14 Days of Oil Pastel Teddy Bears

1. Introduction and Overview : Hi, and welcome to this class on 14 days of oil pasted. In this class, you will learn to paint potent, simple and beautiful, tasty meals. In this class, we'll be painting simply TDB, biking great MEN, and looted dB with a heart. Retaining bits. 16 d We had some various colors. Green TD where the flower, a big green tainted with lots of flowers, co-located with a scar and yellow random down TDB. I've looked ADB. I rotate it here. I think Daily Mirror. Vitamin delete any meal with a sweater and a beak by ten dB with a scarf. I am providing the sketches of the TDB is that you can download from the project and the resource section. We will start the class with a basic introduction to the oil-based too. Then we will move onto blending, how you can use different tools to blend those colors. After that, we will move on to mixing colors and creating colors gradient. Then how you can use ILP style to create the texture than using oil-based or to depict lights and cyto. And finally, some additional clothing items that you can add to your TV is the paintings of the teddy bear a divided into six sections. For the first three td bits will be simply painting the heads of the tibia with a bow tie, a scar, and a heart. For the next two painting, the painting of heightened great ADB, adb bunch of teddy bear with different colors. For the next two painting, we'll be painting green teddy bears to the flower. I'm playing with a seep inside of the TDB as body. The fourth section and the next two paintings will not painting yellow teddy bear with a scar and then yellow and brown tibia, or the fifth section. And the next two paintings will be painting a bloated EMEA recitative here with us, and a pink teddy bear. So as you can see, we have added more elements for the PIP section. For this section and the next two teddy bears live painting the full body of the teddy bears and A4 size people. Thank you for enrolling in this class. My name is Michelle Smith, and I'll be your instructor for this class. See you in the next video. 2. Class project : That's what the class predict. I encourage you to join along with me and paint this voting beautiful day deviates and upload the paintings of the steady beers in your project and resources section, you are welcome to experiment with a steep site and the collapse of the teeny bit and come up with your own unique composition of the teeth. Missing you all the very best for this class and hope you learned something new and exciting. Happy painting. See you in the next section. 3. List of supplies : For this class, you will need a pencil, eraser. Peace till people or any paper of more than when a TD assembly do the work. Oil-based hills. Here I'm going in with Bruce toil piston. You can use annual pistol, masking, tape, tissue paper, Q-tips, and blending stump. 4. Blending : In this section, I ever saw how you can blend oil-based using different tools. For this. Are we going in with the rate? We're growing food blocks? And then I'll be using four different tools to blend the colors. You can vary the user to less potassium requirement and availability of the tool. So now I'm going in with the red to draw that blocks. I encourage you to join along with me and do this exercise. For the first block, I'll be using my finger to blend the color. For the second block. I'll be going in with a Q-tip. For the third block. I'll be going in with the blending stump. For the fourth and the final one. I'll be using a cloth or tissue paper going in with my finger to blend that color using circular motion to blend the color. As you can see, with only your finger, you can blend the colors pretty uniformly. Now moving on to the second block with a Q-tip, applying gentle pressure to blend the color. Now we are done with the Q-tip. Moving on to the blending stump, blending stumps comes in various size from a small bank of the bigger ones you can use whatsoever you prefer, depending upon the requirement. In case of blending stump, after blending a color, you have to use sandpaper to clear the accumulated color. Now moving on to the fourth and the final one going in with the tissue paper. This demonstration, it's certainly clear that with the use of any of the three tools or your finger, you can blend the colors pretty uniformly depending upon the availability and the requirement of the tool. You can use your finger if there is nothing else. Generally, you're typically used to blend the colors and get some blending stump. It is used for details as well as a deceptive painting. In case of the tissue paper or truckload, it's used and the area is large to cover. See you in the next section. 5. Color Mixing and Gradient : In this section, let's talk about mixing colors and creating gradient. Like all other media based and also have three primary colors, yellow and w. Combining these primary colors, you can obtain secondary colors. In this demonstration, I will show how you can obtain orange drink as well as bipolar ground by combining red, yellow, and blue. For creating orange, I'm starting with combining yellow moderate with guilt trip to Blender yellow to create orange. Now moving on to creating mean, I'm starting with yellow or blue. Blue on top of the yellow. Now let's blend the colors. As you can see that lend me a little bit of blue you can obtain. And for the purple, I'll be combining red with a blue going in with Q-tip to blend the color. So as you can see with this demonstration, using primary color to obtain the secondary colors. And by combining the secondary colors, you can obtain tertiary colors. And a combination of primary and secondary colors can be used to obtain any other colors. Now let's talk about creating gradient. I'll be using lemon, yellow, orange, where me and my dominant. For the second gradient, I'll be using light blue, blue, sapphire, bruising blue, and black. I encourage you to join along with me to create a gradient. Here I've already started with a lemon yellow. Now going into it. In this below, the lemon yellow. After this, I'll be adding 1 million umbrellas. One thing you have to keep in mind while creating radiant, you have to start planning from top to bottom. Now going to limit the Q-tip to blend the colors. Keeping in mind the starting from the top and then moving slowly towards the bottom of the section. A blend mode pressure where the two colors meet. And now to find the Lifetime Learning for the gradient moving from bottom to the top of the gradient. So as you can see when this demonstration, how easy it is to create a gradient with oil pastels. Moving on to the second gradient. For the second gradient, I'll be using sky blue, sapphire blue, cruisin blue, and black. I'll be using the same method that I used earlier with the yellow gradient, starting with a Q-tip to blend the colors from the top and finding learning from the bottom to the top. I'm release. We are done with defining the last bullet for the gradient, going in with a Q-tip to blend the colors. Keeping in mind to start from the top. Learning the color with a Q-tip, starting from the top and gradually moving downward toward the bottom of the gradient. Applying gentle preset of lender colors with each other. I bought them up the gradient going from bottom to the top of the gradient using the same Q-Tip and blending the colors. And with these, our second beautiful gradient is come to see you in the next section, we'll talk about lights and shadows. 6. Lights and Shadows : In this section, let's talk about light in the shadows for demonstration lights in the cytosol we're using spherical balls. Our light source will be on the left side. Let's create inside those on the right side. But the first is via unmuting light blue and blue. I have already started with a light blue. Note that the total of the sphere, there's two sets of that loose to create the contrast for the light. And the third was going in with a Q-tip. Don't blend the colors. So as you can see the distinction between the two colors, but because of the presence of the gradient, we can distinguish between the light and the faculty. And to add highlights, I'm going with a light with B7 versus being polite to the fellows is complete. Moving on to the second sphere. For the second sphere, I'll use red and Carmen, I have already started with the brightness equals disfigured and filling in the red for the rest of the scene. Above the street, I'll be going into the car. We're adding carbon to the 2 third of the sphere. And after that, I'll be following the same procedure as I did earlier with the blue. I'll be blending that with the card wind and creating a gradient using two different color to create the gradient that will distinguish between the light and the titles. And to add highlights, I'll be going in with the white. Now I'm going in with a Q-tip to blend the colors red with carmine. 