Transcripts
1. Welcome: Hello, my name is
Giver Felix Hen. I'm here to talk
about my new course, my course about Ju
Perry and Arosmith. Let's learn a few songs, tricks, guitar rips
and F techniques. That's our guitar
hero, Jue Perry. It is amazing band
called Alosmith. Besides that, we're
going to talk about his style, his equipment, and a sugar filled tricks that
he used in this blues rock style that he always plays with Aro Smith or the lessons with
tablet Urs on the screen, graphs and
complementary material to help you out during
the entire course. So now it's time to turn
the guitar and Brex and learned Yo Smith and
Joe Berry. Let's go.
2. Guitars, amplifiers, effects and equipaments: Have to talk about
Joe Pairs equipment. Let's dive into the
effects, amplifiers, guitars and equipments that he used cheaply on Arnithband. Joey loves to play
different type of guitars, plays Smith Lespo, Flying V, Hollow Body Guitars,
Strata Casters, and some weird shaped
guitars as well. His favorite brands are
Fender Kips and Gretch, which makes a strong red sound. We love to here when it comes to make his guitar
loud and powerful. Joe use big amplifiers. He likes simplifiers from companies like Marshall,
Vox and Fender. These Mps helps make
his guitar sound hele and fill up the
whole concert hall with his rocking tunes. As you can see on the photos, he used ElectromonxXR, Dunlap, petals, dish tag, and
B screamer as well. A fun fact is that
Joe Perry does not like to choose
to uchtortion, he prefers over drag play
on the Smith I was playing around and trying to figure out how to make my
guitar sound like him. And I use loaf over drive and a combination of two guitar
amps to sound like Joe Perry. Check this out, Yeah, of course, modulation
effects such as Carlos works really good, I use the guitar solo of Pinky.
3. Joe Perry's three most frequently utilized scales: John Perry. Always
use tree scales, pentatonic, minor scale,
pentatonic, minor blues scale. And minor scale,
just tree scales. If you think about minor
scale and cut nodes, number 2.6 you're going to have the minor
pentatonic scale. If you want to add the blues node that is short for just necessarily take
the minor pentatonic. Add this one more nodes, okay? Let's take this example, right? A minor example. If you want to sound a minor, you're going to play this
guitar shape, all right? If you want to transform this
guitar shaping pentatonic, you're going to play
this shape right here. If you want to add
the blues notes, you're going to sound
like this, okay? The trick here is
start and finish your guitar licks with one of the three most
important notes. In this case, we are
an example of A, so it's going to be
A, C or E, okay? If you want to sound blues, you're going to add
the blues notes. But do not stop in
the blues notes. Just pass through
the blues note. For example, blues
note you're going to find right here, okay? Or you prefer here. When I play, I get a leg, just pass through, okay? Very fast. It's not necessary
to stop in the blues notes. It's going to sound a little
bit weird if you stop. Okay. Perry never stops
in the blues note. Another trick that you
can sound blues is add The measured third in this case is
going to be C sharp. And you're going to
find right here if we use the blues note is measured. Third trick, you're going to sound very blues
to check this out. Very nice. When you play
this major third trick, it's always important
to think that you need to play flattered, okay? It's not the opposite,
the flattery, okay? Be careful with that. And of course, if
you want to sound minor with that
melodic nice sound, you need to add the number
two in the number six. Number two is going to
be fine right here, and six is going to be fine right here, okay?
Both positions. It's important to practice
these guitar shapes, okay? Memorize all the guitar shapes on the shapes of minor, minor, pentonic blues and
minor scale to make your life easier and
improvise correctly. But a great advice to improvisation is put
it back in track, any kind of backing track, you can choose the key, okay? I prefer a minor
because we don't have sharps nor even flats.
Going to be easier for you. Choose a part of your fret
board and start improvise. Just distract Schalk, Morponic Pentonic
blues in minor scale. Pre pract pract a lot. Practice the first
week in the sport. Second week you practice the other part of your
fret board and so on. Okay, To help you to develop
this skills and playability. But please always
think about 13.5 okay? Don't forget about that. It's
not necessary to play fast. It's not necessary to
play a lot of notes. The most important thing is
to play the right notes. We're going to provide a
little bit, check this out.
