Finishing with Pen Drawings in Color in Procreate - Autumn Scene with Free Alcohol Markers Brushes

1. Introduction: This pumpkin is getting rather heavy. What are we going to do in this class? We can create a pumpkin pie or it is the season for it while I'm filming it. Or pumpkin soup will do well. But no, we're not gonna do any of that. We're going to create a beautiful drawing with this. What we've created already, a drawing with the pumpkin. That drawing definitely has no color in it at all. In the previous classes, we've gone through all the techniques to draw a beautiful drawing, an autumn scene. But in this class, I want to create some color. I want to add some color to the drawing we've created before. Now, before I continue, I want to put this pumpkin down was getting ready to heavy. That's better. We're going to add some color to our previous drawing. Now if you have not done those classes, you could, of course ketchup. But if you don't want to draw, don't worry, everything is supplied. I've supplied the sketch drawing, even the procreate file you can use to color it. So my file is included and that's not all that is included. I've also included the brushes will need we're going to work with alcohol, Marcus, What is also supplied with this class are the colors. We're going to use some nice real autumn colors of real market. So everything you need is supplied. If you have done the previous classes, then of course this is just the next session. If you haven't done the previous classes, then whatever is needed is included in this section too often has some beautiful colors. And since we already have two beautiful autumn drawing, why not add some beautiful colors to it too? And that is what this class is all about. I'm going to show you how to use alcohol markers in Procreate, how to add the color to create really nice blends. We got a little bit of light and shadow, even do some effects and just play and have fun with the beautiful colors. In the next video, I'm going to talk about what's all included, how to use it. And then we're going to start coloring beautiful autumn scenes together. 2. What you need for this Class: Before we start drawing, let me quickly share with you what you're going to need for this class. Of course, you're going to need Procreate. I'm using the Apple Pencil, but technically, you could get away with it without the Apple pencil to then included in the project section, there are some extras you might need or might not need. Some, you need, some you may not need. That depends on if you have done the previous class. If you have not done the previous classes, then I've supplied the sketch. So you can sketch it if you don't want to sketch it all. I've also included my file, my drawing, so you can use that and then only focus on the coloring. That's all we're gonna do in this class anyway, we're going to focus on the coloring. And for that, I supplied some brushes, alcohol marks, a small set of alcohol markers. We're going to use the color swatches to reference photos and anything else you need are included two, that's all we're going to need. Once you've got those installed. If you have done the previous classes, then get those brushes and swatches, and then you're ready to go. If you haven't done the previous classes and either sketch or get my file, and then you're ready to go to. 3. The Pine cones and Acorns: In this first lesson, I'm just going to run you through the supplies. We have supplies. Do I really say supplies or other kinds of suppliers, aren't they the materials for Procreate, Let's call them supplies. And we're just going to show you how to use them a little bit. And we're going to just color right away to, alright, let's do that. I've started a Procreate already. Here's my pen drawing, art, pen drawing, edu, download it or you created it already. Know if you've created the last time, the previous time, or if you downloaded it, the first thing you need to do is find the background. So I've got three layers, my drawing, where everything is in there. I've got a start here. Now if you have done this yourself, you don't have that start here. And you have the backgrounds now above the background, you just add a new layer and all the others. If you have done the previous class, let me show you that you have all these layers. You could select all these layers. And then you could group them into one group as IF and that makes it easier to just get rid of the height them and then show them again. You could do that and tap the group, rename it. And from there go going back to this one. I've done that already. So I'm going to hide my background. That is the color the drawing. No, sorry, that is the background. That's the paper. And above the background, I have a new layer and we're going to do that. I've supplied a number of brushes. They're called ABB market. And you see a number of brushes here. Classic flat, grainy sketch, grunge, play with them. The only one we need for this class, really a dish to a blender and the classic market. And we may use this grunge at the end. I'm pretty sure we're going to use this crunch to then I've supplied swatch to with the colors in it. It's called Real alcohol markers. Awesome. And these are actually swatches from real alcohol markers. And you find the pellet. And what we're gonna do is you need to find that pellet, install it, find it most likely it's somewhere down at the bottom. If you install it, mine is on top. Make it easy. And we're going to press on cars. If you press on catch, what you get, you get older names and I'm going to make use of the names. Instead of saying I'm using this, I'm using that color on this little disk. I'm going to just use this and I'm going to call out which marker or electrical. And these markers are actually called DPLL, chocolate, fresh yellow, and blue. And I don't want to rename them, and so on. So I'm going to call out these Marcus. Alright, now let me show you the original sketch for this. Actually. There you go. You should see it nicely. This is the original market sketch with the market colors in it. Now, Marcus work slightly different than Procreate works. So some of these colors, I've compensated the reds, but namely the reds I've compensated a little bit to get nice bright reds. But the rest are actually the same colors. And even the original reds and yellows and oranges I used here are in the swatch, but we might use may use slightly different colors to get a nicer results. Now, what alcohol markers normally do is once you put them on your paper, they stay wet for a while. And if you put your next color in it, you get nice blends like here. This blend very nicely. These are two colors and they blend in nicely as long as the paper is wet, the ink you put on the watercolor blends in nicely. Now Procreate cannot do that. It can simulate that a little bit, but it doesn't do that perfectly. The Procreate color engine, the painting engine is not made for that. There are actually other programs that do that perfectly, that simulate what a Procreate doesn't. So we're going to need the blend brush a little bit. In real life, I would not use a blender with alcohol only to lighten something but not to blend, but here in Procreate, we're gonna do that. Now we're going to mimic reusing alcohol markers a little bit. So we're going to use them in color sets and blends in these color sets together. I'll show you how to do that. Alright, Now, what we're gonna do is I'm going to show you that how we are going to use this, how we're gonna do this. And I'm going to take you step through step. Actually. What we're gonna do with these alcohol markers. First thing we're gonna do, we're gonna select that classic marker. Now it should be on a certain size, probably around ten somewhere, right? We're going to start on a new layer. Above your background. You need a new layer. And if you have downloaded my file, it's just start here. We're going to start here at this acorn. I don't want to do, I'm going to zoom in a little bit now for the acorn, we already need to change the size. The first room we're gonna do is we're going to put down the light color. And then secondly, we're going to add a darker color and blend that in a little bit like you see here on the acorn here, if you look at the acorn, you see this very light color and you see a darker color. Now these have blended in very nicely and we're gonna just try to accomplish that. Alright, so the first thing we need is a color and I've arranged them on. A