Color Theme Food Photography : Great tutorial to Shoot Food Photos Using DSLR / Mirrorless

1. Hello!: Hello, hey guys, welcome to this course. In this course, our explain to you about the colorful food photography. I will explain in detail from preparation, from the tools and how we set the background, and then how we should end finally, how we added every single picture. And then here's some of the results that I will share to you about the step-by-step of its production are k. So in the next section, I will explain to you more about our preparation from the camera lighting until it's photoshoot. Okay. See you in the next section. 2. Introduction of Camera: Hi guys. In this section, I will explain to you about the camera lenses and how I set my camera for my empire food photography. At the first, I will explain to you about the lenses first, the lens I use the most is only two lenses. The first one is the canon. 50 millimeters, have 1.8. Okay? This is one of the most affordable and high-quality lenses you can find on the market. And even if you are not using Canon, you can still find these kind of lens in different brand, okay, 50 millimeter, 1.8. When I decided to use this lens, when I want to shoot on the top and go like this, okay? Yeah, I wanted to shoot some angle. I will use this lens. And when I want to shoot the front angle and 45-degree and go, then the lens, my go-to lens. Canon macro 100 millimeter, 2.8. This is one of the most preferable lens for me all the time when I want to shoot food photography. Because I really like the sharpness, the contrast, and the blur is really natural. And then I really liked the color produced by this lens because in food photography, we want to make sure that the color is delicious. So I really liked this one because this one produce really good color for food photography. And then when shooting with this kind of lens, I suggest you to always use the lens hood. Because when you shoot using this kind of lens, using flash, when you shoot with this kind of position, when you have foot right here. And then you sit like this. There's a possibility that this lighting will come directly to your lens. This kind of situation happen. It will produce the flare in your image. Sometimes you are not aware when you see directly from your LCD here, the reason it seems, okay. But when you put this one on your lens, then you will realize that why the color is much more beautiful when I put this lens, because it will reduce the flare in the image. So when you shoot with this position, the right thing from this flesh wound come directly to your lens. So the color will be more beautiful and then the quality will be much higher only using this one. So make sure when you shoot, you put this one, okay. If you're still not have this kind of lens, you don't have to worry. Just use any lens you have. And start with the, another strategy that we will explain in the next section, okay? And then above the camera, okay, what kind of camera I use? Actually this is this camera is already discontinued. I want to show you that you don't have to invest on the latest camera. Okay? Because actually the one depth increase the quality of the lighting is your strategy. Camera is not the only one factor that make your picture looks beautiful. Because the more strategy you have, you will have more control about the result, okay? Yep. I use Canon 6D. Actually, this camera is already discontinued because I want to show you that whatever camera you use, then it's okay Since you have the right strategy for the lighting and another strategy that we will explain to you later. Okay? Yeah. And then I will explain to you also about how I set the camera because maybe not all of you already have experience using DSLR camera. Then I will explain to you a little bit how I set this camera, okay? For food photography, especially when you use flash like this or smaller flash, because the color of the flask is already consistent. And then when you shoot with this kind of frightening, you will not have problem with the amount of light. Okay. Because you will have control about the amount of lightning. Yeah. You will not have problem with the amount of lighting because the lightning power is really high. So yeah, it makes your camera setting will be easier. Okay. There are so many settings here. I'm the only one. I changed frequently while I shooting is only one. So it is very simple. When you look at the LCD, you will see it right here. Okay. There are so many other things, but I don't want you to be overwhelmed with the settings. I will explain to you one by one. The only trees are things that will affect the amount of light of your result is the shutter speed, the f number or aperture. And the final one is the ISO. Okay. The shutter speed seems I want you to have read them. Either I use it on tripod or I shoot handheld. I don't want to change many settings. Again. Mostly I use the shutter speed is one per 125. There is the setting that I use for all of my photos. You Okay. When I shoot handheld, one per 125 is really safe. Even if you shake a little bit, it's still okay because your picture will be sharp. Yep. And then the second settings is the ISO. I want to have the highest quality of the picture. So I set the lowest ISO possible, okay, so I will not change the ISO. And the ISO is one hundred, one hundred ISO will produce the highest quality possible from your camera, okay, since you already have the high power lighting here, then you don't have to worry about the ISO. So I always, you're using 100 as the ISO. The only one setting I change frequently is the f number as F9, the aperture of your lens. Okay. So for the aperture or f-number, usually I start with five to eight. Okay. Let's say I started with five, okay, I started with 125 as the shutter speed, 100 for the ISO and five for the aperture. Okay? And I should, when the result is too dark, then I want to lower the ISO to four. But if the lightening of the result is too bright, so I increase the f number. Okay. There is my decisions I made when I do the photos, you're the only one. So it is really simple guys. And then I want to explain to you more about another settings for the picture's file. Usually I use pander and then for the white balance usually I will use Kelvin. And Kelvin number is around 5 thousand to 5,500, okay? Actually kelvin is the color of the light thing. Okay? And since you already have the flask, large place, year, huge splash, then I won't change my kelvin for the smallest. Since I don't change my brand of disliking, then I will not change my Kelvin. Okay, so the Kelvin number for this time, I should using 5,200, but I suggest you try your Kelvin from five thousand, five thousand, five hundred around that according to the brand of your lighting. Okay. Yep. That's easy. You just have to set this one and then the only thing you change is only f number. Okay? I have explained to you before how I decided. So that's how I set my DSLR camera and then explanation about the lenses. Okay, I'll see you in the next section. 3. Introduction of Lighting: Okay guys, Welcome to this section. In this section, I will explain to you about the lightning equipment we use for this entire course. Okay? The main tools here is the lighting. Okay? Why disliking is one of my favorite. I know that you have so many options, water-like thing for food photography, you can use this flashlight, this huge blast lied. You can also use the natural lighting. You can use also the continuous likely or you can use like small light like this. Okay, so what's the difference? Why finally I choose this one as something that I use for like maybe seven years. Okay? Yes, this is huge. And when you travel a lot, this is not as flexible as the small one. But finally, I just this one because I need the powerful lighting that will overpower the ambiance light around us. Okay. When I shoot in restaurants sometime I have no control about the ambiance lighting in the restaurant. Maybe the lighting in the restaurant have a certain color. Like there's a restaurant that have the green light being there. There's a restaurant that have the warm lighting. I don't want the ambiance lighting whenever I shoot, I don't want the ambiance. Like think of my photography. I don't want that green lighting effect, my food photography. I don't run that warm lighting effect. My food photography, all I need is consistent lighting. Okay. The powerful I think, will overpower the ambiance lighting, so okay. I will get consistent lighting. Okay. So that's why I love this one. Okay. One of the brand I use the most is the Go Docs and scale like this. Two hundred, three hundred, four hundred yeah, for its variation. The one I use the most is a scale 400, okay. If you want to find this kind of product, you can just search in your online store in your country and maybe you can pipe like this. Yeah. And then the second question, maybe it's about lighting modifier. Okay. What is the lightning modifier I use the most is this one. This one is standard reflector for most of the light thing you purchased. Mostly they include this one. It slightly modifier. Yep. I use this one the most because they're slightly modifier can give really clear direction of our lives. And I know that if you don't use me diffuser in front of the liking, disliking will be very harsh. That's why we need this one. Okay? This one is five in one reflector. If you want to find in a market place in your country, then you can just type like this five in one reflector. The one I use the most is the one that shapes like all four like this. Okay. Yep. Shaped like this. Why I like this one is because when I want to shoot on the top of the table, it is really easy to put it. And there's no space here. If you use the round one. Yeah, maybe if you want to put it on the table, there are so many space that the light can come through. Okay, So I like the awful one like this. And then the size of my favorite is the 120 centimeters. Okay? Yep. And how I use this one is when I want you to change the characteristic of the lighting, I can just put it in front of the lighting and I have control to make it softer or to make it more harsh. Okay. The Right Thing from its diffuser, the lighting will be softer. And if I make it close like this, the right thing here will be harsh. Okay, So that's how I have control about my characteristic of the lighting. Just define the distance between the lighting and the diffuser here. Okay? Yeah. Then the next one is this one, okay? This one is reflect our holder. Okay? I use this one must lead to hold my diffuser here. If you want to find this one, you can also type in Marketplace. You can easily find this one. And then there's two more, okay? The next one is the lifespan. Okay. If you travel a lot, if you're not sure in your studio mostly and you should in the Arab peoples restaurant, I suggest that maybe you can choose the smaller one because usually when I traveled to another person's restaurant, I put this one in my luggage. Okay, So it is very handy and very easy to pack. If I want to find the smaller one, I don't want to have the lifestyle that is more than 70 centimeters when you fold it like this. Okay. Yeah. And this is about the lifespan and then the final one, I will introduce you. The trigger, okay? Okay. Yeah. This is a trigger. We put on our camera like this. Okay. So when we shoot the lighting, we'll turn off. This one is got dogs, X1, t. Okay, if you want to find this one, you can also type here. And what is the usage of this one? Actually, it connects our camera to our flask. Okay. Like this. Okay. So if you put it on your camera, then every time you shoot, then the flash real turn on. Okay? Yeah. If you buy the gold box X1 t, If automatically connect with this, disliked him because this is the transmitter and deep already have the receiver in its machine, so you don't have to put anything here, but it connects automatically. That's about the right thing. And then I'll see you in the next section. 4. Project 1 : Choose the Right Props & Compose It!: Okay guys, Welcome to the preparation part. This is the first picture we will pay. Okay? That is, if you want to set the colorful food photography theme that I suggest to you to blend the color. Okay, So the colors strategy we will apply in this section is the analogous color, okay? The one Tyler I want to enhance is the brown color to a bright brown. Okay. So all of the prompts I use an background I used in this section is the brown color for the background. Here. This is the very bright, but it is still brown but very bright. Maybe you will see this as y, but it is slightly brown. And then in the vertical background here, I also use the bright brown year. And then the prompts like this one, I use the also slightly darker brown and then be resourceful and you will find many brown prop you can use in your surrounding. Like this one. I use right branch on my garden and then I'll put it right here because it matched our color plan. Okay, so the colorful food photography for me, less is more because I want to make sure that the main subject we should, which is the DRI in this glass, will pop out. So I don't want to make up another color that will drag a pension from the subject here, okay? And then I also use this plate. Actually this is a plate, but I will make it standing like this here as the texture of our background. Then you can also use the leveling technique here, okay, so I use this white chopping board here, I painted white, and then I use this for baffling strategy. Okay, so instead of just putting our main subject in the same level of the rest of our props. Then I want to make sure that there's a variation of level of our subject here. So I put another two levels here. This is the level one, this is the level two and our subject is on the top of second level. Okay, so to make the variation texture also, Yep. And then we will ask our assistance to poor dream like this. And then I also use beautiful cookies on this position. Yep, that's how we plan the color. If you want to make your product pop out, then I suggest you not to add too many colors in this settings of the ground because too many colors will lead confusion to the viewers. Okay, so, yeah, that's how we plan our color. Is that simple? And then I'll see you in the next section. 