4. Walk this way, Love in the elevator and Eat the rich - riffs and analysis: It's time to learn a few
guitar riffs and analyze the. Let's start with walk this way. This is really famous. I think it is one of
the most famous guitar music You start right here. Open string string number
five is open string frag number 1.2 Play ring
frag number two, string number four, the patrice 23. Things going to be easier. You're going to
play this once in the second time you
have this open string. Okay? And my devices, play with your pick going up, it's going to be easier for you. Okay? And mute your
guitar second time. Exactly the same thing. Play
this string no more time. This frack number two on
the string number four. This is another but
no other active. This guitar is in minor
pentatonic scale, so you have the first
pattern right here. You need to play the
spectrum with open string, but join pairs add
the blues note that you can find right
here, sharp or flat. So that's why you have this chromatic board
that sounds so cool. The second guitar
ref is either rich, so you're going to
play like this. Very nice. So you
start right here. Frat number 527 of F number
five and string number four, you can play a bar. Sounds very nice. Second
part is the same thing. Your last note is going to be this node number three
on string number six. Next part is a little
bit fast pension, you're going to play
this, this hammer on 57, but on the string number six. Frag number five and come back with your
middle finger and play three of open string and
core power cord twice. Okay? In this case, a pleasure. This is on string number five, F number two, okay? Going to play very slowly. Check this out one more time. This is the second part. Be careful because this is the most difficult part
in this guitar riff. If we analyze,
you're going to see that he's using a few patterns. He's playing in blue spon scale. Most of the Harsmithsongs
play this blue spon scale. You can analyze that. He start right here in
the pattern number three, this is pattern number one. Pattern number two is
going to be right here. Pattern number three right here. If we add a blues notes, you're going to find right here string number
six, frac number six. This sharps the blues notes. That's why he plays this
sounds a little bit chromatic. But it's just the blues, not finish the, just to
emphasize the minor key, minor pentatonic blue scale. The F number three is
loving a elevator. This F is really fast, so the risk is gonna
sound like this. It's really fast in Turkey. So the first part you've played
this string number four, Frag number four, we said
pull off open string. Next part is, and you have this open string and frag number 21 more time by this time on
the string number five. So let's play. Are your
fingers number three, Ring finger in middle. And fingers going to be
easier if you play like this. Second we have Frank, number one on the
string number five, we pull off a open string and
you have this open string, Frank to open string
to finish their P. Let's play very slowly. Okay. Same thing, trash
use fingers number one, chewing tree, the
same finger pattern. That's going to make
everything easier for you. Let's play very slowly. Try to Pax F in two parts. The first part in
the second part, after you play this
correctly and fast, try to play everything together. This Gitifus blue
scale first pattern right here in the
second pattern. But he had the major
second interval of, or it's going to be short, but yet right first, that's why he plays so fast. It's a mix of minor blue, pentatonic scale
and minor scale. Most of the songs of Smith, he plays in this key. I don't know if it
works better with Stephen Tyler or if they
just enjoy the sound. But most of the songs is E minor minor, blues
pentatonic scale. And the blues note, you
can find right here a sharp in the second part. That's why the F sounds so cool. As can see, these
lessons get to learn Fs, to develop speed and in
curves on the instruments. And to understand how Joy
Perry composed guitaris. As you can see, pentatonic
in blue scale sounds. Very good she plays. So now it's time to practice.
5. Tricks using music intervals to embellish melodies and riffs: Perris, always use a trick
with music intervals. Check this out. Let's say we have a melody
on a string number one is a melody in measure and
sounds something like this. You can play with just
one single notes, but if you are Jerry Perry, you can play like this
much better, isn't it? Sounds much more bluesy. The idea here is play
with music intervals. You have the root
note that is on a string number one I told, as I told before,
is D major scale. Okay? You can take the
major third that is sharp. String number three,
you always skip one string set of just you have this Music intervals
that sound mixture. Okay? Second part, C
sharp, right here, right In the frat number nine, you put the third, in this case measure third
of C sharp notes, right? To play this type of trick, you just need to remember
about these two guitar shapes. This one, this one. This is the
mestervalmird interval, okay? It's really similar. Should we compare
the mesas most of the case you're going to play just the two music intervals
on a string number 13. Okay? So the idea is to play and analyze what
type of musk interval, measure or minus do you have. In this case we play, you're going to play
just to Sound measure. This other case right here, we have sharpatonic
measure and so on. Same thing, F sharp, finally finishing
them over time. Of course, you can improvise
a lot with this trick. Sounds really cool. And you can play on string
number one, number two, or you can play on
the string number 2.3 and mix a little bit with this other music interval that's very common in
blues and rock and roll that on the string number 3.4 in this case right here, we have a perfect fifth, number one, and a perfect fifth. That is okay. So everything on the string number 3.4
threat number five. Everything you play here
is perfect fifth interval. Remember about the trick, but if you want to keep
playing the major third trick, you can stick with
the same approach, the same step by step
on the string number 2.4 In this case, you have the root on
the string number two and the measure third
on string number four, measure third or minor third. In this case, right
here, we have sharp and a minor third with this shape
the same as this one minor. If you want to measure,
you just go half step. Measure three is going
to sound like this. You can improvise and create very nice melodies
just with this trick. Let's say I'm going to
give a second example. We have this melody right here. Very simple and easy, isn't it? So let's combine it with
our milk interval trick. Sound Like pair. Check this out. Very nice. So when I go here, I play a and C sharp, a
measure interval. Here's the same thing, G, B. I just respect the D
measure diatonic scale. Okay, if you respect this
and follow this trick, you're going to sound perfectly.
