Create Hormozi Style Reels & Shorts in Premiere Pro

1. Introduction: If you want to make scroll stopping real, select the ones that everywhere on social media right now you are in the right place. My name is Ryan and I've been a freelance video ads a full-time for over four years. I've reached top seller on Fiverr twice, and I've helped multiple students quit their jobs and become full-time freelance video editors. In this class, I'm going to walk you through creating your very own home Mozi style real in Premier Pro. So you can make better results for your business or start offering these editing skills as a service. You don't need any experience with Premier Pro as I keep things step-by-step and straight to the point. First, I'll show you the best ways to efficiently cut and edit your footage. Then you'll learn some basic color correction and how to get your audio sounded nice and crispy. I'll show you how to design scroll stop in text, just like you see on social media and some animation techniques, they'll get your texts pop in. Finally, I'll show you how to add those emojis and sound effects that you know and love, and how to export your reals. So you can go and show them off to the world. You can follow along with your own footage and make use of your own real. Or you can use the footage I provided to create a portfolio piece to help you get your own clients. Either way, this is a fun, easy to follow the projects, which will leave you with a shiny new, real and valuable editing skills using Premier Pro. So if you're ready to get started, I'll see you in the first lesson. 2. Quick Optimisation Guide: Welcome back guys. Before we get into the actual Edison, I just wanted to give you a quick tip to save you lots of time. So I'm just going to share with you my strategy for how I create one piece of content that I can post it on Facebook and Instagram, real or YouTube and TikTok, all in one go. The optimization is shooting vertical, that's nine by 16 or 1080 by 1920s. Keep the video under 60 s long. And this is very important with the text. You want to make sure that the text skips the bottom 20% ish of the screen because on TikTok and on Instagram Reels, there's information being shown like the song on TikTok and the description. So you want any captions you used to be 20% of the screen. And when you're considering that, if you're shooting a video of yourself, make sure your head is maybe a bit higher than usual, because if the texts comes more towards the middle, you don't want that over your face either. So you want to make sure your head is in the top third of the screen. The text is going to be in the middle of the screen, and then the information is going to be at the bottom of the screen. Finally, don't worry about fancy editing setup or studio or anything like this. If you have just a smartphone vertical on a tripod, the most important thing is you deliver something that really helps people. So the editing can help make the video look nicer, might keep people more engaged, but honestly your content is what matters the most. So then my tips before we get into actually making the video. Thanks again for joining, and I'll see you in the next one. 3. Premiere Pro Quick-Start: Alright guys, here we go. We are in Premier Pro. And like I said before, I'm not going to make this a full-on. Eight is add Premiere Pro tutorial. But I do want to begin at complete beginners to be able to use this course. So what we're gonna do, we're just going to cover some shortcuts, some quick tips for opening up Premiere Pro and getting familiar with the interface just to make it really simple for a beginner, it's pickup. But also, if you're an advanced user, you'll probably pick up something new as well. So I've just opened up Premiere Pro 2022. If you don't have Premier Pro, then you can go into the document touch this course and you can get a free trial. But what we're gonna do is we're just going to hit New Project and we're going to create a new project. So when we opened up a new project, it asks us for a project name. So I'm going to call this homozygous style. And then we're going to save it in a location so you can create a location wherever you want. I'm just going to choose one. So I've got Skillshare, homozygous style reels. And then I might just go course demo. Okay, Select Folder. I don't need to select piece of footage or anything to save and then hit Create. So now you're going to be presented with a screen. So what we're gonna do is I'm just going to show you the different panels and I'm going to show you how to reset the panels if you ever lose them, because that's usually the biggest, most complicated thing. You're not going to need a lot of this stuff, so do not worry about it. What I would first do is just go up to window at the top, go to Workspaces, put it on editing, which is going to get rid of a lot of fluff that you don't need. And then go to Workspaces and reset to save layout just to make sure that you have the basic editing layout. Now for me to give you a quick example, what I would do is go to the Google Doc that I attached to this course and then hit download the raw footage here, go along and just press Download on this one. You can download this footage or you can use your own footage. But what we're gonna do is I'm going to show you how to input something straight into the timeline so that you can actually see things happening. Because if I explain it all with nothing in the