5. Project 1 : Lighting Setting: I hope you guys enjoyed this section. I will explain to you about the lighting position, r k. So this is how we set our lighting here. The position is above a piece and the method from our subject to the light pin here, and then the Hague, different between our subject and the lighting. The lighting is higher above twenties and the method. And then we kicked down a little the angle of the lighting. And then this is straight line. And I slightly move the lighting for word about like pens and Demeter to make sure that the shadow is dropped in this position. Okay, if I put it here, maybe the shadow will be further. So I don't want to make the shadow too far away. So I pushed the light thing about 20 centimeters in front of our subject. And then the power of the light thing I use is one per 16. And actually for disliking the smallest power is one per 16, okay? Yes. That's how we set our life being here for what's on my colorful food photography, I use only one light thing because it is that simple. And I use one lighting because I want to make the harsh shadow in this area and in this area. And colorful food photography like this, I really like have a nice harsh shadow in many areas to make my product pop out. And then also actually wore this theme. I want my shadow as additional texture. Okay, I want to add more texture in my background to also make my product pop out. And then if you feel that area here is too dark, you can also use this whiteboard. Actually, this is too bored and I paste it into one so I can make position it like this. Okay, when I put it here, it will bounce lighting from there to make sure that this area is still hellish, harsh shadow. But since it's a bright mode, foot photography, I want to make sure that the shadow is not too dark. Okay? Yeah, here's the position. And then while I did a photo shoot, I will ask my assistant to make motion here to pour our drawing here from this position. And also these white board also will bounce lighting from there to here. So to make sure that the hands position here is not too dark. Also, we don't put the bouncing ball here. Maybe this area will be too dark and I don't want to make this area dark. And yep, I will ask the Assistant to hold it here and then pour the dream over here. Okay? Yes. Yeah. That's how we set our lighting in this settings. Okay. And in the next sections, we will also simulate another lighting positions for you. But after this, I will explain to you about how we shoot this one, and then we will show you the result. Okay. See you in the next section. 6. Project 1 : Camera Setting: All the rise. In this section, I will show you how I set the camera in the sections before. I have already tell you about the setting and then this is the proof, okay? Because in this API, as I explained before, the shutter speed is 125 and then the ISO is 100. The only setting I change is only the f number. And in this section, I will set the line as the f number, okay? When I sat and when I take them, line is the perfect exposure for listening. So yeah, I'll settle with nine. Okay. Yeah, that's how I set up the camera. I don't want you give headache for you about the complicated explanation about how to SAP. And actually, we already knew this kind of setting for like seven years of our career. So I also teach all my students around the world just the same like this. Again. In the next section we will take the photo shoot and show you the result. 7. Project 1 : Preparation Before Doing Photoshoot: I already have my assistant here. And then the scene is I want to ask my assistant to pour the drink over here. And then as I explained before that the writing here, and I don't want to make this area become very dark shadow. So I put the bouncing here to bounce light to make sure this area is also bright, okay? Even if there's a little shadow here, you can also edit it in Lightroom and we will explain to you in the editing section after we are doing the photo shoot, after this, okay? And then I'll explain to you also the advantageous of shooting the colorful food photography here. Because actually one thing I like breathtaking, colorful food photography here. It is very easy to get negative space because the scene here, this area will become a very powerful negative space that if a graphic designer use your image, it is very easy to find out where they have to put the tax when they want you to pause your picture in like promotional tools like like Instagram story like prior banner and others. Okay? And also if you take the colorful food photography like this, this area is the area where a graphic designer also very easy to expand. They only need to copy this area and expand it if they want you to take the longer image of your picture. And then I suggest you not only pick one angle which will portrait angle. And I suggest you also take the landscape angle and also make sure that there's negative space in the right area, in the left area. So if a graphic designer wants to expand your picture in the right or in the left, they also can expand it easily. Arcade. That is the powerful side of taking this kind of picture. I suggest you not to put too many things in the background. So the graphic designer can easily spot where the area of negative space they can utilize to put the text in your picture. Okay? Yes, That's some tips and then I'll see you in the next section. After for those youth, I will show you the result. 8. Project 1 : Photoshoot Session: Hey guys, We have already taken our pictures and then I'll show you the result. Okay, this is the landscape and portrait. A picture as I will show you. Here you go. Okay. As you can see that we purposefully the harsh shadows in this area to make sure that our product is pop out. Okay? And then here's the comparison between before and after the editing. Okay, as you can see that that is the beauty of colorful food photography. Mostly for most of colorful food photography sessions, I added it to watch. But the simple part is if you are editing or post-processing your picture, There's certain area that you have to follow to make sure that even a good picture, if we are convinced about the editing process, the result, you like the result, but if you do it right, and in the next section will explain to you about the step-by-step editing using the light room, okay, so I'll see you in the next section. 9. Project 1 : Edit Your Food with Lightroom: Okay, hello guys. In this video I'll give a tutorial on how to adjust the color in a colorful theme image in the first photo guys. Okay, so I'm here using Blight Room guys. You can just download it on the App Store or also on the playstore guys. Ab light room is free guys. So you can download it right now guys. Well now guys, I'm going to edit the first photo guys. Well, for the colorful theme, we'll change the color to a very good color without changing the original color of the foot that we take guys. Well, that is our challenge when we edit foot photos with colorful themes, guys. Well, I'll start now. First of all, I'll crop the image first because the original image, the raw image, doesn't fit or doesn't match with the existing background guys. Let's go to crop first. Then we rotate guys until we find the right position guys, if it's done we can immediately check it out. Okay, just like this guys, Well, let's make the top fit first. That's the top fit. It fits already. Guys, here guys, we can just go to the menu called Light guys. Well, here guys, there is such a thing as exposure. Exposure is the level of light brightness in this entire image guys. For example, if I increase it, then the exposure will increase in all parts of our image guys. While if we decrease it, then everything will also become darker. Well, for this image, I don't want to use the exposure. Then the contrast, the contrast will increase the saturation, guys. That will make your images more lively, the images or the colors. Now for this image, because we are editing a colorful image, we don't want the color not to match our original color. We don't set the contrast here guys, but here there is the highlight guys. Well, the highlight here is the reflection of light from the lamps guys. For example here we use lamb from the left guys while it's going to bounce off the glass. This reflection is called the highlight guys. We therefore, I'll adjust the highlight here. I'll change the highlight to be left a line or I'll reduce it to -100 Y so that the highlight is not to over guys, the guys here. There is also such a thing called the shadows. The shadows are shadows on your pictures guys. The shadows that are not reachable by the lamp are the ones called shadows. Well, I'm going to add the shadows here until it's right align. I add it to the right guys. Hopefully the shadows are not too dark but not too bright guys. Well, for the white here, I'll also add guys, the difference between the white and the exposure is if the exposure will add brightness to your entire image. But if it's the white, it only brightens up certain parts, guys. Well, here I'll broaden this image by raising the white to plus 60 maybe. Okay, this is enough. Well, that's all part of the light menu guys. We can immediately move to the menu called Color Guys. While in the color menu, we want to make our image not to warm. We'll adjust this image. The temperature we'll reduce guys. Well, here we reduce the temperature to minus seven so that the image that we edit is not to warm guys. Well, for the color section here, because there really isn't a red color, we won't edit it then. We don't edit the orange color here too. Let's just edit the color that we really want to edit, guys. That is the purple color guys. Well, for this purple color, we're going to increase the saturation a little bit. Around plus two maybe. Then we click Done guys. Well, for the color menu, it's done guys. Just get there guys. After going to the color menu, we can go directly to the evac menu guys. Well, in the effect menu there is such a thing called the texture Gui. While the texture is the texture level of your image. Like this cake for example. Well, this is the texture guys, while the line on this glass is also called the texture guys. We therefore we want to compress the texture, adding the texture to this image. So we'll add the texture up to plus 50 maybe, so that the lines of your image become stronger, the texture are more mature and also better guys. Well, for the clarity here, I do not adjust it, I also don't adjust the haze. But for the fgette guys, we'll add the finet up to plus 17. What is the fgette? The fget is a circle on the edges of your picture that will dramatize your image. Therefore, if we have set the finette, then what we'll set next is the details guys. Well, in the details menu there is something called the sharpening guys. Well, the sharpening is the level of sharpness of your image guys. Well, here I want to sharpen this image to 122. Well, that's enough guys. It's done for the sharpening. However, if we increase the sharpening, the picture will look more broken Like this guys, if you look at it, there are a few more ends guys. Well, that's what will happen if we over raise the sharpening. Therefore, we'll counter this by increasing the masking as well guys. The masking here will increase it to the '80s. Maybe that your doesn't have too many hands or too sharp guys, the picture is not too broken like that guys. Well, that's what the masking will control. Well now we can swipe up in the Details menu, there is what is called the noise reduction. The noise reduction has the same use as the masking, which is to reduce the existing noise guys. Well, here we're going to raise it to about 20 maybe. Okay, well around this guys, it will reduce the noise in our pictures guys. Well, for the details, we don't set it anymore. Well, actually guys, just to set for menus in Adoblight room like this guys, your picture is already good, better than your raw pictures. If we can see here, this is before guys, then this is after we only edit four menus in Adb lit room. Because of that, if you really use Adb lit room, which is free user, you can just follow the four steps above the four editing menus. You can immediately get a good picture. Impressive. And also nice to look at, isn't it? Not like the previous raw image guys. 10. Project 1 : Edit Your Food with Premium Lightroom !: But you can also use the menu that you get if you subscribe to Ad B Light room, guys. Well here there are some menu that you can actually get if you subscribe to ad B light room. Here I'll teach the healing menu. Well here the healing brush tool will disguise the blemishes that we don't want to show on our image. For example, guys, here are some dirty looking stains on the glass tray. Well guys, you can directly set the level of the selective here. Here we can disguise it guys, it's that easy guys, in the parts that we really want to disguise. Okay guys, it's a time lapse. We use the healing brush tool guys, while the stains will disappear guys. Well, we can see here guys this is the before there are lots of dirty stains. After we use healing brush, the stains will disappear. Guys, there is one more menu that we'll get if we subscribe to Abila room, it is the masking guys. For the masking, you can just select the position or which side you really want to set in the masking. I'll change only the parts that we've selected here, I want to give an example. The first is the linear gradient. We can draw straight here guys, the linear gradient. The linear gradient is a straight line that we can adjust. Guys guys, I want to adjust the image in the upper left corner using the light guys. Then we'll add the shadows here to full plus 100. Why? Because in my opinion, the shadows over here are a bit too dark, guys. Then I'll repeat the activity, guys. We use the linear gradient. We go to the light, then we go to the shadows guys, then we add the shadows at 93. Okay, that's enough then in my opinion here, the texture is a bit too much for our background. We'll use the linear gradient again here guys. Well, this is the good thing. We have a masking menu guys, we can select what part we want so we can arrange it compared to we just arranging everything like that in