Transcripts
1. Hello :): Congratulations, I wanted
to congratulate you for joining this awesome course. In this course, we will
explain to you how to grant a beautiful dark
move through photography. We will start from what is
the tools we have to prepare, and then what is the
props you need to prepare to treat a beautiful dark
would put photography. Then I will explain to you
about the liking hacks, how to sack the lighting, where to place the lighting, what kind of lighting you use, what kind of lighting? More beefier you have
to boot to modify the lighting to
increase the quality of the lighting for
your father shared. Then finally, after we do the setup of the lighting and then we take
the photo shoot, we will show you the process, how we pick the definite
food photography. And then finally, we'll also explain to use
tab right there, how we added a beautiful garden. Repeat photography
using the Lightroom. This course, we will explain all about downwards
with photography. And then I hope you
enjoy the course. And then I also want you to practice every single step I explained to you
across this course. Okay, I'll see you
in the next section. I will show you about
the truth and always told the camera
the lenses we use. Actually in this course, I don't use that the
most expensive camera I will use the most
expensive lenses. They also don't use the
most expensive lightning. So if you guys, I'll feel that I have to spend so many breaths
just to wider, expensive camera lens
is enlightening. That is not true because you can also start with
the lighting you have. And also we don't use very
expensive tools here, so you won't have to worry. Okay, I'll see you
in the next section.
2. Introduction of Lighting: Okay guys, In this accident, I will explain to you about the lighting equipment we use in our day for the past like six years when we take food
photography for every, almost every single day. This is the last thing we
use for all of our Windows. You would actually,
I'm not doing a promotion above this brand, but I personally use this
brand for a couple of years. So yeah, this is
the right thing. I used guard dogs
escape 400 actually, 400 means the power
of the lighting. I have to two hundred
and four hundred. If you want to find
it in Marketplace, you can find here like I'd
go dogs escape or 100. And then to make
this thing work, you need a trigger. Actually, this is a trigger. I use Google Docs X1, t. If you want to find this one, you can also find in
the marketplace like this previous involved because
when you use this free, it already connect with automatically with
the hypoglycemic. So both are usually you need
transmitter and receiver. The receiver is already built inside this machine so you don't need any
receivable at all. Just trying to me that an
anteater next automatically. And then I want to explain
to you a little bit above the lighting modifier
I use I only use this ponder
reflect there to make a direction of the light
thing and to make it softer. Because if I don't use
anything after this standard on delighting will be very hard to make the
lighting softer. I used the list
views are like this. So if you want to find this is the Filson in
Marketplace you can find and type five in one
reflector wider maybe spiking wondering
because there's five site of the reflector, black, white or silver? Gold. And the one that is
see-through like this, this is the diffuser. It's part of my thing wondering why this is my
bedroom is because I can change the characteristic of the thing when I using
this one for example. This is how we set
the lychee and then one principle and
we have them know. If you want to
make the lighting, then you just they have to
make the decision closer to the lighting so you will get the harsh lighting
correct the mistake. And then if you want to make
the lightning software, then you just move the diffuser
further from the light, then the lagging
will be software. That is why I really
like this kind of setup. And then if you travel a lot and you shoot in the
client's location, it has all the various
important because we just need to
fold it like this. Then one note that you
have to remember is, I usually buy the overall
shape of the reflector. I don't buy the round one because in the oval
shape, if you want, you want it on the table, it is very, very simple, but if you only
have the round one, then maybe like this. So there will be area that is
not covered by reflective. So I recommend you to buy the awful one and then the size of the
reflector is 120 days. And the methods for this time, then the last one is
the lights plant, okay? If you want to find it
in the marketplace, you can type like this. Then you travel a lot. Also you should in the
client location mostly. Then I suggest maybe you can
also buy the smaller one. The likes that I used here is not more than 70 centimeter. So you have the large suitcase, so you can also put it
inside your suitcase. That is all the lighting I used. Actually for the dark
multiple photography lighting is very simple. And then most of the time
you only need one, right? Yeah, it really is important. And then I will explain to you the position exactly for every image that
we will produce. In the next lecture. I will see you in
the next section.
3. Introduction of Camera: I'll go guys, this accident, I will explain to you above
the camera and lenses I use for most of my professional
food photography job. Wonder camera actually
in this section, I don't use a very sophisticated and
very expensive camera. Actually in this section, I will only use the Canon
6D and this is the spec. And then by the time
I showed this course, actually, and I'm not
produced, cannot take anymore. I think it's Canon 6D
marks to mark two, it six, Denmark one. I think they are not
produced this one anymore. Why I use this camera? Because I wanted to show
you that you don't have to invest the very
new camera because actually the one
depth real create a beautiful dark mode
food photography picture is you not the camera
and not the land. But in this I said, I will just show you what
camera and let us ideas. You want to become the
professional food photography. I suggests you have this one, but in you don't
have this one yet. You don't have to
worry. Or the thing you have to start is do the practice while you're
completing your tools. This one is canon 100 millimeter
2.8 and visit the span. Why I loved this one is because when you use
this plan to shoot 45 degree and from
angle using this lens, this lens will create
a beautiful blur that grown and very
sharp in your subject. And then the color is
my favorite color. Produced by this land is
very beautiful and altered this chart and this is my
favorite one of my notes. Yes, you've used a
few half the lens. Would I suggest
that you use this in most of the time when you
shoot your food photography. Because in many cases, I use the backlighting
while using this land. So when you face the
lighting in front of you, if you don't use the land short, if the writing directly hit
your lens, effect your color, it will make your
color not as sharp as you use this one, okay? So if you use this
one your liking, there weren't any flash come through badly to this lens then, because it's offered where I went to it and the color
will be very beautiful. The front angle and
45 degree angle are mostly I used these lands
and then the second one, I use the 50 million, They're cannon 1.8, which
is one is the mark too. So I use this one on leaf war, the top angle shoot
or flight later. Because if you use this
one for the top angle, then you did a leather because
this land is to fiery. If you weren't, you make your lens closer
to your subject, then you definitely
have to use this one. Actually, the profession
off with photography, I only use this to lens if you still don't have this kind
of camera and lenses, you don't have to worry because all this course is
not about fasting, expensive camera
and expensive lens, but you wouldn't invest in
your knowledge how to paint a beautiful picture regardless what kind of tools you use. K is just supporting that. If you are a professional
photographer, and I hope this course we'll
drag it to become one. You will create
beautiful beach in regardless what kind of
lighting and tools you have. In the next section,
I will show you about the lighting views and also the light modifier we use for most of our
fourth section. I will see you in
the next section.
4. Project 1 : Choose the Right Props & Compose !: Okay guys, Welcome
to this section. And then in this section
I will explain to you about the preparation war. We'll do the photoshoot. It is quite important to know and to choose the right drops while you are doing
the photoshoot and seems it's a dark photo session. Then I'll explain to you first above the background the props we use and we choose to create this beautiful
dark Martina. We use to background. There are hard is a
little bit grown and the vertical and
horizontal big gun, I just the dark woods here. And then for the firm,
the gold background, I use this one and I'll
place it right here. Yeah, I'll put the chair behind. So I'll put it right here. And because we blend to put our lighting there, if you want, you make the background darker, then you have to face
your big gun through here to make sure that
it will be darker. If you want to make it brighter. You will pleased with
big long like this, because if the lighting
is right here, then it will be brighter. This scene. We are planning
to make this darker. So I'll vase a background here, so it will become darker. I'm done for the main subject, we have a beautiful cake
there and you have to recognize which part
you want to shoot. And then since the cake is tall, and then I think I want to
use this area as the face of our wood from here and it will become
the face of the foot. And then I'll explain
to you another props we use actually for the
dark with tapping. And I suggest you to
use the dot props and this backlog to provoke or this background
because it's also there. And then if you've
asked integer, but don't add any new
color in our frame. And we also have the
small and Berkeley here. And we also have the
honey, honey before. Okay? Then we also have the dark bowl, that wooden bowl here
with our flower inside. And then we purposefully choose
the egg, the smaller one, because I want you to make
sure that most of the plops is small and it will make our
foot is turned out if you can, you can choose the smaller, smaller, smaller plate
and many things. And then instead of using
the whole API, this, you also can use only
the page shells, the variation of the texture, even if you don't have
too many products, you can also have choice. Make the different
texture of your object. I choose to use only the shell to give
them different texture. And we also have the
small ninth year. I also paint a small knife to make sure it's
also a dark gray. So that's how we
choose our Bob's. I'll see you in
the next section.
