From Idea to Finish! Advanced Photo Manipulation - Advertising Design - Adobe Photoshop

1. 0 Intro: Alright, this is a full Lynn's class of advanced photo manipulation. After finishing this class, you will learn how to create this advertising visual by yourself step-by-step, starting from the idea itself, discussing the references I used to create this visual and then creating the main composition. Next, we will learn how to match the color of each element and how to draw a light and shadow precisely. The next step we will learn how to spice everything up by the glow effects and reflection. And finally, we will go to the topography part and then we will finalize everything by the final color grading. I'm so excited to start with you guys. So let the fun begin. 2. 1 Idea & Reference: All right guys, let's jump straight into Photoshop. But first you will find all the stock images used in the description. And I encourage you to follow up with me step-by-step so that you get the best use of this tutorial. Let's go. So let's start creating these amazing visual. Firstly, I wanted to start with illustrating or explaining the idea behind this visual. I wanted to create a visual to represent that these beautiful M4 car is powerful and can stick to the root in high-speed. So my initial idea was that I wanted to create an exaggeration of the idea by creating a visual like this. So I wanted to the root to be like vertical. And despite of this very hard circumstances, the core will handle it efficiently. So this was the main idea, but I didn't like how it look visually. So I started to think how can we demonstrate this idea, but with lists severity. So I thought that we can make it a little bit tilted like this. And here is the final idea. So that was the initial idea and the mood of the design. I wanted to use these reference in the color and moods. I love this beautiful contrast. T teal and orange look the teal color in the shadows and the highlights, the orange color. Here's another example, and here's another one. So this was my inspiration for creating the colors of the visuals without wasting any more time, let's dig into business. 3. 2 Getting everythingin place: Firstly, I'll create a new file by pressing File New. And let's create 1920 by 1080 be kansas and press Create. Alright, here are the old images as I will use in this visual. You can download them from the description and I will start with the root image. It's drag it and put it into the Photoshop here and to our project file. And now let's use the selection tool to just cut the root port. Let's select it and then press Control J. Now let's erase the original one. Okay, Now let's distort the road a little bit because I want it to look. It's deeper than what it looks now. So I will right-click and press distort, and press Alt and Shift and just drag this point. This will flatten the route more like so. Very cool. Now let's make it a lot bigger. Let's stretch it to rotate it to make an angle. Like so, make it bigger. Very good. Next we will put the buildings into the background. So let's drag this image and open it into a new project. Because I wanted to select the buildings and still keep these parts selected. So I will use the channels, which I think is the best way to cut it from the background. We will go to the channels and then we will toggle between the channels to see which channel has a better contrast with the background. So here I guess the red channel has the best contrast. The buildings are more dark and the background can be easily turn it into white. But the blue one, as you can see, it, has not such contrast to the green one also, maybe, but the red one has the best contrast. So I'm going to duplicate this channel by pressing, right-click into the channel and then duplicate channel and then press Okay, and let's hide this one. It's hide the original one and let's work into the copy one. Alright, so I will try to make the best contrast in this channel. I will do this by the levels. So I will just press Control L and then try to make the best contrast between the background and the buildings. So here what we're, what we're trying to do is to make the background, why totally white and the buildings totally black. So I'm just playing with the level of the sliders until I guess I get the best separation or contrast of the building to the background. And you don't want also to lose details in this part. So I think we will move this slider and then press Okay, now let's start trying to separate this part. We will do this by any brush. I prefer this square brush, and let's start to paint with white in this sections. We will also use the overlay blending mode of the brush from here. And let's choose overlay. And let's try to paint too. I used overlay mode because it will just push the grays into blacks or whites depending on how far it is to the near color. So if it is gray color near to Wyatt, then it will turn it into white by painting with white. Of course, if it is gray near to black, then it will just leave it as is. So I will just try to separate this section. Now we can paint into these clouds and we will also do the same but with a black color like that here, these sections also, and here, very cool. These sections walls. This is the most important part. The intersection between the sky and the buildings. Very cool. Now let's change the blending mode of the brush into normal. And let's paint in this section with white. And we will do the same thing, but with black into the building section. I