the picture guys. Now I want to go to the effect here, then I reduce the texture to -100 Then I'm going to the Details menu here in the Details, I'll also make the sharpness -100 because I want the background of our image to be a bit soft. Guys, if the background is already in place, we can directly use the masking it on the lower background here. We continue to use the linear gradient and want to adjust the lower part of our photo background guys here, I'll set the light again. Then we set the shadows because I think it's too dark, so I need to increase it around 70. Okay, let's check then guys, there is the masking menu called Brush. Just like before, we can just paint directly. Which part we really want to arrange guys. Well, here I'll brush here guys, then we'll set the effect guys. Then I want to adjust the texture to write a line guys around 97. Well, that's more or less for the effect. Then we go to the details guys, then we add the sharpness because in my opinion, it's a bit too soft, guys. There should be some texture in there. Okay guys, that's enough. Then we'll use another brush guys here to brush the hands guys. The hands and drinks guys. Well, here we go to the light. We add the shadows around three, okay, because it's a little too dark guys. Then we go to the effect guys. In the effect menu, we reduce the texture first to -60 maybe guys. Okay, enough guys. We click the tick. Well here guys, I'll also continue to select the hands because I want to add the shadows because it's too dark guys. But guys, you can make sure that only the hands that we choose guys for how we delete the parts that we have already selected, we can directly use the eraser menu here, guys. Then we brush again on the part that we really want to get rid of guys. For the masking. The red color is the color that was selected. Guys, let's go to the light, guys. Let's go to the light then we reduce the high light first so it's not too bright guys, it's soft. Then we add the shadows here to make it lighter than the original image. Well, that's enough, guys. We'll just select the glass guys. In the champagne part here, guys. We'll select it guys. Only in the champagne part. Guys, only in the water part here. Okay, let's select, we can tidy it up with eraser guys. Okay. Then we'll adjust the light menu. We'll adjust it. We'll add the highlights here, guys, so that the focus is only on the water, not on the hands. We go to the color, then we reduce the saturation guys just a little. Okay. Then we click the tick. Okay? If the lighting is done, we can go directly to the color. Then we lower the saturation guys here. I want to lower it a bit until it's the same color as the one here guys. We click the guys here, there are still lacking guys in the upper left corner, it is still dark, it turns out guys. So we'll continue to use the masking with the linear gradient here so that the upper part is cured guys. Okay, we can use this. We'll add the shadows in the light guys. We add the shadows here to plus about 50 maybe. Then we click the tick. Then we will brush on the top, which is a bit too much. Guys, the highlight we're going to brush at the top of this. Well then we go to light and then we add the shadows. We checklist here. I will match the picture above guys. We'll use the masking guys using a brush all over the top background guys. Okay, then let's go to the details menu here. We'll reduce the sharpness guys. Then for the texture guys, for the effect here we'll reduce it. We also reduce the clarity guys so that it looks off for the top background guys. Well okay guys, we'll arrange in the glass part guys, we'll use the masking using a brush guys. We'll tidy it up with an eraser here guys, so that only the brush part is selected. On the brush part is selected. Okay. We'll reduce the highlights guys. Okay, then for the white, we'll brighten up a bit here guys guys, let's click the tick so that the color of the water here and the water here is somewhat the same guys. The colors are similar guys. Well then guys, I'll use the masking on the plate here using a brush. Okay, then we'll set the effect. Guys, we're going to lower the texture guys, roughly the texture of this plate will decrease. Well, for the clarity we also reduce guys, for the haze, we'll also reduce it but just a little at -11 maybe for the sharpness guys here. We'll add guys. Well, okay, 76. 77, okay. Okay. Let's check it out guys, now that we'll change the plate which was dirty before it becomes good, like this guys, the color becomes white and not too dirty guys and sharp in the lines, isn't it? Well, if it's done guys, actually the step of editing is already finished guys. We can see this is the before image guys. If you want to see the before, you can just click on it. Just press on the picture guys in at the light room. Then if you want to see the after image, you can just let it go. Well, that's the after image. This is the before and this is the after from the image we edited earlier, guys. Now if we've passed all the editing stages guys, we followed it. We can directly click the share icon there. We can directly export the camera rule. Your image can be directly available in your smartphone gallery guys. No need to bother sharing here and there. It's directly in your gallery, guys. Well, that's a tutorial on how to edit in Adobe light room for the first food photo in our colorful theme editing guys. Well, if it's been rendered now you can see your picture in your gallery. Well, maybe that's all the video for this colorful theme. Thank you. See you in the next tutorial video guys. 11. Project 2 : Choose the Right Props & Compose It!: Hi guys, Welcome to this section. And in this section, I will tell you how to take food photography, colorful theme like this. If you want to shoot it from the top and go, okay, then I will explain to you. But before we shared to you about the lighting, I will share to you how we plan this scene, okay? The first important thing you have to decide is what kind of main color you want to plan for this thing, okay? As you can see that the main color, we choose, the yellow color. And I used the analogous color strategy, which means I use only the yellow color, the brighter yellow and the darker yellow. Okay? Yeah. Then for the foot here, I used the rule of technique, which is I use three plates here instead of 23 plates. And then I suggest to you to infer smaller plate like this. This is very small. Actually. This is just like 15 centimeters. It's okay to have smaller plates rather than like comfy centimeter plates. Which means if you put up on the pop off like turkeys and the metal plate, you have hope for so many of the advocates and you are selling a plate because there are so many empty area, you use the larger plate. Okay? So, yeah, this is very small. And then you can also do this packing here. Actually, this is also the leveling technique for this one, I used two plates to make variation of the leveling of my foot. And the third one, if you face the situation like this, when you only have the larger plate, then okay, How to three to make sure that the plate is not too empty. You can also put like small for inside your plate to add more texture in your plate so if it's not, seems to empty, okay? Yeah, you can put this one. And I suggest to you that you also purchase smaller work like this. Because the small work or small props here, even like small spoon like this will make your food look bigger. Okay. Yeah. Yeah. I usually put small, for instance, my plate when I see my plate is has too many empty area. Okay, And then we also put the fresh fruit raspberry on the background. And I use the app, what I do here to add the texture on the background. And also, this is the baby bread flour. If you want to search this one you can find on your marketplace and type baby breath. Actually, why I really like use this kind of flower is because it adds texture but don't dominate your picture. You want to make sure that your picture is dominated by your footnote, your prompts. And then I also used a cup of tea, and there's a teapot here also. You can also have the small one because that is just prompts and I don't want to make it to dominating our food. Yep. Yes, this is the preparation, how we plan our color, and how we plan our prompts. And then in the next section, I will explain to you how we sat the lighting. Okay, see you in the next lecture. 12. Project 2 : Light Your Food!: Hi guys. In this lecture, I will explain to you about the lighting position for top angle, okay? So in this accident I will shoot from the top or slightly angled like this. And then this I think I set my life being from the top, from the left corner of my foot n The Hague difference between our background here to the lighting is 1.3 methods. And the distance here from the center of our background should the lighting is 60 centimeter. Yeah, 60 centimeter here. And then the distance here is also sixties and the method. Okay? And then I set my lighting heading down to our product there. And why I choose writing this high is because I want to make sure that the shade though, is not too far away from the subject and the shadow is still, still near the subject. And then I set the light thing is from the top left lot in the center. If I set like this, then this shadow will drop in front of the product, which means I don't really like the shadow when the shadow is not diagonal position. If we set like this from the front like this, then the shadow will drop in front of our product. And I don't think it's sexy enough because in people's eyes, we really like this. See diagonal position. Yeah, naturally human eyes will attract it to something diagonal when you look at a photo of our look at a painting. So to make sure that the shadow drop diagonal, then I put it here on the top left corner from my foot here. Yep. There is mice happens mostly if I wanted to shoot top angle using color background. Okay, so you can also copy this kind of servings in your color food photography, okay? Yes. This is my explanation about our lighting position and I will see you in the next section. 13. Project 2 : Photoshoot Session: Hello guys. Before we do the photo shoot, I will explain to you a little bit again about the cameras are being here actually. Yeah. The camera setting. I hope you already done it because it's still the same with the sad thing. We do photoshoot before this one, okay. There's shutter speed is still 125 and ISO still 100. And the one that I change is only its aperture or Ack number nine. Yeah, that's the only thing I changed from my Pamela's ethene and then yep. I'm more than ready to lead a photo shoot. Okay. Let's do it. We have already measured and then I will show you the result. And here's the result of the role pictures. Okay, As you can see in the row picture, we show you the one that you use, your board threat landscape and the one that have negative space on the center. And also we do change the position and we also have the negative space in other area. Okay? And then here's the comparison between before and after the editing. Okay? As you can see that especially for the color food photography, when you do a photo shoot, sometimes you find out that the color is not to pop out. As you can see from the picture, the yellow is not shining. The yellow is not really great, but you don't have to worry. We can add it it easily in the Light Room, which means I will share to you after this. And then another one is when you do the photo shoots. Sometimes there are certain shared though in the foot that actually you don't really like it. But even if the foot here, we should waffle. And as you can see that there are so many texture in the waffle. So if you shoot it like this, there will be so many dark area in your fruit, but don't have to worry because we also can make it brighter in the Light room, okay? Yes. In the next section, in the editing section, I will show you exactly step-by-step how we do that. Okay. See you in the editing section. 14. Project 2 : Edit Your Food with Lightroom !: Okay, hello guys. Well this is the second foot of our colorful theme photo guys. Well, in this video guys, I'll also give a tutorial on how we can adjust images or edit images so the colors and other things become better guys for this picture guys. Well, let's just go straight to crop guys, because I'll cut the image into an image that fits its position with our frame guys. Well, here I'll use crop then. We just crop in this part guys. Okay, let's crop right away. Well, this is the image that we want to edit guys. If it's crop, we can just go straight to the light guys. We set the light in the light menu here. We'll adjust the exposure guys because overall this image is a bit too dark. Well, that's the good thing if you get a dark image like this guys. Because if you get an image that's too bright, it's a bit more difficult to adjust the light to make it more appropriate. It's better to get a dark image because we find it easier to brighten the image than we dim or darken the image. Guys, we can immediately increase the exposure. Here. Guys, we can increase it to plus 0.30, maybe. Then guys, we don't set the contrast here because I rarely adjust the contrast in my photos. Then we lower the high lights again. Guys to left align -100 guys because I want to get an image whose light is just right guys. Then here the shadows, We make the right alignment for the shadows. Then guys, under the shadows there is the one called the white. The difference between the white and the exposure is that the white will only brighten certain parts. Not all of our images will be bright guys. Well, that's why I'm going to add the whites instead of adding too much exposure guys. Well, here I'll add plus 60 guys up around plus 60. Then for the black guys, this is a feature where we just the darkness of shadows or objects that are black. Well, here I'll reduce the black to -20 guys. Well this is the right setting for the light guys guys. We immediately move to color guys. Now in the color for this image, I'll set the saturation to minus guys, But only a little, because we still need the original saturation from the image we took guys. Well, then we go to the color guys here, we'll set the red color guys. Well, the red color here is in this picture