Cute Watercolor Chicks — 12 Easy and Fun Paintings

1. Welcome and Introduction : Welcome to my new class cute watercolor chicks, 12 easy and fun paintings. In this class, we will be painting 12 adorable watercolor projects featuring cute little chicks and hatchlings in different styles and mood. Some will be simple and quick, whilst others will have some more details. So there's something for everyone. You will find a variety of checks in here, some tiny and fluffy, others full of character and personality. A few projects feature groups of checks and others focus on a single one. For some paintings, we will even add soft background with grass, sky and warm sunlight to make the scene come alive. So these were all the 12 projects that we'll be doing for this class. Apart from this, we have two additional projects that I'll be showing you one in the beginning and one at the end of the class. Hi, my name is Vishal, and I'm an artist from India. I teach watercolor, oy, pastel and ink beast art classes here on skilsia. These are some of my classes. You can also find more of my work on my Instagram and YouTube. We will start the class with a very simple and basic sketching for our chicks. Then I'll be showing you some detailed one. Then we will move on to the colors that we'll be using and some watercolor basics that I'll be using in our project. After that, we have the 12 projects. Almost all the projects are in meal time, so you can always follow along with me. This is one of the easiest chick or hatchlings that I'll be showing you in the beginning of the class. And then we will proceed on to the 12 main projects. So I'm showing you all the project, starting from the last ones. The paintings in this class or the project sticks around ten to 20 minutes, and most of them are recorded in real time, as I mentioned. So if you want, you can follow along with me or you can do it at your own piece. This class is beg N friendly. So even if you are never painted before, you can jump Triton. By the end of the class, you will have a whole collection of cute watercolor checks that are bright, cheerful, and full of personality. So grab your brasses and let's start painting together. It's going to be so much fun. I'll see you in the next video. 2. Class Project : For your class project, you'll be creating your own set of watercolor checks and hatchlings inspired by the 12 adorable projects from this class, you can choose to paint one, a few or all 12 of the projects. It's completely up to you. Each painting sticks around ten to 20 minutes, making them quick, fun, and perfect for daily practices. Throughout this whole class, we will be exploring how to skate simple and cute checks, basic watercolor techniques like layering, blending, and wet and wet technique, adding small background details such as grass, clouds and sunlights and bringing your chicks to life with expressive eyes and bright cheerful colors. Once you are done, upload your artwork in the project gallery so that we can see your amazing chicks. Don't worry about perfection. Skillshare classes are all about practice, progress and creativity. I'd love to see how your chicks turn out, whether it's a single chick in the sunshine or a whole flock in the garden setting. See your favorite ones and tell me a bit about your process. Apart from this, you can also create bookmarks like this that I have created. I have not included this in the class project. But if you want me to paint this kind of cute little bookmarks, let me know in the discussion section, and I will include this in the extra videos for this class. Apart from this, you can also upload your project scenes, sketches, colour sketches or even partial painting. It's always inspiring to see everyone's learning journey. 3. Supplies : Um, this class, you will very basic supplies, pencil, eraser, watercolor. Here I'll be using Camelins watercolor. You can use any watercolor that you have, Watercolor blushes. Any small to medium watercolor brush will do their work. I'll be using this larger watercolor brush to do the wet on wet techniqu. Then we have got this fine liner. I'll be using to do the outlining and a little bit of detailing, masking tape to secure the Picker watercolor or mixed medium paper. Here I'm using 300 GSM paper. You can use any other paper and see that it's more than 200 GSM and a little bit textured. I'll see you in the next video. 4. Easy sketches : Welcome to the first time on Strian venue. In here, I'll be sewing in here, I'll be sewing the easiest kind of chicks that I'll be using for most of our projects. These are the simple heads. So these are the simple sips for the heads that I'll be using circles and for the rest of the body, semicircular seeps. You can consider this to be the Sep of a watermelon slice too. This second check is facing towards the left. This tick is facing towards the center and the remaining two, let's do the remaining two. The saps of the sticks and the hatchlings are quite simple circle and a combination circle and a combination of semicircles. To make it a little bit more curvier, you can bend the circles a little bit more for the rest of its body. As for the wings, too, I'll be adding another smaller semicircle. The foots, the beaks and the eyes will be quite simple, too. These are the basic simple postures that I'll be using for most of our project. Now for the second rows, the checks will be facing towards the ground. For the first row, we have the chicks facing towards the center or towards the right or left. But basically, they are looking above or at eye level, but in here, the chicks will be facing towards the ground, picking some food from the ground. So these are the two chicks facing towards each other and picking some food on the ground. Now let's create two more. Here we have got a horizontal chick and the final one. Now let's make it a little bit more defined. For this one, I'll be creating the two wings. That is all the two wings of this check will be visible. So these are the basic outlining shapes that I'll be using in our project, and then I'll be going in with the color. Then I'll be going with the watercolor to add the coloring. But for now, but in here to show you how I'll be creating it, I'm using this fine liner to go over the outlines and adding the details, the beaks, the leg, and the tiny little eyes. I have increased their speed. If you want to follow along with me, you can pause the video or you can reduce the speed. As you can see in here, I'm not treating any detailed eyes, beaks, or fin. If you prefer, you can make them a little bit more detailed. To create a little bit of fluffier texture for the wings and the rest of the chicks body, you can create a little bit of broken lines. So these are the kind of broken line that I am talking about, a little bit of small hatching to create this kind of fluffier texture for our chicks. Let's do the remaining four. In here, I have created very simple and basic posture for our chicks. If you want, you can experiment on your own and create some detailed and defined postures for the chicks. For the next video, I'll be showing you a little bit more detail and defined versions of the chicks and the hatchlings. I'll be adding a little bit more detail eyes, beaks and the legs. As well as I'll be making the wings and the rest of the body a little bit more fluffier. I'll be adding a little bit more details to the head. Now let's do the outlining for the last one. In here, I decided to create. In here, I decided to sew both the wings. Both the wings are visible. And with this, we are done with the basic sketches for these easy birds. Now let's remove the pencil lines. And with this, we are done with this section. I'll see you in the next one. And 5. Detailed sketches : Welcome to the second section. In here, we'll we continue where we laptop. I'll be showing you more examples of different lineup chicks that we'll be using our projects. Here, the chicks will be a little bit more detailed, more defined. So let's start with this first one. So here we have got a fluffier version of the chick. The proportions of the head in the body will be a little bit different from the one that I showed you earlier. Primarily, I'll be making the heads a little bit more larger for some of the chicks and the hatchelins in here. And for some of them, I'll be making the heads a little bit more smaller as compared to the earlier one. This is the outline for our first chick. I'll be adding the details later on using the fine liner. Let's do the second one. This is a little bit similar to the first demonstration video. So in here, I'm dividing in here, I'm dividing the portions of the chicks into different sections so that you can easily draw it. So we have got a circle, triangle, semicircles, and a little bit and a little bit of courtesy for the back of this chick. Let's do the third one. In here, the proportion of the body is a little bit larger as compared to the first chick that we created. Now, let's create the wings for it. For our projects too, I'll only be creating these kinds of outlines, and then I'll be erasing it and then using the watercolor to do the outlining and adding the color. But in here, I'll be showing you how are we creating it using the fine liner. Moving on to our fourth chick. So this is a little bit different from all the other one. Here we have got somewhat here we have got somewhat of triangular see for it, a curved triangular sieve or mushroom head like se for this fourth chick. For this fifth and the sixth chick, these are somewhat similar to the first video. In here, I'll be making them a little bit more details. I'll be adding a little bit more definition to their wings and as well as a little bit defined legs. So here's a small chick. Now let's make it a little bit larger. And as you can see, the proportion of the head and the rest of the body is somewhat different from the one that we practice in the first video. I'm using the same kind of basic seeps that I used in our earlier video. I'm adding a little bit more details in the form of back tails and a little bit more definition to the wings and the foot. And with these we are done with the fifth and the sixth one. Let's do the seventh and the final one. This will be somewhat similar to the fourth one, but in here, I'll be changing the proportions of the head and the body a little bit. For the fourth one, we have somewhat of seam proportion for both the head and the body. In here, the proportion will be a little bit different, somewhat of triangular sep or mushroom head for the top, and a little bit of enlarged circular sap for the rest of the body. Now let's add the tiny wings for it. If you want to make the wings a little bit more detail or if you want to create hands like projection, you can do that. Let's add the cowlx on the top of this chick. Yeah, we are done with all the simpler demonstration of the chicks. Let's do the outlining for the additional sieves. You have got crowns and this magical cap. We simple and basic sieves for it. Now, I'll be showing you how I'll be creating the legs, the beaks, and different positions or poses for the head simple heads. So these are the very simple feeds or the legs that I'll be creating for the chicks. If you want, you can add a little bit more detailing to it. Here's another one. So this is a little bit bend. For most of the projects, I'll be using simple and straight legs. If you want, you can create this kind of a little bit curvy or bend legs. And here's a very simple and basic see for the beak. For most of the beaks that are facing towards the right or the left, we'll have triangular s. But for the front facing one, we'll have this kind of rhomboid C. Now let me show you what I mean by triangular C for the beaks. This is facing up, and in here, we have got open wick and here I made a mistake. Let's correct this. So it would be a combination of two triangular C like this. So we have got openw in here. Let's create one more example of that openw. And here we have got another front facing weak. This is a little bit simpler version as compared to the first one. You can add two small dots to represent noses, and with these we add with the six pencil sketches. Let's do the outlining with a fine liner. In here, once again, I've increased the speed. If you want to follow along with, you can reduce the speed or you can pause the venu. So these are the kind of broken lines that I'll be using to create the fluffy texture for our chicks and the hatchlings. I'm using somewhat of broken lines to create this kind of texture. So feel free to experiment on your own. You can do a little bit of hatching and cross hatching too if you want to make them a little bit more detailed. Let's do the second one. Here, too, I'm using a little bit of broken lines to create this kind of weary texture and a pattern for the wings. If you want, you can also create if you want, you can create a straight uniform lines. Oh and with this, we are done with the outlining for the second one. Let's do the third one. For this one, we have got coalex at the top of its head. For the remaining three larger one, for the remaining three large chicks, I'll be adding the coaolx on top of it, three or four coalex on top abnm and I'll be making the eyes a little bit more detailed, a bit bigger. And yeah, I'll be creating fluffy taxi for them. Let's do this one. Fluffy taxi for its stomach, tiny little ice less kind of big. Now let's do the two smaller ones, a little bit more detailing to the beaks. Let's move to this one. For the colorings, I'll be using two or three sets of the yellows or cher. If you want to add more details to the wings and the tails, you can use a little bit of more colors to it and do multiple layerings. But mostly I'll be using two or three layers of the colors. Let's do the final one, the biggest one. Let's create this kind of broken lines to create the fluffy texture for this In here, I decided to create a bit larger eyes. Let's create a little bit detail beak for this one, a little bit of texture for the remaining section of its pony. Let's create its feet, a little bit of band feed. And yeah, we are done with all the chicks. Let's do the outlining for the extra details and the remaining section. So we have got crown in here, this magical care. To create somewhat of fluffy texture, All mostly using this kind of broken lines to create this kind of texture. If you want, you can proceed with the straight lines too. I'll be using the fine liner for some of the project, not for the all. If you want, you can use the fine liner for all the printers, but I'll be creating the texture, the fluffy, but I'll be creating the fluffy texture, the outlines mostly with the watercolors. A bit darker sets of the gallows or the orchard to do the outlines. But yeah, I'll be sticking with the watercolor. Let's do the outlining for the chick heads and With this, we are done with this demonstration. Let's use the pencil marks. If you want to add more details to the wings, the tails, you can do that. But since I'm creating simple and easy chicks, I won't be doing that. And yeah, with this, we are done with this section. I'll see you in the next one. Where we We will be using the colors. 6. Colors and basic blending : Welcome to the third section in here. I'll be showing you the colors and some of the basic watercolor techniques. For most of the projects, I'll be using combinations of lighter and darker seeds of the yellows and a little bit and a little bit of ocher and a little bit of red and the orange for the beaks and the legs. So these are the five colors that I'll be using mostly Camo, yellow ochre, lemon yellow, orange, and raw siana. Now let me show you the color swatches. So here we have the light yellow or the lemon yellow. This is Camus u. Now we have got this orange. And lastly, we have got asiana. These are the four or the five colors that I'll be using for most of the easier versions of the chicks and the hatchling and for the defined and a little bit more detailed ones, I'll be using other colours too. Now let me show you a little bit of blending of the colors. I'll be starting with the lighter sets of the yellow. In here, I'm using this lemon yellow. Here you can see I'm keeping the consistency of the color a little bit concentrated. The color is a little bit diluted so that we can easily blend it. And on top of it, here I have added Cambo. It will blend on its own. You'll have to spread it a little bit, and these both colors will blend. So I'll be using this color combinations for the lighter sons or the lighter types of the chicks. To make it a little bit more darker, you can add a little bit more darker seed on the side that you want to make it darker. Let's do another example in here. Instead of using the lemon, low as the primary layering. I am using this Camboz. Let's do a circular. If you're not comfortable with directly creating the circular seed, you can use the pencil to draw the guidelines. Now, let's completely fill it with this Cambio zu. And in here, I'm using this ocher. So adding this ocher on the one side. And as I mentioned, I'm keeping the consistency of the color a bit concentrated and the colours are a bit diluted so that they can easily blend with each other. Et's do another example. In here I mixed a little bit of white with the lemon yellow. So here we have got pale yellow, and I have kept the consistency somewhat seen now going in with this Cambou. We have got a bit lighter seed. So here we have got a bit more lighter seed than the lemon yellow. And now let's do the blending, spreading this camo u a little bit more. These are the kinds of the blendings that we'll be doing for our chicks. I'll be filling the insides of the chicks with the lighter sets, and then I'll be going in with the darker seats, do the outlining and a little bit of blending. Here's another example. So here we have got a concentrated light yellow or the lemon yellow. For the upper parts, let's add a little bit more concentrated camziu so this blending or layering is somewhat similar to the wit on bit technique. I'm not I'm just spreading the colors. It's blending on its own. And in the same manner, I'll be creating the grass. So I'll be going with the lighter tone of the green with a diluted consistency, and on top of it, I'll be adding a bit darker tone or darker side of the green. Here I'm using a lighter tone of the green, and as you can see, I have kept the consistency a bit lower by adding more water to it. And I will wait for it to dry a little bit. And then on top of it, I'll be going in with this darker side of the green. Start with the lighter side of the green, add a little bit of more water to make it a bit diluted, and do the first layering, then wait for it to dry a little bit. And then on top of it, go in with a bit darker side of the green to add another layer on top of it. Don't cover the entire section, and this is how I'll be creating the grasses and the grounds with the greens. If you want, you can add a little bit of yellow or red dots to represent flowers. For one of the projects, I'll be doing that. Now let's do a proper wet on wet blending. So here I'm using clean water. So here I'm using clean water as the primary layering. And now going with the slighter tone of the yellow, here I'm using a bit diluted consistency of it. And I only added it for the half side. For the other side, here I'm going with this cams you. And yeah, let's add it for the entire section and do a little bit of blending in the middle. Both the colors are blending on its own. I'll be using this to create the backgrounds, the sky or a little bit for the grounds. Now, let me so how I'll be creating a fluffier texture for our chicks. In here, I'm using a diluted consistency of the yellow ocher, and I added a little bit of white, and I added a little bit of white with it. I'll be creating this kind of rough texture for the outlines, and I'll be doing two or three layerings of the colors on top of it. For the primary layering, I'll be using a bit lighter tone of the color. And when it dries and when it dries a little bit, I'll be going with a second layering of the colors. Let's wait for it to dry a little bit, and then I'll be adding another layering of the colors. Here I'm showing you how I'll be using weight and weight technique for one of our project for the background. I'll be starting with the water as the primary layer, and on top of it, I'll be going with a bit darker tone of the columns. For our project, I'll be using blue, but in here, I'll be using red or orange. I'll be adding it near the outline region, and it will spread on its own. It will spread on its own, but to get a little bit more uniform and consistent spreading, I'll be using my brass to spread it a little bit more. As you can see, it's spreading on its own, but to get a little bit more uniform consistency, I'm using my breast to spread it a little bit more. For the inside, I'll be using a bit lighter tone. In here, I'm using this ocher and it will blend on its we, the two colors, the red, and this ochre. And when it dries, we get somewhat of smooth gradient in between these two colors. And to make the middle region a little bit more lighter, I'm adding a little bit of concntriy dhite in here. And as you can see, it's spreading beautifully, and it will help the blending of the two colors, the yellow, and the red. This primary layer has dried a little bit, and in here, I'm going with this organ. As you can see, it's a bit more concentrated. And since the primary layer has not dried up completely, it will blend a little bit with the primary layer. Let's create this kind of texture for the lower region. I won't be covering the entire regions with it. The regions that I make the regions that I want to make it a bit darker, I'll be primarily adding I'll be primarily adding the lines on that region, as well as for the entire sections of the outlines. And as I move away from the outline or the lower regions, I'll be decreasing the intensity of the color, and we will wait for it to dry a little bit more. Until it writes, let's make the outline of it a bit more clear and more crisper. Once again, I'm using this red to do the outlining. Here, too, the color has not dried up properly, so this darker tone of the