5. Project 1 : Light Your Food !: Okay, guys may have
already done the setup. Then I will explain to you about the lighting
settings here. In this section, I
will explain to you, I want you to identify which is the main science
of our food, okay? Because the K is tall, the family called area of this as the main area
that we want to shoot. You have to think I'll area as the main
phase of your foot. Then I suggest to use
the site lighting. Because the side
lighting we'll make the texture year in the
pharmaceutical area. So I only use one like in here, only the side lighting. Or you also can
decide to use both. You can use to sites to make
the beautiful texture here, highlight, highlight,
and shadow in the front. But this time, and I'll use
only one lighting there. So there will be a beautiful transition
between light to dark here. The distance between
our subject here to our diffuser here
is about one meter. Then the distance between our diffuser here
to our life thing, best about like 15. Send the method, get 1550
meter and one meter here. Okay, so debits our settings and then I'll explain to you
the power of the lighting here we use S1 for
16 and then the heading of life
thing we said he's the same level with the foot, so we want to maximize
the texture here. So we use the same
Hague off the footwear, our life and you sat
the lighting here, then the texture
won't be maximum. So if you wanted to get a
beautiful texture there, you want to make sure that the Hague of the lightning is
the same width our subject. Okay. And then I'll explain to you
about the blocking here. I can shoot like this, but I prefer that. I want you to get
beautiful highlight here. And then I want you to get the darker mood in
the back of our cake. So I want you block
the lighting here, just make sure that the
lighting is badly come through here to the back area of our food will be
blocked by this one. I use the Blackboard like this. You don't have this one. You can also use this clipboard. Most of people use the
paper here too, right? But I use the black one and then I usually use this
one while doing photos. You typical for blocking
the lighting? Yep. If you don't have this one, you can also purchased this black clipboard and
then you put it like this, works just the same
width, this blackboard. Okay. Yeah. This is the settling
of the lighting here. I'll pick two times
the first time outtake we adult my essays Stern, and then the second time
I'll ask my assistant here. So I will take two
sin and their setup. Okay. So this how simple the lighting is and then I'll see you in
the next section.
6. Project 1 : Adjust Your Camera !: Okay. Before we are doing
a photo shoot, I'll explain to you about
the camera's settings. Actually, if you
weren't quite mu, using the DSLR camera or
coop for those youth, then the setting
actually is free. The symbol, usually most of the time while I shoot
with a flash right there, I'll use the 100 and the ISO, and then I'll use one per
125 more the shutter speed. And then the one that
I changed frequently, it's only the aperture, the f-number, because if not, then I will make the aperture aware and then
veered too bright. I will make the aperture higher. This time, I'll try with
the 0 as the aperture. And then I suggest
you to pack in the raw format because
it will give you many advantageous while you do the editing in Lightroom
for the white balance, I use Kelvin as the
way melons because actually if we are using the
studio like thing like that, they already have wondered about the color of the light
and it was pretty easy. I want you to make
it consistent. So I always use Kelvin while I using that
kind of lighting. And then for the
Kelvin value here, It's 5,500 as the white balance. That's all for the cameras, I think I wouldn't mind. Again, the wonder if
I change the most is only the f number
because if it's too dark, lord, that after
number a Ritz bright, I'll increase the
f-number, okay?
7. Project 1 : Prepare Your Food & Shoot !: Hey guys, I already
have my essays. In this section. I will take loadable times. The first time I'll
take without assistant. And then the second time
I will have my assistant here place their hand on the
board under our cake here. One thing you have
to consider S, Since our lighting here, we'll put our assistant
there to make sure that the lighting here is also
can give us exchanger here. What I don't suggest is if you
replace the lighting here, if you put the writing
in this position, it can bring the texture here. It will also very good, but this area will be very dark if you only
put the lighting here. Okay. So I don't suggest that seems I want
to sell these area. So I asked our system to boot the dark up from here and also
the dark shirt under upon. So the main attention only here, I don't want to make the assistant become the
center of our pictures. So it seems it's dark Moto. I asked my axes then also used the app wrong and
dark shirts below. And then the other thing is, after we light our candle here, we also want to blow the candle and we
wanted to make sure that we also take the
small texture here, and we wanted to make sure
that the smoke background is also dark because
the smoke will be white and this dark area, we'll make the
smoke will pop out. Yeah. So that's how we set our starting and let's
do it a photoshoot.
8. Project 1 : The Result !: Okay guys, we have already
done our for those shoots and then I will show
you some of the result. So here's the brief view of the picture without
our I system, with our assistant and
with the small okay. The preview. If you guys wanted you to
know this fact by step, clearly how we
added this picture, we already cover it in the next section in
the editing part, we'll show you how we use the Lightroom to create
this kind of editing, especially for the
document editing. So I'll see you in
the next section.
9. Project 1: Light Your Food with Lightroom !: Okay, hello guys.
So in this video, I'll edit the colors
in this picture guys, which is a picture of the dark mood in the
first foot guys. In this picture
guys, I'll explain how we edit colors
so they are good, not cracked, focused, and
also have good colors guys. Well, I'm here using
Dob Light Room guys. You can just download it on the app Store or on
the playstore guys. This application
is actually free. Well, I'll also use the
free features here guys, let's go straight to the point. I'll crop the image right away because I think
it's too big guys. You can directly
open the crop here. Crop, then I'll choose
five times seven. Then I'll scroll to the bottom. Now after cropping, I'll adjust the light here in
the light menu. Well, in the light menu
there is exposure guys. Well, I'll increase
the exposure here, but when you increase
the exposure, you have to be careful. Why? Because exposure
will increase the entire light level
in your image guys. You have to be careful here. I'll increase the
exposure level. A little guys around the number 0.35 I don't need to increase the contrast because I think it's good with zero. Then here there is highlight. Highlight is the reflection
of light from your lighting. Well, for example, it's like
this guys in the white part, in the white color of the cake, there is the color of the light reflected
from the lamb guys. That's what's called
a highlight here. Because the highlights are
two over, in my opinion, I lower the highlights
to -50 more or less 52. Okay, well then here there is also such a
thing called shadows. Shadows is the
shadow level behind the light that is not
exposed to light. Okay. Well, I'll increase the
shadow by around 30 maybe, so that the shadow is
not too dark eyes. Okay. Then after shadow
there is white guys. Well the white is
the whiteness level of the color of the photo guys. Here I'll raise the white. Well, the difference between
white and exposure is the white only increases the brightness of the
image, which is only white. Unlike the exposure,
white doesn't increase the light level
in the whole pictures. The white is not too
sensitive to be raised. I'll raise the white
about 72. Here guys. Then here there is
also the black guys, while the black is the
same as the white. This focus is only
on the black ones. Guys like the shadow, like this photo assistant shirt and also like this background. Well, I'll reduce the black
to make it look darker. And focus guys, well here I'm going to reduce
it to around -19 or 20. Okay. Well, for the light
menu, it's like this guys. That's enough in my opinion. Then I'll move to
the color menu. Guys in the color, you can just choose the
one next to grading. This is the color two guys, you can press it right away. Well, here are various
colors for the red color. Here I'll add the hue, which is around plus 17 guys. And also the saturation. While the saturation is
the level of warmed, I'll reduce it about -42 Then I don't set the luminenskay guys for the orange color, we don't adjust it at all. Then here is the yellow color. For the yellow color here, I'll reduce the saturation
of the yellow color to -100 guys because
the yellow color here is quite excessive. Well, to make it look softer, I'll reduce it a little. Well, for the green color, I don't reduce it there because there is no
green here guys. You can just go straight
to the blue color guys. Well, in the blue color, I'll reduce the saturation
by around -88 Here guys, I think that's enough. Then here is the blue color, the dark blue color here. I'll also reduce guys, because basically in this photo there is no blue color guys. I'm going to reduce it
to around -65 Well, for the purple color here, because there really isn't
any purple in the photo, I'm going to reduce the purple
color by around -100 guys. Just make it left the
line until it full guys. Then for the pink here,
because there's no pink color, I'll make it full to -100 guys. If you finished, you
can immediately click. Done well, for this image in the color menu. I
think that's enough. You can immediately click, then you can immediately
move to another menu. Well, here I'll move
to the Efax guys. Well, in the ex menu guys, you can just increase
the texture. What is the texture? Texture is the hardness of the texture. In your photo, for example, in this part of the cake or
in the lines of this cake, that is the level
of texture here. The cake, cream has
twists and turns, that's part of the texture guys. Well, I'm going to increase the texture so that it
goes up to plus 63. Okay. Then here
there is clarity. Clarity doesn't need to be set. Then here there is the dehaze. Well here I'll add
the Hayes guys. Well, more or less, I'll add
the de Hayes to plus 34. Then here there is also a get. Well, in the net section, it will focus on the center of your photo but only
affects the edges. Well, I'm going to make the fined around minus seven guys. Well, if you finished, I'll reduce the midpoint guys. Why? Because I want to make the fined not too visible
on the H guys. I'm going to raise the midpoint. The midpoint is from the middle. It will cost the midpoint wider. The fined that I gave earlier
has slightly more effect. Well, in the roundness, I just
make it right align guys. The feathers are also right
aligned for this photo guys. Well, for the highlight grain, you don't need to adjust it. That's it guys. Your photo
is actually good guys. You can see this
is the before and after if your pictures
can look more textured, sharper, and also not blurry. Actually to use
the features that are free in Dob light room guys, you've been able to get
photos like this guys. Nice, sharp textured,
and also neat guys. However, if you use pad or
subscribe AOB lit room here, you can get a feature
called the masking Guys. Well, in the masking
feature you can adjust the parts that
you only choose. For example, only the cake or the hands or the background. Well, okay guys, for example, here you can directly click at. Then here there
are various menus. Guys, I'm going to give an
example of a radial gradient. Then I'll just on the cake part. In this part so that the
main focus is still on the cake guys around the cake. It looks slightly blurry guys. Well, here I'll change it guys. I'll select the others
which are outside. Well, it's seen in the red part. This is the part
that was selected. Guys, you can go directly
to the Details menu. Well, here I'll reduce the
sharpness to around -57 Well, okay then guys, you
can adjust it here. Well, the difference
is you can see the area of the kick is sharper than the part
that we have selected. We've reduced the sharpness. Well, that is the function
of the masking guys here. I'll change some of the
other masking features here. I'll add the masking four
linear gradient guys. Well here I'll change at
the bottom of the guys. Okay, here guys. You can adjust the slope
and width as you like guys. Well, in the red part, this is the part
that was selected. The red part is the
part we're going to change guys below here. I'll reduce the shadow to 100. In the light menu guys, well, so that it
looks a bit better and also the exposure
is not too over. Okay, We can click
the thick right away. Then we add another here, a linear gradient
at the top guys, which is the site where
the lighting is located. Guys here, I'm going
to make it big. Then I'll adjust it
a bit here guys. Then we'll go into
the light menu again. Then we'll reduce the
exposure to about this guys. Why did I reduce the
exposure at the top? Because at the top it is
where the light comes into our picture or
into our frame Guys, I'm going to reduce it so that at the top of it looks darker. That's it guys. Well, here I'll adjust the position a bit. Okay. Well, the masking
part is the part that you can actually get when you subscribe to Dob
light room guys. You can also brush
which part you really want to select here. I'll brush the chopping
board part of the kick here. I'll brush on the
kick part so that the chopping board is
slightly selected. Well, in the red part, this is indeed the object that
was selected guys. Well, I'm going to adjust the color here for
the saturation. I'll reduce it because it's really annoying to
see the color here. I'll reduce it to
around -39 Click. Okay, well that's part of the brush in the
masking menu guys. Well here I'm going to brush some objects like
the hands here guys. Then I'll adjust the saturation again in the color
section to reduce it so that it looks like his hands are a
bit the same color as the picture with
the dark mood tone, which we use as the theme of
our picture here guys, here, I'll also reduce the temperature so that the colors are
not too warm guys, well, I'll reduce it
to about this much. Well, if you finished,
just click Okay.