little bit on the way we're going to work. Some are grouped together, some not, some should have been grouped together, but to make it easier, we're going to start with this one, the deep yellow, that is the first color for the acorn. And we have the classic brush and we're just going to start coloring. Now this probably is way too large as you can see. So we need a brush that suits us better on this one, 2%, that is even that is pretty large, but we can work with two per cent. And we'll just kinda color not with these markers. If you press likely you're going to get a light color. If you press harder, you're gonna get a slightly darker color. If you go over it again as a marker would do, input layer next color. And you can do pretty much free for colors you could accomplish, just as Marcus would do. The only thing which markets in real-life will do is this will blend in into the next color and make it even nicer blend. You would go a second time with a lighter color, but with these markers you just get a darker color and not a nice blend. So we're gonna do that differently. But for the first one, put it on two per cent, but I might actually go to 1% that is even too large for that one. Let's go to the smallest, Let's make it smallest. And coloring this part. Now you can see my marker is too large, but it's not a problem because this part here we're going to color into and we've got an eraser now in real life that wouldn't work at all. So we're just coloring this n, All of it. I'm going to color all of it with one color. Now. I imagine you don't want to watch me call it the whole thing. So what I'm going to do from here, I'm coloring that first layer and I'm speeding it up. Once I've done that, I'll be back. I've done that. Let's check one thing. See if I'm somewhere outside, I'm going to just erase them a little bit. Smaller eraser, please. Foreign eraser. I'm using the raw data, the airbrushing. You could use the airbrushing or whatever you have for array razor, those work best. I've got a soft brush. You can use a medium blend and hard blend. Hard blend just erases very hard without edge. Soft blends. A little bit of a nice edge from using the soft blend for that. Wherever I've gone outside a little bit too much, I'm just going to erase that. I think I'm pretty much okay. Alright, Now, the second thing which I'm gonna do, I'm gonna take that second color, chocolate, that is quite a dark color. And what I'm gonna do is with that dark color where I've added in my drawing the dark part, that is where I'm going to add the chocolate color, but not on these ends. Oh, and I'm looking at this end and I'm going to say, Okay, I might erase a little bit here. Not on these ends, but only here inside. That's where I'm going to use that chocolate. I've still got the same brush. And I'm just going to put that color over it like this. So not their only on here where I've actually used the pen. So I'm going to add it everywhere now, when you're coloring, Let's make sure if you do a part that you call it and don't lift the pen because otherwise you get this darker color on it. You want to avoid that. If you do an area, just keep on coloring, try not to lift the pen. So that is why I'm coloring actually in each area and then lift the pen and go to the next area. So if I will draw here, I'm lifting my pen to go to the next area. May want to have a little bit up here. Definitely want some here. I want down here a little bit. And as you can see, I'm not too worried how neat and nice I'm doing this. I just want to have that color in it where it actually is. And in the next, the next step which I'm gonna do is I'm going to actually with the blender brush, blend this in a lot, nicer and better. A little bit. They're not on the ends, but everywhere else where it is. I want to add that a little bit, and there you go. Now, that looks a little bit sloppy, doesn't it? I missed one here. But we're going to do that now better. The next thing is you're going to pick your the hands, the blender, tap on the blender and go to find the Markus and select the alcohol marker. I'm not supposed to do that. So if you have whatever marker you select, the alcohol marker blender here. If all is well is this should be on a certain size. We're not worrying about that yet. This one is the most important one. This one should be on 65 per cent, around 65 per cent. Now, this is gonna be way too large too. So I'm going to put that on 1% for these two, and I'm going to blend that in. And what we're gonna do is. Depending on how you want to blend. So you can blend from the lighter color, blend that into here, or you can blend the darker color into the lighter color. In this case, I want to blend the darker color. So I started the dark color. And I just blend them in. And at the bottom a little bit better too. And that is what I'm gonna do with Dead Sea. And now you get a nice transition from dark to light. And I want to push this actually all the way up. There you go. Now, see, that was quite easy from doing this one too. So I'm starting at the dark and I'm pushing that all the way. So sometimes you need to go into the dark again. And let's blend this in nicely to hear a little bit to the edge here, and I can blend this in. And now you get the nice look that a blend on an alcohol marker has to go and I'm just blending that in. Alright, I've done this. Let me do this one too. And blend it in nicely here too. And now it looks a lot better, doesn't it? That's what I'm gonna do basically with all of these. So I'm going to speed this part up to, I want to blend in all these parts and then I will be back for the next part. Alright, I'm now done. I think I've said acorn, but this is actually, this is not an acorn, is it? This is a pine cone. I've now done the pine cone mistake. Now I'm going to the acorns and then we're going to do these pine cones. But let's go for the a chord. Now, the acorns have a nice interesting color. We're going to use two colors that fresh yellow here, and the one-on-one yellow ocher. So fresh. And these two colors, we're going to start again with the lightest color. I'm going to do a new layer so that this layer I'm happy with, except now I'm looking here, I'm not happy with this. So let's go back to that layer. And let me blend this in with nicer here to there you go. Now, the background will get behind it later on. So it's not a real issue if we miss some parts. Now I'm going back to my, well, this layer, you could rename the layer. I could call this acorns. You tap on the layer, say Rename acorns. There you go. It gives me a suggestion. Start here. Recall this then. Pine cones. Pineapples, pine cones, please. I know that. That's two words and pine cones. Pine cones. Now I'm going to the acorns and we're going to go for the fresh yellow and let's see is 1%. Okay, we can go now a little bit larger. I'm going two to 3%. 3% is good. Okay? What I'm going to do is I don't want to call it these ends. I only want to call it the acorns themselves. So I'm starting with this one, making sure I'm not really lifting that pen. And there you go. So that's a nice different color than the previous one. And the next. I'm gonna go for this one. And even if you go over that little end here, that one here, it's not a real huge issue. There we go. So that's the first layers. Now that's not all the acorns. There are some more. Does an acorn here coloring dead into? There we go. This is not an equal. This is woot. There's no These are paying us RHS not so I'm going to do that, but this one is definitely an acorn two. And there we go. And that's the first layer. So that's easy. The next thing what we're gonna do is I'm going to go to that one-on-one yellow ocher. And I'm going to add that here in at the end. That's a nice dark color. And I'm switching to the blender brush. And as long as you haven't touched anything, you should be fine blending this in nicely and we only need to do nicely the edge here. And then I'm going back to my brush. Do this part here. Might do a little bit around here to there you go. Get that blender brush. Start blending this in. And what did you do this from the dark color or from the light? Math doesn't really matter that much as long as you get a nice blend. And going to this one here. Alright, and do this one too. Now to the blender brush. Alright, good. Bit better there. Blend this in a bit nicely. Right? There we go. Alright, now we only need a little hat. I'm not sure what that's called in English. I'm calling it a head and