know this is kinda tricky, but is there results with pay it off? This is the best way you can use to select such things without losing any details. I will just paint here. That's why I prefer this square brush because I can paint into buildings easily, as you can see here. And if you wander from, where did I got this square brush? You can find the brushes like this in brush easy.com. Alright, I will speed up this process of this section. I will just paint. Was black legs is so I will speed up this part and get back to you. Alright, Very cool. Now we have the Belding's selected. So let's press Control and press into the channel. And now we have the buildings selected. So let's just get rid of this channel. We don't need it anymore. And let's go to the Layers panel and press into the mask icon to extract it and press Control I to invert the mask. Very cool, as you can see here is the selection is very detailed. Maybe we can get some parts here back by just drawing into this section. So let's convert this layer into a smart object because we don't want to lose details and quality. And let's drag it and put it into our main project. Alright, so let's now we'll rotate the buildings a little bit to be at the same rotation of the root, like so. The reason why I chose this image of buildings because I want to make some depth into our visual. So I choose near buildings and I will then choose another image, this image for the, for building this image. So I will just drag this image and put it into our project and put it into the background. Let's rotate it a little bit to be at the same rotation. And then let's put it down. And let's try to choose a good place. I think we can blend the two images into this building at the right. So it's just move this a little bit. And I think that's good. This is a very good intersection between the two buildings. Maybe we can make it a little bit bigger, like so. And now we're good to go after correcting the light and the colors they will match together without any more effort. Alright, let's move it down a little bit. Control and let's move it down a little bit. Let's put a t. Very cool. Now let's drag our main son here. I loved this sunset sun. So let's drag it and put it right here. Rotate it, make the sun bigger because it's a main focal point of our design. Like so. I loved this scene of the sunset. So that's why I've chosen it. Like, so I want to the horizon line over the sun section to be like it's perpendicular to the root variable. Then let's create a mask and lead with the soft rounded brush, I will just erase the bottom parts. Like so. Very cool. I wanted the intersection between the buildings and the Son to be like this. This is very cool. Okay? And let's now change these clouds part because I don't like it. The highlights are extreme and it doesn't look right for me. So I decided to change it with this sky. I loved how the horizon line looks, and it's also a sunset scene. So let's put it right here. Now let's make it a little bit smaller, and we're good to go. Let's put it right here, and let's put it behind everything with the mask. We will erase this part very good. Softly and gently. 4. 3 Car retouching, selection and Shadow: Now it's time to work on the core image. Let's open it into a new project. Now, before putting the core into the main visual, it needs some work. We need to get rid of all these harsh reflections in the main image, as you can see here is the sun is behind our core. So it doesn't make sense that the car has all these harsh reflections. So we will get rid of these reflections by the clone stamp tool. I will just choose software in the trash and let's pick a source from this sharp line. And I will just paint over these harsh elections like so. But be careful because we don't want to distract it. And let's pick source from here. And let's draw like this. Also this harsh reflections. The same way because source and paint into this intersection. Very cool. Maybe this part also pay attention to details because it will pay off at the end. Maybe this part also. Very cool. Now it's time to get rid of the reflections of the glass. I will do this by a different way. I will just select it by the Pen tool. Like so. After selecting it with the pen tool, right-click, make selection, press. Okay, and then let's duplicate this sport by pressing Control J. And now we have this section into a new layer. And now let's press Control and press into our layer. And let's go to the filter and blur and Gaussian blur. By this way, we will bluer these parts and the sharp reflections will not be shown. And of course it will not be like this. We will darken this section by pressing Control M to create curves because we want the car to have dark glass. And that's looking very cool. Now let's make this a little bit bigger. I think because there is a sharp edge here. Very good. Always do the same thing into the other. Glass was the same way by the Pen tool. Let's speed up this process of this section. Alright, now the car is ready to be selected and to be put into their main visual. So I will select the core by the Pen tool. I will speed up this process assuming that you know everything about the Pen tool. Of course, because this is an advanced class. So here I'm just selecting the color from the background. Nothing else. Very cool. Now with the chorus selected. So let's press right-click and make selection and press Okay, and then let's create a mask. And now we have the color selected. Now after selecting the core, we want