Transcripts
1. Welcome: Hello, my name is Gabriel Felix. Today I want to introduce my new course about
Brian Megan Queen. Yes, this special course is beauty for beginners and
intermediate musicians. I'm going to teach
you a few Queen songs and a few Brian guitar solos, all step by step with
tablature showing all the tricks to sound and play like our
favorite guitar hero. Besides that, I'm
going to talk a little bit about scales, charts, and armory tricks used by Brian Me in Queen songs. If you are a big
fan of this course, it's going to be
amazing for you. It's gonna help a lot play in sound like a queen
and bera tart. See lesson number one. Bye bye friends People Street, September. Knowing what this
world is about. Watching super
friends screaming, looking judge away from it on like a blind
man sat on the fence. Don't work some. So pressure a change. Fresh, fresh.
2. Brian May's influences, musical style, equipment, and signature effects: Brian May has a unique style of make music with his guitars. He plays guitar
in a special way. He makes people
remember his style. He likes rock and roll, but enjoys classical
busing, jazz as well. He builds his
guitar with his dad and it's called
the Rats special. It has a special sound that
you can recognize. Why away? When you hear it, you can find similar cops
on the Internet, especially by the brand
Harley Band guitars. When Brian May plays the guitar, he can make the notes
lasts a really long time. He does this by
using a coin instead of regular B and a special
booster for his guitar. This makes his guitar
sound like singing. Brian may also know how to
use many guitars together, make his song and sound big and exciting in
the mix of the songs. He does this by playing
different guitar parts, different parts of the tracks. This makes his music
sound like an orchestra. Brian may use a
bunch of effects. One of his favorites is the
Trouble Booster helps to make the guitar sound
really bright and powerful. He also uses late pedals and
his favorite Wawa pedal, the Up Cry Baby. When it comes to amplifiers, he is a Vox, a famous
guitar amp from the past. If you want to sound
like Brian May, you can search for his signature effects,
plugins, and instruments. You would discover
miniimplifiers, boot pedals, wa, pedals, preamps, Umphds, and much more, disguise the limit when it
comes to recreation is iconic. Sound If you want to
choose one guitar that fits in most of
the Queen's songs, you can choose
this Stratocaster. His guitar is really common
music and reversitible. You have this switch key that you can change
all the pickups in different combinations. This type of thing makes this
guitar first ball to rock, pop music, and two Queen songs. If you don't want
to spend too much, have a nice equipment, try to use a
stratocast guitar and stick with the plugins
of Queen and Brian may. It's not too expensive and
it's going to help you to sound like Brian and play
all the Queen songs.
3. Queen - We are the champions : It's time to play Queen. We are the champion
and this version is Ack, and electric guitar. Changed the arrangement a little bit and adapt to our instrument. It's going to sound
very nice if you play on the Acouski
and sing your if you play by yourself or even if
you play with your bands. All right, but let's go first part of the
song he plays on the piano flat measure with the bass in C. If we
play this on the guitar, you're going to
see that he's just playing a minor
for minor seventh. We can play right here. Okay. It's going to be easier
for us second quarter, you can call this a G power
quarter because we don't have the third B right here. Okay? So you can play just like this. It's going to work perfectly
on electric guitar, but especially on
the Eco guitar, the rhythm is going
to be like this. It's very soft pick. Okay. I'm going to play with
this song, Check this out. Pm, bad mistakes. The next part you have a
pages flat measure are pages. You play the base
notes, so flat. And the page on the
string number 23.4 Okay. Next part, the same thing, but do the base notes you play sharp finger,
flat number nine. Okay? And the other nodes? 8.8 Okay. It's says for R. P. So
very nice, isn't it? The second part is similar, but you can change this
major chord to power chord. You play strings number 54.3 and play another
shape like this. It little bit more difficult, but it's really nice. On the arrangement, you can play with a board
finger number three, finger number four, okay? And pick strings
number 1235, okay? If I play, everything is
going to sound like this brings very nice, isn't it? Next part, start the distortion. The song structure grew up. Just play E flat major, okay? So you can play like this or
with a Bakrdmminor measure, with a bar chord as well. Especially if you're
play Cuski guitar. Okay? Uttr flat measure. Okay? This is the sequence
of the song. It's going to sound like this. As you can see, I
play B flat three times and go to my C chord, that's a bridge to my chorus. Okay, to measure chord. That is the first
chord of the chorus. All right, so be careful spot. Okay, don't change
the guitar shapes. Okay, remember this is
a major guitar shape. This is a minor one. Okay. Right here on the string
number six, the minor warn. You can play the sentar
shape and he's going to sound as a measure warn.
