Grunge guitar 101: Techniques, tones, and iconic songs

1. Welcome: Hello, my name is Gabriel Felix and welcome to man scores about groin. Yes, if you love Grogan per Gian Sound Garningor per pits, this scores going to be great for you. I'm going to teach you all the history, all the equipments, all this step by step Chan and play gro. Music You're going to learn chords, guitar shape, scales, songs and have a lot of fun scores. Was designed for latch, piano, couse guitar. And I'm going to teach all the step by step that is necessary in harmony, rhythm and equipment, and scale. And play grog. Music Find tablature and complement titer inside my course. So I hope you enjoy my lessons. You'll see lesson number one. Bye bye the. 2. The history of Grunge and equipaments guitars, effects, distortions and amplifiers: Let's talk a little bit about the history of Grungy. Yes, the style was created in the '80s but popularized in the beginning of the nights with Nirvana. When they released it Never Mind. The album was boom. They released the album Never Mind in 91. It's become a huge success and helped popularize grew around the world. Songs like Smells Like chinspiritscome a hit in our generation, the '90s generation. Another significant band was Persian, also originating from Seattle. Their debuty album Ten, releasing 91 as well, and was highly influential and featured songs like Life and Jeremy, and We Cannot Forget About Sound Garland, led by Chris Cornell, also play a pivotal role in the Grunge. Music Grunge was not just about music, it was about attitude. Musicians often were simple torn in unkept clothing, and the lyrics frequently explore dark and emotional films. Unfortunately, Grunge was marketed by tragedies including Kurt Band 94. Nevertheless, the legacy of Groin Doors to this day and its songs continues to spread around the world. A scream. You can find a few bands and songs that you can look on the internet and listen there. Gro sounds, they were very important to this sounds, to this style that nowadays not so famous. But I bet that influence our new bands today. Let's talk about equipaments. Most of the case you're going to use Strata Casters, Jaguar, Mustang, and sometimes Jazz masters as well. Okay, they are the most common guitar shapes in grun nowadays, Hard band of brands in Squire have a great price for the quality of the instrument. Try to look for the instruments that are very good. Remember about this detail. If you are playing guitars with single is when you put a lot of distortion, you're going to have this sound in the back of your instrument. Sometimes you need to. A lot of distortion. Sound Van or solo. Perganlive. We need a lot of gain our distortion, okay? But we have this type of issue, this noise sound of your single pickup, okay? You have two options. Option number one, you can use a gate. All right? So the gates going to cut a little bit of the sound. The noise Sound Talk to the second position and pick up cut the no to check the defense cutting the noise. This is just one single cut. As you can see, it's the big difference. But remember if you're playing a band with floor of distortion, drums and vocals and or mixing this little, no, it's not a big problem if we talk about pedals. Distortion and you can buy S one by Boston, very famous Pero hat. That is fantastic. Most of the kids, girls use distortion in fuss but sometimes we use corals. Yes, course. Black hole sun. Have corals clean. Sound Of corals. Come as you are have corals. It's a very distinguished sound. Fire. Most of the kids we use Fender fun, isn't it? But Fender very popular in gig clean sound. But when you mix with distortion sounds great. Great Fender are very common, especially after Nirvana recorded ineuteral the album with Fender Deluxe in the basement 59. Another great shortcut is by BS Effects two or Amplitude Five. They are great softwares that simulate a lot of equipment. You can find several brands inside the softwares I'm using bias effects, I have this very nice gut presets that when I mix with the DS One sounds a maze. Go. 3. Chords in Grunge: Let's talk about chords. Most of the case in, we have major minor in power chords, just the street type of chord. It's nonces learning all the shape seventh chords, 9.13 All right, so the first thing you need to know is that major chords in minor chords are formed, are created by 135 of your scale. If you take a major scale and check 13.5 you're going to have the three nodes of major chords. If you take a minor Sco, check 13.5 you're going to have the three notes of minor chords. All right. Let's take a example. A chord chord. We can find this chord in a live by per N, the beginning of the song he plays. It's a very nice chord, so you can play as board board or just with three fingers. If we check all the notes, you're going to see that we have a note as number one. Open string, string number five, Finger number one is so the node number five. Another, A right here with my middle finger and ring fingers, C sharp. The node number three of the scale. You're right. If we check the three nodes of minor scale, we're going to change this C sharp, choose C. Okay? That's why we need to change our. All right, remember about this short cut, memorize the formula, 13.5 of any kind of major minus scale. You're going to have the core, right? Power core is a little bit different. You can think about 1.5 or 15.8 I don't like to say eight because eight is the same thing as one. If you write down your scale twice, you're going to see that eight is the same