Ghosts, Galaxies & Haunted Houses: Painting Surreal Houses with Ink and Watercolor

1. Welcome and Introduction : Hi, everyone, and welcome to my new class Ghost galaxies and haunted houses. Painting surreal houses with ink and watercolor. And this class will create three imaginative and atmospheric illustrations that combine watercolor, ink, fantasy, and storytelling. Together, we'll be painting the Last House in the Universe. Then we have this Drifting Dream House followed by the night the sky turned red. Each project features a unique surreal setting filled with vibrant colors, cosmic skies, mysterious houses, and haunting fantasy elements. If you enjoy dreamy landscapes, galaxies, whimsical horror, and creative watercolor effect, you are going to love this projects. Before we dive into the main project, I'll show you how to create the watercolor background and how to draw simple houses that can be adapted into imaginative fantasy scenes. Hi, everyone. My name and Michelle. I'm an artist from India, and on skills here, I teach a variety of classes on watercolor, oil pastel, and ink Illustration. These are the two classes related to this class, and you can find more of my work on my Instagram and YouTube. For this class, you don't need any fancy supplies, a basic watercolor set, some watercolor paper, and a simple ink paint or file liner are enough to complete all the project in this class. So grab your supplies and join me as we paint this colorful, mysterious and slaky spooky cosmic illustrations together. I hope you'll enjoy the process, learn new techniques, and have lots of fun creating your own surreal world. Let's get started. 2. Class Project : For this class, we'll create three surreal ink and watercolor illustrations. We have the Last House in the Universe, followed by the Drifting Dream House. And lastly, we have the Night the Sky Turned Red. You can complete all three projects or choose your favorite one to create. Also encourage you to upload your practice from the basic lessons so you can track your progress and see your learning journey. Feel free to add your own creative touches by changing the colors, adding stars, ghosts, galaxies, or other fantasy element. You can make the scenes more, spooky, colorful, or imaginative and even experiment with different art supplies and mediums. Once you are finished, upload your artwork to the project gallery, added love to your creation and your unique interpretation of the surreal cosmic houses. Most importantly, have fun and enjoy the process. 3. Supplies : Welcome to the supplies. For this class in here, I'll be using pencil and erase it to do the basic pencil sketching. I'll only be using micron pen to do the outlining for the houses and other elements. You don't have to use the same fine liner. You can use breast paints or other normal pins or wallpoint paint or gel pens, and in black paint will do the work. To add highlights, you can use the white sakura jelly pen. Mostly, I'll be using the white ink. As for the ink in here, I haven't got ZikuraTaki black ink that I'll be using for some of the sections of the project. I'll also be using this white ink to create the spluttering effect in the stars, apart from it. For one of the project, I'll be using red and blue ink a little bit of it. You don't have to use the ink. You can get somewhat of same effect with the watercolor. I'll be using two medium sized brushes. You only need simple brushes to create all the illustrations. Then we have the watercolors. To make it a little bit simpler, if you want, you can also use the breast paints. I have got this dual tip breastpins. You can also use the colored breastpins if you want. You don't need all the fancy supplies only with a single ballpoint paint along with watercolor or ink. You can create all the three projects in this class. 4. Basics Background : Welcome to this section. Here we have the Last House in the Universe, Drifting green house, and lastly, the night the sky turn red. So these are the three projects that we'll be creating in this section, starting with the first one, the Last House in the Universe. So I'll be dividing this whole page into six different section. In the upper section, I'll be creating the background, and for the lower section, I'll be creating the rough outline of the sketches for the house. So here I have already started with the wit and wit technique. So swirling galaxy. We'll have to do two or three or four layers of the coloring. This is just a simple demonstration for our main project, I'll be using and adding a lot of colors, various seeds of the black. Here I'm using a bit darker tone of the black. You can use ink or watercolor, whatever you prefer, but mostly mostly, you will get the best result if you will use the watercolor. With the waterproof ink, it would be a challenge to spread the color evenly. Here I'm using the watercolor and now let's spread it forming a spiral like pattern. Here too we have to weed when the first layer dries, and then I'll be adding layers upon layers to create this kind of background. For the sides and the edges, I'll be adding a lot of blacks to make them a bit more darker. Now let's make it a bit more darker. So going with a bit darker tone of the black and let's spread it a little bit, wing it for the entire region, just for some of the region and then spreading it, trying to create somewhat of a spiral pattern for this galaxy. Put some of the region, try to create a bit thinner streaks, thinner curved streaks to create the feel or the atmosphere for the galaxy. For the inside, try to make it a bit of lighter in. Here as you can see that I did not add any darker side of the black for the center, just spreading the water to get a lighter sine in here. Add the darker tone on the sides and the edges. The edges and the corners will be bit more darker. Here, I'll be trying to create a bit of a spiral pattern. But for now, let's add the darker tone for all the four corners. Instead of only using the black, you can also combine it with a little bit of red. Let's try to create a little bit of a spiral pattern. Extending this on the other side too. Et's create a little bit more spiral pattern for the lower regions, a bit darker spiral pattern. For our main project, I'll be using white ink too. So I'll be using the watercolor plus to do the tapping to create small dots. I'll be using both white ink and black too to create a little bit of texture and pattern for the entire background. Let's wait it for to dry and then we'll add a little bit of more details to it. Now let's do this sketching for our house. This will be at the center of this galaxy. Very small and simplified version of the house. There will be three to four windows and a single door, two chimneys on the top. Feel free to make adjustment and the changes. I'll be making this house a little bit pattern. So for the upper sexion I'll be trying to create the brick like pattern. And for the rest of the sexon, I'll be using the hatching lines with a lot of gapping to create the texture of wood panels along the sides of the house. The doors in the windows for this house will be simple. And as we progress in this section, the second and the third house will be bit more defined and detailed. Now, let's go over the details with the fine liner. For all the project in this section, I'll be using a combination of the brass paints and the fine liners. Initially, I'll be starting with the pencil sketch, then add the fine liner and later on for the final details, I'll be going in with the bras paints. Also for the insides of the house, I'll be adding the color. Project The first project of the section will be monochromatic. The second will be colorful, so I'll be using combinations of blue along with the red and a little bit of ocher to, and the third one will have more colors to it, black, red, blues and a little bit of brown stew. With this stance, we'll be adding colors to our projects. Here, as you can see, I have created a simple brick like pattern for the entire section of the roof. Instead of this kind of pattern, you can create the scallops or do the tiling, or you can leave it as it is or completely cover it with the black and we are done with the upper section. Let's do the outlining for the remaining section. For the edges and the coordinates, I'll be adding two or three or more lines to make it bit bolder and more distinct. Here we have got a large window in here, two panel window. Let's add a semicircular arc on top of this. The whole video is in real time. You can always follow along with me. And if you have come up with your own unique idea or unique creation or if you have added or if you've added more elements, please share your project work. For the front of the door, there will be this extended portion, a small roof. Now let's create the door, a bit larger door in here. If we want to make it a bit detail and add more details or pattern to it, feel free to do that. Here we have a tiny window on the right side. For the main project, I'll be making the house more small as compared to this one, and I'll be using sets of the grey. For the upper section for the roof, I'll be making it grayer and for the remaining section, a bit lighter side of the gray for the bees I'll be trying to create a gradient from dark gray to a bit of lighter seds And I'll also be using a bit of hatching and heading for the lower section of the house in our main project. Here, as you can see, I'm using hatching with a lot of gap in between them to create the texture or you can say pattern for the wood like panels. Let's add the same line on the other side. Here, as you can see, I've created different kind of windows on the other sides. If you want, you can create the same windows on all the sides. The choice is yours and here we are done with this sketch for our outline sketch for our simple house. Now, let's add the simple simple black dots using tapping to create small dots throughout this spiral galaxy that we have in here. As I was mentioning that I'll be trying to create a gradient for the best of house, adding a bit darker side of the black and then going in with the water to spread it to get somewhat of gradient and from black to the white. Adding water to spread it evenly and decrease in intensity as we move away from it. In our main project, I'll also be using bit of sading and hatching for the ground. As I mentioned, this whole project will be in monochrome, so lighter side of the green. The lighter side of the green for the entire valves on both sides of this house. For our upper section, the roof, let's use a bit darker side of the black, and here, I'll be decreasing its intensity. So I'm adding a lot of water and spreading it evenly for the upper section. Even after adding the watercolor on top of it, since I have decreased it intensity, you can clearly see the line that we created, the hatching lines, not the hatching lines, but the brick like pattern for the upper section. And we are almost done with this. If you want, you can add more details to it. Later on, I'll be adding more details to the galaxy. For now, let's move on to our second project. So here I've already started with a base, so completely feeling this entire region with the red. Here I'll be using wet and wet technique, same as the first one. Let's do the coloring for the background for our second project of this section, the Drifting Dream House. Final artwork that we'll be creating and here I'll be using this red ink. If you want, you can use the watercolor too. But here I decided to use the ink since it will provide me with uniform consistency of the color. I'll be trying to create this kind of streak a little bit of cloudy red streaks throughout the entire background. And in our main project, it will be concentrated at the center of the house. But for now, let's create this small streaks throughout the entire region for the background. Here too, I'll be using a little bit of white ink later on to add the stars. I'll be using the same tapping technique to create the stars. You can create any kind of background using. You can also create the spiral like