Cosmos Flowers With Oil Pastels

1. Introduction and Overview : Welcome to this class on Cosmos flower with oil-based to. In this class you will learn to draw 14 easy, beautiful and vibrant cosmos flowers. We will start with five easy cosmos flowers. Then we will move on to Cosmos lovers with the background. Followed by three realistic cosmos flowers. And finally, laptop as well, Cosmos flower. We will start the class with basic concept of drawing Cosmos flower. Then we will move on to basic oil pistol techniques. Then we will move on to two ways in which you can collect the cosmos flowers. After that, we'll be painting nine vibrant and colorful Cosmos flower. Then we will move on to sit easy Cosmos flower with lighter shades of color along with small buds. And after all this preparation and example, we will move on to the 14 projects, starting with five simple competition of the Cosmos flower. Then we will move on to the Cosmos flower with the background. After that, we will move on to the realistic Cosmos flower. And finally, lots of other small cosmos lovers. Thanks for enrolling in this class. My name is resolved. One thing, I am an artist from India and I'll be your instructor for this class. See you in the next video. 2. Class Project : As for the class project, I would like you to draw any of the 14 Cosmos flower. You can draw any of the pipe, easy cosmos flowers. You can draw the Cosmos flower with the background. You can draw any of that realistic Cosmos flower. You can draw any of the bunch of Cosmos flower. And don't forget to save your painting in the project section. 3. List of Supplies : For this class, you will need a pencil, an eraser, masking tape for securing the people. Blending stump. Your lips. And tissue paper for blending. Ilp still paper, or any paper of more than 140 DSMB will do the work. I'll be using a five and a four-sided people of various colors. And obviously, I'll be stills. See you in the next video. 4. Sketches : In this video, I will show you how I approach drawing the Cosmos flower. I'll be sketching out the guidelines for the flower, and I'll be showing you different ways in which I draw the Cosmos flower. For this first flower, I'm starting with a circle for the center of the flower and drawing in the petals of the flower. This is a very simple way in which you can draw the Cosmos flower, starting with a circle for the center of the flower, and drawing in the petals of the flower, you can add six to ten flower petals or as many as you prefer. It tastes to the petals of the flower. Adding some dots for the center of the flower. Now moving on to the second Cosmos flower. For this, I'm starting with a bigger circle, will act as the outline for the placement of the flower petals. Drawing a smaller circle for the center of the flower. And now growing in the petals of the flower. That'd be good circle that we drew earlier, act as the boundary for the petals of the flower. To make them more easier, you can divide the circle into four equal parts that will make the placement of the flower petal more easier and uniform. Using this to circle, we can draw the flowers facing in different orientations. I'll be showing you four different examples of the flowers for this, instead of drawing the circle, arbitrary elongated circle or ellipse, the first flower, It's facing towards the left, dividing the elongated circle into four equal parts. This will make the placement of flower petals more easier and uniform. The second flower is the top view of the flower. The third one is facing towards the right. The fourth and the final one will be drawing the top view, the planted, drying the center for this flower and adding in the petals. While keeping the perspective of the flower in mind, wearing the sequence idea of the flower petals and filling in the power button inside this boundary. Moving on to the second flower, repeating the same, drawing, a smaller circle for the center of the flower. And following the rules of perspective, wearing the sequence id of the flower petal and filling in the power button inside the circle. Moving on to the third flower. Repeating the same procedure during this entered for the flower and following the rules of perspective, wearing the seep inside of the flower petals and placing the flower petals inside that bigger circle. With this, we're done with our third flower, will be going to the fourth and the final one, following the same procedure, drawing the center for the flower and filling in the flowers petal inside the bigger circle. So I've put in the final Cosmos flower is ready now going in with a pain to draw with the pencil sketch, starting with this simple cosmos level. Adding details to the flower petals. Moving on to the second flower, starting with drawing the biggest circle with the dotted lines. Dividing the circle into four equal parts. Bringing the center of the flower. Now, placing the flower petals inside, be good circle. I didn't details to the flower petals. Moving on to the tag flower during the outer circle. Dividing now to settle into four equal parts. During the center of the flower. And going over the pencil sketch up the flowers petal, wearing the sequence id of the flowers petal. Adding details to the flower petal. We learn through the food flour, starting with outer circle. Now to separate into equal parts. During the center of the flower. Now filling in the flower petals, adding details to the flower petals. Were you going to do the fifth flower, starting with the outer circle. Dividing the outer circle into four equal parts. Bring out the center of the planet. Now filling in the flower petals inside the outer circle. Moving on to the fifth and the final Cosmos flower, starting with outer circle. The inner circle, dividing the outer circle. And appealing in that. Now let's spectral inside the outer circle. When to Spoonflower, only the side petals are visible. Now connecting this tends to that lever. Adding some leaves to the stems. In their main painting, we'll be adding more tiny leaves. Here is an example of the Bulge that we'll be doing in their main paintings. With this, we are done with this getting of the cosmos lover. See you in the next video. 5. Oil Pastel Techniques : The ILP still have very price sensitive. With the ILP is still, you can apply two types of prison. The first one is the light prison, the second one is the median prison. And the third one is the highest amount of pressure that is used to apply the ILP style determines how much producer will be required to blend the colors, as well as different overlaying techniques are used in case of different races. Moving on to some of the techniques, ILP, still a very versatile medium. With the ILP style, you can carry out many of the techniques that are used in different mediums. Like you can do hatching, crosshatching, as well as stepping technique for the hatching. Simply draw the lines. For the cross hatching, crisscross the lines. And that's what the stippling technique create. Two small dots with the oil-based still will be using hatching as well as the stippling technique by drawing the cosmos flowers. We'll be using heading for the petals of the flower. And we'll be using stippling technique for the center of the flower. Leaning forward with the blurring effect, put ILP still with the ILP style, you can achieve very good blurring effect, so forth. The blurring effect, I'm starting with drawing the three circles. And I'll be showing different tools that you can use to achieve that blurring effect. For this, I'll be using mapping it and blending stump to bled the outlines of the circle with the first one going in with my finger and apply increase it to blurred outlines of the circle. Going into the Q-tip for the second one. And for the type when I'm going in with the blending stump, letting the outlines of the circle, the blending effect. Apart from these, you can use a piece of paper glued to the same lighting effect, drawing another circle. This time, I am going into that tissue paper but keep the blurring effect. As it is clear and evident that this blurring effect can be achieved by your finger or tissue paper. Now let's talk about blending the colors. Blending of colors depends upon two things. The first one is that tools that we'll be using to blend the color. And the second one is the initial pressure that we use to apply the color as well. The tools you can use, Q-tip, blending, stump, piece of paper or cloth, or your finger. Let's talk about depressor. I'll be drawing three circles during the first circle with the light pieces. The second one with a medium presser, and the third one with the heavy pressure, so forth. The first one, I have to apply heavy preset to blend the colors. The second one, I have to apply a medium pizza. For the third one, there is no need to apply a preset to blend the colors. Now let's talk about the tools for this. I am drawing rectangles with medium pressure, and I'll be using different tools to blend the colors. The first one, I'm going in with my finger to blend the color. For the second one, I am going in with a Q-Tip. For the third one, I am going in with a tissue paper. For the fourth one, I am going in with the blending stump depending upon the situation and the requirement, different tools are used. Blending stumps had useful preseason, tissue paper or thing that's obvious for larger areas and for most of the time, Q-tips are used. Now let's talk about blending two or more colors. For this, I'll be using two colors and two ways to blend those colors with the first one, I've already saturated yellow. Now going in with the blue and adding it just