thing as one. All right? Power chord. Usually we have this guitar shape D, E, power chord on string number six. Okay? You can play like this with your finger number 134. Okay? Your ring finger, sorry. Your pink finger. Or you can remove your pink finger and play just this type of power chord is very common have metal. That's why in grungy we use this guitar shape here a little bit more, right? You can take as examples, Males like in Spirit by Nurofen use this shape, right? Another thing that as to me is very important to memorize are this type of shapes. The most common shapes you already know how to create, measure minor chords and understand all these theoretical, impractical concepts, right? But I think it's important to memorize a few shapes to play the more naturally and easily and fast. Memorize this shape right here, okay, you can play this shaping. This is not a poor number, five on a string or six. You can play this shape in any position here. In smell lacking spirit is a power cord. Right here is B flat or A sharp. You can move between string, string is number 5.6 okay? And use this type of power cord in any position you want. But you need to check the first note, the lowest note, because the lowest notes is going to give you the name of the chord. I can say that this is F core power cord, because this first note right here is F. Okay? So that's why and so on. All right, If we're thinking about major and minor courts, you need to memorize the basic ones. The basic ones, I mean, that type of course we play on the acoustic guitar, okay? I know the courses for Latvia and acoustic guitar, but try to memorize the first. Try to remember the first score that you learn on the guitar, right? Most of the cases are major and you. Okay? All right. So try to memorize those chords, okay? But I have another short cord for you. We just need to guitar guitar shapes that you can play like this or play like I prefer. Okay? Just because it's going to be easier to understand. This next concept they used to play like this with my ring finger, pink finger, and middle finger. This finger number one you're going to put right here. It's a fake board chord, right? But it's going to be important if this Is Is chord and all your notes. One step you're going to have, because note is right after note, right? From this you need to think about the 12 notes. Okay? This is is chord, right? If you want to keep moving one more, fred, you're going to have sharp. And so I think you want to the idea, right? Measure. G sharp. Measure. One more holes, step A measure and so on. Now you are ready to learn how to confined to minor chords, it is really similar. Let's come back to our major. Let's transform minor minor. Just remove your finger number two, middle finger. Most of the people play like this. If you play, let me see as you are, that Correspord, we have initial minor chord this. But please play this. All right, with your pink finger and ring finger. From this you're going to put your note right here, okay? And do the same approach you have in staph min. How to play any kind of measure in the minor chords on the string over six, okay? These are the two shapes that you need to memorize. Remember about the lowest notes, okay? The lowest note of your chord. This note is going to be very important, because you will need to know the notes just to give the name of the red. All right. So this is because the loss known is this sharp. Because the loss known sharpens. Remember about this detail. If you want to do the same approach or the strain or five, it's the same concept. Okay? Take, okay, because we need to put our index finger right here as a bar D, okay? A measure, sharp measure, measure, measure, and so on. Kurt Cobain, to avoid this type of guitar shape used to avoid this three fingers play like this. It's por minor chord. It's the same approach. So transform a measure chord in minor, okay? Play the same minor, minor, okay? Try summarize this. Brags does a lot, okay? Because this is going to be very important to grow music and to any kind of music. And some of you are going to play, okay, This make everything fast and easy. So let's talk about power courts. Power course. You just have ship here, okay? And St number five. Stre number six, not a mystery. Okay. It's really simple and easy. In most of the cases you're going to play power, court and gros, okay? I can say that 65% of the case is going to play power courts and the rest you're going to be measured in minor. All right? 4. Scales and keys: Let's talk about the keys and the scales that we use. In gross, most of the key we have minor scales, okay? We don't use measure scales too much because measure are too happy, too bright, okay? It's not a combat to use measure scales. Sometimes we make something and change the key, some modulation and we have a measure scale. Okay, I will give a few examples, but first of all, let's learn about scales. Before we learn about scales, we need to learn about half step and hole step. So half step is the shortest distance betw notes. Let's think about our 12 notes, okay? And let's say that we are in a notes right here, flat number five on the string number six. And we want to half step, so it's a short or flat shop, if you prefer. Okay? You can go up or down this half step. The shortest distance between notes. Okay? If you want to think about the whole step is just up. Instead of just get one, just go to the next threat. You skip this threat and go to the other one. If you are skip a sharp blink or if you are, you skip