How To Draw Cartoony Robots

1. Introduction: Hello and welcome to ECE drawing cartoony Robots. My name is Christa, and together we'll see how easy it is to learn. We will start with the basics. A simple robot. Draw some cute dots. See how you can take inspiration from your favorite robot and add to your own design. Then draw three different battles. Going through hints and tricks to roll your drawing skills. We will create robots with jobs and imagine their backstories to expand the world they live in and see what can be changed to make a more interesting picture. I see myself as a storyteller. I think any medium can be used to tell the tale, can be a boot again, or an animated story. I worked on multivariate projects. Having fun and just playing around to be a great way to free yourself and create something marvelous and person. This is the beginning of a great journey into your spine. 2. Your First Robot: So before we start, I'm just going to tell you that I will do the first sketches with a blue pen to make available in a rough sketch. And after that, I'm going to use a black pencil to show a more cleaner line and some details. If you don't have this, they don't want to use it. You can use a pen or a marker or crayon. It doesn't matter as long as you are sketching and drawing and having fun. Also, we are going to do a little bit of a warm-up by doing small doodles, maybe some circles and some lines like that. Then you can draw a circle, square and triangle. So this is to loosen up your hand and to fire up your nervous system so you're ready to go and start drawing. If you have some other pattern you want to draw, yes, go ahead. It doesn't matter as long as you loosen up your hand. So we're going to start by drawing a simple cartoon human. Starting with the head, circle, little neck, body. A pair of shoes. Of course, arm somehow. Instead of him by the side like this. It's throwing up some guidelines. They're easier to place the nose, the big eyes, pupils. Still a big smile, two ears. Don't worry about wobbly lines. This is just a sketch. Sideburns, little bit of a messy hair. When I talk about robots. And it is a course that will include Android's droids, etc, all kinds different sci-fi terms. The phone London showing little bit shape of the hand, trousers, shoes. Yeah, quite rough like that. Let's say that we are going to make this guy who is standing here into a robot version, can draw some guidelines from top of the herd and from his feet. We can also do about from his shoe, one from his waist. We would do the same. Roberts also going to have a little bit of a neck. Here. We'll have torso. Now of course they should have some legs. I'm drawing these characters quite straight ahead. You should have some sheet. Let's do these feet tall so that they are a little bit angled like that. Of course you can do something that is join. It's nice to say that it's very good that you start to add voice to this character. Because it will help you take this character to new places that you've never thought about. I quite often do this when I start drawing sketches for my, my books. Eventually does this character is going to start to talk back to me. This is way too easy. This is a very easy way to get the very nice flow into a story. And I highly recommend you to start communicating with your characters because they are probably going to save our interesting things to you. So with the robot here, I'm going to draw that the jaw is separated from the rest of the head. Like this. It's still a big smile. Though. It also will have ears like this. And I love wonder if it should have some kind of antenna. We can make just maybe too small. I'm telling us hero. Almost like an insect. We can also add that there might be some, maybe some light. There's communication going on up here. Of course, the robot should have arms to do the same with the joint here. There's angular piece to his arms. His arms just a little bit longer than his human counterpart. And dog instead of hands, maybe he has some kind of close to circular shapes like that. So as you see, the robot is quite, humanoids. Does kind of the same proportion as the guy, but it looks completely different. Because of all these small mechanized part, parts. Here. Maybe we should have some buttons, lunge, draw robots, else play around with very simple things that you can add to it. Some small gadgets, some buttons, maybe some labs. Whatever you can imagine that the robot has attached to it. And done, I think I will make a little line going up here. And then another line here. Line up here. These are sort of the methyl sex cells that are forming the torso alone that we can add. Small bolts or rivets. Show him where the robot is fused together. There we go. The basis for your first robots. Let's clean these characters up. I started with the human. I'm just going to go euros quite rough and wobbly lines. Have a given your character's name. Please do. I think these two characters are Rufus robots. I'm not sure yet who has which name, but it will come clear quite soon. Let's just make it very simple. Shade to the hair. Loss is gonna do this. This shape before they are. It looks like this little bit bigger. To form a very simple explanation of how the error is looking. It is looking in a cartoonish way. Print out the sweater, the farm, and you can draw S2, little nail there. His finger, number, trousers, shoes. And as you'll see, I'm not drawing something that is hundred percent perfect. That's quite important when you start drawing is not trying to find a perfect line or anything else. Play around. Console. All of those things will come later. This is just about you loosen it up and letting your mind and your hand work together. It's going to make a little bit stronger lined under the null so it pops out a little bit. Strings from the eyes. Slightly. Probably add some eyebrows too. You should add some strings underneath his feet that will connect him to the ground. And you can also add a little bit of a shade. Something very simple like this. You can always go forth and back on your drawing. If you need to strengthen certain lines. There you have the human that's called him Rufus. And that means that this guy is Robert. His mechanized version. Both Burson power, friendly and smiling. I'm probably both of them are very happy to help neighbors with different kinds of shores. As you see when I draw the pupils, I'm leaving a little bit of light in them. This is a way to give the character a little bit more of a life. I can show you that what happens if I fill this in, we get more of a stair and a little bit more of a almost like that ice could be fitting to this robot. If you prefer to have it that way. Small beam. It's also going to have a neck. We can also add a little bit of detail here, like a ring with Nick is attached to the torso. His clients for the torso. When you draw, please add some music to wherever you are sitting. It actually helps your creative process. Just imagine that you might be listening to cut off the verdict. If you know this group. We are the robots. Or maybe you're actually listening to classical music like Beethoven or maybe some music or whatever it is. Because the music will that affect your creative process? Always tried to listen to different kinds of music when I'm creating things. It helps me a lot. It could be very upbeat music, very fast. That's actually speeds up my, my pen. There we have the legs. Don't worry. If the lines are getting a little bit crooked. It's justifying. The feed is clunky feet and us with this character, Let's go ahead. And so strength underneath. And you see it attaches itself to the surface. We can make some shade there to be adding my little wobbly lines. And as you see when I connect these shadows, it feels really that are standing in the same same area, same space. There we have them, Rufus and Robert. Good work and see you in the next lesson. 3. Two Alternative Versions: So let's go ahead and make some variations of the first robot. We can make the first one quite short. I'll still going to use the same bits and pieces of the first row. So it will have basically the same head hair with the happier the two eyes like that. But we are going to make him quite stocky. So his main body, we'll be almost like a square like this. And he will have some small arms sticking out like this. Let's do that. Instead of having clause, he will actually have tiny, tiny heads with small fingers like that. Then we can make the arms multi-joint it almost like a sort of a cable that can bend. Making markets like this. Then we can have a very flat feet underneath them like this. Somebody tiny legs. This is so great when you're making robot designs, is that they can really pick and choose and mix everything up quite a lot. And it still doesn't look awkward in other way. Because if people do this with a human, it will change the way you look on it quite a lot. This is like now this doesn't look sort of realistic. Robert You never know because Robert, you can mix and match as much as you want to. And they also play a role. Because that's a very important aspect to your creative process, is that you really feel you're having fun and you're free and loose because if there's too much to bulbs, then you put too much of different rules the top of your process, it actually gets too heavy. Us to remember that what you're doing right now. It's actually both building your skills and having a really good time doing it. Strengthen dislikes just a little bit. Inside here. We can still use this little elements. We can put it on this side. Maybe add another button or indicator or whatever it is like that. Then we can maybe have something a little bit bigger. Maybe sexually, some kind of something for a slot, for a key or something. Don't always have to explain a circular wireless when you are drawing it. It can come later on. You have been talking to your character. What's going on here? I think that's enough. Actually. Little rivet points. Then it can start to think about what name is Robert us? Maybe it's just Robert to who knows the same, but some kind of voice in your head. Imagine what