6. Call and response: Joe pair enjoys to
play a trick or torts, Very famous in blues, we call in response and the idea is to simulate
a kind of chat, or kind of conversation
between two people. So you always have two legs. For example, let's say we are, and I'm going to
play this, okay? So if we put this leg
and put a kind of lyric, we could say, cook, isn't it? This is the call. The answer could be
this simple analogy can transform your guitar solo. Make everything sound a lot of blues and rock
and roll as well. Take this idea,
choose a pattern, single pattern on
your fret board, a key, and Px. This idea, try to
create a question on your mind and try to transpose this question
to your fingers, okay? And create a simple guitar, just to be careful
about two things. Number one, try to be simple. Keep it simple, okay? F. Number two, start and finish, or with the notes, number 13 or five of your scale. You can take any kind of leak, you know, and try to
break this approach. Play the K, the first leaks, call or answer or
question and create a second leg to complement the
first one as the response. This trick works pretty good. Let's try another example. Let's say we have this
guitar lake right here. Very nice and simple
Guitar lake with the, but not this could be our call. Let's try to create an answer, a response very simple
and easy, right? So let's play
everything together. Hello, I'm fine, I'm fine. As can see, you have infinite possibilities to play the trick. Now it's time to relax.
7. Aerosmith - Fly away from here : Time to learn it.
Fly away from here. Byer Smith, first
thing is the effects. I have a mix between martial
and faint amplifiers. Okay. I'm using the bus
effects to simulate everything I have over drive
that simulates tub screamer. Okay. I just change the drive between the
parts of the song. For example, when I
have this light part, I lower my Git zero. But when I have the sol part, when I have the
improvisation part, I put more drive
as I need, okay? So be careful about that. The impresion part, I put
a little bit of buster. Okay, This booster petal, it's going to sound
a little bit better. You're going to have more over drag Sound to the solo part. All right, in the final lick I use a kind of
orals. All right? Just to simulate the same
sound as joint par use. It's really similar
to the original song. I think it works really good. Tap your petals. I don't know if you
are using a pet, or a petal board or
a bias effect tube. Five, something like that, but the effect is not
too complicated, okay? Just keep it simple,
right? Avoid distortion. Avoid heavy drives and put over drive and you can change the
game according to your need. The first part we
have this line part, so everything on string number three string
and you're going to play 12496 to one. And finally frack number
two, string number four. All right, two things. The first thing is avoid play everything with
your finger number one. Finger number two
or finger number three is going to sound
nice just because you can new to the oldest
strings, KC works perfectly. The second thing is when
you play this slide play, before you do this
slide thing, okay? So it's going to be, you're going to have
a better sound, a better dynamic sound. For example, especially if
you were to beginner, right? You're going to
repeat this twice and you're going to have a kind of second slide
part, but it's simple. You just play 13119 And this frack number five. All right? And you can play this twice as well, or if you prefer. Okay, this lesson, this song, this version is created
Cki Electric guitar. If you're playing on the
acusar, just prefer strums. The chords going to have mort minor chord with
a bar right here. Cord minor, right.
