks with a bottle clean underground. Know I'm going in with a fluorescent green and adding it near the pathway. That at all I'll be overlaying but green on top of the bottle green as well as the Florida. Now going into the buckling and overlaying it on top of the vertebrae. And that's why this on some part of the fluorescent greens. Now I'm going in with a Q-tip to blend these colors, starting with the yellow. But when the pathway you only pardon me, blending the yellow pepper the pathway. And now blending the color of loaders and clean the bottle green and about green. Blending the green near the pathway with the yellow knob blending that is in the green and the ground. Moving on to blend mean that means on the other side? No blending the greens near the pathway. And now blending the fluorescent green of the ground with a yellow ocher up the pathway. No blending the green near the edges of the house and wherever required. With these weird animate the ground and the pathway can be new buzzword with the black for the fence on the ground, creating small antique straight line with the black to resemble the fence on the ground. Doing the thing with the second nose and mouth and nothing happens with the black. Connecting the old infants with a second notice, DC, we're done with the black, put the pens and leaning forward with the red oxide overlaying it on top of the blacks to create the old inelastic event for the pens. I was not satisfied with that book, so I decided to add more details with that red oxide. Going into the radial side to add more details on top of the roof. Finding more details on the roof of the second note with the red oxide. Small to me on top of the second mouse. Move events a doublet and overlaying redox right on top of it. With this, we are done with our second project. You in the next video. 12. Big Houses: For our part in the final project will look maintain to hustle with a connected path, starting with pencil to draw out the guideline for the houses. Will we do it in real time? So I encourage you to join along with me. And let's paint our third and final project. Like the earlier painting, we will be doing two houses for this predict, but I'll be changing the orientation of those two houses. Sketching out the guideline for the second house, drawing straight line for the pine tree. Now it's getting out bank guidelines for the doors and the windows. Moving on to sketching out by Guideline for the pathway. More than straight-line for the binary. Some more light for the other two. We're almost done with. This begins at some point, this painting. This is just a simple guideline for the painting. I'll be making adjustments as I go. Starting with yellow, green is the time for the binary. Creating Clinton's total created the Melinda of the pine tree. And defining that up, say put the pine tree, doing the same for the second tree with a yellow green. And with this we are done with these two pine trees. Moving on to the other tree and treating stroke with a yellow green, creating events polytopes groups with this yellow green for the tree. Now moving on to the bigger tree, depicting the theme creating and dance by a double strokes with this yellow green part. From this yellow-green, I'll be using viridian green and model green for the background. I'll be earning one layer of color on top of the other, like we did with small strokes. I'll be wearing the sequence id of those groups. Melbourne PD in quadrant four, the other brief greetings folks with this yellow-green. So with this, we're done for the time Really, I put a background, please continue forward with a very thin rim at the secondary level for our background, brief doing the theme, creating small and medium sized strokes and overlaying it on top of the yellow, green. I didn't want to strokes on the bottom of that tree as compared to the output vector of the truth. And with this, we're done with the addition of viridian green for our plastering. Continuing forward with the rest of the tree, the particular theme creating small and medium-sized these strokes with this viridian green. And I think Moodle slots for the Lord sex and other tree as compared to the upper section of the tree. Moving on to the third tree with the viridian green and everything, nothing process as we did earlier with the other two brief. And with this we are done with their own brief. Moving on to the pine trees in small and medium slender disputes for the pine tree and overlaying it on top up the yellow-green. We learned with the last two pine trees. I didn't really didn't mean on the ground with ITA houses to w Then the business. With these, we're almost done with the viridian green as the Cambrian yet whatever background please continue with the bottle green part and the final layer for our background trees would mean the bottle Greenland top of the viridian green and the yellow green that we painted at. Doing the theme for the pine tree, creating small and medium-sized slanted it's books. I know what language on top of the other colors competitively between the number of groups with this model green, and mainly concentrated near the center of the pine trees. We looked at the boots on the ground with this viridian green and now adding the word Halloween for the screen. I think mostly for the lower part of the tree as compared to the upper part. Moving on to the bigger tree. Adding more strokes with the loads epsilon debris as compared to the upper Texan earnings to put other two pine trees moving into the bushes. And finally, I think this was his last play with the model green. I didn't want to go with this lighter green we labor required. And with this, we're almost done with the bottle as the turn in the final layer for our background trees. With these we are done with the green for now. Continue forward with the Van **** brown, creating trunk and branches for the three. Adding