we need the ends. Okay. Now, as you can see here, these are a lighter color. These are gray color and this is quite dark mixed with that lighter color. So what we're gonna do is we're going to find those colors. And what we're gonna do is we're going to do this a warm gray. There's a warm gray, 0.5, that is this color. So that is a very light color. We're going to use that one due to brush. Let's see if that is now way too large. I'm going to put that on 1% again. Color that in. There you go. And I'm gonna do that right here two. And around the edge a little bit. Don't need to do all of it. Let's see. Let's go to these ones right away too. And this one just tap that a little bit. There you go. It's a bit dark, isn't it? Let's do this again. That's not that data a little bit. Let's just color it in. There you go. We're going go, going to go back to this one. We need a second darker color here. So let's see. We're going to take a darker color, this one here, that's called 99 brands. We're going to use that one. And we're going to color this in where they immediate shoulder. Now we're going to take the hand and it should have a blender brush. And I'm thinking I might go from the dark, push the dark up a little bit. And there you go. And we're done with that one. Right? Now, they're looking nice. Now for this color I'm used to warm gray. You could have picked, Let's see, this called the raw silk, e.g. or down here, the barely base. You can pick that too for a color that would have looked nice too. Let's do that. Let's pick that barely beach, beach, this one. Go to the brush and we can add that to it. Now it's getting too dark, probably see because there's a color under it. So if you wanna do that, oh, that's very small. You're going to need to get that's fairly large. A little bit of a mess. Here. There you go. Go to the barely beach and now add that to it. And I might be a nicer color, isn't it? So let's do that one. Let's swap this color. That is now a way to large. Used it on here, making it smaller. I'm erasing this. There you go. I'm taking the brush, adding that color that is nicer color for it. I'm not going to do light shadow on that one. I like that better. Yeah, that is a better color. Okay. The barely wasn't the bailee is the nicer color is I didn't make up these color names that actually caught like that. Okay. Fruit, pink. Pink fruit, which pink ring through to so many, much Yamato, greatly I like light old rows, not my name's they're actually called like that. These markets. Yes, no, I really did not make up these colors, great names and these are not even the most craziness I've seen. Really crazy names and wondering, how did somebody even think of these names? Alright, we're gonna do one more thing, and that is the other pine cones that are there. We're gonna do them too in this lesson. And then in the next lesson, we'll do some other parts. But first, the missing pine cones. They're missing pine cones. There are a number here. I'm going to take the drawing with it. And destroying is made from photograph. And you can look at the photograph to and see that this pine cone and these have quite different colors. There's a lot of gray in it, and we're going to just do that. Alright, so I'm gonna do, go back now I'm going back to my pine cone layer, not a new layer. Go back to the pine cone layer because these pine cones and these are very much separated. If I go wrong here somewhere, I can just recall. Erase that and do it again. I'm going to use the same layer. Alright, I'm gonna start with a light gray color, and that is that same warm gray are used for these acorns and then erase the warm gray. That's the color I'm gonna do. We're gonna do this whole area. So I might just as well go to about five per cent. I think. Five per cent is nice and I'm going to color this whole area n. And if I go outside, I don't mind, I'm going to do this slightly sloppy. Show you a different way to color. This is under it. So these are not transparent colors, so these are quite opaque. So even if I go under it, unless you have very light colors like there, most of the time it won't do too much. Alright, this is the warm gray. And there you go. I'm gonna take my eraser. And definitely erase this where it is light. Don't want it there. And just erase my mistakes basically where I've gone out. Now, you could do it very nice and accurate. I'll leave that up to you. What do you want to call it? Really nice and accurate, or whether you rather erase a little bit afterward. That's totally off. Off, that's totally up to you. And even if it is slightly sloppy, it's not gonna be huge disaster. We're going to put a color behind it anyway. So this is not, this is something else. I'm going to erase this here too. And that's it. I missed a little bit of a spot there. Do that again. And then I have to erase around it. Good, That's it. Alright, and that's the first color. The second color, which I'm gonna do on the dark parts. I'm going to use a color 90 to 92. Let's find colonized T2. And colon 92 is the chocolate color, again, that which we used in the previous acorn, or sorry, in the previous pine cone too. I want to make my brush small ends. I'm lightly going to add some of these colors here. And as you can see, why I'm not too worried about accuracy here, just add some of this color here. We're going to blend it in minutes anyway. So this goes rather quick. Alright. So now we have some brown in it to, Let's do this dark here. Where it's dark, we're gonna do pretty dark or here, this sum here. Okay, good. What we're gonna do next, I want to add another color, a little bit of a blue tone in this to get a little bit of a nice effect. For that, we're going to do this one, the blue-gray one, we've got two blue tone to blue-gray one just on some of the spots, not on the tops, but like this, perhaps on some of the areas. We're mixing in this color tool to get a nice colored nuance. Just a number of tones on here. Oh, I missed this one. I got to do this one steel. Alright, I missed one of the, I erased something which I have colored this one, but I gotta go back. Okay, I missed one. Let's see. Let's do here a little bit. Little bit. There you go. Just adding some dashes off this color here and there, just to get a nice color tone. This one, I gotta go back to that. Was it 92 chocolates? And add that at the bottom here. A little bit there. And I think I'm okay, I wanted to inherit this is dark. There you go. Now I'm going to that blue gray one. And on some of the parts at some of it. Alright, good. Now that looks pretty decent already, but I want to make this nice. Of course, that's why we have that Hi hand and the blender brush. And we're just going to blend this in a little bit. And as you can see, now I'm just making a circular motion. I'm really going to blend this in. So blend all of it nicely. Making some nice color tones here. From dark to light. There you go. And not worrying about this being accurate or anything like that. Now I just want to have a nice color tone. There you go. Good. Now let's check. If I've gone outside somewhere too much. I think I'm okay. Yes, I am. Alright, good. Now I've got three of the parts ready. I've got the pine cones though, the two pine cones, and I've got the acorns ready. Next stop will be the chestnuts and the hood. But that's not for this lesson. That will be for the next lesson where we're going to do those chestnuts together. 