7. Textures For The Fur: Now let's talk about creating texture of what further reading texts. And it's pretty amazing. But you have to do, you have to create the smallest stores? But can you have to keep in mind, you are putting the data except the smallest strokes. You can see here how easy it is to create the text. Does a small strokes. The second demonstration, I'll be using sap green as we're adding sap green on top of the olive green. Here. I've already started with the olive green to create the texture. Now going into the sapling, adding it on top of the olive green. With this demonstration, I might get the addition of another layer of texture on top of the texture does not diminish their belly of the sclera. Next year. Moving on to the third demonstration. For this demonstration, I decided to go with the flesh tint and the pink. But let's hope this demonstration is to show how you can add proteins to the frieze of the teddy bear. So for the primary layer of the texture, I'm going in with a flattened. And now for the secondary layer of the texture, I'm going in with the pink, creating small Stokes with the pink to create the texture for the Rossini's of the face. Moving on to the fourth and demonstration. For this, I'll be using yellow and red. The purpose of this demonstration is to show you that you can still use primary colors to get secondary colors using the texture. The addition of red on top of the yellow will still create somewhat orange color. We are done with a yellow, moving onto the red, creating a smallest took to create the texture. So as you can clearly see, with the addition of this raid on top of the yellow, you can still get somewhat of orange color. Normal. We went to the Fifth demonstration. For this demonstration, I'll be using the same principle that I used. Let's put the lights in the title using texture to cleave the lightened shadow. I'll be going with this guy and you repeat the primary here. And on top of that, I'll be going into the dark blue to blend those two texture. I'll be going in again with a sky blue and adding it on top of that dark blue that we used. Thus creating a tech center depicts light in the saddle. And with this, we're done with creating texture to typic light in the shadows. Moving on to the sixth and the final demonstration. For this, I decided to do it ADB space. For this, I'll be using sky blue and ultramarine blue. I'm using the sky blue as the primary layer. And on top of that, I'll be going in with the ultramarine blue. And to blend those two colors, I will be adding sky blue on top of the ultramarine blue for the eyes and the nose. I'll be going in with a black hat highlights. I'll be going into the white. And for the insights of the year, I'll be going into the classroom. We're almost done with the sky blue outline for the ears of the two dB SPL with the sky blue. Now going into the flask, import the insights of the ear. Moving forward with the ultra marine blue, creating small strokes to create the texture. On top of the sky blue that we painted earlier. I think this ultramarine blue on the right-side up in space and on the top and the bottom of the page. Now let's blend these two colors. Going in again with a sky blue and creating small strokes to create the texture and adding it on top of that ultramarine blue. Now for the eyes and the nose, going in with the black, drawing two circles. When trying to add highlights, I'm going in with the white. To add character to the ADB or threes, I'm going to draw a simple scarf. And with these, we are done with the sixth and the final demonstration for creating texture of the foot. See you in the next section. 8. Additionals : In this section, let's talk about artisanal clothing item that you can add to the tiny bits. For this will be drawing a scarf or both time, I sweated boots, hat, and gloves for this impulse car, I amusingly and ultramarine blue. So simply drawing the shape of the scar smoother green and leaving some space in between. Now going in with the eyebrow marine blue, fill in those spaces. Now we're going back again with agree, who defined the outlines, what a scarf. With these our simplest got this complete. Moving on to the boat, I put the bow tie, I'll be using red and metal. So I'm starting with array for draw the outline of the mortal. Now filling in the rest of the space with the rate. That's what the center of the bow tie, as well as the bottom of the bow tie. I'm going into the maroon to add some contrast to the bone time. Now to add more details to it, I am going in with the white and adding dots on top of it. With these Alex simple bowtie is complete. Moving on to our third clothing items. For this, I'm going to draw us, put this in perspective. I'll be using combination of red and green. Alternatively, here I've already started to scream, drawing the outline of the trader, as well as withdrawing the pattern on the sweater with a green. Sent this to the symbols for Little Albert only drawing this type so clean. And in-between those stripes I'll be going into without rights types. We are done with that money going in with the red filling in the rain in between the empty spaces. I'm believing with a Q-tip to blend that he had. I have already started blending the color. Now, going in the blender red color. I'm some section of the green with the aim to create some contrast and to depict mason oxide ions on the left side of the sweater. And with these, our simple red and green sweater is complete. Moving on to our food clothing item for this, growing their boots. For the boots, I'll be using black and green, drawing the outline of the boots with the black and growing some simple pattern to the green. And now filling in the rest of the space with the black. And with this, we're done with the coloring section of the butt's going in with the blending stump to blend the colors. Now I'll let symbol boots is complete. Moving on to the fifth floating item when this album growing red and black high, starting with the blackboard drawing the top portion of the heart. Going into that right? Now, going back again with the black. Now, let's blend the colors. Starting with blending the black. Now moving on to blending the red and red. These are what height does complete? Well, we looked at the sixth and final closing item for this. I'll be drawing gloves. The gloves, I'll be using light pink and dark pink here. And I've already started with the light pink to draw the outlines for the gloves. Now filling in the immediate sex and the gloves with the lighting. And now to add some contrast, I'm going with the dark pink to add some contrast to the gloves, adding it on the bottom of the gloves as well as on nothing that other Gloves. Going into the Q-tip to blend the colors for the gloves. Blending the light pink with a dark pink. And with this we're done for the gloves. See you in the next section. 9. Sketches of Simple Teddy Bears: Here are the sketches for my simple. Hear me right in the greeted him here with the heart. Put our first three td been well-lived lactating the technique of creating texture for the tibia. This tree paintings will be fairly easy to follow along. You can pause the screen to take this screenshot, or you can move to the project section and download the image. See you in the next video where we'll be drawing our first amputated. 10. Simple Teddy Bear : Now let's paint our posterity beer for this teddy bear. I have already sketched out the outlines using a pencil. Now I'm going in with a white to draw what does outline. This is a fairly easy to deviate for the steady beat, I'll be using chrome yellow, deep brown skin color as what the bowl of that ADP yet, I'll be using dark down and read the background of the study where I'll be drawing a simple circle with white. There will be three. As for the steady wheel, I'm starting with white, I'll be laying white as my primary layer. And on top of that, I'll be using the brown this deep down noodle indicate the side of the reasons for that I live here. And finally, on top of it, I'll be adding Chrome. That's what the nose and the ears. I'll be using the skin tone. I'm starting with white, laying it as my primary layer. I'll be filling in the white for the rest of the teddy bear. Now for the background of the teddy bear, I decided to draw a circle. I'll be using the same vital draw the circle. Filling in the light for the background of the teddy bear. After filling in the white what the background, I'll be using Q-tips to blend the swipe. I'm drawing in a secondary outline just above the 30 year so as to avoid smudging these two colors. Good. Mel, I'm almost done with the white, filling in the white wherever required. Now, our playing the lead for the telomere, as well as the background is done. Moving on with their deep brown. I'll be adding this deep brown on the right side of the space. Steve Brown will indicate the side of it. Even for the steady beer. I'll be using the same deep down for some part of the ear as well as the handheld TV. And finally on top of this deep brown, I'll be adding chrome yellow. Adding deep brown for the lower part of the hand of the steady beer. Hello. Now I'm done with that deep brown moving in with the chrome yellows. But this chrome yellow, I'm adding it on top on their deep brown and blending these two color as this is a simple TTB, we're not using blending stump Q-tip to blend these two color. We have simply adding one color on top of the other. Now, I'll be adding this chrome yellow on top of the steady via while avoiding the ears as well as the mouth of the steady here. Good. Filling in the chrome yellow for the hands of the tibia. Now if I knew going in for the ears. Now we are done with the chrome yellow for the bow of the steady beer. I'm going in with a three. And on top of the screen I'll be adding red. I use this grid to represent them. So do we need to solve that? I'm now going in with the chrome yellow once again, as I was not satisfied earlier. Finally, with the mouth and the use of that they deviate, I'm going in with that skin tone. I forgot to eat chrome yellow just below the book. So I'm going in again with this yellow. Now. I'm going in with the burnt sienna to outline the hands. Now to add the eyes, nose, and the mouth of the teddy bear. I'm going in with the black. Now let's blend the background there, teddy, we're blending this slide. I am using Q-tips. Yeah. I'm Zach. Finally going in with a white to add highlights for the eyes, nose as well. Let's head up that Eddie, we're adding small dots for the highlight in the eyes and the nose, as well as the ears are lifted if you know how it must be me, it is complete. 