pattern, or you can combine both the black and the red ink to create something completely unique and different. Feel free to experiment on your own to create different kind of background. We are almost done with this. For some of the regions, add a little bit more darker tone of the red to make it a bit more contrasting. Also, if you have added more red or more water on some of the region, you can use the tissue paper to soak up that water or you can use the dry brush to do the same. Now let's wait for it to dry. Here let me show you the house that I'll be creating for this project, the Drifting Dream House. This house will be a little bit different from all the other houses that we have created so far. To separate buildings, not separate, but they are connected, but we'll be seeing two fronts of the houses. For this side, I'll only be creating two windows and for the other section of the house that lies behind this building, I'll be creating the door and I'll be creating a small staircase too. You are free to use or create any other houses, but I'll be using the exact same house that I'm creating right now in here. Try to maintain the perspective. If you are not comfortable with it, you can start with a slanted horizontal line and then use it as the reference to draw out the huts on the houses. If these two are a bit complicated, you can only create a single one at the extended portion for the staircase in here. On top of this, there will be this circular ventilation in here and two windows, one on each side. And we are done with the basic pencil sketch. Let's go over it with a fine liner. Unlike the last house that I just created, for our main project, I'll be making this house a little bit larger. As I mentioned for the sides and edges use two or three lines or use bolder lines to make them look more distinct and apart from the rest of the house. Here, too, I'll be creating texture, brick like pattern or you can use the hatching lines to create wooden plank like pattern. I'll be keeping the upper section completely clean. If you want, you can use scallops or use crosshatching or crosshatching to create pattern or texture, but I'll be keeping it clean. Here for this demonstration video, I'll be using the bras paint to add colors to it, but for our main project to get a little bit of gradient and light and shadows, I'll be using the watercolors. If you're not comfortable, you can stick with the only ink or you can use brass paint to make it a little bit more comfortable for you, but I'll be using the watercolor for our main project. So here we have got six panel windows. This two will be six panel, but this will be a bit more broader. Create the outline for this broader window, and now let's divide it into different sections. Six panel window. For the insides of the window, I'll be completely feeling it with the red and the outside or the boundary of the windows, I'll be using the blue, the upper section in the room, the edges of the windows and as well as the Bs of the house will be in blue. Let's go over the other side, starting with the door. So here I created panel window, so the upper section will have eight panels and the lower section will be simple. If you want, you can create other kind of doors or you can or you can just create simple to Dendor. The choice is yours, and now let's divide into different sections. The door to will mean blue colour and now let's create the remaining section for this side of the house. Finally, creating the extended portion, the staircase. We have got wooden staircase in here. This is optional if it is a bit tricky or challenging for you, you don't have to add this. Now let's add the stats for this staircase. If you want to make changes with the states, the doors or the window, we agree to do that. Now let's slightly erase the pencil sketch. Now, let's add the details to our house. Here I'll be creating the brick like pattern for both the buildings. This video is in two parts too. This is the first section and the second and in the second section, I'll be showing you the background for the third project as well as the house. The house for the third project is a bit more complex, so we'll have two story building and that building is somewhat floating because of the pull from the UFO. Continuing on with the hatching lines. Now let's create the brick like pattern for the entire section of the walls for the house. Here, this is just for demonstration purpose, you don't have to add details. I'm just showing you the house that I'll be creating. You don't have to do exactly same thing that I'm doing right now. Moving on to the other side. Here for the upper section of the roof, I decided to create a little bit of distinction in between the roof and the wall of the house. Now, let's create the brick like pattern. Here I have already started with the parallel lines, using hatching right now, and let's do the vertical lines to create the bricks. As I was mentioning earlier, if you want, you can use tiling or other kind of cross hatching to create the roof or add designs to it, but I will be leaving it as it is. Now here I'm going with the brass pin to show you the rough coloring of all the element of this house. So as I mentioned earlier, that I'll be using blues curs android. So here I've already started with the blue for the upper section roof of the house. If you want to use other color scheme, feel free to do that. Now moving on to the second one and completely filling the upper section with it. For the edges in the boundary of the house, I'll be using the cher adding this for the lower section of the house. As I mentioned, I'll be using this to do the outlining for the doors and the window. So here I'm already started with the door. Carefully adding it beside the staircase. And now here I'm going with the cher The entire valve will be in ocher. Apart from this ocher, I'll be using a bit brown too, and then I'll be trying to blend them together. For now, let's continue on with this ocher. Now, to create a little bit of gradient and to sew a little bit of shadows casted by the roof, I'm going in with the brown. Adding it primarily on the sides and the edges, especially near the sides of the roof circling the ventilation on the upper section for this sign adding a little bit more shadows casted by the edges and the upper section of the roof. Now let's try to blend it with the ocher. I'll see you in the next part of this section where we'll be adding more details to it and doing the outlines for our third project for this section. 5. Basic Houses : Welcome to the second part of this section. So here, I'll be showing you this project, the Night the Sky Turned Red. For the second project, the house of the second project, I added d for the insides of the doors and the window, which I was not able to record. And I also used the cooker and the brown for staircase. Let's start with the background of this third project. Here we'll have red and black. Here, I won't be using the tan red technique because here we need precision. So the black night sky and the red lights that coming from the UFO. So I have already created out the outline for the red section, and the rest of the section will be in complete black. To get a darker tone of the black and a uniform consistency for the background, I'll be using the ink. If you prefer, you can use the black and you can also create a bit of gradient using the black from the watercolor. Here I have already started with this breast pain to do the outlining for the red section and then I'll be filling the rest of the area. To make this process a bit faster, you can use the watercolor and use the ink to completely fill the entire region. But for now, I'll be sticking with the breast pain and filling the entire section with this For the main project of this demonstration, I'll be adding a lot of detail. The background for the background, we'll be having lots of star. The ghost in this red section of the light will be of different sizes. I'll also be creating the electric poles and some of the debris that is floating from the ground because of the house that is getting set by the UFO. We'll have lots of element for this one, and this is the hardest of all the three projects of this section. Let's fill the rest of this section with this black ink, and then we will proceed on with adding the red for the middle section. Also for the main project, I'll be trying to create a little bit of gradient. We have got only a small portion to fill the black color with, and then we will proceed onto the red section. With these we are done with a black background. Now here I'm going with the red. As I mentioned earlier that here I'm using red ink, if you want, you can use the red watercolor or you can also use the red brass pan. Whatever you prefer. Also, you don't have to use this red. Instead of this, you can use the white color. That will also create interesting beam that is coming out from the UFO, or you can use green or yellow or any other color will do the work. Adding it carefully near the black region, insure that the ink has dried and then only add otherwise, the two colours will blend and create a muddy appearance. Here I use a bit more ink. That's why it's a bit more weight. Avoid using a lot of ink or a lot of water color. And if you have added that, you can use the dry brush or you can use the tissue paper to soak it up. Let's wait for the background to dry and till it dried, let's do this sketching for our house. As I mentioned, this will be two storey building and we'll be adding lots of details to it. So here I have already started with the upper section, the roof. In the roof, there will be this extended porton with a small window. This is optional. If you don't want, you don't have to add this. Also, you don't have to create this exact same house instead of this, you can create or instead of this, you can create a simpler variation or simple version of the house to make your project a bit easier. Since we'll be adding a lot of element for this project, it will take a bit more time and to simplify it, you can remove some of the elements. Et's extend this portion. The upper floor or the upper section of the house will be a bit larger. The lower portion or the ground floor will be a bit smaller, comparatively smaller. Now let's create the outline for the ground floor. Try to maintain the perspective line, or you can start with a reference line and then create the entire sketch beam that supports the upper section of the house. For this side, I'll be creating two windows. This is a smaller one, and here we have a large window. This have an extended portion, a small roof on top of this window. This will be two panel window. As I mentioned earlier, feel free to make changes, adjustment to the doors roof or everything that I'm showing you. You are welcome to make adjustment, add or remove element. For this portion, too, here we have another extended portion, a bit curved door in here, and besides this, we'll have a small window. So this is a small window. And on the side of the house, we have two large windows, a chimney on the top. So this is exactly the same replica of the house that I'll be creating in our main project. I'll be making it a bit larger, somewhat larger, not that much larger, but yeah, let's do now let's do the outlining. So here I'm going with the fine liner. So for the upper section, I'll be using cross hatching. For this demonstration, I'll not be adding the colors for the walls, but for our main project, I'll be using two sets of the blues. I'll be using the darker side of the blue for the upper section, the roof, the edges, and the cornets. And for the and for the rest of the house, mainly the walls, I'll be using the lighter side of the blue. In here, I'll only be using one side of the blue, and I'll be leaving the walls in white colour. So the white of the paper, and for the insides of the windows and the doors, I'll be completely filling it in the red. If you want, you can create silhouettes inside the doors and the windows to so that people or ghosts are present or the ghost are coming out from the windows. For