the difference of voices between the two, these two robots. Maybe they should have the same voice. Who knows? Done the simple Thomas the beams. When I was a kid, this was one of my favorite things to do, people throwing robots and then I drew a lot of racing cars. That can, you'll spend hours in my room making up all kinds of strange designs. Sometimes the robots were racing, racing cars. There was always a very tight, tight battle. That's actually a thing that when you grow up, you kind of lose this seriousness or playfulness a little bit. I don't know what age you are when you're watching this, but if you're still a good deal of, you will have no problem finding new things. When it comes to the characters they sold and what kind of profession they have or whatever it is. But maybe when you were a little bit older, can feel a little bit unusual. As soon as you start to practice these things, everything will come back. For me. I always have a great time being so-called slightly shield, immature or whatever. People can tell you that you are. What does the else the way I am? I love playing around and making gags. Thinking of workplace. So I think it's all strings over here to connect the character to the ground. Just a little bit of shade to like with other characters. Connecting them very slightly so they are standing next to each other. Not forgetting the eyes. There you can see I left a little bit of this lighting is ice and they do look quite different. There's no right or wrong. It's just tried to find a way that is fitting mostly to the character you're working on. And that's why it's important when you practice is that you try different things and don't worry about outcome. Everything is going to be great eventually, as long as you're practicing and having fun, let us do some shade to underneath here. That was strengthening this slide. You'll see that done the legs goes in behind the torso. I will do the same. I2. Just a slight shadow. Strengthening dislike. The receiver gets some more depth to character. And then we will do another variation of Robert. Maybe he's actually the same height. This other characters approximately. Draw him up here. Starting some guidelines that are, it's more easy for you to find. The placement of the face details. Easier to place the eyes. So they are more the same distance from the middle. Here's just one. We will note down those beaming lights. You'll still see the difference. Works better or not. And with this character, I think he's torso will be quite compact. Bone. They're looking like this. And then he will have very long legs and feet that are almost like, almost like triangles. You see, I don't want them really to touch. So don't want a nice touch. What I'm going to do is just subtract the line just a little bit. So there's some room between the feet or wherever you can call this robot parts. Never feel to be a stranger with your eraser. It's a good friend for your process, which you feel something that's feel that something is changing, please go ahead and do. Because every time you take out your drawing pad on your pen, it's supposed to be very playful and a lot of fun. With the legs. I will do the same line as this here. It will be joined parts like that. Yes. Bend the legs. And then he will have very small arms. Let's make some kind of risks there. And then we'll go back to this, the sign that he has. Cloth like that. Yeah. Some more things to the lines. Then we can continue to add detail to this character to believe should have those plead parts. Of course, the small rivets. And we will add more detail with that. The black pencil will probably call this character Robert three of them. Since we decided that this is the second part. And maybe Rufus actually created all of these robots. Maybe as we'll see, school assignments to create something technical back home. Or maybe he's this guy who really wants the world to be a better place, a cleaner place. So we invented these robots for cleaning up the local park. Who knows? I'm sure that you have an even better story forming in your head right now. I'm just adding a little bit more strength fundamentals here. Little bit more here too. You see the nose is popping out a little bit. More. Contrast and strings you give to a certain area. The more our eyes are drawn to that place, it gives more focus. And it's quite often that you want the focus to go up to the face in the character. So the alternative parts, a little photons. Terrific, terrific. I would do the shading here to slightly more strength of the knee. Fear. Can also add a little bit to strengthen the knees his whole life. But when you have I'm methyl parse that looked like that, you can always add just a little bit of shade. One side and a little bit of a line here. Give it some more volume. The same here. We can actually really awesome the other part like this, showing that there is some kind of reflection going on. A little bit of shade on this side too. Just a little bit. Of course. Lastly, the shadow on the ground. There we go. The first robot with the two variations. Good work, and see you in the next lesson. 4. Thumb Bot: I thought we will draw three cute robots. And we will start doing a phone box. Something looking like. We can start by drawing a rectangle shape, something like this. On top of that, we can add round shape. They're really not the wrong shape up here. So it looks quite symmetrical. Instead of drawing like in the last robot that we were having a guideline somewhere around here to show that it's the frogs front view. We will just move it just a little bit. This guideline to decide something like this. Starting into this direction. And then we will add sort of a window up here, a little display. When you draw something cute. Remember that it's good to have a big round shapes. Using this guideline, we will draw a couple of eyes, big ground-based like that. Then we can leave little light in the eyes like this. Just draw these lines a little bit more distinct. So now I know what I'm doing. I'm from this outer shape. Let's make that a little bit clearer too. As you see, I'm not using this guideline I had here for the rectangle, but I will use it down here instead. I'm going to do a little bottom shape. And then be sure to have arms for this little fellow and we should place them somewhere around the hair. Maybe. I'm of course the other one will be on the backside somewhere around here. The start of the arm. Draw this out. Just a little, little bit of a sticking out like that. Of course, his hands shouldn't be very big. They are quite small. And he only has three fingers. This arm is coming out here. Then we have another Have there been both three fingers? Yes. He or she should have some legs too. This should probably be quite small to looking a bit like the arms. Something like that. With very, very tiny feed. Yeah, that looks good. This robot should maybe have a little bit of an antenna. Let's make a little base for the antenna there and then apply your popping out with a little receiver. That looks good. Can we just start to have a little bit of shade here? I thought this thumb should have a few. It would be quite a few details on this bottom, so we should keep it quite clean. Maybe there's a little hole here. And I'm going to loud, maybe a little button or a hole here. There may be a small detail here on the front. Maybe something that is similar to this shape but a bit smaller. Maybe there's some kind of ventilation here in the front. Can get quite overheated when it's doing its shores. Yeah, I think this looks really good. Can I just add a little bit shader on the slides? Yes, that's a good start. Let's continue with the black pencil and write those details. So the big eyes with that little light, giving the robot some extra life. The little mouth can start to imagine this little fellow is sounding. Maybe his voice is quite booming actually, you don't know. Maybe that's a big surprise. And then we can go and do a little hand the attachment for the arm, outline for the body. So what kind of function do we think this thumb but has? Maybe he's a city planner or maybe he's helping out sorting your mail. Maybe it just walking around and being cute and holding up the morale. In some far off place. The little legs. We will add some strength underneath the feet to connect him to the ground. Of course, we should do some a little bit of shade here. Doesn't have to be a lot, just a little bit. The ventilation part where maybe you have some other idea what this is. Feel free to fantasize it really else to add Much better backstory and you will find more details on the next time you draw this character. Maybe you'll do a different kind of posts showing what kind of purpose this machine has. Just going to add just a little bit of shade to this slide. Also here, a little shade on the Nissan. Giving it a little bit of volume. We can go out and make dice a little bit stronger. The more black here. So the focus goes to the little display here in his face. There you go, thumb, but it looks very cute. Good work. I'll see you in the next lesson. 