10. Project 1: Sharpen Your FOod with Lightroom !: Then guys here,
I'll also brush on the assistant part
here because I think this object
is to warm guys, I'll reduce the warmth
from this assistant shirt. Well, the trick is
we brush first, then I selected, then I'll make the temperature look
a bit cooler here, guys. Well, for the smoke guys here, the smoke looks warmer too. I'll be masking using
a brush here guys. If it's already brushed, then we go to the color menu. Then we reduce the
temperature to around -29 Then we also reduce the tin here guys
until you think it's right, then I'll reduce
the saturation here guys to -18 more or less. Well, if you think it's
still lacking guys, you can just use masking here in the parts
that still look warm. Okay, here I'll brush on the parts that I
think are still warm and don't match the tone color
of our dark mood Theme guys. Okay, then we go to the color, then we go to the temperature. We'll reduce the
temperature here again to around -20 Here, I use -29 Okay. Then we'll see if
anything is still warm. It turns out that here guys, I'll add the brush here, guys. Well, I added the brush and
then we went to the color. Then we reduced the
temperature again, guys. Okay, well here I'll
repeat the brush again. Well, here I keep
repeating the brush guys, in parts that I think
still don't match with the tone color
of our image guys. Okay, well in this part, guys, it looks brighter
than the other parts. I'll use the masking
again, guys. We brush again the right
part of the image, guys. Well, if you finished
with the masking, then we'll go to the light menu. Then we first reduce the
shadow until it's stuck, guys. Well, to make it look better. Well, okay, until
all of the settings, our pictures are like this guys better than the raw ones, right? Well, here I notice there
are the highlights. Indeed it is. The annoying guys two over. I'll reduce them first
by using a brush. We go to the masking menu. Again, let's brush the part that I think the
highlights is still over, guys, it's on the cake. Let's just go to the light menu. Then we reduce the highlights. The highlight is part of the reflection of
light from our lamp. Well, if we reduce it, the picture is a
bit better guys, then here I'm going to
reduce the shadows, part of the background
of our photo again. Well, the method is like
the one we used earlier. Just use the masking. Then we brush, then
we use slight menu. Then we use the shadows here. We'll add the shadows to
make it more visible. Okay, so it will
not be too dark. Well here guys, I also see the exposure is also a bit too, Over here at the bottom. I'll also use the masking
using a brush guys, we select first at
the bottom of this. Okay, then let's go
to the light menu. Well then I'll reduce
the exposure first to around -0.60 guys. Well, okay then guys. For this part of the hand, it does look warmer
guys, it's more reddish. I'll reduce the
temperature here so that the hand looks more the
same as our color theme. We're going to go into
the masking menu. Then we'll brush again, guys, we add a brush,
then we brush here. If we go to the color menu, then we first reduce the
temperature until it matches. Then we add the saturation
to make it more colorful, not just dish well, okay, that's it then here
for the finishing guys. I'll select all parts
except the kick to reduce the shadows
from the image. To make it darker guys here I'll select it using a brush in the
masking menu guys. Okay, then let's go to
the light menu Here guys. We go to the shadows
and then we reduce the shadows to -59 guys. Okay, then we also add
the white part guys, so that it's not too over exposed but a bit brighter guys, so that the color is
more beautiful guys. Okay, well, okay guys. Well, for the blacks,
I'll add a bit here. I add plus one. Okay. Then guys,
for the color menu, we'll change the color here. Guys, for the previous masking, it's still the ones that we use guys the previous
masking except the kick, well, we reduce the saturation
to minus third guys. Okay guys, if
everything is done we can just add more
masking here guys. I'll use the radial gradient here to make it easier
to select guys. Then I'll just choose
the kick part. Okay, I'm going to
choose the cakes part so that the whole of
cakes are selected, guys. Well, then we go to
the details guys. We'll add the sharpness guys. The sharpness of the
kick will be added around plus 30 so that the
kick part looks sharper. And better guys for
the effect menu here. I'll also add another that is the texture guys so that the texture of the
kick looks more solid. And also be until he guys, this is the result of the image that we've edited
during this video. Guys, if you want
to see the before, you can just press
the picture guys. Just press it for a few seconds. Then you'll see the before. Here is the before the guys. If you release it guys, you can immediately
see the after. This is the before image, that is still raw guys. Then we release. This is after image that
we've edited guys. If we have edited
everything guys following the steps above,
just click on the share. I can here guys, you can directly export to
camera role so that the photos can go
directly to your gallery. Well, maybe that's all for the tutorial in
this first video. Let's go straight to the
next video. Thank you.
11. Project 2 : Choose the Right Props & Compose !: Okay guys, Welcome
to this section. In this section I will
give some tips for you. This is the preparation part. We are ready to shoot the next picture and
then the first one I will explain to you
above the background here we use the
wood, the ground. Actually, the first
time I purchased this one visits brighter breath, I decided to begin
using the niche to make it darker so it will be more
suitable for the dogma. And then on the, and I don't think
I'll be gone here. I use the blackboard and
the next I will explain to you about all off props that
we use in this section, different from the frame
reshoot before the food, we should before
half the front area asked the face of the foot. But this one, the
face of our foot, is on the top of a hill. So the lighting that need
for this one is different. And I'll show you how we position our lightning
and Mx section. I will give some tips for you. Have you ever felt depth? You have already placed all of the crops year
here and there. You'll place all the props. If you feel like I
still don't get what I want or you feel
that my friend is already full of many
things, but why? It still looks so simple? One question you have to ask
when you face the situation like that is how many level have you already placed
in your picture? Level means how many steps you have already sat in
your prompts like this one is the first level and this black chopping board
is the second level, and then the cape
is the third level. And then I also decided to
put man Me hoping shear. So to make it higher, I consider this one is the
fourth level in this frame, I decide to choose the prop, the color is slightly
similar to the background, so the attention is
100% to our cake. Yeah, okay, So
there's four level in this area and then also you can consider to the leveling
in the surrounding. Ok. So in the back area, I choose this chopping
board to make the leveling, and then I'll place the
small baskets here, so wonderful to level, third level and then
form the chopping block. I am half many shapes of the small chopping
board like this. Usually I invest the chopping
board that the size is not more than 25 centimeter
because I consider that if the chopping board
is more than 2570 million, it is too large. So I made sure that I have
this small one and then I'll put the backlight this to make sure that the
leveling is higher. You can have many kinds
of chopping board, but if you spank
them into the level, it will make your frame
more interesting. Okay, so in the front area, or we'll place this
wooden chopping board is the first level, and then the black jumping
board is the second level. And all of the items on the top of the blade chopping board
is the third level, okay? So it will add complexity
in your frame, but it's still a metro. And then I also plan some range in my backyard so I can
use it whenever I want. Okay. There's some tips. If you want to pick green
leaf in your backyard, you can choose the one barrier
still bright green instead of the dark green because the dark green leaf is
since either to hold. And then the color is
not that interesting. This one is quiet, right? So I chose this one. And then we also have
closed year since the color is still green
and then it also dark, so it's still safe to use. Okay, yeah, that is all
of the settings here and then add the one
thing you have to remember I repeated
again is about leveling. If you are confused, how to improve your frame, then maybe you can
start to count how many left while you
have in your frame. Okay, that's all done. I will see you in
the next section.