Let's go to the chorus. We have measure A minor
minor string number six. It's a barcord. Okay? You put your
finger number two with your finger number one.
Very nice bar chord. But I have a very nice
trick right here when you play sounds very nice if you
play this note before A. Okay, I think is going to
work in this arrangement, the same thing on the
next art that is D minor. You can play not minor. Check this out. A minor. All right. Next is flat measure, measure, remember the shape. Next art is almost the
same thing, A minor. But this time Sarf
goes to D minor. Goes to measure and play this. It's a very nice part. You have measure
just trie and you play this 53.2 string number six and play this
Music Interval right here, F number 1.2 open string two. All right? And then
my trick here is be careful because sometimes
you play everything. Finger number one, it's going
to be difficult to play. Music Interval play finger number two, it's
going to be easier. All right, let's check out Sound with the
song play together. The next part, we have flat number three, B flat minor, but just twice. Because you have this, it's
a very nice arrangement. You play just twice
and you have this five in the last part. F minor, A flat. Mejor flat, measures four. But right here on the
string number six, usually you play here, right? But you can play right
here as well and use the same guitar shape as a major or on the string number
five. All right. The last is going to be okay, the last of the chorus, and he come back and play
the entire song over again. We're going to play this part, let's see how it sounds. Next chart, you come
back to the top of the song and you're going to repeat exactly the same thing. But when we have the chorus, we do not stop in F major chord. We come back and one more
time after the second time, our last chord is going to be right and you
finish the song.
4. Analyzing We are the champions: Let's analyze. We
are the champion. This song is a little
bit funny because we don't have a single key, Sometimes we are in one key, sometimes we are in another, Sometimes we don't
use any kind of keys. It's a very nice and fun song. Channelyze first
part, he start with my power without the turnout. That's why we can say that
this first part using C minor, right, would be perfect
if he plays like minor. So it's going to,
would sound much more minor than
just power chord, but we can say that
it's in C minor. But the next part, he started with F
measure chords. B flat measure chords, sometimes he changed a V. So it's really messy. This song, we cannot say that is just one key or
in just two keys. At least to me, the
songs has a lot of influence of jazz music. Fun, isn't it? Yes. Sound
A lot of jazz. At least. The process of song writing
looks that Brian May and Fred Maker sit down in a room and they did
not choose a key. Fred start to sing, and Brian May found the notes of the melody on the guitar and
tried to feed the chords. This type of thing is
really, really coming. Jazz. I'm going to give a few
examples. Stretch this out. Let's suppose we are, we have a melody
in our melody is, you can say that melody or
son is in a minor key using it because we have one minor seventh and
wrote one Walmart time. The chords we could
say that is a Mm, seven major minor and come back to a men just
following the notes, right, would sound very nice. As you can see, I just keep my notes on the string
number two, so A, C, L, just follow the melody, but we can change as well. Instead of thinking just A, we can stick with our melody, but try to find chords that
we can fit those notes. I could start with
F measure chord, because the measure of F is A. So we're going to
work perfectly. Second core, I could
produce measure, but if you think me, there is no C and
G measure, right? But we have assess four. We have the nodes. We can stick with
minor that have the S minor argon come
back, Check this out. Sounds really rich, isn't it? Sounds completely
different if we compare with the first
example in this case, we cannot say that we are in or exactly not
every single time in, because F is going to
work as the First Court, But right here,
the second court, if you are in F measure
should be minor and major with this
note right here. So it's not going to work. Let's take another example. So let's start in F. But this note, we need to
think what type of court that we have in C is
part of this court. So we could take a half
diminished in right here. It's going to sound
really outside. Check this out. The last play measure in seven, both chords have fifth, so it's going to work perfectly. As you can see, this
new arrangement sound really
different, isn't it? But we can take another example. Let's put a fully
diminished chord here. A second is the first
one. Full diminish. One more time. Full diminish. As you can see,
it's not necessary. Follow a key or a key
pattern every single time. Sometimes if you
have the melody, you can just think
about the melodyum. Try to find a course
that fits perfectly. And you're going to
have several types of arrangement and different
possibilities of sound. Brian may use this
type of thing as an example exercise of
you can create a melody. Try to stick with just three
or four nodes per melody. Follow my example, just use
137.1 of any kind of ski. You write down in a piece of paper those
notes of your melody. Keep it simple and try to find the chords
that you can fit. All these notes
can be extension, can be a third, a perfect
fifth wrote notes, okay? Any kind of chord that
you can find those notes. That's a great exercise to memorize notes
on the fret board. Study harmony to memorize
chords and scale. Of course, embellish your
songs and create music like
5. Queen - Under pressure : Russia, Sit down, hold on me. Sit down on Russia. Families, people on the streets. That's okay. That's the terror. Bold friends, people, Peter, knowing what this bird is about. Watching silver friend
screaming, looking Judge away from it on like a
