How To Draw Cartoony Monsters

1. Intro: Hello, welcome to Isa, drawing cartoon the monsters. My name is Christa, and together we will see how fun and easy it is to learn drawing. Starting with classical movie monsters like Dracula, Frankenstein's monster, and the man. Then we will add some backgrounds. How to transform simple shapes into whack-a-mole. See how easy it is to change the size of your monster by adding different objects to your drawing. Adding fun backstories and voices to your monsters. And lastly, draw some dragons and dragging. I see myself as a storyteller. I think any medium can be used to tell the tale, can be a boot again, or an animated story. I worked on multivariate projects. Having fun and just playing around can be a great way to free yourself and create something marvelous and personal. This is the beginning of a great journey into your creative world. I'm happy to be your guide. Let's get started. 2. Dracula: So before we start, I want you to loosen up your handle. It will be by doing small doodles, maybe some circles and some lines like that. Then you can draw a circle, a square, and a triangle. So this is to loosen up your hand and to fire up your nervous system so you're ready to go and start drawing. If you have some other pattern you want to draw, yes, go ahead. It doesn't matter as long as you loosen up your hand. So the first bolster we're going to draw is Dracula, very classical movie monster. And I think we should start by doing an egg shape. Something like this. Very simple egg-shaped. As you'll see. I'm drawing first with a blue pencil. And then I'm going to fill in the lines and make finer details for the black one. If you don't have this or if you prefer to draw with a pencil or a marker or pen or whatever, cranial, please do as long as you're drawing, it doesn't matter. So we start with the body and we're going to put out neckline, something like this. And then we're going to draw out his waistline, something like that. Then we're going to add and nose and I think it will be quite pointy and sharp. And then add two eyes around them, hypnotic eyes and eyebrows, something like that. And a big smile, big mouth. And then of course his fangs. So this is going to be Dracula, but not a super scared of Dracula. Maybe is more into drinking juices. He loves fruit, etc. Then we're going to add a pair of airs. Airs. And I'm just throwing normal ears for you to see how the character is changing if you actually make them pointed like this. Because when you are drawing a monster and you have something similar to a human, if you're sharing something that is sort of not human, it gets weird and scary. It's more like a bat like that. And I'm going to do the flaps over his color. Sticking out like that, Almost mimicking his fangs. His costume with some buttons. I think one is enough, one button there. And I think he should have some kind of maybe there's some kind of medallion or something like that. You can find out later on. And you draw more details on them. And then we should have his legs and his standing quite wide. Turned down his shoes. Quite pointed shoes. Yeah. Something like that. Maybe we will draw a shoe laces on him later on. And maybe lead means that maybe he has not tied one of his shoes. They looked like that. Maybe he wasn't a hurry to use line or maybe it got her in her Raven. He was posing for standing posting for this lesson. Then we're going to draw his hand. And as you see, I usually draw the circle to start with. It will be his, his poem like that. Then I will just add fingers on top of that. Something like that. I usually draw something that is showing the thumb line. And then I draw a line showing this. So it's symbolizes the depth of the poem. It's the same with this also, is that I usually, when I have a cartoony ear, I asked draw, something like this and then be opposing the other arm. Maybe he's taught me more with this arm and done his hand will face more or like this. So this is the thumb going up like this. Long finger to something like that. Draw that line here to specify this later on, but me draw with black. And with cartoony characters. You can not go off course, draw five fingers. But it's much easier and faster to draw four fingers. They look more cartoonish. If you do it like this. You can try different versions. Both four fingers and five fingers. Let wonder if something is missing. Maybe he should have his, I think you should have some kind of Khepera. This is the classical version of Dracula. The Count Dracula. I think this looks good. There you have the foundation of your first monster. And then we're going to continue with the black pencil. So let's start to define the affiliate in the little bit. Not very realistic, more like someone put the triangle on top of him, I can feel him. Shape two shape. And as you see, if I feel in this line, start to show that this area is actually more on the backside of the head. I will just make two versions of this. You can see the difference. This one I don't feel in this line. So this is more protruding out sticking out of his head. Not real on the front but more on the side. I'm not going to fill in this line either since it's going to be part of the trousers. We will go down to his shoes. Maybe a little bit of a feeling of a toe there at the end of your shoe. Don't draw very simple leases. Something like that. Don't continue with his other shoe. Little bit there too. And I'll fill in this. She releases. I can continue with the cape to the cake. You don't have to draw it. Very, very strong because that's actually what is this back? Because it works like this. The stronger line, the stronger, stronger contrast to draw. The father outer butt pop out towards you. Stood arm. If you want to, you can draw more sharp nails. Something like this here, sticking out a little bit. So it looks a little bit more scary. The other arm from the rest of his fingers. This shape again, let's do got very shocked at what. And underneath, so this two color line flaps, little u or medallion. I don't know what it is. Try to experiment with this shape and see what you can find out what is best for your Dracula. His waist, the nose, smell. Maybe smile, smiling even more like this. More like a green things is teeth. Done? His Maria rounds, very strange. Very happy. If not please. Eyebrows. They don't have to be exactly the same shape. It can be a bit different to give him a different kind of personality. Let's draw this a little bit stronger. If we want to make the nose stick out a little bit, make sure that you put a lot of weight here. More black. You'll see that it's more protruding, sticking out. Strengthen this line too little bit. If you want to, we can blacken his costume a little bit. Worried about keeping inside the line or anything. This is just practice. It will find your best way of shading and drawing. And as you go along and practice, because you will find your way of expressing yourself. That's quite important because you can always mimic someone. But eventually you will start to find your own where you're drawing. And that is very, very exciting. Now his costume is quite black. About that. Some more weight to this hand or strings, I should say. And obviously it's protruding more sticking out. And to add weight to the character, you can always draw black lines. Underneath the feet were shoes. In this case. As you see, it's actually makes the characteristic to the ground gives him more of a weight loss. I will just make a very rough shading underneath like this. And as you see, I'm very rough. Use very wobbly lines. And this is a very good way to, for you to start drawing actually because just play around another phone. Does the most important part. Having fun. Yeah. Maybe a little bit more. Black for the body. There you go. Your first cartoon, the Dracula. We started with a simple egg-shaped and found this little character. Good work. See you in the next lesson. 