12. Project 2 : Light Your Food !: All right guys. We have already do the setup and then I will explain to you about the lighting position
for your information. I'll take from here to there. And then we only use one
like thing for this setup. And the lighting position
is from right corner there. Okay, we only use one thing, our move this 1 first so you can see the
lighting position, okay, so delighting
face that athlete, you our book there, the distance between our
product virtue, the lighting, is about one meter
and then the distance between the lighting here to
the food is also one meter. Then the Hague different between the food
and the lighting? Yes. About like 60 centimeter. Okay. And then I'll
explain to you where I put our live few, Sir, the distance between
our liking to our diffuser is about
30 centimeters. Yeah, that's how we
set for this scene. And then because this
corner is too bright, output the blocking here, so to make the corner of
our background is darker. This time I put the lighting in the right corner
because I want to make the more three dimensional
effect in our codec here because the phase of
their food is on the top here. Okay, so if I want to maximize the pet on
the top of our book, then the best lighting position is on the right corner
or the left corner. So it's quite different between the first section because
the first section, the face of that
is in the front, that this one, the
face on the top. So I suggest the backlighting is the one that will
maximize the texture on the top of our cake because
on the palm of our kids are there so many
texture and shade care. So it's a waste if I put
the light on the right. But you can also try if you want to take from the right and you want to compare the result with the lighting from
the right corner. But this time I will take
only a right corner, so we'll see the results, how the lighting position, we'll make this, it become
more three-dimensional. The power of the lighting
here is one per 16. So actually since you are
using only one light thing, you can modify the
lighting power. But this time I will
start with one per 16 because my lighting
is slide powerful. Okay, and then I'll explain one more about the
background here. So if you see here, I have the black
background here, but if you don't have the
background this large, you don't have to worry, you just need a board. And then you can also by the black clothes and then
cover it with the black Hello. It's just the same. Okay. Please make sure
you buy the cloth that is map instead
of the glossy one. Then instead of putting
the background like this, if I put it like this, then delighting will come through here and it
will be brighter. Okay, so I teal background
like this to make sure that guest last light come through here so it
will become darker. And this setup, I will
ask my assistant also two right here and then we will
take the motion shot also. Okay. Yeah. That's how I said the lighting. And let's move to
the next section.
13. Project 2 : Adjust Your Camera !: Okay guys, We have already explained about the writing
position and then this time I will explain to you about our cameras having
here the cameras, I think he is slightly
the same with this photo session
before the first one, I have to make sure that
my shutter speed is one per 125 because I can help. I don't use any tripod. Actually, if you are
shooting commercial chart, I recommend you use
the tripod birth. If you want to get
multiple images, get a bunch image. Usually I can't help
because if I do handheld, I can change portrait, landscape and all the
angles very quickly. Okay? And then the second one, I have to make sure the ISO is the smallest number
because I want to make sure the
quality is high, okay, so I use the 100
ISO and then for the f-number or the aperture are we'll start with
for the white balance, I will send the Kelvin and the counting is still
the same, 5,500. Yeah, that's my
camera settings here. And then let's move
to the next section.
14. Project 2 : Prepare Your Food & Shoot !: Okay guys, I already
have our system here and then lighting position
is still the same. And then we'll do the motion like this and we
will put the icing you read here and make
sure that I think will drop through the
toppings of our gate. But you have two choices. Do you want to make
sure the foot, this animal, then you can
put the icing sugar here. But if you don't expect
you at the fourth pen, you can use the flower
because the flower is a thicker than the flower
will drop slowly. And I said You got to
really drop faster, okay? If you use the ice issue
gotta you have to make sure while you're
checking this one, you don't want to shake harder, okay, because it will
drop very quickly. Or alternative, you
can use flour but you don't drop on
the top of the cake, but you can also drop
behind the cape. You also get the motion, but you don't destroy
your boot here. Okay. Then you have to
pay attention here. Yes. When the
lighting from year, there will be a
highlight over here. You want to make sure
that the background of this drop on the dark area. We don't want to drop on the highlight area here because it won't
be pretty stable. That's how we set up our
scene lighting here. And then let's move
to the next section. It.
15. Project 2 : The Result: Okay guys, we have already
done our work for those youth. And then I'll show you the
pictures, same as before. I suggest you to take many
of them and you can take the close-up one and then you
overtake the further one. And portrait landscape
and higher and low angle. Okay, here I show you the
alternative of the picture. We doubt the pellet
and the pellet. Then here I'll show you the
before and after editing. Then if you guys curious about
how the editing process, then I'll explain to you step-by-step in
the next section. See you.
16. Project 2: Edit Your Food with Lightroom !: Well, okay guys, we've
entered the next foot photo, guys, in this photo guys, we'll repeat the step by step editing that we've
seen before Guys, for this foot photo,
I'll crop first guys which part of the photo
I'll choose here. I'll choose custom
because I won't be inserting a face image
from our assistant. Okay, if it's neatly cut, we can just click the tick. Then guys will adjust
the lighting guys. Well, in the lighting, I'll reduce the highlights directly. Guys, we don't have to adjust exposure and contrast
to this photo because I think it's just right
now for the highlight. We'll adjust it here, guys, we reduced the
highlight to -40 maybe. Then the shadows here. I'll add for the shadows here, I'll add around plus 60 guys. Then here are the white guys. The white is actually the
same as the exposure, but I want to change the
brightness not completely. I'll add the white here
around plus 60 guys. I also don't want
to overdo it here. Well, for the black here, because the background
we use is black and the person in this photo
also wears black clothes. I'm going to reduce it a little bit to make
it look blacker. I'll just reduce it a bit
around minus five guys. Then guys, we move
to the color menu. Well, for the color, the initial settings
are like this guys, well, but we're going
to press the color. Then we change the color
which is red from this image. We'll reduce the saturation
first guys until we get to -40 I think that's enough. Then we immediately move
to the blue color here. I'll reduce the saturation of the blue color so that the blue color isn't
too blue either. Well here I'll reduce
it to minus seven. Okay, well then for the
purple color indeed, because in this photo
there is no purple color. We can immediately make all the saturation
just left a line -100 guys because we really don't want the purple
color excess in our image. Well, for the pink color, we'll just make it left a
line guys. Then we click. Do we go directly to the
Evan guys in the Evac menu? I'll add the texture
to plus 50. Why? Because I want the texture of this image to be rich
with texture guys. Well, for the clarity it is not sap that the haze
doesn't have to either. We'll reduce the
vignette by around -20 so that the picture
tells a bit more of a story. Which shadows on the top side, on the corners guys? Well, to adjust
the vignette guys, we'll also adjust
the midpoint so that the get is not too on
the edge but spread out. Well, I'll reduce the midpoint
around the number 44 guys. Well, if it's done guys, actually for this picture, the editing process
is already finished. That's all guys. Why? Because if we look at the before
and after image, it has changed a lot. And this is already pretty good, nice image guys that's only
using menus that are free and have been obtained without a subscription to
premium bit room guys. However, guys for those of you who have premium lit room here, you can just use the
masking menu guys. Well, in the masking menu, you can directly
choose by brushing the part that you really
want to change here. I want to change the
oranges Guys change the color of this
orange because I think the color is a
bit too over here. I'll first reduce the
temperature to around -13 maybe. Then the thin, I'll change
it to left the line, we'll change everything
to -100 guys, if it's done we'll just
click the thick right away. Then guys, you can just
select the brush here. I'll select the objects
that I'll change here. Guys, just brush it right away. Brushing is like painting guys, guys, you don't have to worry if you think this is difficult. Not at all, guys.