the upper section of the roof, I'll be doing the cross hatching with a lot of gap. And if you want, you can add more details to it. Also for the extended portion on top of the door and on top of the smaller window that we have, I'll be using the same cross hatching to create pattern. Let's continue with the outlining. For the edges in the corner, as you can see, I'm adding more lines to make it a bit more bolder and to show a clear distinction between different sections of the house. In here, I'll only be sewing you the house, but in our main project, the additional element that I'll be using will be the electric pole, then flying ghost. Some of the pots from the house will be floating too, then debris, staircase, and some of the fences of the house. So for the lower section of the debris, I'll be using a colour combination of ocher and brown. You can use other color combinations, too. So for this upper section, we have two panel windows. For the lower section two, we'll be having the same kind of two panel window, but it will be a bit larger in the same. Let's go over the outline of this extended portion here too, I'll be using the cross hatching. Now let's do the door. This house is a little bit slanted because it's getting uprooted because it's getting uprooted from the ground. Instead of this, you can create Instead of this, you can create house in any other orientation. It can be upside down or it can be upside down or totally vertically straight. Also instead of the single house, you can do multiple small hearts that will be interesting too. If you want to add more alignments to it, you can create small trees that are floating around it. For this section, I'll be trying to create this kind of pattern, a bit of rectangular pattern. Now let's do the outlining for the two windows that we have in here. Same as that of the upper windows but a bit larger in the size. Here, I'll be using the brush paint to color it, but for our project, I'll be using the watercolor. Since with the watercolor, I can create a little bit of gradient, but with the brush paint, it will be a bit challenging. But to get a bit more precision and accuration you can use the red bras paint to feel the insides of the windows. I'll be using the red, as I mentioned, for the insides. Moving on to the top to create this kind of broken cross hatching pattern for the entire section. If you want, you can create the scallops or tiling, or you can completely fill the entire section with the hatching lines. Let's create the same kind of pattern on this extended portion of the roof. At the horizontal lines. In here too we have got crosshatching. For the other two extended portion, I'll be using the same crosshatching. Let's remove the pencil sketch, and then we will add more details to it. Now let's color it here, I'm using the as pin light blue said, light blue. As I mentioned earlier, I'll be completely filling the entire section, the upper section the roof, the extended portion, as well as the border and edges of the windows with this blue. If you want, you can use two sets of the blue to create a little bit of gradient. Some of the regions will be a bit darker to the sado cast it why some of the upper suction of the roofs. But here to keep this demonstration a bit simpler, I only using the single set. Gradually filling the entire upper section with this. Let's do the sides with this blue. Don't have to use the same color combination. If you want, you can use other color schemes. Mostly for this project, I'll be using reds, blues and a little bit of ocher. The ghost will be in the white, but the remaining section, but for the remaining section, only the three color, the blue, the red, and bit of ocher. The electric poles will be in the same color, the ocher. But if you want, you can use a little bit of gray to so that the electric poles are metallic. We are done with the upper section with this blue. Let's add it for the remaining section. Okay. Now, for this extended roof in here, adding completely filling it with this low here I forgot to add the cross hatching for this extended portion for the door too. I'll be adding the aditil for the door and extended portion later on. For the door, as I mentioned, I'll be trying to create the d like pattern, so simple Oden planks. And we are done with the blue. Let's do the last window in here. Let's color the insides of the window. Going with the red to fill the entire section of all the windows. As I mentioned earlier, you can create the silhouettes of the people inside or you can create ghosts that are floating out from the windows, or you can use two sets of the red to create silhouettes in red, too. So that will be interesting too, a lighter set of the red and the darker side of the red. With a darker side, you can create the silhouettes of the people or the ghost. Let's add the right for the last window in here. I won't be adding the color for the walls of this house, but for our mind project, as I said, I'll be using the lighter side of the blue. The above saxon has dried up, so I'm going in with the white to create small stars tapping the bruss to create the small dots to represent the stars. Here I'm using white in. If you don't have, you can use the higher consistency here. If you don't have, you can use the higher consistency of the white watercolor or you can use acrylic color. For this project, I'll be creating this kind of a star for some of the white dots that we just added. The larger ones, I'll be extending them kind to create this kind of intersecting lines to sew the stars. Some of the larger stars with this one. If you don't want, you don't have to do this, but I'll be creating this kind of star for the background for some of the dots. You can do the same for the other two project, the background for the other two, the red one, and the color combination of red and the black. I'll also be using white to add a little bit of highlight for some of the houses, especially for the second one. Now let's add the white ghost in here. Put the mean project instead of using the whiting to create the ghost, I left the space untouched so the white of the people acted as the ghost. But in here, I'm using the whiting to do that. Here I made a mistake. The red ink was not dried up and I added on top of it. So that's why the consistency of this white is a little less. Ensure that the ink has dried and then only add the colors on top of it. For the upper section of this beam of light, I'll be creating small ghost. And as we move away from the upper section, I'll be making the sizes of the ghost a bit larger. Now let's go in with the black to add is for our ghost. Here too, I made another mistake. Both the white ink that I added and the red was not dried up and on top of it, I added black. So we got a little bit of muddy colors in here. Please insure that the ink or the watercolor that you have used is dried up and then only add the color here as you can see, Black dots that I'm creating for the eyes of the ghost is getting a little bit mixed with the background, the white and the red ink. Here I decided to rectify it and instead of this white ghost, I decided why not let's make a ghost black in color. This did not look good. And to rectify it, I decided to use this breast to make up the black color. This also did not turn out well. A little bit of the black got mixed with a white and the red. So I decided why not let's cover it with a red breastpin. And this two turned out to be another mistake because of the change in intensity of both the colors. This red from the breast pain of different tone, try to avoid this kind of mistake that I am made in here. For our main project, I paid more attention to it and instead of using the whiting to create the ghost, I left that space completely empty. The white of the people acted as the white ghost. Even after adding another layer of white to create more ghost to cover this section, you can still say that I made a mistake in here. With this, we are almost done with this demonstration section. Try to avoid this small and silly mistakes. Here I still try to rectify it by adding more layers of white to make it a bit more intense and to cover the dark area. With this, we are done with this demonstration section. Later on, I decided to create background for individual houses and I did it on my own. I'll see you in the main project, happy painting. 6. The Last House of Universe : Welcome to the first project of this section, The Last House in the Universe. Let's chart. Starting with a very simple sketch for the house. This will be the scene as we practice in here. If you want, you can extend it a little bit. So I'm just showing you as an example. I'll be making it a bit sorted. Here, as you can see, I have made this house comparatively smaller than the one we practiced in the demonstration video. A small window on this side. All the elements, the doors, and the windows and the chimney will be the same that we practice in the demonstration video. You are free to make adjustment and the changes. Create our second window. And as I mentioned, this is a little bit longer. If you want, you can create three windows, but I won't be doing this. I'll be erasing this part later. Instead of this house, you can create any other kind of the houses. Now, let's create our very simple roof. For this, I'll be using the fine liner to do the outlining and I'll be using a darker side of the grey for the upper section of the roof and for the entire section, the walls of the house, I'll be using a lighter side of the gray. Now, let's do the outlining. And as we did in the demonstration video for the upper section, I'll be using hatching lines and I'll be trying to create the brick pattern for the entire section. And for the remaining section, the walls of the house, I'll be doing the broken hatching to create some to create wooden panel like texture for the entire section of the house. If you want, you can use the breastpin to do the outlining, too. With the breastpin, you will get a bit more bolder and darker outline. And that will make your house more distinct from the rest of the background. Also, you don't have to stick with the same color scheme. If you want, you can use multiple colors. Let's go over the outlines for the two windows on this side. The last window on the upper section. Now let's create the brick light pattern. If you want, you can do this tiling or you can create scallops for the upper section of the roof. These are two panels window, dividing into two different panels. Here we have got a simple door. If you want, you can add details or patterns to it. Now let's make the edges and the corners a bit more bolder. The whole video is in real time, so you are welcome to follow along with me. Now, let's do the hatching lines to create the pattern for the entire section of the was broken hatching lines. And for the ground in here, I'm doing a little bit of siding. The reason near the base of the house will be a bit darker, and as we move away from it, I'll be decreasing the intensity. Now, let's do the same on the other side. If you want a bit more darker siding, you can use cross hatching. The region near the house will be a bit lighter inside, but the bees will be a bit darker. Later on, I'll be going with a black to create the bees and I'll be diluting it and spreading it throughout the entire section of the bees. Moving back to the roof of the house and let's create the brick like pattern for the entire upper section. For this section of the W two, let's create the broken hatching. For this extended portion in here, I'm doing this cross hatching. And we are done with this very simple and very small house, the last house of the universe. Here we'll have to do multiple layers of the coloring three or four layerings I'll also be using a bit of white ink. Let's start with coloring it here. I'm using this dual tip marker and let's make region the Base region for it a bit darker inside. For the roof, I'm going with a bit darker side of the gray, completely filling this entire section with this. Even after filling the entire section with this, you can