timeline, then it's not gonna make any sense. So what we're gonna do is we're just going to drag the footage. Let Premiere Pro open up, drag it into the bottom part of the screen where it says the sequence. You can also go file and import here, file and import and input that footage. Don't worry about the footage for now. I know it's sideways. We're going to change all that later, but the main thing I want to do is just show you the timeline. So first of all, each of these sections can be moved around, okay, so you might end up with an accident where you move something up here and you just, you just lose a panel. If that happens, you just go to Window Workspaces, reset to save layout, and that's it. So the next thing I want you to do is go to Edit Preferences and just go to autosave. And by default this might be on like 20 min. I'll just make sure to put it down to 5 min. So just a very quick tip to auto save because we don't want to accidentally lose anything. There's only really three panels to look at here. So as we scrub through the timeline, you can see down here, this is the timeline, this is where the video is. This is where we build our sequence. Okay? You can see in the program window, this is where we see what's going on. And then you can see in the project, this is where our footages. So let's start in project and let's press Control and B whilst clicking somewhere on the project, it's going to create a folder. Or you can also go down here and click new Ben. Ben is just a folder. And let's call it footage. And now we can drag the little symbol with the footage into the bin. We can press control and B create another bin, call this sequences, and press Enter. And now we can drag our sequence into a Sequences folder. And doing this, you could do it for music. You could do it for images. It just makes things a lot simpler. Also, handy tip, if you dragged a folder from anywhere else. Let's just pick an example, say images here. If I drag this folder in, it's just going to create a folder with those all nice and organized anyway. So that is a huge tip for you. So you've got your project where you view the files. You've got the timeline where we drag things. So e.g. I. Could drag an image in there as well. Let's try just to show you, we could drag the brush noise in. So I'm just going to drag a noise in. This is where we drag things in and this is where you view it. So it's worth noting that when you drag a file in here, it's going to create the sequence at the frame rate of this file. However, if you wanted to change the frame rate for any reason, you can go to sequence at the top sequence settings. What we're also going to do at this point. Is we're gonna go to sequence settings now, even though I filmed it vertically on my camera and my camera thinks it's 1920 by 1080. So let's put it in landscape. So I'm going to show you two things now which can help. So we're gonna go to frame size 1080 by 1920 and then hit enter. Okay, change the preview file. We can click Okay on that. And now you can see we have what looks more vertical, but obviously our footage is the wrong way round. So this is where I'm going to show you how to use Effects Controls. So we click the footage in the timeline. Click effects controls rotation. We want that at 90 degrees. And now our footage is the right way round. And you can see if we press Play. My practice at it from Ryan's Premier Pro. The finally, I just want to show you how to use a couple of tools that you'll be using very frequently. So as you can see the toolbars here, it's sometimes it's open like this. I just like it in a line. Again, you can adjust these. You can adjust the windows to be as big or as small as you want by just moving these lines. And like I said, if you ever get stuck, workspace reset to save layout and you'll be fine. So first of all, let's go through the most important ones here. So we've got V, which is the selection tool that just our usual arrow to move things back and forth and the timeline. Then we've got C, which gets our race at all, which is how we cut. If we press V and we look at this bar at the bottom, this is how we zoom in and out. You can also use the plus and minus are equals a minus keys on the keyboard. This zooms in and out on the timeline so we can get more accurate cuts. You can pull down the waveform to see more of the waveform, and you can pull up to see more of the video. The videos stay in the top tracks, these tracks here, and the audio stays in the bottom tracks. Now if we wanted to make a cut here, we can press C and then click again. Don't worry, I'm going to walk you through actually cutting this footage, but I'm just giving you example of the shortcuts. So C to cut back to V to get our selection tool. And then we can drag it back over c to cut V to select a. Very useful. And I actually didn't know about this for too long after using Premiere Pro. If you've got a lot of tracks forward and you want to select them all. If you press a is going to select all the tracks in front of the timeline. So you can see here that if I have two tracks here, sorry, not track's clips. If I have two clips here and then say I've got ten clips down here. If I press a, I'm gonna get this tool and it'll select all those clips. And if I press Shift whenever I say it all, select just for that track, a will select everything else. So if you've got music images on different tracks, and a and holding shift is going to select the one. That's