to extract the shadow of the main image before getting back into the main project. So I will just duplicate this image. Let's create a solid color first to see everything. Let's put it into the bottom and then let's duplicate this layer pressing Control J. And now let's get rid of this mask. Okay, what do we need now is to extract this shadow to use it into our main visual, because this is the most precise shadow you can get. So I'll do this by desaturating the main image by pressing Control U. And let's change the blending mode of the layer into multiply to only preserve the, the dark pixels. And then we will do the same technique we did into selecting with the channels, press Control L to use the levels. Like so, because I want to extract the only the shadow. So I will just play with the sliders until getting only the shadow and there's still some traces here and there. So I will get rid of these black dots by a brush with overlay mode. Let's change the blending mode of the brush and to overlay. And let's paint here and there. Very cool. With overlay mode, you will just get these dark small dots, like so. Very good. And here also, now it's time to use a black to preserve the blacks. This part here also. And here. Very good, Very good. Now let's create a mask and let's just select this part of the shadow. That's all what we need from this way. Okay, Let's press Control, Shift I to invert the mask. And now let's press Control Backspace. Now we have the shadow in a separate layer and the core into a separate layer and it's ready to be used in to our main visual. So firstly, we'll put everything related to the core into a smart object, select them and right-click Convert to Smart Object. And the shadow. Let's convert it into a smart object. Right-click Convert to Smart Object and it still has a multiply mode. Very good. Now let's put them into a group, press Control G, and let's name it color. We want to be organized here. Now let's drag all these group and put it into our main project. Very cool. Pour it into the top and press Control T. And let's just rotate the core to match the same direction of the root. Very cool. Now we have everything in possession. So what we're going to do next is to correct the colors and then add the glows and everything you like. But firstly, I think we need to create some motion blur into the core and into the root because it bothers me how it is, how the road is pixelated. So let's start by creating a motion blur into the root. So I will just right-click into the road and convert it into smart object and then get to the filters bluer and motion blur. Now, we want to choose a specific angle that will be the same angle of the root. So here, let's try to match the same angle of the root with the same angle of this motion blur like so. I think number between 23, I think maybe 23. Yeah, That's very cool. Now let's press Okay. And now let's go to the wheel or the tire of the car. It needs to have something called Spin Blur. We will do this by pressing into the car layer and go to Filter Blur Gallery. And let's go to the Spin Blur. This Spin Blur, we'll just give it an motion effect will give the wheels in motion effect. So I will make it smaller to only affect the tire. And let's make sure that the pinpoint into the center of the tire and Very cool. Now as you can see here, it's, the tires looks like the car is moving fast. So it gives us this motion effect. Now let's put it another one here to the front-wheel, and I will just keep the velocity as it is. Now. Let's make it smaller like this. Drag and drop until you reach the full tire. Very cool. Now let's press Okay. And as you can see here, it gives the core motion. 5. 4 Color Matching: Now it's time to correct the colors. We will start by the reference. Having a look at the reference, as you can see here, I want to put the teal color or the cyan ish, greenish color into the darks like so, and the orange tones into the highlights. So I will start with the foreground buildings, this one, and let's create a new group. Goals. We want to be organized here before everything has gone messy. So I will just create a group and name it building, and I will correct the colors by selective color. This is a very good adjustment layer to correct colors precisely. So let's analyze what we can see here. The buildings colors have a lot of Fred, a lot of magenta, and some blues tunes. So we want to change these colors into a more cyan colors. So firstly, I will create a clipping mask by pressing Alt and press between the two layers. And Let's just choose this section to be our main reference for correcting the colors. So here we want this section to be the same colors as these buildings. So let's start with going to the magentas and let's try to match the colors. I will just add science like so, and decrease the magenta, which will increase the greens, and maybe we will decrease sales. What I like into this selective color that it has this darkening slider, so I can make a specific color darker or lighter. Now let's go to the neutrals. Changing the neutrals here will change the mid tones, as you can see here. So I will just add some cyan, like so I'm trying here to match these two layers. I think maybe we can also decrease the lightness like so now we are closer to the building. Maybe we can decrease this and maybe add a little bit of magenta plus to be careful in using selective color, but because it can be tricky and it needs a lot of eyeballing. So be careful in matching colors. Very cool. Now