4. The Chestnuts and Wood: We've got the start, we've got a couple of the elements. Now we're gonna do the chest nuts, probably the war to end this one. But let's start with those chestnuts first. Alright, the chest nuts k, We're gonna give them some different colors, of course then the other parts, because we want to make sure that everybody sees, hey, those are just nuts. These are nice, nice, very nice R&D, nice color for these acorns. It looks good. We've got some different pine cone colors, which is nice too. Alright, now the chest nuts. Let's start with that light color here, on here we doing a light tone, actually doing two colors on here too and there too. And then we're going to go for some darker tones. Alright, what are we gonna do? We're gonna go for this light scholar we have. And that is this raw silk C, that is the lightest color in this set. We're going to select the raw silk. And I think my brush is still on 1%, which is fine, could do with a slightly larger, but let's go with the 1%. This is the lightest color we have. I'm only going to do this part of the chestnut with it here. And then I need to do this part here to that is that same color. And of course, this one. Now, this shouldn't take too long. I think you can see the pumpkin shaken now. Go really quick. Eggo, good. Now we're going to mix in, of course, a little bit of a darker color. Now we can do two things. Now we can mix in a little bit of gray. Or what you could also do is just go over with this darker color again on which we're gonna do in this case. And just add a shadow like that, see if that works good. We're gonna do that here too. That synthetase really in shadow. This one, I think I forgot a little bit, should have had some shadow here. So what we're gonna do is, while it might not be on here, and I'm not going to add it anyway. We're going to do it like this at that a little bit. Now we're going to take our blender and I'm going to start at the darker part and blend it in nicely, smoothly. And here the same. Push that in a little bit and then blend it in. There you go. Oh, that looks good, doesn't it? Right. The next part. Now we've made a mistake. I realized that I've put this on the same layer. I don't want that. So what we're gonna do now, I'm going to select these parts. So therefore we take this ribbon. I put the ribbon on freehand minus pretty much always on freehand. And I'm going to draw a line around this, making sure I only pick these colors. Now I'm going to go to the wrench C and C to add the wrench plus Ed Prescott, not a gun. Now we're going to say Paste. I'm good with that. And if all is well, they're in a new layer called inserted image. I'm going to rename this to just not. Thank you, plural, good. Safe myself from creating a huge mistake colon on time, because if I would have thrown this here, then it would have been slightly tricky. Alright, the next thing we're gonna do is I'm going to pick a different color for the chestnuts. And what I want for the chestnut is to color 97, that is the row space and the column 92, chocolate. I'm going to mix these two. This will be my main light color, while light, the light of this part. So that will be dead color. But what I'm going to do, I'm going to add another layer under it first. I'm not going to rename that layer because we want to, if I go accidentally in there, see it doesn't influence that. So that is what I want. And I can erase that. So I'm going to color this in right now. I don't think you can hear it. I'm quiet. But the tree in front of my house is full of sparrows and then making a nice lots of them. And it's a cold autumn day here. So I think they're trying to find the last food and that tree still has some food, apparently for them and the row chattering away. Good. Now around here. And let's do this in the dark color to know this is on top of the other layer. As you can see. I'm gonna make sure I erase some of that later on. Alright, and here. And the last one. Okay, I'm probably going to have to erase a little bit there. Stick the eraser. See if I went outside. Not too bad, but here, I want to erase this for sure. Don't want this to be on the pine cones. Alright, good. Next thing we're gonna do, we're gonna take that very dark column, 92, chocolate that is very dark brown. And on the shadows, where the shadows are at the bottom, around here a little bit. And I'm going to add that around here too a little bit. And there you go. A little bit there. Now should have this should be dark. That one I'm not going to do dark, otherwise, this will all be very dark blend. That will be too dark little bit up here. And let's add around here a little bit. I'm okay with debts could do to top, but I think I'm going to leave that. Next thing is going to take the hand. And let's see, I want to go from the light color into the dark color. In this case. Just blending this in nicely. And want to create a little bit nicer here too. And around there too, There's a very light color there. See that's on top of it from the other ones. So I need to erase that later on. Later on. And there you go. I'm going do this to blend this in nicely. Degas and HER2. Making sure I blend it a little bit at the edge creates some light effect there. This, I think I'm okay. Let's see. I'm okay with this, right? This is okay, Only this one. And there we go. Alright. Now, that looks good. Nice, very nice. Alright, now I need to correct my mistakes. Go to the layer above it, which is called chestnuts. Erase around here where it goes into a dark color on where I don't want it. Here too. And around here a little bit too bad, is it? Alright, cool. Yeah, I think I'm okay. And now what I can do next is let's see, the acorns are on the radar robot for the acorns are above it. So I want to erase this, this edge a little bit too. Okay? Now here is white. I don't want white, so I'm going back to my layer where the chestnut, so I'm going to take that blender brush that is not a blender brushes, that is. And eraser. And I'm going to blend this in just a little bit better here too. Let me check. That is better on me here. This edge, I don't like it here. Good. Alright, good. Blend this in. Create a little bit of a light edge around there just to create some light effect. And I might do that. Alright, that go over it with that blender brush couple of times to create a lighter tone. Alright, and now I can merge these two. So I'm going to chestnuts tapping on it. I'm saying merge down and now I should have a new layer. It's called layer eight, but I'm going to rename that and call that chest nuts again. And plural, please. Just nuts. There you go. Alright, Those are the chestnuts. Now we can do the E2 in this lesson while we easily make that. Yeah, we've got the chestnuts now, we've got a lot of it. Now, let's focus on the word dude. Alright, let's see. This layer gun. There you go. This is what we have so far. We're gonna do the root here, this part here. And for that, I'm going to add new layer, but I'm going to do that behind everything because this is more in front. So either above the pine cones because the pine cones are there or under the pine cones, it doesn't really matter above or under. And I'm going to call this the root. And that will be my next layer. The world here now in the photo also has some gray tones in it. So what I'm gonna do first, I'm going to add that gray tone, but I'm not going to pick that same gray tone as I have here. I'm going to go for the blue gray tone as a base. So the blue-gray one will be my base tone for this one. And I've got my brush, I can go to about 56 per cent, probably seven. Oh, easily, slightly land. Let's go for 12%. Make it myself really easy. Color this in a lot quicker. With this one. I'm going to try to apply as less pressure as I can. Not too much pressure, although once you go over it a second time, it's going to blend this in any way. Alright, good. I think I'm fine with this. I need my eraser. Erase a little bit here where I've gone outside and definitely gone outside. Go for a slightly larger eraser. And there we go. Good. Alright, that's good. That will be the first color. The second color which I'm going to add is a warm gray. I'm not going to use brown. These are not these brands, but I'm going to take the warm gray and warm gray is a nice brown color. Now, in my original drawing, I've got a warm green five, but that is quite dark here on Procreate. I'm going for this warm gray free. We're going to start with that one. And I'm going to just add some tones here with the brush, but not at-large, please. Let's go to about four per cent. What we're going to do is I want to add some of that color around here, around there, where the shadow is. Now, definitely in there. I might go larger than seven and add some here and there. And just added a little bit randomly because I'm going to blend this in any way just to get a nice mix of colors. And let's do some around here too. Alright, and definitely on the shadow here. That's the first one, the warm gray. Now I'm going to that very dark, warm gray and warm gray five-note that really dark on the warm gray five. And where there is really dark shadow. I'm going to add in just a little bit more. And around the edge here too. And perhaps in here and this edge, a little bit here. Slightly there. Good. I'm fine with this. And the next thing which I'm gonna do, I want some brown into two. Of course. I'm going to pick a brown. Let's see this 97, this one, this brown, good mixing nicely. Let's pick that and going to a large brush, about 20 per cent. And now I'm going to add that in. But I'm not pressing too hard. Just here and there. A hint of brown in it. There we go. That looks good. Now we're going to take the blender brush. I'm actually going to make a larger brand blender brush around seven per cent the same as I've done with the color. And I'm going to basically mixing these colors and just create a nice interesting blend with that. Her2 probably need to do some erasing at some points. And once I've gone everywhere, Diego, I got an interesting piece of what I want to go here. A little bit nicer here to degas. Here following the direction. Haven't been. There. You go. That's better. All right, good. Now I'm going to take my eraser. Let's check. It's rather large too. So I'm going to do the outsides first, where I've gone outside on erase that a little bit. Now I'm going to go smaller. 