sharp play. Simple like that. Let me give you another example. Let's think about a number five string number five. You want a half step, is sharp, if you want a whole step, okay, Think about that, memorize, this approach of 212 notes, okay? And be careful when we think about, let's say we want a half steps or sharp, okay? But if you want a hold step, it's going to be F sharp. Be careful with that, because sometimes students associate, okay? Hold step, we don't have sharp. No, it's not, it's not this, okay? You just need to count the 12 notes, okay? Remember about this, okay? Now, you know has step and holes step scale is going to be easier because you need to think, you need to memorize a kind of half step in hole step pattern. All right? So if we take a major scale as an example, we're going to have the number one, number two holes, step number two, number three, it's another hotep number three, number four, Step number four, number five is step five. To six is another step six to seven step, okay? So you have this formula but now to Minco have a different type of formula. Watch three half stare, 445 is another step. Five to six, at six to seven, okay? Remember about this detail. The formulas are very important. Take time to memorize everything. But my shortcut is, take a piece of paper and write down the formula 102035 times, okay? Just to memorize, practice with the. So always thinking about the 12 notes. All right, let's do another exercise. If we are, let me see. Major, major scale. We discovered all the notes. We're going to think in form of course. But thinking about the 12 notes as well. The first note is going to be the scale word D. The first note would be D, and so on. The first, let's come back to C major scale. The first, not be one whole step is what notes. Okay, remember about this. Careful about half step and hold step. Think to wise before write down, okay? Now we have another hole step, okay? You can play now is number three. Number four, so it's a half step. Four to five is one step, 21, more hole step, and now we have one more holes step. That's why it's important to learn this step and half step correctly. All right. So most of the case we are the key of a minor, minor, that's very common minor, but sometimes we use a measure as well. They are the most common scales in G. Let's take as an example, a live by Pergan. We have this F right here in here, D. All the notes that were playing the guitar riff part. It's a major or in a major scale. That's why we say that this song in a measure, all right? If you check, you're going to see that K is in the key, in this, inside the scale of a measure as well. All right, That's why we say that this is a measure. But if we think, let me see. Smelling spirit is F minor, we have A sharp flat flat or sharp flat C sharp core. That's why we say that smelling spirit is in. Okay. So you need to memorize this two patterns, measure and most of the cases you're going to use. All right, Especially if we are playing a solo. Most of the solos are kind of melody. Okay, let me see this, me like conspic, we have the melody, right? So this is a kind of melody. I mean, you can sing this melody easy. All right, Papa? Uh huh. Okay. So you have this type of thing, It's not improvised, it's just an easy solo that reminds the people are listing that is a melody very hot melod, okay? We can say that we use pentatonic scales as well. A lot of pentatonic scales. Okay? I think it's important to memorize this first pattern right here. First pattern is really common. Pentatonic scale is the same thing as minor. But we need to cut notes. Number 2.6 remember about as the tait notes number 2.6 but they are exactly the same thing as minor. From this, you can use minor pentatonic scale in a minor songs. Not a problem at all. We can take a example. Come as you are. The solo part, you can see that play exactly the same nodes as my first pattern of pentatonic. But instead of playing in a pattern, play in the key of the song, at least this solo part is in the minor pentatonic. Okay, You can play Fred. Remember about this short cut? You play fret number seven, okay? With your finger number one. You skip two threats and play with your pink finger. This is the string number six. Next board, you just give you one threat. Okay? One thread. The other notes are almost the same. String number four. Number five on that as well. String number 2.1 you come back to the first pattern. So keep two threats. It's going to be easy. If you think about this and memorize this approach. Remember that the first note is going to be seven. You keep your shape. Start in the fret number seven, of course. After you memorize mechanical part, this finger part, you can play the same thing in other positions of your fret board and so on. And you can adapt this guitar shape to the key You are playing this key parts a little bit confused, isn't it? But we need to remember that Grunge. Not everything insure or everything minor. Okay, Sometimes we can mix a little bit. Let's take as an example of live by Pi. We start in a key, okay? A measure key. The guitar reef. The first guitar ref is a measure. He plays something. This is the part that's weird because he use F measure. In part, we're thinking about a measure we don't have. We have short. This part starts to mix everything. The song is in a, okay, A measure. But in the cars part, he plays very weird sounds. But measure part of the scale, we have short. And we have a major core right here that we cannot find in major scale. We can find sharp and fine. So it's a little bit messy and confusing. Don't worry about that. This is very common growing punk music as well. Okay, This type of thing gives us the correct sound that we enjoy in this amazing style. All right? So do not worry too much about, oh, it's a major scale or it's a minor scale. We are in a major key. Oh, we are in a minor key. Don't worry too much about that, because sometimes they can mix everything. 