It's easy, trust me. Well, if I've selected it guys, I'll adjust the color here
in the color menu guys. Well, here I'll adjust
the saturation guys. Around -50 guys. Well, for the color is enough. Let's move to the
effect menu guys. In the effect menu, I'll add the texture from the
image that we've selected so that the
texture is richer. The texture is
richer and fuller. Okay, well if the
effect is already done, we can immediately click the T. Well, here it turns
out that there is an object that we
accidentally selected guys. The trick is you
can just delete it. We click on the
masking part here, then click on the bottom. Then we select Erasor guys. Well, we can just
delete the part that we accidentally selected during
the masking selection guys. Well, the colors are even better and also not as
selected as before. Okay guys, if it's done we can immediately click the tick. Then guys, here I'll use the masking again in the
photo assistant part. Guys, we are using
another brush guys. Well, here I'll use the
masking in this part, guys, in the shadows of assistant
or human objects. In this photo, guys. Well, I select this part, the guys, I'll add the lighting. I add the shadows in
the lighting menu. I added the shadows
so it doesn't look darker, it's a bit bright. Well, for the exposure, I'll add a bit here guys. Okay, if it's done,
just click the thick. Then guys, we'll select
some objects that indeed look a bit
disturbing in our picture. Guys, I'll change the object
from the one I selected. That is the basket guys. I'll change the color Here are we just the
temperature to around fist the tin to -50 maybe. Then for the saturation, I also reduce it again, guys to minus '40s maybe. Yeah, if we have selected
it then we click the thick. Then guys here we'll still
brush the person part, but on the whole guys, because I think here there are some textures or colors
that are missed here guys, I will adjust it here guys. Then we'll change it
in the light menu. We're going to change it, we'll add a bit more shadows, but since we've
already added more, we'll just add a bit more here. About minus one guys. Then we change the color guys. Here. We change the
temperature here to blue. We'll reduce it to
minus three guys. Then guys, I also want this human object
to be a bit sharp, the texture is a bit visible. I'll add the texture here, guys, around plus 70. If it's done, we immediately
add the sharpness. We go into the sharpness
part in the details. Men, you guys, the
sharpness here, I will add, plus four guys. Well, if it's done we'll
just click the tick. Then we use the masking again guys in the objects that
are really detailed, guys, that is the orange
cake object guys. Well, already use the
masking on the orange part. Then I'll change
the lighting here. In the shadow section, guys, I'll add about 48. Okay. Then we'll also change the color in
the temperature part, we reduce it to minus six. Okay. As for the thin, I change it maybe
a bit plus. Okay. It's just right. Then
I'll add the noise guys. I'll add the noise in the
Details menu around plus four. Okay guys, if it's done we can immediately
click the tick. Well, here are some objects. There are two over on
the highlights guys. Here, I'll brush first guys. Well, the highlight
in the light menu. I'll reduce guys to
around -59 maybe. Okay, if we finish,
just click the thick. Well, it looks like the
highlight is a bit less guys, it's not over right here guys. I'll select or brush the
top of the person guys, especially on the
hands, on the skin. Then on the top of
the person guys, well for this person's part, I'll change the color, which is more precisely the
saturation guys. We'll change the saturation to -24 Well I'll change it
to 24 for the color guys. Well, I can immediately
click the tick here. Then guys will
change the color or the saturation on this
person's clothes. Guys, we're asking again because I think it's a bit
lacking in this part guys. Okay, I selected. Okay. Then we go
to the color guys. We go to the saturation, we reduce it to -72
we click the tick. Well, if you finished guys, we've passed actually
that's all a session that has changed your picture
into better picture guys. This is the before image. You can just press on
the image and then release it if you want
to see the after image. This is before and
this is after. The result is better, isn't it? This is just using
Adubilat room guys. Actually guys, you don't
need to use the masking. Just use the menu
that I change here that is light color
effects and also details. Maybe in some of
your photos you can actually get the
better pictures guys. Well, here if we have
passed all the steps guys, you can directly click
the shared logo above. Then guys elect export
to camera role, then your pictures will
immediately be in your gallery. Well, that's all for editing. Tutorial on the
Food photos, guys, we'll move directly to
the next foot. Thank you.
17. Project 3 : Choose the Right Props & Compose !: Okay guys, Welcome
to the sanction. And in this section we want to prepare our next frame here. Here's the background. We use steel same as before
where this background, but in this frame, I will take the 45 degree angle. Then our subject here is
the beautiful desert here, yogurt, even if you have
beautiful desert care. But if you only put it like
this without know levelling, it will look inclusive ball. And sometimes it's
quite confusing like I already put many
things here and there. Why it's not pop out. Okay, So in this flame I
decide to add more lovely. Okay, So I decided to
use this topping board. I shouldn't be repaint it into a dark gray chopping board. And we use two to make
sure it has more level. Okay, so I put two
chopping board here, and then on the top
of jumping book, instead of directly use
this and here I want to that war level to make it
breach of texture day. So I use this making, this making pepper,
yeah, Stripe Brown. Actually, I don't want
to use the white one because in our subject here
there are so many white. If I choose white paper, I want this and we'll compete
with this white paper. But if you choose brown paper, then it will be okay. Okay, so I put two
brown baking paper here to add more texture and
then I put it like this. So as you can see that
after we add more leveling, it is reach texture. We can also modify it
by placing the spoon here on the top of
this chopping board. And I also prepare some
texture or orange, the one that you have, the oblique and the one that
doesn't have leaf at all, and the one that I
have already built so many texture here. And then in the back area here, I also have the different
kind of chopping more. We can also put the baking paper also to make it higher level. And then we can put
many different types of the range on the bed side and on the front area of our foot here. So please make sure that you always count the level
of your settings. And then in the next section, I will show you how
we compose this one. This settings we want to use the golden triangle composition. I will explain the
Golden Triangle area in the editing section to make sure that you can see the
composition clearly. I will set up a sad
thing and then I will introduce you delight things
I think we use for this one. Okay, so let's do it.
18. Project 3 : Light Your Food !: Hey guys, Welcome
to this section. In this section, I will
explain to you exactly delighting position that
we use for this frame. And this frame, we will take 45 degree angle and then
we have a new technique. I will explain to you that
is the blocking over here. I have an assistant to help
me to hold this wooden block. Actually, we don't
take this texture, a wooden block, but we use these wooden block to
block the lighting. In the background here, there will be a nice gradation
between dark to light. It will be very beautiful. I will show you in the
result picture after this. And then here's the
lighting position. We only use one
lighting here and the power is still one per 16. Okay. So I'll explain to you
the position here, the distance between
the foot here to delight thing is above
90s and the method. And then the distance
between the right thing and put this distance is also about my aunties and demand paper and the heck different
between the background and the lighting is
about 65 centimeter. And then we put our the fuser plenty five
centimeter in front of our lighting to make
sure that the lighting is more harsh to create the
three-dimensional effects. On the top of our research here, the light thing for this
one is the backlighting to make sure that pop off this
desert is three-dimensional, we want to enhance the texture on the
top of this dessert. Yeah, Because on
the front of this, it is quite bright, so I don't have to
worry if we don't have light in this area
because that is quite bright. So the one that I
want to enhance is on the top of the lightning
so we use backlight. Okay. Yeah. That is how we sat middle, I think for the same. Okay. So see you in the next section.
19. Project 3 : Adjust the Camera & Shoot !: Okay. We've already
seen this exhibit. I will show you the cameras have been here,
actually new cameras. I think I use steel,
almost the same. Again, my shutter
speed is one per 125 and my ISO is Bill 100, but my aperture is 3.5 because I want you to make the back area
here become more blurred. So I lowered the number. Then I will take one picture
and I will show you why. This one will make your picture beautiful and more
focused to the subject. The gradation between
dark to bright, it will be beautiful. I wish you, you, I
will take one picture first and then output you one for you. Here you go. Yes. As you can see
in this picture, automatically focused
in this area. And you can see beautiful
gradation here, very dark to brighter. So that is why we block
this area and you can see the picture
automatically focus areas. Okay guys, in this section, I will explain to you about the golden triangle composition. Actually, efficient technique is not found while camera is found, because Golden Triangle
technique already applied when the humankind do depending because
it's quite the same. The frame is also
rectangle like this. And then what is the golden
triangle principle? This one. So for this frame, I followed the golden
triangle composition. So the main area of the golden triangle is
the main diagonal here. While practicing the
golden triangle, you don't have to put the
prompts all over the place, but the main area of the golden triangle is
the main diagonal here. So I just put around
the main area here. And then of interest area beside these main diagonal is the intersection between
these two lines, which is this one. You can also put your
point of interest of your subject within
this dots, okay? But this time I only utilize the main diagonal here and I put our subject between the dots.
20. Project 3 : The Result !: It will go guys. We
have just non-default those youth and we
have done some angles, portrait and landscape
close up and far away. I was showing you
here the raw feature. And then here's the
comparison between before and after we added the speaker. Then if you guys
wanted to know the step-by-step how we
edit the sphincter. Then let's go to
the next section. I will explain to you step-by-step
how we added this one.
21. Project 3: Edit Your Food with Lightroom !: Okay guys. Well, here I'll continue to give
you tutorials on how to edit colors on dark
mood themed images guys. As before, let's just
go straight to it guys. Immediately adjust
the lighting guys. Well, in this
lighting menu, guys, you still add the exposure so that your pictures
are brighter. Guys, remember that exposure will control the whole pictures. If you cite it too much, then your picture
will be very bright. Guys like this picture. If you reduce it, then your
picture will be darker. Well, here I'll just
add a bit guys, more or less this much, guys plus 18 or 17. Well, for the contrast
here, I'll not adjust it. Well, here are the highlights. The highlight is a reflection
of the lighting guys. If you adjust the position
from the top right corner, you can see the lighting
will reach here. The reflections from this glass are highlights from
the lights guys. For the highlights
here, I'll reduce it to minus guys here. I'll reduce it about -80 maybe. Okay, Under the highlight,
they're shadow guys. Shadow is the shadow
part of the image that is not exposed to
highlights or the lights, guys. Well, the shadow here, I'll also reduce
it to -70 maybe. That's enough, guys.