1%, 2% should be fine. There you go. And I want to make sure that around here don't think influences this color. Too much. There you go. That's my woods. Only here I've seen I missed a piece. Kind of blend that with the blender a little bit. And there we go. Alright, and that is my root C. And that is a quite different tone from this part. Still quite nice to quite interesting blend here. Now I realize your blend is not going to be exactly the same as mine. That depends on where you're going to put the color. And you could go in with a lighter brown color now too. And that in a little bit. So let's do that. Alright, slightly, slightly different. Tone. Eat one of these ogres. Let's lost. Let's pick this one, the one-on-one yellow ocher and mix that in a little bit. Yeah, has a brown bit more root. And then let's blend it in carefully now. Just as a little bit of water color with it. There you go. Now I liked that bit of hint of color with it. And now I am happy with this. Well, we're getting there. The next thing we're gonna do are these toadstools don't do that. We're not going to do them in this lesson. We do those in the next lesson, the toadstools. Then we're going to do pumpkin, the background, and then we're pretty much finished except for one thing we might add a little bit of layer effects to it totally at the end, but that's for the end. Alright, first dose, dose tools. In the next lesson. 5. The Toadstools: Time for those toadstools, the main attraction together with the pumpkin, definitely because of the colossal. The rest is very nice. So far what we have, it looks pretty good, right? Toadstools, let's do them. The toadstools, alright, now, here are the toadstools in the original drawing. We're going to try to get as close to these calls as possible. But for that, we're going to need to pick some different colors. Now what the original colors are, and I'll show you that in Procreate, I'm going to do the toadstools behind the roots. That's definitely what we need to do. Add a new layer, call it TORC2. There you go. Now, in my original drawing, actually you might not see it, but there's, there's four colors in here for colors and then the blended in a certain way from light to dark, and then going back to light colors and mixing it in, in a certain way only here there's four colors here. There's about three colors here, but we're going to not do it exactly like that. Now, the original colors, what I picked is the first color is this one, the analyze 164. And I'll show you that color is on large. So I want to demonstrate that that will give you this color because this does not blend in any way. So it stays this really strong color and I don't want that. If you look here, this has blended in nicely. The color is still there. You can see that greenish color that is still there, but not as strong as here. So what we can do is either lower the opacity or in this case, what we're gonna do definitely is pick a different color, a lemon yellow for this. The first thing which I'm gonna do, I'm actually going to just color this with lemon yellow. And as you can see, the scales, I really don't care about those girls were going to do them with white later on, or at least a nice light color. There you go. That's the first part. What we're gonna do, we're gonna create some highlight effects, so we need that. The next column would be some red. And I've used in the original drawing, I'm going for this apical than this familiar and then this French and mix them in, in a certain way. What we're gonna do, we're going to use this familiar and this deep red. We're going to start with the familiar. You could play with the French familiar into which is more orange, but we're gonna do now not as large Please. Around 5%. Let's see what our work. That's nice. I'm gonna go around the edge here. And what we'll do is I'm going to color this in actually where those shadows are. Alright, Now, lift my pen because I'm out of room. And I'm doing that here too. And I'm gonna do that here too. And you go. And again, if you wanna do with it, It's neat and nice. Do that please. If you want to go sloppy as I do to that, please do. I want a bit more here? The next color I'm going to use is this very dark, deep reds. And I'm going to use debt basically at this end. And a bit at the bottom. Right, I'm following a little bit of the contour of this totes to Diego. And now we're going to blend these colors in with the blender. What is it on? Seven per cent, I think I might be fine. And we're going to start at this red. And I want this red to go into this yellow because there's way too much yellow now. So I'm going to push this red into the yellow. Diego. Bit sloppy at first, just push it in. And now we're gonna go from the outside, do this slightly nicer. And today you go, here, you get a nice blend like this. So there we go, good. Now, blend this in nicely to around the edges. And now we're going to just randomly blend the dark color in a day you go. Now, should we bring back these skills in a minute? Let's go around the edge to here. We're going to end up with something more interesting. I'm going to blend in this. Just a little bit more. There you go. That looks very nice. Alright, next thing, I'm gonna get my eraser. Erase the outside. There you go. Now with the scales. If I erase this here, then the background will come through because we're going to add background later on. So I don't want that. I need some color on the scales too. But let me first. Erase everything I've done where I've gone outside and now I need to definitely erase a little bit there because I don't want that color here. Don't erase that. Alright. Why don't want to do is probably do that second toe to now should be okay, could do the second toe tap on its own layer. Alright, the next thing is, I need white. Now, I don t think I've white in here. Definitely not. I could use that raw silk for that. Let's give it a try. I'm going to add a new layer on top. And I'm going to call this the skills. And the skills are these white spots on a toe two are called the scales. So what I'm gonna do, I'm gonna do that. That will work well. We can also do is go to the color, make her own color. We pick that scales color. Push this to the white as much as you can. So this is great. This is nice and white. Going back to our palettes and just add that right there. And you can call that, It's called now light gray, so it's not perfectly white, but that would work. You could pick another palette to add the white. Alright, so I'm going to color in the white not that large. About now, let's go to the 1%. That is good. And there you go. I'm coloring in this color. Bring back these scales. Now if we add a background later on, we are sure that the right scales will still be there and not this background color is coming through it even here on neatly do this. Since we don't have this completely white collect, I can actually see what I'm doing. Take my eraser, smallest eraser, erase this here a little bit. Don't like that, good, and not here neither. And I'm gonna do this slightly better. Alright, and now we've got our TORC2 back. See another red. Totally looks different to very nice like this. Alright, Good. Now this one, what we're gonna do, we're gonna use some different colors for this one we're going to use, we're going to start with the wave done the yellow. Then the next color I'm going to use is that bright apropos. And my brushes on 1%, which is too small, Let's go for four per cent. And I'm going to go around here. Now. I'm hardly using any pressure around there. So there's a little bit of pressure. And then we go Nice and they're good. Normally, when you use real blend, real alcohol markers and you do this yellow, you put the red on top of it, that the red really start to pop, gets a really nice bright red. Now in Procreate, the effect is a little bit less. But the next color I'm going to use is the familiar. And add that little bit around the top here to a little bit. And the back here. And I'm okay and the last column, I'm going to use this, this French familiar on add that right here. Might add a little bit around here. And at the edge around there, too. Good. Alright, now I'm going to just blend this in. I'm starting at that familiar and working my way back in here. And around here too. I'm blending this in a bit nicer, need some more red. So I'm pushing in that red again as we've done with the previous one. And now we're blending in. That looks good, doesn't it? A bit toned down color, but still quite nice. And less of this yellow in there you go. I like this better around the edges. All right, time for the eraser. Might need slightly larger. 