3. Frankenstein's Monster: So next up is Frankenstein's monster. We're going to start with the same simple shape. We're going to find our neck line. Wherever I like this. I'm done. I think we'll have a little bit bigger head, so just follow the lines up like this. It's about a little bit more room. And, um, we will have the hair will have a quiet messy hair. Something like this. Yeah. Little wild and crazy hair. And we will this is the thing we can start doing, is that if you try to find the middle of the face, just draw a line like this, then this must easier to start finding the position for. Let's say that we have the nose, hair, a little bit of a potato. Done two eyes. Like this. With this guideline, it's much easier for you to place the eyes with the same distance from the middle. We'll have quite big ears. It's the same here. If you want to have them quite some third, each other, you can always draw a cross-section of a line. Then it's easier to, for you to find the center of the ears. There's always a lot of different ways to do the same result. So if you want to start with the guidelines, please do. Let me, I've done it several times. You will actually see these lines in your head. Let's go a few, Linda, just a little bit more. I think we will make him a little bit surprised. So we will draw around the mouth and then and his bottom lip like that. It's not maybe the smartest pollster. So we will arms. I'm just going to put them by his side, like this. Disposable, be a little bit more static than the one on Dracula. Legs is the same here. If you have a guideline on the middle and you want to put the legs so they have the same distance, so they are a little bit more symmetrical. This guideline can help. You. Should have the waistline. Probably somewhere around there. They should have very big shoes. Like in the movie. He's stomping around with his feet. He also feel around to sense how big your shoes should be. We're going to add to the shoe. Same here. Don't worry, we'll fill it in. Both sides. Then we go to add ads. You'll start with a sarco like this. Then you can draw from this. Two fingers should be enough. It'll ignore other hand are assembled on the side. One can now just a little line here to, to show a little bit on. What I understood is that in classical monster movies, everybody wear some kind of suits or a costume. We will add little suit for this guy. Drawing. We shave color, we'll go outside. The body a little bit. Slab. Same on this side. Yeah. Scotland define the lines a little bit better. There'll be many, many versions of Frankenstein's monster. So this is just a start. If you prefer. Some other version of this creature. Feel free to draw them. This is more like Boris Karloff, Frankenstein. Then we're going to add some metal bolts sticking out from his neck like this. And you can do the same once you draw a little line here, which evolved to have them on the same level. I draw this one so it's actually showing the side a little bit on this one not to get your picture not too symmetrical, but start to Find the hair more color, more black later also. Maybe has a little bit to some sideburns. This nose, eyes. Yeah. That's a good start. Now we will continue with the black pencil. I'm defining the character and give more strength to certain parts. But we'll start with the face. With the nose. The nose is quite simple. You have two half circles. Then we have this little wavy line in-between them. You have a half circle up top here to give the nose some volume. Eyes. And I'm leaving this little spot here. So the characters have more life. A little bit of reflection. You can experimental have them both with this little light, this little reflection in the eye, or colored them completely black. The cota will look quite different. When you have a very dark completely black eye. It looks more. Dovish tried to experiment with these motions. Let's do the ears. Ear shape. Try to imagine why he looks surprised. It's always good when you draw, that you fantasize so little dialogue with yourself about what you're drawing. Maybe you found out that they switch to daylight saving time. And he didn't realize it. Nice whole days, a little bit messy because of that. Maybe he lifted me look outside the fridge. It gone. Sport the morning or maybe totally forgot that it was his birthday. So he, he's above shocked and surprised. Like Lyme. Give a little bit more weight to the next line. And then you see the head is popping out. Forms. Wigs filling in this line since the body and the legs are one piece. His shoes. I don't know if you can hear it in the background, but it's very stormy today. It's very windy. And maybe it's a good background voice. When you draw monsters. Then we're going to black kinda souls. Give me more black to this slide. This slide. More different initial or strings to the mouse. Same with ice. Also. Draw the focus up here. You see the more dark in this line, the more focus goes to this place. And also the most pops out a little bit. A little bit more, a little bit more black to get a nice silhouette. Yeah, it looks good. We'll still have a little bit of shade underneath the character. With my warmly lines. Connect him to the ground with strong black lives like this is a habit character so should be grounded. And there you go. Your first Frankenstein's monster eye, it looks great. So we started with the simple egg-shaped, same as with Dracula. We add a little bit for volume for the head and be made pose a little bit more static. I hope you're having fun, continued to practice with this and see you in the next lesson. 4. Wolfman: So our third classical moles will be the wolf man, whoever's start with the egg shape again. But imagine that you are going to bend the delete bit. I will start to draw it like this. But what we will do is to bend it into almost like a bean shape. Something like this. Course we're going to create a stronger didn't that make posts for this character. So there you have your basic shape. From there, we will have arms sticking out this slide. While I'm on this side. And I'm not drawing them in the same kind of pulse. And done we're going to have the house somewhere around here. And since the wolf man is quite hairy, hair-like that done, we will help them knows he has a little plug-in, diagnose. Them. Will have quite open eyes. Like this. It'll be a little bit cross-side. Draw your pupils little bit more centered. And then of course, very, very big eyebrows, huge bushy eyebrows like that. Then we will have some ears for him. They will be almost the same as with Dracula. Imagine that you have human ears. What we're going to make them a little bit more dog-like. That little shape here to remove dislike. A little bit too. Big mouth. Like he's growling. This. There's two ways of drawing. There are many ways of drawing teeth, but I'm just going to show you a little bit difference when it comes to cartoony characters. If you draw the teeth extremely sharp, looks much more aggressive. Or if you draw the teeth a little bit more rounded, it doesn't look as scary. Then this case, I would prefer his teeth to be a little bit more round like that. A little bit of darkness bar, mouth. And of course we should put some legs, placed them very wide apart. To make this pulse very dramatic. Jorge. Two big feet. He doesn't have where in his shoes because The Wolf man is having his pull salts like that. Here. Yeah. Just like that. I think I will do this v, dv and a little bit bigger so it fits started one. You can always do like this that you measure won't beat and compare it to the other one. Hello, let me know that you can add a little bit more spice to the shoe and other foot. Something like that. We have some kind of short dome, has these cool colors. He will have this kind of pulls fold up. Like very aggressive. Like this. Lender can add sharp Laos. This same here with the foam. Continue with all their fingers. The little finger. So he's very, very angry. We will harvest waistline. Please. Make sure your stroke. Two bottles that are maybe has a belt to belt buckle. Of course, you can do those things for the trouser. Or you go, pays for your Wolf band. So let's start to fill in. The lines will block. We will start with the nose. His eyes. Remember to leave, leave a little bit of sparkle in the pupils. The eyebrows. Maybe he's angry because someone told him that he should probably pluck his eyebrows. Else well, below those. Cleaning up the earth is hurt us out a little bit of