red will blend a little bit more with the entire section. And we will wait for more white to dries to add more detailing. Till it dries, let's practice a little bit of more blending. In here, I'm using this. In here, I'm using the lighter sad of the blue. I added a little bit of white to the blue to get this consistency or this sad of the blue. Now I'm going to blend it with a bit darker tone of the blue. Adding this darker tone of the blue. Here the consistency matters a lot. As you can see, I have diluted the color a little bit more with the water. Instead of this, if I have used bit darker tone or concentrated blue, then the blending would become a little bit challenging and difficult. And here I blended the colors by overlaying it on top of the lighter side of the blue. As you can see, we have created a somewhat of gradient in between the lighter and the darker side of the blue. Let's do the same in here. So here I've started with the graystone. Here, too, it's diluted and we are using a lot of water. Now I'm going in with the white. And it's blending beautifully with the gray. So this is the second color that I'm using for this. Once again, I'll be using the grey bit darker tone of the gray in here. This time, I'm only using the water to blend the color, spreading this gray, to blend it with the white. And finally, let's go in with more darker tone of the gray to blend to blend it with a lighter tone of the grey to create a bit of gradient. Once again, I'm using water to spread the colors to get somewhat of blending. And lastly, to finish this gradient scale that I'm creating, I'm using this black. Once again, it's diluted. I added a bit of I added a lot of water to get this kind of black. And because of this water, it will act as wet on wet technique. And with this, we are done with this gradient of black, white, and green. Let's do one more example. So here I'm going with this cher. I'll be using this to create ground for some of the project. Start with a bit concentrated form of the color and then spread it. The upper section will be a bit darker and the lower section will be a bit lighter. You can do the opposite to start with a lighter set and then increase the tone to make it a bit more darker. To do a little bit more blending, I added a little bit more ocher and now let's spread the color and blend it with a lighter tone. Moving back to create the fluffy texture, this has dried somewhat. So this is the third layering of the color. In here, I'm creating more smaller strokes and overlaying on top of the other two layerings of the colors. Small strokes to create this fluffy or fur like texture. Since it has not dried up properly, it will blend with the remaining two and create a little bit of subtle gradient as well as a bit of fluffier texture for the entire section. As I move up, the intensity of the color is decreasing on its own. So this is how I'll be creating for our fluffy texture for it. You can add more layers to make it a little bit more detailed and more defined, a bit darker tone of the ocher. And with this, we are the demonstration or the tutorial section for this class. I'll see you in the next video where we'll be creating the easiest sticks and the hatchlings. Oh 7. Easiest chicks single color: Welcome to the first watercolor illustration. In here, we'll be painting the easiest chicks. So I'll be mostly using only three colors, no layering, just simple plain colour. I'll be using Ochre, camoziu and light tone of yellow, lemon yellow or light yellow. As you can see, very simple seats for our chicks, I won't be making any detail eyes, beaks, or feeds. They will be very simple. The side is very simple, too. It is more simpler than the easiest sketches that we did in our first section. For each color, I'll be creating three or four chicks. You can increase or decrease the numbers of the chicks. You can also make it a little bit more detail. You can make it big or small. So whatever you feel comfortable, feel free to do that. I'll be changing the seats of the chicks a little bit, and this is the fourth one that I am creating using this ocher. As you can see, I have diluted this occur a little bit with a lot of water. It has dried up. Now let's do the Now let's go in with the second color. It's advisable for you to wait for the colours to dry, otherwise you will get smudging. So when you are done with using one colour to create the chicks, wait for it to dry a little bit, and then go in with the other color. Then here I'm using this lighter tone of the yellow. Here too, I diluted it, but not that much as compared to the ocher. So it's a bit more concentrated compared to the ocher chicks. Now, let's create few more. You can also use the same color and create two variations, one with the diluted consistency one with a diluted consistency, and other with the concentrated one. Also, if you want to create a paler version of the chicks, you can add a little bit of white to the color. And yeah we are done with this lighter tone of the yellow, four chicks with it. Now let's go in with another side. So this time, I'm using this This time I'm using this Camus you. I added a lot of water to it. And yeah, let's create three or four chicks with it. So I'll be adding the sticks in the empty spaces in between this ocher and the yellowt chicks. I won't be creating any backgrounds or grasses. If you want, you can do that. But since this is our first illustration and this is going to be the simplest one, I won't be doing anything like that. Let's create one more so we can add it in here. We have got a little bit more spies on the top right side and on this left side. If you want, you can add more chicks. Also, if you want, you can use a little bit of darker side of the color to do the outlining for some of the chicks like in here. I won't be doing it for all the chicks, but I'm just showing you as an example. You can do that using this Camus and going over the outlines of this lighter side of the chicks. Since it has not dried up properly, it will blend smoothly with the light yellow. And now it has dried up. We'll be adding very simple weeks in the form of triangles, very small triangular see. Here I'm using a bit concentrated consistency of the orange to create the beaks. Okay. For smaller areas, mostly, I'll be using the concentrated color since it will provide me with more accuracy in precesonF bigger areas, mostly I'll be using a bit diluted color consistency so that it will spread and blend easily. I'll be adding this small triangular beaks for all the remaining chicks. If you want, you can use two colour combinations. For some of the chicks, you can use orange and for other a combination of the orange or the red or red. So for the eyes, I'll be creating two small dots. And as for the feet or the leg, very simple tiny straight or curved lines. Now let's create two more weeks for the remaining two checks. Adding the B for the last remaining check. Now let's create tiny little feet for these chicks. So very simple lines for the chicks. If you want to create a little bit more defined legs, you can do as we practice in the earlier section. But in here, I'll be creating this very simpler versions for the leg. Some legs will be some legs or feet will be a bit straight, others will be a little bit curvier. Here I'm using the same color, the orange that I use for the beak, it has become a little bit more diluted. You want to use a bit concentrated color. You can do that, but here I'll be using the same that I have on my bras. Let's add the legs for the remaining chicks, and then we will proceed to adding the eyes, small black dots. For some of the chicks, I decided to create a little bit more detail and bold legs. So in here, I'm using a bit darker consistency of the orange to create the feed. So yeah, let's create the feed for the remaining five or six chicks that we have in here. You can also create the resemblance of feathers in the wings. You can use a bit concentrated orbit diluted color, a darker side to create somewhat of semicircular see for the wings. Carefully creating the smaller lines to create the feet for the remaining ones. If you're not comfortable with creating this kind of smaller lines with abs, you can also use breastbin if you have. Apart from that, you can also use colored pencil to green the legs and the beaks. And with these, we are done with adding the feet for all the chicks that we have in here. And now I'll be creating the tiny little eyes where small dots. In here, I'm using the fine liner to add or create the eyes. For smaller ice, I would advise you to use the fine liner, since it will provide you with much more accuracy and precision. You can do the same thing with buttercolur breath, but with that, you will have to be super accurate and super precise. Otherwise, the ice will turn out a little bit more ger. A Let's add the ice for the remaining four chicks we have in here. To make it a little bit more interesting, you can use colored watercolor paper, or you can create a little bit of background or pattern or doodles for it. And with this, we are done with our easiest illustration of the chicks. Let's unmask our painting, and I'll see you in the next video, our first class project. And 8. Warm afternoon gathering : Welcome to our first project warm afternoon gathering. In here, we'll be creating the same kind some of the chicks that we practice in our first section. The easiest chick sketching that we did. So let's start with creating the basic outlines with the pencil, and then we will use the colors. In here, I'll be using the yellows and the Cambooy a little bit of green for the grass, and I'll also be creating the background, the sky with the yellows. We simple seeps for the head and the rest of the body, we have this circular see for the head and this kind of somewhat of semi circular seep or the seep of a watermelon slice for the rest of its body. In here, I'll be creating four chicks. If you want, you can add more or you can also decrease the number. This two will be facing towards each other, and the remaining two, one will be picking something on the ground, and the last one will be looking straight. Let's do the third one. So as I mentioned, this will be picking something on the ground. So we have this somewhat of watermelon see for its body and this circular C for its head. If you're comfortable, you can directly create the scene, or you don't have to start with the basic pencil outlines. You can directly start with the watercolor brushes. For some of the initial projects, I'll be starting with the basic pencilla sketch. And as we progress, I won't be creating the pencilla outline since you will become familiarized with how you can easily create the easy chicks, since you will become familiarized with easily creating chicks directly with the water colaborss. These are the basic outlines for our four chicks. If you want to add a little bit more detailing, you can do that. You can also create a little bit of background like mountains or some kind of pattern. I won't be doing that, but if you want, you can proceed with that. Now let's lightly erase this pencil marks. And, yeah, now let's do the coloring. In here, I'm using the light yellow or lemon yellow or any lighter seed of the yellow Bili do. Instead of this, you can also use other sads of the yellows. This is our primary layer with the slighted tone. In here, I have kept the consistency a little bit saturated. But if you want, you can dilute it more. For all the four chicks, I'll be using the same color as the primary layering and then I'll be going in with a bit darker set to do the outlining and a little bit of blending to create the resemblance for the wings. Bring the color for our third one. Instead of using the same color for all four chicks, you can use different color for the different chicks. Let's do the other one. As you can see, I have sweets, dabs, Ab any small chic of bras will do the work. So whatever you are comfortable with, you can create this kind of easy chicks with that. Now let's do a little bit of outlining and more detailing with this cambziu. As you can see, I'm going over the outlines, and since the color has not dried up properly, it will blend a little bit with the lighter side of the yellow. In here, I'm creating this kind of small hatching lines or you can say broken lines to create a little bit of fluffy texture. Also use this color to create the first layering for our beaks on top of that. I'll on top of it, we'll be going in with darker sad orange to make the beaks a little bit more detailed. Going over the outlines and a little bit of broken lines to create a little bit of fluffy texture. In here, too, you can change the color for one or two. You can use the Cambos for the others. For the remaining one, you can use Ochre creating the beak for this one. And also, let's create the legs for this too. The whole portion of the fit won't be visible in here. But if you want, you can create that for the ground. I'll be covering it with a greens, small grasses. Let's do the last chick. A little bit of hatching for the lower side. And now let's create the wings. Adding the tiny little legs for our chicks. Adding a little bit more details for the feet of the chicks. Mostly, I'll be covering the feeds with the grass using this Camboo to create small dots for the eyes. And we are done with this, let's wait for it to dry, and then we will add the details. Let's create the background by sky in here. So here I started with the Camboo as the primary layering. Now I'm going with only wed to spread it a little bit. This is optional. If you want to keep the project simpler, you don't have to create that. Also, instead of using this yellow to create the sky, you can use blues too, so lighter sats of the blue. I decided to use the yellows because of the same color of the chicks. Adding more water to spread it a little bit more. Instead of directly starting with this, you can do wet on wet technique. Now here I'm going with the orange. A bit of concentrated orange on top of this Cambo and since it's not dried properly, it will blend on its own, but to make it a little bit more smoother, I'm adding a little bit more water and spreading it. On top of this, I'll be adding another layer to make it a little bit more darker. Let's wait for it to dry a little bit until it's dry leads to the grass, using this thinner consistency of this yellow as the primary layering for our grass. And once again, I'm using this orange color, laying a little bit on top of the two layers of the yellows. In here, I'm overlaying this lighter tone of the green on top of the yellow that we added as the primary layer in here. So we can create a subtle gradient in between the greens, as well as a little bit of lighter tones for the ground. On top of this, I'll be going with a bit darker side of the green when it dries a little bit. This is also optimal. If you don't want, you don't have to create the ground on the grasses. Now let's make the outlines a little bit more crisper and more details. The colors have dried up. So in here, I'm using a little bit darker tone, the orange color to redo the outlining, as well as add it a little bit for the beaks and the fad. Here, once again, I'm creating a little bit of broken lines or you can see a little bit of hatching to create more fluffy texture, overlaying this on top of the Cambo that we used earlier. Adding it on top of the fi, too. So we'll be doing the same thing for the remaining chicks. As I mentioned earlier, you can use other colors to make things a little bit more interesting. Instead of this range, you can also use a bit of darker consistency of the aqua color. Adding it for the fee. Now let's move on to the third and the fourth one. If you want to make the wings and the feathers a little bit more details, you can add more fluffy lines. Let's do the outlining for its head. Now, let's add this for the beak. Going back to the wings. And yeah, let's create the hatching lines, adding this for the feed, adding this for the fee. And now let's do the last chick that we have in here, going over the outlines. Adding a little bit of fluffy texture with the hatching lines, and then we will do the remaining section, a little bit of coloring for our background, our grass, and we will move on to the next project. This is one of the easiest project, and this is a 12 minute. After this, we'll be creating same kind of chicks. But instead of four chicks, we'll be creating multiple ones. Creating a little bit larger beak for this one. I decided to add a little bit more orange for the upper section to make the upper section of the beaks a little bit more darker. And here, we are done with the orange for the outlining, creating a little bit of fluffy texture and for the beaks. Once again, in here, I'm going with a bit more darker and concentrated form of the orange and laying it on top of this. Now let's spread it so that it will blend with the remaining sections. The color has not dried up properly in here, so it will blend smoky. Using water to spread it evenly so that it will blend with the remaining section. And here, we are done with the clouds with the background. Let's do the remaining part. The grass in here, I'm using a bit darker tone of the green. I won't be covering the entire section and I'll be creating this kind of broken lines in here with the grass. And I'm also covering a small portion of the feed with this darker green. You can use a bit of yellow and orange or pink to create a small resemblance of the flower on top of the green grasses. Let's add a little bit more green for the bottom section to make it a bit more uniform and a bit more darker. And with this, we are done with our grass. Insure that the color has dried and then add the eyes. So once again, I'm using fine lining to create the eyes because of it, because it allows me more preciason and more accuracy and I can create smaller ice with it. For the first chick, I made a mistake. Instead of adding the ice on top of the Cambugio yellow dot, I added it a little bit Going back once again with the orange to make the feet a little bit more darker. And at least we are done with our first project. I'll see you in the next one. 9. Golden flocks in the field : A Welcome to the second project, Golden Fox in the field. So this is somewhat similar to the first one. Instead of creating four single one, instead of creating four chicks in here, I'll be creating ten chicks. The sins will be comparatively smaller as compared to the first project, and in here, we'll be creating multiple poses of the chicks that we practice in the first section. If you want to decrease or increase the number of the chicks, feel free to do that. In here, I'll be creating ten chicks in different poses and different positions. Since we have lots of chicks for this second project, I'll be keeping it a little bit simpler as compared to the first project we did. Instead of doing two or three layerings of the color, I'll mostly be doing only two layerings, one with a lighter tone, and one with a bit darker tone. I'll be using the lighter tone as the primary layer and then go in with a darker tone, er or orange color to do the outlining and to create a little bit of fluffier texture for the body of the chicks. Continuing on with creating the outlines for the chicks throughout this entire page. Instead of creating a single row of grass for the bottom section, I'll be creating multiple ones. So I'll be using a little bit of wet one bit technique. The grass that I'll be creating will be a little bit different from the one we did in the first project, where we started with a lighter side of the yellow as the primary layering. But in here, I'll be starting with a bit lighter and diluted side of the green, then add a little bit of yellowy stone with the yellow and then go in with the darker sides of the green to create the resemblance for the grasses. You don't have to create the chicks in the same manner and in the same number as I am creating, feel free to experiment. Here I'm making some of the chicks a little bit rounder as compared to the one we practice in the first section. Since this is our second project, I am not using lots of color, but if you want, you can create. But if you want, you can turn this project into a multi colored project and use varieties of yellows and orchard to create multiple colourful chicks. Let's continue with creating more chicks throughout the entire section of the speech. One more thing you can do to make it a little bit more detail. You can use the fine liner to do the outlining. So after releasing the pencil outlines, you can go in with the fine liner to do the outlining and create more fluffier texture with a broken hatching or broken lines. In that way, you can use that fine liner as the outlining and then add the lighter sets of the yellow and the ocher to do the remaining coloring for the second project. And this is going to be my last chick that I'm adding in here. Let me know how many chicks you have created for your second project. I have not created the outline for the beaks and fits, as they are quite easy. I'll be directly using the watercolor to do them. If you want to make adjustment, feel free to do that. Now, let's lightly erase the pencil marks. The pencil outlines that we created should be a little visible so that we can overlay so that we can overlay the watercolor on top of it. If you have large brush or tissue paper, use that to remove the eraser dust so as to avoid smudging of the pencil marks. And now here I'm using this wet to do a little bit of wet-on-wet technique for the background. Here, I'm just dropping a few droplets of the water. And on this, when it spreads a little bit, I'll be adding a little bit of the greens, a lighter tone of the greens, small dots to represent a little bit of green regions for the background. Them spread it a little bit. And now in here, I'm using a very lighter tone of this green. Adding this lighter tone of the green on the water droplets that we added earlier. You can use varieties of the grease. In here, I use two seeds of the greens. And we will wait for it to dry a little bit. I'm spreading it a little bit. Be careful not to overlay it on top of the pencil sketch of the chicks that we add