Transcripts
1. Class Introduction : Hello everyone. My name is Ola,
I'm Arthur color, artist and surface designer. In this class we will be taking a relaxed and
easygoing approach to exploring the magic of
watercolor painting. Today we will be focusing on painting as standing
watercolor bird. This subject will provide us with the opportunity
to play with bright colors and experiment with exciting textures
and techniques. One of the best things about
this painting style is that it doesn't require a
heavily detailed drawing. This means that you will be
able to focus on expressing yourself and exploring
new techniques without any added stress. I would love to have
you in my class. So let's get started.
2. Class Project: Thank you so much for joining
my water color class today. I am thrilled to have you here. And we were going to
have a lot of fun, as you may have seen in
the introduction video. Today, we will be focusing
on painting a stunning bird. If you're feeling unsure about your drawing skills,
don't worry, I'll be sharing my own
mirrored sketch in the resources section for you to use throughout the
painting process. So you can focus on learning
the watercolor medium, etc. If you are having
difficulty transferring your sketch to the
watercolor paper, I highly recommend watching
my other class called modern watercolor motifs
for surface pattern design. In this class, I provide
detailed instructions on how to transfer your sketch using a
variety of transfer methods. I would love to see your
process and final outcome. Please don't hesitate
to take a photo of your painting and upload it to the student
project gallery, which you can find under the
Project and Resources tab. Here you can share your
experience with other students. We use their work and offer feedback and support
to one another. And of course, I'll be more than happy to give you my feedback. Now, before we get started, I would like to introduce
you to the materials that we will be using in this
class. Let's dive in.
3. Materials And Supplies: Before we dive into
the painting process, let's take a moment to
review the materials and supplies that you will need to follow along with this class. For color selection. I will be using
thymine tie gentlemen, my end blue eye with his
genuine and lunar black. However, feel free
to experiment with different color combinations to make the artwork your own. In terms of paper, I'll be using Arches
paper, 300 GSM. This high-quality paper is
great for watercolor painting, as it can hold and absorb
the water effectively, allowing for smooth and
vibrant color blending. With regards to brushes, you will want to have a
size ten or eight brush for larger washes and
a size six or four. Additionally, irregular or
size zero brush can come in handy for creating fine
lines or small details. Now that we have all our
materials and supplies, Let's get started on
the painting process.
4. Body First Wash: Welcome to this class and
thank you for joining me. Get ready to pick up your brush and dive
into the fun part. First, Let's width our paper
and start painting the body. Stay within the lines
and make sure to keep this area nice and wet so the paint can move
freely on the paper. I am using PyMOL tight, general, but feel free to use any similar colors you
have on your palette. Let's add some interest by leaving some areas
without paint, creating some less
than found it. I am adding more
concentrated color to some areas to create
a nice texture. Now, let's add some
dips and color by introducing emesis
genuine as a shadow. This dark purple adds liveliness and
vibrancy to the bird. That gray or black
just can't achieve. Use the rigor or a size zero brush for details
and finer lines. To add texture, Let's splatter
clean water on the paper. I hope you can listen
to the sound of the splattering water and watch it creating
a unique texture. You can use a paper towel
to remove any excess water. As we near the end
of this first wash, Let's soften any sharp
lines with clean water. The brush move smoothly
across the paper. As we blend and
refined the painting. Let's enjoy the
process and see what we're going to paint
in the next lesson.
5. Eye And Head: Let's work on the bird's eye. Now. I'll be using Leonardo
black and a small brush. Remember to make the eye
the darkest section of the bed and leave a small
white area as a highlight. It's important to take your
time to refine your lines. To make the eye look
rounded and shiny, I am going to add only clean water to the
bottom corner of the eye. This will give it a nice effect, rather than making it
look like a solid color. Once you've finished the eye, we can move on to the head. Wet the area with
clean water first, but be sure not to use
too much. For the head. I'm going to use my
end blue, genuine. If you don't have this color, just use a blue that you have. But try to make it soft and not too bold for this painting. Just as before, you don't need to fill the whole
area with blue. Here I am using
only clean water. To add dimension to the head, introduce some purple
with a small brush. I'll be using MSS genuine. But if you don't
have this color, use any purple you have on hand. Remember to soften
the sharp lines. Let's add some texture
to the head by adding concentrated
blue to some areas. Then soften your lines
with a clean brush. After you finish.
Leave it to dry.
6. Wing And Beak First Wash: First, let's prepare
to paint the link with the area with clean
water using a big brush. Makes sure the surface
is evenly them. Before loading your
brush with Mayan blue. As you paint, try to leave some white areas to create
Lost and Found edges. Then use a clean brush to
soften any sharp lines. Now for the exciting part,
Let's add splatters. While it's satisfying to
splatter watercolors, take care to avoid overdoing it. Keep in mind, less is more. You can add some
emesis genuine with a small brush. He had. I'm using just clean water
to enhance the texture. Leaves the first wash to dry while you move on
to another area. For this section, apply a
light wash of Leonardo black, followed by Mayan blue. Outline the eyeball with a gentle touch of
Leonardo black. Lastly, the wing
area is almost dry. You can add some clean water
to create a unique texture. This will give you a
painting, a nice finish. Let your painting dry completely before moving on
to the next step.
7. Second Wash: Now that the first
layer has fully dried, it's time to add some more depth and
dimension to our painting. We will be using a
small brush to apply a second layer of Miami
blue and MSAs genuine. Softening the edges
with clean water as we go to create a more
natural looking effect. For the next section, we will need a
light wash of lunar black applied gently
with a small brush. This area requires a
little extra care. So take your time and be steady as you work through
the tight spaces. Once we have that in place, we can continue by adding a more concentrated
layer of United. This will help us in building up the details and textures
of the painting. Repeat the steps until you
are happy with the results. Remember to take breaks and
step back from the painting. Sometimes it's best to
leave a section for a while and come back to
it later with fresh eyes. Don't hesitate to
experiment two. You might find that
layering new colors or techniques leads to
some exciting results. So keep practicing and have
fun with your painting. Don't be afraid to be creative and try out new ideas
and techniques. This can lead to some truly
amazing and unique styles.
8. Finishing Off: Now that we've
completed our painting, it's time for the
last few details to really make it shine. We can add some splatters to create some movement
and texture. Using a brush or tooth brush to flick the
paint across the surface. Any unwanted disport or mistakes can be easily cleaned
up with a paper towel. Now for the magic step, we can erase any
leftover sketch lines, allowing the colors
and shapes to stand out more boldly and
freely on the paper. It's amazing to see how a
little bit of cleanup can make such a big difference
in the final product. Typically, I prefer to
make my sketches with light lines so they're
easier to cover up later on. However, for the
purpose of this class, I went ahead and
made my sketch with darker lines so that you can see it more clearly
on the camera. You remember that makes perfect
and don't be disappointed if your first attempt doesn't turn out exactly as you hoped. With time and patience, your skills will continue
to grow and improve. So keep experimenting.
9. Thank You: Thank you so much
for joining me. I would love to see
your finished painting. So please feel free to share
it in the project section. And if you enjoyed this class, be sure to follow
me on Skillshare for more upcoming
classes and tutorials. Thank you for joining me. And happy painting.