Strauss sticking out a few places. His big ears. And also did with Dracula. I will draw a line here. So this here is actually more on the backside of that compared to this one. Lowest experimental. See what is best. If you've got a small part is covered like this. Or if you want to have a complete lie. Big, bow. His teeth. What will fill him? Smoke? Less. You'll see the teeth are not very even though I liked this kind of way. Gibbs sampler and wild appearance to be a bit more. Strengthen the nose on his eyes. So the focus goes up here. It's quite common when you draw something that you go forth and back between different parts. As you add or subtract, subtract things. From the other three fingers. The little bit of strength. The fingertips. Body. Look, draw this line completely all the way across done the disorder will be too far behind his body. So it's just this little part down here that is combined. Fingers. A little bit till spring. More dark under the fingertips. Waistline. His belt. I can make it maybe a little bit bigger. A little metal part. Well, we put the belt in its place. I can also color this a little bit darker. But what does torque is the eyebrows because we won't have the attention up here. Showing a short tall his trousers. What do you can do here if you want to, is to make the trousers ripped. It looks almost like his fetus grow. Destroy the trousers like that. Don't do the refeed. The nails. Just a little bit of shade. Since they are so big and fluffy. Maybe that's just locked. His eyebrows are going to be plucked. It's maybe they want to cut his nails. And he is fighting for his life because they think it's very scary. Little bit shaved their number. Of course we will draw string Folder nice his feet to touch him to the ground, to shade underneath him. Of course, the wobbly lines. I can try this out and if you feel that it's not your style, don't have to do them. It's just a way for me to describe my drawings. That's why it's nice to always try different drawing techniques. Look at different teachers. You will find and adopt different things from different people that will, eventually, it will make your own unique style. Just a little bit stronger. Then you can just imagine what kind of noisy makes it scary growl? Or is it more like a little puppy or maybe easiest to talking gibberish? Who knows? But this can actually help you when you're drawing a character to find something interesting. The character a little bit more around the eyes, a little bit bigger. You get the focus up in the face. There you go. Your first both, ma'am. The classical Wolf Man. Good work. And I hope you're having a lot of fun and see you in the next lesson. 5. Dracula Background: So let's start to draw a background for our Dracula character. You can imagine that he's standing on, let's say a graveyard. That the sets, that atmosphere. We probably start with headstone. When you're drawing. I can suggest to you to listen to different kinds of music because that will actually change what you're drawing or the way you're drawing. Can you imagine if we would listen to various Gary music when you listen to this, when we draw this or river listened to some upbeat pop music, it will be quite different. If we go through. So let's store little hill like this. Under recent round. The tilt that stone. Like this. We can draw a little frame. I think. Nobody else do some small wobbly things. That is symbolizing text. Yeah, like that. Then they can just draw some patches of grass. Maybe a little flower, a little while. And then we will, from behind here we can draw a tree curving up like this. Crooked tree that will continue outside. The picture. Drawing. Curving back like the more curve. And normally you make them the scary or they look just a little bit black arrow. Yeah. Something like that. Along the ground here we can maybe a little, maybe somebody dropped their sword, draw a simple shape. The ground. Maybe it's striking those who know, who knows what's still have this example of the air. So I will just erase a little bit from that. We can draw a bath maybe. Yeah. So you have one wing here? Body years. Something like that. Yeah. So you see you can always go back to a drawing and reshaped something or completely change it. I'm done. I think on this side should probably have another little hill. The big bucks. Something like this. This one, we can draw another headstone to this more like a cross. Of course you can draw your lines like this if you want to. If it's easier. You can always erase this later if you want to cross. You can put a circle here. Maybe. We'll make the letter T can write something else if you want to. I was kinda make this cross just a little bit more decorative. Just adding some shapes like that. We can do the patch cross here to not have to draw every single breast or you can just draw something that symbolizes cross. Your mind will fill in the rest. Yeah, like that. Then we should have a big, big full moon here. I think. The cross is covering torsional solvent. If you see on the Moon, there are some weak spots on it. So you can do the same here. Could be small, like creators. Like that. I think I will do some more ornament sold across. As you'll see, I'm just playing around, just letting my mind taking the pencil forward. As I said that a few times earlier in my courses, there are no right or wrong. It's just about drawing and having fun. Very good way to learn. I think we should have a few more bad sexually. I can have one more to the saying goes the same way. This one is the party. It could be some parts that are also working for Batman always. Like it stopped in the background for this picture, this drawing. Then we can have a small bud here. And this area. Yeah. Quite spooky. I think I will fill in this tree completely. Like a silhouette. Maybe a little bit more of Two more brushes. We can maybe add something down here. But needs to cross. I think we should put scalier, America Tuna Scope. You start by drawing a circle. Then you just add little shaped like this. You can draw a line up. Here's the nose, ice socket, eye sockets. And under Kenya's throw another line underneath there and there you have your teeth. Very cartoony style, a little bit of shade on them if at all so little. So you can add some, maybe there's some small stones or pebbles. Some crossover too. Another storm or to stall stall there to fill out the ground. Yeah, I think this looks quite good. Can always fill in with more bats or maybe you don't like bad. So one times something else. Maybe there's some clouds here instead. Yes, feel free to experiment. Suppose time to fill in the lines with black. Get started with your tombstone. As we'll see. It's actually a bit cracked or broken near all. So you can add maybe a little cross. A small lump. Go gently with a strength. Since we're drawing on the background, you don't want these lines to be much stronger than the lines on the foreground with the character. Because that would mean that the background is more important than the character in the middle. So try to draw a little gentle. I'm just going to fill in the outer lines for the tree. Start with, if you feel you can always add some more branches. Let's try to draw the brushes. Random, random shape. Of course, if they get too symmetrical, it looks kinda weird and not at all. Scary. Feeling like across little bit. But you will have the sword here. It couldn't be in a shield or maybe someone dropped there. Coffee mug. You never know what you can find on the grounds of a great job. So just imagine, I fantasize. See what comes out from your pencil. It's going to add a few lines that connects the shadow, the character, with the background. So they are integrated. The first path here. Mr. same thing, don't make them too dark. Shade this one a little bit with black across the origin. Little bit more important than the reshape. It a bit more collected two, that are cooler. And don't worry about if the lines are getting very wobbly or if you shade outside the lines. This is about experimenting and learning. Letting your mind be free with your hand and pencil. Like that. The very young the cross. Since this one is closer towards the moon, it should have a little