Okay then guys, under the shadows
there is the wipe. Well, the difference
with the exposure is that the white will
adjust the brightness to, but not the whole picture. It's different from
the previous exposure. Therefore, I'll
give the brightness of white here to
make it brighter. Guys, here I'm going
to add about maybe 47. Maybe we here guys, It's time for the
lighting session. We can immediately move
to the color menu guys. Now for the color menu guys here I'll use the
default settings guys. Well, here I use
settings like this guys. Well, for this photo, I didn't set this color guys. For this one we use the
default settings guys, the difference is
guys in the color. You adjust the tin to plus eight because I
think the tin here plus eight is enough guys, if you finished with the color, we can go directly
to effect guys. Well, in the effect menu guys for the texture like
the first photo, we'll add the texture guys that the texture of the oranges, the fruits and the leaves
are more feasible here. I'll add the texture
to around plus 69. Then for the clarity guys, I'll reduce it a
bit so it doesn't interfere the here I
don't reduce as the D, but for the vignette, I'll reduce it guys
to around -30 Well, for the Fete, I'll
set the midpoint. For the midpoint, I'll
set it to around 46. I'll reduce it from the
default setting guys. Now for the roundness for the thickness of
the circle guys, you can just add it here so that the circle from your
fnet is not too small and not too big here. I'll add up to plus 34. Then for the feather here, I'll also add it so that the feather of the
finette matches guys. Well, okay guys, for the
bottom here, I don't set it. Then we can immediately move
again to the details menu. Guys, in the details menu, we can directly
adjust the sharpening until it is very sharp. For these photo guys, I'll add about 100 guys. 125 might be appropriate. Well, for the radius, I think it's enough here. Then I also don't
change the details. However, for the masking, I'll add guys so that the sharpness of your
photos looks softer. Because if you don't
use the masking, the sharpness will
be too sharp guys. It's not too good to
produce an image like this. I'm going to add the
masking to around AT maybe guys the pictures look sharper but not too broken because if we
adjust the sharpening, sometimes the picture will look cracked or looks
like a lot of ends. Well, I don't want
that to happen. So I'm going to add
the masking here. I'll adjust the bottom again. There is such a thing called
the noise reduction guys. The noise reduction will change the noise to make the
image look sweeter. I'll add the noise
reduction here. It's not too cracked and there aren't too many ends
from your image guys, if you finished
there is something called color noise reduction. And others guys, but
I didn't adjust it at all guys because what I said is only up to
the noise reduction. Okay. If it's done, the
details have been completed. Actually guys, the
step by step that we went through earlier
were finished guys. If you can see the before
then you can see the after the photo result is indeed become the
better photo guys. We only uses four settings
which are free for adublitmusers who are not
paid or not subscribed guys. However, if you do subscribe or have already
subscribed Dil room, you can just use the
masking menu here. Guys, like the first
photo we can just make or select the masking
first guys here. I'll use the masking
in the shadows, guys in the shadows that are not affected
by our lighting. Then we'll adjust the light. I'll adjust the exposure guys
here so it's not too dark. Well, here I'll add the
exposure of around 1.16 Okay. Then here I'll add the
shadows to the right guys. Well, for the highlights guys, it doesn't need to be arranged. The white also
doesn't need to be adjusted because I
think that's enough. Guys, you can click
the tick right away. Then guys you can choose
which image you'll choose. Well, here I'll add
another masking guys, brush again on the orange
part because I think this orange is a bit too
over the highlight guys. Well here I'll set
the highlight again. Well, here I'll reduce the
highlight around -80 Okay, if it's done we'll use
the masking again. Then we add more guys. We then we go to the lighting. Then we reduce the highlights
here guys, around -92 guys. Then you can immediately
reduce the exposure again, because in my opinion, the part that I have
selected is a bit over guys. Okay, I click the tick, then we use the
masking again guys. We add more guys in
this part, guys. Then we reduce it
because I think that part is a bit
too bright guys. I think that's not
really proper guys. Okay, I reduce the exposure. Then here I'll select
the main part of the picture which
is the glass guys. The contents guys. Well, here I'll mask the
contents first guys. Then we set the light part guys, we increase the exposure
to around plus 0.94, Then we add the
shadows here plus 100. Make it right a line
until it's stop. Okay then guys, if it's done
we can click the tick guys. Apart from brushes, I'll use
radial gradient guys here. You can just drag and then select which part
you want to select. Here, I'll select
the glass part. I change the sharpness of this object that when
you see this picture, your eyes will immediately
focus on the main object guys, not the objects that are next to it now, just go straight. If you've selected
the red color, you can go directly
to the effect. Then guys, you can
add the texture here. I'll make it right
a line so that the texture is more
striking, guys. Okay, then we go to
the details guys. In the details I'll adjust
the sharpness as well guys. Well, I'll add the sharpness until it right the line guys. Well, if you finish you can
immediately click the tick. Well, that's all the editing
steps for this picture guys. Pretty simple, right guys? Easy enough. We only edited
some of the menus guys, then you can actually
save them right away. This is the before guys. We can just press
it for the picture. If indeed we want to see the before image, then
we release it. If we want to see
the after image, this is before and
also this is after. If you finished guys, we can directly click the share icon, then we can directly export
to camera roll guys. We are waiting for
the rendering guys. Okay, if you finished
you can immediately see the edited image
in your own gallery. Well, that's an editing tutorial for the second foot guys, we immediately move to
the next foot. Thank you.
22. Project 4 : Choose the Right Props & Compose ! !: Guys, welcome. In this section. In this section we are
in the preparation part, so I'll explain to you about the props and background
we use in this setting. This time we will pay a flat lay or top angle for this scene. And I will explain to you
exactly how we set this up. The first one is the background. Actually we paint this
background by ourselves. It's quite easy and you
will be surprised if you try to pay in your own background because
this dark background, we easily paint it
and it won't waste too much time if we
just combine two color, yeah, brighter gray
and darker gray. And we combine the two colors. And we've paid to
this background, and we fixed that to color into this
background like this. This is just ordinary
wooden board like this. Yeah, I suggest you to choose the golf frame if you wanted
to print by yourself, actually, breathe is in both. You feel that you fail
to pain this one, this brings me to the game. Okay, So there's no room for error because Feel
free to explore it. Yeah, this is one of the
big round and then I'll explain to you about the desert. We will, this is the very beautiful desert
and we put the blueberry jam and blueberry on the
top of the desert to make sure that the
surgeon has popped out, reused that darker plate. Yeah. We use the darker
plate like this. And then remember, we always have choice just to
leave it like this. We can also add another
light bulb in our setup. So in this one, I choose to add another level, one level, and then
on the path often report I add one more level. Okay, so that is two
laughable, this one. And then I also use the rule of, so it is more beautiful to place three plate rather
than only two plate. And then I add one more
slice in the plate. And then also remember
to add more level. Okay, I put the larger
plate on the first level and the second level I put
the smaller plate on the top. And then for the third level, I also use the small
four in our setup here. That is three-level in this
blade in the setup and also another three-level year
actually below displayed, we will place dark
cloth like this. No, it one more
level in our setup. Okay, So this is the level one and then it become
the level two, and this one becomes a level three and this one
become the level for. If you're stuck doing the setup, it is very important to remember how many level already
Xs in your frame. And then an under rocks
as the blueberry, actually the blueberries dark. And then we can also use this one to add the
texture in the background. And also, I really like
the props like this, this one made from blast and
because it is see-through. So this, if you're
asked for office, really easy to use
and you can use this kind of prompts in
any kind of big drug. Yeah, you can use it in
bright background, Dartmouth. And also you can use it in the wooden background,
color background. So this kind of glass
props I purchased the most and then I will always
choose the smaller one. I think this is just like six to eight centimeter
for the diameter. Then we put the
blueberry jam insight and also at another level. So we add it spoon at more or less row and add
more complexity in offering. But as you can see, we doesn't add any more
color in this setup, so it still make our
food more focus. We also add this
white mark here. We add some flower also
in the frame business, the baby breath flower. I really liked this
one because I can use this flower
while it's fresh. And also you can use this
flower while it's dry. So this is one of
my favorite went, I want to add more
texture in the frame. And we also use this
chair in our setup and then at another level
below our background here. So one level below is
the chair and then one level below the
chair is the floor. It at more depth in our frame, as you can see in the floor. We also put the dark
big gun on the floor. But if you don't have the
dark board on the floor, you can also use the
black cloth like this. Actually Blake glove like
this is pretty cheap and you can find anywhere
in the marketplace. So just write the
larger one and then just put on the floor to cover the white
area of the floor, you are fully setup. So that's how we set our frame. And then in the next section, I will set this back down. And in our explain to you about, hey guys, in this competition, we will do deleting
lines composition. What is leading lines? Leading lines is the
condition when we are considering the fewer
eyes to move like this. Okay, so I purposefully
set the flower here. It would have direct
the viewer's eye from here to our foot here, and then up to here. So it seems like Atlanta, okay. It is called leading lines, so we don't have to put it
drops in all over place. Just put in the area where we want you to
guide the viewer's eye. You can also use the
leading lines like this, even if you are shooting in the 45 degree or two on the
flat lay angle like this, back toward the leading lines. I prefer using the flat lay
on top and go like this.