guys, right? Well, I want to add the luminance here so that the red color is a bit more vibrant guys. So I'll add it to the plus '60s. Then for the orange here, I'll add the saturation as well. But only a little guys because there is a lot of orange here, guys. That is the color of the akio, that includes the orange color and the color of the carrots is also orange guys. I'll add about plus seven maybe. Okay, well this is already fit guys. Then we'll reduce the hue guys. Let's just reduce it a bit to minus two maybe. Okay, minus two is enough. Then let's go to the yellow one. For this yellow image, we'll reduce the luminance because the yellow color here is quite dominant guys. Okay, therefore we reduce the luminus here. Just a little minus two maybe. Well, if you finished guys here, we'll move to the green color. This green color, I'll add the luminus because this green color is quite a lot guys, that is the leaves, then here is the avocado also. Well, therefore, I'll add the luminance for the green color here. Now for the blue color here, because there is no blue, we don't have to set it. It's also dark blue. What's more purple and pink, We don't have it, so we don't have to set it. We'll click down right away guys. Well after that we go straight to the effect menu guys. In this effect we're going to increase the texture to plus 17, more or less. Then let's move on to the details guys. In the details we'll add the sharpening up to plus 134. Okay, Around that much guys. Then we'll get a pretty broken picture guys. Well, you can see it here guys. This is broken, isn't it? Therefore, we need to counter sharpening using the masking guys. We'll add the masking to plus 80. Well, that will reduce the sharpening guys. Well, if it's still not enough guys here, there is such a thing as the noise reduction guys. Well, the noise reduction will reduce the sharpness of our images guys here. I'll increase the noise reduction guys. This is enough, actually guys, for this picture. The settings from these four menus are actually enough to get a realistic proper And also nice to look at guys. We can see this is the before image guys before we edit. Well this is the after. Better right guys, we only set form And guys guys if you have subscribed to add be light room, you can immediately use the healing brush tool. Here you can brush the parts that are really annoying. Well, over here there is something like duct tape in the background. Well, I'll remove it using the brush tool guys. Okay guys. For the brush tool, it's more or less like that. For the step by step how to use the brush tool, we'll just click the thick guys. Well, we'll use the masking here guys. Now in the Masking menu, I'll use the Masking in this part guys because it's two over high light guys until it looks like this, right? Well, here I'll use the masking using a brush. I'll use a brush here in the part that I think is to over. Okay, if you've finished you can just set it on the light menu. We reduce the highlights guys to around -13 maybe. Okay, that's enough guys. Let's click the tick right away. Well, in my opinion, the highlights have been reduced quite a bit. And now I get a picture that's starting to look good guys. Well, here guys, there is a texture on the right. The curves of the background that we use are a bit too disturbing, guys. I'm going to use the brush tool again in the masking. Then let's brush in this part guys, that the texture of the background doesn't bother you too much guys and it becomes a flat color, just yellow. Then we select the effect menu. Then we reduce the texture guys here. Then we also reduce the clarity guys. Then we move to the details. Then we reduce the sharpness guys. Well, the curves will be reduced guys, not like before. That's the right way to use masking guys. Those are the editing stages for the second foot guys, this is the before then this is the after guys guys, you can just follow the step by step guys. You can practice right from the start. We edit this guy guys, don't hesitate to watch this video while editing guys, you can just practice how I edit this from beginning to end. Guys, if you've been following from start to finish, you can directly click the share. I can hear. Then guys, click Export to Camera role. While it will save your pictures directly to your gallery, let's just wait. Here's the download. Your photos can be directly saved in your gallery. Well, that's a video tutorial for the colorful theme. We'll meet again in the editing session for the next foot, guys. Thank you. And a. 15. Project 3 : Choose the Right Props: Okay guys, Welcome to this section. I really love this concept. Okay, I will explain to you, okay, yep. So our concept here is we want to focus our frame in this area and we will have a ginger here and lime here. And then we set it like this. Then we fought the orange here, and then we put the drinks over here. Okay? Yes. If you shoot concept like this, because it's only in this area and very limited object here. So you have to make sure that you use the beautiful shape of every object that you should. Okay, like this Ginger here, we clean it and we also got it so we can stand it like this. And as you can see, for the orange, this is chopstick, just ordinary job thick, and we put it like this so we can easily direct the position of the chopstick and just edit it and remove this chopstick later in the editing section. And also same with this lemon grass. Actually we use two of them. I want to make sure that the texture is not too boring because if you use only one, yeah, that's not too interesting for me. Yeah, I used to and then I stick it together with the toothpick here. As you can see, that we put it like this. Okay. And to make like this, I use a paper, just ordinary tapes. Yeah, yeah, this happening is very simple, but I really liked the concept because it's quite creative. And also in the writing section, I will explain to you how to make the inside of this glass is Very clear, Okay? I want to make sure that every texture of the food inside the glass, and also I want to enhance the texture of the ice cube inside this glass. And we use special lighting in this section to make sure that we have a clear picture inside this last, yeah. Okay. That's our preparation for this concept. And then in the next section, I will explain to you how we set the perfect likening for this concept. Okay, see you in the next section. 16. Project 3 : Light Your Food!: Okay, guys, Amy's agenda, I will explain to you about the lighting position and don't be confused because this time we sat with two lysine, but I will explain to you why. Okay. This is our first main lighting. This is our main light beam and it will define all of the picture here. This is just the supporting one. I will explain to you the first one. And the position between our main subject here to the lighting here is about seven days. And the methods and the Hague difference between the background to the lighting about sixties and Demeter. And then I push the lighting for word above 15 centimeter. So the lighting is slightly in front of our subject here. And we'll kill down to make sure that the lighting is basing our subject there. And then the power here is one for eight. Okay, in this, I think before we set up the lighting power is one per 16. Then why we increase the power, especially for this one. Actually, for this scene, I want to shoot with the larger number of F, Okay? I want you increase the f number. If we want to increase the f-number, the image will be darker. Okay, so I need to increase the lightning to make sure that I can shoot with larger number. Okay. So I increase the lighting to 148. Yeah. Then why I said the light thing slightly in front of where subject is because I want to make sure that the texture here will be very beautiful. Okay? I want you to make the lighting here to **** beautiful each shape, our Ginger here, okay? And then our explain to you our lighting here. Since the position will be like this and will be like this, then I want to make sure the things inside our glass here looks very clear. So I use this lightning modifier. You can find this in marketplace. People name, it's not. Okay. Yeah, you can type in marketplace like this and then just place it here. The function of smoke is it can make the lighting more focused in 1. Okay, I want disliked him to shoot in the back of our glass of rings here. Make sure that inside our glass looks very clear. Okay? Yeah, this is the function of this loop. And I position this note here at the same level as this dream, okay? Because I go one to evict anything, I don't want to have any shadow come from this node. If I issue like this, hire them. It can have the same effect with this one, but the higher level of snow will make shadow in front of kids. Okay. We don't want this. Okay. So I make it in low angle. So I make the right thing in the same level of our glass so it won't event anything just at work clarity inside our grass here. Okay, so that's our settings for the lightning here. And then I'll see you in the next section. 17. Project 3 : Set Your Camera!: Okay, guys, In this section, I will explain to you about my camera setting here. As you can see, I put my camera on a tripod because we wanted to combine images in this section. So we want to make sure that the camera is doesn't move at all. And then in this, I think we use the same shutter speed and ISO, the one that we change is only f number because in this scene I don't have anything that I want to blur. Then I want to make sure that everything is in focus. Okay. So I said my increasingly F Number, 213. Okay. Yeah. That's why I explained to you. If I increase my F number, then I need more light. That's why I increase the power of the lighting. That okay. Yes. That's how we set our camera and then let's do the photo shoot. 18. Project 3 : Preparation Before Doing Photoshoot: Hi guys. In this section, I will explain to you about how we take this one, and I already have my assistant here. Okay, so actually, as simple as we bought us, think actually this is chopstick. We put a chopstick to our fruit here, so we've placement all of our composition. And then in the editing section we just take off this black tops thick, so it looks like every day thing. Okay. Yeah. And then the drinks here, we take two times. The first time we take like this, and then the second time we think like this. And then we combine both of the pictures so there will be no hands at all. And then I suggest for you to give to spray our grass here to keep. It looks great. Okay. We want water texture in the front of the class. Yes, this is how we set our shoot here with assistant and then let's do it. 19. Project 3 : Photoshoot Session: Hello, can you guys have already done our photo shoot and then I will show you the results. So here's the role result. Okay, so we will combine all of that picture and then here's the comparison between before and after the editing. Oh, okay, as you can see that when you want to shoot the concept like this, I suggest to you that you minimize the amount of editing. So live this scene, I only want to erase this speak. So I want to hide as much as possible for this peak so the editing will be easier. And then into editing we will use who apps are two software. There is other Photoshop and Adobe Lightroom. And Photoshop, we will combine the picture first and then in the Lightroom, we will correct the color. Yes, that's the part of everything. And then in the next section, I will show you exactly step-by-step and see you in the next section. 20. Project 3 : Edit Your Food with Photoshop !: Hello guys. Well here guys. We've entered the stage called Levitation Image Editing guys. Well, in this colorful course, we'll edit the pictures that we took before Guys here, I'll give you the tutorial from start to finish. Guys here, I'll use Adobe Photoshop software guys to be my editing software, my Photomerge editing this time guys. Well this is the initial view when we've entered DB Photoshop, you just click the file, then click open. Well, here guys, you can directly select the photos that you've selected. Well, it's a coincidence that I've prepared the photo. I just click the guys, you can directly click open your photos, will go to the editing page of B Photoshop guys. Well, this is how it looks. If you get a landscape photos like this, you just go to the Evac menu. Then you can directly click the image rotation. Well then you choose 90 degrees clockwise so that your photo becomes a portrait like this. Well, if it's done, I'm here to explain what tools I use for this levitation editing. Well now here I'll explain the first tool called the move tool. We use the move tool to move the object of your image guys here you can directly click on the image, then you can move it. We usually the move tool is used if you want your photos to be enlarged or reduced. For example, you can directly control, then the cursor will move to move your photo. We just a tip. When you enlarge and reduce photos in Dob Photoshop, you can directly click Save on your keyboard. Hold on guys. This is when you use the shift key. Hold it down. Well, this is when we don't use the shift key. Those are the tips. Well, the second tool that we'll use is the pain bucket tool. Well, we use the pain bucket tool to spill the image on the whole layer guys. For example, I choose the white here. Then here I select the pain bucket tool, then I'll select the top layer guys. Then this layer will be white. If your layer is a photo, then the pain bucket tool will only spill on one image. But if the pain bucket tool is selected on an empty layer, the entire layer will turn white. That is an example of the pain bucket tool. Well, here we'll use the pain bucket tool. Well, the third tool that we'll use is the spot healing brush tool. Well, the use of the spot healing brush tool is very unique. Guys you can delete objects that you really want to delete. For example, here I'll remove the stick guys, well I'll delete this. The stick in this image will be erased when using the spot healing brush tool. That's an example. The point is the spot healing brush tool will erase the area or object that we'll select guys. Well, the Ford, the tool that we'll use is the clone stem tool. Well, with the clone stem tool