below the yellow. And put the second one, I'm starting with glue, leaving some space and now going in with the yellow. Filling white in the empty space. Now going in with a Q-tip to blend the color, I'm moving from blue to yellow. And as you can see, the police where blue is blended with a yellow, a little bit of green is farming. In case of blending, two colors, get no white in between. You have to keep in mind the direction in which you add blending and use it about reversing the order of lending. I have applied medium, press it to blend the colors with these weird and put the plus two colors. Moving on to the second one. The one with the white. And to blend two colors with white in the middle, you don't need to pay much attention to the order of blending the colors. Because the presence of white in the middle act as intermediary between the two colors. And that makes the blending process much easier and smoother. Containing forward, let's talk about creating gradient with the colors for the gradient creation, I'll be showing you two examples. Starting with yellow for the creation, the first gradient. So as you can see, some of the blue pigment where attached to my yellow cleaner. To avoid this, you have to clean your ILP still after every use. But after using it with other color cleaning, my ILP is to live the tissue paper. But this plus gradient, I'll be using yellow, light orange, orange, and red. Now going in with light orange, adding water and on top of it. And find me going in with the red. With these were done for laying the colors for the gradient. Now let's blend the colors. In case of creating region, the order of blending does not matter. You can start from top to bottom or from bottom to top. And you can rebuilt order of bleeding in between. With these, our first gradient is complete. Continuing forward. This time we'll be creating gradient with high pillar, starting with green, I think turquoise blue on top of the tree. Now adding, producing blue on top of that turquoise blue. And now going in with a darker shade of blue on top of that producing view. And by me adding black on top of it. Now let's blend the colors going in with a Q-tip to blend the colors by applying heavy prison. The audit of blending colors does not matter. In the case of gradient creation, you can start from top to bottom or from bottom to top. Applying heavy blizzard to blend these colors. With these, we're done for the gradient creation. Leaning forward with the overlaying techniques, overlaying simply misleading when color on top of the other some of the things that you are, but keep in mind while applying overlaying technique. But it's collateral on top of its colors. For example, I am starting with deep green, adding white on top of it. You can clearly see the white is visible. But when I'm trying to overlay yellow on top of it, the yellow is not eagerly visible to you have to experiment with the colors to see which colors are visible in top of the other. Here the white is clearly visible on top of the screen. You can also experiment with different presets. Here I'm applying medium pressure with a green. Novartis is still clearly visible. Now going in with the yellow. As you can see. In this case also the yellow is not clearly visible. Now, experimenting with lighter colors, going in with the yellow is the primary layer overlaying on top of the yellow. Now it is clearly visible on top of the yellow. One thing to keep in mind, the darker colors are always visible on top of the lighter color. One more example of darker color on top of the lighter color, starting with yellow overlaying Greenland top of it. The green is clearly visible on top of the yellow. With this, we're done for the techniques, the ILP still see you in the next video. 6. Cosmos Flowers Coloring Demonstration : In this video, I will demonstrate how you can sketch out the outlines for the Cosmos flower, as well as to ways in which you can paint. I'm starting with the pencil to draw out the guidelines for the flower growing and bigger circle and a smaller one. Using the circles as the guidelines for drawing in the petals of the flower. You can add six to ten petals, whatever you prefer. For painting this first flower will be applying heavy preset to blend the colors. As for the colors, we'll be using salmon, pink, and pink. That's what the leaves and the stems will be using, olive green and lime green. The purpose of this demonstration is to show you how two different techniques are useful blending purpose. For the first flower, I'll be using overlaying technique and applying heavy pressure to blend the colors. For the second flower, I'll be using medium prison, but I'll be applying blending tools to blend the colors. Apart from this, for the first flower, I'll be using guidelines to draw the flower. And for the second flower, I'll be directly drawing the flower on the pistol paper. With this, we're done with the sketching section for this painting. Now, let's paint starting with media law for the center of the flower. Now going in with the pink, creating smaller strokes near the center of the flower. Wireless near the outer edges of the flowers petal. On top of this pink, I'll be going in with the Salomon pink and adding it on top of it by applying heavy pressure for this first flower will be avoiding use of anim blending tools. With these, we're done with the pink now going into the settlement pink and filling in the rest of the flower petal with the settlement ping, overlaying this element being on top of the pink, applying heavy pressure to blend the settlement pink with a ping. With this, we are done with the salmon pink, moving back to the center of the flower and adding some orange for the center of the flower. And now I'm going in with the burnt sienna and creating smaller strokes. Now adding this pink on top of this element being using overlaying techniques. And finally Lean going in with magenta and adding it near the center of the flower. To make the blending mode smooth for the petals, you can add more settlement pink on top of this magenta and blend the colors. Adding some magenta near the outer edges of the flowers better. With these, we're done with that first flower. That's what the leaves and the stems, I'll be using the red green and olive green. Now going into the dead green, sketching out to stints with this third green and cleaves, adding a flower petal in the settlement, pink. Now I'm going in with the pink to add more details. Connecting this a small flower bud to the stem and adding olive green on top of the jade green. Adding tiny leaves with the olive green. For the second flower, I'm directly painting the flower. I'll be using the same combination of the color, but instead of applying heavy pressure, I'll be using medium pressure and I'll be using a Q-tip or blending stump to blend the colors, drawing out the guidelines of the flowers better directory and the pastel paper using this light pink. For the second flower, we'll be applying the colors with medium pressure. And to blend the colors, we'll be using blending tools. You can use tissue paper, your finger, blending stump, Q-tip. I'll be using the same colors that I used earlier for the first flower. But instead of applying heavy blizzard to blend the colors, I'll be using blending tools to blend the colors. Now I'm going in with the magenta near the center of the flower and adding solvent pink for the rest of the flowers. Metal. Filling this element being for the rest of the flower petals by applying medium presser, whittling the settlement being on top of the magenta. With deeds, we are done with the pinks going in with a Q-tip to blend the colors. Get really blending in the colors with the Q-tip. If you went mostly season, you can use blending stem. Blending all the petals of the flower with a Q-tip by applying heavy press it. I think a little bit of orange for the center of the flower. And now going in with the burnt sienna, creating small stocks with a bunch of Ghana using the stippling technique. That's what the leaves and the stems, I'll be using dark green and moss green. Sketching now to stems and leaves with this green. Adding more tiny leaves, adding another small flower with Salomon pink and the bank. Now going over there dark green with my screen. I was not satisfied with the magenta near the center of the flowers metal. So going back again with the magenta and adding it near the center of the flower. Now, going in a bit the Q-tip to blend them magenta to the rest of the flower petal. To make the colors more smoother to blend, you can add bank on top of this magenta and then blend the rest of the colors with these weird dendrite to flower demonstration. You can clearly see the difference between the two techniques. The first, clever use heavy preset to blend the color. And for the second part will be used blending tools to blend the colors. 