5. Mushroom Head: So the next robot, I want to do a little bit of a different head shapes. So let's go ahead and do a half circle like this. Remember, you can have your lines quite rough, but worried about drawing something that is perfect the first time. It's not about that, it's about breakfast. So a half circle like that. It will be almost like a mushroom. So let's call this robot mushroom head. We can make it, can do it the same size, almost like the other ones. So they are standing about the same height from the ground. Let's do a quite a fat body with a circuit like this. Drawing lines up underneath the mushroom head. This robot will be more of a frog view. Of course, it should have some small arms. Maybe the arm is a little bit bigger in the end and then you have humps like that. And draw one on this side too. And I think this arm and hand is more leaning against the body. We'll start by doing a circuit like that. Fill them this bolder lines. Then I'm going to draw a thumb finger and then we can add just a little hint of another finger there. Yes. Just like that. See this hand looks much bigger than other ones. So I will just make sure that the sound is a little bit bigger. Because as you see, you can always change whatever you're drawing at anytime. Let's add fun. First. His fingers. We can do like with disrobe at all. So that is all I have three fingers. We'll throw another one. There. We have the entire hand. And then done it should have some quite big round legs and feet. So it's almost like like the legs over the protection of a hockey goalie. So this foot is drawn more from the frog level millstone in this foot just a little bit to the side. Some small legs going up to the body. Let's go ahead and draw some lines. For a shade. I think I will actually borrow a little bit of the loop from a quite famous robots. I think you will probably see who's, who is this? Let's start by doing. A line down here. Imagine that the robot is looking in this direction. I have some curved lines like this. Another line up here. Then it will be more mine. There will be some smaller curb lines there. Another will be a big round. I hear. You maybe see what kind of robot I was thinking of. And instead of doing Yellowstone one light point, and I think we should do two for this one. It will be a small one in the center. And on the bigger one here, just above it. Then of course, should be the rest should be shaded. This is just to make an example to see that there are different ways of putting reflections and sparkle in the eyes. I'm just going to fill in this slide is just a little bit, this line. Little b, little bit darker on this area. So as you see, you can borrow different shapes from characters you love and just place them on a completely different body. It's great fun and great way to play around with signs. So I think perhaps start there and let's continue with the black pencil. Want to do the head first? Fill in these details. Make sure that you slice the focus of the drawing. I don't think I look up black here. We can add a little bit of shadow too. But not as much at the same time. We don't want to steal focus from the from this area. And don't worry if you go outside alignment, you're shading. So there you go. There you have the mushroom head. Finish up the rest of this little robots. Well, we know the profession of the robot that I'm doing this shape from, but what kind of profession do you think this little guy house, maybe traffic controller, maybes to some kind of Navigator on the spaceship. Mounting these dark parts, you have to collect the little robot to the ground. Nobody else do the little bit of shade to move courses. Those little wobbly lines can do a little bit to show you there underneath the head. A little bit on the side here too. The loveliest. Draw a little line there. Showing the end of the shade. Can do just a little bit darker to this you can do to show that the shade is on top of something that is more of a reflection. To make this head pop out a little bit. Of course, we should add a little bit of strength underneath there too. This you'll see now the head is coming forward. Nielsen a little bit more strength on the eye or whatever you can call it. An eye on the robot. Maybe it's a lead sexually. I wonder what this little guy is holding. I'm wondering if it's actually holding a little bit of a chord. Control, something that is coming out like this from behind his legs. A little bit of a courtier up here, of course it should be. Yeah, it will be a short directionally that is holding. Maybe this actually is professional. He's running around and making sure that all other robots are fully charged, functional. It's coming out a little bit more of details to this code. Make it a little bit thicker. And the same with this little guy. Just imagine what kind of sound is coming from this little guy. Mushroom head. There you go. One mushroom head. Good work. I'll see you in the next lesson. 6. Cube-RT: So the last robot here that are included in the acute sexual or four, we're going to do a different kind of shape or head. I think of it. We'll make it quite blocky. So let's go ahead and do a square. Then it will not be total from the front. So we will turn down just a little bit to this side. Of course, the site will be showing. To get a little bit of perspective for the head. We will make this line just a little bit smaller than this one. So this is going to be a little bit bigger. So let's do a very simple shape like this. This robot will have very big eyes, big around. Q ties like this. And, um, it will be a little bit cross tight, I think. The same with this one. Let's leave a small twinkling buys. Super big like that. Normally when you leave a little reflection in the eye in the ice, they should be on the same side because it means that the light is coming from a certain direction. But now we'll actually just leave them on the opposite sides. And you will see that the rubber balloon, even more wild and cross-side should have just a little mouth for two. Should be smiling. Happy robot making some small bolts in the corners. I'm here on the side. It should have. Maybe there's some sort of a year. There's something wrong and speaking out from the side like that. It may be from this place. It, it actually has turned us draw a little on Tumblr like that. We'll strengthen their lives a little bit. There could be middle line here. And then we can have smaller bolts are smaller, rebuts their side. Bit of a rough lines and just imagine that you have guidelines over to this side. But maybe you will see these other sort of here sticking out just a little bit from that one you can have the other two goes a little bit too messy. You'll see, don't worry about that you're making mistakes. It just means that you are learning strengthened and isolated bit too. There you go. For this little guy, I think the body's going to be quite round. Stocky. Sales to imagine that the object is down here is like a cylinder. This we are going to place some arms. I think the arms will be looked. Very stiff. That's going out from the body like this. Yes. Also very tiny hands and maybe has some tiny, tiny claws. Not very scary. Then we can make join select that as the same here. If you have a guideline to decide, dorms starts a little bit behind the body. This one is going down a little bit like this. This is the same with this little round head and those little cloth. Those small joints. Of course, we should have some kind of legs. Maybe we should continue to have them almost on the same cranial level. That means that is feature be somewhere around here. Means his legs are quiet. Quite long compared to his arms. Feels fine. Well, he's featured also be very small. So let's go ahead and just do very, very tiny feet. With this one also, I'm having this more of a frontal view and this one is turned your slide deck a little bit to the side. Just to give a little bit of variation. You can of course, turn the feet complete on the sidewall. So if you want to or if you want, both of them are straight from the front like that. That's completely up to you. On this little fellow, maybe there should be some slots on the side here. And you should have a little bit of a moment are also small lump. And there should be some kind of graph like that. How long this one we can have the light coming from this direction, then it means this side will have a bit of shade. And the same for the body. And also we should have a little bit of shade underneath his head, also, a little bit of shade on his legs. So let's go ahead finish this little guy up. What kind of name do you think he will have or she? I think the name I have in the head is of course, sort of a broad pulse. So maybe the name is Cuba. And it's spelled like this. Q bar t, Gilbert. I'm sure that you have I have a different name in your head. So please go ahead and name your character. Start to imagine some good backstory for him or her. For maybe it's something maybe it's just a machine. So there you go. Dark, big eyes. The mouth. Cheat a little bit too, also, a little bit weaker shade on the ice. Let's go and do the outline for this guy, the silhouette and the professional for this guy. What do you think? Maybe it's actually a professional dancer traveling the galaxy giving his performance to big crowds. Or maybe he's just handling the popcorn in your house. The popcorn supervisor. Who knows. Let's finish up. Arms. The little details on his body. We can also say this just a little bit. Just make sure that you don't see it too much focus from the face and the ice. This little wobbly. Why? Long legs? Maybe you have legs that can be extended real really far. Because the house is working. They have the popcorn on the top shelf. Since this guy is quite small, yes, to stretch those little legs. Remember to add some weight underneath the character to connect him to the ground. Also do a bit of a shade that you'll see like maybe start a little bit too strong, so don't be shy. And redo the shade. And this time I will be a little bit lighter on the hand. That's called out those little wobbly lines that are my favorites. Little bit more strength for the shade just underneath the robots, giving it more focus. Where he's standing. Some shade underneath the body. Strengths wind up this line two. You see that immediate There are some depth to it. And then we do the same here. Shade for the body. Going back also and remembering that outline. And then I will add some extra weight on the list, the head hair hopes. And as you see, don't worry if the lines are getting BOB layer or you think something is I'll do place, you can always redo it later. This is just about practicing yoga draw this line is stronger. You see that the heart is pumping out too low. You have sort of three section, the head, the body, and the legs. And there are different players. Go ahead and do the shade err on the side. There you go. Q but Rabat, the popcorn master. Great work, and see you in the next lesson. 