5. Guitar solos and tuning: Guitar solos are not so common. Grange, sometimes we have a specific guitar solo such as males electing spirit with this amazing melody, right? But sometimes we have a kind of improvisation solo, more rock and rose slash metal. Okay. For example, we're live, but most of the case we have this type of simple and mel mel latching spirits. If we think about the techniques we use a lot. Slides, hammers and pull off. We don't use sweep even is not have metal from the E, this is G from the. Let's learn a little bit about the techniques that I was talking about. So slide is when you play the notes and slide and chew the other notes. So I play Frank number four, string number three, and slide my next notes. Okay, I don't play like this. Okay. I slide the notes. Sounds much better, right? And hammer on is when you play the notes. So let me see. And hammer the other note, so frat number 4.6 All right here, 5.76 you need to hammer very strong, okay? Pull off is the opposite. So instead of playing like this, you play the opposite. Frat number six. Okay? Si, no, sorry, six. Okay? Like this. And before you play the frat number eight, you need to keep your finger number one, the frat number six, okay? If you don't do like this, you pull off is not going to work. Check this out, it's not going to work. All right? So a great exercise is this pattern of finger number 1.3 okay? So you can take, you can choose any kind of string you want. I'm going to keep string number three, okay? And play with a hammer on play pattern. It's a great exercise. You can play the same thing with a pull off. Okay. It's a great exercise to master this part. Remember about this little detail, okay, about this little detail of your fingers. Pull off hammer on pictures once, but you have to notes. All right. This type of, the three techniques are very common and you can find it in Perg and Soundgarden Nirvana, Silver Chair in most of their songs. Let's talk about the tuning part. Most of the case we use standard tuning BD. The regular tuning Te. Everybody knows but sometimes depend on the mixing. Depend on the voice and the sound that the band wants the tune. Half step down. So everything, everything flat flat, B flat flat, and so on. When you tune Half Step Down, you have a strong and heavy sound. Sometimes necessary to sound nice in the mix. It's really rare, but sometimes we can find drop D tuning. Okay, I can give you as example, Black hole sun by sound guarding. So let's play Drop D. Drop D is when the string in the UK, a super chair with freak. It's a great sign as well. So sometimes we have this drop tuning. Okay, but don't worry about that. Stick with the standard tuning to play your songs. 6. Nirvana - Rape me: I'm to learn a few songs and let's start with Nv, going to use standard tuning. Let's go. The first part is, as you can see, we have a major part. The major to play on the guitar. You can play with this shape right here, the regular one going to play on the electric guitar. I prefer this shape as Curtain play Singer number one. Ft number three in the board part right here in the F number five. Take strings number 432 or you can play three fingers like this, but I think it's easier with three fingers. Next part is minor chord, and the last part is G chord. But this is a little bit different. I played out my finger number one. Okay. The chords are very easy and I'm going to play this chord session during the entire song. But the most important part is the ridden session. It's 123. 451-223-4512 Okay? As you can see this 345, I play with my alternating picking 345 and play the course trees down. Okay? So one more time, three times a day. 123, 451-212-3451 to, okay. You can repeat the same pattern to E and G chord if you play everything together. It's going to sound very similar to the meals like cheese pero, isn't it? But it's important to listen to the song and take by this little difference. Okay, so let's go to 52. To 52, okay? This chord session you're going to play during the entire song. But the second part you're going to play with a pages. It's going to sound like this. All right? So you have a open string F number two, string number three. Number string number three, open major Pjoright frag number three, frat number two open. You play string number 56, open. All right? So it's going to sound like this one more time. All right? The next part is minus F number two, string number four. Flag number five. Sorry, F number two, string number five. Then you have G chord. So it's going to sound like this. The lower part of all right. Genes F number 3.2 you play on the string number 65, open string, string number four, okay? Everything low is going to sound like this, okay? It's important to let the strings ringing. All right? So this is the pego part. But we have a bridge as well during the song, right? So we have C sharp, so the melo of the bridge is something like that I'm not going to sing, but just just to give you some idea of the melo. Sing terribly. So let's go F measure. All right, and you start from the top. As you can see we have C sharp sharp measure. If we