pretty much it. V for select, C for cut Control and Z for undo, a for select all forward and shift and a for select all forward on the track. Those in the most frequent shortcuts that I use. Obviously, there are shortcuts for everything in Premiere Pro. You can set this up how you want. But I'm not making an a to Zed in Premiere Pro here. I'm just showing you how to get to those homozygous cell reals. But I want to make sure you've got the basics down first. So that's everything for now. When you drag in the demo footage again, it'll say Do you want to keep the existing settings? Keep existing settings. Let's click, let's go to the effects controls window, rotation, degrees. If it's too small, then you can go scale and then put 100. And when you've got this setup, Let's press Control and S to save the project. And I'll see you in the next video. 4. Get Crispy Vocals: Alright guys, so now in our timeline, you should have imported rotated. We should have a 1080 by 1920 composition with our tests footage in. So what we're gonna do in this video is we're just going to get the audio levels right and make them sound a little bit nicer. So let me just give you a quick example of what this sounds like without any editing. This is my practice. Edit from Ryan's course, create homocysteine captions in Premiere Pro. Now first thing to notice is on the right, you want this coming up to about minus six. If you think about it, you know, when you turn on a video and it's too quiet is because it was rendered to quiet. So at the moment we're only getting to where he teaches you how to cut -21. So what we're gonna do is we're going to move this bar up. You can move the bar up to a maximum of 15 db up here, or you can right-click and you can go to Audio Gain. So depending on how quiet it is, you might want to use Audio Gain if you're selecting multiple clips, if there's multiple cuts like this, then you can select them all and use Audio Gain. I think for the sake of this example, let's just click on the clip and let's go to audio gain. So if it was -21 and we want it to minus six less, adjust gain by 15 db. Is my practice. Edit. As you can see, it's hitting the red a little bit here on Ryan's course credit. So that's too high. So let's press Control and Z to undo, Let's go to audio gain. Let's go to ten. I think this looks good. You can see in the waveform, if we zoom in here, these peaks are the highest point. If they get into the red, imagine a picture, an image. As you blow it up, the quality gets worse. So when it goes into the red, it starts to store it in. So this is my practice edit from, as you can see, this is averaging around minus six. Ryan's course create homocysteine captions in Premier Pro. But also then the second thing is the audio sounds a bit roomy and it sounds a bit flat. So what we're gonna do is we're going to go over to effects and we're going to type para and get parametric equalizer. And we can just drag this on. So now the effects controls are going to show up and we've got the parametric equalizer. So let's play with this a little bit. So I'm not going to give you a full-on audio tutorial. I'm just going to show you one little tip I do to make audio sound better. So we're going to hit Edit here. And then we've got two things we can try really, the first one gives you a really crisp sort of radio voice. So let's try this. Let's go to loudness maximizer. And then let's just bump the left and the right app. So we've got the lows and the highs. This is my practice. Edit from Ryan's course, create homocysteine captions in Premiere Pro. Now if we have a lesson, we can hear that there's a crispier high notes, so this is off. Uh, he teaches you how to cut. This is on edit. Create better audio, add emojis. I think that sounds much better. There's another setting that you can use called vocal enhancer, but it really cuts out the lows. So let's have a listen to this one and create those fancy captions that everybody loves. It does cut out the lows. It's probably better if you've got a lot of room noise. But for now, I'm going to stick with my loudness maximizers. So let's try again. We're going to, if you press play, it all, adjust lives. So let's boost the lows up. Just like this. Let me know. If you like this, then let's just adjust the highest you liked this editing style. Don't make it go too loud. Drop a comment below. That's too raspy like this. This is two recipes, so let's go back. Let me know if you liked this edit and new like this editing style. Drop a comment below. So there's a quick tip on how you can make the audio sound better. I think what we can do while we're on the subject of audio, we can come over to sound stripe. So I will leave a link to sound stripe, Stripe in the document so that you can come over here. This is what I use religiously for music and sound effects. It's amazing. So here's how I auditioned music. So I've got a wide screen monitor here in case you didn't tell, which is why sometimes screen looks bit smaller, but I'm zooming in to make sure you can still see it. But what I'll do is I'll split the screen. Maybe you've got two screens. You might only have one screen. It might be a bit awkward, but here is how I audition music. So first of all, if I play a song in Sound Stripe is going to be loud. So what I'll do is I'll turn the volume down here because I want to hear this alongside my voice to see how it sounds. So let's try this. This is my practice added from Brian's