7. The Shredder: So next, I thought we should draw battle, draw it. Just to show you that you can do something more dynamic with your drawings. Imagine that you will have had a torso waste part. Now everything is quite lined up like this, quite static. So instead what we will do is that we will tilt the parts a little bit. Starting with the head, tilting it this way. Drawing this half circle shape, guidelines like this. And done the torso we will tilt and other direction. So it'd be a little more this angle. And, and waste parked. We will have like this. Now all of a sudden you have almost like a snake shape here. This is much more dynamic compared to that. Something's marry straights. Both are correct, but it gives you a drawing. Different kinds of energy. So let's go ahead and Let's go ahead and define your Robert parts. I thought the head should have maybe some teeth. So let's add a little bit of mine. Their teeth can come out a little bit, something like that. And maybe a little bit of a bottom. You're aware. We can make this robot quite angry. So let's go ahead and draw some angry eyes. We can also add a little bit of a detail here, almost like an arrow going down, strengthened or lines for the torso. So almost like shoulder pads here. The waste. There, you have your base for your first battle, draw it. Of course it should have some kind of weaponry. So let's go ahead and start to draw. So arms could be those multi jointed. Well, did you want digital forms? Very flexible? Let me talk. A little bit of the wrist. Here we can have a saw blade. Let's make it a little bit oval-shaped. Since it's pointing to the little bits out towards you. Since it's a sole blade, we should add some teeth to them to it. Make these quite rough. Because we can add some rotational lines there too. So it shows that it's spinning. Yes. It looks good. And if you don't want to add the web bills to these droids, of course, you can do something completely different. You can maybe have a water hose or something like that. Maybe it's watering the plants. Please feel free to change up your your droid. Of course it should have another arm and let's go ahead and make it make darn more dynamic in this way. Don't do steel, both bars, norms, our belts, but they're not dumped in the same way. So it's a good way to make sure that your drawing is not to static. Course. It's more like a low number on this side we can some big class like this. Yes, it looks good. Then of course we should add some legs. Since this is sort of a dramatic pose. Let's make the legs quite stretched and open like that. We will add some metallic feet, some joints. There can be some claws sticking out of the feet to like this. Yes. Of course. The winds to the leg to know where it will have other leg. Quite done. Something like this. Maybe this leg is rotated the morph towards, you know, of course, how close to the foot down. A little bit of shade. And then of course we should have a little named for this guy. And this guy is called the shredder. Yes, that looks bad as with this little symbol up here, we can do the same maybe with the torso to that it has sort of an arrow going up like that. So let's go ahead and fill in the lines and do the details. Starting with a lawyer. If you feel that there's something missing or something, you should be changed, please go ahead and do that. Don't feel that your first sketch, lines are final. Can always go forth and back and shame swings that you adopt. 100%. Happy with joining us about exploring. Of course, having fun. He's been biggie green. Maybe it's a bit aggressive today because he has to go to the dentist Who knows. For a robot, I think it's not called the ductus is probably should be a service repairman. Maybe. We can just strengthen the lines up here. Almost mimicking some sort of eyebrows to give more weight and attention to his face. If you want to see really a difference between the pulses, you can of course draw this robots. But in the way we described in the beginning, just having him standing straight up like that. It will be quite different character with a different intent. Because when we draw these characters, you should really feel free to experiment with them, both about how they look, but also how they stand and what they are up to. Of course, we are going to add those darker lines underneath the feet to connect the character to the ground. Giving the robot some weight. Quite rough with the lights today. And those rough lines can make the robot more in the actual, almost like there's some kind of blur to his movements. Let's go ahead and do a little bit of erasing. Erasing there. Let's go ahead and make a little bit of speed to displayed. So draw some lines along this oval shape. They can do a little bit of this zigzag pattern. We'll strengthen the sort of the front of the tooth. Nobody should ever quite some speed to your spinning blade. Of course, we should add some shading to this one too. We can start by doing just a little bit of shade on the arms. We can imagine that the light is coming from this direction. So let me shade underneath the body parts to shade the side of the head. Let's go ahead and spread from the lines on top of the tooth. The tooth line made a bit of shading underneath the head too. Of course. Some shade to his torso. I think here we can go ahead and shade the whole section. Make it a little bit dark. Strings for this line over here also. So it pops out. Same with the legs, a little bit of shade. And then some shade all the Rome of course. You can feel free to experiment with your shading and see what happens if you draw a very strong shader, a very soft one. Or maybe you don't have any shade at all and we'll see what happens to your drawing. I started a little bit of strength to the feet. We can do a little bit of line texture for his blade or his talents. There you go. One battle droid, there's rather good work, and see you in the next lesson. 8. Pew Pew Peter: So the next battle, draw it, I thought would be a bit more static, almost like a tank. Let's start by drawing a cube. Merging that precede a cube a little bit from above. It will have these proportions. Well, I could walk like this. Instead of having a cube, it will be a row, rounded and stuff. So let's go ahead and draw a little bit of a shadow shape on top of the cube. Something like that. We should have sort of a track. I think. I started a little bit of a shape here. The track will come out from underneath here. Same here. Follow these. Parallel to each other. Will go up the robot on the backside, but on the front side of the track will be more visible. Yes. That's a good start. Control some real stare. A few destroyed, should of course have wept. Let's draw up sort of a big candle. They'll decide. Quite a big lump. Let's go ahead and draw a box on top of this one to the side of the other cube. And as you'll see, I'm just experimenting and feeling my way towards the shape that I feel is interesting. Don't worry about everything is supposed to be correct after perspective, et cetera. This is a cartoon character and they don't have to be perfect and not cells. It's more about finding a fun shape. I wonder if shouldn't be a very big gum here. Let's go ahead and draw a circle to start to tell him pipe alone. We will have Kelvin pipe going out to here and then draw another circle showing the front. And as I said in the previous drawing, if you don't want to draw, you can draw something completely different. Yes, go ahead and let your imagination find what is right for you. So there you have the main shape for the codon. Can of course, something more on the knees here. Feel free to go forth and back until you feel that you want to find what you're looking for. If you feel that there are too many lines that are interrupting your what you're looking for, please go ahead and erase them. We can draw some detail here. No idea what kind of function it has, but I think it looks good. Now when we have placed Academy can continue to draw the rest of the lines more defined. The tracks. The little, little wheels. I have no idea the size of this character. So maybe it's really, really huge. When it comes rolling in, everything is shaking or maybe it's quite tiny and it's just this little squeaky noise, almost like little rats. Have the belt for the track. Erase dislike to just a little bit. Some shape for the front of the candle. Like this. With what should we do? I think it should have just one big I think in the front. Somewhere around here. Sticking out. Can actually go quite far. The eye itself almost looking like you count them two. Here we can add. Here we can add a pupil. Quite a steric character. We can just add a little, little tiny, sort of an untold layer. Let's add some details. Maybe it should have some kind of almost like a mouth here. But it's more like a grid, an opening. Yes, just like that. And then we can maybe add a few details down here. Not a little opening. There may be some a few bottles like that. Yes. It looks good. And then we can add maybe another. Notice that the weapon here, weaponry. And maybe that is more like a smaller What if we go a little bit different shape on this side so they don't look too similar. And just for a gag you maybe instead of firing a shot, maybe a little sign comes out. A little bit of a flag. Maybe all this one, it says pew, pew. Maybe it's a very humoristic robots. Who knows? Maybe this robot is called pew, pew Peter. Yes, I think this is a good start. And let's go ahead and define the lines. Can start with the front of the cannon. If you want your cartoon robot to be. Taking, maybe a little bit more serious, of course you can remove this. Maybe there's some sort of Miss Lisa loss or instead, so it's totally up to you. Then when it comes to drawing cartoon stuff. Remember that? The more defined details you draw, the more sort of realistic they go. They list the less CO2 and any become too. So there's always a balance there. Trust me, even draw some crack on the side of their notes. I'm sure you there too. Just a little bit. Most of the QC the frog slightly. One, of course. Some contact lines to connect it to the ground. Yes. Do my job. What kind of places this guy had been stationed? Maybe it's all very far away. Place in the universe. Maybe it's actually a discovery robot dog. It has weaponry, but it's just for precocial. Never used it. And that's why it's added these things to just have a little bit of fun, but it's all patrolling. I do hope this is the spending for pew pew. It doesn't mean anything else. Well, anyway, I hope you can get off by my mistakes. Because there's a very good thing that you don't take. These exercises too serious. It's more about relaxing, having fun, and playing around. Because that is the way I see it. It's the best way to learn. Good adds a little bit of strings to the bottom part of this robot's name. Of course, we can add a little bit of shade underneath it also. Doing so, very, very rough, wobbly lines. And maybe it has some little battle scars. Can just add a little bit of a texture to the side here. Maybe even shaved the hub slightly. Of course. I'd say to the whole side. Imagine that the light is coming from this direction. Should be the answer part a little bit too. Maybe it has a few scratch some bumps the front side to know them a little bit. I don't overdo it too much because else's will be overtaking the picture too much. But it looks quite worn out as being old. Employment for quite some time. There you go. Po2, Peter. You're sort of semi humoristic battle tank. Great work and see you in the next lesson. 