2%, 2% is fine. Don't want to erase, of course, where I've done there. But I do want to erase this a little bit. Alright, and that's the next TORC2, Maria, I'm good with that. And I'm pretty sure I'm on the wrong layer. Yes, I am on the scales layer. So what I'm gonna do is we're gonna select that ribbon. Select this again. Caught this out. Go to the toads to layer, say past and let's see if it passed onto the tote to layer. And now it didn't too bad. What we're gonna do is. We're going to put these totes to layer above this layer on and you can't do that. No, No, That goes wrong. It now, sorry, Deco is totally wrong. That's why the yellow didn't blend in nicely. Alright, I'm going to merge these two down. There you go. The skills I'm leaving on their own. And we're gonna do some scales on this one too. So I've corrected this again. Need to pay attention that I'm not doing everything in the wrong place. Now I've got a white steal, that light gray which we made. And I'm going to get my brush smaller size. And I'm going to add these skills. Now. There is a skew right there. There's a scale right there. And there are some scales right here. Since they're not totally white. I can see it. So I went over there a little bit too much. But we can correct that. Let's do that here too. Alright, that's it. No, that's not it. We need still this stem or the stock of the mushroom, and of course the bottom of the one mushroom. Let's do that. We need the stock. What we're gonna do first is add a new layer under the toadstools. Call this, rename the stem stock or stem, whichever one you prefer Stock. And we're going to do the stock and the bottom here. For the bottom, we need a color. Apparently we need a color. We're gonna do, Let's see this one that mushy, mushy at all color. Let's pick that one and add that and-a-half still, I'm still on 1%, I'm fine with 1%. And there we go. And we've got that under it. Good. That's a nice dark color for the stocks itself. What we're gonna do, we need a bit of a lighter color. We're going to start with this raw silk, but we're not going to paint the whole stock. We're going to start right here everywhere were shadow is, we're going to paint it in. And we're going to create a line there and rest. We're going to lift and that middle spot, totally whites. But since we're going to have a background, we cannot leave it white because that wouldn't work. I need to make sure we're doing everything. Otherwise. There's going to be the background shining through. I want this to be white, so we're gonna go to that light gray and actually added here in the middle. There you go. I'm gonna do that here too. At that light gray there, go back to that raw silk. At wherever you are aware of my shadow is around there, but that part, I'm going to leave light on purpose inside of it now. And then the next thing I'm gonna do is create that shadow a bit stronger. And for that, I'm going to pick which one should I pick? Let's see, um, well, whereas a nice color on this, it is, it is quite pink one and that pink, if I pick this fruit pink, that's not too bad, that's slightly too dark. So I'm going to pick that barely beach. And I liked that a lot better. Okay. We're gonna go for the barely beige color. And wherever the shadow is, a little bit around the edge here too. Not all the way. Well here we do need it, but not as far because we're going to blend it in any way. And let's do that on the here and back here and down there a little bits. And the next thing is, we're going to take that blender, blend these colors in. And let's make the blender 1% blend in all these colors. And here too, but make sure you leave some of that white color there. See, and that looks good. I want to do the same here. I'm going to want to blend in first these colors. So are everywhere. These two tau we go. Nice blend here. That's blending that she had so much macchiato color to a little bit. Well, I think I've been everywhere and pushing the mafia to color a bit lighter. So I'm pushing this color into that macchiato color. And dare we call much Seattle, whichever. However, you say that, There you go, we're getting somewhere looking good. Alright. That's the toadstools. They're looking nice. What we're gonna do next with the toadstools. We could group them. Oh wow, we don't need to do. Now. Let's leave. Alright, that's the toad stool. Now, normally what we do here, we'll do is put a little bit of a shadow around here. But we're not gonna do that because we don't have such a small pen and it looks pretty good like this. Alright, that's the toadstools. We're getting there, the pumpkin and the background and some effects probably. And then we're done, right, let's do the pumpkin in the next session. 6. The Pumpkin and background: We are going for the pumpkin. Yes, we're going to go for the pumpkin. Now I still have that pumpkin here. Video, nice color. We're going to try to mimic this colonized. Once I'm done with this class, I'm going to make some soup of that pumpkin know, pi to this year, but a pumpkin soup, although now I'm saying Pi, tempting, tempting to do a pumpkin pie, but I think it will be a pumpkin soup might change my mind. Alright, good. Well, but that's not for now. We're going to draw, no, we're not going to draw a color that's colored the pumpkin. In this original pumpkin, that's the nice color under it. We're going to use the yellow. We're going to see what we're gonna do if this pumpkin, let's play a little bit with the pumpkin. Alright, so we could use this fresh yellow color. Let's see what happens. I'm going to zoom that in and I'm going to put that pumpkin next to it. I'm going to say termite actually would nicely. But what we're gonna do instead, we're going to use that column. We're going to go for that lemon first, or should we use that? Nice? Let's see. First we need a new layer not on the stock. We're going to need a layer behind everything now. So under everything there's gonna be a pumpkin on top of the background though. Pumpkin. There we go. Okay, pumpkin is there. If we have that nice color, that's gonna be really green. I'm going to lower my brush larger. What do I have? Around 13%. So this would be an interesting color onto it. But if you press too hard, it's gonna be green like this. So this might be a very tricky collar to do. Well, we're going to use lower the opacity. Let's go to about 50% and then add this column. And then even if you press hard, it doesn't really matter. Let's add this color as a base. The lightest parts, so where there is no shading, I'm going to put this color. That's my first layer. The next one I'm going to do is did this lemon yellow, I still get gutted on 50 per cent to that's good because then it mixes in with this color a little bit. Add just a little bit to it. There you go. Nice. Next column we're gonna do is this lemon, fresh yellow. That is a very nice pumpkin color. Now I still got it on 50 per cent. There. You go. Up two fingers, which I which I don't know now is what can happen when we what's going to happen when we put a background behind this is the background can shine through OR 50 per cent. Or won't it be too bad? So what we're gonna do is we want to test that. Now. I'm going to add another layer. I'm going to call this layer the backgrounds. Backgrounds. There we go. I'm actually going to add my background right now. What I'm going to do for the background is I'm going to pick this color here, the old light roast. There you go. I want to pick a different brush. I'm going to