let's see. I think we have a good job here, but the main image has a lot of blue tones. As you can see here, we did a good job, but we still have a lot of blue tones. I think. So let's go back into the Zoom mood and let's go to the blacks. Maybe add a little bit of cyan. So until the blacks, as you can see here, we are targeting only the blacks, the dark sections, we'll add cyan, maybe a little bit of magenta, maybe a blas one, and little bit of yellow. Very cool. Now let's go get back. We are closer, but we still have this blue tones. So we will get rid of these tunes or we will neutralize it by also the selective color. So I will just press into the blues and let's neutralize it by decreasing the blues and increasing the yellows. Here. As you can see here, when I increase the yellows, I will add the same time decrease the blues. Like so. Let's zoom in a little bit. Let's decrease The Blues. Very cool. Now we can also add some cyan ish tone, and we can also add some green. Here, as you can see here, when we decrease the magenta, we will increase the green. Very nice. I think. Now it's good. I think we're in a good point right here. Alright, now it's time to correct the sky colors, the sun and the clouds part. So let's create a new group. And let's name it sky. And let's put everything inside this group. Very cool. Now, let's choose a selective color from here. And let's go to the neutrals and let's increase the science into this clouds part here. And maybe we can decrease the magentas. And maybe we can add a little bit of yellow, like so. Very cool. Maybe we can make it a little bit darker from here. That's what I like in the selective color because it has this darkening or frightening slider. Okay, We need to create a clipping mask because it affected everything else. So I will press Alt and press between the two layers. And now it's time to create the same thing, correct? The colors of this sun part, I'll create a selective color and let's choose the neutrals and add some science and some greens. Maybe. Needs a lot of eyeballing actually, because you need to match colors carefully here. Very cool. Maybe decrease it. No, I think we will increase ALS. Yeah, maybe plus one. Very good. But I think here we need to erase. I don't like how this part looks, so let's erase it. Some parts from here. Very good. Now it's time to correct the colors of the four building. Let's create a new group and put it inside. Let's name it building number one. And let's, this time we will use color balance. Create a clipping mask and the mid tones. I will try to add some cyan, add some yellows. Let's zoom in a little bit. Here is the before and after. Okay. Maybe in the shadows also will add some cyan. I was a little bit of yellow and we are good to go. I think Here's before and here's after everything is match it in a better way. Now it's time to work on the car and the road part. So I will just select this road part and let's put it into a group and let's darken it a little bit by curves layer. So because it looks very bright, so I will darken the highlights like this, create a clipping mask. Very cool. Very cool. Now let's correct the colors by the color balance. Add some science, adds a little bit of magenta, maybe some blue and the shadows, we will add also some seance. Be careful using color balance because you can easily over saturate what you are correcting. So I think we are in a good point here. Maybe we need to darken some parts into the road. So I will do this by curves and other curves layer from Adjustment, Curves darken everything. I will darken this right part of the root because it's, it looks very bright like so maybe here also. Very cool. Now it's time to work into the core itself. So when you look at the car and the first time, you will notice that it needs to be darkened because it is very light and the colors needs to be a little bit shifted into orange to match our color palette, which is orange and teal. So we will start firstly by creating a hue saturation layer. And let's make a clipping mask. We will do this by pressing into this finger button and choose these yellows. And let's shift the colors into more saturated orange color. And let's make it darker. Like so. Very cool. Now it's time to dark in this section because it will not have so much light the sun is behind it. So this section needs to be darkened. This needs to be dark. We will do this by creating a Curves Adjustment Layer. And let's darken it a little bit, make it a little bit contrasty, like so. And I think there's good. And let's create a clipping mask. Press Control I to invert the mask and with the soft rounded brush, I will just paint like this. Simple as that. Very cool. Maybe you can erase the sports because it should be a little bit bright because of the sun color or the sunlight. And we're good to go. Now it's time to work on the shadows because they shadow here looks very dark and black. So it needs to have slight teal color by pressing Control U and just person to colorize. And let's increase the saturation and let's make it a little bit bright, like so. And let's choose this teal color. Maybe it can be more saturated. And now we're good to go. Let's see before and after. Here is before and after. As you can see here, it has some teal color into it. Very good. 6. 