9. Slim Sally: For the last Robert, I thought we will do something a little bit wacky. We will do just a little bit of a fun shape robots. Almost like a square with the round top, little feet. Just doing this very roughly. Then we will have some small eyes and a little crooked. Drawing some teeth shapes, strengthening two lines just a little bit. We will have a little arm on this slide. The little hand as doing a round ball first. Number fingers to draw these swollen joints two. Then on this side, the arm. And then instead of a hand, we will draw a huge weapon. Let's go ahead and do. Start with a rectangle like this called the hilt of the weapon. But where do you normally hold your grip of the weapon? There we go. Grip other weapons. On top of this, we will draw a bigger shape. Now they're ready to Angular. Almost rectangular. It's a little bit of a circle there. And then go off this slide like this little NGO. And remember the line here, top of the weapon. George, so too little they can do marking here. The belly of the gum. Then of course, we will add the barrel to sticking out like this. Can you tell the top of the barrel? Since it's a futuristic go, we could add maybe a little display in the back here. Some kind of reading diagram. Maybe maybe they are small bottles or small lights. So you see the gun is bigger than the robot. Some kind of pattern here too. What kind of name should this little guy hub? So maybe this robot is called slim Sally. Sort of a nickname that is kind of ironic. Of course are the little bit of different details to the robot too. A set of lights here to this slide. A little on Tombow. Do the base first. Little cute, quite aggressive robot with a huge garden. I can even show that the gun has been fired, So we'll start a little bit of smoke coming out of it. Just a little bit like that. So let's go ahead and fill in the details. Maybe start to imagine what kind of backstory the risks to slim Sally. Maybe it's not the robots real name. Probably may be asked to nickname. Who knows. I'm going to show you this because when you do cartoony things, you can always really play with your fantasy and just make it really crazy and big things. And it still works because it's a cartoon that's going to add a little bit of strength to conduct a rubber to the ground. Just do a little bit of shade here. Go hurdled. Fix the eyes. Make sure there's a lot of strengthened contrast to the ice. So the focus goes there. A little bit of shading to the side of the robot. Just a little bit. Of course, like with other robots, with weapons. If you don't feel like having a weapon in this one, you can do something else that is over-exaggerated. So maybe the robot is holding a huge glob. Maybe it's the baseball game. Doing a little bit of cheating. Small, just a little bit of vapor going out there. We should add some shade to the go-to. Since we're drawing it from the side, it's very nice to shade, so give it a little bit more volume. So I have to figure out the real name of this robot yet. Make sure that you write a note. So you remember it. Because it might be fun to draw different versions of this. One. Can be a huge flame thrower or huge missiles ulcer or maybe a very, very big Saud. Who knows. Let's try a slight shaver. Strengthening a few lines to give them a little bit more. You can of course, extend the shades to go further out. Showing that the goddess also having a shade since it's so big. Let's be a little bit gentle on your head and see how much strength you faltered. But the most important when you draw a shade like this is that if this shade has the same strength as this one, it means that the character is almost tilting over like that. Now we see that the shade is stronger on this side. So this character is more rooted here. So there you go. Slim Sally. The big gun. Probably a very friendly robot. I can have a bit of a mood swing, a little bit of a temper. So great work and see you in the next lesson. 10. Gardener: So next up, we're going to draw a gardener, gardening robots. And I will start by doing a very simple ground lines, since we're going to draw out some other object, some details on this picture. So I know where everything is located. And then I'm going to just do a very rough, very rough start doing some circles. I think this robot will have tracks, like a tank, something like this. Then it will be sort of a metal case on top of that. The other thing, that main body will be tilted a little bit like this. This mid-section can be almost like an accordion that is flexible. Done, we should have a hat and I think I will place it somewhere around here. Can do a round head to start with. Then of course it should have a neck. Maybe this lecture, some joint apart, they're attached to main body. As you see, I'm lifting the pencil go, I'm trying to find interesting shape. Because not all drawings have to be preplanned. You might be looking to draw a certain figure, but on the way you find something more interesting. So don't be afraid of letting your pencil on your mind wander free. She wants us to be Roberta's to be connected to the tracks. We just do something like this down here. Not too big bolts. The tracks, of course there should be some wheels like this. Then there could be a few smaller balls down here. I think this looks good. It's a good start. Well, let's try to focus on the face of the gardener. I'm just gonna do some guidelines. So just imagine if you have the bowl and you have it tilted a little bit downwards like this, you can add some eyes. Wonder, I think I will be almost, almost like a magnifying unit that it can extend it out like this. And on the other I can be I think it can be shocked. Like he's squinting with his eyes. Can do diastole little bit bigger. So the robot is looking very intently at something you should do a little mouth. Maybe paresis, tongue extended like that. What is he looking at? Let's do the pupil here. It's looking at solving. I think it should be a flower comes out from the ground. Maybe some very special flour. Tomato, quite big. I feel like that. Can add more details later if you want to. And then we can do some leaves for the flower as well. That's a good start. Then of course, we can add maybe a little hand here, little thumb and fingers. Having a pair of tweezers. I think it's called in English. So maybe he's about to collect one of these small leaves here. Since it's a robot, you can touch on that and maybe this arm is actually coming from out of his head. Like this. Making do that. It's like a jointed yeah. I'm from the top. We can have can do a little opening up here, a little bit. From there, we can have another arm. Let's do some kind of strange device that is going to place a little, little dark droplets here on the flower. Just a little strange device can do the same sort of arm as the other one. Is kind of a cable coming out, coming out of his head. And we can also have maybe a little bit of a satellite dish also extending from his head. Like that. Yeah, that looks good. We can also do this kind of bolt bolted metal plates on this one too, like with the last robots. I think a little bit of texture to the head. Kinda define this part's a little bit better. It's almost like little tank. But it doesn't got to know what those are, anything that's a peaceful tank. Decided to make a great effort in the garden. Just gonna do a few lines. They're small, curves. So it feels almost like it's feels like it's flexible. Looks good. We can add a little bit of small things here too. I'm repeating a little bit from the last drawings we made. You'll see how you can incorporate them in different ways. The Austin little bit of shade here. Here, number to track. Of course, there should be these lines where the trucks going down the wheels, the small ones. I think this looks good. To know that little bit detail to the ground to just doing so. Small girls straws here and there. Maybe a little smaller flower here that is slipped, blooming yet. So it's just a little like that. I think this is a very interesting start. I hope you think you'd like to. And what kind of name do you think this robot has? Maybe it is called R2 Daisy. Amanda percent sure that you can find a more interesting names. So please go ahead and add a name to your drawing. I think on this side we will have another arm. Maybe a little bit bigger, have even gone to hold something. Maybe it has some kind of device. That is, it's like it's almost like a scissor. Maybe we should draw heads here and there's this like a device that is cutting the cutting edge. Something like that. Those lines too. Yeah. Let's see if we can trim that. Somewhere around here. We can just draw maybe some small leaves like that and mix them with some rounder shapes too. Little, of course, there should be some cut up leaves falling out from the show. Remember to make noises when you're drawing. Don't be afraid of doing