earlier. On top of this, we'll be adding more colours, a little bit of a little bit of diluted form of the yellows and then greens. Use water to spread it. And now we will wait for it to dry a little bit. You can add a little bit more greens if you prefer. Or instead of this green, you can also use Ochre or any other seeds of the colors. Let's spread it a little bit more. It has dried up a little bit, and in here, I'm starting with the yellow. So lighter tone of the yellow. So I'll be filling the entire section with this yellow. In here, I'm using a little bit concentrated form of the yellow. If you want, you can make it a little bit diluted by adding a bit of water, or if you want to make it a little bit more lighter or if you want to turn this into pale yellow, you can add a little bit of white colour to it. Now let's go over the remaining eight chicks that we have in here with this yellow. You'll have to emit couses as the greens that we used earlier has not dried up properly, and we want to avoid mixing of these two colours. Okay. So to be causes, you can wait for the greens to dry properly and then move on with the yellows. Also, the intensity of the yellows and the greens will decrease a little bit when it dries up, since we use a bit of lighter consistency of the green, so it will lose its intensity when it dries up. Same goes for the yellow. It won't lose that much of its intensity, but yeah, it will lose some of its vibrancy. We have got four or five more chicks to add colour to, and then we will move on with the orange color. We will wait for the yellow to dry a little bit and then add the orange to do the outlining and create a little bit of fluffy texture for our small chicks. Let's do the outlining for the remaining two chicks. For our other projects, apart from this yellow and the ocher, I'll be using other colors to create the chicks, like pale, yellow, blue, pink, And with this, we are done with all the chicks. Add a little bit of more yellow wherever you think it's required. Feel free to make some changes and adjustment, make the seeps a little bit more larger or smaller. So I'm adding more yellow wherever I think it's required. And now with a little bit diluted form of this yellow, I'll be overlaying it on top of the greens that we used to create a little bit of lighted tone for the grass that we'll be adding later on. A bit of diluted yellowish color on top of the greens. I'm also adding a little bit of yellow for the empty spaces in between them. If you want, you can also create a different kind of background. You can create a little bit of pattern background too. For one of the project, I'll be doing that. I'll be using a little bit of wine to create a bit of pattern, as well as I will add small leaves and flowers to it. If you want to do the flowers in here, you can do that. On top of the grasses, you can use yellows reds and the blues to create very small resemblance of the flowers. In here, the yellow was not all that dried up, and on top of it, I added the orange, and it got merged with a yellow. So to cover this mistake, I am lending this orange with the yellow, and I will wait for the yellow to dry and then later on lm adding it. For now, let's use this lighter consistency of the orange to create the feeds for our chicks. On top of the slighter tones of the orange for the feeds, I'll be adding a bit of darker tone later on to make it a little bit more interesting. Let's add the feed for this last one in here. I used a bit concentrated one. Until the rest of the sticks body drive, I'll be creating the small beaks with this bit concentrated form of the orange, small triangular saves for the beaks. In here too, you'll have to ait causes. As you can see, one of the beaks got merged with the yellow that we used earlier for the background, ensure that the paper has dried and then proceed cautiously. If you have blow dryer, you can use that to fasten this process. And let's continue with adding the beaks for the remaining chicks in here. On top of the stone of the orange, I'll be using a bit more concentrated form of the orange to make the beaks a little bit more to make the beaks a little bit more interesting. The watercolor for the chicks has dried up somewhat, so let's do the outlining with this orange color. For the wings and for some of the lower section of its body, I'll be creating this kind of hatching lines to create a little bit of fluffier texture for our chicks. This is a little bit different. For our first project, we used a little bit of blending of the colors with the yellow. But in here, I'm just doing the outlining. If you want, you can proceed with that, too. Carefully and cautiously, do the outlining for the remaining chicks that we have in here. This is going to take a little bit of time since we have lots of chicks in here. So be patient and let's do the outlining for the remaining chicks. If you want, you can add a little bit of mood and characteristic to each individual ticks. You can add accessories in the form of caps, hats or sunglasses. You can also add small sticks behind the wings of the ticks and other accessories as you see fit that will make this project a little bit more interesting. For the feats of the chicks, you can add small boots. And for the wings, you could create some kind of patterns and design. Apart from that, as I mentioned earlier, you can use other color combinations. Instead of using orange to do the outlining for all the chicks, you can use a bit of you can use a little bit of aqua color or brown or red that will make the chicks more interesting. As you can see, I'm wearing the thickness of the lines a little bit. For some of the reasons, I'm making the lines bit thinner and for some of the reasons, I'm making it a bit thicker. So it to make this a little bit more organic, that's why I'm doing it. If you want, you can create the uniform lines, but I'll be wearing the thickness of the lines. To make this process a little bit more quicker and easier, if you have breast pain, you can use that to do the outlining, or you can also use the colored pencil to do the outlining. Go over the lighter side of the orange with this darker one for the feeds. We have got four more chicks to do the outlining, and then we will move to add more details in the form of ice and the background, the grass. And as I was mentioning for the background, for the grass, you can create the resemblance of small flowers. And in the same way, you can also create the resemblance of small butterflies flying around. Creating this kind of broken hatching lines for the wing of this chick in here. And we are done with this one. We have got two more chicks to do the outlining for. Now going over the outline of the second last chick. And finally, it's to the outlining for our last chick that we have in here. The first and the second project were quite easier. For the third one, we'll be creating a bit more fluffier and a bit more detail angry chick. That is going to be interesting. We'll be doing multiple day to create fluffier look for our chick. And now let's carefully do the grasses here. I'm using a bit darker tone of the greens. This is a little bit concentrated form. If you want to make it a little bit more detail, if you want to make it a little bit more different, you can use a bit lighter tone of the green first and then on top of it, a bit darker tone. Create this kind of organic lines to create the resemblance for the grass. And in here, I am not overlaying it on top of the feet. But if you want, you can cover some section of the feet like we did for our first project. Now, I'll be creating the grass for the remaining birds. So carefully, adding it in between the feeds. I'll also be adding these grasses for some of the middle section, and the intensity of these grasses will decrease a little bit since I use a little bit more water for this color. So when the water dries, it will lose a little bit of its intensity. In the ground, you can use a little bit of aqua or other colour to create resemblance of small food that is lying on the ground. You can create resemblance of bread crumbs. Moving on to this one, carefully adding the grass in between the feeds and around it. And now, we have got three more. Apart from this. I'll be adding a little bit of more greens for the yellow sexons that we have. Adding the greens for the last one. In here, I kept the sides of the grass a little genufon. But if you want you can increase the sizes. For some of them, you can create a bit larger grasses for others, a bit smaller ones. And with this we added with the grass near the feet of all the chicks. Now I'll be adding the greens for some other section. Small grasses on top of the greens and the yellow layers that we have in whiten. Since I did not use more greens, the consistency has decreased a little bit. So adding a little bit of more greens on the brush to make it a bit more darker. And yeah, let's add a few more grass streaks here and there. As I was mentioning earlier, you can create a resemblance of food or bread crumbs. And in the same manner, you can also create resemblance of earthworm or small worms that will be interesting too. And we are almost done with the greens, adding in a little bit more green streaks here and there randomly. Now, either you can wait for it to dry, but in here, I'm just using the fine liner to do the eyes. You'll have to bit causes if you are not waiting for it to dry. Small black dots for the small tiny eyes. For some of the six that are facing forward, I'll be adding two eyes and for the remaining ones, a single eyes. Let's add the eyes for the remaining two chicks that we have in here. And with these, we add with our second project. I hope you had fun painting this, and I'll see you in the next project. 10. Little boss: Welcome to the third project, the Little box. This is going to be fun and exciting. So I'll be creating the same kind of sketches that I did in our second section of the tutorial video. In here, we have got a grumpy little chi. This will be a simple one. Let's create this kind of s for the top somewhat of triangular s. The rest of its body will be somewhat proportionally smaller to the head. Let's create its feet. The feet will be a little bit more detail. The calx at the top. In here, in here, I'll be creating a little bit more defined eyes, and let's create the guidelines for our eyes. For this project, we'll be doing multiple layerings of the color. I'll be starting with a bit diluted in the lighter sets of the color. Mainly, I'll be using ocher in here, and for the first layer, I'll be using ocher along with a little bit of white to get somewhat of paler set of the ochre. Feel free to make changes to the seep in the side of the check in here. In here, I decided to make the stomach a little bit more rounder. So let's redo its wing. A small feet for this small grumpy little chick. In here, I'll be creating simple ground. If you want, you can do the same thing like create the grass for the background or for the ground. In the background, too, you can create the clouds or some kind of pattern or texture. I won't be doing it. Simple plain normal ground with the auger. Mostly, I'll be using only ocher, a little bit of orange for the beak and the laying. And here, we are done with the basic pencil sketch. Let's lightly erase the pencil marks. For this project and the next project, I'll be creating this kind of little chick, fluffier one. And here I'm using ocher. For the next one, I'll be using blue and grayish color. Remove the erasers dust, and now let's paint. So as I mentioned, in here, I'm using a combination of ocher along with the wine. And here, the consistency of the color is not that much diluted. It's somewhat a little bit thicker. So I'll be completely covering the entire section, leaving the beaks and the eyes. You can cover the beaks, too, since we'll be using darker consistency of the orange to create it later on. But for the eyes, I want to preserve the whiteness of the paper, so I'm doing the outlining with this color. If you want to make it a little bit diluted, you can do that. And on top of this, we'll be doing three or four more layers of the cher. I'll be increasing the intensities of the cer a little bit. I'll be making it a little bit. That is I'll be making it a little bit more concentrated. Now, let's feel the remaining section with this. You don't have to use the same color that I'm using in here. If you want, you can proceed with the yellow or the Camb to get yellow chin. In here too, if you want to make changes, you can do that. You can make the stomach a little bit more bigger, broader or more rounder. Let's add the color for its wing. I'm leaving a little bit of a space in between the wing and the rest of its body and for the ground. For the ground two, I'll be using two or three layers. This is our primary layer or the first layering. On top of this, I'll be adding a little bit of ocher. It darker side of the ocher in here. And since it's not completely wry, it will blend on its own. Here, too, I'm using a bit darker side of this ocher for the wings to make it a bit more darker. O you don't have to wait for it to dry since we use a little bit concentrated form of the coloring in here. So it's dried up a little bit. And in here, I'm using a bit darker side of the ocher, as you can see, and creating this kind of broken lines, or you can see a little bit of hatching with this watercolor for the upper section to create this kind of fury texture. I'll be doing the same for the remaining section, the entire outline for this chick. And since the primary layer, the one with the ocher and the white has not dried up, it will blend on its own to create a bit of subtle gradient for the outlines and the remaining section of this let's do the outlining for the eyes and the beaks to make it a little bit more darker and bolder. If you want, you can create a little bit of smaller eyebrows. Moving onto the other side, doing the scene, small, very tiny strokes with the breast. And in here, the white piece that we left, I'll be covering it with a bit darker side of the ocher. I'll be adding the colors in multiple layers. This is our first layer. And primarily, I'll be doing the outlining with this and add a little bit for its body tune. You'll have to bit causes to create this kind of smaller strokes. And now let's create its neck line, small pining strokes. And for the lower section to make it a bit more flaffi and more texture, let's create this kind of broken line. I'm wearing the sizes of the lines a little bit. For the middle section and for the sides, I'll be making a little bit larger, and for the remaining section, a bit smaller lines. For the upper section two, primarily, I'll be adding more lines on the left side to make it a bit more darker. Small lines throughout the entire top section, not the entire top section, but over the eyes and a little bit for its checks. Let's add a little bit of more small lines in here for its middle section. And as you can see the intensity of this, and as you can see the intensity of this occur has decreased a little bit, and it's blending quite and it's blending a little bit with the primary layer. Let's do its sling. Here I just outlined its sling and later on, I'll be going with darker set to make it a bit more distinct. Add few more strokes to make it a little bit more denser. And since the intensity has decreased quite a bit, it will completely blend with the remaining colors of the first layer. Now, this is our third layering. So here, I will in here, I'll be creating more smaller strokes. The intensity of this occur a little bit more concentrated as compared to the second one. Create more smaller strokes and do the outlining with it once again. I'm not covering the entire outline that we created with the second layering, so I'm only overlaying it on top of some of the sections to make it more distinct and to create a subtle gradient in between the three layers of the colorings. For the wings, I added a little bit more orchid to make it more clear and more distinct from the rest of its body. For the lower section to, let's add more smaller lines. Let's add a little bit of smaller lines for its neck line to make it more distinct. Let's redefine the ice a little bit more and make it a bit more bolder. I'll be adding more tiny lines for the upper section, the calix and a little bit below it. If you want to make the ice a little bit more grumpy looking, you can add two or three curvy lines below it to so dark circles. And, we are done with this layering. If you want, you can add a little bit more. If you want, you can add a little bit more texture like this to create more furry appearance. If you want to make it more fluffier, you can go in with the pencil colour to add more finer drills and finer lines. I decided to add a little bit more lines in here, small tiny lines, small strokes with the brush Once again, the intensity of the colors has decreased as it has dried up. Let's make the legs a bit more defined. And this is going to be our final layering. So before adding it for the remaining section of its body, let's create the webbed feet for this chick. So in here, I'll be creating three digits finger for it. If you want, you can add a little bit of orange with this cher. Add a few more lines for our feet. Below its feet, I'll be adding a little bit more orchard to blend it. We now let's create more tiny strokes throughout the outlined section of the stick. Create a bit more clear distinction in between the wings and the remaining section of its body. Making the eyes a little bit more pronounced. Later on, I'll be going with the fine liner to make the upper section of the eyes a bit more clear and distinct and add the eyeballs with a black fine liner. More lines for the top of its head. And now let's wait for it to dry a little bit. For now, let's do the remaining section for the ground. A bit concentrated form of ocher. I'm not covering the webbed feet with it. Now I'm using water to blend it with the remaining section for the foreground. Spread it a little bit for the entire section for this foreground. Insure that the paper has dried up and then proceed with adding a detailings for the eyes. In here, I'm using the fine liners. So as I mentioned, making the upper legion a little bit more distinct and completely filling the entire section of the eyes with this black. You can add accessories for this fluffy little chick. You're going to add cap, sunglasses, earrings, bow tie or normal tie. Now finally, let's color the beak. So in here, I'm using a bit diluted form of orange. In here, I'm using a bit concentrated one. So a little bit of blending, the upper section of this beak will be a bit more darker and the remaining section a bit lighter in tone. And with this, we are done with this little boss chick and I'll see you in the next project with royal chicks. 11. Royal chicks: Welcome to the fourth project. Here and we have got the royal checks. So these are somewhat similar to the last project that we did. Here, I'll be making a little bit changes in the proportion of their body. Apart from that, we'll have additional accessories slide crown on top of these two little chicks. Here, the main chin will be in the seep of the head. I have made the head a little bit more conical, so to fit the crown on top of it. And as for the legs in here, you can see I added a little bit more padding to it. So I'll be making the lower part of this leg a little bit more full of here. Let's create the outline for our second chick. Apart from this, you can also see the side of its body, a little bit more conical. So we have somewhat of triangular see for the lower half and bit and bit of strawberry like see for the head. But otherwise, we'll be using the same kind of technique, layering, using two or three different layers to create fluffier texture. And for the feet, we'll be making it a bit more detailed like the last project. The additional element, the crown, I'll be keeping it a bit simpler. I'll be creating the same kind of crown that we practice in the demonstrations. So with these, we are with the basic pencil sketch. Now let's add the eyes. Here, the eyes are a little bit different from the one we did in the last video, circular round eyes. Let's add the beaks for the two royal chicks. And with these, we are done with the sic pencil skit. If you want to make adjustment changes, feel free to do that. Let's slightly erase it, and then we will move on to coloring it. I'll be using combinations of light blue for the first one and for the second one, a bit of black and gray stone. Now let's color it. In here, I mix a little bit of white and a small bit of gray for this. I'll be covering the entire section, leaving the eyes and the beak. As you can see, I'm using a bit diluted consistency of the color. Carefully surrounding the eyes and the beaks with this. If by mistake, you cover the eyes, you can add accessories like sunglasses on top of it to cover your mistake. Let's do the outlining for the wings. I'm leaving a little bit of space in between the body and the wings. Now second layer. Mostly, I'll be using weight one weight technique for the first two or three layers, and then I'll be using the broken lines to create a bit of fluffier texture. The blue that I'm using will spread on its own because of the wet one weight technique and create some kind of beautiful gradient. The left side will be a bit darker and the right side will be a bit lighter. Adding a little bit of blue for the lower section of the ling. Let's make the wings a little bit more darker. Going over the outlines a little bit to make it a bit more darker. Very tiny strokes of this blue for the outlining some sections, not the entire one. Now, here I'm using a little bit of water to spread the color a little bit more. Till it dts a little bit, let's proceed to the second one. I'm using this consistency of the green and I added a little bit of white on top of it to get this kind of paler gray. Here, too, as you can see, it's a bit of diluted consistency, and I'll be spreading it for the entire region, leaving the weak and the eyes. Let's go over the outline and then feel the remaining section with this. Carefully outlining the beaks and the eyes. Instead