course, create homocysteine captions can Premiere Pro, where he teaches you how to cut, edit, create better. So you can see that the two sound good together already. That was quite lucky. I'm actually going to use this one, but you can just keep going through and you can try new. And so let's go to upbeat. We've got so much, we've got, I like hip hop as well. So sometimes I go genre, Hip Hop, upbeat hiphop, practice, edit from Bryan's Cross create for Mozi style captions into Premiere Pro, where he teaches you how to edit, create better audio, add emojis, and create those fancy captions that everybody loves. So that one will work too. I think you get the point. Basically. You got the one plane on one side, the other one playing on the other side until you find something that you like. So I've downloaded this track, which I'm going to bring in, and let's just balance the audio levels. So as I bring this tracking is obviously way too loud. So what I'm gonna do is I am going to end it from what I can do is I can adjust by dragging this down because I can do it on the fly rather than using audio gain. So watch yours, Craig, homocysteine captions in Premier Pro where heating. And I'm still looking out to make sure that it's not clipping with both tracks playing. By the way, if you can't see these tracks down here, then all you need to do is double-click and the tracks, the tracks will expand. You can see a three is another tracked. And if you wanted to add another track, you right-click and add track, and then you've got a four as well. But let's just focus on these two tracks. This is my practice. And basically want the audio loud enough, she can hear it, but you don't want it overpowering, especially if you're talking about something important for a long time. Edit from Brian's course create home. So I've got it set to -15 dB. So you should by now have better. This is my practice edit from Brian's course. I won't get into the full cut now. But because we're onto the audio, I wanted to show you how I auditioned The audio all in one setting. You can also add sound effects in another track, but we'll probably get back into that later on when we have things to animate. For now, let's forget the audio, but just bear in mind that this is how you're going to audition your audio later on will, in the next video, we'll get into doing our basic cut. But I wanted to cover audio just all in one go. So remember, get it to about minus six. You can adjust the sound by either using the drag up and down here or right-click and Audio Gain. Parametric equalizer with loudness maximizer to get the better sounding vocals. And that's pretty much it. Alright, so I would just for now ignore the track. That's how you do it. If you want to check out sunstroke, there is a link in the document. Get the audio right on this, and then we'll get into the next video. I would usually cut this up before I start doing the music. But like I said, audio all in one. Alright, so that's it for the audio section. I'll see you in the next one. 5. Simple Colour Correction: All right, guys. Welcome back. Before we get into the first part of Curtin, I just wanted to give you one more epic bonus tutorial on color grading. Color grading, color correction. Color correction is when you just fix the colors to get them right, to get the normal color grading is when you give the video a certain look, so be very careful with it. You don't want to make the shot look messy, but I'm just going to show you a tiny little bit extra so that if you do get some client for age or your footage doesn't come out the best, then you know how to fix it a little bit. So What we're gonna do is we're gonna go Window workspaces, and then we're gonna go to color. And when we collect color, you can see that we get these details. On the right-hand side. We could use Lumetri Scopes and go into detail on the different colors. But I think it's just a bit much for Warren trying to achieve with this video. So first of all, in the order we want to do things. So first of all is the exposure is how much light is getting in. And as you can see, this image is a little bit dark. So if the image is dark, you can go to exposure and you can bring it up to make it brighter. You don't want it too bright, where the white starts blooming, it starts melting into other things. So here is too dark, this is too bright. So maybe just a little left to about here. If we have a look at the difference, this is going to look a lot better. So if you're using this footage, maybe you can take this up. So I've got it on about 1.7, we might even just go 1.5. Now the next thing are the whites and blacks. I think this is already pretty well balanced, but it goes without saying whites increases the whites. But if you have a look here, the creases on the T-shirt disappear because we've done too much. So the whites are pretty much okay. And then the blacks are obviously the dark parts. If you want a little film look, you can increase the blacks a tiny bit. But for the sake of this tutorial, let's just increase the exposure with these vector scopes on the right. Essentially, when the whites and the blacks are going to be this black and white scope here. I won't go into too much detail, but if we go too high, you can see the whites hit this line at the top, and that means that there's too much. So if we bring it to about here, this is pretty much as bright as we're going to get it before. It becomes too much. And