5 Adding Atmospheric perspective: Now it's time to add atmosphere effect. This will give our visual more depth because the farther you go, the more atmosphere effect it will be. This is called atmospheric perspective. I will do this by dragging this foggy layer overlay and let's make it bigger. And let's change the blending mode to screen. And let's put it here to see the colors. Now let's press Control U to change its color. Press colorize, and let's choose this teal color. Maybe a little bit saturated. And press Okay, change the saturation, change color, and then press Okay, Very good. Now let's put it behind the front buildings and let's make it bigger like so. Then press, Okay, very cool. Needs to be rotated. Press Control T, and then let's rotate it like this. Very cool. I think like so. And maybe we can decrease the opacity. And let's choose a good place for it to be pot, Very good. Now let's duplicate this layer and put it into this part. Here. Press Alt and drag this layer and put it above everything here. And let's make it a little bit bigger like this. And maybe we can increase the opacity. Like so. Very cool. Maybe we can erase some parts were using the mask and the brush. So very good. I want to if the effect to be like subtle. Now we can do this the same atmospheric effect by solid color and choose this teal color. Press Okay, and change the blending mode to screen. And it's decrease the opacity like so. And press Control I to invert the mask. And now let's add some atmospheric effect here by any fog brush, you can find a lot of fog brushes into brush, easy, I guess. So let's just draw some hazing effect behind the car to separate the core from the background. Make it, let's make it bigger. And very good. I think we need to decrease the saturation of this color. And then press Okay, here is before and after. Now it's time to create the glow effect. We will do this by creating a solid color adjustment layer. And let's choose an orange saturated color and then press Okay, and change the blending mode to screen press Control I to invert the mask and was a fog brush. We can draw like this. Maybe we can increase the hue or change the hue to be more saturated, reddish, orange color. And let's paint with this brush into these orange lights. This creates this glow effect around the light source you can see and it looks artistic and very cold. We can draw it here and there. Try to keep it subtle. I'm now here exact grading into the effect because I want it to appear into your screens. But try when you are trying to get your own, try to be subtle. Here and there. Very cool. 7. 6 Adding Lights and Glows: Now I think the car needs some highlights that is coming from the sun, of course. So let's go to the color layer analysts from the adjustment to its create a curves adjustment layer. And let's make it brighter. So very cool. And we can also add some color. Let's create a clipping mask first. We can also add some color with shifting the channels, I will just increase the red and decrease the magenta, which will increase the green. And maybe we can add some blues like so. Here we are creating highlights with some tone, yellowish, orangey tune into it. And then let's press Control I to invert the mask. And then let's draw with a soft rounded Prakash. I will draw the light effect. Maybe you can change the size of the brush like this. And let's draw some lights. I think it's very bright, so we'll decrease the opacity later. But now let's care about just drawing some highlights here. Like so. Very good. Now let's get back to our channel That's decrease. The intensity of the light was very bright. And I guess it's kinda cool. Maybe we can decrease the ILO's a little bit. And now it's better. Here's before and here's after. Maybe we can erase some of these slides, the software and blood pressure. So now we're good to go. Okay, now let's add some artistic effects. By using this long shutter image. I will put it into the Photoshop and let's rotate it and let's distorted to make the lines a little bit straight, like this. And let's change the blending mode into screen and put it behind the car. And put it right here. Very cool. But firstly, let's erase this moon part, a regular mask. Let's put it here. Very cool. Rotate it a little bit to match in the same direction of the root. Very cool. Now let's erase this bottom parts here, and let's change its color into teal color. Press Control U and press colorize, choose this teal color and maybe increase the saturation. Maybe this color and then press Okay. Then let's lower the intensity by pressing Control L to bring levels. And let's play a little bit to the sliders to lower the intensity of this layer. So then press Okay, maybe we can decrease the opacity to let's say 84. And that's good. Let's duplicate it and put it into the front part. But here we want the effect to be very subtle. So I will decrease its size and decrease the opacity like this. I want the effect to be very subtle. Maybe we can erase some parts like so. Very cool. Now it's time to add some glow effect to the car lights here, some red glow effect. So we will firstly lighting up the light itself by the exposure omega adjustment. Let's use exposure and let's increase the exposure like so, decrease the offset. Gamma correction, decrease it. And press Control I. Firstly create Clipping Mask and press Control I to invert the mask. And now let's paint with a softer on that brush, like so simple as this you can see here is before, here's after. Very cool. Now let's create a glow by creating a solid color adjustment layer. Let's make it red. And at this time we will not create a clipping mask. Let's change the blending mode to screen. And with the soft rounded brush, I will first