that to actually helps you a lot. Finer up your imagination. So there we have hedge character, and I'm wondering if we should have some kind of sign because a lot of gardens, there is a sign somewhere plugged in all the ground. Can add a small sign it. A few more. Little girls, girls. There's lots of good that all lines are going in the same place. So I will move this line out here. So it gives this a little bit more room. I'm just going to all here. This can also be a little bit shaded by them. Just a little bit. We can draw this burning symbol here. Then you can imagine what is not allowed in this part of the garden or a park or whatever it is. Maybe it's dogs are not allowed or maybe aliens or cars or whatever. We started this, you can add quite a lot of backstory to your drawing. So I think it's maybe a quite a sunny day. Maybe the robot is holding up little umbrella. So I'm kinda like this. Maybe even more. So it's holding a little umbrella higher. Finger a little bit. If it's raining or maybe it's a very sunny day. Kinda arm going into the main body. That looks good. Let's go to touch up the flowery us a little bit. If you want to, we can add maybe little bumblebee seals cruising a little bit. Maybe it will sitting on the flower and now it's running away. We can add some butterflies also like that. So let's go ahead and define the lines and see what else we can find in the drawing. Because sometimes when you have a rough sketch and you start to clean it up, you can find more details that you think is interesting to add. So always see your drawing us sort of the living object that it can be changing at anytime. Those little bolts or rebuts. Small wells can also add just a little bit of shade on this side. Strange liquid device. So done. Imagine that when you're drawing this picture, what kind of music would be fitting? Maybe it's just some ambient nature sounds or it's more like a machine. Machine park, different kinds of robotic cells. So please go ahead and when you practice this drawing, changed the music or to sell to different things. And see what will happen to your, to your drawing and also to your drawing style. Because it's quite often that very upbeat, very fast music is quite completely different than playing something very soft, mellow. And sometimes when I draw, if I'm in a hurry, I usually play very fast and quite heavy music, so to say. And it helps me speed up the process. But at the same time, Stan, I can't do something that is very, very precise because my hand is on like overdrive. The little bit of shade here, so the arm goes underneath. Some shade here too. Little bit. The bumblebee, the butterflies mature. What kind of sound the butterfly makes? Maybe there's some silent flapping of the wings. The nerve cord, of course, add some details. Maybe there's a hole here. Those small details to the body. Now just a little bit of shade to the side. Of course, when you draw this, maybe you don't like these tracks. You can of course have legs. Were maybe it's actually stationary and it stands on the ground. So feel free to come up with something completely different. Because it's only you that knows what is best for your drawing. The tracks. A little bit. Small. Share it on here. This accordion showed this point. Umbrella. When you draw this, and maybe you're not going to draw butterfly, Sarah, maybe you want to draw something completely different. That changes the size of this thing. Maybe the robust not actually looking at flower. Maybe it's actually looking at a house. So it's very, very huge, enormous. Or maybe the robot is very, very tiny. This is actually us, the smallest sprout and you draw the butterfly. Maybe this big. So feel free to experiment. Parental strange device. Then they can add sort of vibrational lines to the side. It looks like it's moving him vibrating. The symbol. You can have something else there if you want to. Maybe is a little texts, maybe a little poem, more. Symbol of an ice cream. A few. Grocery stores. Don't do the hedge. Little bit of shade here in the background. Means to sign is showing you more clearly. Yeah. Something like that. Small leaf parts. Just making maybe one hold. We can also add a little bit of shade underneath the umbrella. Just a little bit. Then we can add small line Sara. I want to focus the goal here in this picture so I will strengthen the lines rounder face, The flower, giving a bit more. Contrast. The flower here, just a little bit. There you go. Your gardening robots. Or two days they see or whatever you want to cold, call it. Please go ahead and experiment a little bit with the different kinds of tools for the garden. You can of course, change the background to something else. Maybe it's on a desert island and we just found the first sampling of a coconut, or maybe it's snow. So please feel free to fantasize and find something new and exciting, good work and see you in the next lesson. 11. Car Mechanic - Part One: So next up, we're going to do a mechanic. Will be a robot that can fix this fixed cars. Let's start by drawing a sort of a bean shape. On top of this way I will do like this. The long hair. Very simple guideline here. We got to put a bow from this robot. Hello thing, this robot will be more feminine. So let's do some full lips. Like this. She will have some metal hair. No robots can still have heard do so. Don't be shy to add soda or human characteristics to your robot. Like this. Other soil, the Harris here. Of course, this robot is going to have set the big eyes. When we took some lines here. Pull the hair just a little bit closer to the face. Another line here, joining with the with the mouth. I think this robot, He's called Monica. Monica mechanic. I'm sure that you have maybe a different name in your head. Some more definition for the ice. And don't be shy to make some changes you to feel they are not the lines are not in the right place. Because I don't want this line to go up into this slide. It will be used to too much emphasis on this. So I removed this one, then I would put the ester little bit more forward. Like this. Much better dimer dynamic number. We put two bolts there. Let's see. The rest of the body is going to form underneath their head. Maybe there's some neckline. I think this is a good start. And add just a little extra line here. Would be like a little buffer. So for her, her legs are going to be placed. So let's add one link coming out here with some joints. For our knee. The rest of that going down here. Nothing a bolt here where our ankle is. Her foot maybe she has some kind of rubber soles for her. Mechanical. Like but I think this looks interesting. Let's go ahead and do the other bone. We can place to other foods maybe around here. The two bolts. Her knee. Goldenberg by going in London, Mr. Now, let's make some sort of a triangle for her feet. Then we will place the other one up here. Will go out something like this. Just let your hand and your mind wander across your paper and see what else shapes you can find. This is what I'm doing right now. Most of the time it's going to be what you're looking for. Don't worry if you don't find the right shape character idea, you can always redraw them the next time. They're going to be. Very good. It's all about practice. Like this. We'll put a little bit of shade on the lethal later also. Before we add the arms and other things like that. I thought Patricia, dad, maybe a car on this side, somewhere around here. So let's just make a simple box. So this is the front of the car. This is the slide. And we can add to headlights. This will be a very simplified car so that we will add the bumper. I think it's called, we call them cow catcher since we know we're maybe it's called thunder. Thunder percent sure. Anyway, this part of the car go up front shape. This little thing you think behind this is the radiator. Believe it's called the throat and a little bit to the side. Here we will show a little bit of the wheel of course to side. Like this. Very simplified car, very roughly drama. The same folder we fear that should be also the other wheel or something like that. Of course there will be some shade underneath the CO2, so we will just call it the lead of the car. I'm sorry if I know all the technical terms in English. Let's see. It's called the hood of the car. That is optimum. Of course. So Monica can look inside the car. If you feel it's more fitting, you can draw some other object here that she's fixing. Maybe it's actually a spaceship, or maybe she's fixing some other kinds of machinery. We also have a little bit of the windscreen here too. This is more like more of a symbolizing a card and being a completely technical, perfectly drawn car, it will still serve the same purpose. Because you will understand that this robust, this fixing the car. And let's continue by drawing one. Our arms. Keep almost the same kind of details that she has on the nice that there will be some metal rings ring new thing here. There she has her I think she will be holding some part of the car here that she's looking, looking at her fingers. We can just draw something that is maybe a little bit abstract, that there's some kind of cylinder she's holding a little hole in it. Then there will be some kind of something sticking out. Because everything you draw it you don't have to explain. Can let the viewer actually fill in the gaps. Once you have put them in your drawing. Then of course you should be looking at this object, leaving that little sparkle in their eyes open. Here again, you see there are a little bit too many lines going into the same place. So either I can lift this higher or I can make it lower level would make it higher this time, so it doesn't become too close to this object. There you go. Then she should be maybe holding the hood open. Something like this. We can do this. Mostly jointed arms. There we go. Holding up the hood. Hello, wonder. Walmart is on this side and the other one should start somewhere on here. Doing that three-part joint. It's like that. No wonder what she will be holding in this hand. Your hands should be holding maybe a welding device. So this is the handle. Will be sort of