7. Cosmos Flowers Different Colours Examples : In this video, I will show some of the color combination for your cosmos flowers. I'll be showing you nine examples of the cosmos flowers. Put all this nine example. I'll be applying heavy pressure to blend the colors. I'll be using blending techniques and sometimes I'll be using overlaying techniques to blend the colors. So let's just start starting with pencil to draw the outline for the flower. I'll be using YouTube to blend the colors. Instead of Q tip, you can use your fingers or you can go with a blending stump. Now let's paint our first flower. For this first flower, I'm starting with yellow for the center of the flower. With the same yellow, I'm skipping one side of the petals for the centers of the flowers, I'll be using a combination of yellow, yellow, orange, burnt sienna, burnt umber, or black. So mainly, I'll be using a combination of three to four colors. Generally, I'll be using yellow, orange, burnt umber, and black. But depending upon the situations and the color harmonic, I'll be using different colors to two. So for this first flower, we are creating smallest strokes with burnt sienna near the center of the flower. Now going into with them, correct? For the petals of the flower. Outlining the rest of the flower petals with a red. We are done with the red. Now going in with the olive brownie and the center of the flower, creating a small strokes near the center of the flower. Adding little bit of yellow on top of the red food highlight going in with white, creating ladders took as compared to the burnt sienna that we use earlier. But these were done for the petals of the flower. Moving back to the center of the flower, adding Carmine, eating smaller strokes with the Carmine put the center of the flower. And now to finalize the center of the flower, adding burnt umber. With this, we're done with our first grade Cosmos flower. Moving on to the second Cosmos flower for the center, I'm starting with yellow. Now going in with the orange, put this flower. I'll be using yellow and orange villain. Sketching out the outline for the flower with the yellow. Now filling in the yellow for the petals. If it's hard for you to directly drawn the paper and you can start with pencil and drawing out the rough sketch and then filling in the colors. With this, we are done with drawing the petals of the flower with yellow continuing forward with orange. Adding aren't near the center of the flower, including small strokes with the orange near the center of the flower. This time I'm using a lighter shade of orange. And with these, we are done with the orange moving back to the center of the flower and in some burnt sienna for the center of the flower. And with this we're done for the center of the flower. And to finalize our painting, I'm going in with the bite, creating bigger distorts with the white on top of the flower petals. And with this, we're done with our second Cosmos flower. Moving on to the third flower, starting with drawing the center. For this type of flower, I'll be drawing a pink Cosmos flower. For this tag flower, I'll be using pink color and odd in this yellow. Starting with pink to draw the outline for the flowers petal. Adding more details with the pink. And now doing it with iron, this yellow and overlaying it on top of the bank with leaves. We are done with overlaying on a new skill on top of that thing. Now let's blend the colors. I'm going in with a Q-tip to blend the colors. Blending the ironies here a little bit, the pink. Applying medium and high protect to blend out and use yellow with the pink. Blending the outlines of the petals for the rest of the ironies here along with these, we're done with the blending section of this painting. Continuing forward with the flower. I'm going in with the burnt umber for the center of the flower, adding it on top of the yellow. And with this, we're done with our third Cosmos flower. Moving on to the fourth flower, starting with yellow to draw the center of the flower and outlining the petals of the flower with a thin yellow. Adding some details to the center of the flower petals with the scene yellow. With these we have defined outlays of the flower petals. Yellow. Now continuing forward with the pale yellow filling in the rest of the flower petals with the pale yellow. Now let's blend the color. Applying heavy pressure to blend the colors. With these, we're done with the blending section of this painting. Moving back to the center of the flower and in burnt umber for the center of the flower. And with these, we are done with our quote, cosmos lever. Moving on with the fifth lever. For this, I'll be using yellow, green, and white, starting with the media literate or the center for the flower. Now going in with a gray to draw out outlines for the flower petals. Adding some details with the crania, the center of the flower petals. And now I'm going in with white to fill the petals of the level. And with these, we are done with the whiteboard, the petals of the flower. Continuing forward. Let's blend the colors. Blending the right with the gray going in with the burnt sienna for the center of the flower. And with December 5th, cosmos love what is complete. Now moving on towards sits, squat most lava, starting with yellow to dark at the center of the flower. Now going in with orange to draw the petals of the flower, as well as adding details, the petals. This flower I'll be using yellow and orange. And that's what the scientist I'll be using, burnt sienna. Now filling in the same yellow that we used earlier to the center of the flower. With this, we are done with the yellow. Now let's blend the colors with these two are done with the blending. Moving back to the center of the flower, adding some burnt sienna. With these over six cosmos is complete. Moving on to our seventh lever. For this, I'll be using orange to see in blue, sky, blue and black outlines of the flowers metal with the proofs in blue, adding more details to the petals of the flower with the Prussian blue. Now going into the sky blue and filling in the rest of the petals. Blending the sky blue with the blue symbol using a Q-tip. Going into the black to add more detail to the center of the flower. We learned that the eight flower, well this I'll be using yellow, sky blue, and burnt sienna. Bring out the guidelines for the petals of the flower with the Sky View. Filling in some of the sky blue near the center of the flower. Now going in with the pink and overlaying it on top of that sky blue. Lending the sky blue with the pink. Going back to the center of the flower with the burnt sienna. With these are eight cosmos lover. It's been just moving on to the ninth and define new Cosmos flower. Starting with yellow to dark, the center of the flower. This ninth Cosmos flower, I'll be using yellow, blue, and light purple, starting with rate to draw the outline for the flower petal. As you can see, I'm only outlining one side of the flower petal. I'm applying medium pressure to throw out the outlines, but one side of the scoured metal. And for the other side, I'll be using the same rate, but I'll be applying lower pressure. And with these two are identical. The outlines of the flower, metal leaning forward with the produce in blue. And in this leucine blue near the center of the clever bleeding smallest Stokely, the center of the flower with this bruising blue. I decided to add some more details to the petals of the flower. I'm going in again with a blue and creating some rigorous tools for the center of the flower petal. With this, we are done with the blue cyan blue going into the light, but, but filling in this light button for the rest of the flower petals, overlaying some of the light purple on top of the producing glue that we've painted earlier. Let's blend the colors. Blending the protein blue, light purple, and the red. Blending this return to the center of the flower and I read Tim burnt umber. And they use some greens to add stems to the flower with the 79 cosmos flowers are complete. See you in the next video. 8. Easy Cosmos Flowers (light shades): In the next two videos are also more examples for the color combination for the flower. Apart from this, I will so different orientation of the flowers that you can draw so as to make things easy and faster allergies kicking out with the pin and then filling in the color. So I am directly starting with a pen to draw this case for the flower albatross N6 labyrinth total to flower at a time, they will be facing in different directions and indifferent orientation. This is also an easier way to draw the Cosmos flower. For this lab, I'll be using blending modes to blend the color. So I'll be applying medium pressure to fill the color. I'll be using two colors for upper level. For the first flower, I'll be using oranges, yellow, and pale yellow for the second flower. I'll be using Selmer and white for the third flower, I'll be using pink and lemon yellow. And for the leaves and the stems, I'll be using two greens and into Greensboro do their work. As for the Center for the flower, I'll be using yellow and black for this flower. I'll be using very less colors. I'll be using two colors for the flour and two colors for the leaves and the stems. This is just to show you that you can get very beautiful and bright Cosmos flower, even using two to three colors. With this, we're done for the first sketch. Moving on to the second, the second power, this kid, one of the flower is facing away from us. Moving on to the Pavlov and Skinner. These were done with the sketching section for this painting. Continuing forward, let's paint the flower, starting with yellow for the center of the flower, filling the center of all pipe levers. Let's paint our class clever. Adding. I didn't use yellow near the center of the flower as well as the in the middle of the flower petals. Moving on to the second power with the oranges, yellow. With these, we're done with the oranges, yellow. Continuing forward with the pill yellow. I think this pale yellow on top of the other nice yellow filling all the flower petal by the orange, yellow. Moving on to the second planet with this orange, yellow. With this, we are done with the oranges, yellow going in with the black, put the center of the flower. Now, let's blend the colors. Blending this ordinance, yellow with a pill yellow, blind heavy press it to blend these two