clearly see the visible lines, the brick like pattern that we created. Now for the base two, let's do a little bit of seeding near the base, adding a little bit of this dark gray. I'll be adding a little bit more details to the house later on. For now, let's do the background. So here, I'll be using the wet on weight technique. Covering the entire background with water. In here, I'll be using watercolor. If you want, you can use the black ink too. But with the ink, you'll have to bit coucus since the ink is waterproof, so it will be a bit difficult in doing multiple layers of it and blending the two layers might become a bit challenging. As you can see for the regions near the house, I did not add that much water. Now, let's go in this bit lighter side of the black to create spiral pattern. As you can see the watercolor is spreading screte more concentric circles that encircles this house. And as for the edges of this page, I'll be adding a bit more darker tones. This is our first layer. I'll be doing multiple layers of the color. Add it for the upper sections too. As you can see, for this upper section, I added a bit darker tone of the blacks. So for all four corners of the pinch, I'll be adding a bit darker sides. Also, I'll be creating this kind of pattern with it. So tapping the brass to create this kind of small pattern dot likes pattern for the entire section. I'll be doing this multiple times too. So apart from this black, I'll also be using the white to do this. You have to admit causes while creating these small dots near the house. If you are not confident, you can use a small paper to cover the house and then do this splattering. Let's set a few more black. As you can see the intensity has decreased as you can see the intensity of the black has decreased a bit. Create the spiral pattern for the galaxy. For the regions near the house, I'll be trying to keep it a bit lighter. And as we move away from the house, the spiral pattern will also be increasing in size. Blending the colors a little bit near the house, a little bit more black until you're satisfied with the background that you want to create for this project, you will have to add layers of the colors the intensity of the color will decrease since the intensity of the color will decrease drastically since we are using wet on wet technique. For the persection stone, let's once again add more black. You can see it's creating a beautiful blooming effect because of the wet on wet technique. If you want to create some dramatic and beautiful texture, you can use or sprinkle a little bit of table salt. A little bit of water was accumulated in here, so I use this. Here I'm using that dry bras to remove that. You can also use that tissue paper or any cloth to soak the excess water. And now let's spread a little bit of this black in here with this larger brush. So with this, I'm creating a bit more defined spiral pattern. If you don't have this, you can use. If you don't have this, you can use any other watercolor brush. You can a dry brush with the dry brush, you can create this kind of texture pattern, the spiral pattern. And right now, it does not look that good, but I'll be adding more layers and it will be covered. As you can see, the multiple dots we created using splattering technique is not that much visible, so we'll be adding more layers of it, so more splattering. Now, let's make it a bit more bolder and more black. Once again, try to create the spiral pattern. As you can see, I'm not covering the entire section with the black. I'm just trying to create some undertone for this spiral see that encircles this. Now let's spread it using water to spread it. And I'm not spreading it evenly. Some of the section are a bit darker, others are a bit lighter. So depending upon where I added, the darker tone of the black, that region is a bit darker. Let's do this plating once again. Here I used a bit darker tone and a bit more water, so the sides of the splatters are a bit larger, adding it on the side too. Since the consistency of this is a bit dilute, so I'll easily be able to remove the section near the houses. So removing some of the dots in here around the house. Let's add more splatters for the upper section. And now let's add film Let's continue with the remaining section, adding more black for the corners and the edges. We'll have to one more thing that you can do to wait for it to dry and when it dries, then once again, reapply the water and add another layer. But in here, I'll be continuing on with this semiwight condition. Here I'm using the white. Here I'm using the white ink to create the splatters. So this will create some beautiful background. And as you can see, it's creating some beautiful pattern and texture, the blooming effect that is creating and on top of the black, it's just spreading like small flower or small stars. Add more platters. If you don't have the whiting, you can use the watercolor. And now let's wait it to dry a little bit. It has dried a little bit, and now I'm going with another layer. So here, once again, I'm using a bit darker tone of the black. Here I have diluted it a little bit. The main advantage of using the whiting is that it won't be blending with the black. Since the whiting that I use is waterproof, so it won't be mixing, but since it has not dried up to par some of the section that is still will be blending, but the remaining will remain as it is. So it will create a beautiful background. But since we are doing multiple layers, you can see that there are multiple layers of stars in the background. Here, once again, I'm going with a black, a darker tone, but it's a bit diluted and trying to create the spiral see Since the paper is not dried completely, once again, it will spread and the intensity of this plaque will decrease. Spread it a little bit using water. And as a mentioning, as you can see, the white is still visible, the blooming effect that we created with the white The blooming efect that we created with a splattered white ink is still visible. Now, spreading it. As you can see, I'm not evenly spreading it, and the section where we added the sections where we added more black is a bit more darker. So that's what we are aiming for in here. Moving on to the center near the house. Here I'm using a bit lighter tone of the black. Add more black wherever you think it's required. But don't cover the entire section with it. Continuing on with black and trying to maintain the spiral pattern. Adding it for the cornet Insure that all the four cornets are completely black. Now moving on to the center near the center, a bit darker tone of the black, and let's create these concentric circles that encircle the house. Here we'll have to use a little bit of water to spread the color a little bit since this region is a bit dryer compared to the other sections, going in with the water to spread it a little bit and to decrease intensity and to decrease its intensity near the house. Let's blend it in here too. As you can see, we have created a little bit of spiral pattern is visible. So small strokes near the house. Don't add or create large strokes or blacks near the house. Now, let's made for it to dry, not completely dry but a little bit, and it has somewhat dried up, on top of it, I added more splatters, black splatters. Here I'm going with the white once again. Let's add another layer of splatters, small white starts. Also, as you can see the pep was not dried up properly. Once again, the whiting that I'm using in here will create the blooming effect. Um, If you want larger dot, then you will have to move your brass a little bit up, and for smaller dots, you will have to add it near the paper. And now let's wait for it to dry. And as you can see, it's dried it has dried, not completely dried, but someone dried. And here, I'll be creating the star like C. So four pattern stars. If you want, instead of this four, you can do six pattern or eight patterns that will be interesting too. But here, I'll be only creating this four pattern star, 15 to 20 stars, mostly on the upper sections. Instead of this black and white monochromatic, you can experiment with the red. That will be interesting, too. So only using the red ink or red watercolor to create monochromatic red galaxy. Let's continue with adding multiple stars. And as I was mentioning, when the wetn technique dries, the intensity decreases a lot. But in here, we were successful in creating the spiral like pattern to represent the galaxy, and it turned out pretty well. Let's set some larger stars in here. We are almost done with the stars. If you want, you can add few more. You can also create comets or asteroids that are floating. For that, you'll have to add a large splatter of the white and then use your finger to spread it. It will create movement like texture that the object is in motion. I'll be creating comet or asteroid like projection in one of the project. So if you want to do that, you can do that in here too large splatters of the white ink and then spread it with your finger in one direction. Here, I added the stars in somewhat of seams. I just feel free to adjust the seams in the sizes. And we are done with this. Add a little bit of more outlining to the house. Now let's unmask our painting. It turned out pretty well. And if you want to make some adjustment of the changes, you can add more splatters of the black ink and a little bit of white ink too. Feel free to do that. I hope you enjoyed painting this project Last House in the Universe, and I'll see you in the next project. 7. The Drifting Dream House : Welcome to the second project of this section, the Drifting Dream House. This is one of my favorite from this section. Sketch of the house will be exactly the same that we practice in the demonstration video. This is going to be fun. The whole video is in real time, so you can follow along with me. I have divided it into two sections, so this is the first section of the video. And yeah, let's continue with the remaining section of the house. Instead of this kind of orientation of flying or floating house, you can make it or change the orientation. You can make it upside down. You can make it vertical or you can make it more slanted. Let's draw the other side. Also, you don't have to create this a bit complex kind of house. If you want you can make or create a simpler variation of the house. Instead of creating only the floating house, you can create the house is floating on an island. House on top of the island and the whole island is floating for that in that case, you'll have to decrease the size of the house for them. Let's create the upper section of the roof. I'll be using the same combinations. The one we used in the demonstration video, but instead of the brass pants, I'll be using the watercolor so that I can create much better gradients and sading with it. In the beginning, I'll be going with a fine liner to do the outlining, but later on, I'll be using the breast paint to make the lines more bolder and more defined. Also, I'll be using a little bit of white ink to do the highlights for some of the sections. I'll be using the white to do highlights and a bit of outlining too. If you don't have the white ink, you can use the concentrated white watercolor or you can also use acral in that will do the work too. Now let's create an extended portion for the stairs. If the extended poison makes it a little bit complicated, you don't have to add this. Apart from this floating house, you can also add other elements that are floating or sir this house. So flower pots or some plants that are floating around that will be interesting to you or you can also add floating cars and feel free to add any other elements to make it bit more interesting. For our next project, we'll have a lot of floating things that are encircling or that is behind the house. And we are almost done with the basic C for the house. Let's add the ventilation on the upper section on the side of the wall, two windows, a vertical one and a horizontal one. Let's create the other window in here. And now let's extend the remaining section of the house. So this