It's up to you. Instead of playing
two last slides, you can play this
progression choice next. Finally we have again,
you don't have options. Sharp minor, right? This is not a bar cord, okay? Chord B measure. This is a bar cord
with my ring finger. But caving this part because it plays way one more time in this basin to come back to the top, it's
going to sound like this. Okay? Be careful about that. It is in the end of the board. You have this, okay? You come back and
play the same thing, but this time twice. And we're going to
grow to the chorus. The chorus part, you have
measure short measures, going to play this
session twice, okay? The next part is C sharp
minor measure sharp measure, and you have this measure. Same thing here. Be careful with
this is frag number 2.4 on the string number six
is in the end of the bar. All right, let's
play one more time. Four. Okay, be
careful about that. And you come back to the top
and play this light part one more time and go to
the verse one more time. It's the same thing. Exactly
the same. Step by step. And you play the chorus
over again. One more time. By this time you're going to play short measure
measure in same thing. Okay? Exactly the same thing, but the second time instead
of playing a minor, you play this, then come back to me to
the Rs one more time. Okay? So we have a note, note, not come back to
the top of the chorus. Okay, Be careful about this part and you
just keep playing. Second part of the
chorus is C sharp minor. B, A sharp major. And you have this
same thing, four. Finally we have the
bridge. The bridge part. We have major, A major, major part, sharp
play on the guitar. Avoid this guitar shape,
everybody knows, right? Play this one. It's
going to sound better. It's just one tube
and three strings. Number 23.4, Same
guitar shape here in a tab of distance between
G. And finally you have, instead of playing this major, you play as a bar chord,
the same guitar shape. Yes, Mekport, you can improvise. If you want to improvise, please use short minor. Pentatonic scale
works really good. Sharp minor is relative
scale of measure. This song, we have
a lot of keys. We cannot say that we
are in A or B, okay? He's always changing.
Use different approach. In the army, it's better if
you think about a chord. In this part, he plays
one single board, so you can improvise with this short minor pentatonic
scale works really good. Second times, exactly
the same thing, but instead of playing, just go to play twice over time. Twice as well. Bores. You have more space to improvise, right? Another short cut for you guys is instead of
just play the chords, strum the chords, you can play this port in the
other parts of the son. A fimbings. That works really good
and it's going to make your music
sound much better. For example, you can strum this part right
here. Tragic changes. You can play like
this creative thing, blanching Z and picking
parts, okay, on above. The chord's going to
sound much better. I always use this
trick when I play. After the improvisation,
you come back to C sharp minor and you have this that we already
come back and play the same thing and go
to the chorus session. Repeat the chorus session
one more time with this. The same thing as
you play during the second chorus
and have a kind of, so if you're playing the acoustic guitar,
just keep strumming. The chords play sharp minor
and during this solo part. But if you want
to play the solo, it's going to sound like this. As you can see, almost
everything on the stream. Number two, framber
seven to nine, with a slide finger
number three, okay? 75791. More time, 75. And this six on
string number two. Play this 791 more
time in a power chord. A major. It's up
to you. All right? And you come back and play
the intra port one more time. Yes, just once. Right? That the last chord is major. This songs amazing. It's
a great song to Prack, guitar of course, but
now it's time to pract.
8. Aerosmith - Crazy - chords and riffs: By myth. Let's start
with the first part. We have short minor, please play the song on a string number six
in five and used use boordskay something
very nice song especially because we are going to play this rhythm right here. As you can see, I play
the bass note first. With this works really good, especially if you play on
the acoustic or electric. I think both tars going
to work perfectly. The song is you have a lot
of space to improvisation, but not in this session. In the intrasionirst sessions, we play a shot. Minorinpse can play the B licks like this one. As you can see on the screen, I wrote two examples for you. Okay? You can improvise
with this idea. This pattern right here
works really good. So I just use strings number
54.3 and I play the 7979. All right, So you can play
like this. Let me play. Everything's going to say I play a bass instead
of I play the lick, or you can play glass notes. It's really good, isn't it? But it's up to you and it's
open to improvisation. Next part, we have
the pre cards and we have a special
lick to this part. You play open string in this, string number one and string
number two, Opentring, This is supposed to be the
major core and you have this. So play number two,
then Opentring. Come back, play one more time, but this time do
not play the pan, just go down in
the regular note. All right? And you have one more link. Use it. Short minor
pentatonic cave. It's something like this. All right, so let me
play one more time. It's very nice. This part