we can copy the color on our image. For example, here I want to copy the orange color. Here I click to copy the image, then I'll move it to the stick. Well then the image will move to the stick. The color that we select will move to the stick. That is an example of the clone stem tool guys. The use of the clone stem tool, usually I'll patch objects that are a bit annoying, then I'll patch it using the clones stem tool guys. Finally the tool that we'll use, or what we'll try, is the ad factor mask. The use of the ad factor mask is the same as adding a new layer. The difference is a new layer here, it will stay connected to our main layer. For example, we are going to change the layer in the factor mask. That means we are going to change our main layer as well. For example, let's say we add the factor mask. It means we'll also add a layer only on the photos that are on this layer. That is the function of the factor mask. The explanation of the tools has been completed. We'll immediately move to the editing guys. We immediately edited the image here. I'll patch this part guys, here is the hand part of our photo assistant. I want to add to this photo with a photo that we've taken without hands. In this part here, I'll patch with the image that I've chosen, guys, the image without hands. If the photo looks like this, you can right click on it, then you can directly rotate it to 90 degrees. Then you can just adjust it according to the layer of your photo. Okay, you can just click Enter. Then here, I'll always reduce the opacity guys as a control of our photos. Well here guys. Just fit the part that you really want to add. Well, here I'll fit the glass part. Okay, I'll tilt it a bit guys. Okay, here are the tips. Usually I'll equalize certain lines, guys. Perpendicular line like this. Here is a glass here. I'll even the line so that your photos are in sync and also not inconsequential guys. Okay, if it's done guys, you can immediately increase the opacity again to 100. Then here I'll add what is called a factor mask. As I explained earlier here, I'm going to add a factor mask. Then here I'll spill black color on the factor mask until the image disappears. Well, if the image is gone, here are my tips. When you spill black on the factor mask, your image will automatically be invisible as a cheat layer. I'm here going to click control J on this layer. Then I'll delete the factor mask. Delete layer mask here. I'll reduce the opacity guys so that it matches the layer we've created. Now this new layer which I've copied as our cheat layer for brushing the factor mask guys here, brush on the factor mask part with the brush tool with white color guys. Logically, since we've already spilled black on our factor mask layer here, we'll use the white instead, guys that our photos will appear in our image area here. I'm going to push that, this glass image will appear again, guys. Well here I'm just going to remove his hands guys. See the details, guys, don't let us feel it because the details that are left behind are very influential on our pictures. Well, if you're done guys, you can just delete our cheat layer. Then this hand photo is already done guys. Now all we have to do is remove this hand part guys, but that's for later because we remove the hand on this side, the one with the stick. Okay guys here, I'll repeat the previous step to cover the top, the side and below guys. Then I'll also delete it on the hand guys here I'll repeat the same step here. I'll select the image that I've selected. Then here I'll rotate using 90 degrees clockwise. Then I'll fit the image to match the layer. Then guys, I'll reduce the opacity. Then guys, you can just fit the picture right away here. I'm going to make it straight with our background. Okay, that's right here. The opacity, I'll add again. Then here I'll click the add layer mask. Then here I'm going to spill the black color. Then here I'll brush on this hand part. Guys using white color, also don't forget to delete the shadow guys. Then the stick is removed. Okay, Then here when it's done, I'll remove the part of the hand that's in this part. Okay guys, since the left and right hands are done here, I'm going to remove this area at the top, this blank one, and also this area at the bottom. By the way, we're going to select this layer. Then here I'll click the spot healing brush tool. By moving this layer using control J or copying it here. I'll merge the layers here in these two object layers control. Then I'll use the spot healing brush tool at the top. You can also use the stem tool for this top guys. Yeah. Then for the bottom here, I'll also use the same tool. Okay. When it's finished. This is the after image guys, just tidy it up at the top and also at the bottom if there are photos that don't match your photo frame. Here guys, actually the picture is already done guys. But because the picture is a bit tilted here, I'll correct it by selecting the entire image. Then click control J. Then I'll click Control here. I'll combine everything into one layer guys here. I'm going to move a bit in this part that a little bit to the left guys here. I'm going to reduce it a little bit for the pixel layer properties. Well, this picture is already good to see you guys. It's already in the middle guys. Well, actually the photo is already done, guys. Why? Because actually this levitation photo is not too complicated. It's a bit floating. You could say this is a semi levitation photo, guys. Next here, I'll edit the semi levitation image in the next session, guys, now we'll move to the next foot photo guys. Thank you. 21. Project 3 : Edit Your Food with Lightroom !: Okay, hello guys. Well, here's a tutorial for the next color theme photo editing guys. Well, this is the next foot photo, we'll edit guys. Well, for the foot guys, actually this photo has been edited guys because basically this is a semi levitation foot photo guys in the photo, merge editing. Actually, this image has been edited guys. Well, because of that, we just edited the color right away guys here, we immediately select the red color guys in the red color. We'll add a little on the saturation around plus one. Just a little guys then we click Done guys. Well that's actually enough for this color session guys. It's that easy because we only need to add around that much editing guys. Well guys, this time we'll also add the masking guys here. We'll use the masking in this section, guys. Lemongrass guys. Well, in the lemongrass part it's a bit too over the top. The highlight given from our lighting. Well, we'll brush in this part, guys, then we'll select the light menu. Then we'll add the shadow here to plus 100. Well guys, after we are done with the light, now we'll go to the Evac menu. Guys, in the Evac menu, I'm going to add a little texture around the plus '60s, then I'll add the clarity. I'll make it right align or plus 100 guys. Well, from here we'll move to the details menu guys. In the details, we'll add the sharpness. We'll make the sharpness right align guys so that the lemongrass image is a bit better than the previous image guys. Okay guys, then we'll use the masking again. We're going to add it here. Then we're going to click the Select subject guys. Well, we'll choose an object only the main object guys. That is the lemon grass and also the glass, the ginger and also the oranges guys. But here I'll invert using the button guys. Well, I inferred in the left corner guys above the delete symbol. Now there is an inert well there you can directly choose, well, it will be selected guys. On the other hand, if we selected our main subject, when we inverted it, it means we'll select the outer part of our main subject. Here, I'll set the lighting, we'll reduce the highlights to the left aligned guys or -100 because in my opinion, the highlights from our raw images are a bit too over guys. Well then guys. Here I'll just select the glass section using the brush tool guys. Here we can select the glass at the top guys. Now if it's selected we can just delete objects that we don't want to change. Then we'll go to the light, then we'll reduce the high lights guys to -100 Then guys, we'll go to the effect guys, we'll at the texture from the glass guys until it fits here. Maybe plus '60s maybe. Okay, maybe this is the right size for the texture of the glass. Okay, then guys here, I'll also use the masking, using linear gradient to select at the top guys, because in my opinion, this pop still needs to be adjusted guys. We're going to change the color in the color. We'll change the tint, we reduce it to -76 guys. Then we'll also reduce the saturation here. A little bit guys. If we're done we can immediately click the thick guys. We can immediately see the before and the after guys. Well, it doesn't really look that different between the before and the after guys because basically we've edited this foot photo in the photo, merge editing guys. Actually for the raw images it's already good guys but it just needs a little adjustment guys. Well, but if you have followed it step by step from start to finish, you can just click the share. I can. Here we directly export to camera O. We are waiting for the rendering. Then your photos can be found directly in your gallery guys. Well, that's a tutorial on how to edit colorful food photo guys. Well, hopefully it's useful and we'll meet in the next video guys. Thank you. 22. Project 4 : Choose the Right Props: Okay guys, Welcome to this section. In this section we will use another example about the levitation of this dreams. But this time I use different kind of ingredient and different color core, its background. And then this time I also use darker beverage. So we need to increase our light pink to make sure that the texture inside this glass is feasible. And then our ingredients here, we also have orange, and in my country, it is very hard to find the orange leaves on this orange. Actually, we just try to make it like make a hole inside this orange. And who believe on the orange. So it looks like a fresh orange again. And then we also have another fruit here. And we use put fake here to compose our orange so it can stance like this and make sure that if you want to shoot this kind of concept, you also prepare a double pipe here to make sure that the orange bands play B. Okay? Yeah. For example, the composition can be like this, and the grass is over here. Okay? Yeah, this is how we plan our setup here. And in the next section, I will show you how we set the lighting for this one. Okay. See you in the next section. 23. Project 4 : Light Your Food!: Okay guys, In this section, I will explain to you about the lighting position for this setup. Okay. Yeah. This is the second example of our like Mimi legislation. Yeah. Okay. I said this mini levitation because we only levitate the glass. Yeah. Here. We have the lighting position y, the same with our Photoshop before. And the difference is this time we used this diffuser, okay? Why we use this diffuser? Okay? This is, you can use this one conditionally because this time when we should, this actually, if we don't use the fuser, it produced like very bright and thin highlights here, and I don't really like it. And then we put that the fiercer to make the lighting less harsh, to make the light being softer. Then why should this one you can also, you can kill two right and left who see that? Which kind of lighting the best to your product. And then the position of the lightning here. The distance between our product here to the lighting is herpes and dimethyl in front of our product here. And the distance between our product here to the lighting is about 70 centimeter. And then the Hague different between our background to our product is above the Sunday midnight also. Okay. And then we placed the diffuser 15 centimeter in front of our lighting to diffuse the light. And then for the power of the lighting in this ethane, we used like one per row for the lighting. And foremost, we increase this moot because in this product, the color is very thick and then it is very hard to show inside of this glass because it's quite dark. Decide to increase this newt lighting. We send it to the maximum. I said it one per one, which is the maximum power that this class can shoot. Yep. The Hague of the lighting here is the same level, is at the same level with our product, then we don't have to worry because there won't be any shadow in this area. Because we said the smooth straight to our products. So there will be no shadow, so you don't have to worry. Okay? Yeah, this is how we set our lighting for this setup. And then I'll see you in the next section. 24. Project 4 : Set Your Camera: Okay. Our explained to you about the cameras having here. Actually, the cameras I think is still the same width. The sad things before. We still use protein as our aperture. And let's do the photoshoot. 25. Project 4 : Photoshoot Session: Okay guys, In this section, I already have my assistant here to hold our dreams, our beverage here. And then we hold and paste it two times. The first time we will take when the hand is on the top of our beverage with paint, our first job, and then the second job, we pick with the hand below of our beverage and then we combine the picture again. Okay? Yes, that's how we take it. And then let's do the photo shoot. 26. Project 4 : The Result: Okay guys, we have already done our photos. You I'm so excited to show you. And here's the row picture, the one with the hand on the top of our reference and the one with It's ten in below on the reference. And then we combine it together to get rid of the hand in our frame. Okay? Yes, Here's the row picture. And then here's the comparison before and after the editing. And editing, we already prefers step-by-step system that you can copy our system to edit yours. And then yes, let's go to the editing section. 