of this, you can use any other color combinations. You can use blues, oranges, pinks, yellows, and even green. So feel free to do experimentation and come up with your own colour scheme. Here I added a little bit of green for the beak. But I'll be covering that mistake with a darker consistency of the orange. Let's create the outlines for the wings. A little bit of gray for the lower section of its leg. Yeah, we are done with the primary coloring. Let's try to create a little bit of textured outline. You don't have to do this, as we'll be using a darker consistency of the colors to read the fluffier texture later on. Now let's go in with darker set. Here I'm directly using the black. And since we are using wet-on-wet technique, it will spread on its own and create a subtle gradient using water to spread it a little bit circling the ice with it. I used a bit more black. You should use a lighter consistency of the black or the gray. Spreading it on the left side to make this region a little bit darker. And now we will wait for it to dry. Let's do the crown for this first chick. I'm using Cambooj completely covering the entire section with this. And a little bit of this Cambo you got mixed with the blues. If you want, you can use tissue paper to soak the color, but I'll be leaving it as it is, since it will create a little bit of reflection, the reflection from the crown. In here, too, for this one, I decided to make the crown a bit larger. So we have two crown princes in here. The black one is the bigger brother. We have a small brother too. So two brothers. In here, I use the seam Camo hue for the feet. I'll be using orange later on, adding the Cambo hue for the beak. Decreasing the intensity of the yellow a little bit by spreading it with the water. To fasten the drying, I use the blue dryer, and now let's do our third and the fourth layering. I'm using a bit darker consistency of the blue, and it's a bit more concentrated as the earlier sons as the earlier layering. And the paper has not dried up completely. It's a little bit wet, so the colours will blend a little bit with the first and the second layers. Creating this kind of broken lines, a little bit of hatching to create this fluffier appearance for the chick. I'll be creating the same kind of lines and in the same manner that we did in the last project. So I'll be creating this kind of broken lines for the entire outlines, a little bit more for the wings to create a clear distinction in between the wings and the rest of its body. I'll be adding a little bit for the neck line of the royal chicks, a little bit of lines that will encircle its eyes and the beak and a little bit for its checks. Continuing on adding continue on with adding the lines for its neck line. If you want, you can cover the yellow with a lot of tiny streaks of the blue, but I won't be doing that as the reflection seems pretty good to me. Tiny strokes for both of its check and for one side, I'll be adding a little bit more lines on the left side. Tiny little strokes throughout the entire region. Since the consistency of the blue has decreased, it's not covering the yellows. Since the consistency of the blue has decreased, it's not subduing the yellow that much, adding a little bit to encircle the eye Moving on to the second one, the big brother. So here I'm using bit darker tone of the gray, and we'll be doing the same thing small strokes. Here I have already started. Here I have started with the wings. Create a distinction in between the wings and the rest of its body? For the lower region, beside its leg, add a little bit more lines to make it a bit more flafier Moving onto the other side for the wing. And now let's do the lines for it stomach. Broken lines throughout the entire lower region of its stomach. Apart from the grease and the black, you can use a little bit of white. That will create an interesting contrast between the colors for this big brother chick. Now let's create its snick line with tiny little strokes. A little bit of more for the center part. And now let's do the remaining outline for its head. For the eyes, let's make it a little bit more clear and distinct using this black or gray to do outlining for the eyes and for the beak too. Since it is still a little bit intense color, I'm not creating that many strokes in here. Adding a little bit more strokes for its wings. Add more strokes wherever you think it's required. I think we are done with this one. Let's make the outline a little bit more clear. Here I decided to do the outlining for its weak. It was not that clear. Let's do the outlining for its eyes, creating oval saves for its eyes. Now let's add another circular C for the inside. Let's do the same for the second one, the big brother. Adding the pupils inside the eyes. So the big brother is looking towards the small brother, adding orange stone for its beak. Now let's do the feet, a little bit more detailed feet, a little bit more detailed feet. I'm using this orange to do the outlining of the Cambo that we used for the feet earlier. If you want, you can add another layer of the blues and the blacks, but it turned out pretty well, so I'm not adding it. But if you want, you can proceed with adding one more layer to make it more fluffier. Doing the same thing for the second chick, outlining the Camboj for this feed. And let's do the remaining part of the feed with this With this, we are done with the feeds. Let's add the color for the crowns. In here, I'm creating this kind of rhomoid C, three rhomoid sees for the first crown and I'll be adding circular and I'll be adding circles on top of it, circles on top of the peak of this crown. For the second one, you can use the same color combination, oranges and yellow, but I decided to use bit darker tone. So here I'm using the blue. Instead of creating the square sieves, I'll be creating these circular sieves and for the upper part, I'll be creating the rhomboid seep or the square seep. The seeps are a little bit larger since the crown is a bit bigger as compared to the first one. Let's add the blues for the upper part. Let's make it a bit squares seep. And with these, we are done with our fourth project, the oil chicks. I'll see you in the next one. 12. Sunshine in the sky: Welcome to the fifth project. Here we have got sunshine in the sky. Here we'll be combining a little bit of doodling, a little bit of background, and a different kind of check This is a little bit similar to the third and the fourth one, but here the proportions are quite different. The head will be quite smaller. The remaining section of its body will be quite large. And yeah, this is going to be fun painting. Here I have already started with the wet on weight technique. I'll be creating the same kind of I'll be creating the same kind of bubble that I showed you in the demonstration video. Here I'm using the blue color in the demonstration video in the demonstration video, you used to it. So if you want, you can use any other color. So going over the outline of this wet on wet technique, and then we'll be spreading it, and then we'll be spreading it to get somewhat of cool gradient in here. Instead of this blue color, you can use any other color of your choice. And if you don't want, you don't have to create this. For now, let's do the outlining and here a little bit of color has accumulated. So let's spread. I used a bit concentrated blue. If you want, you can use a bit less concentrated form of the color. Using the brass to spread the color. I'm spreading the colour towards the center. Let's make the outline a little bit more defined. Since some of the water has sprayed unevenly, so I'll be covering the mystic litter on. For now, let's continue with spreading the colors. And as I was mentioning, let's try to make the outlines a little bit more clearer and more crisper. Instead of one color, instead of using one color to do this, you can use multiple colors so that you can create a rainbow like effect. I was going to use a little bit of white for the inside, but I don't think it's required, and it has dried up. I weighted it for to dry. I use the blow dried to make the process a little bit more faster, and now I'll be encircling the outside with the broken lines to create a kind of cool pattern for the entire region. If you don't want, you don't have to do this, or if you want to create any other designs or pattern on your own, feel free to do that. This is going to take a little bit of time, so let's increase that speed. For the inside, I'll be creating the chick in somewhat of egg like say. And with this we are done with the outer section. Let's do the outlining for the chick. I'll be using yellows or a little bit of white. A bit more curvier triangular C for the top and at larger a bit larger and circular C for the rest of its body. Let's do the outlining for its wings. Adding the two tiny feats, here I decided to make the feeds a little bit curvier small B and small Is on top of it, I'll creating colic with orange. Start with the coloring. Here I'm using the light yellow. So I'm using a bit concentrated light yellow, and I thought that it will and I believe that it will cover the pencil outlines, but it's not doing it, so let's erase the pencil marks, and then we will continue with adding that color. I was certain that it will cover it, but this consistency of the yellow is not covering it, but if I am used any other darker color like ocher, brown or red, it would have covered the pencil outlines. Going back with the light yellow to feel the primary layering, here too, I'm trying to create a bit of texture, fluffier texture for the outline. You don't have to worry if you cover the entire section, the eyes and the beaks, since we'll be using the darker tones to create it later on, black for the eyes and orange for the beaks. Try to create a bit of small strokes for the outlines to create a bit of fluffier texture, going over the outline for the remaining section, and let's feel the insides with the yellow. For the empty spits beside this chick, you can create smaller chicks that will be interesting. And now here I'm going with the Camboo hue. I'll be doing a little bit of blending of the two colors. Since the light yellow that we use has not dried up entirely, so it will blend on its own. But to create a little bit of lighter igen I'll be using a bit of white. For now, let's add this Camboo hue for most of the section, primarily on this left side. The contrast between these two colors is quite high. So that's why I'll be using a bit of white. For now, let's add. Now, let's create tiny strokes with the brush to create a bit of fluffier texture for the upper side and the remaining outlines portion of this. Going over the outline of the wings. Yeah, we are done with this. Now using this as the primary layering for this feet. On top of this, we'll be going with the orange metfona. Let's add it for the two feeds. Adding a little bit more, and now let's use the water to spread the colors a little bit and to blend it a little bit with light yellow. Also, I'm making this regional a little bit more wet, since I'll be adding white in to blend it with the remaining colors. Using the water to spread the color a little bit more for the outlined sections. Adding a little bit more camo ju for this wing, it was a bit lighter in the scene. Let's make the outline of this wing a bit more clear, too. And yeah, we are done with the light yellow and the camo Ju. Now, let's add a little bit of lighted seed. So here, I'm going with the white, a bit diluted form of the white so that it can easily spread. And since we added a bit more water earlier, so it will spread on its own and blend and blend with the camo j and the yellow. And to make this process a bit more smoother, I'm adding a little bit more water to blend this. And now let's wait for it to dry. It has dried up, and let's add a little bit of blast for this one, a bit of orange for both sides of its chicks. Now let's blend it to subdue it. And now let's do the final outlining using the orange. I'm creating this kind of tiny strokes with the brass to create a bit of furry texture. Here, I'm not trying to create the kind of texture and fluffy patterns that we use for the earlier to project. But if you want to do that, you can do that. You can start with the cambujio a bit of strokes with the cambujo and then on top of it, you can add ochre or this orange. Let's make the meek a little bit more oranges and using this concentrated orange to do the outlining for the feet. I'll be making the outlines of the entire section of the cheeks a little bit more darker with this orange. For now, we are done with the feet. Now let's make the outlines a little bit more clear and more crisp with this darker consistency of the orange. As you can see, I'm not covering the entire section. Adding a little bit of orange for the sides of the wing to create a clear distinction between the body and the wing. Creating the coalex on top of the stick, three or four alk. We are done with the orange. If you want, you can add a little bit more orange for certain regions to make it more bolder and more crispier. Going with a fine liner to create the ice Oval saves for the eyes. I'll be creating a little bit of highlight for the eyes, so I'm leaving a little bit of white, so I'm leaving a little bit of space. This will act as the highlights. If you want, you can add a little bit of white to make the highlights a bit more distinct. And with these, we are done with our fifth project, and I'll see you in the next project, the sixth one. 13. Best feathered friends : Welcome to the sixth project, Best Feather Frances. So this is a little bit longer, and in here, we'll be creating a bit more detailed words. We'll be adding a bit more details in the form of feathers and wings. Let's continue with the basic pencil outlines for the chicks. I'll be creating two chicks. One will be a grumpy one, and other will be a quite happy and smiley one. So this is a sketch for the quite grumpy one. We have got somewhat of curviar triangular sea for the top, another small curvier seat for the wing, and I'll be adding the tail feather later on. For now, let's do the remaining section of its body. In here the proportion of both the head and the body, it's somewhat same. Let's add the outline for the second wing that is on the other side. I'll be creating the same kind of wet that we did for the last project, a bit detailed one. On top of this, I'll also be adding the four or five colds. And in here, I'll mostly using the lighter seeds of the color, light yellow, camozu and a little bit of orange or ochre. Let's add the tail either four or five of them. If you want to make them a bit larger, you can do that. In here, I decided to keep it a bit smaller. For the upper section of its head, I'll be adding the eyes and the beak, a bit larger weak in here, and I'll be creating the same kind of slanted eyes that we did for our third project. If you want to add any other kind of ice, feel free to do that. You can create small dots for the eyes or you can create large oval saves. Let's do the outlining for the Cawlex on the top of its head. Here, I won't be creating any background. I'll only be creating the foreground. I'll be using a bit of gray to do that. I want to create if you want to create background, add patterns or do more designing, you can do that. And with this, we are done with the basic pencil outline for the first one. Let's do the same for the second one. So this will be quite happy one. Its head is a little bit slanted since it's smiling, and let's do the remaining section of its body, a combination of circle and triangles. Let's do the outlining for the legs. If you want, you can make the legs or the feet a little bit larger and more detail, but I'll be doing the same that we did for the last project. We are done with the feet. Let's do the remaining section, the wings. And finally, let's add the tail feathers. One more different thing that we'll be doing for the six projectors that I'll be using the fine liner to do the final outlining and to create a little bit of fluffier texture. So I'll be doing a little bit of hatching and use broken lines to create the outlines, add a bit more detailings to the wings and the tail either. Let's create its eyes. So its eyes are closed and the mouth will be a little bit larger. I'm not satisfied how it's feet turned out, so I'll be making adjustment while I'll be adding the color. If you want to make changes in adjustment, feel free to do that. We'll be creating this kind of pattern using the fine iron later on. So let's make a little bit of changes to the feet that I was mentioning. Oh creating the same kind of it as the first chick. So this is how our basic outlines turned out. Now let's do the outlining with the fine liner. Earlier, I mentioned that I'll be doing the fine lining after adding the colors. You can do that you can or you can join along with me and do the outlining right now and then add the coloring using this kind of broken lines to create a bit of fluffier texture for the outlines for the wings, we'll be adding a little bit of more texture patterns. These kind of small lines to resemble small little feathers. Let's do the lower section of its body here to add more fine lines to create a bit of texture. If you don't want to use the fine liner, you can stick with the darker seats of the color to do the outlining. Let's do the outlining for the other wing. And as you can see, I'm not sticking with the outlines that I created, so feel free to make changes and adjustment to your pencil outlines. Here I made the piece a little bit more broader. Now, let's do the cow legs. Here too, I'll be creating a little bit of shaky and curvy lines for the cow legs. Finally, let's do the tail feeders. A bit of saky lines with a fine to create organic fill for the tail fether and then I'll be dividing into two sections and add few more lines to it. So straight lines to divide the steel feather into two different portions and few lines to make it a bit more detailed. If you want to make it a bit more detailed and more darker, you can do a little bit of hatching and cross hatching. But I think it's looking good. So let's do the second one. I'll be adding the I'll be adding the outlining for the feeds, eyes and the beak later on. So for now, continuing on with the second one. Go over the outline for the colics, same kind of outlining a bit of sicky lines and broken lines to create a bit of organic en for the colic on top of this second chick. If you are not doing the outlining with this fine liner, then this project will be under two 15 minutes. And since we are doing this outlining, it's around 17 or 18 minutes. Going to the lower portion of its body, adding the outlining for its father, small textured line with small strokes. Let's do the outlining for its tail feather. For the first one, we had five tail feeders. For this one, I'll be creating four, but they will be quite larger as compared to the first one. Adding the small dividing lines and few more lines to make it more detailed and more textured. Now, let's do the beaks and eyes. Creating small lines for the eyebrows. If you want, you can make them a bit more detailed. Tiny dots for the nose on the beak. Let's do the second one. Et's go over the outline for the closed eyes. I'll be completely feeling the closed eye with the black. Instead of this closed eye, you can create any other kind of eye. You don't have to use the same kind of eye. You don't have to do the same kind of thing that I'm doing in here. Feel free to make adjustment and the changes to your project. Let's do the outlining for the other wing. Adding few more lines to add more details for the wings. And finally, let's do the outlining for the feet. For the feet and the beak, I'll be using orange, also a little bit of orange to create a blushing effect for the cheeks of these checks. Doing the outlining for the second one and the final outlining for the last link of this second check. And yeah, with this, we are done with the outlining. If you want to add few more detailing, you can do that, but I'm satisfied with how it turned out. Adding the pupils for the eye. In here, you can do this kind of eyes, but I'll but I'll be completely covering it with the black, lightly erase the pencil marks, and then we will add the color. And then we will add the coloring. Just doing the outlining took around four to 5 minutes. If you are using brass pain or waterproof black ink, then you can make this process a bit more faster. Instead of five to 6 minutes, you can do it within two or 3 minutes. Here I made a little bit of mistake, and I'll try to cover it with the darker seeds of the yellow. Let's add the coloring for its eyes, making it a bit more darker. I see that the pain that you are using is waterproof. Otherwise, if you are using gel pain or any other paint that is not waterproof, then the colors will merge with watercolor, making the eyes a little bit more bolder. Now, moving on to the second one, completely filling the entire section with this. And with these, we are done with a fine lining. Now, let's add the color. In here, I use in here, I'm using a combination of light yellow along with a bit of white. And I have not diluted it that much, so it's a bit thicker in consistency. You can use any other color, but here I was aiming to get somewhat of pale yellow color. Adding it carefully beside the eyes and the beak of this first grumpy little chick. And as I mentioned, its consistency is quite thick. So the lines that we created with the fine and it's not that much visible in here. But when it dries up, the lines will become visible once again. Adding a little bit more for the first one. Moving back to the second one and yeah, carefully adding it. You don't have to worry if you covered the ice that you created with the fine liner in here since when it dries up, you can clearly see the fine lining that you ended with the fine liner. Carefully adding it near the beak, we don't want to cover it. Yeah, we are done with the primary layering with the pale yellow. Now, let's create the blushing effect for the chicks of this chicks. A bit of orange color. Here I used a bit of saturated orange tone. Now, let's blend it a little