three invert the mask and do the source term that brush, I will just draw some glow effect, like so. And maybe we can draw some fog effect. Was with this fog brush. It's like the light is reflected into the dust in the air. And it's giving you this effect was this fog brush. I will also draw some dust particles like so. Next we will create some smoke effect around the car. This will emphasize the idea that the core is powerful and it's climbing the road Fastly. And this will add an overall motion into our Visual. So I will do this by this image. I'll open it into a new project and I will try to separate the background from this dust effect. So let's firstly create a solid color layer, put it behind, and I will just select this section by the Polygonal Lasso Tool, this dust section, and then press Control J to duplicate it. And let's go to the channels the same way we did into the building. So I think this red channel has the most contrast, so I will duplicate it. And let's press Control L to try to separate the smoke from the background, like so. And I think we can increase the highlights a little bit like so and press Okay, and with the same way, I will just erase these parts. Let's change the blending mode of the brush into overlay. And let's erase these bottom parts like so. Here. And here also. This is, I believe this is the best way to select any transparent thing object. If you want to select smoke, dust, clouds, the channels is very good. So I will just press control and then go to our main layer and create a mask, simple as this. Maybe the mask needs some adjustment or refinements. So I will erase these parts using the software on the brush and then I will just right-click Convert to Smart Object. And let's drag it into our core. Here. S. Now I will put it into around the wheel to create the effect that you have C. So I will make it small, very small portal triad here and press Control T, using the wrap tool, I will just wrap it around the wheel or the tire. So I'll press Control to create this line, which by which we will control the orientation of the dust like so or lower bit around the tire. Take your time to make it accurate as possible. Very good. Now let's create a mask and let's erase some parts with the same brush we have used before. Like so to lower the effect because it's, I believe it's very high. Very good. Maybe this section also decrease the flow of the brush. And let's just erase these parts. Very cool. Now it's time to change its color because it looks white and it looks off. So I will press Control U and press colorize. And let's choose this teal color. Lower the lightness and decrease the saturation. Like this. I want it to be subtle. So this is good. We can also decrease the opacity if we don't like it. But I think it's okay. Now it looks good. So let's just duplicate it. Press Alt, drag the layers to duplicate it. And maybe we can change some, erase some parts. Because I don't want it to look like if it's a duplicate from the first one, now it's time to add the lights into the car. So I will just bring this car light overlay. Let's flip it vertically, vertically first, and let's rotate it to put it right here. Very cool. I'll try. I'm trying now to match the same orientation of the lights of the car. So we can now put it right here. And then we can erase everything using the mask. So I will create a mask and with the soft rounded brush, I will erase this part. And also the sports like this. Make this brush bigger. And I think now we're good to go. Very cool. Now let's drag this lens flare also. This will give the light's better effect. And let's put it here. Now let's change the blending mode into the screen. And we can get rid of these white edges by pressing Control L. So I press Control L and dark in the sports like so. Then press Okay. Very cool. Now let's put it into the car, and now it looks way better. So let's drag this lens flare and let's create a duplicate press Alt. And let's put it behind the car. And let's put it here. Maybe we have some blue color here. We need to get rid of. These are shifted to teal, so I press Control U to bring up the hue saturation and let's shift it like so. Maybe you can erase this by the mask. Very cool. Now it's time to add some glow effects over everything. I will start with creating a new layer and change the blending mode of this layer into screen. Then I will choose this soft edges layer, and then I will pick some colors from the sun, e.g. and just draw around the sun like so. And maybe we can, yeah, we can decrease the flow like this. And Joe here and there was the same color, but here are the colors have some low saturation. So we need to increase the saturation. So I'll go to Window and bring back the color panel. And whenever I pick any color, like so, let's pick some orange color. I will just increase the saturation and maybe make it a little bit reddish, like so. And then I will draw like here and there. And when I pick like this color, I will bring the saturation to the top and draw some glow like this. Here and here also decrease the flow. To make a very subtle effect. Very cool. Maybe here, the sky part, we can choose an orangey reddish color here. And maybe here. Very cool. Now, as I've already told you, I'm now exact grading into making the glows because I want it to be clear in your screen. I think we need to erase it. It's very high. And heroes, very cool. Maybe you can erase it from me. Here's before. Here is after. As you can see here, it adds a lot of glow effect. Maybe