can play with the board core of the, with the two fingers. A different guitar shape. A part. It's the same shape, however, in the fret number one. Okay. And as you can see, I play with a bar chart. You ben to play on the acoustic guitar. You can play the regular, it's up to you. And this last part you stay in. All right. Come back to the top. As you can see the songs, not so difficult. We just have three parts, but you need to memorize and play this correctly. Now it's time for bras. 7. Pearl Jam - Do the evolution : I, I, so my son is good. In the ti, My evolution by Bert Jean. So we have the first guitarist. You start here in the string number six is note. Okay, you're going to play this note, but please play with your finger number three or ring finger, because the string number five each sound muted. And the strings number 43. Sometimes we play muted and sometimes we play. Okay, so it's open improvisedation. All right. Check this out. Very nice, isn't it? So after you play this Fred number ten with your finger number three, you need to ten, as you can see on the table one more time. At this time on string number 5.8 string number 4.3 you're right. So be careful because this F is not so easy and we need to pract. So I'm going to play very slowly. Please play with me. Let's go 1234 more time. As you can see, you need to be careful with this guitar most of the time I use my fingers, number one in three. All right. This finger right here. I'm playing with the middle finger. Okay. Don't worry about that. Let's go to the chorus part yet. We have two options. Option number one is play like this. It's a little bit des, use this type of the song. Okay, you have seven. Finger number 21.3 All right, shape. Right here has stack. One more hat stack, but this time you don't play finger number one. You need to open stream. All right. Be careful with this part. Second option is Poloords. You can stick with this chord shape, finger number 13.4 and play everything with Poloords. It's going to sound great. Well we have the next part that is a band guitar riff. Okay? You play like this, be careful because you have this first brand in the number three on the string over four and it's a half step. Okay? It's not a whole Stefan, so you'll play Frag number three with a band. And have this kind of pull off to open stream and play open stream open string a few times. So you need to repeat this twice. Okay? And you have this frat number two on string number four. Next part, you play open stream one more time. Frat number three on string number 53 times and come back to open string frat number 21 More time, come back frag number three, string number five in number one, right? Be careful because this part you need to memorize. Try to use your ears to learn the rhythm, the rhythm session. And of course, count the number of, so the number of open strings. Next part we have a open string frat number three, okay? String number four. Band pull the open string, ft number two with a band pull off to the open string. Okay. Yeah, we finished with sine, right? You're going to play very slowly. Try to play for me. Let's go 1234. Okay. This is nine. You can play a technique that I like to call bells. So you take the core and play the notes. Okay? This part is open to improvisation. Pergen use this embellishing trick when they play live. All right, so you're going to play this three times when you play third time instead of play. Right here you play. So I just play number 14 on string number 315 on the string number two and we go to the chorus. All right, The chorus one more time. So you repeat the first Fs several several times. We have a kind of bridge as well, has a part with a kind of keyboard in the song. It's a very nice and cool part, but you have a distorted guitar with a lot of distortion. So you play 587.10 on string number five. You can play just notes or you can play with Part Arts, so Perfect. Okay, this is a kind of bridge. Finally, we have the guitar solo, so you need to play Frack number ten on the string number three a lot. All right, so take your pick like this and play very strong. Just you have this type of sound, this type of effect, okay? It's a very nice effect. After you play this ten, you're going to play 12 on the string number three. We very nice. One whole step band, vibrato. And you can play this band several times or just once. Okay? It's a cute little bit open to improvisation. The next part, you played this band one more time, but instead going up, you are going down. So we need this effect, that's so cool. Next part we have on the string number three, frat number 10121, more band in the frat number 12. Going up, going down, we need this effect. Okay, remember about that frat number ten, true? Be careful because we have a lot of 12 in tens on the string number three. Kate sees it to confuse everything. Next part, we have framber 12, string number four, and come back to fret number ten, the first note of your solo, and play this 16 very fast. One more time. Okay, The next part we have a band in the fret number 13 on the string number two. Bra. Okay? Fret number ten on the string number one. Frat number 13, string number two, F number ten. Strew number 213 on the strew number 113, street number two. Okay? Be careful because it's not, this song looks very easy, but we have a lot of details, especially in the solo part. 8. Silverchair - Freak : No more babies babies gotten rabies sitting on the ball in the middle of the? Andy? I'm free. I'm free. Toss to pass body. And so I'm free. I'm free