11. White and Grey Teddy Bear : For the second day DBN, I'll be using raiders, my background. I have already sketched out the outlines for the day demand using pencil. Now I'm going in with the white to draw our sketch lines for the study bit. I'll be using dark gray, white skin tone, pink scarf. I'll be using violet and yellow for its ice. I'll be using yellow as well as black. And for the highlights, I'll be using white. That's what the breaks I'll be using. Dark brown, vermilion and yellow ocher. I have already started with white to drought the outlines for the state dB here, this whole video in real time. So I encourage you to follow along with me. But this day DBN, we'll be using a small white strokes to create the texture for drawing the outlines for this hand. I am going in with a dark gray. I'm using this dark gray to indicate the silo. Now going in with white, I'll be using this white as my primary cilia. I'll be applying this white all over that space. After completing this, I'll be using Q-tip to blend the dark gray with this white. Now adding the white for the hands. Finally adding white foot, it's going into your tip to blend these colors. Now moving onto blending the hands of the standard deviation. To create the texture for the TDB at first, I'm using white. This white, I'm writing smaller strokes. I'll allow it in space and I'll be doing the same for its hands and let us stop. It's Barney adding texture for its ears. Now moving onto stuff, it's morning. I'm starting with the left-hand texted with small strokes. Now covering the rest of the section with this fight. The application of this small white is stroked the outline between the hands and his list of its body. Lots of smart. So I am going in again if they're dark green, to draw the outlines. Moving on to the scar, scar, I was starting with yellow for this scarf. Apart from the ClO, I'll be using violet. Violet. The amount of the study where I'm starting with yellow, adding it on the right side of his mouth. After this, I'll be going in with the white. Now, going into it. Now you'll see Q-tip to blend a little bit of height for the mouth. Now the blending is complete. I'm going in again with white to add more texture around its mouth. After that, I'll be going in with the skin tone as well as pink. Going in with the pink to add Rosie needs to its fix. Now, finding going in with the skin tone using the same smallest dose to create the texture for the mouth. Now we're almost done with them out. Moving on to the nose for the low Simon starting with the black. Later on I'll be adding highlight using white. I'll be using the same black for the ice, as well as the amount of the study beer. The eyes of the study beer, I'm starting with iridescent yellow. On top of the city doesn't yellow, I'll be adding black. Going in with black for the eyes of the state Libya. Using the same black to add mouth. I am adding some more strokes with a skin tone. Now, adding highlights with ice as well as the nose, mouth. Now I'm going in with a dark green to add outlines for the hands on the study we're asked for the brink fence. I'm starting with yellow ocher to draw the outlines for the brakes. Applying the scene, yellow ocher for the bricks. Differentiate between the bricks. I'm going in with a deep brown. And finally to complete this breaks, I'll be going in with them. I'd median to add the outlines. Going into it though, add immediate to draw what the outlines. Our second painting, white and greater dB at is complete. 12. Teddy Bear with a Hat : For this third painting, I have already sketched out the guidelines using pencil. This time we'll be drawing a blue teddy bear. But the height, I'll be using the scene smallest strokes with a blue color to create the texture for the teddy bear that's put them out. I'll be using white and light blue for the scarf, as well as the height. I'll be using black and gray handful the border of the heart, I'll be using grid. I was starting with a deep blue on the right side of the DBS face to indicate that shadowy reasons. The video isn't real-time. So I encourage you to follow along with me. Now, I am going in with a light blue for the desktop is phase as well as the body. I'll be using a smaller stokes up, light blue to create the texture of the eyes of the steady beat. I'll be using yellow. On top of that, I'll be adding black, covering that SQL DB or sway to the blue. Going in for the ear. The ear I'm starting with light blue. And on top of that I'll be using Deep Blue for the edges of the ear. Adding some magenta here and connect ADB is first to create some variation. The addition of this magenta on top of that blue purple stone. Now going in with a blue for the rest of its body, using both darker shade of blue as well as the lighter blue to create the texture of flat footstep DBAs, body connecting smallest stocks with that color to create the next ID for the foot. Now we're almost done with DBS body. Moving onto the height. I'm starting with the border of the heart. I'm going in with that red for the Bardot of the height. For the rest of the heart, I'm going in with the black. I'll be leaving the white of the paper to act as the outline for the red. I'll be leaving some more white to S to represent the highlighted section of the height. I'm now going in for the load section of the head. With this grid almost done with the heart moving on to the mouth of the standard limit. The amount of their teddy bear, I'll be using light-blue as well as white. I was starting with white. There was some gray color attached to my white. So the left side of the bs Malthus. And what grade? Now to blend that color, I'm going in with a Q-tip. Well, we learned with the scar down but beard snake, I'll be using the same black. That's what the pattern on the scar. I'm going in with a grade. I am starting with iridescent yellow. And on top of this I'll be adding black them out of the TD we had with the same yellow. I'm now going into with the black for the ice as well as the laws for the highlights on the nose and the eyes. I'll be using white. I'm going in with white to add the highlights on the nose and the eyes. With this, we're done with our ten dB it. Since we were painting a tiny bit on the postcard, I'm going in with the main green for the background of the study beard. After adding this mint green, I'll be using Q tip to blend the color. Oh, going in with a Q-tip to blend the color. I was unable to record the last section of the blending. Just have to blend that color to complete this painting. With these, our type painting is complete. 13. Sketches of Teddy Bear's head: For our fourth painting will be skipping the three heads of the TDB. For this painting will be using black and white. For our fifth painting. We'll be drawing six hates of the telomeres and with some additional scarf. For our next two painting will be only drawing the Haidt's other day limit and using strokes to create the texture of foods. And adding our distance such as the scar. You can pause the screen to take this green sock or download the image from the predicts x and see you in the next video. 14. Three Teddy Bears : This painting is evil. This time we'll be drawing 3D TV as I have already sketched out the outlines using pencil. Now I'm going in with a dark green, but this dark gray, I'll be representing the sideway regions of the state, Libya. And on top of that I'll be adding white and with the same dark gray, I'll be going in what its eyes, the ears, and the hands of the TDB. It's asked for the face. I'll be using white. This video didn't real-time. So I encourage you to paint along with me. Now moving on with degree two, the next study. I'm almost done with the dark green. Now going in with white. With this white, I am creating smallest close to create the texture of food for the steady beats. Instead of blending, I'll be using small strokes of gray and white to create a texture of birth for the steady beer, I'll be adding this smallest Stokes all our its face, my love adding the regions for the eye, for the lows and the amount of the teddy bear, I'll be using black. And to add highlights on the nose and the eyes. I'll be going in with them. I think that the smallest strokes all over the face takes some time. I'm almost done with adding the texture for the past 30, we're moving on to the second day, David. I'll be doing the same for the second one. Adding small strokes of white to create extra for automating the smallest stoked on top of the grid that I painted earlier. With these out second td marriage, almost complete. Moving on to the third and the final one. This one has two heads as well as the stomach also going into a bit of white to add smallest dose to create the texture of this type ADB here, I'll be using this white for its face as well as the stomach part of the standard meal. That's what the hands I'll be using ray. Leaving out the Reagan's what the eye for the eye. I'll be going in with a dark red first and then on top of it I'll be adding black. Now I'm done with the state limit, moving onto the desktop at spotting, adding more white to the presets ADB, it's wherever the quiet. Now we're done with the white moving onto the dark gray. Adding this dark green for the study, we're using the same smaller strokes to create the texture. With these other first set of eyes complete, moving on to the ear. So the teddy bear, the Iet's, I'll be using dark green as well as the black. I'm starting with a dark gray as the outer edges of the ear. The inner radius, I'll be using black. Moving on to the other TDB year. Now going in to put its ice. Finally, moving on to the daily beer using the smallest strokes to create the texture of food for the day, DBS eyes, as well as the ears. Now moving on to drawing the hand, ADB or I'll be using the same or send to create the hands of the steady beat. I must not satisfied with white as the lower section of the standard deviation. So I decided to add on top of it, I'm adding this green on top of this white, using the scene the smallest troops to create the texture. During the same for this day, Debian also going in with the black, I'm starting to draw the laws of the state DBM, as well as adding ice. Drawing the nose, the mouth, the iPod. This study we're finally moving on to the heart and the Parliament or deviant. Now it's not clear. So I decided to draw the outlines using the black. Now I'm going in for the ears, adding black for the ears. Going in with white to add more texture to the teddy bear wherever required. Adding some more gray here in the innovator, but required. Now going in with white to add highlights to the eyes, the nose, as well as the DBS. Add more flair to the painting. I'm going in with white to add dotted lines. I'll be going in with black to add more dotted lines. Now going in with black to add more dotted lines. But these, our fourth painting of three today we're complete. 