we can create a red glow here, also. The same, within the same layer. And the heroes, very cool. Now I think we can create some shiny reflections into the car. I will do this by using this effect spark brush. You can also download it from maybe a brush, easy I guess, but it is a spark brush. I'll use it to create this effect, but I will change the blending mode of the layer into screen. And now let's decrease the flow of the brush, like so. And let's create some Chinese. Here and there. I'm picking the color from the core itself. And I'm just putting some shiny parts because this is a metal one end the core here is the hero. So we need to emphasize or exaggerate into these Chinese over the course. Of course, here, maybe here, these edges, but not so much like so. Maybe here. We need to create a clipping mask. From here, press Alt. Let's put the layer here and press Alt and between the two layers to create a clipping mask for only the car. Also, we can pick this color and create maybe this color. No, I think we can, we need to make it smaller. And let's just put some tiny Chinese on these edges. No, I think we can pick this gray color and put some shininess into the tire or the wheel. Here, also. Very cool. Now let's see here as before and here's after. A little touch, but it brings the viewer eyes into the court. 8. 7 Typography: Now it's time to add the topography part. I will just write the main message which is stick to the root. Like so with this beautiful font, it is Proxima Nova black, italic, and stick to the root. And then I will try to create some effect. Let's change the color to white. And let's put it into a way that emphasizes movement, as you can see here. I've tried here to create some dynamic into the font or the text. Let's select both and Control T. Let's rotate it a little bit and put it here. I've left this space for the topography or the text since we started the visual. So you need to put in consideration the, if, if your visuals will have a text, you need to leave some space for the text. That's why I left this area without any details. Maybe we can shift this line a little bit down with the clone stamp tool in a new layer, like so. Just shifted a little bit down and I will clone stamp it from the above. Like so. Very cool. This way, I will give space for the text. Very cool. And now let's put some dummy text. Let's put the text into the group first and let's make it bigger. Here we go. And then let's put some dummy text into a text box. So put some dummy text, make the font regular, adjusted. Make it small caps and adjust it to the left. Very cool. Now let's rotate it a little bit, so make it smaller because it's not a big part, suggests that dummy text. And then I think we need to decrease the text a little bit. Yeah, that takes this too much, but let's first change the color because it's very contrasty and it is taking your eyes. So we need to lower the contrast a little bit by making darkening its color. Like this. Maybe like this. Very cool press. Okay, and now let's decrease this text. Very cool. Maybe you can create a gradient in this topography or in this text part. So I will just create a mask. And with the gradient tool, this one, I will just draw, make a gradient like this. This is a small effect, but it will decrease the contrast between the text and the background because I don't want the text to be the main focal point. 9. 8 Color Grading: Now it's time to create the final color grading. I'll do this starting from creating a new layer from here and then press Alt Control Shift E to merge all the visible layers and then right-click Convert to Smart Object. Now I will go to the filter and camera raw filter. And this filter, I will do all the color grading, the final color grading I need. So let's start with the basics. I will just leave the temperature as is and then go to contrast, add a little bit of contrast. And then maybe you can decrease the highlights a little bit, increase shadows a little bit. Maybe make it a little bit brighter and lower down the whiteness. And let's increase the vibrance, leave the texture and clarity as is. And let's go to the curves. I love to add some tune into their mid, the shadows and the highlights. So let's start with the blue yellow curve. So I will add some yellow into the highlights, like so, and add a little bit of blue into the shadows. Just a tiny touch, like so. And maybe we can create an S-curve here to increase the contrast. Like this. Very cool. Now let's go to the Color Mixer or the details. The details first I will sharpen the image a little bit and that's it. Let's go to Color Mixer. I will start with laminins. I will just decrease the greens and the ACK was luminance. Like so maybe you can decrease the lightness of the orange. Yeah, I guess so. And that's it for the color mixing. Let's go to the Effects. Add a little bit of grains. And maybe vignetting effect, but not so much. Increase the feather, decrease the roundness. And we're good to go, I guess. Maybe go to the calibration. Let's try to change the hue here. Maybe add a little bit of saturation, and we're good to go. Press OK. As you can see here, Here's before and here's the after, before and after. And that's it. Maybe you can reframe the visual of the bed. I think we need to make it bigger, like so. And then press Enter and there you go. Alright guys, That was intense. I hope that you've benefited from the glass and most importantly in the hide it. So that was it for today. See you in the next tutorials piece.