bit stronger contrast, stronger outlines, some more details to the grass. The decorative part. Don't imagine that I'm not 100% satisfied with the look of this. Maybe I actually want this part to go all the way around. And I don't like to t. Maybe I will do some other symbol instead. I can always go back and redraw it. The same with this. Maybe I want to add something more. If you like to try it, you can actually go back to the symbol or the juvenile order to the ad hair and maybe you can actually add a little triangle there. Just a little one. These two objects are connected. Gives a little bit more depth to the scene. Quite big teeth, eye sockets. If you want to sculpt to look more evil. Just imagine that it looks almost angry that you add a shape that is more centered like this, almost like if you have algebra also get angry, are angled down towards the middle. Some shade. Steel click contact with the ground. Feel it's actually there. You can always add a little bit more here and there. They also imagined that is astounding on the, on the pathway that is full of pebbles. And thus were disorder usually just add some small marbling lines connecting the two areas. Number of them. Young too, young Klee, drawing some very vague creators like that. So you have some textures. If I go ahead and strengthen these lines a bit too much, I actually have to go back some more strength to the character too. So this doesn't take over the picture. Same with top of his head also. Understood that. So getting to black, a little bit of black to his cape. There we go. One graveyard background for Dracula. What if he was in some other place? Maybe standing in the kitchen or candy factory, or maybe he's on the beach. Continued to practice and draw Dracula and add different kinds of backgrounds and play around with it. See what you will find out. 6. Frankenstein's Monster Background: So let's continue with Frankenstein monster. And what should he have for background? Maybe we should do the classical laboratory for him. We can start on this side by drawing from workbench. Let's make a rectangular shape. And then on top of that, that will be the top of the bunch. Like this. Probably should be some kind of drawer or drawers. So we'll do a handle. The circle, ring like this will be an old-fashioned hubble. You can draw a smaller rectangular shape like this. This is one. For the other one. This one can be bigger so it's actually going outside of the picture. There. Circle. The ring. Yeah. Something like this. I'm done. I'm not so good with technical terms when it comes to laboratory equipment. So I just call everything lab stuff. We can start by doing a shape that is almost like an egg. Comes up to top. So this is going to be some kind of flask bottle like this. I'm inside, there should be a liquid and it should be moving a little bit wavy line like that. Then they can draw on not too small bubbles like that. Next to this. While we can have like a glass jar. Also be the top that is a little bit thicker like this. And this one should be inside. Another mental fingering over here. You'll feel it's Sterling inside a metal holder. And then we will do more blue line or currently line going like this. Inside. 7. Wolfman Background: So let's start drawing the background for the wolf man. And I think he will be, I think it will be standing in some kind of wood forest, which will start by drawing. That is standing next to quite gnarly tree like this wavy line. This slide. Other prongs going up like this. That's a good start. And also if we want to push this further back, can always remove a bit of a line down here. So the tree is actually starting back here. Instead. Draw some more brushes. Make them go outside of the picture. Small one that is broken off. We can have a little a little hole here. Maybe some little creatures living down there. I will just draw some lines symbolizing texture on the tree bark. We can have the problem. She's going out to black shapes. The trees. Maybe it's around a little bit gross. Maybe. The home life that maybe just one route is going forward loop bit. Yeah, that looks good. If we want to, we can make more trees in the background. Make them smaller. Well, they are, they don't have any leaves or anything, so they are probably quite dead. Or it could be late. So they don't have any leaves. Even though the tree here, you just see, if I draw the lines two similar, it doesn't look so exciting. It's much more exciting if the lines are not following each other. So I will do drawing it like this is that the evil is going brushes, it's going behind his character. Coming up here. We'll clarify this slide a little bit better. Yeah, this looks much better. We will define everything with the black pencil later on. But what I will do is just to mark that this tree is further out and auditory. So these are disappearing a little bit. Maybe there's some fog going on there. The background. Even the little tweak coming out from the slide here. What does remember here? There is actually a little leaf, but it's probably not so much alive. He's not gradient at least. So it's drooping like that. On this slide, I think we will have our tree stump. The tree is broken up like this. Let's styling little bit where the tree has broken off. Some roots. Here I think we will add. I think he actually has a teddy bear placed it next to the street. Street. He has placed it here next to the tree stump. Two circles. Circle and the males didn't lay eggs like that. His arm has slumped forward a little bit. So you have the lungs here. The eyes on his ears. The wolf. Man will never go anywhere without his, his little bear. Few strokes here and there. Some pebbles, small rocks, some texture with the tree bark. Random Lauren's work this to symbolize the market. Up here. I wonder if we should do, should be some clouds maybe. And then we have a full moon. Wonder if we should add the moon. That is a little bit behind the tree stump like that. Then we can add some clouds coming you. It is also behind the Wolf Man. We can erase this. Let's clean up the picture a little bit. As we did with the Dracula picture. Just add some small craters to visualize, visualize so that it's the Moon. Some clouds or maybe they even go outside of the picture. Tried to make a connection with a line in the background. So you'll feel the ground coming from one side to the other. Maybe add some more trees here. Customary wage shapes. Maybe we'll play around with the lines cell the string for the longest later. No worries. Just do some gnarly tree lines there. Yeah, I think just looks quite good. I'm from beneath here we can draw more gross. Know, some random shapes. Because sometimes when you draw a girl, so you can do it to really show there is a big shape. And sometimes it's just enough to draw one line. Ms. Good to mix them up. For some random random shapes from this slide too. So small pebbles. Maybe another little twig. Yeah, I think this looks very good. So let's continue with the black pencil. We'll start on this side. I love to start with a tree that is closest to us. To find right strength for the background. I love to use. Small blue lines. Show where the trees touching the ground. The store. I think that's a quite enough for strength. A little bit of shade to it. Quick rough lines. Nobody can likely this whole little bit of black there. Continue with the park lines. Draw this very much so. Round them a little bit on top of each other. They will form quite lice. Bark texture like that. A nice shade for the trees. Going behind the character. And continue on this slide to be light on your hand. Because if these lines get too strong, they will take steel focus from the main character. Imagined that these trees are a little bit in the fog, are a little bit blurred. Same with this one. Light, dark lines. Then again, I will ask what kind of music you're listening to when you're drawing this picture? Is it helping you to find the right mood? Yeah, like that. Then we will do a little bit of this foregrounds. Girls. Twig, maybe it's a Braun, she didn't know where to scales girls sexually. Belief that is dried up or it can even make it more. We pick more curled. A little bit of shade and light