15. Six Teddy Bears : For this fifth painting, we'll be drawing six steady. We're starting with pencil to draw the outlines for the teddy bears. Like earlier, I'll be only drawing the Haidt's for the teddy bear. That is, there will be six heads as well as some hands and the scars for the 3D view, as for the colors of the teddy bear Albion rowing, pink teddy mere, yellow teddy bear, brown telomere, white-tailed deer, bloated EMEA, and finally, a great ADB here. This time also, we'll be using smaller strokes to create the texture for the trade name year. And we'll be using blending for the mouth of the tibia. The video is in real time, so I encourage you to paint along with me. This video is divided into two sections. In the first section we will be drawing the texture for the, for the teddy bears. And in the next section we'll, we're drawing the mouth as well as the ice. For the first study where I'm starting with yellow for this teddy bear, I'll be using two colors, cadmium yellow as well as chrome yellow. I'll be using this chrome yellow for the darker shades of the steady, as well as for the ears of that ready we're here, I'm starting with the cadmium yellow, leaving out the space for the mouth. That's for the mouth. I'm going with the chrome yellow. Later on, I'll be using Q tip to blend them out. Now going in for the ears of the 3D, we're adding the small strokes throughout the teddy bear face. Now moving on to the second td. Well, for the second teddy bear, I'm going with light pink and magenta. I'll be using this magenta to represent the sideway regions for the teddy bear. And on top of that, I'll be adding the pink. I'll be using the same smaller strokes to create the texture of that telomere. As for the year, I'll be using both magenta as well as ping, the steady beer has the scarf. I'll be using gray and Blackboard that scarf. As for the hands, I'll be using magenta to draw the outlines for the hand and then go with the light pink to add the extra for. I'm now going in for the hand of the telomere. What does scarf around it? Snake, I'm starting with black. Now. I'm going in with a great moving on to the third ADB for the start anywhere, I'll be using cobalt blue for, let's say Boolean bloom. I was starting with cobalt blue. And on top of that I'll be using sterile urine. I think the serene blue on top of the cobalt blue. That's for the mouth of this teddy bear in the pink teddy bear, I will come back again. Now moving on to the fourth day dB for this fourth teddy bear, I'll be using dark green and light green here. I'm starting with a dark gray to represent the sideway regions for the teddy bear, the process will be same for the rest of the teddy. We're starting with a darker shade of color and then adding lighter shade of color on top of it. Using the strokes to create the texture of the four years of the study. Beer, I'm going in with a darker shade of gray. Now we're almost done with the darker shade of grey moving in with a lighter shade of green, adding the smaller strokes to create throughout the ADB, it's faced with this lighter gray. For the hands of the steady beat, I'll be using a lighter shade of gray and to outline his hands, I'll be going in with a darker shade of green. The steady wind also have a scarf. This scarf, I'll be using darker shade of gray as well as that, right? Shannon? Yeah. Now for the scarf, I am starting with the red. I said earlier that I'll be using a darker shade of gray for the scar. But I changed my mind. I'm going in with the Proustian blue for the scarf. For this teddy bear, I'll be using light gray as well as the white. I'll be following the same steps this I did earlier with the rest of the teddy bear, bring in with a darker shade of color. And on top of that, adding the lighter shade of color using the small strokes to create the texture of the floor. Here I started with the lighter shade of gray, and on top of that I'll be adding white, this steady, but also have hands as well as the scarf. For the hands. I'll be using the white and add to outline the hands. I'll be going in with a lighter shade of gray. As for the scarf, I'll be using red and green. Adding the texture of her throughout the piece of the steady beer. Finally going in with the right-hand inside the outline that I drew, adding more white strokes throughout the piece of the teddy bear. Now going into the scarf, I'm starting with the right side, this rate pattern. I'll be going in with the green. Now I'm going in with the green. For this steady wheel, I decided instead of using two colors, I'll be using only single color. Here. I'm going in with the burnt sienna. As for the scarf and outlet snakes, I'll be going in with the blue. But this single color, I'll creating the texture of food for the telomere. For this scarf of the teddy bear, I use the Boolean blue as well as produce in blue. The background appeared kind of dull, so I decided to add flowers. In the next section of this video, we'll be continuing to draw the flowers, as well as draw the mouth and the eyes and nose as well. The colors of flowers I'll be going in with the yellow aren't white and blue. You can add colors of your choice and vary the treatments. I just have the flower. See you in the next section of the video. 16. Six Teddy Bears (mouth, eyes, nose and ears) : Continue forward adding light blue flowers. And finally going in with white to add flowers. That's what the center of the flower. I decided to go with red for the yellow flower, blue for the white flower, brown for the orange flower. And after this, I'll be using dotted line. I'll use in black, white, green, and pink dotted lines to connect flowers to each other. Going in with Blackboard, the center of the blue flower. And after this, I'm using the same black to draw a dotted line and connect flowers to each other. Now starting with black, to draw that dotted lines. Almost done with the black dotted line, moving on to pink to connect the flowers. After the spring, I'll be using white and green. Going in with green. And find me going in with white dotted lines to connect the flower. For the mouth texture of the teddy bear. I'm starting with this five-day the beard. After filling in the skin tone, I'll be using blending stump to blend the color. For the brown teddy bear. I decided to use yellow ocher for its mouth. Distinct teddy bear, I'm going in with light pink. Unfortunately, my cameras stopped recording for the rest of the teddy bear. For the blue teddy bear, I used to be read in green and for the ADB or I used white. I use YouTube to blend the colors. And for the eyes, mouth and nose are used like now, I'm going in with white to add highlights to the eyes and the nose. And that's for the year so that I'll be using magenta for the pink teddy bear, viridian green for the blue TeddyBear, white for the greater dB, or an iridescent killer for the brown DDB going in with iridescent yellow for the brown tape, as well as the yellow teddy bear. Using a lighter shade of gray for the great ATP and as well as the white-tailed deer. Lincoln with viridian green for the ADB. We're going in with magenta for the pink teddy bear. With these, our painting, it's finished. 17. Sketches of Big and Small Teddy Bear : Here's the sketch. Put our 6-day demean, or green teddy bear with a flower. And put our seventh painting, then we're drawing the scene, green candy man, but in a larger site, but a lot of flour. So for our next two painting, we'll be drawing simple printing EDS using blending technique. You can post, I need to take this green sock or you can download it. See you in the next video where we'll be drawing our first screen, Caribbean. 18. Green Teddy Bear: For this extra drawing will be painting a green day DBN with a yellow flower. We'll be painting half offer it's morning, as the name suggests, will be mostly using the greens. I have already sketched out the outline for the 3D bear using a pencil. Here I'm starting with deep ring, with this deep green. I'll be defining the outline for the three dB here, as well as I'll be using this deeper into the present, the regions of the TW. And on top of this I'll be using yellow, green. And if you don't have colored green, you can use viridian green. I'm leaving them out part of the study we are untouched. Now defining the outline for each year. Now defining the hands-off doctrine, deviance. I didn't deep green on the lower parts of the steepening on the lower parts of our design will act as the sideway reasons. Finally, defining a seat buffered Sparty. Finding a sip of its body as well. Let's adding d, putting on the right-side up with departing. Now we're almost done with a deep green. Moving on with that Calibri, I'll be using this color green on top of the deep green as well as on their desktop its body by leaving the mode section of that day tibia and touched. If finding the outline for the flower with the Palo green. As I forgot to add deep green. On the other hand, I am going in with a deeper into outsider. Listen for the other hand. Now applying hello green on top of it. Moving on to the head section of the DDB or some more deeper and to find the light and shadow religions for the teddy bear. Now I'm going into my Q-tip to blend the colors. Starting with the blending the color from the outside to the inside of the DAW. Now the hate of the three dB at this blended, moving on with that discomfort is Barney. Using the Q-tip to blend that fallow green with a deep green. Here I'm starting with the hands on this day, DBN. Moving on to the other end of that and find new blending the colors for the rest of it is boring. Now we are done with blending the color green, that deep green going in once again with a Q-tip to finalize the blending portion of the study beer. Well, we went to the ears of the teddy bear. For the ear, I'm using light green going in with a Q-tip to blend the colors and asked for the amount of the 3D bit. I'll be using the same light green. Going in with the light green for them out of their day DB or after applying this light green, I'll be using Q-tips to blend the colors. Flourine is, and I'm using deep yellow for the center of the flower. I'm going in with the leaves and the stems of the flower. I'm going in with the fluorescent light green. Now for the eyes, nose, and the mouth of the Caribbean, I'm going in with black to add highlights. I'll be using white. Finally, going in with white to add the highlights for the eyes and the nose of the teddy bear. These ADB or it's finished. In the next video, we'll be drawing the same day DBN, but then we get saved. 