you can improvise as well, but stick with the
minor pentatonic scale after this part, replace something like this
with the musk intervals. This is minor turning version number one in
the flat three, okay? It's very common from rock
and roll play like this, especially with
the smith, right? You just keep one string. String number two, you
play strings number three in one sport is open to
improvisation as well. Just play this slide four
to seven in this seven, 42nd time is the same
thing, the same approach, but instead of playing this, you're going to play a
little bit faster because you have the 16 fret as well. The 16 in this 17 right here, really nice but hurts a lot
of our fingers, isn't it? The next session is the, you
have short minor next part, but this time is
you start to grow, become a little bit
more aggressive. You come back and play
exactly the same thing, a sharp minor. And you have another part
that is the end of the cars. You can play with our pages, it's this note measure C
sharp measure, F sharp minor. In this part, please play with the pink sounds really nice and
beautiful and melodic. Try to work on your
bar scored and to play this correctly with
100% of a courtesy. This last part is just strong. Once each chord,
the minor chord, and you come back to
the top of the song, the first part, okay, the injury verse that
you play, shot minor. After the verse, you play
the prechord one more time. And finally you play a chorus. Once again, everything same, but after the second chorus, you have this shot minor, just because we are
going to the solo part. After the solo part, you have four parts that
we are going to play. The look, it's going to be a
sharp minor, major, minor. Second part is
sharp minor, okay? You just need to play the look. Going to work perfectly and
you can improvise this part. I think it's completely
open to improvisation. Sometimes Smith played last part as a kind of end
end of the show, the concert and
improvise for six, 7 minutes of guitars
works really good. Then my short cut
is pender minus, in this case, short
minus works really good. Use that technique. Muster works really
good as well. Just take strings
number 1.3 All right, what else? Focus your leaks. I think it's going to be easier
if you start finishing A. Okay. It's not necessary to
play this every single time, but most of the case
is going to work, especially because you
have this major minor. If you focus on short, when you play majors
going to work. But D minor, because the minor turn of D minor
is and not sharp, okay? Be careful with these parts when you go to the
chord as well. Be careful with this
because it's not every single that's going to work if you play
this F sharp minor, but most of the notes
going to work, okay? This is not a diatonic song.
You need to be careful.
9. Aerosmith - Crazy - solo guitar tutorial: Now it's the solo part. At my fingers, it's
completely destroyed. Right? But don't worry, the Sol is not so difficult. But you need to pay attention because we have a lot of bands. Holes, step band,
half step band, one hole in Halstead band. So it's a lot of fiver. The first part is number two
on the string number five. You're going to play nine
times this half step band. Please play with your
finger number one. Things going to be
easier. All right. Is just a half step band so
it's not a problem at all. Next part, you have four to stringer four
half step band as well. Finger number three this time. Okay? Just because you have your number two
right after your. Okay. Next part, you
may have 44 step. When you play this
hole step band, you can play this vibrato
sounds really nice, especially true, especially
true rock and roll music sounds really cool. If you play down my vibrato, my ears ask you more. Next part, you have this
to more time Vibrato. One more hole step band vibrato. This song is a classic rock, it's a little bit of
open to improvisation. You can add this vibrato
in your band or not. But remember that you need to use your ears to sound
similar to the original song. You have a lot of space to
improvise in this song, but try to stick with this step by step
with the tablature. After you play the
solo correctly, you can improvise a little bit. Okay, The next part
is one more band. The whole step, flat
number seven on the string number one I don't like
to play binds here. In this 71 we have a notes. I would change this right here. Okay? But look, that pulling right here in frat
number seven, string one. Let's stick with it,
but it's up to you. Okay. After you play this band, 55, you can play four notes, and this one hole step in the frat number eight on
the string number one. Next part is 71 more time, but this time is
half step, okay? So you're going to
play this true wise and then you have this kind of, it is really fat. You're going to play
this three times and very, very fast. This port is a little
video of Im improvisation. So you can play music interval, a kind of p, light cer and the 17. You can't stick with
this pattern pattern of string string number
3.1 or you can play sport. And when you go to
the frat number 17, you can change string
number 2.1 Okay? Remember the song is
up position on me. I like to use this kind of technique, this
interval technique. I keep the pattern of
the strings, please. To me, works really carefully. Right here, you have converted
a minor third, right. D is one is okay. So
it works very good. The next part, we have this
band in 191, whole step band. And you finally have this pattern of, the first pattern