blind man sat on the fence. But don't work some slash press check. And no pressure. No pressure. The first part of our
song start with the bass, but you can play the same
thing on the guitar as well. So take your, or check this out. You can play this first
part on your instrument, frag number five,
using palm mooting. So with this part of your
hand on the strings, okay? And you're going to play
frag number five on the string five and frag number five on the string number six. Okay, Remember to kill
the notes very fast. All right, after this part, you start with the
picking part that we have several in our song patent. I will divide each picking
part into four parts. Okay, let's take a look at
the first we're going to play like this, all right? The most important thing here is memorize the strings that
you are going to play. All right? So you can put, it's a kind of course
shape, isn't it? Put your course shape right here on your left hand
and play strings number 433 to four, Okay? Remember that the
string number four is always open, okay? So these strings, you're
going to play this pattern, repeat the same pattern. It's not the same, a little bit different, but
it's almost the same. Check this out. Second fragment. The second part of
your picking part. You put your fingers like this, 5.6 with a bar, okay, on the finger number one. And you're going to play
strings, number 32124. Okay? It's important to memorize this pattern,
this new pattern, because to repeat
the same thing right here on the struber
strings, okay? But in the frat number three, the last parts a
little bit different. So part number four of
our first finger part. And need to play like a measure
with fingers number 1.2 String number one. This last part
you're going to play this framber topar number
this first session, try to memorize each
part separated, Okay? And it's going to help a lot
to memorize the entire song. Let's go to the second part. You're going to repeat this
three times'm number four. It's a little bit different. Check this out. Let's, you're going to play strings. It's the same
guitar shape. Okay? And you play the
strings. Number 432123. Okay. Next part is the
same or shape as well, but this time you play
strings number 1232123. All right. Same
thing right here, the frat number 31232123. Memorize your right here. This is the most important thing and the last part is the
same as the previous one. List. This is the easiest one right after this
session of the song. Okay? You have the pre
cards in the cards, People Street. You just need to play.
You can play like this. You can play down your
finger, number one as well. You can play down your pink
finger. It's up to you. Okay? This part is really
open to improvisation. And you can embellish
your chord a little bit. Play the chord. And playing
and not inside a chord, so it's going to
sound very nice. Second part is a
with the basin in, same thing you can balance
as one. All right. You're going to play this part. Two Eyes and you
have this new in, this is a very famous guitar shaped Red House
peppers used a lot in Simple one and you
have a new part. This part is important to
cop exactly like a play, so you have D with
the base F sharp. After you play the corn, you each flavor
fast number three, open stream, come back Frap
number two in number play. All right, so. All right,
this is the last part. The last part of the cards. Okay, you played the
entire first session. The second session,
you're going to repeat exactly the same thing, but we have a little variation
in the end of our session, number one part
number four number, come back and play
exactly the same thing. In this we have a variation, so you play number one open
on string number three, play that ending part. Okay, so this three first
look little bit different. Be careful, check the tablature
tract, memorize detail. After this pour, you repeat
exactly the same thing, the embellishing part
D with the sing F sharp that we have learned exactly the same thing and
we kind of finish the song. But you have a new
part, of course, slash In the sport, we
don't have guitar, okay, just the
other instruments. But you can play with the
nine if you prefer, okay? But you have this guitar
lick that, it's very nice. It's hammer, pull off. They are fast with
rocking, open, open, Remember strings
number 3.4 you after the sport can play a few
variations of this F. T. With the base in C. Okay? Sounds very nice as well. We can play core
with the base in F. It's like this is
really strange, isn't it? But it's for this
Openmpervision as well. Okay, The next chart
you're going to play cords different A minor chord, but instead of the bases
here, play open string. Okay? It's a very nice chords. We, and we have this and we go to the chorus. Okay? The part that everybody
in July is the part, it's my favorite
part of the song. So as you can see, we have and come back and repeat
this three times, okay? So remember about this
in the last part, we have a far, the new session are under pressure, so we have, this is the first session you're going to play your
court shape like this, number 13 in two, okay? And you play this 423. Okay? Remember about my
right hand to memorize this? Very important. Okay. Next part looks difficult because you have a new guitar shape,
but it's not. You're going to
play strings number three to repeat
the same pattern, but this time frat
number two, right? So in the last part
is a new pattern. String is a kind of a, isn't it? But you play strings
number five to one. Yeah. You play our
ending open string, string number three. All right. Be careful of this
part as well because all the peaking sessions are
very tricky. Be careful. And you're going to play
this street time as well and play put bass note
of chord, it's case. All right? And you're
going to play with the Basing G as well put. All right, so you're
going to repeat this a few times and finally finish the song with
the basin short. And you finish
this amazing song. I hope you enjoy. Bye bye.