will be the base of the house that is visible. And, we add the with this simple pencil sketch for our floating house. Let's do the outlining, starting with the fine liner. The same thing for the edges and the outlines, I'll be adding two or three lines to make it a bit more bolder and more detailed to create clear distinction between different elements. As for the windows, the two windows in here will have six panel. If you want, you can add or if you want, you can add or substract the number of the panels. The door will be eight panels, and, yeah, let's do it. For the roof, I won't be adding any texture or pattern if you want, you can use cross hatching, hatching or scallops or even tiling. For the walls of the house, I'll be using the walls of the house, I'll be using I'll be using hatching and a little bit of cross hatching to create the texture or the pattern of the brick for the entire section of the walls going over the outlines of the fence. For the background, I'll be only using the red ink. If you want, you can use the red watercolor to. But with the red ink, I'll be getting the somewhat obscene consistency throughout the entire section. Also, if you want to experiment a bit more, you can use another color. So a combination of reds and the black or a combination of red with the blue or two or three color combined together. That will create something very beautiful in the background. Et's create our door. So we have got a bit broader door in here. If you want, you can make it a bit smaller one. This section of the house lies behind the other one. I'll be making this section a little bit darker. Along with the ocher, I'll be using a darker side of the brown to make this region a bit darker so it's in shadows, The cado casted by the main house, the front building, going over the upper section of the roof. Now let's do the ventilation and the other two windows that we have. Bies of the house going over the outline circular ventilation in here. A let's make the window a bit longer. This is the vertical window. The other window will be a bit horizontal. By horizontal I'm in it will be a bit broader here, the window is a bit longer. Instead of the color scheme of blues and the ocher, you are free to use any other color schemes. Let's do the last window. This is the horizontal one, a bit broader, let's compared to the one that we created.This two will be six panel window. And now let's divide it into different sections. So starting with the vertical line. And now let's divide it into six section. So two horizontal lines. Doing the same for this we need two, starting with the vertical lines to divide into two different sections. And now let's add the horizontal lines to divide it into six panels. For the door, as I mentioned, it was eight panel, but that was wrong it's 12 panel. For this portion of the roof, I decided to add a little bit of more details to it. Adding the fine lines to add extra to add extra details to it. Now let's create the pattern for the entire section of the valve. Here I'm using the hatching, a little bit of different hatching instead of the single lines. Here I'm creating two lines and then a bit of gap and then two more lines. I'll be creating the brick like pattern for the entire section of the valve. For now, I'm doing the hatching and then I'll add the vertical lines. You can consider this to be brick like pattern or you can consider this it's made of wooden beams. Two lines to create this kind of pattern for the entire section of the valves, Alba doing the same for the other two sides. If you want, you can leave it as it is. It's more similar to the wooden planks than the brick one. So if you want to create brick like pattern, you will have more you will have to add more vertical lines, doing the same on this side. So after doing the outlining, I'll be erasing the pencil sketch, and then I'll be using the weight on weight technique to create the background. I won't be covering the entire section with the water. I'll be trying to create somewhat of a streaks the kind we practice in the demonstration now. So most of the regions will be concentrated. All the streaks will be concerted to the center of the house, and I'll be using a little bit of watercolor rust to add a bit of details and doing the outline for the upper and the lower regions of the house to so that this red mist or the red background is converging at this house and is surrounded and it's surrounding the entire section of the house. Let's add the vertical lines for this section. And if you have more ideas regarding this project or if you have experimented on your own, feel free to see in your project. And we are done with this section. Let's move on to the last one, the same kind of hatching lines. This is one of my favorite project from this section. Let me know which one is your favorite from this section. We have got the Last House in the Universe. This is the Drifting Dream House. The last project will be the night the night the sky turned red. Let's check the details for the upper section. For this side of the roof, I'm doing the hatching to make it a bit more darker. In the demonstration video, I did not add any lines, but in here, I decided to make it like this. Let's do this on the side too. Sorry in the beginning, I said that I won't be adding any lines or doing any detailing for the upper section, the roof of the houses, but I decided why not? Let's do it since I'll be using the watercolor even after adding the watercolor, you will be able to see the lines. This will give extra depth to the painting and add another layer of characteristics to the house. The lower sections stone doing the same, completely filling this entire section with the hatching lines and doing a little bit of sading to make some of the regions a bit more darker. Now, let's erase the pencil marks. Lightly erasing it. With this, we are done with the main sketch for our house. If you want to make adjustment, add chimneys or add some more details to it, feel free to do that. Here I decided to color the house first and then I'll be moving into creating the background using the low in here. For the upper section of the roofs, I'll be using the blues. I'll be using the blues for the base, too, and apart from this, I'll be using it to do the outlining for the doors and the windows. It's completely filling the entire section with the bluws. If you want, you can use the brass being that will do the work too, or if you want, you can use the only black or red. If you decided to use red, then you will have to do a little bit of sadings. The upper regions will be a bit darker than the lower regions will be a bit lighter. And for the walls of the house, you'll have to use lighter states of the red. In that way, you can transform this project into a monochromatic red house, moving on to the base and completely filling it with the blue. I'll be going over the outlines of the windows and the dots later on. For now, let's add the color for the walls. Here I'm using the ocher, so watercolor occur, and I'll be completely filling all the walls of the houses with us. Here I used a diluted watercolor occur. If you want, you can continue with you want, you can use the breastban or if you want to change the color, you can do that too. Adding it carefully near the upper sections and encircling the windows too. For this region, the wooden beams that I created in here for some of the beans, I'll be adding the blue. Let's continue with the remaining section of the valves. Carefully adding it below the window, and we are done with this one. Let's move on to the other one. For the sir pieces too, I'll be using this along with a little bit of brown. For now, let's do this encircling the door. And now let's add it for the other side. You're done with the first layer. Now I'm going in with the brown. So I'll be adding the brown primarily on the one side and blending it a little bit with the char to create a little bit of gradient. So for the sides and especially near the edges of the roof. For this side of the house, I'll be adding a bit more brown, since this is a bit darker in seed because of the cado cast in by this front building, adding it near the roof and encircling half section of the ventilation with this brown. As you can see, I added a little bit of brown for the extended side of the roof too. Now, going back once again with a diluted ocher and blending it to get a gradient. This was a bit darker. Let's do the same for this side too. Blending it a little bit with a brown that we just added to get a beautiful gradient. The upper regions and below the windows and the doors will be a bit darker. So that's what I'm trying to achieve in here. I think it's stand out pretty well. Now, let's add it for the roofs and the edges. Here I'm using ocher. If you want, you can use a combination of ocher and brown too. For that, you'll have to add the browns on the sides and then use the ocher to spread it. Adding for the sides of the roof. For the extended portion, the staircase that we have got in front of the door. I'll be using the brown later on, but for now, let's add the ocher, and then I'll be going in with the brown and a little bit of black as the final detail. Let's add the ocher for the last stair that we have. Now, going in with the brown, adding brown for some of the sections of this stairs. I'm adding it on only one side of it on the edges of the stairs, and let's add it for the stairs. And, we are done with this. It will blend a little bit with ocher that we just added because of the wet in wet. Here I decided to make this side a little bit more darker, so I added a little bit more brown for the upper section. And now I'm going in with the butter to spread it to create a gradient. For the sides, too. And yeah, we are done with this side. Now let's do the outlines for the doors and the windows. So here, I'm using the same blue that we used earlier for the base and for the roof. So going over the outlines of the windows and the doors with it. You'll have to bit causes while adding this blue since we have got very small region, adding the blues for this larger window, the longer one. If you're not comfortable with it, you can use the brass pin to do this. Or instead of this blue, you can use the black bras pin to create the windows and the doors with the black. Let's add it for the door in here. Extra careful in here since the size is very small in here, careful adding it near the stairs. Now let's fill the rest of the space with this blue. And here, we are done with this. For the insides of the doors in the windows, I'll be adding read later on. And with this, we are done with this part of the video. I'll see you in the next part. 8. The Drifting Dream House Red Background: Continue where we laptop. I'll have to add the heat for the insides of the doors in the windows and for the ventilation blue and red, which I'll be doing later on. But for now, let's create the background. As I showed you in the demonstration video, I'll be using the wet on wet technique. Here I'm creating the streaks. So this is streaks of the water that encircle this house. Here, as you can see, I'm not covering the entire section. I'll be creating the same kind of streaks that we practice in the demonstration video. All the streaks will be meeting at the center of the house. Here I used a little bit of grease, water so that it will be easily visible on the camera, but try to use clean water. Otherwise, you will get a little bit of muddier color if you are going to use a lighter shade of the color. For the reasons near the staircase and near the house, you'll have to it costs since we used watercolor. So if you add water on top of it, it will reactivate and that will lead to a little bit of smudging of the colors. Let's create a few more streaks or this section, and then we will go in with the red ink to feel it. Here too, I'll be trying to capitalize on the blooming effect of the ink. If you want, you can add a little bit of more water wherever you think it's required, but I think I am satisfied with it. Now, let's go in with the ink. To adding this randomly for