pick that alcohol marker crunch. I want to put that grunge all the way up. And what I'm gonna do, I'm gonna just go in one goal at a background. So I'm starting at the top. No change in pressure, if you are possible, is it that is possible? And just in one go, there is my background. And I'm going to check with the pumpkin. That looks great, doesn't it? It doesn't come through. So I can keep my pumpkin as is here. If you look at that, that is actually quite nicely close to the pumpkin. Now we're not done yet, almost see. Now we've got the background and this is the way it's going to look quite interesting, isn't it? We could even do that paper under it, see the paper through a little bit. That's very interesting, but we don't need to do. We could leave it light and strong like that. Let's go back to that pumpkin because the pumpkin is not ready. So we've done the pumpkin. I want to blend in these colors. Of course, I'm picking that blend blender. I'm going to go to about ten per cent. And blending these colors nicely, just might circle a little bit. And there we go. Nice. There you go. Now we've got some interesting plants on the pumpkin. Got some nice yellows. A little bit of a greenish tint in a two interesting pumpkin. Looks good, doesn't? It looks very nice. Now, this pumpkin, Of course, as you can see, not only has this yellowish orange, but also has a strong orange, we need to get there. Then for that, I'm going to go to a new layer above the pumpkin. And later on, I'm going to merge these layers probably. And for that, we're going to pick that same fresh yellow color. But now we're gonna go for 100%. Alright, let's see if that, if we can get that on top of it. Well, we've got a huge brush now. We don't want that. We can go back to our classic marker brush Diego, that is better. And put that on 100%, right? And the size, I don't know. Let's see. Let's start with seven. Let's see how large. That might go. Lightly bigger, ten per cent. And let's start at the bottom. Let's get in. And we're going to blend it in in a minute. Right? I'm going to add that color right there. And then around here. And at that color in a little bit, this is a little bit of random strong color. Now, for blend that in Diigo. Nice bit on the top. There you go. Back there. Alright. There we go. Bit more here. And some spots here and there. Alright, Good. Take that Blender, make it nice and large. Let's go for it. Let's see what happens if we do this 100%. And then when I would work on that today you go blend it in. You go, Now we've got our pumpkin. Alright, nice. Okay. And I've still got a mess. So what I'm gonna do with this, I'm going to just blend this, sorry, merge these layers, say merge toe tap on the layer, which is that pumpkin on, say Merge Down. Now the pumpkin is one. I'm going to use my eraser. And I definitely need slightly larger free per cent over That's nice. Erase where it shouldn't be. And that's it. Alright, and that's my pumpkin actually. Except for the bit on top, we need to do that. Let's take the brush and we need this part here, the color we're going to use for this. What are we going to do? We're going to start with that row silver again. We're gonna go to my brush 1%. And I'm going to add the raw silk collar right in, right there. That should work nicely. Good. Alright, the next color, which I'm going to take that as a lilac color here, the gray lilac. And I want that around there a little bit. And let's add a layer stronger too. Let's get the two applications, one application and a second at the bottom. And then I'm going to the blender brush, going to go small with debt. And I'm going to blend this color in a bit nicer day. You go. Actually push it slightly into the shadow color above it. That should work. There you go. Now, I'm happy with that. Yeah, that is good. Alright. And that's basically also create the whole drawing. We're done. Except for one bit. I want to add some effect layer on it. Now, if you are happy with what you have now, if you're fine with it and say, I like it this way, then the next part, if you want to add some light effects on it, then I would say, join me in the next part, the final part of this lesson of this class. 7. Adding layer effects: The final part. Now, this is something I wouldn't do with my alcohol markers, but since we have procreate, we can add a little bit of a light shadow effects on this. I'll show you how to do that. Alright, for that, the first thing we need is a layer above everything, but not the drawing above my acorns as my top. I'm going to add an egg and layer. I'm going to call this light. Let's call it Light. Yeah, that's good. I'm going to put this layer too. I think I'm going to use overlay for this one. We could do soft light, hard light, but I'm going to use an overlay for that. I'm going to that lightest color, the light gray. Now, if I have this brush, I'm going to change brushes for this, I want to do a bit of a light effect. I'm going to get that sketch. Margarines are the crunch to consider scan. Now let's go further. Or you want to grind out the sketch mock-up, the sketch marker for this with this brush and white. If i'm, I'm not changing anything. Let's say I'm going to add some light here on the pumpkin. I would get that. See, it lights up the pumpkin. Now you could use actually bloom effect for this too. There's a bloom effect in it. But I'm going to use this. And it is quite nice. I would put it here to a little bit, but way too strong. So I will take that blender brush, actually make that blender brush large. And blending that light a little bit like this. And you get a little bit the idea that light shines on this pumpkin. If I now hide this layer, keep looking there. So there's a nice light shine on it. I want to do exactly here too. I'm not changing anything except for now. That's okay a little bit there. And then I'm going to take that blender pen again. And I'm blending this light in just a little bit, create a little bit more interests. Aco, right? That looks good. Now with the wood, what I wanna do if the woods, I'm gonna go back to this same pen, but I'm going to make it smaller, 1%. And at the root, what I wanna do is add a little bit of light effects. Right at the edge. There you go. And here at the edge x2. And now that is very light. I realized that therefore we have the blender. But now I need to put a blender on small and blending the edge a little bit better. And especially around here, blended in a little bit c, and now you get a nice edge of light. We're going to do the same here to want to add. Just around here. Create a little bit of that effect. And now blended in. And just a little bit of a light edge there, C. And that looks good. Let's do that here too. Around they're only here on top a little bit and blend this in as much as we can. There you go. Alright, now look at that. See, now you get some nice, interesting parts. Now you could do that around here too. Create a little bit of an edge around here. And I will do that around there too. And obviously around there. And let's do take the acorn with a two and this side too, and they're a little bit light effect. See that it looks really good, too strong. We are going to just blend it in with the blender a little bit. Here to our desk, looks actually pretty good. You could do it around this edge too, but I think we're fine with that. Now let's do it with these acorns here to just at the top. Just a line and now blend it in bit nicer than we have it. Day you go see, and that creates a very nice, interesting effect. Now we could do it here in the middle of these toadstools to just create a little bit of light effect and that lights up everything. If we do rim, Let's go. So when H naught and H Then let's do some edges around there too. And there you go. Then let's add a little bit there too. But this we need to tone down a little bit. And here we're going to spread it a little bit. Told me down slightly here to, there you go. That is better. Blend that in a little bit c and now you get some nice, interesting edges. Now, technically could do it around there, tapping carefully. But that would work. And now I'm not pressing hardly. I don't want to blend all of this. It takes too long. I'm just hardly pressing. Just creating a little bit of an edge. Light comes from here. So where are these lighter parts are? I'm just creating a little bit of light c and that makes it interesting. Let's do that on here to carefully. There you go. See around here some of the edges around