19. Big Green Teddy Bear with Flowers : The seventh day DBN will be drawing the same green tea beer, but in this case will be just drawing it bigger. I'm drawing this painting just to so that you can change the sequence idea of the GDPR. I'll be following the same steps as I did earlier with the green tea beer. I have already sketched out the guidelines using the pencil. Now I'm going in with that deeply as I did earlier. I'll be using this deep green to draw over the outlines, as well as representing the side of the regions of the state DBM. As for the side are results of this teddy bear, I'll be adding the shadows on the right side of his face, on the edges of this hands as well as on the right side of its body. We hadn't done with the addition of shadowy reagents for this hand, moving onto the other hand, drawing the outlines for the ears. I'm going in with the Palo green for the peace of that today we're moving on to application of Palo green over the hands and the rest of the TDB its body. Finding the outline of TDB, its body, as well as its face, but green and now going in with Palo green for the rest of its body. Good. For the mouth sex, and of the state DB. Starting with deep ring, I only use light green, but in this case I'll be using pea green. And on top of that, I'll be adding light green. And now I'm going in with light green on top of that deep green. And I'll be applying the same light cream for its ears. Adding light green for its ear, and adding some more yellow-green over its body wherever required. Now, going in with a Q-tip to blend the colors for the ears. Now moving onto its space using Q-tip to blend that deep green with yellow green. We are done with the face moving on to the rest of its body, starting with the hand. Blending the colors for the other end. Now blending the fallow green and deep ring for the rest of its body. Shannon? Yeah. Blending the light green with a deep green for its face. And now coming back to its body to complete the blending parts and for this painting, hi, defining the outline for that TD, beards, hands. And now for the flower, I'll be using orange and yellow. I love reading the seep inside of the flower as per the leaves and the stems of the flower, I'll be using white. I'll be adding this orange and yellow on top of the screen. Here. I haven't started with orange. And after this, I'll be using yellow. Now going in with yellow, with this yellow flower, I'll be wearing this even scientists of the flower. Now going in with white to add the stems and the leaves. With the addition of stems and the leaves with white, our flowers are complete. Moving on to its face, starting with black to add the eyes, nose, and mouth of the tendon. Yet now going in with white to add highlights to the eyes and the nose. And with these big green teddy bear is complete. 20. Sketches of Yellow and Brown Teddy Bear : So this is this case when our nine yellow TPN and our team yellow and brown TDB. So for our next two videos, we'll be using strokes to create the texture of the foot. And apart from the head, will be drawing the stomach for the yellow tibia and the rest of the body for yellow and brown TDB. You can pause the screen to take this green sock or you can download the mean. See you in the next video where we'll be drawing our yellow rotate him here with his scar. 21. Yellow Teddy Bears : Well, this eight trying, we'll be painting in yellow DBM. I have already sketched out the guidelines using pencil. Now I'm starting with Campbell's yellow. With this Campbell's yellow Albert defining the darker regions of the teddy bear for the steady with I'll be creating small strokes to create the texture of her. On top of this Campbell's yellow, I'll be using lemon yellow scarf around the TDB its think, I'll be using viridian green and light green for the ears of the teddy bear. I'll be using the skin tone for the eyes and the nose. I'm using black to add highlights on the eyes and the nose. I'll be using white now adding Campbell's yellow for its hand, creating the scene is small strokes to create the texture for. Moving on to the other hand, null for the right side of it to Stella. Now, going in with lemon yellow, I'll be creating the same smaller strokes to create the texture for, I'll be adding this on top of the Campbell's yellow to cover the rest of its phase, as well as the rest of its body. Going in with a lemon yellow for the outer edges of the teddy bears year. Now coming back to Teddy beers phase, creating a scene, small strokes to create the texture for the telomeres for. But these were done with the face of the teddy bear moving onto the rest of its body. Starting with the left-hand of the study, we're creating the smallest stocks with the oil pasted to create a textural foot. Now, moving on to the rest of its money, creating the small stocks to create a texture for while avoiding this piece for that Scarpa snake. We are done with the stomach moving onto its right-hand, creating the scene, small strokes to create the texture of perforated. So right hand. The outline for the hand in the stomach of the teddybear0. Not clear. So I'm going in with Campbell's yellow could draw a doubt lines once again. Now moving on to the scarf of that. Here, I'm starting with green. And to add pattern on top of it, I'll be going in with light green. We're done with the viridian green. Now moving on with light green. With this light green, I am drawing some texture on top of this scarf. And with this, we're done with this car. Going in with black for the eyes and the nose of the teddy bear. And to add highlights for the eyes and the nose, I'm going in with white. Adding some skin tone on the right side of the stomach. As well as the each other. Today we're moving in with white to add the highlights for its eyes and the nose. And to complete this painting, I'm going in 1 second with lemon yellow to add some more texture around its body. And with these, our eight painting is complete. As a bonus, I have included the original painting of the yellow teddy beer that I use as different in here. They also use the Campbell's yellow, lemon yellow, and a skin tone. That's what the scarf I use, viridian green and light green. So enjoy this time-lapse video of the yellow teddy bear. Good. 22. Yellow and Brown Teddy Bear : For this line, DDB, I have already sketched out the guidelines. I'm starting with burnt umber to the present, the side obedience for the 3D view, unlike the earlier teddy bear, where I only drew the heads or the half portion of the tibia from here and now, I'll be painting the full TDB for this teddy bear. I'll be using burnt umber, yellow, light yellow. This yellow and brown ADB here will be creating the texture of two routes. Its body. Now moving on to the hands of teddy bear with a burnt umber, creating the texture of four for this study, but I'll be using three layers of colors, starting with this burnt umber, then going in with yellow, and finally going in with light yellow for the eyes and the nose of the teddy bear, I'll be using black and to add highlights, I'm using white. As for the ground, I'll be using gray. Now we are done with the hands of the td. We're moving on to the rest of its body with this burnt umber. Moving on to the legs Saturday we're going in with burnt umber. Now we are done with the burnt amber, moving one with a yellow. I'll be adding this yellow on top of the burnt amber that I painted earlier as well. Let's covering that and stop its body. And he had am starting with the head of the teddy, we're creating a small strokes to create the texture of food. Now adding the yellow on top of the burnt umber, yellow for the ears. Going in once again with burnt umber to draw the outlines for the hands of the state AVS. Now going in with yellow for the rest of its body. Starting with the left-hand over today we're creating the texture of four as we move forward. Moving on to the right hand of the 3D view. Now we are done with the hands of the teddy bear, as well as the upper part of the tibia moving on to the rest of its body. Defining the outline for the legs of the teddy bear, I'll be leaving the center of the legs empty as I'll be adding burnt umber later on. I'm now going in with burnt umber for the mouth of the three dB it with the same burnt umber filling the center of the leaf for the teddy bear. Now we're almost done with the body of the tibia going in once again with a yellow to add more texture wherever required. Now planes for the TTB read not clearly defined. So I'm going in with a deep brown to deepen the outline for the t-table here. That's what the ground I'm going in with gray creating a small strokes. Good. With this. I'm done for the ground now going in with black to add the eyes, nose, as well as the mouth of the treaty. We're now going in with white to add the highlights for the eyes of the TDB. I was not satisfied with the yellow, so I decided to add a lighter shade of yellow on top of the yellow that I used. Mel going in with this lighter shade of yellow and adding it on top of the yellow that I used earlier, creating the same smallest talks with a yellow. With that additional dislike yellow on top of the yellow that I used earlier. Our TeddyBear now looks more appealing than these have 1 ninth painting is complete. 23. Sketches of Blue, Red and Pink Teddy Bear : Here read this case for our blue TDB. For this bloated email will be using blending techniques. What are regulated here? This is the sketch for this, we'll be using blending techniques as well as texture. And put up a pink teddy bear will using strokes to create the texture of full. So as you can see, now, we are using both blending techniques and texture and the same painting. And we are adding more elements to the painting and thus increasing the level of difficulty. So for the next three td beards, get ready. You can pause the screen to take the screenshots or download the image. See you in the next video. 