contact line to the ground. Can try to make it even stronger and see what happens in connection with his foot. Draw just a little bit stronger. See it's popping out more. If I add a little bit more to start to have almost the same value as that one. And it looks better. Can do the outline here to strengthen it. See that there's a leaf. Then collect the two objects with a little bit wobbly lines, lowered fields that they are on the same cradle surface. These tools can be single lines. We'll do the other tweak. Maybe as being playing fetch with a tweaks? I do. He's chasing the twig himself or maybe he has a dog somewhere who knows? A little bit of shade on strength. So the contact surface, the contact line to the surface, a little bit of a blur lines towards the objects. The other side, the grass in the foreground. You can use feel free to see what kind of shapes, forms you prefer. How strong they are supposed to be me. Because if I draw them much too strong, steal away. Strengthened focus from, let's say the fourth term. The purple. This one I will shade a little bit, a little bit wobbly. Wives. To breathe hard work if you would draw every single pebble stone on the pathway like that. So it's just about adding small pieces that I was going to symbolize the whole area. And your brain will fill in the rest. So don't worry. The tree stump, most of the plane. The tree stump first. Sue feel buried, sitting around a little bit of context to the ground for the roots. Here, we can also add small pebbles. Maybe a little bit of grass. Hello, more strokes. And that little line the background that says that these two parts are connected to each other through the teddy bear. This big ears. If you prefer to have a bunny or another animal. Animal here, please do, do it instead. It doesn't have to be a bear. Maybe in your picture he actually put up his smart tablets against the Stamp. Who knows, shaded a little bit for it to get a little bit of volume. Also add some contact lines with the ground. Hello that also will do a shadow where it's sitting against a stone. Just like that. Round a wobbly lines symbolizing the bark. Like that. Some shade, a little bit more strength to the silhouette of the crystal. And that's the same with these trees here. I will just shade them. So it is three young play. Very, very soft. Outline. Girls tells her to go to the moon. Showing up behind the tree style. Moving to Marie, Young. Lords for the clouds. I like that. Look. Craters on the moon. Looks good. A little bit more strength from the teddy bear, so It's more connected to the walls. Just a little bit. And when you have drawn this and you feel that these lines are almost the same value, whether they are getting tangled up with the background. Just go back to the main character and strengthened the lines till you feel they are separated from the background. Probably don't have to draw them super, super, super strong, but it's good to go forth and back in your drawing. I'm trying to find the right value for each part. I think we are done very good work. And what if the wolf man, balsam, owner of a hair salon instead, what kind of picture would you draw done? Or maybe he's barking in the car repair shop. Maybe he's a firefighter and he's out saving kitten, kitten from a tree or putting out the fire. Just practice with this drawing and do different kinds of versions. And see you in the next lesson. 8. Circle Monster: So I thought that we should draw three kinds of monsters, starting with basic forms. The same shapes we did in the warm up. So it will be a circle, a square, and a triangle. And let's start with a circle. Go ahead and make a wobbly circle like this. Imagine what will happen if you put a bag like this. Legs, feet. Just doing the basic shapes first. Trying to find the main shape. From this shape, we can add some toes. This slide. Yeah, looks good. What kind of phase should have? We should have one big guy. Quite big pupil. Maybe. Well, nice shot like this. I think most of you should have some kind of underwear. He could even have a wife wrote this. Maybe someone walk, it has woken up to bolster early on. He's just in his underwear. Not sure what is going on. Now, we can add some teeth. Well, small one there. Yeah. Quite as symmetrical. Character. Holding arms, hands. That's usually just bolts first. There too. You can add the other fingers. Same on the other side. Maybe this hand is more. Fingers are more spread. Like that. They have some ears. Here's like that. Since it's some bolster, you can always add something more. Maybe yes. Two sets. So ears like that. Looks good. Maybe some little bits of hair on the top. We can add some scores, maybe a little bit. In the Hiss for Thomas foreheads could put a band-aid that. Please go ahead and add some background for this character. Where does it live? Is this don't put a bug in the closet or maybe he lives in the workshop. What kind of job does he have? What is his favorite food? Does it like to play tennis? You see afraid of kittens. Anything you can find that is interesting, please add a third character while you're drawing them. New things will pop up and you will add more things to this little guy. Or maybe he's a very big guy. Maybe he's taller than the skyscraper who knows? Little bit of darkening in the mouth. Yeah, I think it's time to add black to the character. Can start with here. Don't worry about wobbly lines as you'll see, I usually draw multiple lines. When I do my sketches. This is not going to be red the artwork. It's just practice. You also play around and have having fun. I'm finding new lines and new ways of drawing. A little bit of shade on the Band-Aid. As you'll see, when you start with a simple shape, anything can happen. When you play around with your lines down. It will be probably quite hard for a person to actually imagine that you have drawn this just for us from a simple circle, showing a little bit of like that. So they're like input some torque on the knees, feet to contact him to the ground. A little bit dull shade too. Yeah. Looks good. Thumb. Is their fingers same here? We can just put some small nails there. And also you can make some small to show the knuckles because this small lines, Hello. Draw his ears. Almost like little horns. Few lines as small. And as you'll see, I'll look super careful to draw the lines Exactly, exactly the same place as the blue lines. Steals the following by instinct and adding a little, a little bit more area to the mouth. Strengthening the lower scores. A little bit of shade to his wife, wrong. Goals, other little bit of shade too. This part of the underwear, mature what it's called in English, called it a sore in Swedish. So there you go. You learned a new Swedish word. Earliest, a little bit of shade to his legs, too. Little bit, little bit more strength around the slice. 9. Square Monster: So let's go ahead and make a big square. A wonder if we should do some kind of squid bolster this. So we should add some tentacles to this thing. Can start outside like that. I'm just magic make the top corner so this square a little bit rounder. So let's go ahead and add a tentacle out here. Also. We can maybe show, show. Well done, nice there that it has this suction cups. I'm also do well on this side. Maybe this one is more curl. This should be holding something. Maybe it's holding a lollipop. When it does become a big piece out of it. Yeah. It's along the top that is colored in different sections. We should add more tentacles. Somewhere, maybe quite small. It's really good to various sizes. The shapes so they don't get too similar. Because if you're drawing a bit too static, it gets a bit boring. Straight to find your lines. Snorkeling around like that till you find. A good variation. Should add ice to this thing. Role while he is a little bit cross-side. A mouth, maybe his tongue sticking out. So delighted. You think this popsicle, or what kind of candy you want to draw there. Feel free to experiment. A few more tentacles to form up. So the base is filled them down there. Maybe this one is you're scoring like this. We can also add maybe, yes, Actually some kinda legs to just very small legs. So he's not really 100% Squibb, some shoes like that. It's