23. Project 4 : Light Your Food !: Okay guys, Welcome
to this section. In this section, I will
explain to you about the writing because in this frame root
take the top angle, then I will explain to you
the lighting position to maximize the texture while you are shooting up
angle like this. Okay, outtake from here. The thing is over here. If the distance
between our book here, our center of the
book to delighting this distance is
about 1.1 meter. And then from the center to the life thing is about
like 45 centimeter. And the hate of delighting from our big gunk here
is 4570 method. Then the distance
between our lighting here to the diffuser
is about Light. Company five fundamentals. The power of the lightning
is still the same. We use the lighting
one or 16 is power. This position. The reason why the
lighting is not too high is because with
the lighting over here, we still won the shared
go under texture in our friend because in this foot very rich and very full octet, we want to maximize the
texture of this book because if we accept
the lighting too high, it will make the
texture warmed up as much as if we set the
lighting lower a little bit. Okay. Yes, The thing is that simple. Okay. So I'll see you
in the next section.
24. Project 4 : Adjust the Camera & Shoot !: Hey guys, in this section
I will explain to you about the camera setting
I used for this scene. And do you believe that I
still use the same cameras? I think asking before, my shallow speed is
one per 125 and then my ISO is still 100 and
my aperture is still a 4. And then my kelvin or my white balance is
filled Kelvin 5,500. Okay? But the only difference is this time because I wanted
to shoot the top angle, then I'll use the
Canon 15 millimeter. You have different lenses. It's completely okay. But if you haven't, I suggest using 15 millimeter because it minimizes
the distortion in your shoot up to the chair and then pay for those.
25. Project 4 : The Result: Okay guys, just
know we have to do the photo shoots and then I
will show you the results. So here's the preview
of the row picture. Then I will show
you the comparison before and after edited.
And here you go. You guys curious how we added this one in the next section
out here we go step by step, how to edit it in Lightroom, how to enhance the texture and also get the right move toward this one in
the next section.
26. Project 4 : Edit Your Food with Lightroom !: Okay. Hello guys. So we've come to the
next foot, guys. Well, in this foot
we take it from the top angle from above guys. That's why the photo
is a bit tilted guys. So let's just crop
the pictures, guys. We then adjust the picture so that the picture
is straight guys. Okay. First let's arrange the picture so that
they are straight. Well, if it feels like
the image is straight, we can immediately click. Okay. So to be the
benchmark guys, we can see straight
lines on the edges guys. Now if the line is
already straight, we can immediately click. Okay, well then we just
click on the light menu. Well, we'll set the
exposure here, guys. Well, for the exposure here, I'll add a bit guys, about plus 0.20 Well, for the high light, we make it left the line until it's full. Then we add the
shadows to plus four. Yeah, that's enough guys. The difference with the exposure a liter is for the white, will increase it a bit, guys, that the brightness of
your picture is just right without changing all the
brightness of your picture. Well, for the color guys here, we can choose a shot. Then the temperature
is the default guys, then the tin is also
the default guys. Now for the color here, for the red color guys, we can immediately
change the hue. We reduce it to -78 Then
for the saturation, we also reduce it guys, because here there is
no red color, right? Let's just reduce
the red color a bit. Then for the orange color, we also reduce the
saturation because the cake is a bit
yellow to orange guys, we reduce the orange
color so that the yellow color is
a bit more flashy. Well, for the saturation of the yellow color,
we'll reduce it a bit. Let's just move to blue here. We add the saturation to five, then we reduce the
luminance to nine. Well, for the purple color, which we usually reduce, but for the photo I
didn't reduce guys, the pink color, two guys
because in this picture the blueberry has a little
bit of purple and pink. I'll highlight the
color of the image. Well, if you finished we
can immediately click done. As for color, We're done guys. We can go straight to effect. Let's add the get
right away guys, for the texture,
you don't need to change it because I
think it's enough. We make the get -12
guys around 16, 13 is also okay
for the midpoint, we change it to two guys, it's a bit left line
but not left line. We change the midpoint to
two for the roundness, we make it right a line plus 98. Okay, That's enough. Also the feather two guys. Well those are the settings
for the effect guys. We immediately move
to the details. New guys for the details, we'll add the
sharpening guys here. 123 is enough if the masking makes the image
have a lot of ends guys, we'll change the masking. Add up to 80. Maybe 83 is enough. Well, that's for
the details guys. Well here because the image is tilted and we indeed take
it from the top angle, we'll change the geometry. Well, we'll change the
horizontal position, guys. For the horizontal
position here, I'll add minus ten, maybe. Now for the vertical, I'll add about plus five so that the image looks more
matches with the frame. Well, that is the function
of geomet three guys. Well, for the masking guys here, we'll use a brush again. We'll brush the cake
guys in the part of the blueberry precisely
which is a bit dark. Well, we'll change the light
guys for the exposure, we can add about 2.3 maybe. Then for the shadows, we'll add it to 100 to make
it look brighter guys. Well, I think the exposure
is a bit too much, so I have to reduce it a bit. Okay, now I'm going
to add the texture to the main objects that people will see when they
see this image. I'll select the cake part guys, then we'll add the texture in effect menu around the '30s, maybe I'll reduce the
hays a little bit. Maybe minus one of K guys. Then I'll use the masking again guys in the cake
part again guys, but this time I'll add
the sharpness guys. The sharpness of the cake, we can go straight
to the details. We add the sharpness to
around 30 or 50 maybe. Okay, 50 is enough, the
sharpness is right. Guys we click okay. Then guys, here, because I really want to show
the bench object here, but it's too dark here, so I'll use the masking
for these edges. First guys, using a
brush, wait a minute. Okay, let's brush first. We go to the lighting, then we select the
high light file, and then we make it
stuck to write a line so that it is more feasible and
not to art. We click okay. Well, here I change the small details that
are not really feasible. Guys, I'll use the
masking here in the parts that I really need
to change in the sight guys, if there are some parts that are already selected,
we can delete them. Okay, let's go to
the lighting then. We add the exposure guys. Well, in the masking part only the selected
part is changed guys. Well, if you finished here, we'll change the shadows guys. We reduce it to -50 Maybe we
brighten it using the white. We add the white to plus '70s, maybe -77 Well, okay, not too much. We can just click. Okay. Finally I'll add the shadows in this
Blueberry detail area guys, because it's too annoying, I think I'm going
to add the shadows. We make the left align
for the shadows. Okay, that's the editing
part for this picture guys. This is the before then. This is the after after editing, the image becomes sharper the
more the color comes out. Guys, it's better to look at. Also guys, if you
don't subscribe to adobilit room guys you don't have to worry because guys you can just follow the step by step menu which is available in DB lit room which is still free. Guys, if you have followed
the tutorial guys, you can directly click the
share icon in IPtroom guys, you can directly
select Export to camera roll to set the
image to your gallery. We are waiting for
the rendering. Okay. If it's done, that's the end of the
editing session or editing tutorial for the four foot
photos guys. Thank you.
27. Project 5 : Choose the Right Props & Compose !: Hey guys, in this section, I will explain to you again about the preparation
of our next frame. We have a beautiful cake here. This time I have to hero
in one image again. For this one, I have one. Thanks. If you want to, in fact, a plate for
food photography, I suggest you can, in fact many kinds of
plate with neutral color. First, white, gray and
dark gray and black. Then the second one, I suggest you to impress
on small plates like this. Usually I purchased many plates. There is under 25 centimeter. The one that I purchased
the most is between 20th and the methods of 25
centimeter for the plate. Actually small plates will
make your foot looks larger. And then instead of
like placing like this, okay, we will use the leveling technique
also for this frame. I put three chopping
board here to level up our hook here like this. And then in the back area, we will show this cake. Then I will also use this one. The props here, the clothes
for the leveling also, I will put it here. We'll make it drop like this to make an aggregate level
below the background. Yes, that's how we will
set our frame year. Most of the crops
year will be dark. I also apparently small
wooden ball here. Actually business wouldn't
paint it into dark gray. Okay. Actually, if
you put this in bone, when I found a beautiful
wooden go like this, I will buy like mine of them, three of them are painted and all just use the wood texture. Another three, I will
paint it into white. Another tree I will
paint it into black. Brin. One item I
can get tricolor. And on top of them, I will place the blueberry and
then poured the levelling. I will use this small fork here. How we will set our frame. Yeah, and then I will
also explain to you the golden triangle composition
we use in this frame. So I will see you in
the next section.