there. Now if this is too tricky, what you could also do is of course, lower the opacity. And then you could paint it in. I got the opacity around half, makes it a little bit easier to add that edge around there. Then you get a little bit of a light shadow effect going on. Here too, a little bit. And that looks good. Now, we need some more around here too. And there we go. I think we've got everything. This is light, it's pretty much enough. Might add a little bit extra while we have that 50 per cent around there. The rest, I think I'm okay with C and just a little bit of extra around there to create some nice edges. Let's put an edge right there and here too. And even slightly on top of this. And in there. A little bit. Let's add a few. Around here too. Just create a little bit of light and shadow play. Alright, now we could do some shadow to, you, could add a little bit of shadow under the lights. I'm going to add a new layer. I'm going to call this Shadow, rename shadow. Shadows. That's fine. I'm going to put that to pressing on that and put that to multiply. I need a nice dark color that would be the darkest and unthink. I'm going to use this blue-gray free for it. Or you could use a warm gray. That's tricky. Now let's see, I'm going to go for the blue-gray first. Let's see what happens. Still have that same brush, that alcohol marker sketch brush. I'm on a large in it, make it larger a little bit. It is on. Let's go for 100% first, want to show you what happens if I do on the percent c, I get really dark, shadow like that. Now it's way too dark, of course, remove that. Let's try that warm gray. Let's see what that gives four color. I like that better. Let's stick to the warm gray five. That is a nicer color. But what I'm gonna do, I'm going to lower the opacity to around 40 per cent. And there you go. Just at the pumpkin starting there, add a little bit of shadow there. I've got quite large brush. Though, retail about, what do I have now? Six per cent here. And a little bit around that edge to here too. Just a little bit of shadow. And dare to, good. Alright, and that creates a nice shadow and light effect. Here. I'm going to put a little bit at the bottom. The rest, I don't think I want to touch this quite some light shadow going on only on the pumpkin. Just add a little bit of shadow like this and the rest. The only thing you could do, technically, do it around here a little bit. Then I have to go with a second one, create a little bit of shadow there. And definitely around here that you go through. And I'm not gonna do anything more on this. At least not for the shadow. Now there's one more thing I wanna do. I want to create a cast shadow onto the background. For that, we need to do a little bit of a trick. Let me show you that. I could paint in that shadow by hand. But there's a little trick for that. I'm gonna go, first of all, go to my gallery. I'm going to say. Slide this one to the left, say Duplicate, I'm going to make a second version of it. If this goes wrong, then I know for sure I can go back. What I need to do for that is I need to first of all, merge all these layers except for the light shadow layer. So everything which I call it. So what I'm gonna do, I'm gonna select the first layer and then I'm going to slide every layer, which I call it to the right. That's it. And we're going to say group, this group, I'm going to keep, and I'm going to duplicate this group. So I'm sliding now to the right or to the left. I don't want to say duplicate. It makes a new layer for that. And the one on the bottom, I'm going to tap on it and we're gonna say flatten, this is now one layer. I'm going to hide the original. Now I'm going to tap on here and we're gonna say alpha lock. I'm going to take a brush and we're going to take that warm gray seven. And I want to put it all the way up. Don't care which brush I have 100%, Hundred percent. And I'm going to make it nice and black. I want it to be gone. And now you can see that the light spots That's funny are staying. I may need to press this brush a couple of times. This gets really, really nice and dark. The color basically pretty much gone. There's close to here. Let's make sure that it's gone. Good. Old color is now gone. And that's gonna be my shadow behind everything. I'm going to now bring back my original one. And I'm going to get my arrow. And I'm going to move this. Now. See, I'm gonna get create a nice cast shadow like this. There you go. That is good. That is it at the right place. Nice. Now I'm going to tap that arrow again. This is of course, way too strong. The next thing which I'm going to do, make sure I'm on that layer. Yes, I am tapping this magic wand. I'm going to see caution blur. I'm going to slide to adjust now this way. No, I cannot do that. I'll go back to the layer. First of all, I need to switch off the alpha lock. Yes. Now we're going to tap that magic wrench. I'm going to say co-gen blur and now it blurs way too much. Good. And I'm going to blur it till I'm still seeing the shadow. This nice and blurred. Alright, tapping that magic wand again. And this is what I do want, but it's too strong. So I'm going to say the opacity. I'm going to slide that until I like it actually, I like it like this. Probably go for 55 per cent. Let's take a look. Yes, that is nice. There is now all shadow in here, so I could take that eraser and start erasing wherever it is, actually in the way and lighten it up ad that is okay, right? Now only on this part it might be tricky to do. And definitely there, make sure I don't accidentally erase what I don't want to erase form back to five per cent. Like that. I don't want that. I'm pretty okay with this. Yes. This should be working nicely. There we go. Alright. And Harris, my torso. There it is. Now we could do D backgrounds, but you will see a little bit of it. But I don't think I want my background with it. I think I'm okay on the drawing, it looks great. Under here. It doesn't look as great. Now let me hide the drawing and then you get this effect. You could play with this to and create some nicer edges and add some details, but that will take awhile. We're going to just leave it as is. And we're done with this good. And as it, right, we're done. We're having only the project left. So I'll see you in that video. 8. The Project: The project. Now what my project will be is of course, pretty obvious. I'm going to create pumpkin soup of this pumpkin. Should I do pumpkin pie? I'm not sure yet. I'm going to think about that after the class. But whatever happens, I'm going to really enjoy this pumpkin. And I'm putting it down again because it's getting heavy. It is still having a pumpkins. It's not a huge one, but it's still heavy for such a pumpkin. Now your project, what is your project going to be? I've got two projects for you. The first one is very obvious. Just post the result of this class. I just love to see what students create. And of course I will comment on it and just show to all of us to enjoy it. The second thing I would love some feedback on this class are not only this class and feedback on all of my classes would be great. So the second project is, please either start a discussion and give me some feedback on the class or post a review. That way I also know Think of it or do both. You started discussion and do a review. Refuse really helped me to get an idea of what people think of my classes and also helped me to determine the direction I'm going to take with these Procreate classes. I do want to create plenty more Procreate classes. And if you follow me for awhile, you know already that at least once a month there is a new class. But I would love some feedback to know whatever I'm doing well, whether I'm doing terrible. Oh, I'll leave that up to you because I would love some feedback. So that's the dual project posted for all of us to enjoy. And then post a discussion or even better, give a review so that I know which direction to take. Well, that's it. Alright. I'm looking forward to your projects and your feedback, and thank you for being with me in this class. If you want to do some modest, there's plenty of Procreate classes here on Skillshare for you to enjoy. And since it's autumn, I got some nice autumn, other autumn drawings, paintings you have the more paintings, oil paintings too, but also some summer fun, whatever season you're watching this in, whatever you would like to do, there's plenty of Procreate class. And so perhaps I see you in another class here on Skillshare.