27. Project 4 : Edit Your Food with Photoshop !: Okay guys, we've entered the next photo guys, we can start just right here. This is the initial view of Ob Photoshop. We can go directly to the file, click open, then we select the image that we've selected here. I'll select this image, then we click open. The guys here is the landscape image, then we'll convert it to a portrait. Guys, we click image, click the image rotation, then we choose 90 degrees clockwise. Well, here the photo has become a portrait. Well now I'll remove the hand like this in the photo earlier guys, we're going to overwrite this image with an image that we actually took without the hands here guys. Now let's go to the file. See like an image that doesn't have a hand in that part. Then we go to rotate. Then just click here guys. Then we fit it according to our frame guys. Okay, if it's done, we click Enter. Then here we reduce the opacity guys. Well, here we'll fit the glass guys so that the glass fits here. I usually fit it according to the overall line guys. Okay guys, if it's right we can just enter. We'll fix it first whether it's right or not. Okay, if you're done here now we'll increase the opacity again. Then we'll use the add layer mask. Then we'll change the color to black using the paint bucket tool guys. Yes, until it's gone. Then we'll draw using the brush tool with white color in this part guys. But before doing that we'll use the cheat layer guys. How we copy this layer with control J. Then we'll delete the layer mask. Then here we reduce the opacity well so that we can see which parts will brush using white color guys. We'll brush on the layer mask on the layer below guys. Well, after this we'll brush on the glass to remove the hands guys. Okay guys, we can just delete the cheat layer right away. It's done for the hands guys now. It's just a matter of tidying up the top In this way, guys, here we'll use the rectangular marquee tool guys. Well, here I'll select the bottom part of the black section at the top guys. Well, if it's done I'll control J. Then here I'll move it to the top guys like this then guys, so that the color is a bit the same. In this section here, I'll go to Edit, click Transform, then click flip Horizontal. Then we'll click on the flip vertical guys. Well, if it's still not enough here, maybe I'll go to the flip horizontal again. Well, here the color is a bit faded, guys, Part of the black color at the top is missing guys guys. Well now I just need to change the bottom guys. Well, for the bottom part to remove it here, I'll remove the white part first using the spot healing brush tool. Well, here are some pieces of flour here guys in our background. We're going to tidy it up a bit using the clone stem tool guys. Okay guys, just stay here at the bottom guys. Well now here I'll use the spot healing brush tool to remove the white areas. Guys guys, I'll tidy up this part because there is a slightly translucent light. Use the spot healing brush tool here. I'll create a new layer, then I'll brush on this part until it disappears. Okay guys, if this part is done, we'll move to the bottom guys. We're going to use the spot healing brush tool to patch these parts. Yes, we'll separate first. Okay. So that's it guys, for this image, it's actually easy guys, guys just brush at the bottom using the spot healing brush tool. Then guys just patch at the top using the rectangular marky tool. Then guys will remove the object of their hands using photo patches that you took without using your hands in your photos. Well, that's all for this photo guys. We'll move on to the next foot guys. Thank you. 28. Project 4 : Edit Lightroom with Lightroom !: Well, in this video to trial guys, we'll repeat step by step how we arrange images from the colorful theme guys. Well, in this photo guys, this is a photo that is actually semi levitation guys. This object is a bit floating around guys. I'm actually here to edit a little bit because this photo has actually been edited before guys. Well, here I'll go straight to the evac guys. In the evac, we go straight to edit in the vignette part, guys, fines section, we make it to -16 guys. Well then we'll set the midpoint to the most left align guys which is zero guys. For the midpoint. Well, here guys, the roundness. We'll add the circle so that there will be a dramatic effect on our pictures guys. Then for the feather it is also the same as the roundness. We'll make it right align guys. We've edited the eve guys then we'll move to the details. In the details, we'll add the sharpening up to 117 guys. Then to counter the sharpness of the sharpening, we'll use the mask. And guys in the masking, we'll add up to 80, well so that our image becomes sharp but not too over the top. Okay, then under the masking, there is the noise reduction. Well here we'll add the noise reduction as well so that our image has no noise guys. Well, here I'll add about 18 guys. Well, actually we finished editing our image guys. Well, this is the before then. This is the after. The image we're editing is telling us that there's drama in our image. If our pictures are telling a story, guys, when people see our pictures, that's how it is guys. Because we didn't set the light and the color part here, we went straight to the masking part guys here. The masking part can only be obtained if you subscribe to add the be light room guys here we'll use a brush. We'll brush in the lower left corner of the back round guys because in my opinion the highlight of this background is to over well here we'll reduce the highlight to the left guys. Then we click the tick. Okay, then we move to the color here. Then we move to the color. Now in the color menu, I'll add the temperature up to plus 16. Okay, that's enough then for the vignette. I'll also add this guys here. I add about 50 maybe. Okay, it's just right guys. Well, for the saturation, I add at plus 52 here. Then I click the thick guys. Okay guys, if you still feel lacking here, you can directly add the brush guys by clicking at to mask one brush. Then you can brush here guys. In that part it turned out to be left for selection guys. When you're done guys, just click the thick guys then your image will be better than the pictures earlier guys. Well guys here, I'll use what is called the radial gradient here. I'll select the glass part only. Okay, we've already selected the glass part here, guys. Well, I'll set it in the light, guys, I'll make the highlight right align. Then for the exposure here, I'll add around 0.60 here. I'll reduce the shadows here until they are left align fur color here. I'll add the temperature guys. Then for the Tin, I'll also add it here to the '40s, '50s. Then here I'll also add the effect guys here. I'll add the texture. Then I'll also add a bit for the clarity, for the dehaze here. I'll reduce it, but just a little guys. Okay, then we click the tick. Okay guys, I think that's enough for the glass part. Then I'll select all of the main objects guys using the brush tool, still in the masking part. Guys, brush it. Then we'll just select the main object. Now the objects that we've already selected, we can delete them here. I'll arrange the details, the details here. I'll add the sharpness to the right align. Guys guys here are pomicranates guys, I'll select guys so that the texture will be better in color. Guys, use a brush here. I'll brush on the inside of the seeds, guys, on the inside of the fruit. Then we're going to choose the color here. Then we'll reduce the temperature. Then I'll add the thin until it runs out, guys, because the color of this pomicranate fruit will come out. Guys, if I add the thin. Okay guys, enough for the pomicranate. I'll make another masking, that is the select subject guys, in the select subject we can immediately get the object that we really want to choose guys. Well, here I'll infer the select subject section so that what is not selected is only the main object guys, while the others it will be selected guys. Well, here I'll set the light part. I'll reduce the highlights to minus a bit. May be minus two. For the white, I'll reduce to -30 Then for the color, I'll add the temperature to plus five. And for the tint here, I'll reduce it to minus four guys. For the effect here, I add the he guys until it's right aligned. We finished the masking guys. We can just click the thick, then the result will look like this guys. Well here guys. I'll also use the masking in the upper left corner guys, because I think the shadows are a bit annoying. In that part, we can use the linear gradient or the straight gradient here, We can just pull it then let's add it here, guys. We slide it, then we adjust the position guys according to the position that we want. Well, for color here, I'll set the theme for the temperature. I add it here, plus seven. Then for the Fet here, I'll add up to plus 20. Then here I will add the setration guys around plus 70 guys, more or less like that. Guys at the top, it's a bit cooler and the color is quite the same with other colors guys. Well, here guys. I'll also adjust the masking on the glass again using a little brush, guys, because I think the color is a bit different from the other glass colors. Then here I'll adjust the light menu, guys to add light here. I'll increase the exposure. Then I'll mute the highlights guys to left the line. Lastly, the dehaze in the effect. I'll add up to plus 72. If it's done, we can immediately click the tick. Well, this is the result of the image that we want, guys. This is the before picture, guys. If you want to see the before picture, you can just click on it. Hold it right away. Now that's the before picture. Well if you let it go, you'll get the after image. Well this is before and this is after guys. If you follow step by step from start to finish, you can click the Share icon. Then you can directly export to camera, your image can be found directly in your gallery. It's really easy. We can just wait for the rendering where your pictures are already saved in your gallery. Well, that's all for the video tutorial for the colorful theme photos. Let's go to the next foot, guys. Thank you. 29. Project 5 : Choose the Right Props & Compose It!: Okay guys, Welcome to the preparation for this scene. This scene is very interesting. Maybe you want to ask like, what is another alternative that I can use? Warm colors like this. Okay. I only spoke with two background color like this. Or is there any idea to make a different concept? Okay, So this time I should using three big ground. And the first one, the Brighton one. I don't know, but I really like to put the brighter background on here. Okay. Yeah, because I think since the shadow is too bad, so it will make our product pop out. So I really liked the brighter background below, okay? And then the second one is here, the red one. And then the third big girl, I will put ten centimeter, five to ten centimeter in front of our background here. So if we set the right thing over here, then there will be a nice shadow because there's a gap between these two big ground. There will be a nice shadow here. Yep, so there's a sense of dimension in our image. Okay? So that's our big long planning. And then this is our main product that we have to shoot here. Yeah, Actually, when you are doing the photos youth, sometimes the condition is not true. Ideal timeline. You get the product that the color is pale or not too colorful like this. This product has only two color and mostly white. And sometimes it quite hard to shoot to make this kind of product beautiful. And one of the strategy is if you get the really bright product like this, you can set the darker background here so it will make your product pop out. And then if you also have only one ingredients, you have those youth, then I suggest you to change the texture of your crops. So we cut it in half. And then we also place the foot on our small bowl like this. And we also have put this on our background. So with the same products, we have three pets journey here. So there's a variation of texture. And then to do the left leg, I also use this kind of drops to make sure that the level of your product is different. Yeah. We will set it like this. And then with the lighting here, we will create a beautiful shadow over here. Okay, so that's the plan. And then let's move to the next section. I will share the details for you. 30. Project 5 : Light Your Food: Okay guys, before we did a photo shoot. So in this section I will explain to you about in the lighting position once again. Okay. So in this section we set the right thing, okay, about 17 per centimeter in front of our products. So our shader, we'll be here. Yeah, we're diagonal to the back area of our fridge here. Yeah. We'll be here. Okay. So the shadow will be diagonal. And the distance here between our product to our bright thing, the distance here is about 80 centimeter. Hey, different between our backgrounds, should the lighting is above 9070 method, okay, the power of lighting we use is 148. In this scene we said more powerful lighting because I want to make sure that I can use the higher f-number to make sure everything sharp. Okay? Yep. We don't use any diffuser and also I want to get a solid shadow in this area. And then when you set the lighting in front of your subject, you have to make sure that you still get the dimension of your product. Usually when we try to shoot with the light thing in front of our angle, sometimes we forget to make sure that they're still any shadow in front of your product. So we set like this and after do the photo shoot, you have to check. You have to measure that in this area. You have to make sure that you still half shadow, okay, so on the right side of your product, you have highlight and on the left side of your product you'd have shadow. Okay, so you still get the diamonds. It is really easy to lose the dimension of your product if you're writing in front of your product k. So you have to double-check and make sure that the product here is not flat. You list the dimension of this product when you lose the shadow, okay, so you still have to make sure that you still have this yellow in your product? Yes. That the tapes for the lightning and then let's do that for the shift. 