a pipe. The muscle from here, this should be a flame like that. There should be some kind of tube or a pipe going maybe from her back that is feeding the gas welding device. We can do this kind of zigzag pattern on this one that it shows that it has some protective metal casing multiple separated a little bit from this arm so you don't have the same kind of texture. So good start. Hello. I'm wondering if she should have. Maybe she has some kind of torchlight that is also mounted on her her arms. That'll be even more connection to the to the car here. And then you draw this, try to imagine what kind of noises that are going around in the hair of workshop. If there is a lot of bagging, thumping and or maybe it's very quiet. If it's a very smelly workshop, lot of oil and smoke. Or maybe she has a very clean place. And I think she should have some kind of tool belt here on her side of our body. Let's draw up some kind of area. Come here. Little b. I'm holders. The first one she has. I think there is a screwdriver. Flatworm. No. Next told her maybe a little wrench, wrench like that. In the third one. She can have a hammer. So now these tools are not very futuristic. Maybe you can imagine drawing something that is more like a laser tool or something that is very, very high sci-fi. Also the little some bold section. So to showing that there's something that is attached to her body. I think this is very good start. Maybe you think it's very strange that I can repeat that it's about to start is that it's a very good reminder to say they steal a starch that you don't think of trying to finalize something. Because this is just an exercise. This is about experimentation. Staying open-minded, not trying to take it too serious that you have to finalize something. Yeah, and, um, we could maybe add even more objects to this drawing. We talked earlier about what kind of cells that might be here. So let's draw a little pillar. Along this pillar. There might be a speaker. Speaker. And it's also going to be quite the background so it can make it a little bit shades. From this beaker. There might be some music coming. Let's go ahead and draw some notes. Can make some volt blue line here showing the music is coming out of the speaker. So she could listen to, I don't know, some kind of heavy metal or smooth jazz or maybe she's into elevator music. To try to imagine what music that is flood, flooding out into this workshop. 12. Car Mechanic - Part Two: I think on this slide we can add maybe some kind of an impact. Start by drawing simple box. Some details to it. You'll see I have no idea what I'm doing. I'm just lifting my my mind and my pencil. Wonder, it will eventually find something there. There you go. That very strange new part. But I think you can work. It will add flavor to this workshop. From the ceiling, we can have some odd objects hanging down. Maybe there's a funder here. I don't like this. Maybe it's like this old school burned a task is too big. Then of course there should be some kind of rope by dialing down that is holding it up a little bit to shade to this one too. And in this kind of cold places, maybe she needs some air freshener. I don't know which part of the world you're from, but Sweden is very popular. This thing that is called a wonder about the wonder tree with some strange Santa Monica is maybe having this tree here. It's going to smell like sort of vanilla in the workshop. And I'm just going to show you something that you can add to a drawing if you don't want to draw too much detail, some objects, because it could take some time. You can make it maybe a little silhouette and the background showing that there is a lot of motor parts or it's kind of a messy. So what you can do is you can draw a simple outline like this, made of both sharp objects and soft curves. I'm here in there. You can actually draw some more details to the silhouettes. Going outside, a picture like this. And then you can shave the background up to the shoulder. Silhouettes. Move it like this. Can I hold a sudden? You have a messy background, giving some more depth to your drawing. So let's go ahead and use the black pencil to draw some more details. Some more definition to your drawing. That's going to start back here with the fender. Borda, count, catch her. A little bit of a rope, they're strange, challenging part. Not hundred percent sure about this engine part is cold, but let's call it a LeBron. She's repairing the floor burn. Since it was broken out a little bit of weight to the anion. A little bit of shade to here. Let's go ahead and draw the details for Monica. My father is actually a very good welder and you tried to teach me this profession, but I don't know why it didn't work so well for me. I messed up quite a lot of I think it was I'm a small drew more interested in drawing them, welding. But I have tried it when it works, it's really fun actually. Let's do this zigzag pattern. I don't know what kind of professionals you have dried out or what it is you're working with. When you draw these robots in this course. I think it will be good that you add something from your personal life. Because you will have some great knowledge that you can add to your drawing that will make it more interesting. And is the same. If you have a great interest in the hobby, you should add that to the drawings to. When you practice and draw a different kind of variants. They would come out some very interesting and exciting versions. We can shade the whole lips, make it making them a little bit more distinct. Point behind her binder party. So what kind of things that are going on in, in your head when you're drawing this. Robots. Take a break from time to time. When you're drawing and just for a few seconds, think a little bit to what's, what kind of thought that goes in, goes through your mind. Because it could be kind of interesting things that you can add to your drawing. Or maybe not this one, but the next one and take a pulse and they also make a little note somewhere. You've remembered. Until the next time. I always have a paper close to me. At almost all times somebody else writes maybe a little scribble, scribble and maybe draw a very rough sketch. So I don't forget the day that I had in my head at the moment. Because the mind is always working and sometimes it makes very, very interesting and funny. Should we call it so just jealous. I can tell you that I'm not very good at fixing cars. I don't know how it is when you bots. I can feel my guess and I'm like Jim refilled the oil, but that's above it. A little bit of shade to the bumper. With the wheel under here. You don't have to draw it very strongly to add some shade to it. So I've actually draw these tires that are a little bit flat. This indicates that this car probably I've been standing here in the workshop for quite a while. So maybe Monica has been quite busy with other projects. Now it's finally discourse term to get fixed. So there you have the car. We have the lab form. Now if you feel that you have more room in your drawing, maybe you have more space up here. Please add more arms and different kinds of tools. Do you think is necessary for her to do her work properly? So maybe this is not called a tool belt or maybe it's actually called the tool palette. Maybe this part is actually the something that she can detach and change to something else. A little bit more weight to her head until her facial features. So we get more attention. Going up to her face. Have the freshener. Maybe there's something kind of writing. There are only two gelatin. Draw this pillar in the background with the speaker. Shaded. Number notes. Maybe you can imagine what kind of song does this. Coming out to the speaker. Feel free to sing along? Can draw this shade a little bit stronger, so it is not the same as the one on the background. So the color is showing that is closer to you. Let me cancel strengthening of the slide to ****, of course, very, very gently. Go over your little garbage pile or whatever it is seen that background. Then you can cheat a little bit. Don't worry about staying inside lines. Practice. Training your eye and hand coordination. Can use to add maybe a little bit more string fear. Yes, like this. There you go. The car mechanic, Monica, great work and see you in the next lesson. 13. Dog Walker: So let's draw a robotic dog walker. We will start with the main body. Spooky. Little bit further out like this. It will have little head to square shapes. I think it will have a round. Down here. From there we should draw some wheels. Touched. We understood the body. Crooked legs. For me to have McCall line for the ground. Since we're going to dog later on. Let's go ahead and do some details for the face. I think it should have a little nose. Just a little while. And then we can add some big mustaches. Read Hilary, the long ones, and then big eyebrows. So for this robot, you will not see the eyes. What do you think we can add later? Four. Add four, so that the robot can see it's come up. Roll the rest of the head. Somebody, Tim. What's going on? What we can do is that we can maybe have some kind of cable going out from the side. I'm from there. There is sort of almost like a camera going down like this. Some time the rings have a little bit. Pupil should have some kind of mouth. Maybe it's always smiling. Somehow. You have a mouth there. They can go up and down. And I wonder if you should do this. Robert a little bit British. Adding this quite typical British chat. I think it's called a bowler hat. This little round thing is going to be a little bit dark later on. And since it's a British robots, maybe it's a little bit more fancy addressed. With a fly. You probably have some kind of suit on. Go ahead and draw that. Quite fancy dog walker. And since it's British, we can add some other attributes. Another attribute to him, he's holding a cup of tea. The suit on, I think this is called cuffs. Little hand. His phone. Teacup. Since the t is warm, you have these films coming up from it? Yes. At the moment there is a thunderstorm going on outside. I don't know if you can hear it, but it's quite a different mode to this