smaller branches throughout the tree. Branches for the third and the final tree with this midnight brown. I think the motor branches here and wherever required. I think somebody like brown for the pine trees. And finally going in with them and **** brown for the lowest that's unavoidable, says using the same. And they could own to draw without playing up the house. Repeating pattern with them. I like not on top of the roof. Be finding the elites of the house, but this time make my own needing improvement for the pine tree. Now I'm going in with the yellow at the time really is what this by typing viridian green on top of it. And finally going into the bottle clean to complete this by entering moving back to the roof of the house and going in with the material in between them and make brown and overlaying the vermilion on top of them. And moving on to the second house, overlaying on top of the Van **** brown, finding that each of the rooms with about 1 million lean back with the redneck Malone to redefine the edges of the room, as well as creating to me on top of the roof. And with this, we're done for the roof of the house. Now, going in with that red oxide to create a straight line on the house. This is a straight line. I'll be going in with a yellow ocher and overlaying it on top of it. Nope. Antonym cluttered with yellow for the rest of the house. Whittling this yellow bar on top of the rate of side effects. As you can clearly see, several of the rate of a discrete labels to your lead is evil in just below the yellow coat. The rate of failure straight line will be the military, the logs. And with this, we're done with the yellow ocher. Going back once again with the dado set and redefining the ages of those with the same rate upside going over the straight lines that we did earlier. Leading a small circle with the red outside for the ventilation. And now I'm going in with the black whatever nodes and the nodes creating a rectangle. Put this door under the rectangle for the tail, for the small rectangle for the nose. Blowing over the ventilation with the black. Thanks to make them look more drastic in old, I think terminate oxide on top of the black. And with this we're done with our houses, can be moved forward with the latest site for the ground. I need some red oxide on Lebanon near the house. Apart from this red oxide, I'll be using yellow, green. We begin the moon and Martel grief with the ground. Now going in with the button glean and overlaying this bottle green on top of the red oxide. Moving on to the other side of the pathway, overlaying the bottle green on top of the red oxide. Now going into the way they didn't bring an overlaying this viridian green on top of the dado fade as well as the bottle green. Doing the thing you debit it didn't lead to the other side. By me going in with a yellow, green. Yellow green for the other side. Defining the edges of the butler with this yellow green. No orderliness, yellow green on top of the really didn't mean lead oxide and about a ring. I think the moon bottle green on top of the yellow green on the left side of the battery. And doing the thing with the model, input the other side of the pathway. And finally to complete the round, I'm going in once again with a yellow-green and overlaying it on top of the bottle greens, I have a blank medium pressure with this yellow green to blend it with the Martele green. Now we're almost done with the greens going in with the yellow ocher for the pathway over LinkedIn on the yellow color on top of the yellow-green. Now once again going back with a yellow-green and overlaying some of this yellow green on top of the yellow ocher. Now going in with my finger to blend the two colors, yellow ocher and a yellow-green. Adding some more lemon yellow wherever required. Now going into the lake known to create the fence, creating pools with the Van **** brown for the pens. Using the side of the pool as we move away from the house. Now connecting the polls with each other, with them and make known. To add more contrast to the pins. I'm going in again with the black overlaying black on one side of the pool. Now once again going with the Van **** brown to blend it with the black. The third pathway is complete. I think the more yellow-green near the fence. I think the more yellow green in front of the house. And with these, we are done with our pathway depends on the grounds. Now moving on with the two green blue for the sky, creating strokes with the civilian blue, and creating streak across the sky with this loop. Unlike the other two project where I use blending technique to create this type of the background to this day, my stroke to create the sky. Creating another streak across the sky with blue. Well, the reason I'm using medium plays have to create a smaller strokes with disability in blue. Release we are done with the civilian blue, but this time, maintaining quadrant with Britain's go to the right throughout the whole file. Get really filling in a byte in between the trees. And the overlaying the bite on top of the schedule in blue. The lighter strokes in between that bringing the boosters. Moving on to the left side of this guy with the white. He had politically in the fighting between the police, belittling them right on top of the fibrillin Lu. He had fully believe in the Vita Stockton between the pine trees and now adding the white where they were required. Before we are done for this guy. And our painting is finished, it's unmasked. The main thing. I hope you enjoyed this project to you in the next video. 13. Conclusion and Thank you: Congratulations on completing this class and thank you for enrolling in this class. I hope you learned something new and exciting from this class. If you have gone any of this project, please upload it in the project section. Or if you have any doubt or queries, please ask me in the discussion section.