body. And so I'm free. I'm free. Try to be frank attention to see tainted to show. So I'm free. I'm free to. So to lasso lasso last body. And so I'm afree, I'm afraid body and so I'm afrege, I'm afraid body solves. I'm thrum body soul. I'm true, I'm free frag reg are the first step is turn your string string number six is going to have a bar. You can play strings number 45.6 or just strings number 5.6 It's up to you. Not a problem at all, right? So let's take a look in the first you have. So as you can see, I have just my board corn, the F number two, right? And I mix between Frater two and tight. But be careful, try to count the rhythm and how many times you play, like this. P, P, P, P, P. This type of thing is going to help you to count and memorize the sport. Let's play a few times together, very slowly, 34. Be careful during this ending part, you play three times up in string this. It's very important. Yeah. I'm three. I'm the next part we have front number 3.4 as well. So same thing, tragic count. How many times do you need to play? Alright? So let's play a few times. Very slow as well. 34, okay? And as you can see, I play four times. Number four. In the end of the sport, you can play everything your string number one. But my device is try to use finger number 12. Some parts of the song, I play 34 as well. Okay. Do not use just one single finger during this part. We have some variations that we play. Number six, check this out. As you can see is very easy. You come back to the top of this part and play once and again. It's important to listen to the song and recognize all those parts. We have a different type of chord as well. You can play like this just once. The stor, Pk, everything, right? So it's a bar chord. But I prefer to play for my three fingers. Put my finger right here in the this before the clean part. We have another roof and we play like this. So be careful because you play just frets number 2.3 all right? In the end, you have one try to count those parts. B, B, B, B, B, bam, bam, bam, bam. Okay. Memorize, how many times do you need to play the song? Looks easy, but we have a lot of details. Especially in the export. I'm free this clean part. You need to play frets number three. So you're going down and up. Okay, your parurt After you play the sport, you need to go down one more time. But instead of play number three on the street number four, you play fret number five on the street number four. Okay? So goes down up down in F number five. All right. Next part, we play open string string number 65.4 In the last part of this guitar riff, we have a new variation and we play open string string number six. Frat number four, string number four, open string one more time, string number six in frat number two, stub four. Openre more time in this time. Opentr string number four. Okay, we have a new part, a new pattern to the end of the solo. When I teach a song like this, I really enjoyed you. Take one part and cut me a few patterns type of thing. Makes everything easier to the students, understand the concept of the music. So let's try. As you can see, this part A is a little bit difficult, so pret a lot. Panel. Next part. We need to play with your pink finger, finger number one. I think it's going to be easy if you open a lot of your hands. So check this out. As you can see, it sounds very heavy, isn't it? So that's why I play with my fingers in my middle finger right here. Things going to be easier to play sometimes you can play this guitar band right here. Sounds very nice. It's a half step band in Frackuber six on the string number three. Sounds very cool. But be careful with this sport, with this last number four key tell. Now we have another part of the songs, the end of your song and we play this, Fred number three. Next part, we transform this chord in power chord. This case D. All right, sorry we play, this is going to sound like this. Very nice, right? This power chord is really similar to the second one. That's why it's going to be easier to play. But be careful because we have a kind of rhythm that's a little bit tricky. I want to play open string and play everything down, but I need to alternate to have the correct rhythm in the end of the session. So we're going to play slow. Check this out. I have this, okay. So be careful with the sport. Try to listen to the song and recognize the sport. Finally, we have the guitar solo, so it's very easy. You need to play with 16th notes and very fast. So you're going to play fret number to fret number 113. So you're going to play this trie, next part is everything on string number three. I play fret number 16, 11. Okay. I'd like to play for my finger number three, just because I can mute everything with my finger number, could like this. Like this sounds really good and easy as well. So just be careful with the other strings. Okay, We need to play this very clean, okay, with the maximum of accuracy as possible. After the solo, you come back to this a few times and come to the top of the song. Thank you, Dan. 9. Final notes: The last lesson of our course. I hope you enjoy, remember that discourse, yours so you can watch the lessons over and over again. Okay, we have a few lessons that are very complicated and have a lot of detail. It's important to come back to the top of the course and watch over again. Please check my profile. Have very nice course about music, about guitar, about all the styles that are going to improve your music and guitar skills. Right. I hope you enjoy thinking so much and see next course, bye.