colors. Moving on to the second flower. With DC, we're done for the flowers. Moving on to the stems and the leaves, use any two green colors. So here I am using dark green and on top of this I'll be using lime green. With these, we're done for our first two levers. Moving on to the second flower. For the second flower, I'll be using Zelman and white, starting with settlement, adding the settlement near the center of the flower, as well as the in the middle of the flower petals. Rating bigger strokes with this element. Moving on to the second flower, the flower, which is facing away from us. Adding the Selmer near the center of the flower, as well as creating strokes with this in the middle of the flowers petal. Continuing forward with the white, adding this white on top of this element. Now let's blend the colors. These three are done with these two flowers continuing forward with the stems and the leaves. Using to green for the leaves and the stems. With this, we are done with these two flowers and the stems. Moving on with the third in the final flower. For this, I'll be using pink and lemon yellow, starting with pink, adding it near the center of the flower, as well as creating bigger strokes with this pink for the flowers petal. Continuing forward with a lemon yellow. Adding this lemon yellow on top of the pink. Moving on to the second problem with these, we're done with the lemon yellow. Now let's blend the colors. Blending this pink with a lemon yellow with this Q tip, a blank, heavy blizzard to blend the colors. Moving on to the stems and the leaves with the green. Using to green for the leaves and the stems. Playing one on top of the other. Now going into the blackboard, the center of the flowers, the bees, we are done with the math. It's clever. See you in the next video. 9. More Examples of Colour Combinations : Like the earlier video. In this video, I'll also show you some different color combination for the customers lovers. This time, instead of starting with pencil, I'm directly starting with the pen. Apart from the flowers, I'll be drawing in somebody for the first escaping LB only drawing to flower. For the second one, I'll be drawing when flower with one bud. And for the Cytoscape arbitrary, one flower with two. But this time I'll be using pink and light green, turquoise blue and white, and light purple with white. As for the leaves and the stems, this time I'll be using only single color. For the first flower. I'll be using dark green for the second flower, I'll be using olive green and for third flower, I'll be using lime green as well as Satan. I'll be using yellow with d squared. And for this, getting the first two flowers. Moving on to the second power. I think the but-for the flower. With these, we identified one flower in the bud. Moving on to the title sketch. Growing up the deadline for the bud. And B, these were done with one flower with two birds. And now we are done for this kitchen, late Spain, starting with yellow for the center of the flower. Now going in with the pink. I forgot to add details to the flower petal. We're back again with a pen to add details to the flower petals. For this first flower, I'll be using pink with gray. With this, we're going to read in details for the past two flower, moving on to the second flower. The second flower, I'll be using turquoise blue with white. And let's put the leaves and the stems. I'll be using olive brown. Instead of this olive brown. You can use olive green also at any green, whatever you prefer. Now moving on to the third power a bit, these were done for adding details to the petals of the flower moving metadata, let's wing back again with a pink for the petals of the flower. Now going in with a light green, like the earlier demonstration. In this demonstration, I will also use the blending tools to blend the colors. I'll be using Q-tips and applying heavy pressure to blend the colors. When these were done with the light green, I'm going in with a Q-tip to blend the colors. A blank heavy pressure to blend the pink with the green. With this, we are done for the blending in with the burnt umber or any dark seat to add ADTs to the center of the flower. Now, going in with a dark green for the leaves and the stems. And we're done for our first two flower. Moving on to the second flower, starting with yellow for the center of the flower. Now going in with a turquoise blue, creating bigger strokes with a turquoise blue near the center of the flower and on top of the flower petals doing in with the white. And nobody links some of the white on top of the turquoise blue. Let's blend the turquoise blue with the white. Applying heavy printed the blender turquoise blue with the white. With these were done for the flower moving into the Flaubert's, but starting with turquoise blue and adding weight on top of it. Going in with the olive brown for the leaves and the stems. Instead of this olive brown, you could use any green. And with this we're done for our second flower. Moving on to the third and the final one, starting with yellow for the center of the flower, with a light purple for the petals of the flower. And adding this light purple for the buds. Now going in with the white overlaying some of the white on top of the light purple. Adding this white with a bunch of the flower. Now let's clean white with the light bulb. Blending the color for the buds. These were done with the blending, leaning forward with a lime green adding stems and the leaves. With this, we are done for our flower. See you in the next video. 10. Blue and White Cosmos Flowers : For our first drawing will be painting two blue and white Cosmos flower. I'm starting with the sketching out the outline for the flower. This is just a reference page. The purpose of this case is to show you how you can draw your own competition. Domain painting that we'll be doing will be different from this one. Going in with a paint to add more details to the flowers. For this painting will be trying to flowers and birds. As for the colors for this painting, I'll be using sky blue and white for the petals, deep yellow, orange and burnt umber for the center. Sky blue and white for the buds, and deep green and olive green for the leaves and the stems. Now we are done with the sketching. Let's paint. I'm starting with deep yellow for the center of the flower. Now going into the sky blue, I'm using medium pressure to draw out the outlines for the petals. I am just drawing out the one side of the outline using medium presser and for the other side of the outline for the petals, I'll be using very light pressure here, the center of the flower. I'm playing medium presser and sketching out some strokes. Now for the other side of the petal, I'm applying light pressure. With this, we are done for the outline for our first Cosmos flower. Moving on to the second flower, I'll be following the same steps, starting with deep yellow for the center. Now sketching out the guidelines, put the flowers petal using medium and light bristle. Now, we are done with the flower moving on to the buds before the birds. I'm just going small strokes with a blue. Later on I'll be adding bite on top of it. Now let's paint the flower. I'm going in with divide and applying medium pressure to fill the petals. Doing the theme for the buds. Now let's blend the color. I'm using Q-tip to blend the sky blue with the white applying hairy. But I said to blend these two colors, instead of using Q-tip to blend the color, you can use blending stump or tissue paper. We are done with the first lever, moving on to the second flower. Now I'm going in with the orange for the center of the flower. And now I'm going in with burnt umber for the center flower. With these, we are done for the flowers. Now let's paint the greens. I'm starting with deep green. Connecting saved to the birds and the flower on the stems with a deep green. You can add or subtract more leaf if you prefer, and adding more details to the leaves. And with this, we're done with that deep green. Moving on with the olive green, adding olive green on top of the Deep Dream, not completely covering up the deep green that we painted earlier. The addition of this olive green on top of that deep drinks, drinks more variation to the painting, as well as makes the green mode vibrant. With this, our first painting is complete. See you in the next video. 11. Pale Yellow Cosmos Flowers : For the second drying, we will be painting to Cosmos flower facing away from us. I'm starting with the pencil to draw the rep, competition for the painting, drawing an oval for the flower. This is just a wrap, this case. The purpose of this reference case to show you how you can design your own competition. Now, going into the paint to add more details to the platform since the flowers are facing. Abby, promise, I'm starting with the point where the flour mix the stems growing in the petals. Keeping the perspective of flour in mind and batting the seep inside of the petals. With this, go ahead and put our first flower, moving on to the second flower. In this, adopt this case the second flower and in the left side, but in the main painting we'll be drawing the second flower in the right side with these two are done for this getting. Now let's paint. I'm starting with Romberg withdrawing the point where the stem connects to the flower. Now going in and drawing the outlines for the petals. To add more details to the flowers, I am creating strokes with the red. And with this we're done for the first level. Moving on to the second flower, repeating the same procedure, starting with Romberg. No going in with that rate to draw the petals. Completing the stems with the raw umber. I forgot to add detail to the petals going into Madrid to add details to the second level. Now let's draw leaves with the Rumble. With this, we are done with that almost moving into the pale yellow, filling in the petals of the Cosmos flower with the pale yellow applying happy place them in blending the red with the pale yellow. Pop up this be yellow, I'll be adding white later on. Filling in the pill yellow near the stem. With this, we are done for the first flower, moving on to the second flower, filling in the yellow by applying heavy place it. As you can see by the application of heavy prison, the ages of the raid has merged with the yellow. And with this, we're done with the pale yellow. Moving on with the olive green, adding details to the leaves and adding olive green on top of the addition of this olive green on top of that armor, clipped variation and mix the green look more vibrant. Now to finish our painting, I'm going in with the white and creating strokes near the center of the flower. Now going back again with that, might be there but required with detailer. Second painting is finished. See you in the next video. 