of pentatonic musk. If you're thinking shortly, the same nodes in this
pentatonic shape. So you have this 14, 17, come back to 40, 17, 16. This part is. You have the option
to play the band in the Fred number 14, but I prefer to think
it's easier to play like this with this, it's a kind of hammer. Alright. Sounds really cool
and it works exactly the same way that band
worked in the sport. You have a band in the
Fred 1,714.16 twice, but the second time
is holds that band. Next part. Let me come
back to the music interval 17 on the string number 1.2 This time keep on the
string number 1.2 okay? Very fast. You can play with your fingers, but you can practice
with your pick as well. I'll turn you have
the band in fret 21. It's a one whole step
band and a half. It's really hard to play this on the Stratocaster since I
moved a few months ago. I've just using four guitar
yoder guitars are here. If you have the option, try to choose a twit
four fret guitar. Things going to be easier
to play this song. Okay, you have this band
and you play this 70. You play this, this kind
of band in 17 notes. The trick here sounds nice. Put your finger
number one of Fred, 17, and play the band. Get fast on the string
number three, F 90. Use your finger number two to help you out
to play this band. Okay, It's gonna be easier. Can you finish this four
with the band, the Fred 19. Next part is after
the solo is kind of easy because you've played
a lot of part like this. But be careful with the bands, so you have everything on
a string number two, okay? You play 17 and you
have this up and down. You have this fibo
with your pen, okay? It's important to pay
attention to sound correctly, so it's very nice. 14 Ben step in the sport, you can play with your
finger number one. It's going to be easier
place in the sport and play this vibrato to second part
is exactly the same thing, but do not vibra in
the frat number four. As you can see, the solar
is not so difficult, but requires your training
to recognize the part set. We have one hole steps, step one hole and head step
requires a lot of ex and you need to be careful with
the bands and how you intonate your guitar
during the Sol's, just Px.
10. Aerosmith - What could have been love: Let's play Er Smith,
the song is amazing. We have a lot of
harmony and fury. Stuff such as relative
chords in modulations. Yes, we have D, major scalo, we have major Sco, it's really crazy, but
it's a great song present, study and pract, Army and Fury. The first part is minor major. If you're playing
acoustic guitar, please play most of the chords right in this part of
your thread board. I think it's going
to sound perfectly. But if you are practicing
with guitar, okay, the song you can with Acucar, you can play different
kind of shapes. So sometimes you can
play this right here, that sounds very nice. Instead of playing one, you can play one that is
really good to the song, min. Or you can play right here. Bone Chord works very well. Okay, this is the first part. But you have a second guitar playing a melody you can play. This sounds really
good, isn't it? In this case, you play frat number nine on the
string number four. Frat number 6.7 on
the Str number three. And please play with
your finger number four. Pink finger 1.2 Okay. The notes ringing
sounds really good. The second time you
play the sport, you're going to have another kind of little league, right? But this time you play with a slide between
frets number 8.10, everything on the street.
Number two, okay? Very nice. Vibrato, 1210, and this is light. Very, very nice. Play
with your finger, number one is light, okay? So 783 times and stop
that number seven, okay? Try to listen to the song
and recognize parts. Next part we have you
play right here, okay? I think it's going to sound
better if you play right, specially on the guitar. Next chord is going to be
a very nice bar chord, G, the same guitar shape. It's going to be easier for you, be careful with the sport. As you can see a play twice, once in stage, the songs start to grow
to the chorus part. The chorus, we
have S minor major and you can see on the
table this little short, because this is the
first relative chord. A major and F short
are relative chords. Relative chords are
almost the same chords, but we just have one single note inside a chord that makes
everything different, okay? It's really common in harmony. Music And sometimes we use one and sometimes
you use another. Just try Sound new on
your core progression. Smith uses this really well. The second time you play, you're going to use
this relative chord. Instead of playing,
you play short. You're going to play
this three times, one time with a second
time with F sharp, third time with a one more time. And the last part is
C sharp minor, okay? And F sharp minor
sounds really good. The harmony is perfect, but this parts a
little bit tricky. So try to listen to the song, recognize all the chords, okay? Because you are used
for that and memorize this tablature that's going to help you play after this part, you come back to the
top of the song, you're going to play
exactly the same thing. The first part is
exactly the same thing. All right, but we have a
little trick a little. When we play this last
minor instead of go to G, we are going to measure, okay? And finally finish this sort in. Okay? Just to create
a little tension between the chords and start
the chorus one more time. Chorus port, you repeat