6. Analyzing Under pressure: Let's analyze under pressure. This song is amazing. In the real lesson about Armory in Fury,
let's take a exam. The first part of the song, he plays this major chord. A major chord. G
major chord. A major. It's right after the first
part, the bass riff. But instead of playing just
the chords like we playing acoustic guitar or if you are beginning to user
chords like this, he plays with Arpagio. Arpagio is the same
thing is charts, but instead of play harmony
everything together, he plays note by note. In this sound amazing. It's beautiful, isn't it? Sounds much better. In this type of technique, it's really common in music, especially in rock, pop, metal. Find any kind of music. When we talk about
Arpagio, the first thing, the most of the
students think it's about that Shred
Po in Hea metal. That's very fast but it's not necessary to play like
this every single time. Most of the case
is going to work. If you use this pago as
arrangement technique in Bach, lock your musk, lock
your son with this. Brian may can
incorporate a few notes that usually is not common
when it's from the courts. For example, in
this type of style, rock and roll musk
is not common to strom accord with a
13th note or a nine. Not not so common
with our Pico works really good and
of course you can create melodies with this. It's going to bells a lot. Your core progression,
your music. You need to remember that
Quinn was just what? Drums. One guitar, at least live live
was just one guitar, piano, voice, and bass. You need to armage your song, your music to some good, very good live with
just five instruments. If you were a
recording studio K, you can record 102035 guitars all and creates a very nice
and big and rich arrangement. But life is completely different or you can use
overdue or a playback, I don't know, but I think
Quinn was 100% life from this. Let's take a look in
this pas stead of this core Start right
here, This page. This open string
KS root and play the measure that's sharp right
here in my middle finger. That's route as well in the
perfect fifth right here. To create this
right hand pattern. That's really good.
Second part, Star coach, he played just a part of this chord but with the
patient right here. Star string number two. Perfect fifth of a
mess right here, tight here. Everything works perfectly. Same thing here in
the star shaped the node as by the harmony is in D measure. He keep adding the node
as base in all the pages. This reinforce the
sound of sure key. Very nice. Okay, we have
the bass player playing D, but he still play another
sound, more rich. Finally, he plays right here, but just part of the, he adds a little bit of
extension notes, right? He used this note right here. If we play no cord, we're going to have a S for. That's why his
arrangement is so rich. Music so nice. It's one of the most beautiful
songs in music, isn't it? Most of the bands
use this technique. I can give an example. The pepper with Californication. This part right here
in the middle of Californication, it's our page. We have F major copper. Use this type of thing.
Take any kind of Corp progression and try to create your own pattern using P. Of course, if you're
not a beginner, you can add a little bit of extra nodes such
as nine and thirt.