12. Orange Cosmos Flowers : For our third painting, we'll be drawing an armed Cosmos flower with two birds. I'm starting with pencil to draw the sketches for the flower. Drawing an oval for the flower. Growing another well for the bug. This is just a rough escaped. When we'll be painting the flower, we will make adjustments as we go. Going in with a paint to show you that f is good for the flower and the bug. If you are comfortable with directly drawing on the paper, then there is no need to practice this. For the flowers, we'll be using. Yellow, yellow, red, and white as well. The leaves and the stems of the flowers, we'll be using olive green and turquoise green. So let's start with the flower. I'm going in with the muddy yellow to draw the center of the flower light around to add more details on it. I'll be going with burnt umber. Moving on with the orange, growing the outlines for the petals. For this flower, I'll be drawing in tin petals, keeping the perspective of the clever in mind and burying the sequence id of the petals. Well, we've looked at the buds. Greetings stroke near the center of the flower to create more details. Now going into the yellow and now adding it on top of the orange by applying heavy. Pleased today we're blending the ages, have the item with the yellow carefully filling in the yellow for the petals. So with this we are done for the flower moving onto the buds of the clavicle, doing the theme, applying high repressor and blending the yellow and the orange. So we're done with the yellow bone now, going in with the burnt umber for the center of the flower. Now let's add more details to the flower going in with the rate at creating small strokes near the center of the flower. Going back with the yellow and blending the red with the rest of the flower petals. And finally, going in with the white and creating larger strokes. Adding my district through the parts of the flower as well. Now let's do the greens. For the greens, I'll be using olive green and turquoise green here. I have already started with the olive green stamps to the flowers and the birds. It's getting old outlines for the leaves. So we are done with the olive green. Now I'm going in with turquoise green, adding more details to the leaves. And adding that color is green on top of the olive green. I descend up this turquoise green on top of the olive green makes the green more vibrant. And these are iron Cosmos flower with two births is complete. See you in the next video. 13. Three Red Cosmos Flowers : This fourth drying, we'll be painting three Lake cosmos flowers. I'm starting with the pencil to draw the outlines for the flower. There will be three flowers in this painting. Apart from the two flowers, they're a little bit three words. I am also sketching out the guidelines for the petals. For the flowers, I'll be using lemon, yellow, red, burnt umber, and white. Now let's paint. I'm starting with the yellow filling in the center of the flower as well as the buds. Now going in with a lemon yellow drawing, the outlines have the pencils that we established earlier. Moving on to the second flower and finding, moving on to the Todd Glass MAS level. So out of the three bud, this will be the biggest. I think lemon yellow near the center of the flower. I'm applying medium prison. No, going into that red, the blank medium pressure and filling in the petals. So we are done with the rate for the first-level, moving on to the second and the third one. Well, we went to the butts of the problem. So we are done with the red for now. Now let's blend the colors. I'm going in with a Q-tip to blend the red with a lemon yellow. Avoid blending the red with the center of the flower. Applying heavy press it to blend the lemon yellow with red. Let's blend all the petals of the flower. On top of this rate, I'll be going in with burnt umber, white and little bit of medium yellow. Moving on to the second flower. Instead of Q-tip, you can use blending stump or tissue paper if you're using P2P, but you have to be extra classes. And now let's play now a third level. With this, we are done for the flowers, moving onto blending the butts of the flower. So we are done with the red for now, going into the burnt umber and adding it near the center of the flower, I'm creating a small stocks with the burnt umber. I'm using this burnt umber near the center of the flower to create a contrast between the yellow, the center and the rate of the petals. I think burnt umber to the bigger been as well. Now going in again with a Q-tip to blend the burnt umber with the red. Now moving on to the bug, going in with the media law and adding it on top of the mountain. But and finally going in with a bite and creating bigger Stokes. Adding white to the butts of the clever in blending a little bit of white to the rig. And to finalize the center of the flower, I'm going in with the burnt umber and creating small strokes. Now let's paint the green with the greens. I'll be using deep brain, a lime green. I am starting with the parts of the flower. And on top of this deep green, I'll be adding lime green. I think stems and the flowers and the birds. And now it's a lift to the stems. And on top of the steepening, I'll be adding lime green later on. So we are done with the deep green. Moving land with a lime green. I didn't this lime green on top of the deep ring a decent up this lime green on top of the deep lean meats it more vibrant. Now to find the lies that painting going back with a Q-tip to blend the abs wherever required. And with this, we're done with our fourth painting. See you in the next video. 14. Six White and Grey Cosmos Flowers : For this painting, we'll be painting six white and gray Cosmos flower. Here. I'm starting with yellow to draw the scientists of the flower. I'm using this muddy yellow as the primary layer for the center of the cosmos flower connect around. I'll be going in with the orange. And on top of that orange, I'll be going in with burnt umber, burnt sienna to add more details to the center of this cosmos flowers. And now moving on to drawing the outlines of the flower, I'm going in with a light gray to draw the outlines of the flower. As for the numbers of the petals, I'll be drawing in eight to ten petals. So we're done with our first flower. Moving on to the second one. Let's sketch out our third flower. Moving on to the food flour. Now, moving on to our third flower and finding, blowing out the outline for the sixth and the final Cosmos flower with d squared. And for drawing out the outlines for the Cosmos flower. Moving on to the birth of the Cosmos flower. Here I have started with the Greek letter on. I'll be adding in the byte. Know going in with the white, applying happy place it to blend the white middle gray for the birds of the Cosmos flower. Now let's paint the Cosmos flower, doing in with the white, applying heavy preset in blending the outlines of the green with the white, filling in the white for all the petals of the cosmos lover. Later on to add more details to the petals of the Cosmos flower, I'll be going in with the gray on top of this white. Moving on to our second Cosmos flower, apply heavy preferred and blend the outlines of the gray with a white about the center part of the flower. Moving on to the third class MAS level. Now we're done with our third Cosmos flower. Moving on to the fourth one, it's been diverted Cosmos flower. And by ni, going in with the white or the six and the final cosmos level. With this, we're done for the flowers and the birds for now. Moving on with the greens here, I'm starting with the mosque green. On top of this mosque green, I'll be going in with the lime green. You are welcome to try different combinations of the green. Now connecting stems, the birds of the flower. Moving on to adding leaps to the stems. You can add more leaves to the stems if you prefer. With this, we are done with the mosque green. Going in with a lime green and adding it on top of the screen. Hey, listen up this lime green on top of the mosque, cream makes it look more appealing. Adding lime green for the stems and the leaves. And with these, we are done with the greens. Now coming back to the centers of the flower, I'm going in with the orange and adding it on top of the media law to find the light, the centers of the flower. I'm going in with the burnt umber. Us not satisfied with the centers of the flowers. So I am going in again with the orange. With these, we are done with the centers of the flower. And now, to finish the painting, I'm going back again with a gray, creating smaller strokes to Grenier the center of the flower. The addition of small strokes near the center of the flower and gives a new dimension to the flower. Bake it bows, and look at your picture. And I agree, wherever required near the center of the flower. Adding more gray to the birds of the flower. And with these, we are done for this painting. See you in the next video. 