24. Blue Teddy Bear : For this tenth day tibia, Albert drawing a bloated like earlier. I have already sketched out the outlines for the TDB. It now I am going in with a big bloom, but this deep blue alphabet representing the sideway regions of the steady beer. I'll be adding this deep blue mostly on the right side of its body. And that's what the other colors I'll be using, light blue on top of this deep blue for the mouth and the parts of the teddy bear, I'll be using a skin color as well as pink. Now moving on to the stomach of the teddy bear, defining the outlines of the parts of the teddy bear, as well as adding the blue placenta site of the reasons that is present in the stomach area. After today, we're bringing out the guidelines for the hands of the teddy bear. Now in defining the outlines for the path of the tibia, I think some people near the bottom edges of the pole. Now I'm going in with a light blue covering the rest of the body of the teddy bear with a light blue. And adding the light blue on top of the deep blue that we painted earlier. After filling in the light blue, I'll be using a Q-tip to blend the colors. Now, moving on to the parts of the teddy bear, leaving the center of the pulse untouched. And finally moving on to the ears of the teddy bear. Now comes to blending. I'm going in with your team to blend the colors. Here I've started with the head pose another today we're using Q tip to blend light blue with a deep blue. Generally, I use circular motion to blend the colors. A blank base it to blend the colors. Caught early blending out the colors of the face. Now we are almost done with the phase of the 3D. We're moving on to the rest of its body. Starting with left hand on the teddy we're now on the left hand is almost done. Moving on to the right hand of the teddy bear. Now, I'm going in for the stomach of the treaty. We're starting with a sourdough if we didn't have that TTB hits the stomach. Now moving on. Blending the rest of the stomach. Finally moving on to the paws of the treaty. We're here. I'm starting with the light bulb. Now, moving on to the left of that 3D view. Now we are almost done with blending the pause of the treaty beer. And with this, we're finally done with blending that blue colors further teddy bear. And now to add some texture, I'm going in with the blue to add texture to the outlines of the TDB as voting for the right side of the teddy bears party, I'll be using the blue. And for the left side, I'll be using light blue as well as Deep Blue, creating tiny strokes to create the texture. I'm adding the texture of the floor throughout the whole body of that data, creating smaller strokes to create the texture for the firm. Now adding tax ID for the stomach regions of that data, as well as the part of the 3D view. Now, I am going in with light blue to add texture to the left side of the teddy bear. Now we're almost done with the outlines of the tibia. Moving on to the face and the pose of the tibia here I'm starting with pink for the parts of the treaty. We're moving on to the next poll. I'm finally going in with pink for the mouth of the 3D view. I'm leaving the center of the mouth untouched. Later on I'll be adding skin tone and saturday. Now going in a bit the skin tone for that mouth region of the tibia. Adding some skin tone for the pulse of the two ADPs. Now going in with the blending stump to blend that skin tone with a pink. Doing the same for that part of the telomere. Know what the eyes, nose, and the mouth of the telomere. I'm going in with the black. Here. I'm starting with the nose of the td. We're now moving on to the amount of the telomere. Find me drawing two circles to represent the eyes of the tibia. With these, we are almost done with the tibia. Now to add highlights, I'm going in with the white highlights on ice as well as the nose. And for the pause of that ATP yet, I'm using skin tone to add highlights. And that's what the ground I am going in with equity. And I'll be adding some light blue on top of it. And after that, I'll be using Q-tip to blend the colors. Now going into with light blue. And finding using Q-tip to blend the light blue with a grain. With this, our 10th DDB is complete. 25. Red Teddy Bear : For this 11th day dB, it will be painting a teddy bear with a cert and a scarf. The background, there will be flowers and the abuses like earlier. I have already sketched out the guidelines for the TTB for the main body of the teddy bear I'll be using to color brown and red. Here. I'm starting with brown for the sideway regions of the teddy bear, adding the brown on the right side of his face. Now adding shadowy regions for the legs of the teddy bear. I'll be indicating the saddles on the right side of the TTB S phase, as well as its legs moving onto its hands. We DO is in real time, so I encourage you to follow along with me. We're almost done with the cytotoxic agents for the tibia going in with a red, adding red for the face of the datum here. Now, I'm going in with white for the left side. Over here. I'm using this white. Present the highlighted personal further teddy leaves body. I'll be adding this white space. It sound as well as its legs. No, going back with a red. Adding this rate for the frieze of the telomere. The Vita use will decrease the intensity of the red on the left side of the teddy bears body. Now going in for the left hand of the teddy, we're moving on to the legs of the teddy bear, drawing the outline for the legs and then filling in the color for the TDB, its leg. Moving on to the other leg of that ADB. And now for the right-hand of the tradable beer, I'm leaving certain posts enough that I tend untouched as I'll be adding flour later on, adding a little bit of rate under the face of the tibia. Finally, going in with rate for the ears of the 3D view. Now, let's blend the Brown with the red. I'm going in with a Q-tip to blend the colors. I use circular motions to blend the color, applying gentle pressure to blend the colors. Here I'm starting with a piece of the teddy bear to blend the colors. As for the site of the TDB, I'll be using blue and green for the bucket of the teddy bear. I'll be using scarlet, red. Asked for the scarf. I'll be using orange and blue. And then I'll be adding some flowers in their buses. For the flowers, I'll be using yellow and red. As for the buses, I'll be using deep green and light green and I'll be adding ground underneath. It's paid for the ground. I'll be using green, some brown and yellow ocher. Now, I'm almost done with blending the face of the tibia. Moving on to the hands of the 3D view, blending the left-hand of the tibia. Now going in for that, I turned off the Datameer, applying gentle pressure to blend the colors, blending the rayed with them down. And finally, going in for the Alexa TeddyBear, blending the colors for the ears other teddy bear. With this. We are done with the blending person for the day, devious body. I decided to add texture throughout the outline of the teddy bears body. To add texture, I'm going in with rate and creating a smaller strokes to create the texture up. Here, I have already started for the phase of the 3D view. Now going in for the hands of the teddy, we're creating the smallest strokes to create the texture of the firm. And finding going in for that legs up that ADB or doing a thing, written tiny smaller strokes to create the texture for the fall. With this, we are done with creating the texture for the firm. I'm adding something for the face of the data a bit as to create some contrast with the red. Now going in for the scarf. Scarf, I'm going in with the orange, going in with blue for the scarf that I decided to add blue below the alternative. Now, moving on to the specter of the TDB for the sweater to Albert repeating the same alternative pattern for the sweater, I decided to go with green and blue. I'll be creating the alternative pattern as I did earlier with the scar. Here. I have already started with a deep green. After this deep green, I'll be going in with the blue. Now, I'm almost done with the stomach of the 3D. We're moving on to the hands of the sweater, filling that blue in between the grains. Now moving on to the hands of the sweater. Now I'm going in with your tip to blend the green. So after blending the green color, I found out that there is no clear distinction between the green and the blue. So I decided to merge this color. So I am blending the green but w, matching the colors blue and green. Moving on to matching the colors for the hands of the sweater. To add bucket on top of the sweater, I'm going in with a scarlet red. And that's what the flower on its right hand. I'm going in with yellow. Yellow. I'm adding flour on top of its bucket. Going in with blue to redefine the outlines for the sweater. Now using the scene yellow to create flowers for the background of this painting, adding flour on the right side of the teddy bear. Now I'm going in with a deep learning to create some bushes, creating small strokes to indicate the bushes. Now I'm going in with light green to add more busyness. This boosters, I'll be using deep ring, light green and pistol green. After the slight green, I'll be going in with a pistol green. Now I'm going in with pastel green to it, add some more pieces. To add the center for the flower. I'm going in with thread. Doing the same for the left side of the tibia, setting the deep green to indicate that buses. Now I'm going in with yellow. You can add as much flour as you like. And same goes for the buses. Going in with light green to add more density to the busyness. Finally, I'm going in with this too clean. And to complete the flower, I'm going in with the rate. That's what the ground loading with. Yellow ocher, redefine the outline for the crown and then filling in the rest of the ground with that same yellow ocher. We are almost done with the yellow ocher. Now going in with the green, adding this deepening me after Moses. Now going in with some red near the lakes of the 3D view. And by ni, going in with some gray. Now let's blend these colors going into but the Q-tip to blend the red, green, and gray, yellow ocher. Applying gentle pressure to blend these colors. With this, we are done with the flowers and the busyness and the ground for the teddy bear. Now, going in for the mouth of the 3D view, does that Dewey regions. I'm going in with Palestine. And on top of that, I'll be using skin color. Now going in with the skin color. Skin color on top of the plastic that I painted earlier. Adding the scene flat state for the ears of the teddy. We're now going into the Q-tip to blend of blast and with the skin color. Going in with white on top of the highlighted portion. And finally going in with the black for the eyes, mouth, and the nose of the teddy bear. Here, I have started with the eyes of the treaty. We're moving on to the nose and mouth. And to represent the highlights on the eyes and the mouth, I'm going in with white. With these 11th painting is complete. 