bit. Since the pale yellow has not dried up, it will mix smoothly with it. Yeah, we are done with creating the blushing effect with this orange. And in here, I'm going with bit darker seeds. So here I'm using Cambooj primarily, I'll be adding this cambio ju on one side for the feathers and the wings and the caolics as you can see, for the feathers, and as you can see for the wings, I added it primarily on the regions where I added more lines with the fine liners. And now let's add it for the lower regions. It will blend smoothly with the pale yellow that we used earlier. Since the color, the pale yellow has not dried up properly. Now, let's add it a little bit for the fees so below and above the eyes and a little bit beside the beings. Now making the sides and the outlines a little bit darker. So adding this cambio jeu near the outline section. And with these we are done with the cambio Ju for now. In here I'm going in with the water to blend it properly. Using this water to spread this Camboju that we just added and also blending it a little bit with a pale yellow. I'm using this water to wait the earlier color as well as spreading the cambio ju so that we can get a kind of smooth and subtle blending. If you want, you can add a little bit of darker seats of the orange to the outlining once again. I won't be doing that in here, but if you want, you can proceed with that. I'll be using this darker side of the orange to add the coloring for our beaks to add the coloring for the beaks of the chicks, and a little bit for the feats of the chicks. With these, we are done with the beaks. Now let's add this orange for the feed. If you want to make it a bit more detailed, you can use Camuji as the primary layering and then go in with this orange to do the outlining. In that way you can create the same kind of feed that we did for the last project. And with these, we get done with the orange for the feet. Adding a little bit of this orange stone for the lower section of the tail feathers on the wings to make it a bit more interesting. Adding it for the wings on the other side. Blending it a little bit. Now go in with the water to blend it a little bit with the remaining color. You can also add a little bit of orange for the lower section just above the leg. And finally, let's create the foreground in here, I'm using this gray. I'll be creating the same con of foreground that we did for the third project, the grumpy little bass. So using this gray and I'll be spreading it with the water for now, let's use this darker tone of the green to create the fore down. Instead of this, you can use any other color, or you can also create the grasses like we did for the first and the second project. Adding it a little bit in between the waved feet of the chicks. And with this, we are done with our hex project. I'll see you in the next one. 14. Under the Blue sky: Welcome to the Eats Project under the blue sky. This is going to larger project. And here we have got two large chicks and five small chicks below them. This will be similar to the first and the second project that we did, and the sketching is somewhat similar. And the sketching is completely similar to the first section in which we sketched out the easiest chicks. Here I've already started with sketching out the guidelines for the first one. So this is the first larger chick. And just beside it, I'll be creating another large chick. Below them, I'll be adding five smaller chicks. If you want to increase or decrease the number of the chicks, feel free to do that. You don't have to even add the smaller chicks at the base. Creating a triangular C for the rest of its body. For the wings of the larger chicks, we'll be creating and adding a little bit more detailing when we'll be adding the colors. In here, I decided to create the feeds a little bit larger. Instead of this larger fit, if I would have stuck with the smaller ones, then it would have been much difficult for me to create the smaller chicks below them. So a total of five chicks in here. Instead of creating this kind of smaller chicks, you can create other kinds. Finally, let's add the beaks for it. And with this we are done with a very rough pencil sketching. Let's slightly erase it, and then we will do the coloring. For this month, we'll be creating the background. I'll be using blues to create the skies, and for the foreground, we'll have greens for the grasses. Let's remove the resistor. And now let's start doing the coloring. In here, I'm starting with the light yellow. Here I'm using a bit. Here I'm using the wet concentrated color, so less water. And let's do our primary layering with this yellow. I'll be using the same colored scheme of the yellows and the occurs. Let's do the colouring for the smaller chicks in here. Let's do one bigger one so that it will get a little bit drier that we can do a little bit of wet and wet coloring. You don't have to stick with the outlines that you have created. Feel free to make changes and adjustment as you see fit. And the kinds of the beaks that I created in the sketching, I won't be doing that. Instead of that, I'll be using the triangular shape to create closed beak. If you want, you can do the open makes too, but I won't be doing that. And with these, we are done with the coloring for our two large chicks. Let's continue with the remaining ones, smaller chicks. As you can see, I'm creating a bit larger separation in between the wings and the rest of its body to sew a clear distinction in between both. If you don't want, you can just keep it simple. Doing the out turning for this one, the third little chick, and we have got two more. You'll have to be a bit coarser since we'll have to add the legs later on. So try not to cover the entire section of the legs with the smaller chicks. Circular C for the head and let's do the coloring for its wing, and we can add a smaller one right beside it. For that, I'll have to make it a bit slanted that it's peaking something from the ground. If I want, I can add two more, one in the right and one at the middle. But I won't be doing that since we'll be adding the legs of the larger chicks. And yeah, with this, we add with the primary layering of the coloring. Now here, I'm going with a Cambo trying to create this kind of pattern throughout the entire outline sexion for the chicks. It will blend a little bit on its own since the light yellow has not dried up completely. In here, I'm aiming for a little bit of blending. If you want to do a bit more blending, you can add a little bit of water to blend these two colours to get somewhat of better gradient. Using the water to blend it, I decided to make the wings a little bit more darker to keep the clear distinction between its wings and the rest of its body. Anya, we are done with the cambie now for this one, let's do the same thing for the second one, starting with the head. For this bird to, I'll be adding a little bit of more camo zu for the upper section of its head, a little bit more for its wings, and then using a little bit of water to do the partsile blending. Texan below the wings, try to keep it a bit in lighter shade. Adding small dark circles. On this, I'll be adding the black later on to create the tiny eyes. Let's do the same for the remaining chicks in here. Going over the outlines. A little bit of small hatching for the wings to create a clear distinction between the wings and the rest of its spotting. And here I won't be doing the blending using the water. If you want, you can do that, but I am relying on the wet on wet technique that the watercolor we used earlier, the light yellow will do a little bit of blending on its own. And we are done with the second one. Let's do the same thing for the remaining one, going over the outlines, making a little bit of feathery appearance for the wings. A little bit of blending of these two colors, the light yellow and the Cambohu finally moving on to the last one, a little bit of small strokes for the wings. And, we are done with this. I'm adding a little bit more camo je for the upper sections. I decided why not let's blend it. So a little bit of water to do a bit more blending of the two colors, the cam Jew and the light yellow. I decided to make this one a little bit more broader. And now using the same color, the cameo Jew to create the outlines for the feeds. On top of this, I'll be adding the orange later on. For now, let's use this to create the feats of the sticks. And now, finally, let's do the legs for this second large chick. Some portion of its leg slice behind this smaller chick. Adding the webbed feet for this, I will be curving some of the section of the feet with the grass later on. Let's create the outlines for the beaks. As I mentioned, I am not following the outlines that I created. If you want, you can create the open mix. In here, too, I'm using the same cami ju later on. I'll be adding the orange on top of it. I decided to add a little bit more camojo for the wings and the outlining section to make it a bit more distinct and to create a bit of more feathery appearance for the fluffy texture for the chicks, small strokes with a us to create this kind of broken lines. Let's make the feet a little bit more darker. So adding another layer of this camoug on top of the feet. I waited a little bit for it to dry somewhat, and now here I'm starting with this lighter tone of the greens. So this will be our first layering for the grass. On top of this, I'll be going with bit darker side or a bit darker color to do the second layering. Adding it a little bit for the best to make it a bit more darker and more uniform. Tiny brush strokes to create the grasses in here for the foreground. Let's do the background. So for background, I'll be using the wet on wet technique and I'll be using the blue colour. Making the paper wet by using the water. And now let's do the coloring. Let's add a little bit more water to make it a bit more wetter. I'll be doing two or three layerings of the color like we did in our first project. For the first project, we use the yellows in here, I'm using the blue, but the process will be the same. With building a lighter tone, and then we'll be going with bit darker tones to make it a bit more interesting. So this is our primary layering. Now, let's go in with a bit darker tone. I'm not using the darker tone. I'm just using the same color, but I'm using a bit concentrated. For the first one, I diluted a little bit more with the water. In here, I'm diluting it a bit less, and for the final layering, I'll be using more concentrated form of this blue color. Spreading the colour throughout the entire section. I'll be using a little bit more water to spread this colour to blend it with the rest of the people so as not to create a kind of rougher texture or rougher outlines for these clowns. Let's wait for it to dry a little bit, and then we will be blending it a little bit more if required. But if it's blend on its own with the rest of the background, I won't be doing that. For now, let's do the big, feeds and the legs for the chicks. So here I'm using the orange. Overlaying it on top of the camo u. And as you can clearly see, I'm not completely covering the camo Jiu that we use for the foot. If you want, if you want, you can do the outlining for the feeds like we did for our earlier project, but I won't be doing that. I'll just be creating simple straight lines for the feeds and the legs. And adding triangular seeds for the beaks. If you want to create open weeks, you can do that, too, but I'll be just sticking with this simple closed beaks. Now let's do the outlining for the last chicken here. I'll be adding one more layer of the orange if required, since some of the legs are not that much clearer. So before before doing that, let's make the outlines a little bit more clear and crisper. Over the outlines that we did with the Camuju using this orange. I'm not covering the entire section, but most of the section of the emuju outline with this orange. For the wings and the lower section, I'm doing a little bit of smaller bras strokes to create this kind of rough texture. Put the fluffy nature of the wings and the remaining portion, the lower part of the chick's body. For the upper part, the head and the wings, I'm creating uniform and straight line for the lower part, small brass strokes to create fluffy texture. I'll be doing the same for the two large birds, but for them, but for them, I'll be gritting a bit larger brusso strokes to create the feather appearance for the fluffy wings. And, we are done with this. If you want to make it a little bit more bolder, you can use a bit more concentrated orange. Let's do the two large ones. Creating thin lines to do the outlining. Here I'm using a bit concentrated form of the orange. Going over the outlines for the wings with this. It will blend a little bit on its own because the color has not dried up properly the allele color that we use the camo hue for the outlining. And for the upper section, as you can see, the color was not dried up for the background, the sky and a little bit of this and a little bit of the orange has merged with the remaining section of the sky. I'll try to rectify it later on but for now. Let's create this kind of texture using small brass strokes for the wings and the remaining section of its body. Now, going with the darker tone of the blue to do the last layering for our background No, let's spread it with the water. A little bit of more water to spread the color. And here, we are done with the background, the sky with the blue. If you want, you can create small stars in the background with white. Using the black to create the round eyes. Small dots with a breast. If you want, you can proceed with the fine liner to create the dots. Adding the eyes for the last one. With the brush, you have to be a little bit more cautious and careful. If you make mistakes, the eyes will become a bit more larger. So if you're not that confident, you can use the fine liner to do the eyes. And with these, we are done with most of the section for the chicks. Now, final thing, go in with the green, a bit darker tone of the green, to overlay on top of the lighter tone of the green to complete our painting, creating small and large bruss strokes to overlay on top of the lighter side of the green. I'm covering some section of the feet with this darker side of the green, a little bit not the entire portion. And with this, we are done with the green. I was not satisfied with the beaks, so I'm using a bit more concentrated form of this orange. So for the upper section of the beaks, I am adding it, and for the lower section, we have the lighter tone. Doing the same thing for the feats of the chicks, adding another layer of dark concentrated orange for the feeds. And with these, we are done with our eight project. I'll see you in the next one. 15. Sunny Day stroll : Welcome to the ninth project. Here we have sunny days draw. This ninth and the tenth project will be quite simpler since we have two back to back but harder projects, so I decided why not let's include two smaller and easier project. Let's start with sketching out the guidelines for our four chicks in here, circular C for the heads of the chicks. In here, the proportion of the body to the head will be somewhat same, and this is a little bit different kind of chicks that we are creating. We practiced it a little bit in our second section of the video. And a little bit of slanted circular see for the body. Here, we won't be adding many details to it. But if you want, you can do that. I'll be keeping it very simple and easy, small, and simplified version of the wings like this. Try to make the seeps a little bit curvier I won't be adding the foreground or the beds in here. If you want, you can add the shadows, you can treat the green grasses. I will only be creating the background using the same colour that we'll be using for the birds, yellow color. So for this tick, this is facing towards the center and both of its wings are visible. Let's do this third one and the fourth one, too. So this is also facing towards the center, and its two wings will be visible. I'll be sketching them out later on. Let's add the beaks. Simple seams for the beaks. Adding the beak for the third one. Let's do the final one. Tiny little eyes. If you want, you can create any other kinds of eye. And as I was mentioning, if you have bras pin, you can make the outlining process a bit much more faster. So in here, I'm using the Zikkurataki bras pin to do the outlining for it. This is optional. If you don't want, you can leave it as it is and use the watercolor to do the outlining, or you can also use the fine liner to create a bit thinner outline. I'll be doing the outlining for all the I'll be doing the outlining for all the chicks in here with this breast pain. You can also use the watercolor brush to do it, but ensure that the ink that you are using is waterproof. Otherwise, it will merge with the remaining watercolor. Let's do the third one. Put this I'll be using very simple seeds of the yellows and a bit of Camboou. Here I'm creating a bit of organic or you can say dynamic lines, the lines lines with varying thickness. So some section of the lines are bit thinner and others are thicker. Let's do the final one, the fourth one. You don't have to strictly follow the pencil outlines that you have created. Feel free to make changes and adjustment to it. Adding the two wings that are visible for this chick that is facing towards the center. Now let's create the mix simple shapes for the mix. Finally, creating going over the outlines for the feeds. You'll have to be a bit cautious since we have created a bit smaller versions for the feet. If you're not that confident, you can use the fine der to do the outlining for the smaller sections. Moving on to the third one. Here, if you want, you can add accessories in the form of different kind of hats, caps. You can add sunglasses, goggles. You can add chain around the necks of the sticks. You can make them wear some kind of clothing. You can add sticks behind their wings. If you have more ideas, let me know in the discussion section. Adding the feet for the final one. And lastly, let's add the eyes. You can create different kinds of y. Here, I created a bit of slanted eyes. For the remaining ones, I'll be creating circular oval seeps for the eyes. You can create close eye open eyes, larger eyes, smaller eyes, grumpy little eyes, and whatever you feed. So feel free to experiment with different kinds of eyes. Adding the eyes for the last one. And with this, we are done with the outlining. If you want to add a little bit of sading or hatching, you can do that. Ensure that the ink has dried and then erase it. Now, let's remove the research dust, and let's get to coloring. Here I'm starting with the camo u. So this will be our primary coloring. So this is our primary layering. It's a bit diluted. It's concentrated, but it's a bit diluted and carefully filling the entire section, the outlined section with this, and I'll be doing the same for the remaining three chicks. IEC, my plan was to use a bit of yellow and Camboohu, but then I thought the last project was also. Then I thought that the last project that I did was also a combination of both these two colors, the light yellow and the Camboo ue, so I decided, why not? Let's start with this Cambooh for this project. Moving on to the third one. You don't have to be that much coss even if you cover the eyes or the B, since we'll be using darker tone of the orange to go over the weeks and the eyes. When the colors will dry, you can easily see the eyes. Here I used a bit darker to the cambe for this third one. As you can see, it's clearly a bit more darker as compared to the first one. Finally, let's add the colored for this fourth one. This fourth one did not trown out the way I hope, so it's looking a little bit thinner. And with these, we are done with the coloring for the bodies. Now let's do the coloring for the food. Apart from this cambusu, I'll also be using the orange later on for the feeds of the four little chicks. With these, we are done with a primary layer for our four chicks. Now, let's do the background. In here, I'm using the same cameo Jo. I diluted this a lot more, and now let's spread it. In here, I'm using water to spread. I'll covering the entire section with this color. So in here, I'm using water to spread it. But if you want, you can use the bit darker or bit lighter consistency of the Camusu to create yellowish background for this four little chicks. Let's go with second layer, a bit concentrated, a bit more concentrated Camusio spreading a little bit more for the lower sections. A little bit more of this Camusi for this section. And here I diluted it a little bit. Let's spread it a little bit for the lower section too. In here, I'm using the same consistency of the Camus that I use for the middle section. Let's make it a little bit more darker and bolder. So in here, I'll be using this orange, a bit diluted form of the orange as the third layer. And here, we'll be doing a little bit of blending. The wet on wet technique will do the rest of the work. It is not that much visible in here. If you want, you can add a bit more orange for the upper part. Going back to the chicks here, once again, here, I am using the same orange that we use for the upper section, a bit diluted form of this orange. I'll only be adding it for the outline section, near the outline section. This will blend on its own since I am using diluted color. Carefully doing the outlining with this orange color. This is somewhat similar to what we did for the but day chicks, mostly adding the colors around the outlining section, wearing the thickness of the lines for some section, adding a bit thinner line and for others, a bit thicker lines. Let's go about the outline section. I'll also be adding it below the eyes and the beaks. Moving on to the third chick. As I was mentioning, I'll be leaving the ground as it is, but if you want, you can add the greens grasses. And with this, we are done with the third check. Let's add a little bit of more orange color wherever you think it's required to increase its intensity a little bit. Here I'm using a bit concentrated orange, and I'll