28. Project 5 : Light Your Food !: Okay guys, Welcome
to this section. In this section I
will explain to you exactly what is the position
of our lighting here. This time, it's quite interesting because
we used to like them, because we used the backlighting there to make sure
that the texture of the pulp area of our food is well exposed and
three-dimensional. This top area is the
backlight thinks job. Okay? And then there's
also this in Korea, if we only use one light thing, this area will be very dark. That's why we use
another lighting here. Okay. So this is the site lighting
that is the backlighting. The dope for this side
lighting is to light up this area and the front
area of our foot. And then I will explain to you about the position
of the lighting. The distance between
here to delight thing there is about like one meter. The distance between
the foot here to delighting is about 1.1 meter. And the Hague different
between the background to the lighting is about my
auntie Sunday method. Then for the backlight thing, we use stronger life. I usually use stronger light in the backlighting to make sure that texture is really good, I use products SK 400th for the backlight and
born a sidelight. I use Google Docs
and escape 200th. The power of the lightning
is the same because the gods as K 400 is stronger, stronger than that one. But if you use the same type of the light thing may be
like you use Google Docs, escaped 200 for two
of the lighting, then you can double the
power of this thing. For example, you can use one
per eight for the backlight. And over there you
can use one for 16. So backlight is more
powerful than fight flight. That is what I suggest because the main job of the
backlight is connection. The texture of the top area
of our book is amazing. This time I decided not
to use the diffuser because I want you
to make the top of the area of the
foot yes. Very harsh. But if you don't like it, you can also put the
diffuser here on the front, maybe just pens and the
method in front of this one. But this time I don't
want to use the diffuser because I really liked
and texture in this area. And then the position
of the sidelight ping, the distance between the
lightning here should have food there is about 50 centimeter. And then the hate the same width this could
the hate of the lighting. Yeah, There is how I said the lighting and then I will
see you in the next section.
29. Project 5 : Adjust Your Camera & Shoot !: Hi guys. In this section I will explain to you about
the cameras and things, so don't get bored. When I explained
about the cameras, I think because
the shaft speed is still the same one per 125, and then the ISO is still 100. And then the number or the
aperture this time is 5.6. So it is that's in both war
setting up your lighting, do one you have to take care is the lighting
position because the lighting position will define your patch journey most. And then this time I'll use the canon micro 100 millimeter
while shooting this, I am planning to make
a negative space. What is negative space? Negative space is an area where the user of this
image can put PECS. So negative space is
really important, especially if you want to post this picture directly
to the Instagram, instagram phony
maybe then you can directly put tax in
this area because this area is quite
empty and I also will take the negative
space below here. Okay, so the text area and be in the opera here and
under the foot here. That's the plan. And then let's move to the
next infection. Guys, we have begun
our picture here. Then I will show
you the robbing. The comparison between before
and after the editing. Left move to the
editing section. I will show you
step-by-step how we add it into this beautiful dark
mode food photography.
30. Project 5: Edit Your Food with Lightroom !: Okay, hello guys. Well, this is the last video for the color editing session. Dark mood theme image
in do blart room guys. Well now guys, we'll
repeat the step by step editing that we've done in
the previous videos guys. Well, I'll set the light
directly here, guys. Well here I will
set the highlight. I'll reduce the
highlight by around -72 Then I'll set the white
guys, I'll add it about. Plus '70s maybe guys. Well, if you're
done that's enough for us to set it on
the light menu guys. Well now we'll go
to the color guys. For the color, we'll
use custom here guys, the temperature is
around 4,888 K guys, well I'll set the temperature
around this guys. Then for the ten I
will use plus eight. Then we go to the color guys. We click the color menu. We change the saturation in the orange color to
minus nine guys. Then for the purple color here, I'll reduce the saturation. I'll just make it
left the line guys until it's for the pink color. I'll also make it left the
line for the saturation guys. Well, if you're done, just stop there guys for the color menu. Now we'll go to the effect menu. We changed the
vignette to -30 guys, for the clarity, the texture, and the haze, you don't need to set it for this picture guys. We changed the midpoint to
adjust the vignette guys. Well, here if the
midpoint is already set, we'll adjust the roundness guys. Here, we add about 85 more
enough guys for the feather. We'll add about 98 guys. So far that's actually enough. The pictures are better than the before image like this guys. See then this is the
after image guys. Just use or change
the three menu guys. You can already get pictures
as good as the guys. However, if you
have subscribed to add the black room
which is paid for, you can use the menu called
the Healing Brush Tools Guys. Well, in this menu
you can touch up the part that you don't really want to show in your image. Guys were indeed there are some defective pictures
guys in the image, guys like this, the background
is peeling or torn. Well guys, you can just patch it using the
healing brush tool. Well, to lower it you can
click on this one guys, it can adjust the area of
the healing brush tool guys. Well, here I'll have
the smaller size. It's easy to edit guys. Well, here I can
edit and overwrite the image using the
healing brush tool guys. Your pictures are
also better here. Okay guys, we're done for
the healing brush tool guys. Well, this is the
after image guys. The before image is like this. Then the after image, after we brush the image becomes
like this. It's neither. And there are also a few
patches on the piling object. Well now here I'll move
to the masking menu, which is indeed available in Adobilar room which
is paid for guys. Well here I'll add a brush
to the kick object guys. I'll adjust the light here. I'll change the exposure. I'll increase it to 0.38 Okay, I'll also add the shadows, guys, I think this is enough. Then we add another masking
here guys, we brush here, guys on the K. Then we set
it again in the light menu. Guys here, I'll change the
exposure to 0.85 Guys, the highlights here, I'll
re used to minus eight. I'll fix the shadows
to the right. For the white I
added to plus 45. Okay, for that one it's
finished, it's better. Right guys, then here I'll
use the masking as a whole on the edges guys to reduce
the exposure guys, because I think the exposure
here is too bright and has shadows at the edges
and also at the top. Okay, now we're going to
change the exposure and reduce it to around 0.6 guys. Okay guys, then we'll darken the background on it guys
by using the masking again, guys, we brush the top on
this black background guys. We'll add the shadows to
make it look more textured than the background guys
to make it more visible. We'll also add the
exposure here guys, to make the exposure
or texture of our black background
more visible guys, the dark mood is more visible. The texture guys, well now
we'll do the masking again. But in the kick part here guys, we'll adjust the light here. We add the exposure above 0.21 Ok. Then we make
the shadows right align. Well, if it's done
we click okay. Then here too, I'll
reduce the exposure of the object behind this
because it is too flashy. I think we move to the light, then we change the
exposure to 0.92. Guys will add something called the radial gradient guys. Here. I'll just select the kick guys, then we invert like this guys so that only the outer
part is selected, the inside is only
part of the kick. Okay. If we're done because
the selected parts, the outside, we'll change the
sharpness of the outside. Then we'll adjust the
sharpness to around -53 Guys we'll click the thick. If it's done while
then guys will add another masking to the
front of this cake. Guys we select first if there is an object
that has been selected, we can delete it immediately
using the ser here. Then guys will change the shadows to right
a line or plus 100. We'll add the exposure
to 0.16 That's it guys. If we're done, we
like the tick guys. Well, this is the
before image and also this is the
after image guys. Much different, right? This one is more focused on the cake, and this one is a lot dirtier, looks more blurry, looks like that the color
doesn't come out. As for this one, it's a
bit sharper and it's also better for the colors and
the surrounding objects. Guy is much better than before. If you finish, you can
directly click the share icon. Then we'll export it directly to your gallery or to
your camera role. It's directly stored
in your gallery. Guys, let's wait
for the rendering. Okay guys, that's the end of the editing session for
this fifth foot photo, guys, for our last Foot on
the Dark mood course, guys. Well, thank you for
watching the videos from the initial
editing session, guys. We'll see you next
time, guys. Thank you.
31. See Ya !: Okay guys, finally, we aren't
ugly and on our course, but actually this is the
beginning of your journey. One bit for me as everybody, if you want to start
doing the photos youth, and then you will feel stuck. You can also receive a game this course
and then make sure that you do every little detail that I am already
in this course. The difference between the
professional food photographer and the one depth despises the food photography is the main ballpark or
the psychology part. Because Italy, for me that have already taken food
photography for, after seven years and
for the first warriors, I take photography for almost
every day until this stage. If you follow me
to my portal shoe, you won't find me that
I put a single shot. Everything is perfect. And then the battalion had done no there's no
condition like this. Actually taught almost
every single photo session. I drove away or I believe
maybe my first picture, almost every single photo shoot. If you have just started
it and then you take your first when the picture and
you're still don't like it. You don't have to worry. Almost all ready for
professional, in my opinion, will delete the most picture, maybe like the first
blended minutes of while they are
taking a picture. So you don't have the way. And then I'm so excited to see all the improvement you've got
after joining this course. So if you have practice and you haven't
image you want to share, please share with us. Again. I'm more than happy to
connect with you all. I will see you again
in the next course.