15. Blue and Red Cosmos Flowers : For this painting, I am using a purple color Bristol paper, starting with drawing two circles, the settlement being further background. Now I'm going in with a pencil to draw the outlines for the flower. I'll be drawing three flowers. Let's talk about the colors for the background. I'll be using settlement pink, or in this yellow and olive green for the flowers. I'll be using yellow and burnt umber for the center, for the petals. I'll be using red, light, Proustian blue, ultramarine blue, and white. That's what the birds, I'll be using the same color, ultramarine blue, blue, white, and red for the leaves and the stems. I'll be using light olive green and the red green. Now we are done with the sketching, adding some more salmon pink near the flower. And now containing forward for the background, I'm going in with the olive green, carefully filling in this olive green near the settlement, pink, as well as the flowers. Now I'm going in with the oranges, yellow and adding it near the outlines of the settlement being. With these, we are done for the colors, for the background. Now, let's blend the colors. I am going in with a tissue paper to blend the colors. When I am done with the background painting in Florida, but let's paint the flowers, starting with yellow for the center of the flower. Now I'm going in with the right to draw out the outlines for the flowers metal, keeping in mind the perspective of the flower and wearing the seed site, as well as the orientation of the flowers petal. Moving on to the second flower. And finally, moving on to the third flower. With these, we're done for the sketching the outlets for the flowers petal, continuing forward with the ultramarine blue. Adding this ultramarine blue near the outer edges of the flower's petals. Moving on to the second flower petal. Now moving on to the first flower petal. Now I'm going in with a sky blue and adding it near the center of the flower are what links some of the sky blue on top of the ultramarine blue. With these were done with the sky blue. Now let's paint the bottom, starting with red, drawing the outlines of the bud, adding ultramarine blue. And finally, going in with the sky blue. Now, let's blend the colors. Blending the sky blue with the ultramarine blue. I'm using Q-tip to blend the color. Moving on to the second flower in blending the colors. And finally, moving on to hide clever. With these, we are done for blending the sky blue with the ultramarine blue, going back again with the olive green and adding it wherever required in the background. Blending the olive green to the rest of the background that we just painted. And now to add more contrast to the flower, I'm going in with the policy in blue, adding this cruising below near the center of the flower, adding it on top of the sky blue. Moving on to the second power. Now moving on to the third flower. And in this blue similar to the bird. Now, we'll finalize the petals of this flower. I'm going to divide and overlaying it on top of the leucine Leu. With this, we are done for the petals of the flower. Now let's add the stems and the leaves going in with a light olive green drying the stems with the flower as well as the buds. I didn't leave to the stems. Now, moving into the jade green and overlaying it on top of the light or laboring. Going in with a settlement pink to rectify this area. Blending the settlement pink to the rest of the background. Now for the center of the flower, going in with the burnt umber and adding it to the center of the flower. With this, we are done for this painting. See you in the next video. 16. Pale Yellow Cosmos Flowers With Background : For this painting, we will be drawing three Cosmos flower. I'm using a gray oil pastel paper, starting with pencil to draw the sketch for the flowers as well as the birds. But this painting, there will be three flowers and three birds. With this, we are done for the sketching section. Moving on with the colors, starting with media law to draw the centers for the flowers. That's what the background of this painting. I'll be using white, light gray, and sky blue. Here. I've already started with the white to avoid mixing the colors, outlining the edges of the birds with the white. This white for the middle portion of the background. On top of this, I'll be going in with a light gray. And finally, I'll be going in with the sky blue. And now going into the light green and all with links. So up the light gray on top of the white. And finally, going into the sky blue at the third color for our background. When we are done for laying the colors for the background. Now let's blend the colors. I am going in with a tissue paper to blend the colors. These were done for the background. Now let's paint the flowers going in with a pale yellow to draw the outlines for the flower's petals. Keeping the perspective of labor in mind and varying the CAP site as well as the orientation of the flowers petal. Finding the outline for the birds. With these, we are done with the PLO going in and the oranges yellow overlaying this oranges yellow on top of the pale yellow. Moving on to the second flower. I'm moving on to our final flower. Adding this oranges, yellow for the buds. Going back again with the media lobe, what the center of the flowers as well as the bud. Know, going in with the orange, this orange near the center of the flower. And finally, to find the length, the petal for this flower, I'm going in with the white creating strokes with a white near the center of the flower. Living under the second flower. And moving on to the third flower, creating strokes with a white. With these, we're done with the petals moving back to the center of the flower, going into the burnt umber to add more details to the center of the flower, using the stippling technique to create small dot for the center of the flower. And with these, we are done with the flowers and the petals. Let's draw the greens, starting with the brain conducting stands to the flowers as well as the buds. I think a lot of leaves With these were done with a deep green. Now going in with a Jet Green, adding this jade green on top of that deep green and creating a dense value to the leaves. I ended up with lots of jade green before I decided to add some deep green. Now, going into the deep green to create some texture for the stems and the leaves. Blending some of the greens in between the petals of the flowers. Going back again with the burnt umber for the center of the flower. With this, we are done for this painting. See you in the next video. 17. White Cosmos Flowers with Gradient Background : For this eighth drawing will be painting pipe Cosmos flower with lot of birds. So I am starting with a white pencil to draw out the outline for the flower. In this painting, there will be five big Cosmos flower. And apart from that, there will be many birds. Moving on to sketching the second level. Let's talk about the colors for this painting. For the background, I'll be using blues, grays, as well as greens, starting with turquoise blue, followed by light blue. Then going in with a light gray, light purple, lime green, jet green, yellow green, and finally grass green. As for the flowers, I'll be using yellow, white, light gray to add more details to the petals of the flower. For the leaves as well as the stems of the flowers. Emerald green. A little bit of prose in blue and yellow, green. Apart from the scholars, you are welcome to use whatever greens or blues you have. Moving on to sketching the third flower. While I'm sketching out the guidelines for this flower, I am keeping the perspective of flour in mind. Sketching out some of the birds. Moving on to sketching out the guideline for the fifth and the final Cosmos flower. These were done for this getting sex and for this painting, moving on to the colors. Now let's paint our background. The background here I'm starting with turquoise blue. Applying medium potato field is turquoise blue at the top section of this painting. Now, the light blue, adding it just below the turquoise blue, and overlaying some of the light blue on top of the turquoise blue. Good, fully defining the outlines for the petals so as to avoid mixing up the colors later on. So continuing forward with a light gray, adding it just below the light blue, and I'll be all linked some of the slight degree on top of the light blue. No continuing forward with a light purple. Good fulfilling in the light purple near the petals of the flower. With this, we are done with the blues and the greens. Now continuing forward with the greens, I'll be using red, green, yellow green, grass green, and lime green. Starting with lime green, adding it just below the purple belt, going into that, that green carefully filling that did great in between the petals of the flower. Moving quite red with yellow green adding it just below the dead green. If you don't have the exact color, you can use whatever colors you have. And you are welcome to try your own combination of the color for the background. And finally going in with a grasping adding it is below the yellow green. And with these we are done for laying out