be adding this for the feeds and the wigs. As you can see, I am not completely covering the entire section of the feeds fitted, but only a small single lines for one side of the feet. Adding this orange color for the last chick. Let's do a herd layering with this. Once again, I'm doing the same thing, adding this orange color just beside the outline section. The lines are a bit more thinner as compared to what we did earlier. Here, the concentration has decreased a little bit. If you want, you can use a bit more concentrated orange to do to redo it, but I think it's staned out pretty well. Now I'm using water to blend a little bit to subdue this orange a little bit since the other threes are not that much darker, since the other threes are a bit lighter, so that's why I'm using this water to spread the orange color a little bit. Let's do the final layering for our ground. In here, I'm using a bit of orange color. It's a bit more concentrated compared to the earlier one. I'm using this darker seat to create a bit more pronounced shadow. With this, we are done with our ninth project. If you want, you can use a little bit of white to add tiny highlights for the checks. In here, I'm using this white ink. In here, I'm using this white ink from Zickuratake and creating tiny little dots to create a little bit of highlights for the eyes. You can also use concentrated white watercolor to do the highlights. I decided, if I'm using white, let's make some of the section a little bit more lighter. So adding a little bit of white for some of the sections to make it a bit more lighter, adding it beside the orange that we used earlier for the outlining areas. And with these, we are done with our ninth project. I'll see you in the next one. H. 16. Young trio: Welcome to the tenth project. Here we have got the Young Trio. These are also quite simple and easy. Let's start with doing the pencil sketch, starting with a circular C for the head of the checks. Here the proportion of both the head and the rest of the bodies will be quite seam. So same size for the head and the rest of its body. Let's do the outlining for the third and the final circular C for the head. Let's do the remaining section for its body. The body will be a little bit fluffier because of the wings. If you want, you can increase or decrease the number of the chicks in here. Let's do the outlining for the body of the second one. And finally, moving on to the third one. In here, I'll be using the fine liner to do the outlining. I'll be creating the cavalc on top of the heads of the three chicks, and I'll be using a little bit of broken lines and a bit of hatching to create a bit of tark to create a little bit of seeding for the lower sections of the three little chicks. Very simple and small very simple sets for the beak. Let's add the tiny eyes. And yeah, let's do the same thing for the other two chicks. To avoid confusing the one on the left, is our first one. The middle one is the second one and the one at the right is our third one. We have got the three chick, the first, second and third, and with this, we add with the eyes and the beaks for the third chick. Adding the colex in here, adding it for the third one, Calex for this third one. I'll be creating this kind of hatching lines to create a little bit of seeding for all the chicks using the fine liner. Let's make it a little bit more Carvin. I'll also be adding the wings later on. And with these, we are done with the basic pencil sketching. Let's do the outlining with a fine liner, starting with the cow lick and creating this kind of jig jag or a bit of broken lines to create the outlining for the chicks. If you want, you can create the uniform and straight lines to do the outlining. You can also use the breastban to do the outlining. Here, for this one, I decided to create a bit thinner lines. That's why I'm using the fine liner to do the outlining. Let's go over the outline for the week. I created some small lines using a little bit of hatching to create a bit darker seed for the lower regions. I'll be doing the same for the other three. Let's add a little bit of more lines to make this region a little bit more darker. Instead of this, you can also do a little bit of cross hatching to make it bit more darker and to create a bit more sados. Let's do the same for the remaining two, starting with the eyes. I'll be leaving a little bit of white piece for the inside. If you want, you can entirely cover the eyes with the black. And now let's do the outlining Clic at the top. Here for the ground, I'll be creating the grass. If you want you can create shadows or you can use aqua or gory to create normal ground. I won't be creating the background. If you want you can proceed with creating skies or you can also create different kind of pattern or design or do a little bit of doodling for the background. Now let's add hatching lines for the lower section. I'm adding more lines primarily on the right side. Instead of adding it on the right side, you can set it towards the left. Here I'm considering that the light is falling from the left side, so that's why the right side is a bit more darker. So I'm adding more lines to create a bit of shading in that region, the right side. Going over the outline for the weeks and the I. Now, let's do the remaining section, starting with the cow lex. This is our teen project, and this is the last easiest one. After this, we have two more project they are more than 20 minutes, and we have to create a lots of small little chicks for that project. I'll be creating two different kind of chicks. This will be somewhat similar to the second project that we did with the ten chicks. But in the next project, I'll be creating multiple ones more than ten, and I'll be using varieties of the colour to do the. And for the 12th project, I'll also be doing a little bit of doodling and create more pattern in the designs for the background. Let's add hatching lines. For this one, I decided to add a little bit of more hatching lines near its neck. I decided to make the feet a bit larger for personal teats body. If you want, you can create a bit smaller feet. So we have got three waved feet for the three little chicks. Let's create the feet for the second one. And as I was mentioning, you can always add accessories for the feet to like you can add boots or sous. You can also cover the feet with grasses. Let's make the wings a little bit more detail. A few more lines to create a clear distinction between the wings and the rest of its body. Last one, adding the last feet for this last tick. And with this, we are done with the fit. Now let's make the eyes a little bit more darker. So another layer of the black for the eyes, I'm leaving a little bit of white space for the highlight or you can see the iris of this eyes And with this, we are done with the outlining and see that the ink has dried and then lightly erase the pencil marks. Apply gentle presser with the eraser to erase it. Otherwise, some of the ink will also. Otherwise, if you will apply heavy pressure with the eraser, you will subdue the intensity of the ink a little bit. Let's remove the eraser dust, and now let's dive into coloring it. And here I decided to add a little bit more detailing for some of the chicks. Adding few more lines here and there. Wherever it's required, you can do the scene. Let's make the distinction between its body and the wings a bit more clear. And now let's dive into coloring it, starting with this yellow color. So here I'm using the Cambogio completely filling the entire section with it. Since we'll be using a bit darker tone of the orange to do the beaks, you don't have to worry about it. And for the ice too, you can use a little bit of white to add highlights, or you can leave it as it is. I'm also coloring the feet with it. Later on, I'll be going in with the orange to add another layer on top of it for the feet. On top of this, I'll also be using orange as the second layer. Primarily, I'll be adding it on the regions where we did. Primarily, I'll be adding the oranges near the outlined section, as well as where we did a lot of hatching. So where I added more broken lines for the sading, I'll be adding the orange on those regions. And moving on to the third one, completely covering the entire section with this. Let's add a little bit more color for it and spread it a little bit more. And now we will wait for it to dry a little bit, and till it dries, lets to the ground. In here, I'm using this lighter tone of the green as the primary layering for this grass. On top of this, we'll be adding another layer. Carefully adding it in between the feet. Even if you add it on top of the feet, you don't have to worry. Since this is a lightrod sad we'll be covering it later on soon. Here I'm using a bit darker tone of the green, comparatively darker. On top of this, we'll be going with more darker tone, but for now. It will blend on its own because of wet-on-wet technique. Moving back to the chicks, here I'm using the orange, creating small strokes with the brush and primarily adding it for the regions where we did hatching lines and a little bit for the outline section. I'll be adding more of these lines on the right side since I'm considering that the light is falling from the left, so the right side will be a bit darker. Doing the same for the second one. Adding more colour to the regions where we did a lot of hatching with the fine liner. Moving on to the third and the final one. Adding it near the outlined region, a little bit more for the regions where we did a little bit of hatching with the fine liner. If you want to subdue this color a little bit, you can use a little bit of water. Now add more colors wherever you think it's required, a little bit of hatching, a little bit of seeding and a little bit for the regions near the outline sections. Now I'm going with a bit of orange. I'll be adding in primarily for the outline regions and a little bit for the regions where I did a little bit of hatching with a fine liner, not for the entire regions. Let's create a little bit of blessing fact for this orange, a little bit around the beak. Et's add a little bit more orange. The intensity the intensity of that orange was decreased. So going in with a bit more concentrated orange, creating tiny strokes with this, and it will blend with the cambie ju that we used earlier since it's not dried up properly. Let's see the coloring for our feet. So using orange, I won't be covering the entire section of the leg. So for most of the reasons, I'm leaving a little bit of the earlier colour to be seen. Adding the color for the last fee. And with the fee, I'd done with the orange for the chicks. And now let's do the beak. So once again using the orange, this time it's a bit more concentrated and completely filling the insides for the beak with this orange. Let's make the feet a little bit more darker for the upper side. So for the upper regions, a little bit more orange. And yeah, with this, we are done with the coloring for our three little chicks. Lastly, let's go in with the darker side of the green, and I'll be creating this kind of strokes throughout the entire region. Entire lower regions, I won't be covering the other two layers that we did. So some of the sections from the earlier two regions will be a bit visible. Gradually moving towards right. And with this, we are done with our tenth project. I'll see you in the next one, the 11th project. 17. Birthday caps: The seventh project, the body checks. This is going to be quite different from all the projects that we have created so far. Here the proportion will be quite different. The side of the body will be comparatively larger than the side of the head. As you can see, I have already started doing the outlines a circular C for the head, bean like C for the rest of its body. I'll also be creating the tail feather, but it won't be that much defined as the last project. Tiny little feeds. I'll be creating only two webbed feeds. If you want, you can do the three leg. If you want, you can do the three webbed feeds. Let's do the second one. So these two are facing towards each other and the third one that I'll be creating will be facing towards the left. I won't be covering the entire insides of the birds with the coloring. I'll only be adding it for the sides. By the side. By the side, I mean near the outlined section. Here I'll be using the fine to do the outlining and then add the aqua color and a little bit of orange stone, been light see for its body, three tail feathers. Let's create the last one. On top of this, we'll be adding the party hats, colored three different colored party hats. Instead of this, you can create any other accessories or any other kind of hats you can add caps too. And as I mentioned earlier, you can add other accessories, sunglasses, sunglasses, walking stick, tie, bow tie, purse, et cetera. Do the outlining for the wings and the tail feeder. A little bit fluffier texture for the lower half of its body. And these are the basic shapes for our three chicks. Let's add a little bit of more detailing, adding the wings, adding the wings, tail feathers, beaks and eyes. I'll be adding the circular eyes for them, and the size of the beaks will be comparatively smaller. Small waks. I'll be using orange for the beak. It moving on to this one, let's do the outlining for the beak. I'll be creating oval seeps for the eyes and a little bit of highlights to sow the reflection on the eyes. You can create any other kinds of eyes. Here, the three chicks are quite happy. I want to add if you want to add expression to the face, you can do that just by changing the eyes, adding the eyebrows, or making the beaks a little bit larger or smaller. Moving on to the third chick, and let's add the beak and the eight for this one. After creating the pencil outlines, I'll be going with a fine liner to add the outlinings making it a bit more detail, adding texture, and a little bit of broken lines to create for like. Adding the last feat for this chick. I won't be creating this foreground or the bees. I'll be creating a little bit of shadow below the feeds. Now, let's do the outlining with a fine liner. Be free to make changes and adjustment to the seams you don't have to stick strictly with the outlines that you have created with the pencil sketch. In here, I made a little bit of mistake. The heads would be a little bit more curvier, so it won't matter that since I'll be including the darker regions of the outline with the remaining part of the cap on top of the chick's head. Going over the outline for the remaining section of the chicks body. If you want, you can add a little bit more textured like we did for the earlier project, a few more lines, or you can do a little bit of hatching or cross hatching to create a bit of shadows and depth. So this is a mistake that I'm talking about. The heads would be a little bit more curvier, but I made it a bit slanted. I'll be covering this mistake by adding the cap on top of the stick and I'll be using darker colors for the cap. For the other two chicks, I'll be using a bit lighter tones. Let's do the outlining for the last chick. Let's do the outlining. Let's do the outlining for the last chick. Going over the outlines for the lower section, adding these kind of broken lines or a little bit of hatching lines to create a bit of furry appearance. Going over the outlines for the beaks and now let's do the oval seeps for the eyes. Now finally, let's do the outlining for the feeds. As I mentioned, you can create the three webbed feeds, but in here, I decided to make it simpler. And with these, we are done with a basic outlining. If you want, you can make a little bit of changes and adjustments. If you're not satisfied how the feats look, you can cover it with the boots and the sous. And yeah, we are done with this. So let's cover the mistake I made. Creating this triangular see for the body cap. For all the three chicks, I'll be creating these triangular caps. But if you want, you can create totally different kind of caps for each individual cheeks. A bit of either for the lower section of the cap. And now let's add the pom pom on the top. Let's do the cap for this one. And here I decided to create a straight cap. I'll be creating simple patterns and design for the insides of this cap like star or like stars or moons or simple square or rectangular shames. Let's darken the eyes. So using this black and leaving a little bit of white of the people to act as the highlight. Yes. The outlines that I did for this chick is not that clear and bold, so I'm going so I'm going over once again to make it a bit more crisper and more darker. Now let's do the coloring in here, I'm using a combination of a little bit of white along with the ocher. So this is kind of peel ocher color that I'm using. I'll I'll mostly be adding this near the outline section and I'll be creating kind of dynamic lines. By dynamic lines, I mean, I'll be wearing the thickness of the lines for some of the regions, as you can see, I have created a bit thicker lines and for the other regions, a bit thinner lines. Adding this below the eyes and the beak. On top of this, we'll be adding more colors to create a little bit of texture and patterns. For now, let's continue with this combination of ocher and the wine. So this is the kind of patterns and the texture that I'll be creating. This is our first layering. If you want, you can cover the entire section like we did for the earlier projects. I'll be trying but I'll be creating this kind of chicks for this project. Moving on to the second one. For all the three chicks, I'll be using the same colour combinations. If you want, you can use other color combinations. To create this kind of pale colors, you will just have to add a little bit of white to the colors. For yellow, you can create pale yellow. With the orange, you can create pale orange. Adding fine lines near the neck. For this tick, I added a little bit of more ocher so this a bit more darker. Now moving on to the tail fether with this, we are done with the second one, moving on to the third and the final one. Once again, I'm using the same color combination, a bit more car and less white. If you want, you can subdue it by adding a little bit of more white to it. Adding fine lines for the neck. Now, let's move on to the remaining section in here, too. Once again, I'm creating a bit smaller strokes. This is a little bit different from the one we used. This is a little bit different from the one we did for the first chick. In here, I'm trying to create a bit of textured coloring for the lower part. And with this we are with the primary layering for these three chicks. Now let's do the base. So here I'm using ocher, a bit concentrated ocher. I'll be diluting it later on, but for now, let's create a circular seam to represent the sados below this chick. Creating this kind of circular seam for the sido. Let's do the same for the other two. Instead of using this ocher, you can use the grade to create a bit darker sado. I'll be using this ocher, and then I'll be creating another layer of this circular ring with a bit lighter tone. Moving on to the last one, doing the same thing, adding it just below the foot and adding it just below the feet and then creating this circular s for the sado. Anna, with this, we are done with the first laying for the sao. Let's wait for it to dry a little bit until it dries. Here I'm using orange to do the feed. I won't be covering the entire section of the feet like we did for the remaining section of weed for the remaining section, the upper part of the bird, I'll be doing the same thing, going over the outlines and a little bit near it with this orange for the feet. If you want to cover the entire region with the orange, you can do that, or you can use a combination of both the color, pale ocher and a bit of orange to create a bit more detail feet. Anya, we are done with six feet for our three chicks. Moving on to the beak, carefully filling the entire section of the beak with this orange. If you want, you can use two tones of the orange, a bit lighter tone for the lower part of the beak and a bit darker tone for the upper part. I'm using this orange to create feathery appearance for the wings and the remaining section of its body. Treating small strokes with a brush to create this kind of texture for the entire section. The let's do the same thing in here. Small strokes. You can do a little bit of outlining and then use it to create a small stroke. Small strokes throughout the entire region. My entire region, I mean the region in which we added the peel ocher. For the smaller sections and the thin lines, I'm not creating this kind of small strokes. I'm just overlaying a little bit of orange on top of the peel ocher. Moving on to the third one in here, we have got a bit larger and broader strokes, so I'll be creating this kind of small strokes to overlay on top of it. Let's make the ground a little bit more darker. Let's use this orange to create a bit darker region for the sado. So we have got two regions of the sado a bit darker and a bit lighter. Once again, creating a bit more smaller strokes with this orange to create more feathers. Can add a little bit of more feathers wherever you think it's required. And, we are done with the orange for the chicks. Now let's color the caps. For this one, I'm using black as I have to cover the mistake that I did, and here I'm creating the patterns of moons and the stars. You can treat any kind of pattern you desire. These caps are optional. If you don't want to do that, you can just leave it as it is. And with these, we are done with our first one. Let's do the second and the third one. Here I'm using the pencil to do the outlining for the patterns. So this one got circles as the pattern. For the next one, let's do the same thing. Stars in the moon. For this one, I'm doing the same thing, stars and the moon. We have got two stars in one moon. For this one, as I mentioned, I'll be using lighter tone, a bit diluted form of the blue to color it. Carefully surrounding the circles with the blue. For the lower regions of the two checks, I won't be adding the coloring for the cap. I'll be leaving white as it is. If you want, you can do a little bit of coloring with the gray. And we are done with this cap, let's do the coloring for the last one. Here I'm using a bit of red. A bit of concentrated red. First time doing the outlining for the stars and the moon and then let's feel the remaining section with it. Two. Carefully filling it since we are using a bit concentrated red in here, I have cut a bit more precision and accuracy with it. So with the concentrated form of the color, you will get more precision and more accuracy. But with the diluted form, you will lose a little bit of precision and accuracy. You'll have to we extra courses. And with this, we are done with our second cap for the party chicks. I decided to add a little bit of coloring for the insides of the caps, so using yellow, not yellow, this is camo zio. Let's do the coloring for the other two yellow dots. Sorry for the fluctuations of the light. And finally, let's add the coloring for this stars in the moon. I decided to make the upper section a little bit more darker, so a little bit of fine lining to make the caps a little bit more detailed and defined. And with these, we are done with our project. I hope you had fun painting this. I'll see you in the next project. 