the streaks of the water that I just created. And as you can see, it's spreading beautifully and creating some blooming effect. Mostly, I'll be adding it for the inner regions of this streak and I'll be leaving a little bit of the species for the insides of the streaks untouched. You'll have to be a bit cautious while adding it near the house. Here, as you can see, I'm encircling the upper section of the house with this reading. Here, I did not add the water. So this region is dry and I'm using the watercolor to do the outlining. And as I was mentioning that I'll be leaving a little bit of species untouched. So here I left a bit of space, the white space. Now let's do the lower sections. Here for the insides of the states or in between them, I'll be adding the red. I'll have to mit causes. You'll have to bit causes while adding it. I'll be coming back to it later on, but for now, let's add the red for the other water streaks that we have. I will spread on its own and will create some beautiful blooming effect. If you want to greate different kind of texture, you can sprinkle a little bit of table salt, and that will create some very beautiful texture and patterns. Let's add the red ink in here, carefully adding it near the states and filling in in between the different states. I decided to encircle this section of the roof with the red. Let's add a little bit of red for the upper section since it's a little bit vacant. Spread a little bit of ink here and there, wherever you think it's not that much, spread it out. For some of the regions, you can see its greatest beautiful blooming effect. Let's add a little bit more red ink to make it a bit more intense. Here for this section, it's not looking that great, so I decided to fill this entire region with the red. Doing the outlining for the house, you'll have to bit cuss. Ensure that your palm is not touching the paper, otherwise you will get smrging all over the paper. Now let's encircle some section of the house with a red ink. Go over the outline of the house and encircle it with this add more ink wherever you think it's required. I'll be adding this red particularly for some of the regions near the house to do a little bit of outlining. And I won't be covering the entire section that is I won't be doing the outline for the entire house with this ray. I'll be leaving some of the spaces completely white. Treat some of the ink here and there wherever you think that its intensity is low. You can use the ink that is on the paper or you can use the ink from the ink portal directly. Here I decided to add a little bit of ink to spread it a little bit more. The ink has dried up a little bit, and if you spread it now, you will get a different look. Try experimenting and see what atmosphere you are able to create for the background. Now let's carefully add this ray in between the stairs. You'll have to be causes. If you are not that confident, you can use them us pain we are done with this. Let's add the ds for the insides of the ventilation, the doors in the windows. I decided to add a little bit of red in here on the side of the staircase, so carefully adding it in between these white sections. Adding a little bit of more red near the stair. And, I think we are done with this background. Let's add the ds for the insides of the doors windows. Here I'm being extra causes, so as to avoid merging of the colors, the red with the blue. And we have got two more windows to feel this right, and then we will add to add the highlights and detailing. I'll be going in with the bras pin to do the outlining for most of the section of the house, and then I'll be using a little bit of white ink to add a bit of highlights and a little bit more outlining. Also, I'll be using the white to create the flattery fat to create the stars in the background. And we are done with the windows and the doors. If you want, you can add a little bit more red wherever you think it's required. Here I decided to spread the red a little bit to create a little bit of pinkish texture or hue for this region. If you want to create more pinks hue for some of the other regions, feel free to do that. Now, let's go in with the blue to do the remaining section that I did not add the blue, like the ventilation and the sections of the roof. So the side section of the roof. Ensure that the watercolor, the ocher color that we added is dried and then only add the blue, otherwise you will get a little bit of wet on wet technique happening in here that we don't want. Going over the outlines of the ventilation with the blue. And we are done with our house. Now, if you want, you can use the fine line to make the outlines a bit bolder, but it will be a bit challenging since we added the watercolor. So I'll be going in with the bras mean later on. For now, let's go in with the white ink to do this splattering effect to create the stars in the background. Here, I won't be creating that much star, but if you want, you can add more white in to do this splattering effect. And like the earlier project, you can create the interjecting stars, a bit larger ones. M. Here I'm plating a bit smaller starts, and let's add a little bit of outline or highlights for some of the sections of the house. Specifically, I'll be adding this white near the edges and the boundaries. I'll not be adding it for the entire section, but some of the sections to sew a clear distinction between different parts of the house. If you're satisfied with your painting, you don't have to add the whites or the black, but I decided, why not? Let's add a little bit of highlights and do a bit of outlining with the white since we'll be going in with the black letter end to do the final outlining and the detailing. So even if I make a mistake, I'll be covering it with a black. For the sides of this house, too, let's add a bit of white. Here I'm adding the broken white lines. Let's do it for the upper section in here, too. As you can see, I'm creating very small and fine lines and broken fine lines. This is optional. If you don't want, you don't have to do this. Add it a little bit for the sides of the dose to make it a bit more highlighted. If you want to create a bit of texture or pattern on the dose, you can do this with a white. If you want, you can add a little bit for the states too. For this side, I decided to add a little bit a clear distinction with the red background and the upper section of this roof. So I think I overdid a little bit in here, so I'll be covering, as I said earlier, that I'll be going with the bras pen. So let's wait it for it to dry and then I'll be going with the bras pen. Let's splatter a little bit of more white ink for the stars in the background. And we are almost done with this background. Going in with a brass paint to do the outlining to make it a bit more bolder and a bit more distinct. Are we covering most of the sections, specifically the upper and the lower sections. And yeah, let's do the outlining here, too. I'm using the broken lines to create this kind of texture. So going over all the important outlines with this plus pane to make it a bit more molder. If you don't want and if you are satisfied with how your project turned out, you don't have to add this. And as you can see, I am covering the excess of white that I added. I believe that I overdid the white a little bit. So I'm covering the excess of the white with this black. Let's do this extended portion of the roof. And for the staircase, too, I'll be adding a little bit of black. Let's make the sides of the door a little bit more pronounced. For the sides of the staircase, adding one line, a single line of the bras pan to make it a bit more detail and to sew a clear distinction in between the reds of the background and the browns of the staircase. And we are almost done with this plaque and the rest of the project. If you want to add it for other sections like the outlining of the doors and like the outlining of the rest of the windows and the ventilation, you can do that. But I am satisfied with how it turned out. And with these, we are done with this project. I hope you enjoyed this. I had a lot of fun painting this. Let's unmask our second painting of this section, and I'll see you in the next project, the final project of this section. Happy painting. M 9. The Night The Sky Turned Red: Welcome to the third and the final project of this section, the Night the Sky Turned Red. This is going to be another interesting one. Let's start by doing the sketching. The whole video is in real time, so you can always join along with me. This video is also divided into two sections. This is the first section. Here I'll be doing the pencil sketch outlining and some of the details for our final sections, we'll be adding the final details and finishing the project. The house will be the same the house that we created in our demonstration video. If you want to make changes, feel free to do that. Instead of this two story building or two story house, you can create totally different kind of house. Or you can even create a simple hut. And if you want to make it a bit more interesting, you can create a farmhouse. And the floating things that I'll be creating later on, you can create two or three cows that are getting sagged that are floating too. So that will be an interesting idea. Here we are done with the upper section of the house. Let's continue with the remaining section. In our demonstration, we knew I did not add colors for the valves, but in here, I'll be using the lighter sets of blue to do the coloring for that too. Also, you don't have to use the same color scheme that I'll be using feel free to make changes. For the bottom section in here, I'll be trying to create some kind of debris that is floating. I'll be trying to create small fences and few bots that are floating. If you want, you can add other things that are floating like small cars or vehicles or cycle Mcycle. So normal things that are around your house, you can even create a small post box. So that is floating. You are free to add any other kind of elements to make it a bit more interesting. Now let's create the windows on the other side. Here, this is just for an example, if you want, you can create another extended portion on this side and on top of that, you can add the window that will spicing up, but I'll be creating the same two windows I used that I created in the demonstration video. Now let's move on to the upper section four window, four smaller windows. And we'll be adding the final details to it later on. To electric bowls that I was mentioning about in the demonstration video. Here I'll be creating two wooden electric bowls. I'll be using the char color if you want. You can create metallic ones by using a lighter side of the gray. Now let's create the outline for the red light. Doing the outline for the UFO. Somewhat elliptical see for the UFO. Here I'm creating a less defined version of the UFO. If you want, you can create a bit more detailed and defined version of the UFO. If you want to create street lines, you can use the ruler. Now let's create small projections for the ghost. Instead of this small projection for the ghost. If you want, you can create bigger projections or you can also create smoke like ghosts that we did in our first project. And we are done with the basic pencil outline. Now let's go over it with a fine liner. Here I won't be using the bras pin. If you want to create a bit bolder outlines, you can go in with the bras pin. But I decided why not? Let's use only the fine liner. For the upper section, I'll be creating cross hatching. If you want, you can do that tiling or you can create siding using hatching line or you can also do the scallops. For now, let's continue with the remaining section, two or three lines to create a clear distance in between different parts of the house. So near the edges on near the outlines Moving on to the side for the extended portion of this window and for another extended portion on the ground floor, I'll be doing the same kind of cross etching that I'll be doing for the roof. Now let's do the remaining section of this large