cool. It's a little bit lumpy, can put out some spots. Don't make all of them the same size, the same strength to wear them a little bit in shape, some kind of pattern. I think this looks quite nice. Let's go ahead. Fill in the lines with black and leave a little bit of room here. The pupils to add a little bit of sparkle. Give the character more life. And that's the same with this wrong bolster. Try to imagine what kind of character disease is it working in the bank? Does he have a candy problem? Maybe it's a very good gardener who knows. When you start to find this. Find the answers to these questions. You will automatically start adding details, some objects to the drawing. So when you practice this, please add something new. Each time. We'll see what happens to the character. Tom, the percent happy with this tactical. So that's a little bit more heights. Curtain, a little bit like this, fits better for me. And as you see, I only made the details from the underneath the tongue to go on this side, but your brain will fill in. But if there are suction cups on one town to call, these will be all of them. So just adding this detail gives a lot of depth to the other tentacles. You can, of course draw more suction cups on your tongue to calls. If you prefer that. This yellow awesome example that you can use to help the brain move along and adding things into your picture that is not actually there. Some shade to the lollipop or Popsicle or whatever it is. I can add a little bit dull shade on the disk to come to her. Level, do the top a little bit more wobbly. So it doesn't look too much like. A square. Fill in these sports. Remember to vary the shape. Size, strings a little bit so they don't look the same. And also I will shade this part a little bit. Another topic console so the soft shade to give it more volume. Legs with a very overall blue socks. Maybe this guy is standing outside the store waiting for his favorite magazine to come. Maybe it's official magazine or maybe it's about clocks. Little shade, little bit more, or contact the new shoes. You can always extend this if you feel that you want to shade, to go all the way Altera. But the main string solutions should be erroneous feed. You can always go forth and bargains. A little bit more shape there. I'm also going to draw some stronger lines. Tentacles, so they pop out a little bit more, little bit more string fare. So the focus goes up to his ice. Can show you the legs a little bit also. So they go underneath the tongue pickles. There we go. One square, squid, candy eating monster. It's the triangles turn next time. 10. Triangle Monster: So let's do the triangle bolster. Go ahead and draw a triangle. Roughly. Something like this. Two big horns. Very big homes. Make them a little bit of symmetrical. Can even carry out this one a little bit more like this. And I wonder if this milestone should be harry. Let's do. Instead of doing an outline, we will do silhouette, bed, although hair and stuff. Please continue to do some wobbly lines. It's probably never seen a carb and its whole life. So maybe some of the hair is sticking out quite a lot like this. Instead of having two eyes, very big guy in the middle like this. This can also be a little bit crooked. You see the horse are a little bit crooked this way. So we can draw the eye in this way. Instead of having the pupil like cumulus do, we can do it like cats or snake have them. This almond-shaped. As with other eyes, please leave a little bit of light, a little bit of reflection in the eye to give them bolster some more life. What kind of mouth shut this monster? You think he's a singer? Or maybe it's a mute. Or she could be. Maybe it has quite a big mouth. It's quite wobbly like this. There's two teeth showing that. It looks quite okay. Maybe a little bit more. Hair on top. Going even outside the picture. Now the little bit of a lip. Looks good. I'm done instead of legs, maybe it has like arms standing like this on the surface. If you draw little fingers like this, maybe these are more wrinkled. Big your fingertips. So males, one thing that is very fun when you draw monsters is that they can be anatomically very wrong, but still look very correct. This is a great way to just play around a lot. Feel that there's certain rules or principles that you need to follow his, justify them. Play around with your minds and your imagination. Always remember to think a little bit about the character when you're drawing them, about their background, characteristics. Shades, forms. Course that will help you. I hope you find the character value that your imagination run free. Instead of looking sort of grumpy, I can change it to smile and stuff like this. That's a huge difference. So I think I prefer this monster to be a little bit, little bit happy. So let's go ahead. The black lines spot where the horns this time, single line like that and then some shade slew. Please continue to try to make this silhouette or the character without drawing a line. To show the edge joint to play around with the hair as much as you can. That will form the silhouette instead. Slipped the hairdo, go up into space. Well, let's start sketching character. I love this part. Just playing around with the line. See what you can find them. Not taking it too serious. When you draw the hair. Tried to make some lines stronger in someone's little bit lighter so you get the variation. Something like that. Control. This is the top part. Withdraw the other lower lobe beneath this line. So you've got more like him. Sort of an eyelid. Fill in the pupil. Go back to a little bit more of a sparkler, a little bit. Crooked teeth. Show you them. I asked a little bit. The lips. A little bit of texture here. Can always show you the mouth. Slightly same with the bottom part of the lip. Give it a little bit more of a volume. Brinkley, feet, hands, He's wobbly, crooked TO fingers. Remember to add a little bit of strings. Sure what a monster is in contact with the ground. Getting more weight. We are doing. So shade. I'm a bit stronger like this. Now you can add some strings to the hairline stuff. I've done the theorem to show that the Harris more in front legs like this. And then they can also add a little bit of shade arrow. Just a little bit. Yeah. Looks quite good. See if I can bring out a little bit more light here. You can always do without this to make the most use to fill in everything. Done, you have a different kind of appearance to the character. Looks a bit more. Maybe a little bit more seniors. Since we're doing that, we can also add a little bit of wanes. Just imagine that there are almost like tree branches. Shade this part a little bit too. Yes. Good work. I hope you're having fun and see you in the next lesson. 11. Tiny Vs Huge: Slug Monster: So in this lesson, we're going to draw a monster. Make it both huge. I'm very, very tiny. Let's start with the monster. We can start with a simple oval shape like this. And I think it's going to be more like a slug. So we're going to make a little bit of a tail. This slide. I'm also going to be quite fat, so let's add a little bit of shape down here. It's going to be quiet while blood is shaped. So play around with allowing that you feel comfortable. We'll have the tail go up just a little bit. And then the slag will have some eyes. Maybe it will have three eyes. Little bit different shape and form pupils. Leaving that little spot, a little spot and I, to make it more alive. Herb mouth is quite open to all big tooth like that. Fill in the mouth. Little bit. Kinda make the lines show better for, you know, when I know a little bit more about how the monster is going to look. Quite flat. Surface connecting to the Earth. Done we will have two small arms. Let's do the circle. First. Fingers. The other three fingers. The arms hanging a little bit down by the body, can also add some more fat here underneath the arms sticking out. Showing that the monster is quite stocky. Like that. Clarified the shape of the mouth from the tooth. Then we can add maybe some texture too. The side here, some spots, little bit different shapes. Maybe two up here. Maybe a few spots here on this side. Yeah, I think that's enough. Since it's a snake and