7. Queen - Crazy little thing called love - guitar solo: Now it's time to learn a quin, A crazy thing I love, I'm going to show you how to play all the solos step by step. So you begin in
fret number nine, string number 1.2 Please lie
until fret number ten, okay? So you need to pick strings number 1.2
Next part you have a band. So it's a band on the string number two
in the fret number 13. 1,231,113.11 Okay? So the next part you need to
play the band once again. However, you need
to put your pink on the string number one
in the fret number 13. Okay, I'm going to play
everything. Check this out. After this part,
you come back to the beginning and play
this line once again. However, you end
this guitar F with 12.10 on a string number three. So after this part, you have a new guitar leak. So it's 1011 on a string number 31012 on a string number two, and you're going to play ten on a string number 1.22 times. So let's take a close look
to the entire guitar solo. So here go. Let's try this together once and again. So you have a one
whole step band on the string number two
in the fret number 13. You're going to play three
times 11, 13, 11, Okay. Once again. All right, And play the band
once and again. And play with your
pinky fret number 13 on the string number one. My advice on this part
is play the band with your finger number 13 on the string number
one, with your pinky. Okay? Finger number two is going to help your finger
number three. All right? And the last guitar
riff is like this. We're going to play 11.12
strings, number 1.2, okay? Go play everything
together after this part. You play 15 on a string number two and come back to the 12. Okay? Next note and a half step band on a string
number two, F number 13. You can play with your
finger number two. Okay? Next part is 14.11
on the string number 3.14. On the string number four. So okay, once and again, and the last guitar lick is, so in that case, I play everything on the
string number two. So it's 10, 101-210-1210, Okay. Once and again,
1010 to 12101210. This is not a easy solo,
but I'm here to help. So let's play
everything over again. You can change the video speed
to practice with me even better once and again. So I hope you enjoy
this class and let me know if you have
any kind of doubts.
8. Analyzing Crazy little thing called love: Some of ice, crazy little
Think I love this song is funny because we have a
lot of influence of blues. Music. Yes. Especially this
first part right here. This, a lot of blues in the
second part is blues as well. Here's a trick that Chuck
Berry using John Good. John Good, Something like this. The second part we have,
it's a very nice song. You can't remember the
entire guitar lick. But the idea here is
to recognize that Brian make up a little bit of this blues effect is blues
technique and sound. It's not a problem at
all, but it's amazing. Incorporates a blues and
a blues guitar song on rock and roll music The trick. Take your first shape and find the minor
third right here. In this case, we
are in D and your perfect fifth right
here, A minor third. You need to play
the minor third and measure measure turns
right after your minor sharp right here
to the perfect fifth. You need to play one
before your perfect fifth. Flat five is right here, okay? The idea is to play your
regular guitar lick. But with this little trick
play one note before and one note after when I play
a K using my perfect fifth, I need to play one note
before my perfect fifth. When I play a league
with my after my nitor, I need to play a Morter. Al right. Sounds really good. Sounds really bluesy. I got to improvise a little
bit. Check this out. As you can see, I improvise
classic blues with 12, but now let's improvise
a rock and roll style, check this rock ballad, besides that Brian me playing this kind of notes in the
so this is a measure six, use this kind of trick. Incorporate other nodes
inside our guitar. Sounds really nice for you. My advice is guitar shake. You can take the
first pattern of pentatonic minor shape and
click basic flick you want. Let's stick with a
minor and create. This is very easy. I use just what, four notes. Yes. G, E, D, four notes in
this spot right here. Instead of playing just
you can play this flat E. This is the perfect
fifth more time. Let's see. Sounds very nice. This little detail makes
everything difference. But let's take our turn. Our minor third in this
case is going to be C. You can create all leg with
this turn. Very simple. Go as well, so using a minor
paton when we play, we can play this in. Check this out. Let's see. Sounds very nice. And of course you canpvise and create all the leaks you
want using this technique, just thinking about a minor
pentatonic first pattern. So now it's time to Pxy incorporate these
techniques used by Brian.
9. Queen - Bicycle race - guitar solo: Solo, start with a
technique called trill. It's kind of hand and very fast. Okay? So you need to play number two,
string number three. Number one, F
number three. Okay? Same string, you just pick one, play several times just to
have this effect of trill. Okay? It's a very nice effect, it's a very nice
exercise as well, just because you just
pick once, okay? We need to do this kind of
effect. Pick just once. So pick once you have
the trill. All right? So you're going to play the
t number 1.2 frat number 2.3 frat number 10.11 this time on the string
number two, okay? 11.12 on the string number 1.17, and 18 on string
number one, okay? So it's going to
sound like this. All right? This is
the first part. The second part, you're going to play this
pattern right here. This pattern is very,
very important. Okay? So please play with
the same finger. Ring finger, index,
middle finger, pink finger on the string
number one is the same pattern. Okay? Important fingers just
because of the speed, okay? Always very fast. You need to Px of
alternate picking. It's important to start
this very slowly. So after you memorize this, you can play the same thing
in the same guitar shape, the frat number two. Okay, so you're gonna play good frat number
two, come back. Same frat number two more time, this time you come back, but it's not necessary
to play everything. You're just going to
play frat number 778. Stop and play right here
in the frat number 15, this new pattern,
finger number three. Fret 15 on string number 11214. **** my pattern. **** my
fingers just because the next you're going to
play the same thing you're going to
play one more time. I told you before, play this new pattern. Next you're going to
play the same patch. Play right here. Number seven. You're going to copy
and play in the Frac number four the same. Instead of playing
the same right here, you can copy the same pattern, the same fingers, and
play in frac number 12. So it's a very repetitive
solo, isn't it? Let's recap everything. You start right here. Framber two, come back
and play the same twice. A to repeat twice. Play just one time but stop
the Frag number eight. Play this new pattern
with Frac number 15. Instead of coming back
to Frat number seven, number two, instead
of pattern number 15, pat F number 12. All right? Pitatione is
not easy solo. Okay. If necessary, come back a few minutes or seconds and watch the lesson or the
specific report over again. All right. The next part is the last part of
the song. Sorry. You play 67 on the screen, number 589.89 number 4.3
11 string after this part, my advice, play with
a finger number one and choose
going to be easier. You're going to play 24646 and you have 46.7 on
stream number five. Okay? You're going to
repeat this part twice. This is the entire solo of Bicycle It by Quena.