31. Project 5 : Photoshoot Session: Hello guys. In this section we already have my assistant here to help me to hold our background. Okay, in the vertical bigger here, there's a distance between the big ground, the orange one and the red one. This about ten centimeter gap. So I want to make the shadow effect here because there's a gap between these two backgrounds. So this orange and the dark area will be here. And then here is the red area, okay? And then we also have Assistant, you hold these leaves. And then once you have two alternatives, the first alternative, we don't use the leaf. So in this area, we don't use the leaf and in this area will be cleaned so anyone can put copyrighting on our image here. And then in the second alternative, we will paint the background here with the shadow of our lives here, okay? The shadow will be very clear if we don't use any diffuser. So the lightning will be directory here, so the shadow will be solid. Okay. That's how we set our scene here. And then for the cameras a thing all the same thing, feel the same. And the one that we've changed is only the f number. Now we use nine FDF numbers. So let's do that for this year. 32. Project 5 : The Result: Okay guys, we have just done our photo shoot and I'm so excited to show you the result. Okay, so this is the result for the row picture, for portrait and landscape angle. And then here's the comparison between before and after the editing. Okay, and then if you guys want to know about step-by-step, how we edit it. And then let's move to the next section. I will show you step-by-step in editing section. 33. Project 5 : Edit Your Food with Lightroom !: Okay, hello guys. Well, we've arrived at this color theme, foot photo guys. I'll just repeat the step by step from beginning to end. Well, the very first step, usually we'll go to the crop guys. I want to show that our main object is in the middle of the frame. Well, I'm going to crop it, that the main object is in the middle, like this guys. Then we'll go to the lighting guys. We're going to the light menu here. We'll set the highlight to -100 or left line. Then for the shadows here, I'll keep reducing it to -70 about that much. Okay, now we're going to set the whites as the brightness. Then for the blacks here, I'll also add because basically for this photo, I want to show the shadow object here. It looks a bit dark guys. Okay guys, for the light menu. That's all guys. Well, now we'll enter the masking guys. We can add the masking here, which is the linear gradient. Then we'll drag here guys. We'll select in the upper left corner, guys we can arrange. Okay, then we'll enter the Lat menu. Then we'll change the highlight again, guys around the -80 guys. Well now I'll adjust the black here. I'll reduce the black so that it is a little dark, which is -54 guys around -50 Well if it's done we'll select using a rounded masking guys or radial gradient. Here. I'll set it up first I drag, then we'll select here. Let's set the opacity guys here. I want to set the opacity to be in the middle. Then we'll enter the light menu. In the light, we'll set the shadows to -90 guys. Well, if it's done we'll add another Masking using brush guys here. I'm going to brush on the main object of the glass guys. If it's done, we'll go into the light menu again, we'll reduce the shadows again, guys around -100 or left a line guys. Then here guys, we'll reduce the blacks to -24 guys. Okay. More or less like this guys. And this is the result we want for our foot photo guys. This is the before and this is the after guys. Now if you follow step by step from start to finish, you can just click the Share button. Then you can directly export to camera role so that you can get the photos in your gallery. We are waiting for the rendering. Well, if you finish, that's how we adjust or edit color image in Adoblight room guys. It's actually simple guys. You can immediately learn and practice how we edit images from stop to finish guys, you can also watch this video while editing your photos. Okay guys in the session. Thank you and see you in the next video guys. Thank you. 34. Project 6 : Choose the Right Props: Okay guys, Welcome to this section and let's have fun in this lecture, because in this section we will take the levitation for color pool with photography and we only use one lighting. The lighting that excellent. I will explain to you in the next section, but yeah, actually, I will give a little hats for you if you have only limited color for your background. Actually, if you set your lighting position here. But yeah, I know that you work in fast on light. This is blue and you, maybe you will spend too much money if you invest. Bright blue, dark blue, darker blue, very bright blue. Okay. Yeah. Maybe you will spend too much money for it, but I will give hatch to you, could change the color of your background. Okay. So if you're lighting position is over here, if you want to make your background is brighter, then you can just peel your background facing to your lighting source there. Then your background color will change into bright one. And then if you want to make it darker than just raising, just face here, so you won't get too much lighting from there. Okay. So this over here will become shallow and it will be darker. So you didn't have to spend too much money just to buy the darker color and brighter color. Just do this little hacks then you can have as many color as one. Okay? Then, yeah, I tell you that, let's have fun. So we will do trial and error for this scene. Will only have this bow on the center. And then I already put the stream with a wire here so we can take it in different positions. So there will be so many ingredients in this area, so we will take string and then we also won another texture using broccoli and then Chile, okay, we will get another color from here, and then spinach. Okay, So we also plan to have another texture from flour and also oil. Okay. And then okay, so yeah, there's no rural area in the video. So just let it flow and let's do it. And I will show you exactly step-by-step how we create this until this one into become a beautiful levitation photography, archaic. Yes, I will see you in the next section. I will explain to you about the liking. 35. Project 6 : Light Your Food!: Okay guys, I will explain to you about the lighting. Then. Actually you can also use the ordinary lighting. But since the thing have limitation, the limitation is you cannot shoot way up the shadows bit more than 160. If you shoot with ordinary flash, actually used, still can use that lighting. But if you want to shoot faster like you want to throw the flower like this. Yeah. Then to make it freeze, then you need a shadow speed more than 160. And ordinary flesh, It's not capable to do it, but you still can do it, but it's not 100% freeze. If you want to get a higher-quality, then you need the high speed flash. And this is one of the place that I used for high speed photography. And it is Go Docs AD 200 Pro. If you want to find this product, you can search like this over here. Okay, so yeah, the lighting position here, actually, it's in line with our product here. And then the distance between our fighting too is 1.1 meter. And then I also put the diffuser here, 15 centimeters or ten centimeters in front of the lighting to make sure that we get softer light here because we only use one. And then one of the hats here. If you want to make sure that the texture of your stream, your praise verbal, is very beautiful. You will have to be mindful when you place your stream like this. I want to avoid that. I'm facing my stream over there because there's no lighting there. If I facing over there, then it will become a shadow. So since my lightning is over here, then I want to hear my stream a little bit to the lighting here, so we will get the maximum texture here, okay? And then you also can do many position, but you still have to remember that the lighting source is over here, so just killed a little bit to the source of the light beam to get the maximum texture for this one. And then it also worked with broccoli and other products. Okay. Yeah. That's housing while we sat the lightning and then I will see you in the next section. 36. Project 6 : Set Your Camera: In this section, I will explain to you how we set our camera for levitation shot here. Okay. My camera position? Yes. Exactly in front of our bold there. I will make sure that my camera is a lobe because I want to make sure that the horizon line here is not abrupt. Our goal, okay, I want my horizontal line is below my bowl to make it more beautiful. And then shoot the levitation photography. You have to make sure that you put your camera on a tripod and then you don't move your camera at all because you want to have a consistent image for every single movement we made over there. Okay? Yeah. And then for my camera settings here, yeah. For the shutter speed, we increase the shutter speed through 250. Okay, So for ordinary place, I suggest you use 125 maximum for the shutter speed. But since we have the highest thing, spit trigger and high speed flash, okay, So we can short in the shutter speed one per 250. And then the aperture is 6.3 here. And then the ISO is 125. Okay? Yeah, I'm then the length I use here is metro 125. And make sure you also put your lens hood here. Yeah. Okay. That's how we set our camera up or this shot. And I'm so excited, left. 37. Project 6 : The Result: Hey guys, We have just done our photo shoot here. And if you see the row picture, then maybe you will get some time. You will get confused that how can I compose this images? But before we move to the next section, I'll show you, Here's the raw features. Okay, and then here's the comparison between before and after the editing. To edit this kind of image, to compose all of this image into one beautiful picture, I suggest you start with the Photoshop first. You combine all the row picture into one picture without editing its color at all. And then after you combine into one picture, then you add it, that single picture that you have combined still raw images and you edit it in light room. Okay, so you just need to edit one picture in Lightroom. So if you want to know the details step-by-step, how we edit it, then let's move to the next section. I will explain to you step-by-step. 38. Project 6 : Combine Shrimp and Vegetables with Photoshop !: Okay guys, we've entered the next photo. Guys the foot with frame guys. This is what it looks like when we insert our main photo into B Photoshop guys. Well, here I've already brushed the part of the wires guys using the spot healing brush tool according to the way we practiced in the previous photos guys. This is the photo that we've brushed guys. This is the before and this is the after I brushed guys. Well now guys, we'll add ornaments to the picture, guys. I'll add shrimp in this section, guys. Why? Because the shrimp is quite monotonous If it's only in this part, guys, we'll add the shrimp in this part, guys. In this way I'll go to file then using the photos that we've selected guys here. Well, if it's a landscape shape, we can directly click Rotate 90 degrees. Then we equate it according to the frame layer guys. Okay, we're going to click Enter the guys here. I'll reduce the opacity so I can see the shrimp that I'll add. Well, here I'll add the shrimp guys because the position is really better than the other shrimps position guys. Well, here I'll place the shrimp in this part, guys. Yeah, if it's already in the position we want, we can immediately increase the opacity to 100. Then here I'll add add layer mask. Here guys. Well in the add layer mask I'll add black color. Then I spill it using the paint bucket tool until it disappears. Well, as a cheat layer here, I'll create a cheat layer. First, click control J, then we delete the layer mask. Then we'll reduce the opacity to about half. Well then guys, let's move again to the layer below. We select the layer mask, then we'll brush with white color on the stream part that we've selected guys. Okay guys, if everything has been selected we can just delete it in the cheat layer guys. Then here we can tie up guys in the parts that we've already corrected guys. We can choose the black one. Then we delete guys guys here, I'll add the brightness and contrast guys. The trick guys, we can directly move down. Then there is such a thing as the adjustment layer here, guys, you can directly select the brightness contrast here. I'll add the brightness at number nine guys. Okay, then here I'm going to click out. Then I'm going to point the pointer in the part between the brightness contrast and also the layer below. Well, here I'll combine them using my left click well, so that the brightness of contrast will be applied to the shrimp part that we choose guys. Okay, then we'll move to the next tool guys. Okay guys, if this part of the shrimp is finished, we'll add another ornament to this photo, guys. Well, here I'll add vegetables, guys. Vegetables and chilies that really seem to fall into this pole, guys. Well now we'll repeat the step by step. We'll go to the file, We select the photo that we've selected. Then we rotate guys, 90 degrees. Then guys will match the position to match the position of our frame guys. Well here guys. We'll change the opacity so that it is low. Well, here I'll fit the object where I really want to put it guys. Then here I'll increase the opacity again, guys. Then we'll select the add layer mask. Then we'll spill the black color using the paint bucket tool until it disappears. Then we'll create our cheat layer. We delete the layer mask here. Then we reduce the opacity guys. You can directly select the add layer mask below which is black. Then we'll brush using the brush tool on the chilis part guys. Okay guys, when you're done with the brush tool, we can just delete our cheat layer. Well, we can see again guys, is it in accordance with the picture we want guys in the brush part. If it doesn't match what we want, we can just delete it using a black brush. Well, if you're done guys here, I'll add the brightness or contrast here. I'll add the brightness around 52 guys. Okay, like the previous file here. I'll also move the layer mask to the bottom guys. Well, here I'll put the mask down, the vegetable image becomes lighter. That's it guys. Well okay guys, if the chilies and broccoli are done, we can just add more ornaments guys. Here, I'll add the leaves guys which will fall from above into this pole guys. Well here I'll repeat the step by step. We'll go to the File Explorer, then we select the image that we really want to include guys. Well, here we just click Enter. Then if the raw file is landscape, we can directly rotate it 90 degrees to portrait. Then we adjust the object to the frame that we have. Guys, we click Enter. The guys here, I'll reduce the opacity guys here. I just need to adjust the position of the object that we've chosen. Guys, the leaves. Well guys, let's put it here because this is the position I want this object to be in. If it's in the right position, I'll add the opacity again guys until it's full. Then here guys, I'm going to click the add layer mask. Here we spill black using the paint bucket tool in the add layer mask earlier. Well if it's gone we can immediately create a chat layer. We control J. First delete the layer mask, we reduce its opacity. Then we'll return to the layer mask below with brush using white color guys on the sleeve object guys. Okay guys, if we're done we just need to delete this heat layer. Then we'll click the adjustment layer. We select the brightness contrast, then we add the brightness to around 49 guys. Then we'll move it to the layer below by clicking a. Then we point our pointer here until there is an arrow. We can just click this photo of the leaves becomes brighter. 