18. Garden of little hatchling : Welcome to our 11th project Garden of little hatchling. This and the 12th project are one of the biggest project in here. We'll be creating 21 little chicks. I'll be using only two layering I won't be adding the colours for the entire section. And here I have already started with the lighter side of the yellow to create our first hatching. To create our first hatchling or the first chick. So we'll be creating the chicks in the same manner that we did for our earlier project, the seventh and the eighth. So only two layering of the color and I won't be feeling the colors for the insides. On top of this, I'll be going in with a bit darker set. And with each color, I'll be creating four to five little chicks or hatchling. Apart from this yellow, I'll also be using a little bit of pink, blue, gray, and ochre. I'll be creating a total of three or four coloured different chicks for the ground. I'll be creating grasses, and I'll also be creating small flowers with a yellow. If you want, you can do the skies. Let's create one more. I'll be creating the chicks in various poses facing in various directions. These are quite simple chicks. If you want to make them a little bit defined, you can do that. You can add the colors for the inside, like the second project. So this is our fifth chick with yellow. Let's wait for it to dry. First, I'll be using the colors to do the primary laying for all the chicks, and then when it dries a little bit, then we'll be going with another side of the color. I decided to create one more chick with this yellow. So with the yellow, we have got six chicks. Let's just go with different color. In here, I'm using a bit of pink color. I used red and dilute. I used red and added a little bit of white to get this tone, creating the outlines. You can increase or decrease the numbers of the chicks that you will be creating for this project. In here, I created 20 ones. If you want, you can even increase that number, you'll have to make the chicks a little bit more smaller or you can also decrease the numbers by making the chicks a bit more larger. Instead of placing these chicks randomly, you can create a row or line. Let's do one more in here. If you're not that comfortable, you can start with a pencil sketch, but I believe that till now, you'll be familiarized how you can easily do the outlining with the colors. So I directly jumped into it. Creating one more chick in here. And as I was mentioning, you can clearly see that I'm creating chicks in various poses and facing in different directions. After this, I'll be using the light shade of the blue, a little bit of gray stone to create more chicks. Creating one more chick with this in here. So this is facing towards the center. Adding one more chick. Initially, I said that I'll be creating four to five chicks, but in here, it seems I'm creating more than that. Let's make it six to seven chicks with coloring. Now here I'm using a bit lightest blue colour, so I mix a little bit of white with a blue colour to get this pale blue colour. Let's create some more chicks in here. You have to be bit cautious with your palm, otherwise, you will get smudging throughout your paper. So try to keep your palm away from the paper or keep it a little bit up or keep it a little bit above the paper. In here, I won't be using the fine liner to do the outlining, but if you want, you can do that, too. Let's create a few more with this pale blue color, and then we will move on to the gray color. Till now, I have used three colors yellow, pale red or pink. Then this is pale blue. And after this, I'll be using a bit of gray color. Adding one more chicken here. Right now, it's not that much clearly visible, but when we'll be doing another layer with the broken lines and a little bit of hatching, then it will become more clear and a bit more bolder. And in here, I'm using the grey color. This is somewhat similar to the bluey stone that we used earlier, but when we've been doing the second layering, it will become more distinct from each other. Adding few more chicks for the remaining portons I can add four or five more, two or three for the center, and one for the top. The whole video is in real time, so you can always follow along with me. Once again, I'm going back with a yellow colour to add few more chicks. Here, once again, I'm going back with the yellow to create more chicks. Instead of this yellow, you can use any other color. I will be adding one more chicken here later on, but for now. Let's wait for it to dry a little bit until it dries, I'm using a little bit of this orange tone, this orange color. It's a bit concentrated to create the small beaks and small feet. Here, I'm creating three waved feet and triangular C for the beaks. For some of the beaks, I'll be making them closed for the others, open mis. Instead of using a single colour to create the beaks and the feet, you can use multiple colors. You can dilute the orange to get a different lighter seeds. You can use a bit of aqua color mixed with the orange to create bigs, feel free to experiment and use other colors to create the beaks and the feet for all the chicks in here. So let's continue with creating the beaks and the feet for the remaining chicks in here. After doing this, we'll be doing the outlining or you can see the second layering for the chicks, and then we will proceed with the greens. I'll be using one or two sets of the greens to create the small grasses. I'll be adding them below its feet. I'll be adding them below and beside the feet of the chicks and also for some of the random places in between them. I'll be using yellow to create small daffodil flower or small flower resemblance. You can also use any other colors to create small flowers. You have got pink, red, blue, and you can also create different tonal seeds, adding a little bit of white or a little bit of gray to create a bit darker tones. Just by adding this tiny weeks and feed, these are looking much more better. Since we have to create the small lines and small triangular seeds for the little chicks, that's why it's taking a little bit more time. Instead of this, you can use the fine liner. If you have that instead of this, you can use the breast pin, if you have to make this process a bit more faster. You can also use the gel pins. Right now, we have got five more, six to add the beans and the feed. For our next project, I'll be creating a bit larger chicks in the same manner. Instead of 20 ones, I'll be creating 18 chicks and I'll be completely covering the background, not completely, but most of the regions with different kinds of lava and small buses and a little bit of doodling with the broken lines using the fine liner. If you want to do the doodling in here, you can do that, too. And apart from that, we'll also be adding the colic on top of each chicks for our next project. Now, the first layer has dried up. I'm going with this lighter tone of the orange to do the outlining for the yellow chicks. Create the broken lines, a little bit of organic lines, and a little bit of hatching for the lower section, the wings, and the remaining part of its body to create the resemblance of fur or feather. Let's quickly do this for all the remaining chicks. The yellow chicks, for the yellow chicks, I'm using this. We have got six or seven yellow chicks in here. Instead of using one color, you can also use two colors. You can mix a little bit of ocher to it and make it a little bit more interesting. You can also proceed with adding a little bit of Cambo along with the ocher or along with the orange. Let's do two more. Adding another layer of pier on top of the wings. And with this, we are done with this. Now, oh, I forgot to add for this one, adding it for this last one. Add more color wherever you think it's required. Let's move on to another side. For this pink chicks, I'm using this orange color, creating a little bit of broken lines and a little bit of hatching to create the outlines for the remaining pink chicks that we have in here, two row of hatching lines for the wings. And this is somewhat similar to the coloring for the feet and the beak. If you want, you can make this color a bit lighter, a bit more darker. For now, let's do the remaining pink chicks with this, and then we will proceed to either blue chicks or the gray chicks. I'll be adding one more chick in the upper section because this area seems a little bit empty. For now will be continuing with this pinkish chicks, and then we will be doing it, either outlining the other chicks or adding another chick in the middle portion. Moving on to the last pinkish chick that we have in here, a bit of broken lines and a little bit of hatching to create this last outlining for this chick. Now, let's do this blues chicks. So here I'm using a bit concentrated blue colour and we'll be doing the same thing, a little bit of broken lines for the outlining and this kind of hatching for the remaining section. We have got four or five bluish chicks, and then we have got grays chicks and more chicks to add for the empty person. For the bonus project, I have included a ink illustration of real chicks. So that is going to be interesting, too. After that 12 project, I'll be uploading that video. Let's do the outlining for the last bluey stick we have in here. And with this, we are done with the blues sticks. Let's do the grays one. For this, here, I'm using a bit darker. For this, here, I'm using a bit diluted black color. It will lose its intensity a little bit when it dries. But for now, let's do the outlining for the remaining three or four chicks that we have in here, a bit of broken lines and a little bit of small hatching for the feathers and the remaining section, the lower section of the chicks. And with these, we add with the gray or black chicks in here. Let's add one more chicks. So using the same colour combination, starting with yellow to do the outlining Risk for the chick. Now, let's add the beaks and the feet for it, using orange to do that. And then we'll be doing the second layering till it dries. Here I'm using a bit saturated green to do the grasses. I'm leaving the feet as it is. If you want, you can cover some section of the feet. Small strokes with the green to create the grasses. I'll be adding them for each individual chicks that we have in here below and we side their foot. Let's continue with the green for the remaining section. Instead of creating this small and uniform grasses, you can experiment and create some larger and some smaller ones. You'll have to be a bit cautious not to mix it with the heads or the remaining section or the parts of the chicks body. So add it carefully. And with these, we are done with the greens for all the chicks. In here, I'm using a little bit of darker orange to do the outlining. Instead of this, you can use the Cambio hue or a little less saturated yellowish colour for the chicks outlining, like we did for the earlier yellowish chicks. And yeah, we are done with this last chick, the outlining for the last chick. Let's continue with the remaining section. Oh now let's create more grasses. So here I'm using a bit more saturated greens and I'll be creating small patches of grass for the empty spaces in between. If you want, you can use totally different seeds of the green. But for now, let's continue with adding small patches of the grass in between the chicks and for the larger empty spaces. After this, we'll also be creating the flowers, small strokes with the breast to create the small patches of the grass throughout the remaining section. Adding a little bit of more grasses for some of the regions. I have decreased the size of the glasses a little bit so as to feel for the empty spaces, using a bit darker set of the gray for some of the regions of the grasses, particularly for the lower regions. Well let's continue with the remaining section with this bit darker tone of the green. You can also use a little bit of orchard to create the resemblance of some ground. For the flowers, I'll be creating this kind of small strokes. And on top of this, I'll be adding the yellow, orange, or any other colour lighted tones of the colour to create the flower. In my keys, I'll be using the yellow. You can use any other color that I mentioned. Let's create this small strokes for all the grass patches that we have created in here. As you can see, I'm not adding the small strokes for all the sections of the grasses. If you want, you can add all of them. Instead of adding one or two, you can add multiple ones. It will take a bit of time, but it will become more interesting. And with this, we are done with this going with the yellow to create the small dots, a little bit of ununiform dot to create the resemblance for the flowers. I'll be adding this on top of the greens. You don't have to worry about this mixing with the greens, as since we are using a bit concentrated form of the yellow and the green, we use Was bit diluted consistency, so it won't mix that much. And even if it mix, it won't be grating your project that much. After this, we'll be using the blacks to add tiny ice for our chicks. H you can also create resemblance some small butterflies floating around using pinky stone or other paler colour to create the resemblance of the butterflies. And with this, we are done with the yellow for the small flowers. Let's go in with this black. I'm using the fine liner to create the small eyes for our chicks. For the chicks that are facing towards the center that are looking forward, I'll be creating two eyes, and for the remaining ones, I'll be adding single line. We have got eight or ten more chicks to add ice to, and then we will finish this project. After this, we have the last project and one more bonus project. Let me know how many chicks you have created for this project if you are attempting this one. So this project in the next project is somewhat similar, but a little bit different since we'll be adding a little bit of curvier lines for our second project, the 12th project. And with this, we are done with our 11th project. I hope you had fun painting this, and I'll see you in the next one. 19. Springtime Hatchlings: Welcome to our final project Springtime hatchlings. In here, we'll be creating 16 different hatchlings, and for the last project, we used four colors in here and we'll be using six different seeds of the color to create this 18 hatchlings. Here I've already started with the pale yellow color. I used a little bit of white along with the light yellow to gate this kind of pale yellow color. This is a little bit different from the last project. We only created the outline for the second. We only created the outlines and did another layer on top of it for the 11th project, but in here, I'll be filling the insides too. Very simple seeps for the hatchlings, a little bit more defined as compared to the last project that we did. And on top of this, we'll be doing the layering, create the outlines and a little bit of additional texture for the feathers and the wings. If you're not that confident, you can start with the basic pencil sketch and do the coloring later on. But I believe now that you are capable of creating the hatchlings on your own without doing the pencil sketches, as the seeps are very simple and they are quite easy to do. I'll be creating three hatchlings with each color. With these we are done with a pale yellow to create the hatchlings. Now in here, I'm using a combination of ocher along with the white to get this pale ocher color. With these two, I'll be creating three hatchlings. And with these we are done with a silhouette for the first one. Let's add one more for the top, circular see for the head, somewhat of watermelon like see for the rest of its body and a triangular see, and a triangular see for the tail feeder. So these two are facing towards each other. If you want to make it a bit more saturated, you can do that. But in here, I'll be trying to maintain this kind of consistency for all the coloring, and mostly I'll be trying to create pale colors. Now let's do our third one. So in here, I'm witching this grey color. Let's create the outline or silvet for the burn. A little bit of colour was muched in here. How about we turn into another hatchling? Hey, is a little bit greenish in colour, but we will be covering it later on, but for now, we are done with the second one. Let's create one more in here. Very simple sames. And with these, we are done with this one. Moving on to another color. Here, I'm using red, and I added a lot of white to get this kind of pale red color in here. Here, too, I'll be creating three hatchlings with it. You can add hatchlings anywhere you want, and you don't have to stick with the same thing that I'm doing creating three hatchlings with the same color. You can increase or decrease the numbers of the hatchling and you can use other color combination and other colored schemes to create the hatchlings. Let's create one more in here. So far, we have used four colors. I'll be using two more colors. I'll be using blue and a little bit of Cambozio to create six more chicks. In here, I'm going with the light blue color. So here, too, I add a little bit of white with the blue to get this kind of peel blue sand starting with the circular C for its head. And now let's do the remaining Saxon for its body. You'll have to be a bit cautious, otherwise you will smirge color from your palm. So either keep your palm away from the paper or you can keep your palm a little bit above the paper. Et's add one more in here. So how about this in here, okay? So the last chick with this piel blue color? And with these, we are done with a pale yellow color. Now I'll be using another color here. I'm using Camboj. In this case, I did not add the white. In here, I did not mix the white with it. If you want, you can do that to get somewhat of pale Cambo color. But since I used pale yellow and pale ochre, I decided why not let's use a bit concentrated camo Ju to create a bit more distinct chick in here. And with these, we are done with the second one. Let's do the final one. So where can we add it in here? In here, I have created a total of 18. Let me know how many chicks and hatchlings you have created for your project. Feel free to make adjustment. You can increase the sips a little bit if you want. And now let's create the feeds. I won't be creating detailed feed, very simple feeds. I'm using this concentrated Camboj to create the outlines for the two little bits. If you want to make the feet a little bit detail, you can do that. You can also make the feet a little bit bend. Adding the last pair of wheat. And yeah, we are done with this adding the feet for the hatchlings. Now let's create the beak. For all the hatchlings in here, I'll be creating this simple seed for the beaks. If you want, you can create the open mix too. Keeping the beaks a bit simpler, so I won't be adding another layer of the color on top of it. But if required, I'll be adding it. But otherwise, I think it's looking pretty good. For the feed, on the other hand, I'll be adding another layer of the color, orange on top of it, and I'll use broken lines to redo it. And let's add the last beak for this one, and we are done with these, we are done with the beak for all the hatchlings. I decided why not let's create small webbed feet for it to add a little bit more characteristic. This is optimal. If you don't want, you don't have to do it. Creating waved feat for all the hatchlings in here. I'll be covering some of the section of this waved feet with the grass later on. So if you don't want, you don't have to do this since we'll be covering some of the section with the grasses. And with these, we are done with the webbed wheat creations. Let's add let's add the cow licks on the top. So coxcomb we have got. I'll be adding three or four small strokes to create the coxcomb or colics on top of the little hatchlings. Instead of this, you can use any other color combinations. You can also use red. You can also use red to make it a little bit more contrasting. And, we are done with this, so let's proceed with doing the outlining. In see the color has dried and then proceeded. Here I'm starting with the blue, using a darker tone of the blue to do the outlining, here, I'm not creating the broken lines nor I am doing the hatching. Instead, I am creating this kind of curvier lines to do the outlining. Creating this kind of line for the entire section to do the outlining. Andrew so Jeho will be doing the outlining for all the chicks using different color. We have got two more to do, so let's do it. Defining the outline for the feather and let's add another layer for the wing. The last blue hatchling that we have in here. Let's do the remaining section. We small curvy lines, and finally going over the outline of its head. And with these, we are done with the blue. Let's do another one. So this time I'm using black. We'll be doing the same thing. You just ensure that the ink has dried and use a little bit of concentrated color. If you use bit diluted one, then the