bolster, it should probably have some Google around it. Draw some wobbly lines, showing that it's some kind of liquid, some kind of goo. Can add a little bit too few points that are like small splashes. Something like that. Let's go ahead and work with the black line, like pencil. Starting with the mouth. Will not make this too black. Since the mouth is quite big. So it doesn't take over the whole face of the slug. Leaving that little light during the pupil. Cannot just a little bit of shade here. Hello, hi side. A little bit. Climb. Can add a little bit more of a wobbly lines here if you want to make it more. Fatty. Just a little bit of strength from down here underneath the monster until a little bit too wild here with the black soft. Erase it a little bit. The arms and hands dangling. Else. Though it looks almost like you're surprised that we have caught him in doing something about maybe it's on a shortage. What is supposed to do now when he's either whether we're very big or very, very small. The small freckles can move on to something here to select that little bit of shading underneath. A little bit. We're going to do the goo here too. Maybe he's not a slave list. The normal bolster body itself. I don't know. There you have to add a little bit of shade here and some lines. There. We have one monster. Now we're going to make it a very big malls. To just start with this slide, I will draw a building. So I will do a rectangular shape slide, something like that. And I'm a little roof. This building, maybe a little chimney, smoke like that, and draw a door. It was going to specify the voice a little bit more clear. I have the little door with a round window. We can add those to the building. Can start by doing some guidelines. In this building you can, of course, out of the bottle details if you want to make flowers in the windows or cartoons or people standing looking at the monster. Please go ahead and do that. Herb. Hello, this is material that is a bit smaller. So shade for the house. Standing on the ground. Now you can see the monster is huge. So you just make the house a bit more concrete. Hello In this little smoke, a little trail. And as usual, don't worry about that. The line is supposed to be extremely straight or perfect. This is the acyl exercise. It's about finding exciting details and adding to your imagination a little door and the little handle. The ground. The limit to a little bit of shade here. I'm a little bit of strength. Underneath the house. We can just add a silhouette of a person looking at the bolster, the Austin Building in one window. Now the bolster is huge. Let's see what we can do to make it tiny. So on this side, we will make something that is about the same size as this small oval shape, like dance. Show that. So on this side we will draw a coin. I don't know which country you're from, what currency you have. So please feel free to displace the currency of your coin. Let's make this very simple outline over some kind of face. Not very detailed, very rough like this. So you can understand that too. There's a figure here. Add some wobbly lines here, describing that there's some kind of text. It's just a symbol anyway. So just on the edge. I'm going to make these markings. Some coins. This texture on the side. Like this. You can love golf course, just draw a symbol error, maybe just $1 sign or euro or Ruby or whatever. You like. Nails to add the little shade here. That's the contact to the ground. Take the black pencil, fill in the lines. So this is just a way for you to add objects around your character to give it the size you're after. It could have been anything. Instead of a coin, maybe there's a strawberry or a little bogged down or whatever it is. Just a reference points. Something like this. Where wobbly lines. I'm showing some kind of face there. When I do these lines to very roughly. We can eat them. Shade this part. Let's talk a little bit. Shaded told me for a little bit and also a little bit on top. A little bit of strength, fair? Shade. There you go. You have two objects next to the bolster. One that's showing that it's very huge. And other one is showing that it's very tiny. So you just imagine that the cover this up. The monsters are really, really big. It's huge. Or recovered this up. And it's a really, really tiny monster that is just going after little candy in your house. It's a huge difference. And this is a very nice way to play around with your character. Giving it different characteristics. Fill in the lines a little bit better. Moving to focus up to his or her face appearance that there you go, play around with this. Please add some voices to your characters to, because it's always fun to mimic and give it more life. I'll see you in the next lesson. 12. Tiny Vs Huge: Ant Monster: So let's make another try at super big and super small. Imagine that you will draw kind of a start with one circle for the back body. Now the circle for the main body. The head a little bit bigger, round, shaped like that. So in relationship with the coin, we know that it is quite small. Because small draw eyes can be googling. I like that. He's staring out into space. Bow with some teeth. So maybe this is not really allowed. It's more like an adult Monster. Two antennas, quite big wells throughout the body. Not withdraw. Some arms. Sale is quite open. Normally I draw, I have a very close grip like this when I draw, but then you can't see anything. So I tried to help by hand as much out of the way as possible. That is why I dropped a pencil, a blow. Sometimes. We can have the other arm, I'm home. And then this one, it's going to have a tight grip. I think it should be holding a little stick. Since we're still comparing it to the coin next to it. This will be a bird little, little stick, right leg. And it has some kind of boots. I think that is opening the frog to me has some kind of tunnels. Close. Number has another leg here. Other shoe? Yeah. Like that. We couldn't even erase this little line here. The real the start of your little Gloucester. Gloucester. To find the lines a little bit better with the black pencil. Leaving that little sparkle in the eye. Can even make this a little bit more circular. Like that. Long his tentacles or on tunnel sits because of blastocoel antennas. This one is on top here. Another one is going behind me, but there's some kind of pattern there. Yeah. I think we can make the mouth a little bit bigger, a little bit more strength. It'll body weld arm. To give it a little bit more and bolster field, you can of course add some sharp tunnels like this body. It looks like he has some kind of wrinkly socks on top of the shoes too. Number two, terminals sticking out the leg. As you see, this is on top and this is going behind the socks. Cut open shoes. The tolerance limit will add some strings underneath his feet. His other arm and hand. This sticky that is holding us. Come back to this object really little to shade and also share your daughter. Tara. Know, this little monster is standing next to the coin screaming. Whatever you think is screaming. Babies, Charlotte, she would, maybe it's a jolting for pizza. Who knows? It's going to add a little bit of shade beneath his body parts. So little bit to give it. Give me a little bit though. You can also say this part's a little bit. There you go. What little? 0 and also bolster and what will happen if we actually will change this slide to something like a forest or a mountain side or something like that. So let's go ahead and draw some very small trees here. Are even smaller one here from pine trees. Like this may be in the background. Even have a molten like that. With the snowline. Close. Control some clouds behind her to maybe make some small bushes. Then we will draw a very rough silhouette of a forest in the background. Like this. I think you've covered this part all of a sudden you have a huge monster. Let's fill this with black to. It means that this little stick is actually a tree smolder. A sudden you have quite a huge monster. So what? We're going to shade it a little bit later also. So a little bit little bit of shading to give it a little bit of contrast. So you actually see these two trees this fall. We can also add a little bit of shade to multiple side. So that's the little bit of ground here to where it gently. Other lines to the clouds here. Also behind like that. Look at this, this really, really big screaming. Period. So wherever you think he's screaming, maybe it's asking somebody who dropped the tree. This tree. Where is the home the. So there we have another example of how you can change the size of your monster. And also it will change the characteristics also from being this little too huge monster. I hope you're having fun. Please practice this with different voices and see you in the next lesson. 