picture. I thought first at the background noise for this would be that the robot is out in the park with bird noises and very tranquil experience. But just use my imagination and not listening to the store. So I keep this drawing not too dramatic. And on the other side of the head would probably look a little bit like horns, but we can do like a small monitor sticking out like this. The small screen. And there they can be some kind of almost like a sound pattern. Of course. In the other hand, we should have where he is holding a dog leash. But I wonder if you should do the dog leash a little bit more for touristic. So imagine that is holding maybe some kind of remote or maybe a rod of some kind. From here. It could be just almost like a little antennas sticking out and done beneath him. Of course, we should have the dog and since we are sort of in Britain, we can do sort of a bulldog. So we'll start with the big off wrong shape, another half rho shape here. And then it should have a big nose. I don't know if it's called Under bit, but that's what's holding Swedish. His Laurie always sticking out just a little bit. Let me kinda the tooth. And then we can herbivores these two dots for eyes. So it's quite have a blank stare. Texture to the nose to rebuts. The mouse is a little bit dark. We can leave just a little bit of this light up here showing that it's reflection. Subtle hears, something like this. We can do. Now their ear on the backside like that. Alright. So like in front of the dog and then it will have I don't think it will have legs. This dog, you probably will have tracks. Let's go here. You'll make a little bit almost like a mountain down here. Tracks. Going down to the ground. We will make a set of tracks for this. So what do you think a good dog name would be for this Robert? I think of a call him Buster, 3,000. Lawyer, reliable. Little bit. Blank stare. Let's go ahead and add some small wheels here. It looks like it looks very funny. I'm just going to draw some rough lines here to show where the ground is. Maybe he's actually staring at a small tree here. Let's go ahead. Draw a little tree. Don't have to draw all the branches. It could be just a few of them. Of course, some few leaves. Maybe it's early spring and the tree is just coming alive. The few few girls, girls here on the ground too, to plant a tree in the ground. And well, when it comes to dogs and trees to know or probably what's going to happen. It has to relieve itself. But maybe it's not doing it the normal way. Lifting the leg since he has tracks. Maybe it has a small shelter or small door. There's a little tube coming out from there. There's a little muscle number. We just make a few droplets going down like this. There you go. The robot, robotic dog is doing his business. Can actually do a small monetary or two on the side. Mimicking this one. Another thing, this kind of pattern to it. So maybe it is dog walker is monitoring what is going on with a dog. Then we probably should do sort of an attempt to hair coming out from the head. Then there should be some connection here. But instead of us drawing a line from here to there that is kind of boring, can maybe imagine that. There is almost like a leash. And you can do sort of a electric wobbly line between these two places. And of course, with some sound effects. We can also add a little bit more detail to the face of the dark line here. We can add some rivets. Let's try to explore and see what kind of shapes that looks good. When it comes to this robot dog. Because you can add a lot of details, but sometimes you go real overboard. And maybe this part doesn't have the rivets at all. It's more simplistic. So I think this is quite a good start. Making bad. Maybe another arm here for the dog walker. Recourse. When you have a teacup, you should probably have a saucer also. Let's go ahead and drill simple salts or some other shape. A little bit of a line here showing that there is a depth to it. Then other thumb on top. Of course, something. I think the name for the robot is g of x, l, k Butler edition because it starts to feel almost more like a butter done the dog walker add some zeros to his suit. As you see, it doesn't have to be a very balanced drawing. That could be different things on different sides. So he has two arms on this side and your swan here. Let's go ahead and do some petals to the wheels to reminds me of when I learned how to ride the bike. Those extra wheels mounted on the bike, they looked almost like this. Contact to the ground, a little bit more of a shade of anything. Of course you can add some more details. Maybe there's a bag here. I'm just gonna draw a symbol of a dog. So maybe it's a little treat bag that is lying on the ground. Since the robot is busy breaking his tea. He loved to Tara. Could of course also be a **** bag or there's some tennis equipment. Whatever you think is fitting for your drawing. So let's go ahead and add more details, some defined lines. What kind of voice do you think this robot has? Is almost sounding human? Or is it very, very robotic? Somebody going to add some black details to his face with the mustache and the eyebrows. Zelda, the bowler hats. So when you start to clean up the drawing, feel free to make some changes. So always good to force, go forth and back when you're drawing. Because it might be that you see that There's something that should really be in the picture. Or maybe you moved an object and you have to make this angle, this camera thing. So it actually looks at the dog instead of underground. So don't let those first-line and define everything. Everything can be changed. Everything comes down to that you are having fun. We're actually sitting down and practice. Because I, I hear quite a lot about this, that you have talent in certain things. I'm not so sure about that actually, I think it's more about that you have a passion for things. Since you're passionate about it, you will spend a lot of time doing it. For me. I like to sit and do the lunge row and imagine strange bars are strange creatures. Whatever it is. And the more time I spend doing it, I think the better it gets. And also it's about making mistakes because you learn a lot from that. Sometimes when you sit them draw and you feel that, oh my God, what happened to this actually leaving a couple of days, you realize that oh, right. Now I understand that should have been this way instead. So getting things right the first time, it's not always optimal. Could actually be good that you make. So column mistakes. So don't feel frustrated that everything is not going hundred per cent to plan because it's actually good for your development. Whatever you are doing. Can you feel, what do, can you smell the the tea? What kind of flavor Do you think it is? Maybe it's our gray or something more fruity. Draw some shades for this. Wrong. About some of the robots. A little bit of shade underneath. The suits, strengthening this line. So it pops out more. And as you'll see, I always do some exaggerating drawing and sometimes they go outside the line, but it's okay. Because for me this is an experiment and just having fun and drawing something. I never drew this character before. So I'm also learning, I'm trying to find out what's going on with this character. We can also shade the shop the wheels to make them a little bit darker. And as you'll see, I have angled. We'll see a little bit. So instead of when you see them from the side and up like that, if you see straight ahead and looked like that. So there's almost a little bit in-between. Because both these shapes can be maybe a little bit boring for your pictures. Always good to have a little bit of perspective. Drawing something that is. So what I've been between Caltech to the ground to shave mostly. Are there some grass? The doggy bag? You can add some weight to the Buggles. So drawing a little bit darker. Then we will do Buster 3,000. What kind of voice comes out to this one? Maybe done is actually this wavelength. There's a monitoring the dogs voice because it's a robot so it doesn't have to open his mouth to do alloys. Shade a little bit to the leave this right. There. You can go forth and back a little bit because the more strings and contrast you add two different characters. They will have different value. If you really want to, people to look at the dog more. Initially, then you should add more weight to the line, some more contrast to the dog compared to the dog walker. Because that's actually how our brain is functioning. Looking at the biggest contrasts. To start with. Hello, to dismiss, roughly drawing a street. We can say that slightly too, but not too much. You don't want to treat the dominant, dominate. The drawing. Can also add a little bit of shading underneath the head, can actually shade the whole side here. Slightly. Let me see if the head is showing better. Strengthen the light underneath there to know the trucks. Besides little bit to shade here to the right of underneath it's showing you it's connected to the ground and quite heavy. Don't imagine going out for this kind of dog and it won't a young pup in your lap. You have to really be prepared to going rough, rough, rough with this robotic voice. Doing this electric, electric leash. We'll just add a little bit more strings to the, to the Dodge. Because I want you to look at this place. His staring eyes maybe really loves trees. Or leaves. Can also add just a little bit more strength to the robot, to Robert face there, butler. So that you can see that you can add close to your robot. It doesn't have always to be. Metal, could be something. So I'm kinda harder material. So don't be shy about trying different things. You think might work. Maybe it's made out of something material almost looking like ice, or maybe it's more like non-organic robots made other cucumber or whatever it can be. So there you go. Your robot dog walker GBS. His dog, Buster, 3,000. Good work and make sure to practice this with different kinds of variations. I'm very happy that you have taken this course and I hope you had a lot of fun. And please, please, please show your work. They're going to be great.