window. The window on top of this is quite large, so I'll be making it a bit smaller. As I suggested in all the other videos for the inside of the window, you can create silhouettes of the people or the ghost. In here, too, you can do the same thing. Let some ghosts are coming out from the windows. You can do the same thing for the UFO, for the upper section where I'll be creating the windows. You can create the silhouettes of the two aliens. You can create the silhouttes of the aliens that are flying the UFO. Now for the remaining section of the house, the ground floor, as I showed you in the demonstration video, smaller section, the ground floor is a bit smaller. Here I'll be creating the same kind of texture or design that we did in a demonstration video, a bit of triangular seeps. If you want, you can create totally different design to it, or if you don't want, you don't have to even do anything. Little bit of extended portion for the support of the upper part of the building and two windows in here. I won't be doing the sketch that I did earlier. If you want, you can proceed with that, but I'll be creating the same windows that I did in a demonstration video. Now let's do the front section. We have got a door, a small window, and here for the second window, I made a little bit of mistake. The side is a bit smaller. Now, let to the remaining section of the house, the base and small section of the stair that is visible or that is still intact to the house. Now some debris flying here and there, part of the house. I won't be creating any detailed or defined debris that is in the ground, but some small kind of lines to just depict that something is present in the ground that was attached to the house. Plumbing and pipes and electrical wires. You can create some plants too. This random shapes and a bit of tiling here and there to create a little bit of a little bit of dark regions. Now, let's do the windows. Four small windows in here, the same kind of window that we did in the lower section, the ground floor. We have got one more window in here. Same kind of window. Do the outlining for the electric post that we have in here. For the street and uniform line, use the rulers. Here, I'm creating a little bit of sicky lines for the electric pole. Here I have just created a single electric pole. I'll be adding one more on the right side. For now, let's add a little bit of detailing for the upper section of the electric pole. A very simplified version of the electric poles. Now let's create another one on the side. So these two are floating a little bit, so this is a bit horizontal. Let's do the detailing for a if you want, you can create few more, not few more, but one more on the left side. Let's connect the two electric posts with the wires, extending the wires on both sides. And now let's extend the wire on the right side. Most of the wire on both sides will be completely covered with the blacks. If you want, you can use a little bit of white. Now moving to the house, creating small pots that are floating. Small tiny shapes like this. And now creating this kind of seed to represent the entire plant, small plants. We have got a chimney in here. Add a few more elements here and there. Add more elements here than there. I'm creating this kind of Oden planks. The portion of the fence that is floating around. It's not floating, it's getting sacked by the UFO. If you want you can add more element, feel free to do that and Let's at a few more here and there. Don't overcomplicate it. Try to keep it bit simple. I think we are done with this. As for the coloring for this lower section, I'll be using combinations of ochre and a little bit of brown. Now, let's do the detailing for the windows. Sorry for the fluctuations of the light. We'll have two panels window. If you want, you can create four or six panels, or you can just leave it as it is. Simple windows. For the insides of the windows, I'll be completely filling it with the red. Moving on to the windows on the ground floor, a bit larger one, same kind of window that we created for the upper section, dividing into two different panels. And here, we are done with the windows. I'll be moving back to the door later on, but for now, let's do the outlining for the upper section. Let's do the outlining for the UFO. Here I created a very simplified was on the UFO. Instead of this field key to experiment or create a different kind of UFO creating semi elliptical saves for the lower section. Another concentric elliptical save that encircles the entire section, the top of the UFO. It let's create the viewing area for the UFO. The main thing, the antennas for the UFO. And, we are done with a very basic and simple seat for the UFO. Let's do the outlining for the red wing. This is the area in which I'll be completely covering it with a red color with a red ink. Finally, doing the outlining for our ghost. For the upper section, we have got small ghost and as we move, we have got a bit larger ghost. I am not creating that many ghosts in here. If you want, you can increase the numbers of the ghost. Here we have a very simplified version of the ghost. Instead of this, you can make it a bit more defined one, so you can add the hands for the ghost or you can also add more details to it. In our demonstration video, I created the ghost using the white ink on top of the red ink. But here, I'll be just leaving the white section of the paper. But here, I'll be leaving the white section of the paper and using the white to create the ghost. I'll only be creating two small circles to represent the eyes for the ghost. Erase the pencil marks and then we will proceed on to add a little bit more details to it. Lightly erasing all the pencil marks. Now, let's do the coloring. Here I'm starting with the sads of the grey for the UFO using this darker side of the grey to create this kind of pattern surrounding the lower section of the UFO. If you want, you can create totally different kind of the pattern. Now I'm going with a bit lighter side of the grey and completely feeling this entire section. Instead of this, you can use the watercolor to create the same thing. You'll have to dilute the watercolor to get a bit lighter consistency and for the darker one, a bit concentrated watercolor. For the remaining section of the video, I'll be adding the colours to the house and a little bit more detailing to the UFO. In the next part of this video, we'll be creating the background, the red beam of light and the black as well as the small debris that is floating around the house. Let's do the coloring for our house. Here I'm using the blue, blue watercolor. If you want, you can use the breast pan or you don't have to even use the blue color, you are free to use any other color of your choice. I won't be creating gradient in here, but if you want, you can use a bit darker tone of the gray to create a bit of gradient. The upper section will be a bit darker and the lower section will be a bit lighter. Adding the blue for this extended portion in here. Same color scheme that we used in the demonstration video. The entire boundaries, the outlining of the windows and the doors too, I'll be completely covering it with this blue. In our demonstration video, I did not add any color for the walls, but here as I was mentioning, but here I'll be using this lighter sad of the blue to fill the entire walls. I just diluted the blue a little bit and added a little bit of white to it to get this side of the blue carefully circling the windows and near the edges of the roof. Let's fill the entire section of the room with this color. If you want, you can create a bit of texture and pattern to the valves. Also, you can create a little bit of gradient and the seeding. So if you want, you can do that, but I won't be doing this. I'll be keeping this project simple since it's a bit longer as compared to the other. So I decided not to do that. But if you want, feel free to do that. Adding it carefully for this extended portion. Now let's move back to the remaining section of the upper part of the wall. Carefully in circling the remaining windows with it, and then we will move on to the ground floor. Also, instead of this color, you can use a darker tone of the blue, mixing a little bit more blue for the ground floor. Carefully adding this for the triangular section in here. It's loving like this, but when it dries up, it will lose some of its intensity and will become a bit and will become a bit lighter in color. Now let's do the remaining section, this side. Carefully filling in between the two windows. And here we are done with this. For the extended portion on the side, I'll be going with the blue. Now going back once again with a darker blue to do the remaining section. The outlining the extended roofs and the remaining section with this blue. Before proceeding with this, you will have to wait for the lighter shade of the blue that we use. When it dries, then only use this. Other white, you will get a white on white technique like effect. This blue will get a little bit merged with a lighter blue, and we don't want that. Ding over the outlines of the edges and the corners. And I'll only be using the blues for the house, and then I won't be using it. Now let's do the triangular design on the sides. Let's do the windows and the doors with the blue. Since the outlines are tiny, you'll have to be causes as we don't want the blues for the insides of the windows. For more precision and accuracy, you can use the breastpin in here that will ensure that you will get crisp windows and the doors. Now, let's do the remaining section. We have got six windows. Instead of intact house, you can also create a bit of broken house or some section of the house is also floating. The upper section or the roof is completely missing or that is floating around the house. We have got only two windows in here and a door. Now, let's completely fill the entire section of the door with it. With these we are done with this part of the video. I'll see you in the next part where we'll be completing this project, the background and the remaining thing. 10. The Night The Sky Turned Red Background : Et's continue where we left off. I'm going in with the red for this lower section of the UFO. So for all those projections, I'll be completely filling it with the red. For the upper section two, I'll be going in with the red, the antenna to, the circular part of the antenna and add the small tiny red dots for the upper section. Let's create the red beam. This is going to take a little bit of time and you'll have to bit causes while surrounding you'll have to bit causes while surrounding the tiny goes in here. For this video, I will speeded up some of the section that will take a lot of time. So if you want to join or follow along with me, you can just pause the video or you can decrease the player's speed. It will take around four to 5 minutes to completely fill the entire region. If you want to make this process a bit faster, you can fill the entire region and then use the white ink to create the silvette of the ghost. Because of the presence of the ghost, that's why it's taking a bit more time. One more way in which you can make this process a bit faster is that you can use the brain breast pain to do the outlining of the ghost and then going with the ink to fill the entire region so that you will get crisp outlines for the ghost. And then you don't have to be that much causes around the ghost. Here I will increase thep since it's going to take a lot of time. If you want to follow along with me, you can pause the video or you can reduce the player's speed. Yeah, let's continue with the remaining section, outlining the ghost and being careful around the electric poles. For the entire background, I'll be using black, completely filling it with the black. I'll be using the uniform consistency of the black. Instead of this black, if you want, you can create a bit of gradient or you can create a bit of mixture of both red and black for the background. We're almost done with a half section of this red electric beam. Now carefully inserting the electric