26. Pink Teddy Bear: For this to work, the drawing will be painting a pink teddy mere resting on a flower pot as I have already escaped out the guidelines productivity. We're now, I'm going in with white. With this white, I'll be representing the highlighted parts and further TDB yet, I'll be applying this white on the right side of the teddy bear's feet, drawing the outlines of the year for the teddy bear. As for the steady beer, I'll be creating the texture for put out its body. Now going in with pink, adding the pink on top of the white, creating the same smaller strokes to create the texture. I decided to experiment a little without completing the face completely. I'm moving on with pink to the rest of its body. Here. I'm going in with pink for its right-hand, creating the same smallest talks to create the texture of firm for its right hand. Now moving on to its other hand. Now continuing forward with the phrase of the year. Well, moving on to the ears of the td, we're living them outputs and of the TDB and test as later on, I'll be going in with green roof for the mouth, the stomach, as well as the part of the GDPR governing the rest of the day DBN space with this dark pink. Now we are done with the pace of the td. We're moving on to the rest of its body. Drawing the outline for the stomach of the teddy bear. And moving on to the legs of the teddy bear using the same dark green to create the texture for, but it's lakes as well as the stomach. The stomach. Apart from the dark pink and white, I'll be using light pink as well as gray rose. I'll be using the grid rows for the stomach balls and the mouth of the telomere, asphalt, the eyes of the teddy bears. I'll be using iridescent yellow. And on top of that, I'll be using black. And for the nose of the teddy bear, I'll be using black to add highlights. I'll be going in with the gray rose. After this dark pink, I'll be going in with the light pink. Now we're almost done with the dark pink going in with white to add over the highlighted section of the teddy bear space. After this, I'll be going in with light pink. Now going in with light pink. I'm using this light pink to create the variation. This light pink will act as the highlighted portion for the TD beard. Creating the same smaller strokes to create the texture of the floor and adding it on top of the dark pink that I used earlier. I'll be not be covering the whole sector of the teddy bear with a light pink. I'll be adding it only to present the highlighted section for the teddy bears body. Moving on to the hands and the legs for the teddy bear spotted with this light pink. Moving back to the head of the teddy bears morning, adding more strokes to the phase of the 3D mirror with this light pink. Moving on to the right hand up the 3D bird's body. And finally, moving on to the right leg of the teddy bear spotted with this light pink. Adding some more strokes with a light pink here and there wherever required. Now we are almost done with a light pink. Moving on with the gray rules. With this gray rose, I'll be defining the outline of the TDB as padding. I'll be creating the same as small strokes to create the texture of the fall. I'll be using this gray route to add more diamond center to the highlighted section of the teddy bear. Apart from this, I'll be using this gray rows for the mouth, the stomach, the past, as well as the ear of the teddy bear, creating the same as smallest took to create the text for the firm. Now moving on to the stomach of the teddy bear. Moving on to the hands and the legs amputated. We're now going in for the mouth of the teddy bear with this gray rose. Now adding some more shadows here and there, but required generally near the outline of the teddy bears body. I decided to add some more gray rose toward the right side of the td, we're space. And now for the eyes of the td, we're starting with iridescent yellow. On top of this iridescent yellow, I'll be adding black. Male going in with black for the eyes, nodes of the tree table here. And now to add more diamond center that painting, I'm going in with rate. I'll be using this rate near the outer edges of the outlines for the steady we're here. I've already started with the ears of the teddy bear with red. Moving on to the hands. Now, moving on to the legs and the stomach of the treaty bear with this rain, creating same as smaller strokes to create the texture of the floor with district. On top of this rate, I'll be going in with pink to add it to blend these two colors. Now I'm going in with black to add our eyes and the nose. And now I'm going in with white to add highlight to the nose, as well as the ice. Now going in with pink to add over the red. Adding this pink on top of the red that we painted earlier, migrating the same as smaller strokes. With this, we are done with the teddy. We're moving on to the pots and the flowers. These were done with a teddy bear moving on to the pot for the part, I'll be using yellow ocher and about million, I'll be creating the same as smaller strokes that I used earlier to create the texture. Here I've already started with the yellow ocher, creating the same smaller strokes. On top of this, I'll be going in with vermilion to draw out some pattern. As for the leaves and the flowers, I'll be going in with light green, deep green as well as patient is doing. As for the flowers, I'll be going in with orange, yellow ocher, and blue. First of all, some behind the telomere, I'll be using a combination of blues and greens. And for the floor, I'll be using dark gray, light gray, and creating a pattern on the floor. Now we're almost done with the yellow ocher, moving in with vitamin E and drawing the pattern of a squared with the sweater median. With this, we are done with the pot. Now moving on to the flowers and the leaves. For the flowers, I'll be using orange, yellow ocher, and sky blue. Here. I've already started with orange. Now going in with yellow ocher for the flower. Finally, going in with the sky blue for the flower, you can add as much flour as you prefer. As for the leaves. I'll be going in with light green, deep green, and paste till green. With this, we're done with the flower moving on to the leaf, starting with light green, using the same smaller strokes that we used earlier to create the texture for the firm with that texture, instead of far, we are creating leaves in here. Now, moving on with darker green. Find me going in with pistol green for the leaves. With the addition of leaves and the flower, we are done with the moving onto the ground. For the ground, I'll be going in with dark gray light gray. Drawing out the guideline for the edges of the floor. I'll be using the same dark gray to fill the rest of the portion of the floor. Feeling the crania, the leg of the GDPR as well as the port. Going in with gray to create some pattern on the floor. Later on, I'll be going in with light gray and drawing out the same pattern. Filling in the rest of the floor with the same dark green. With this, we are done with that dark gray. Moving on to the light gray growing over the same pattern that we did earlier with the dark gray. With these, our pattern on the floor with light gray is complete and now our flow is complete. And as for the background, I'll be using a combination of blues and greens. Here. I have already started with viridian green. On top of this viridian green, I'll be going into this cerulean blue. Top of that cerulean blue, I'll be going in with producing load and finding on top of that, I'll be going in with the sky blue. I think producing blown top of the Silurian. And find link going over with sky blue. On top of the sky blue, I decided to go over with the base, still blue. Now going in with pastel blue on top of the sky blue. But these were done with the variation for the background. Going in with a Q-tip to blend these colors, I will starting from the top with a Q-tip to blend those colors. I'm blending the colors thoroughly throughout the background of this painting. Good, fully blending the colors near the teddy bear as well as the flower. Now, with this, we are done with the blending person for the background of this painting. All that is left is to add the final touches. Going in with light green, the plant wherever required. And with this, we're done with our 12th painting of this pink Datameer. 27. Sketches of Big Teddy bears: So here in this case for our whiten great ADB and with a sweater. And escape for being gray invited me. For the next two videos. We'll be painting the complete TDB years in April of sites people. You can pause them, we do to take this screen so you can download the image. So see you in the next video where we'll be drawing our first big completed in me. 28. Big Grey and White Teddy Bear: For this 13th, take dB, it will be painting a big and simply stated here with gray and white color. I have already sketched out the guidelines using pencil for this teddy bear. I'll be using only two color, gray and white. As for the mouth of the tibia, I'll be using yellow ocher and skin tone for this car around that snake. I'll be using black and yellow for the outlines of the teddy bear. I'll be using the smallest strokes to create the texture for the first year, I have already started with a gray with this gray Alberta presenting the darker region of the TW. Mainly I'll be focusing on this grid to the right-side up its face, its hands, as well as the leaks. Carefully creating the smallest strokes near the mouth region of the study we're, the whole video is in real time. So I encourage you to paint along with me. With these, we're almost done with the face region of the steady. We're moving on to the hands of the steady. We're creating the small strokes to create the text set for the latter on, I'll be adding white on top of it. And then I'll be going in with a Q-tip to blend that gray matter white. I have specifically chosen this rate as the background, as this will make them look more appealing. Drawing the outline for the scarf. Now moving on to the right end of the telomere. Now moving on to the stomach section of the steady mirror. And finally, moving on to the legs of the 3D, we're growing the pose for the teddy bear with a gray. Now I'd been great for the neck of the teddy bear just below that scarf. Moving on to the ears of the teddy bear as well as the top of the head. With this, we're done with the greens. Slightly