the colors for the background. Now let's blend the colors going into that tissue paper to blend the color. Instead of this tissue paper, you can use blending stump Q-tip to blend the color. I'm going into the tissue paper as ADA is large. Blending the colors together with the tissue paper. Carefully blending the colors in between the petals of the flower. Good color blending in the collision between the petals of the flower. So as you can see, we have created a beautiful gradation of color and starting with the blue and ending with the greens. And with these, we are done with the background for this painting. Now let's paint the flower starting with yellow for the center of the flower. The petals. I'm going in with the white. Later on, I'll be adding a little bit of gray strokes on top of this white to create more contrast to the petals of the flower. With this, we are done with our first Cosmos flower moving into our second white Cosmos flower. Moving on to our third Cosmos flower. Now let's paint our code quite Cosmos flower. Moving on to the fifth and the final white Cosmos flower. Now let's create birds With the Wind. Wearing the flip side in the placement of the birds. You can add more births if you prefer. With this, we are done with the white for the flowers as well as the birds. Going in again with a tissue paper and blending that the banks near the edges of the flowers petal. Now I'm going in with a light green and adding it on top of the white petals, creating more contrast with the white and the grades for the petals of the flower. I think a little bit of light gray for the birds of the flower. Now continuing forward with the greens, adding stems as well as the leaves with the green here. I've already started with the emerald green. Apart from this emerald green, I'll be using a little bit of blues in blue and put the majority of the sets and I'll be using yellow, green, cleaning a lot of stems. Connecting leaves to the stems with the emerald green, earning a little bit of leucine Leu. Now creating a dense foliage of green with a yellow-green overlaying this yellow-green on top of the emerald green that we use earlier for the stems as well as the leaves. No carefully filling in the greens in between the petals of the flower. Wherever required. I think someone cleans wherever required. I did some more greens wherever required. When these were done for this painting. See you in the next video. 18. Realistic White Cosmos Flower: For this line, drawing or painting a realistic white Cosmos flower. As compared to the other cosmos flowers that we have painted earlier. This one will be bigger and tight. So I am starting with pencil to draw the outline for the flower I'm using a grip is still paper. For this realistic flower, there will be many layers of the petals. So when these two are done with the sketching, so now let's paint our first realistic cosmos Flavel. I'm starting with lemon yellow to draw the center for the flower. Now I'm going in with a gray to draw the outlines. I'm applying medium blizzard and throwing it over the outline that I drew earlier. As you can see, I'm not completely covering up the outline. Strokes on that petal near the center of the flower. With this, we are done with that green. Now let's paint the white. Blank, medium pressure to fill the white. Now I'm going in with a Q-tip to blend the colors, blending the white with a grade. This is just to show you how we will approach drawing rest of the petals along with this white, if you prefer, you can use a little bit of pale yellow. Now let's fill the white for the rest of the petals. Good for rippling in the white for the rest of the petals while trying to maintain the shape of the petals. This will be our primary layer. On top of this, we'll be adding more Greece and white wherever required. So I am done with the white for now. Now let's blend the colors. Going in with a Q-tip and applying heavy pressure to blend agrees with the bite. Carefully blending in a bite with that leaves for all the petals. I am blending the color. I am trying to avoid matching the outlaid for the petals. Good, fully blending in the white with the greens. This will be our first layer. On top of this, we'll be adding more Greece and the white. But these, I am done with the blending for now. Going in with white, again, going in with white to add overt outlines of the petals, as well as creating more taxes with the white. With this white, I am providing a definite shape to the petals and gluten texture with a widening in the center of the flower, as well as creating stroke in the middle of the flowers petal. So I am done with the white for now. Now let's focus on the center, going in with the yellow and adding it on the left side of the flower center. And now I'm going in and burnt sienna and creating small strokes with it. Continuing forward to create strokes with that burnt umber. And finally, going in with Blackboard, the center of the flower. And with this we're done with the Center for the flower. Now going in with a gray and adding more details to the petals of the flower. I'm angry wherever it is required. And now I think I am done with the flower. Let's put the stem of the flower. I'm starting with olive green. Now going into deep green. Going with olive green on top of the deep ring. Be get both and look back at your picture and add white or gray wherever required. With these, our painting is complete. 19. Two White Cosmos Flowers : For this paint drying, we'll be painting too realistic, whilst most flowered with birds, I am using that rate pistol paper for this painting. You can use whatever color you have or whatever your pupil, starting with the pencil to draw the graph competition for the painting, drawing the centers for the flower, as well as indicating the points for the bug. Now, let's paint going into the media law for the center of the flower. Now I'm going in with the white to paint the petals of the flower compared to the last realistic cosmos. Where did this time we'll be painting two semi realistic cosmos flowers, keeping the perspective of flour in mind and burying the seatbelt site as well as the orientation of the flower's petals. With the same then with outlining the sketch for the first Cosmos flower. Moving on to the second Cosmos flower, keeping the perspective of Lover in mind and drawing out the petals for the flower. With this, I'm done with this kitchen for the second flower, moving on to filling the petals of the flower with bite. Then with the white for the second flower, moving on to the first flower and filling in the white but the petals. With this we are done for the white for now. Continuing forward with a light gray, I didn't get near the center of the flower, as well as the outer edges of the petals. After this slide, we will be using dark green. With this, we are done with the light gray, then tuning forward with the dark green, adding this dark gray near the center of the flower, as well as the outer edges of the petals. Compared to the light gray we added at the end, we'll be adding this dark gray in medalists quantity. With these, we're done with the second clever, moving on to the first flower and adding this dark, rainy or the sideway regions of the flower's petals. Going back with the bite and adding it wherever required. Adding more yellow for the center. Moving on to drain the budget for the flower buds. Let's connect the stems to the flower as well as the birds. Going in with a green. Here I'm using mosque green. Good, fully attaching the butts to the stems. Now connecting flower with the stems. And connecting the last word with the stem. Now let's add leaves. You can add more leaves if you prefer. Now, to make the greens more interesting and vibrant, I'm going into the pistol green and adding it on top of the screen. With this, we are done for the leaves and the stems for now. Later on, I'll be adding olive green on top of it. Moving back to the center of the flowers, going in with the orange. With these, we're done with the orange for the center, continuing forward with the burnt umber. And finally going into the blackboard, the center of the flower. With this, we're done for the center of the flower. And to provide a clean outline for the petals of the flower. I'm going in with a Q-tip and blending the outlines of the flower's petals, giving a defined shape to the buds. And with this, we're done with the Q-tips. And finally going into the olive green and adding it on top of the mosque green and the pistol. Adding more definition to the birds with the olive green. And with these our teeth painting has been, is to see you in the next video. 