exactly the same thing. However, we need to add
more relative chords. In this case,
instead of add just sharp and change
between A and F sharp, you're going to add
sharp minor change between chord and G sharp minor The first
time you've played as a second time you
play sharp minor, so the relative in the right you can play on the top of a fretboard or
everything on the screen. Number six, up to you. The third time you play sharp minor, F sharp minor, you can finish C sharp exact the same theme we played the
first time, sharp minor. But this time you need to grow your song with this court cris, tension to the next part. That is a kind of bridge. This bridge part, we have short
mint going to repeat this twice and we play courts parts, really easy to play, it's
not a problem Metal. Another trick here and I need to remind you
is about the rhythm. As you can see, I'm not
talking about the rhythm too much like strum down, we up this kind of thing, okay? I don't like to teach like that. This is rock and roll, so
you need to use your ears and try to figure out the
rhythm that after this bridge, you come back to the correspond
and play one more time. Exactly the same thing, but
the last part of the song, the ending part,
you just stick with the three first chords
of your chorus. So you're going to kick, just kick to the end and finish your song
in a major court. As you can see, this
song is amazing. Cout you practice
in learning chords, practorts, and
improvisation as well. As you can see, we have a lot
of open space to improvise. He is playing the first
part you can improvise. D, Play something balancing, or some different shapes. It's up to you, okay? But this last part, the part you can improvising major, okay? This major is not pentatonic, is major scale with all the
notes of major scale, okay? Try to play correctly because
you need to sound melodic. This song have a lot of melody guitars and
guitar licks, okay? Probably improvise a
lot in major scale. I go to improvise a little
bit, check this out, so hoping riders, lesson
news. Time for breaks.
11. Aerosmith - Pink - guitar solo tutorial : First part is the
first note is 12. Hammer on to 13 and
come back to 12, okay? So on the string number two, after this, you'll play 12. On a string number three, you're going to repeat the same
pattern right here, one step, all right? So F number ten. After this, you have a
slide on a string number 37 to nine and play number 82 times on
the string number one. So next part is fret number everything on
the string number two, okay? So fret number eight. A band, one whole step band
in the fret number ten. Come back to 810.8 So you can play with
a slide as well, so it's going to
sound very nice. You have almost the same
pattern we play before. In this case, we are going to play on the
string number three, so seven to eight. Come back to seven and play eight on the
string number four, okay? We're going to repeat
this one whole step in the frat number five, okay? Play 61 more time. We slide 28. So next part is, it's a slide, 8-10 on the string number 48, on the string number
3.1 whole step band. However, instead of
play up, I play down. Okay, on the frat number ten. In the frat number ten, on
the string number three, come back to 810.8 So all right, next part is the same
pattern we played before. However, in this case, we play right here in
the fret number nine. Okay? As you can see on
the tablet tour, it's almost the same thing. The next F is we have a slide, 10-2 even string number 5.10
and even string number four. After this part,
you play a band. A band going down one more time. Okay? So right
instead of play up, you play down 1,012.10 everything on the
string number three. Okay? But you're going to play the last part one more time. The last part we
have a few slides, so just a heads up, This last part you're
going to play on the string number 3.1 Okay? First slide is nine to 11
on the string number three. And play ten on the string
number one. All right. So my device is
follow my fingers, play with the same
fingers that I'm playing. All right. Next part, 11 to 12. On the string number
three and string number one after this one
whole step, okay? One whole step ahead. 12, 14, 14. String number one after this, One whole step ahead,
one more time. 14 to 16. And play 15 on
string number one. After this, I have
step so 16 to 17, string number 317 on
the string number one. All right, so we have first,
second, third, fourth, and fifth slide after you can end this guitar
solo with a few bands.
12. Final notes: This is the last
lesson of our course. I hope you enjoy all
the tricks that I know about Joe Perion Aerosmith. Just to remember, stick with the rock and roll
and blues style. All right? Think about
myropentatonic scale, minor blues scale, and
minor scale impolization. And stick with the measure. Minor courts, scores
can work as well. And a few seventh course
that sound bluesy. Measure court with minor
seventh, all right? And you need to practice, okay? Try to learn all the songs, all the streaks.
Traction, improvise. That is very important to establish this new type of skill that you
are learning, okay? Listen a lot, Joe Per
Smith play, okay? Sport is going to
be very important. Please if you want
to learn more, check my profile
on the platform. I have very nice course
that's going to help you to improve your skills and your abilities on a guitar. All right. Thank you so much and see you next
course. Bye bye.
Gabriel Felix, Music Teacher