39. Project 6 : Add Egg & Flour with Photoshop !: Okay, guys. If you're done, we'll add this part with guys. So there are egg ornaments that fall from above into our bowls guys. It's like the movement of an egg falling from above, guys. Well, how, we'll repeat step by step from the beginning guys. We open the file Xploer then we select the photo that has the egg. Then we just click. Then we rotate 90 degrees, guys. We'll fit it to fit our frame here. Then, guys, we'll move the position according to the position we want. Before that, we'll reduce the opacity first. Well, here, I just move it guys in the part we want. In this part, guys, I'll add x in this part, guys. Now I'll increase the opacity again to 100%. Then we're going to add the add layer mask here. Then we'll spill the cool guys. Now, if it's gone, we can immediately create a chat layer by clicking control a. Then we, delete the layer mask, then we reduce the opacity in the chat layer part guys. Let's go back to the previous layer mask below. Then we brush using white color guys in the object area on the x guys. Okay. Okay, guys. If you're done here, guys, we'll add more the brightness or contrast for the x guys. We go to the adjustment layer, then we select the brightness or contrast. Then guys will increase the brightness 2409 guys. Then we click the layer mask down, guys. We click out, then we point the pointer to this section guys. Until there is an arrow, we can immediately click. Okay, the x will be brighter and also be good, guys. Okay, guys. If the egg above is done, I'll add another egg at the bottom, guys. Why? Because at the bottom, it looks more empty guys. Okay, I'll repeat the step by step. We'll open the file explorer, then we'll choose the x that we've already selected. Then if the position is landscape like this, I'll turn it into portrait by rotating it 90 degrees clockwise. Then here we fit it first, guys. We fit the photo. Okay, then we click Enter, then here I'll reduce the opacity first. Okay, guys. Then I'll move the g a little to this part. Well, this is the position I want guys. Well, if it's done, we'll increase the opacity again to 100. Well here, I'll select the egg using the add layer mask. Click the paint bucket tool. Let's peel black here, guys. If we're done, we can immediately create a cheat layer guys. We delete the layer mask, then we reduce the opacity. So let's go back to the main layer. Here I'll brush using white only on the egg, guys. Okay, guys. If you've selected the X, guys, here we'll delete our later, guys. Oh. Then we'll add another adjustment layer here, guys, namely brightness or contrast. Here I'll increase the brightness by about 49 guys. Then we'll move the mast down guys by clicking out, then we'll move it below guys. The only thing that gets impacted is the layer below. Okay, guys. If the X are done guys in the above and below are done two, I'll add smoke at the bottom here, guys. It's as if the foot we're taking pictures of is warm and also falls down and the smoke evaporates, guys. Well, now here I'll repeat the step by step. We'll open the file explorer. We select the photo that we've selected. Then we'll rotate 90 degrees if the main file is landscape guys. Because here we'll make it a portrayed guys. Then we click Enter. Then here we'll reduce the opacity guys. Okay, let's reduce it first, guys. Then the bowl is here. I'll align it so it's parallel to our frame guys. Okay, then here I'll increase the opacity again, guys. Well, then here, I'm going to add the add layer mask. Then here I'll speel the black color into this part, guys. Well, if it's gone, here I'll create a cheat guys. We click Control J, then we delete the layer mask. If we're done here, I'll reduce the opacity guys. Now we move again to the previous layer mask, which is below. Then we're proce sing white color guys. Okay, guys. If everything has been selected, we can just turn off our cheat layer right here. We'll delete it, guys. So you can see the part that we selected earlier, guys. Well, this is the smoke we want to produce guys. Okay, guys. If you've added smoke here, guys, I'll also add guys. So there is flower that fell from above in this part, guys. Well, how, guys, we'll repeat the step by step that we've tried, guys. We'll go to the file manager here, guys. We'll select the photo that we've selected, we track, then, guys, we rotate here, guys. Then we'll adjust it to the frame that we already have guys. Well, if it's done, we click Enter. Well, here, I'll lower the opacity, then I'll adjust the position to the position we want. So I'll add flower in this position guys. Now, if it's in accordance with the position we want, we'll increase the opacity to 100%. Then I'm going to add the add layer mask here. Then here, I'll spell the black color using the paint bucket tool on the flower part guys until this part of the flower is gone. Well, now, I'll create a chat layer by clicking on the layer, then we'll control J, then we'll delete the layer mask here. I'll reduce the opacity guys. Let's go back to the layer mask below. We'll brush using white guys. Well, here, I'll brush on the flower part that I want to add, guys. So, guys, if we've selected all the parts of the object we want, we can just delete our cheat layer here. Delete layer mask. Well, this is the flower that I want to put in our photos guys. Well, actually, the photo that we've edited is finished, guys. Guys, you don't have to worry when editing levitation photos in the B photoshop. You can see our tutorial from beginning to end. In the first to the last photo, guys, we now I'll tell you how to export these photos, guys. Well, now, first of all, I'll tell you how we can save this image guys. Well, first, we can go directly to file, then we can directly click Save or Save as. Well, here, I'll select Save as. Well, we'll save the PSD first guys. What is PSD? The PSD is a raw file from DB Photoshop that we've edited guys. Well, now we can just click Save as. Then we click PSD here, guys. We save guys. Well, when we've saved, then here the whole PSD file that we've edited will be saved guys. So how do we save the photos, guys? Well, to save the photo, it's the same guys. You can go directly to file. You can directly click Save as. Then here in the Save as type section, you can choose JPCGuys. Now in the J PAC, you can directly click Save. You can just change the name right away. For example, ftationFrame. Guys, you can just click Save. Well, here, in the JPEG Option section, I usually use maximum quality guys. Well, I can just click here, so your photos can be saved in your photo gallery. Well, that's all for the Stream evitationFood photo tutorial, guys. Thank you because you've seen this video from beginning to end on our colorful DSLR course guys. We can immediately move to the editing section in AB room, guys. Thank you, guys. 40. Project 6 : Edit Your Food with Lightroom !: Okay guys, well now we'll edit the Levitation image for this colorful DSLR theme. Guys, actually this photo has been edited in the photo merge editing and we just have to change or edit the color guys. Well, let's just get straight to it. Let's go to the light guys. We're going to adjust the exposure here. I'll just add a little bit, guys, so it's brighter and more different than the raw image guys for the contrast. I'll also add here guys, now for the highlights guys here, I'll reduce the highlights to -50 guys. Then for the shadows themselves here, we'll also add guys plus 20 guys. I'll add the white here to plus ten guys. For the black here, I'll reduce it to around -15 here for the light. It's done guys. Now let's go to the color guys. We'll add the fibers to plus ten guys. Then we'll go to the color guys in the color, we'll choose the green color to set. Then we change the lumins. We'll reduce the lumins more or less at -57 guys. Now all we have to do is click Done here guys. Now let's go to the blue color, the light blue. Here guys. We set the hue, we make it all left align or -100 guys. Well, after that we're done for the color guys, this is finished. Let's just click Done After Color, we will go two details guys in the Details menu. We will increase the sharpening to around 40 guys. I'll go into 41 here. Now since we've increased the sharpening, our theory is that we'll counter the sharpening with the masking guys. Well, we'll make the masking right align maybe in the '90s. Yes, I'll choose 97 to keep this image sharp. But not so sharp that it brings up in your image guys. After the masking is set, we'll set the noise reduction guys. Well, here we'll add the noise reduction around plus 43. Well, actually we're done guys. The pictures are really good, guys. Well, this is the before image. It's still blurry, it's still blank. The color isn't out yet. Meanwhile, when we've edited with the three menu below, the picture immediately comes out. The green color is really good. Really good. But we'll use the menu called the Masking Guys. In the Masking menu, I'll first use the select subject guys. Well, when we've selected the select object, I'll invert it so that the selected image is an object that is outside of our main object or in the background guys, we click invert, which is on the left above the delete button guys. Well, like this guys, we've already inverted. Now after we invert, we'll enter the light menu. Guys, in the light menu, we'll increase the shadows to plus 100. Then the color guys, this time we'll add a little, the temperature around plus one. Then for the vignette, we'll reduce it guys, because when we add it, it will reduce the image. Instead, we'll just reduce it to around -30 maybe. Well, I'll use -33 for this picture. Well, I'll adjust the effect again, guys. In the effect, I'll set the texture to minus eight. Why? Because I want to reduce the texture because this is a bit too many objects, guys. Yes, these are flying guys, especially if there's water in it. Okay, well I'll also add the clarity about plus two guys. Okay guys, if it's done we can click the thick. Then we add another masking called the linear gradient. In the linear gradient, we can just draw a straight line like this guys. Then we invert if it doesn't match with what we choose. I want to select on the right guys. Well, if the selection is appropriate with what we want, we can directly enter the light. Here guys, I'll go into the light, then I'll add the shadows to right a line plus 100 guys. Then for the exposure, I'll add it because in the right area, on the right, it's a bit dark guys. I'll add it here plus 20 guys. If we're done we can immediately click the thick. Then we'll use the masking again for this area guys. But I'll use the radial gradient to make it easier here guys. So I'll select the Srim object guys and also the bowl here until everything is selected. After that I'll infer it so that only the outside is affected guys. Well, if it's done we'll enter the light guys. Now here the lighting so that the background of the shrimp guys doesn't come out too far from the main object. I'll reduce the high light guys until it's left aligned well. On this left align side, I made -100 guys. Then for the shadows I'll add, I'll add the shadows to plus 100 guys. Well, for the white here guys, I also reduce it to around -60 so that the picture looks good and also focuses on the main object guys. Then we can click the tick here. Well, actually the image is already done, guys. This is the before image and this is the after image guys, it's better, right? The image is more interesting and also stronger. The dominant green color is also really good here guys, if you follow step by step from start to finish, you can just click the Share icon here. Then click Export to Camero. Well, if you're done, the image will immediately be in your gallery, guys. Well actually to understand and be proficient in editing images in blight room, you just need to practice constantly, guys, you can watch this video to edit images in your Edblight room. You can just practice right away. Practice every detail guys, It's enough to practice and be proficient in the light color effects and details menus. You can produce pretty good pictures, guys. Well, maybe that's all for this video. Thank you And a. 41. Bye bye!: Okay guys, finally we reach the end of our course, but I believe this is the start of your journey. Okay? So my first tip is be kind to yourself, okay? When you are doing the photoshoot, sometimes we get frustrated. Okay, even for a professional photographer, we don't get the image we want in our first shot. Okay. Mostly with you live like first 50 picture for every single day of our photoshoot. So so the next one, I suggest you, if you are doing your own photo shoot, then you can still read Oakland this course again and make sure that you follow every single detail steps to make sure that you get the closest result compared to the image that we produce in this course. And also you can try to recreate all of the scene that we set and show you. I'm more than happy to see the result of your practice, okay? If you have the result of your practice, then feel free to share to us and connect to us wherever you are in the world. So this is the end of our course, but maybe you can see us again in another course, okay, I'll see you again in the future.