for the change of focus. As I did not notice that Macedon light has turned off. Now moving into the white, I'll be completely filling in the rest of the teddy bear with the site, leaving the space for the scarf, as well as the mouth Texan of the steady beer. We are done with the mouth moving on to the hands. Moving on to the right hand of the teddy bear. Now let's fill the stomach. Sex and other TDB are moving on to the legs of the telomere. With this, we are done for the white for now. Going back with white wherever required, I did not protest. There was some blackest at my whitespace till and I mistakenly added black to the left side of its face. But these were done with the white. Now going in with Q-tip to blend this green with the white. Carefully blending that color near the edges of the tibia. With this, we are done for the freest. We didn't have the teddy. We're moving on to the hands of the training. Now. Moving on to right hand of the blending the ages of the teddy bears lakes and now blending the rest upward flick. Now moving on to the stomach facts. Coming back to Blender, right leg authoritative here. And now going back to Blender stomach, sex and other trade dementia. And with this we are done for the blending section for the sprinting. Going back with the gray to dark and outline sections for the TTB. And now let's add texture for the outlines of the teddy bears body. I'm going in with white to add the texture, what the outlines of the steady beers bonding, creating small strokes throughout outline of the state DBS body to create the texture. Carefully creating the texture of the mouth, sex, and of the stadium. Here. With this, we're done for the face region of the state dB. We're moving on to the rest of its body adding text, therefore, the handheld, the teddy, we're moving on to the legs of the teddy bear. Moving on to the right side of the teddy bears body to add the texture. Now adding texture for the insights of the TDB are saying, adding texture just below the scarf region of the state De Beers snake. With this, we're done for adding texture part of the steady beers painting. Now moving on to the pre-screening and the steady beer, I am going in with yellow ocher as the primary layer for its mouth. On top of this, I'll be adding some pink. And finally on top of that, I'll be going in with the skin color. With this, we're done with the yellow ocher going in with a Q-tip to blend the yellow ocher. Now going in with pink. And finally going in with the skin color, creating a smaller strokes to create a texture of word for its mouth. With this, we are done for the mouth Texan of the 3D. We're moving on to the scarf around it. Snake. For the scarf, I'll be using yellow and black. I'll be creating simple pattern with yellow and black here. I have already started with the yellow. And now I'm going in with black for the rest of the scarf. With this, we are going for the scarf around its neck. Moving on to the eyes for the teddy bear, for the eyes. I'm going in with iridescent yellow. On top of this iridescent yellow, I'll be going in with the black. Now going in with black for the eyes of the teddy bear. And using the same lecture to other nodes for the teddy bear as well as the mouth. Go ahead, highlight on top of it. I'm going in with a lighter shade of green. With these, our typing painting of the ADB is complete. 29. White and Grey Teddy Bear with a Sweater : For this 14th drawing will be painting and gray and white ATP with the black and yellow sweater. I have already escaped out outlines for the state tibia. Now I'm going in with a white filling this fight for his face and the rest of its body while leaving the sweater part. I'm using this white as the primary layer for the state name here. After completely filling in the white, I'll be going in with Q-tip to blend the white. With these. We're done for the face region of the teddy bear, moving onto the rest of its body with the swipe that we do it in real time. So I encourage you to follow along with me. As for the colors for this painting, I'll be going in with white, gray, black flashed and I'll be using last-in for its ears, nose, mouth, and I'll be adding a little bit of last and forests, lakes her hands. As for the sweater, I'll be going with black and yellow. For the ground, I'll be going in with green and dark green. And for the flowers, I'll be going in with pink and two at Rossini's to its face. I'll be going in with the same thing. Let's do it if really isn't any beer. Unlike the last study, we are, where we only use blending technique and added tax for the outline of the teddy bear. For this steady, weird, we're adding the texture throughout its whole body, moving on with Q-tip to blend the color, blending the white for the phrase sex and other trade name here. Now moving on to the hand for the telomere and find new blending the white for the legs of the TDB. With this, we're done with the blending person for now. Now going in with grief or the darker region, another teddy bear spaces. Well, is that a separate sporting? I'm using a darker shade of gray, creating small stroke to create a texture of work with the screen. With these, we are done with the green moving on with white. Going in with this white to add the texture of art throughout its whole body, I'll be adding to the smallest strokes of white on top of the gray that we painted earlier. Now continuing forward with this fight, Taking apart from the white for now, going in with this light pink to add Rossini's to its six, using the same lesson to create a smaller strokes with this light pink. On top of this light pink, I'll be adding a little bit of white. Now continuing forward with the white to create a smaller strokes throughout the desktop workspace. And then we will move on to the rest of exporting. Completely filling in the face sex and of the teddy bear with a small whiter stokes. With these two, we are done with the phase of the td. We're moving onto the rest of its body doing the same, creating a smallest strokes with the white to create the text it for. Now, moving on to the legs of the teddy bear. Instead of this white and gray combination for the teddy bears, pardon me? You are welcome to experiment with other colors. And the same goes for the GDP at sweaters two. Now, we are almost done with creating the texture of four-foot its body, moving onto the sweater. For the sweater, I'll be using yellow and black. Here. I've already started with yellow. With this yellow, I'll be drawing some stripes on the sweater, as well as drawing a tiny hut. Now I am done with the yellow, moving on with black. Carefully defining the edges of the yellow stripes with black, and then filling in the rest of the selected with the black. You can change the color, pattern, design, and style of the sweeter as you prefer. Good. With this, we are done with the sweater. Now going in with Philistine for the nose of the tibia as well as the ear of the day, the beer. I think some flashed and for the hands and the legs of the T-tubule on top of this, I'll be going in with little bit of five. Now we're done with the last one, moving on with black for the eyes of the tibia. Going in with white and adding it on top of the flask thing that we painted earlier on the foot and the high enough that they did, we're now going in with some black to add them out for the telomere. Going in with white to draw the highlights for the eyes. With this, we are almost done for the day. We're moving on with the ground. For the ground here, I've already started with a light green. With this light green, I'll be drawing the outline for the ground and then filling in the rest of the space with the same light green on top of this slide green, I'll be going in with pink to draw the flowers. We are done with a light green, moving on with their Deep Dream, with this deep green representing the shadowy ligands off the ground. And finally, moving on with pink to draw the flowers on the ground. You can add as much as flower as you like. You can see in the sequence side of the flowers too. With this, I'm done with the pink flower, moving back again with a green and filling it wherever required. To add more character to the phase of Teddy where I'm going back with a flat state. With these are gray and white teddy bear with a sweater list, complete. 30. Conclusion and thank you : Congratulations on successfully completing this 14 days challenge, and thank you for enrolling in this class. I hope you learned something new and exciting from this class. And if you have grown any of the projects, please upload it in the project section. And Neil have any doubts or queries, please ask me in the discussion section. 31. Teddy Bear with Hearts: For the first bonus video, we'll be painting a big brown t-table here with three heard. What I have here, a small emitter brown teddy bear with three hertz. I'll simply magnify this image and make changes here and there wherever required. For this bonus videos, there will be not so many instruction. As for the colors I abuse, dark brown, yellow, ocher, cadmium yellow. And that's what the heart I abuse light red, dark red, magenta. And that's what the ground I abused, dark brown and gray. You are welcome to experiment with the colors I have applied to see procedures, steps, and technique as I did earlier with the rest of the TDB. It's the whole we do it in real time. So you can follow along. Now. Enjoy the video. See you in the next bonus video. Hi. Good. Shannon. Yeah. Good. Good. Hello. Joseph Shannon. Good. Good. Shannon. Yeah. Hello. Yeah. Good. 32. Teddy Bear with Gifts : The second bonus video, I'm going in with a blue background. I'll be painting a brown teddy bear with heart to gift and many flower. Here I have a reference image of teddy bear with a heart, a gift, and some flower. I'll be magnifying this as meat and adding many elements to it. You are welcome to experiment with the colors saved inside of the 3D view. The whole video is in real time. So I encourage you to follow along with me and enjoy the painting. The last bonus video, this video has no instruction. That's for the whole redo it in real time. So I encourage you to paint along with me. And now let's paint. Good. Shannon. Yeah. Good. Hi. Good. Good. Shannon. Yeah. Good shannon. Yeah. Good. Good. Shannon. Yeah. Hello. Good shannon. Yeah.