Very nice solo, isn't
10. Analyzing Bicycle race: Let's analyze bicycle
race, guitar solo. I can see a lot of
influence of Jen Hendrix. I don't know if Hendrix was a
big influence to Brian May, but you can find a lot
of Hendrix in this song. The first part is
the trio, right? So in the beginning of the song, he played this kind of trio. And this technique is magnefect. So you just need to play one single note and
play hammer pu, fair, fast, like this and click, keep playing the hammer puff. Very, very fast. And impact. This amazing impact. And Jimmy Hendrix used
to play this a lot, so in this case he used to
play with a Wawa pedal, an open string like this. You can find a food child. It's going to be
easier if you put a little bit of
distortion or over drive. You need a little bit of game to play this correctly, right? This is the first thing that we need to
analyze in his song. The second thing is it's the same guitar shapes
in several positions. This is very common
rock and roll music. Hendrick play a lot
this technique, but you can find a Smith, you can find Jens Addiction. I saw a video a long, long time ago about
David Navarro, explain this technique
in his music. Everybody used this type of technique and
consistent in you can use the same guitar shape
in other positions, you can find bicycle race He right here in the Frat number seven and right here in
the Frat number two. And the other part he uses
right here in Frat number 15, but with a different
type of shape. The idea consists in, you take a group of
notes, guitar shape. You can take a guitar any
kind of thing you want, Okay? You repeat, you can
repeat in two octaves, in three octaves, or you can just repeat the same
pattern in a different key. Okay, that's why sounds
so good in coins. Music You're going to
play a little bit, just to give you a few
examples about this technique, let's take a example. A pentatonic minor scale. Let's say we are in a
minor pentatonic scale. Take the first pattern and you can create a guitar
lick right here. And repeat the same thing, the same pattern in this
position right here, in another Oct number 50. The idea is when we
play a guitar solo, or we're composing song, we can play a K here. In a K right here, we have the same link, but in two different
octaves to the audience. That is, listen,
this guitar lick will sound completely different, will sound completely new. But you can take this
approach and play the same garlick in
other keys as well. If you are improvising a minor, you can play guitar
lick or it's going to work if you play minor as well, because minor is
perfect fifth of a. It's going to sound a little
bit different because we have different
notes that go to make, go to have a
different meaning in this A minor key,
but works good. Let's take a example. This guitar riff right
here is four notes. If I play this minor, I'm going to have a band
in two B wrote notes to our second of
our minor scale. I play this right here. If I play this but
with the harmony in, I'm going to have
minus seven in fifth. That it's going to work
perfectly as well. I'm going to provide
a little bit just to give you a few
examples, but please, this technique Briar
teaches a lot, Hendrix teaches a lot, Rock and roll teaches
a lot of music. Take this technique that our biggest guitar
hero usually play, right, and try to
incorporate in your music.
11. Thank you: The last lesson of our course. I hope you enjoy all my
shortcuts, tricks, and songs. And remember that this
course is yours so you can watch those lessons
over and over again. All right, please take a look on my profile
on the platform. I had several nice
course above rock, pop, jazz, blues, hoppvise, other bands as well. So you're going to find
a lot of nice course for you to develop
your music skills. Thank you so much. See
you later. Bye bye.
Gabriel Felix, Music Teacher