fold. As you can see here, I have decreased the speed to the normal. Now, let's speed things up once again. Also for this red beam of light, you can create the same kind of pattern that we created for our last project. So for that, you'll have to use the wet and wet technique, and then you can create those kind of red and pink streets. Now, let's carefully encircling the house and the remaining floating objects. For the smaller portion, you'll have to a bit more causes. Now, let's encircle this fence. And we are almost done with this red light, and then we will move on to the remaining section, the background, the rest of the foreground of the house and the detailing for our electric poles and tiny dots or black eyes for the ghosts. Adding a little bit more red in between the fence. We have a little bit more space to fill this red in, and then we will move on to the other section. Here I have decreased the speed to the normal. Of this foreground. If you don't want to create this, you can completely fill the entire section with the red. Now, let's do the windows. So completely filling the insides of the windows with the red. Also, as I mentioned earlier, you can create the silhouettes of the ghost or the people in insides. Four windows in here, then two windows on the ground floor and a smaller window. Moving on to the windows on the ground floor. And we have got only a single window left. Now let's add a little bit of red here and there to sew a little bit of reflection that is casted by the red light on the ground. We'll be blending it with a little bit of ocher and brown. For now, we are done with the red. Let's do the main background. Here I'll be using wet and wet technique, but here I won't be creating any gradient or any kind of pattern. I'll be using watercolor ink to get a bit of uniform consistency for the entire background and using this wet and wet technique, the ink will spread bit faster and I don't have to use a lot of ink. As you can see how intense this ink is as compared to the ink that we used as compared to the watercolor that we used for our earlier project. Let's do the remaining section with this, and it's spreading quite beautifully. If we would have used this for the last house in the galaxy, then we would not be able to get the kind of spiral pattern or texture that we had and layering with this flaking is not that possible. Since no matter how dilute we make it, it will be intense and since this waterproof, we won't be able to reactivate it and the layering with this will be quite impossible. H you'll have to bit causes while encircling the upper section on the rest of the UFO. Here, once again, I have increased they speed. Since this two is going to take a lot of time, let's feel the entire region with it. As I mentioned earlier, the wires that we created will be completely covered by this black. If you want to create a bit of detailed wire, you can use a little bit of white to go over the outlines later on. For now, let's do the remaining section. Here, once again, I have decreased the speed. Let's do the remaining section with this. Instead of this small brush, you can use a bit larger one that will also make the process a bit more faster. Carefully going over the outline of this red beam and then let's fill the rest of the remaining section. Moving onto the other side, do the wet on wet technique in completely filling this entire section with the black, completely filling this entire section with this water and then we will add the ink. A bit causes near the electric pole. Now let's fill the remaining section with this ink. Also for the background, I'll be using this plattern technique to create the stars in the background. Let's spread this ink and cover the rest of the section of the side. Here, once again, I've increased the speed. You can pause the video or you can just decrease the speed to follow along with me. Now only a small portion is left. Let's fill this remaining section and we are done with this. Adding a little bit of black in here and also I'm surrounding and overlaying it on top of the red. I'm not going to create detailed or defined debris in here, but if you want, you can see it a bit more detailed one. Let's add a little bit more black in here. I'm leaving a little bit of a space in between the strokes. If you want you can completely cover it with the black but I'll be going in with char to add a bit more depth and details to it. Don't cover the entire ds, et a little bit of it remain. We are almost done with the black. A adding a little bit more black for the bottom section. And for the fence in here too, let's do it with black. Here the intensity of the black has decreased a little bit. Now, using a little bit of grease color of black to do the pots in here and the plants too. If you want, you can use a bit of mutate tone of the green to do the plants, but I decided why not let's use this lighter side of the black somewhat of grease color to do the outlining and coloring for our floating plotted plants. I forgot to add the coloring for the chimney. I'll be doing that later on. Let's do the remaining section of the UFO. Fill this entire region with the white. Here I'll be leaving a little bit of white to create a distinction between the different layers of the UFO. Carefully inserting these red parts. And here, once again, I have increased the speed. We have a lot to do for this project. I'll have to color the upper section of the UFO, then we have the electric post detailing for the ghost and the debris. We are done with this section. Now, let's move on to the upper section, creating outline with this, dividing the viewing section of this UFO into four parts, and let's feel the remaining section with the slighted tone of the pla. As you can see for the upper section two, I left a little bit of space, a white of the paper. Now let's do the outlining in here. If you want, you can create a bit of pattern or designs in here or you can do a little bit of sading. The regions on the other side should be a bit darker if you want to do that, you can do that. Now for the section near the edges, I'm creating this triangular sades minute and small details here and here, random details. I think we are done with the UFO if you want, you can add a little bit more details to it, but I'm satisfied with how it turned out. For the lower section in here, since I used a bit more water, you can see the left side is bit lighter in sin. I'll be going back with the black once again to make it a bit more bolder and more darker. For this genta as you can see it become a bit lighter. I'm adding a bit concentrated black in here. We have got seeds of blacks and a bit of grease. Et's create a bit of random seeps here and there with this black. You can add as many as random seeps as you want. Just don't overcomplicate it. For this region on the side of this extended person, adding a little bit of this black. Now let's move on to the remaining section. As I was mentioning, this section has become a bit lighter in seeds, using the blacking to cover this area with the black. Using this blackening to cover this area for this region too. Since I use a lot of water, that's why it's become like this. Don't oversaturate the paper with the water. If you have added more, you use tissue paper or the dry brush to remove it. So now I'll be adding the black wherever the intensity is a bit less. And then I'll proceed on to add the stars for the background and the coloring for the electric poles and some of the fences. Now here I'm going with the fine line to add the eyes for our goes. So small dots, small black dots for the eyes. We have got a total of 20 or 25 ghosts in here, let me know how many ghosts you have created. I counted it and it's a total of 19 ghosts in here. Let's add the eyes for the last ghost. We are done with our simple white ghost. Let's do the remaining section. Here I'm going with the ocher to add the color for the electric poles. If you want, as I mentioned earlier, you can use the gray to create a bit of metallic coloring for the electric poles. Carefully adding it. We don't want this ocher to be on top of the black background. Adding the color for the second electric pole. Adding the color for the remaining section. By remaining section, I mean the floating fence that we have got in here and the remaining part of the ground. For the foreground, I'll be entirely covering it with the ocher. I'll also be adding a little bit of this ocher for the staircase. Completely fill this entire section with this ocher. You don't have to be that much causes. Adding this ocher for the staircase, and we are done with the ocher. Now let's create the stars for our background. So using splattering, here I'm using the whiting, and let's splatter it to create the stars. The closer you platter near the paper, the smaller stars we look, and the farther apart you splatter, the larger the larger dots or splatters you will get. So here, I'm trying to create a bit smaller splatter or smaller stars. That's why I'm tapping it a bit closer to the paper. Let's add a little bit of more stars. I'm not satisfied with it. So going back once again with this whiting to do this plattering to create the stars for the background. And as I mentioned earlier, if you don't have this whiting, you can use the concentrated white watercolor or you can use the acrylic. Also, if you want, you can create the intersecting lines to create a bit bolder and larger stars like we did in our first project of this section. Now let's add the final detailing. So here I'm going with a fine liner to create the pattern, the cross hatching for the upper section of the roof. Let's do the same for this extended portion. And for this extended portion in here on top of the door, and I'll be doing the same for the other extended portion on top of the window. Before doing that, let's do our doors. I would like pattern, simple straight lines. Here, as you can see, I'm creating a little bit of broken lines for the door. Let's create the horizontal lines to do the cross hatching in here. Moving on to the extended portion doing the same. And finally, moving on to the two small extended portion in here. And we are done with this project. If you want, you can make. If you want, you can add more details or make finer adjustment, but I am satisfied how it turned out. I forgot to add the cross searching for the extended portion, which I did later on. And I hope you enjoyed this project, too. It was fun to paint, and I'll see you in the next section with three more amazing and haunting strange houses. Happy painting. 11. Class Conclusion : You so much for joining me in this class. I hope you had lots of fun painting this airy and imaginative illustrations. Together, we created the Night the Sky Turned Red. Then we have this Drifting Dream House, which is my favorite. And this one, the Last House in the Universe. I hope this project encouraged you to experiment with watercolor and ink, practice your technique, and add your own creative touches to each illustration. Feel free to continue exploring different color combinations, background, and surreal elements to create even more unique artwork inspired by these projects. If you have completed your project, please upload them to the project gallery. I would love to see your artwork and your unique interpretation of the scenes. And if you have any questions, feel free to ask them in the discussion sections. If you enjoyed this class, you can also enjoy some of my other related classes. You can check out the dark forest and haunted homes where we created atmospheric monochom haunted landscape using ink and watercolor. You can also explore haunted walking houses, where we transform ordinary houses into strange working creatures and fantasy structure. I'm also working on more classes featuring mysterious houses, dark, fantasy themes, and surreal landscapes. So be sure to follow me here on skill set to stay updated. Thank you once again for joining me. I hope to see you in another class very soon. Until then, keep creating, keep experimenting and most importantly, have fun with your art.