13. Tree Monster: So I thought we should draw some kind of tree monster. Let's start by drawing the body or the trunk of the monster. Some curvy lines. Then we can do some kind of ritual early roots. Almost like tentacles. Decided to making this a little bit bigger. Yeah, that we can herb. Not at first appear. There, you have your main shape. Then we can add a lot of ice here. Round, round or oval while small ones like that. Then we can have a big mouth. Maybe there's a tongue sticking out a little bit like this. Free monster is screaming or shouting. And then we can add maybe a pair of little arms here. Something like that. Almost like closest fingers. Do the same on the other arm. I think close to the head. Yeah, I can even make it more symmetrical. Bit more lovely. To see. You can always reshape whatever you are drawing. Trying to find what is right for what you're looking for in your drawing. Do this a little bit more twisted to kind of Timbuktu wish. You'd liked his kind of shapes. You have seen this movie is doing the eyes. Eyes can be looking in different directions. So you don't know what is going on there. What is staring at small walls. The top can just be a little something like this. To show that it's more like a tree. The little bottle they put first, the bark lines. Random lines. If you prefer to do some other kind of tree that has a different part, please go ahead. Maybe it's a birch tree that has more spots. Maybe you have a fire favorite tree where you're living. They want to incorporate that into your drawing. Please go ahead. Just go out the little line for the summer. So there you go. There you have your basis for your tree monster. Let's go ahead and use the black pencil. And as we talked about in the previous lessons, try to imagine what kind of personnel to this tree moles as the cradle of life. Sounds. Maybe this tree monster is actually mute. So even though it looks like it's screaming, He's actually silent. Silent scream. Some black to the mouth. Well, this monster I'm making toothless because I added a tongue here and I wanted to time to be more dominant. Started a little bit of shade on the Mr. Tongue to this. Because when the more objects you add, the more focus goals to each individual part. And if you just have one big thing sticks out more clearly, I think I will go ahead and not the parcel dew little bit more of the home, even wobbly lines. It's almost like it's shaking. Same up here. We'll do the Ruth tentacles. A little bit of strength, older leaves here to the bark. Some simple lines. Let's play around. See what you can find. Maybe you prefer to have fewer lines that are more dark. Where are your preferred to have even more crack sounds? Lines going to shade it on this side. Give it a little bit more volume. Just a little bit. Don't have to associate this part. Some strings to a few of these bark lines. More strength to the eyes. Disappear with other lines. Because the eyes are important and destroying. And of course, a little bit of shade. The ground. Yeah. I think just looks quite good. One screaming mute tree monster. Now wonder what else we can actually add to this picture. What if it actually is screaming so loudly that the leaves are falling off? Let's draw some small leaves and try to randomize them. They are falling and are tilted in different directions. What we can do is just to draw one line. And then you draw some circles like that. That's quite simple way to draw a leaf. Some of them are a little bit bigger, some are a little bit smaller. Maybe the trees actually screaming because it's actually losing its leaves. Who knows? Or maybe it's opera singing tree. And it takes the high note and it makes the tree, it makes the leaves fall off. Some leaves like that. Maybe a few small wells up here. That should be enough. I will feel in them just a little bit. Not too strongly. You don't want to take focus off the tree bolster. Let's fill them in a little bit. Some can be a little bit stronger lines but not too much. Remember, you can always go back and redraw a tree monster. If you think that focus of go too much to the beliefs. You can always go back and strengthen. Some of the lines like this. Screaming too high note. Hello, wonder if we should add maybe the tree monster has some kind of babies, some saplings. So let's go ahead and do a little miniature. Maybe this one just have two eyes. This one that's maybe a little bit softer lines since it's a baby. Standing next to the tree. Can never even make smaller models. Really, really tiny dots. These maybe have not even eyeballs. They asked have black dots us as ice. Standing slightly behind the tree. Of course, add something here to be a little bit bigger than this one. Started to have more than two eyes. Yeah. It looks interesting. So did a tree motor is some kind of parent? Maybe we should imagine that this little sapling is holding something. Maybe it's holding a sign. Just a little bit. Little sign. You can see this thing going up here. I'm on the sign, you have a leaf. Maybe it's a part of it, is called picket demonstration. We can add the sign here too. And it has the same symbol, belief. Then we can start to imagine some kind of backstory. Is it a picket for saving the leaves? Maybe sexually, the tree monster is this kind of monster that eats leaves. The small saplings want to save the leaves because they are not the same as the parent. Let's fill in the lines. To leave. A little bit tough, show you. They're just a little bit connecting it to the ground. Connected it to the big guy. Because young children, small sapling here in the background. If it's a demonstration. Can imagine how these little guys are sounding. Have very light voices. Maybe they are not screaming something. There may be a singing. Maybe they have a little picket sold free or leaves free or leaves. We want leaves. Make sure that this tree has the most weight. There you go. Your tree monster. Please practice with this. Play around with the forms. Make sure that the little guys around it or doing different things. Maybe the guys are playing hockey or there may be watering the big tree. Maybe they are not. Leaves are falling down. Maybe it's snow or candy. Just try to imagine different scenarios. And good luck. I'll see you in the next lesson. 14. Dragons: So in the last lesson, I thought we should draw some dragons. Why not start with quite cute dragon? Start with the body. Will look almost like a beam. The little tail. Make sure the belly round them. Big. Number, a little slow. And big eyes can be quite launching. Something like that. To make a character Cute. You should have a very big role. Geometric pots, like big round eyes. Whereas soft round corners, usually quite a big head. And when it comes to dragons, there are quite different depending on where in the world you're from. I'm from Sweden. So traditionally, our Dragons for depicted to have no wings. It was more like a serpent, like a big snake. I think. Most common in Europe is that the dragon has wings. Breathing fire. You can of course, add some flavor to this drawings. These dragons, the bundling from wearing the world you're from. So cute feet. Leg, the back side of the leg here. This part of the bell is little bit different colored on from the main body. This dragon should have very big eyes, were big. Bowls. Just start to imagine what it is looking at. And maybe he tests a little, little mouth like that. But making some small arms. Pause. Just for a small bump. The other one like that. The dragon should have some kind of scales. So let's go ahead and add scale to the back of the body and the tail.