colors will merge a little bit or spread a little bit, which we don't want. Go over the outline for its head. And we have got two more in here, one at the top and one at the bottom, right side. Outlining the wings for it, outlining the wings for it, and let's do the remaining section. Finally, let's do the last one. Same thing. This kind of curvier lines to do the outlining for its body, a little bit of more curvy lines for its wing, and few more lines for the wings. And with this, we are done with this gray chicks and the hatchlings. Using this black to create tiny eyes. Since all the chicks are facing either in right or the left direction, so for all of them, I'll only be adding one e. I'll add the eyes later on what phone now let's do the remaining thing. Using red to do the outlining for the pinkies hatchling. Here I'm using dark and concentrated bright to do the outlinings. You can also experiment with a little bit of broken line that will add another layer of characteristics to these hatchlings. And the final hatchling at the top. Let's do the outlining for its head, creating the wings with it, the tail feeder, outlining the tail feeder. And with these, we are done with this. And here I'm using ocher to do the outlining for this pale ocher chicks. So we have got one at the top right side and one at the left side. So yeah, let's continue doing the outlining for the remaining chicks three hatchlings of this poca colour. Doing the outlining for this one, let's do the outlining for its swing, a little bit of more detailing for it. And, we are done with the second one. Let's do the final one that we have in here. Same thing, a little bit of curvier lines to do the outlining and a little bit more detailing for its swing. And with these, we are done with this aqua color, moving on to the Camboj in here, I'm using orange to do the outlining. A little bit of this orange to add on top of the Cambou that we used earlier for its feet. And with this, we are done with the second one. The final one in here, same thing, curvy lines, a little bit of more detailing for its wing. And now let's do the remaining section of its body. And with this, we are done with the three hatchlings. And as I was mentioning, I'm creating this kind of broken line on top of the Cambou that we used earlier for the feet, overlaying this on top of the Cambojeu feeds, a bit of broken lines. Instead of using this, you can also use a little bit of red to add more characteristics to the feet of the hatchlings. With this, we are done with this one. Now let's do the outlining for the pale yellow chicks that we have in here. I mistakenly used this ocher to do the outlining here. So I decided, why not? Let's use this. If you have not made this mistake, you can do the outlining with the yellow color. So light yellow. Moving on to the second one. Let's do the remaining section for the second one. And finally, we have got the one last stick at the top left side. Creating a little bit of broken line for the top. And now let's do the remaining section. A bit of curvier lines for the wings. And with this, we are done with the outlining of all the 18 chicks in here. Let's do a little bit of grass creation and flowers. Before doing the grass, here I'm using this yellow to create small five or four petals flower. Apart from this yellow, I'll also be using a little bit of red to create this four or five petals flower and Cambo. I'll be creating numerous flowers in empty specs in between these little chicks. This is opson if you don't want, you don't have to do this. You can just create the same kind of background that we did for our 11th project, simple grasses. And with the, we are done with the light yellow. In here, I'm using Cambooh to do the pipe petals flower. Let's add a few more for the upper part. Apart from this, you can also create a small butterflies flying around and you can use a little bit of pink pinkish colour to create Earth one, one other kind of bags or insect on the ground. Add few more wherever there is more empty spaces. And with these we are with the camera you. Now here I'm going with the red. So we'll be creating more five petals flower with this red. Let's move towards the upper part. After this, we'll be creating some small patches of the grass and then two leaves along with a little bit of then a little bit of broken lines to create a bit of simple doodling for the background. For now, let's continue with creating the five petals red flower. You can also use a little bit of blue pale blue colour to create another layer of the flowers. You can add another layer of the flowers with the blue and a little bit of pinkish color. And, with these, we are done with red for the five petals flower. And this is the kind of broken lines that I'll be creating to do a little bit of doodling in the background. Simple pin broken lines throughout the background. So these lines are a little bit curvier and going in no direction. So for the entire section, I'll be adding these lines. I won't be over saturating it, but if you want, you can make them a little bit more detail, add more patterns and designing to it. I did the remaining on my own, and now, and in here, I'm using a bit darker tone of the green to create this kind of leaf buds. So small see with the suens I'll be adding this green for the entire background in this random manner. And after that, we'll be creating small patches of the grasses. As you can see, I'm also overlaying this green on top of the doodling lines that we did with the fine liner. You can also connect this leaves to the flower by creating a stem. The whole purpose of adding these leaves and the flower is to fill the entire background with this flower and leaves motif. And now I'll be adding a few more since I think I have covered most of the section with the screen. Adding few more here and there. And I think now it's enough. So if you want, you can add a few more, but I think I am satisfied with it. And now using the same green to create small patches of the grasses below the feats of the ticks. So I'll be adding these patches for all the chicks that we have in here. You'll have to be a bit cautious since some of the chicks feeds are on top of the heads of the other. Also, I'm overlaying this on top of some of the section of the feeds of the hatchlings. I think we are done with this. You can add a little bit of more grass patches here and there. And finally, going with the fine liner to add the eyes, single black oval sees for the eye. Earlier, I was creating the eyes with a watercolor bus, but I thought that since we are creating such a small eyes, I might make mistakes. That's why I am proceeding with the fine liner to create the eyes. And let's add the ice for the last chick. And with this, we in with the 12th and the final project of this class. I'll see you in the next video with the bonus project. 20. Extra hatching pen sketching : Welcome to the bonus project, and here, I'll be doing the ink lustronOPin sketching for somewhat of real looking check. Let's start with doing the basic outlining. Here I'll be starting with the basic simple Cs that you can easily copy. Here we have got some I like C for the top of its head. Now let's do the remaining portion. So somewhat of triangular C. Somewhat of triangular C for its neck and the upper portion of its body. And for its remaining portion of the body, here we have got somewhat of a small arc like sea. For the steel freezer, we have got the rectangular sep And for the rest of its body, I'll be dividing into two sections here. Let's do the remaining one somewhat triangular somewhat of triangle C for it. This will be its feet, a little bit more detail and defined. Another, another feel that lies on the other side. So these are the basic shapes, and I'll be adding more details to it. Let's do that. Then we'll be trying to create a bit of texture like the real chicks. So somewhat of this kind of lines. In here, we'll be adding the meek, a little bit of mere beak for the upper part. Now let's do the remaining section. The eyes. The eyes will be a little bit behind the beak, the upper portion of the meek, a circular see for the eyeball and then this kind of same. Et's make the head a little bit more fluffier, a bit larger. I'll be making a little bit adjustment to the pencil skis that ended with the basic saves and I'll be going with the final end to add the final detailingsF all the sections, we'll be doing a bit of hatching, crosshatching, and I'll be using a bit of broken and curvier lines. I'll be creating the feathers for this little chick in this manner. Not all the feathers will be clearly distinctive, but some of them will be more clear as compared to the other the lower portion of its body. And in here, I'll be adding the feet. Some portion of the second feet won't be visible. So this is just the outlining that I'm doing with a pencil later on we'll be making more adjustment to the later on we'll be making more adjustment as we add the fine lining or use the fine narrator to do the outlining. The outline that we did earlier with the food was not that good. So here I'm making another outline. So this will be the remaining section of its food. And if you're not confident with creating the food, you can cover it with the twigs and broken sales of the eggs, which I'll be doing since I made a little bit of mistakes, so I covered it with the twigs and a little bit of broken eggs. Sketching out the guideline for some broken eggs. Eggl we have got one Ecell in here and another in here. If you want to make adjustment to the seeds in the sides, feel free to do that. But I am done with the basic pencil outlining. Let's go in with the fine and to do the outlining, and then we will do the hatching, cross setching, add a little bit of seeding. For now, I'll be just going over the outlines with this kind of small broken lines and create a bit of texture for the outlining section. Small strokes with the breast to create this kind of pattern texture for the outlining. The whole video is in real time, so you can always join along with me. Let's make this beak a little bit more detailed and a bit larger, creating a pointed edge for the beak. Now, for the upper section of its wing, Mall jig jag lines, for the outline for all the sections. Let's do the outlining for its tail either. Here I'm wearing the sizes of the lines a little bit. Moving on to its wing. Same thing in here, same kind of line. If you want to make these lines a bit more bolder and more darker, you can use the breastpin. And if you are using the breastbin, you can make this process a bit more faster. So we are almost done with the upper part. Let's do the remaining section. Same kind of texture to create a bit of fluffy texture for the lower section. This bootson will be a little bit more fluffier. The chase tigon for this hatchling will be a bit more fluffier. And now let's do the outlining for its speed. This is the first fet that is visible from the side. The other feet on the other side won't be that much visible. Let's do the outlining for the second feet. The waived section of the feet won't be visible the front since it's covered by the front feet. Moving back to the eyes to make it a little bit more darker and a little bit of white space for the highlight. Now, small tiny lines to create a bit of depth for this eye to give it a bit more volume. Doing the same thing for the upper side, small tiny lines. Now, let's erase the pencil marks, and then we will add the mount detailings lightly erasing it. Insure that the ink has tried and then proceed. So as you can clearly see, I did not create it in the second feed, since I'll be covering it with the twigs and the broken parts of the Eggl. The outline that we created with the paint is looking quite good. Now, let's do detailing, adding more depth and diamonds into it, starting starting with the axel that we have in here, Allptical C for the axel. Broken section of the axel a little bit cracked portion. Here's another exel here's another egg. It's complete egg that we have in here. Oh. And these are the small lines that I'm creating to represent or resemble the twinks that are present in here. I'll be adding lots more later. For now, let's move on to the remaining for now, let's move on to the upper part. Creating this kind of line a little bit of hatchings to create a little bit more depth to the painting and and define the parts of this hatchlings body. I'm considering that the light is falling from the top right side, so the left side will be a bit more darker, so I'll be adding a little bit of more lines on that side. I'm creating small hatching lines and using this to do a little bit of sading. For this region, the chaste of this hatchling, I'll be adding more lines to create a bit more fluffier texture. The region just behind its eyes will be a little bit darker. Let's create a little bit of more hatching lines in there. I'm creating very small lines to do the hatching and using that and using those hatching lines to do a little bit of seeding. I'm trying to create the round conte for its head. I'm trying to create the round conte for its head using the hatching lines. Its head turned out platy well. A little bit of more hatching and seeding for the region behind its wing. Sma tiny lines. If you want to make it a little bit more bolder, you can do cross hatching instead of the hatching. It will take a bit more time, but the result will be worth it. You can also do a little bit of stippling. Now for the tail feather, I'll be dividing two different section and then we'll be doing this kind of slanted hatching to create bit of more texture and pattern for the tail feather, for the wings, not for all the wings, but some of the wings that are clearly distinctb from each other. For those, I'll be creating this kind of texture and dividing into different sections. Now for the upper part of this wing, this side will be a little bit more darker, adding more lines to create a distinction in mid this section of the wing and the tail feather on the other side. And now we'll be adding more small hatching lines to create a little bit more depth and provide a bit more volume to so that the wing is a little bit more fluffier as compared to the rest of its body. Here, I'm creating the lines a little bit curvier and following the contour of the wing, so a bit of curvier lines. For the region below its wing, I'll also be adding a little bit more lines so that it's a bit darker in there because of the cado casted by its wing. So I'll be moving from one region to the other region. Sorry, I'm moving from one region to other region since I'm just adding the seeding depending upon how one area looks compared to the other one. So this is the reason I was talking about that I'll be adding more lines to make it a bit more darker so that the cado casted by it is making a bit more darker. In here, too, I'll be adding a little bit more longer lines. Adding a few more lines in here, following the contours of the chest. So a little bit of curvier lines. And the reason just above its leg will be a bit more darker. I'll be adding a bit larger lines and a bit of sading using the hatching lines. Et's make the outline a little bit more textured. The check has turned out pretty well. Now, let's add more linings to it, make a little bit more detailed work. You can add few more feeders for the wing if you want, but I think it's looking pretty good. And to make the outlines a bit more bolder and more distinguish you can add two or three layerings of hatching lines. Here, let's make this lower region a bit more darker bit more hatching lines. A bit larger hatching lines for the lower region. I did a little bit more siding for the lower section to make it a bit more darker and molder. Moving on to the egg. Here too, I'll be doing a little bit of hatching. Instead of creating smaller hatching lines, here, I'll be making a bit larger and curvier lines following the conto the curvier seep of the egg. So this kind of lines, a bit larger hatching lines and following the contour of the ing. For the lower region, for the lower region, add a little bit of more lines. Make this region a little bit darker so that the shadow casted by the hatchling is making this region a bit darker. Let's make the outline a bit more pronounced. Yeah, we are done with this egg. Let's do the other one, the broken egg. Before doing that, let's make the feet a little bit more detailed. Since I was not able to create the feat in more defined and detailed way, I decided to cover it with the twigs on the ground. I decided to cover it with the wigs on the ground, moving to the egg, creating a bit of more hatching lines, following the broken contour of the egg and kind of creating bit of broken lines, making this region a bit more darker. The area in between the webbed feet of this chick is a little bit more darker. Let's make the outline of this broken salt more bolder. The surgeon is on the other side of the all, so it will be completely covered with these hatching lines. A, we think we are almost done with the eggs and the ground the twigs on the ground. If you want to cover the remaining section of the feet, you can add more twigs around here around that region. This small simple hatching lines to create the appearance or resemblance for the twigs on the ground. And with these, we are done with the basic simple ink illustration of this nice little hatchling. I hope you have fun painting this. I'll see you in the next video, the last video, the conclusion. 21. Conclusion And Thanks : And I would like to congratulate you to completing on this class. Here's an extra illustration that if you want to do, you can do that, you will have to just decrease the playbacks speed and follow along with me. So here, I'll be creating three boss checks. And thank you so much for joining me in this cute watercolor chicks class. I hope you had as much fun painting this little tattlings as I did guiding you through each project. Over the course of this class, we painted two adorable watercolor checks, each with its own personality, color, and charm. You learned how to skate symbol checks chips, mix color, create soft blend and add tiny background details that makes your painting come alive. We created different kind of grass patches, a little bit of backgrounds like skies and a little bit of doodling for some of the projects. Whether you are a beginner or just starting your watercolor journey or an intermediate artist exploring new ideas, I hope this project helped you feel more confident, creative, and relaxed while painting. I'd love to see what you have created. If you have created any project, don't forget to upload your class project in the project gallery. Share your favorite artwork, your practice sketches or even your full collection of the 12, sing your interpretation and unique styles truly makes my day. I hope you enjoyed this class. If you enjoyed this class, please take a moment to leave a review and share your feedback, your comments, help me improve future classes and inspire other students to join in the fun. And if you did like to keep painting with me, B so to check out my other classes on watercolor, oil pastel, and ink Illustration. You can follow me here on the skills here. Thank you once again for painting along with me. I'm so happy to have you here, keep practicing, keep experimenting and most importantly, keep having fun with your art. And if you're following me with this project, as you can see, I use two different seeds of the acre for the two checks. For one, I used pure ocher and for the other, I diluted it a little bit with a white to create a bit of peeler seed for the ocher. For one sides, I use a little bit of darker sd and for the other, I used a little bit of lighter sad and on top of that, I added a little bit of white to make it a bit more lighter. For the third one in here, I used a little bit of yellow, and on the other side, I added a little bit of orchard to make it a bit more darker. Right now, I'm creating the textured pattern, the same kind of textured pattern that we used in our fourth and fifth product, the little grumpy bass. We'll be doing the same for the other two chicks, small pattern. This is our second layering. On top of this, we'll be doing other two or three layerings to make it a bit more flafier and add more texture and patterns for the three little chicks. You'll have to wait a little bit for it to dry, not dry completely, but a little bit, and on top of it, we'll be adding these small strokes to create this appearance or resemblance of like taxian it will blend on its own because of weight and wet technique. Now, let's make a clear distinction between its body, its wing, and the remaining section. This time, I'm using a bit more darker side of the ocher to create this kind of br strokes to add more detailings to it. A bit of more texture and fluffiness to the grumpy little checks. Add a little bit more for the regions below its beak, its eyes, and the neckline. Doing the same for this main boss. Here I'm using a bit more concentrated chart to do the outlining, creating a bit more smaller brussi stoke, creating this kind of smaller brussetokes to add the texture. Let's do the outlining for the upper section, adding a little bit for its eyes and below and above it. And we will wait for it to dry a little bit. Until it dries, lets to the third one. This time, I'm using a bit more ocher in here, and I added a bit of Camboju for it. Until it dries, lets to the foreground. So here I'm using the combination of ocher and a little bit of burnt siana. The feet are not that much clearly visible in here, but we'll be adding another layer on top of it. I'll be adding it later on, but for now, adding a little bit more coloring for its cow legs on top of it head. Let's make the feet a little bit more defined. So here I'm using a bit of orange. I added a little bit of burnt siana to it to make it a bit more darker. And simple plain orange for the beak. Going in with a fine line to add the eyes, wear a simple oval sips for the eyes. If you want, you can always add accessories. Let's make the beak a little bit more clear with this outlining. And yeah, with these, we are done with this. And I'll see you in the next class, happy painting.