20. Pink Cosmos Flowers : For this, the 11th drawing will be painting two pink cosmos flowers. I'm using a blue pistol paper. You can use any other color or whatever you have. Starting with pencil to draw the rough sketch for the flowers. Let's talk about the colors for this painting. For this painting, I'll be using a combination of the pink colors. For this painting. I'll be using rose pink, iridescent pink, lavender and, and another variation of the pink for the leaves and the stems, I'll be using dark green and light green. As for the center, I'll be using yellow ocher and burnt umber and a little bit of black. I'll be using blending technique to blend these colors. So I'm done with the sketch. Let's paint. I'm starting with media law to draw the center point of lover. Now continuing forward with that rose pink drained outlined from the flowers petals with those pink, keeping the perspective of lava in mind and wearing the semen site, as well as the orientation of the flower's petals. Lou, environment to sketching out the guidelines for the second flower's petals. Now let's add the colors. Filling in the pink for the petals I am filling in this rule is being by applying medium pressure. Moving on to the second level. When we are done with that was being put now, continue forward with the iridescent pink. I think this iridescent pink near the center of the flowers metal, as well as creating larger discourse with it. Now adding a little bit of burgundy me the flower center. Now let's blend the colors. Upon blending, I was not satisfied with the result, so I decided to add some more pink. So here I am using lavender. Going back again with the Q-tip to blend the color carefully, blending in the rose pink, in a pink, as well as the lemon death. For more precision of the flowers petal, you can use blending stump. With these via blended the colored with the first flowers. Moving on to the second Cosmos flower. And repeating the same thing with the second flower adding lavender near the bottom of the flowers petal. Now, I'm going in again with those pink and then adding it near the center of the flowers petal, as well as defining the outlines of the flower's petals. Instead of this rose pink, you can use white. Adding more iridescent pink near the center of the flower, as well as adding some more iridescent pink near the outlines of the flower's petals. No, blending the ages of this iridescent pink that we painted. Just know, adding some more roasting. With these, we are done for the flowers. Continuing forward with the greens, for the stems and the leaves, I'm using light green and deep green. I'm starting with a dark green, growing to instance with the dark green. Now I'm going in with the light green, leaves with the dark green. Later on, I'll be going in with a light green on top of this deep green. Now, I'm going in with a light green. With these, we're done with the leaves and the stems. Coming back to the center of the flower. I think some orange. Now writing some burnt umber and finding, adding some blackboard, the center of the flower. With this, we are done for this painting. See you in the next video. 21. White Cosmos Flowers (small flowers): So for this tool triangle, the pending alert to fight Cosmos flower. So I am using a violet pastel paper starting with white. I didn't gray on top of the white and red links and part of the white with the green. Now going in with acetylene blue, adding it on top of the gray. Now going in with the ultramarine blue. And now let's blend the colors. I'm using a piece of paper to blend the colors, using circular motion to blend the colors. That's the density of the white was decreased going in again with the white. Now let's blend the right with these other background for the painting is riding. Now, moving on to drawing the centers for the flower. I'm starting with yellow. Let's draw some flowers. Now. I'm going in with white to add petals to the centers, adding five to six petals to the flowers. Apart from these flowers, I'll be adding a lot of birds. I think small buds here. And then with this, we're done for the flowers, for the sky section. Now going in with a deep green to add extends to the flower and the buds. I'm using deep green. You are welcome to use any other greens. Later on we'll be adding leaves with a light green. And apart from the greens, that'll be using black also. Now moving forward during mood centers for the flower, randomly drawing in the center for the flowers. Now let's draw more flowers, adding more flowers here and there. So as you can see, as I move downward, I have increased the numbers of the flower. I'll put the lower most section of the painting. I'll be adding more flowers, adding some small buds here and there. Now continue adding more centers, but they may be alone. Now, let's paint mode white Cosmos flower. After completing these flowers, I'll be adding stems. For the stems and the leaves. I'll be using beep green, grass, green, light green, a little bit of brown and black. Now let's add stems with a deep green than it instills to the flowers and the boat with a deep ring. Going into the grass green to add more stems and the flowers and the buds, growing some leaves here and there. But that glass screen. Now I'm going in with the light green, adding more leaves here at mid. Now I'm going in with the black and filling in most of the vector space between the flowers and the board with the black. Addition of this black brings more diamonds into the painting on top of this black, I'll be adding in the greens. If you prefer, you can use olive green around but instead of black. So we are done with the black going into the deep grown. And now I'm going back with the green and adding it on top of the black, as well as in the other, back into space between the flowers and the birds. Going back with a light green and o when laying it on top of the black. And now to add more detail to the center, I'm going in with the burnt sienna. Some of the center of the flowers were not Kigali visible. So I am going back, but the media literate define the centers properly. With this, I'm done with the media law. No, going back with a bunch of yellow to add detail to the center, creating single tiny stroke with the burnt sienna to add details to the centers for the flowers. Adding more white votes them up the flower, as well as adding more buds. These were done for this painting. See you in the next video. 22. Colourful Cosmos Flowers : So this is our 13th and the final painting. For this, we'll be painting colorful cosmos flowers, like the earlier project. Instead of white Cosmos flower, we'll be painting a bunch of different colored Cosmos flower. And while retaining the background also. So here I've already started with white. Now going in with a glass tint. This time I am using Khrushchev's artist ILP style. Now I'm going in with the light pink, adding some more light on the top. Now, going in with the 3D scene pink. I didn't, I didn't just below the iridescent pink, but all these colored, I'm applying medium pressure. Now I'm going in with red. And finally going in with acetylene blue for the top. Overlaying some part of the white blood cells in blue. Now let's blend those colors. I'm using a piece of paper to blend the color starting from the top, using set blend modes to blend the color. Unfortunate to make ambulance stopped working. What I did was just blend it all the colors. Now to add some clouds, I'm going in with media law. I decided to dot two clouds for this painting. I think pink just below the media loss. Now let's blend the colors sent the city a small person as compared to the whole painting. I'm going in with a Q-tip to blend the colors. Blending the pink for the media, and blending the rest of the cloud with the background. Adding some more media law for the Cloud, giving it more diamonds currency. Now let's blend again using circular motion to blend the yellow. But these were done with the Cloud and the background for the painting. Now let's draw some flowers. I'm starting with yellow to draw the centers of the flowers. I'll be doing a bunch of flower with the different colors. I'm starting with flushed into the flesh color for the flowers. Randomly drawing in the flowers as well as the buds with a flat state. Moving on with the light orange. Now going into cerulean blue, you are more than welcome to try out different combinations of the colored flowers as well as much with the C2 in blue. Now creating flowers with the white. Now going into the deep ring to add stem to the flower as well as the buds. The new fiber to draw more centers, put the flower. Adding more flowers with the white. Here, I have got two different colors of the white. One is more transparent than the other. No drawing the flowers with the sky blue. Moving on to drain, flowered with a light pink. Adding more flowers with the orange. No drain would flowers and the birds with the violet continuing forward to draw more flowers. And the birds with the magenta. Now going in with the yellow ocher, going in with another variation of the pink. Adding more flowers with a translucent white flowered if the light yellow. Now what I am trying is to just fill the space. So we're almost done with drawing the flowers as well as the bird. Moving onto the black filling in there, most of them back into space between the flowers and the birds with the black. But they say I'm done with the black. Now going back to the deep green to add steps to the flowers as well as the leaves. Filling in the rest of the record displays with a light green. And adding the light green on top of the black dot completely covering up the black. I think some small leaves here and there. Good fully filling in the light green in between the flowers and the buds. No going in with the burnt umber to add more details to the center. Some of the flowers at the center, but not clear. So I'm going back with a yellow. Any more, white to some of the white flowers. Now I'm going in with burnt umber for the center of the flower. With these are typing, then the final painting is finished. See you in the next video. 23. Conclusion and Thanks : Congratulations on successfully completing this class on Cosmos flower with ILP style. I hope you learned something new and exciting through this protein projects. If you have any doubts or question asked me in the discussion section. And if you have drawn any of these 14 projects, please upload it in the project section. And one more thing. If you liked this class, please leave a review in the review section and save your feedback and sedation with me. Thank you again for enrolling in this class.