then the zero is the black marks. So if we bring the blacks down here, you can see the line crushes there. So really you just want to be just above both lines. So there we go. We know we've got the perfect blacks there and the perfect whites just about touching their saturation is the color, the amount of color in the clip. You can see this scope here where it starts hitting the edges. That means it's overly saturated, so you just want it to be enough so it's not quite hitting the edges. So here we go. You can see that saturated enough. It's already pretty good like this because the Canon camera shoots out nice colors. And then you've got your red, blue, and green. But I think that's enough for now. The final thing we want to look at is the color temperature. So if you see, if I move this to the left, it goes cooler and I move it to the right, it goes warmer. So it might be too warm, might be too cool. So what we can do is we can take this white balanced dropper and we can click this on an area that should be perfect white. So say they're on the T-shirt. But that didn't do a very good job because I think it all looks greener. Again. I think the Canon camera, I think the Canon colors are pretty good. I might just take this slightly to the left. So you're looking at the whites with the white balance. You're looking at the whites. If I go all the way to the left, you can see this is to blue. So I'm just going to pull this a tiny bit to the left and you can see it's like less warm. So here I'm gonna go -12. So exposure, just to keep it simple, exposure, we could go to one, blacks were going to minus seven. Let's go minus seven. And then we can go to temperature. I've got this -12. You can also, if you think there's a bit too much magenta in the image, you can bring this to the left a bit, but then it makes the walls look green. I think we'll leave that at zero as well. And saturation, you don't need to make me look too pink. I think saturation is fine as well. Maybe even just minus ten on the temperature. But now, if we look at this on and off color correction, this is off. This is on. And I think this looks good. So minus ten temperature, one on the exposure, minus seven on the blacks. The highlights. If you bring them down, it's going to take some shine of the face and things like that of the whiter sides and then the shadows is again the blacks. So I would stick to whites, blacks exposure, temperature, with my fairly limited color correction knowledge. So there's a little extra color grading tutorial for you. Color correction tutorial for you. 6. The First Cut: Alright guys, so now we're finally going to get into the actual edit. We're gonna get into the cup. So let's just get straight into it. So first of all, I'm going to zoom in on the timeline and fill this up. So obviously me sitting down here, we don't need any of this. So what I like to do is I like to open up the waveform and I tried to cut just before we speak. So I'm going to press C. I'm gonna do a cut here. I'm going to press V to get my clip selected and I'm going to drag it back. So now if we go to start a timeline, this is my practice at it from there's a little there's a little space here as well. So you could make another two cuts. So you could go a cut just where this wave for men's or cooked just before this one starts. Just try not to cut the actual audio and then press Delete. Here's a little trick view as well. If you want to just bring this, snap this to the next piece of footage, just click in the middle and press delete. Another little tool I forgot to show you earlier is called the snapping tool. Let me just show you if I press S and the snapping tools off, you can see I can quite easily accidentally go over the start of this clip. Whereas if I press S and this snapping tool is on, then it's going to snap to the next bit. So now we'll keep going through, this is my practice. Edit from Ryan's course, create homocysteine captions in Premier Pro way. Here There's a breath their way on these shorts and reels. You're trying to cut out all space. So we're gonna make a little cut here where he, just before the waveform starts again showing that there's, there's speaking. I'm going to delete. Then I'm going to click in here and press Delete. That's called a ripple delete Premiere Pro, where he teaches you how to cut. And now we're gonna do the same for these cut here, cut here. Oops, drag it back. Cut, edit. I actually don't mind a tiny space here to cut. Cut, edit. Create better audio. Add emojis, these, and create those fancy captions that everybody loves, just like he loves, just like this. And another space here. I'm just pressing C for cut, V for select, like this. Let me know if you liked this edit and you like this editing style. Style. Drop a comment below. And then we go down, look how quick that was. So let's just play it back. This is my practice. Edit from Ryan's course, create homocysteine captions in Premier Pro, where he teaches you how to cut, edit, create better audio, add emojis, and create those fancy captions that everybody loves. Just like this. Let me know if you liked this edit and new like this editing style, drop a comment below. And there you go. That is your basic cut. That's how you cut and fill the gaps. So your task now is to do this for your video, whether it's my project or your project. And I'll see you in the next video. 7. Mix Down Your Music: Alright guys, so just before we start adding texts, I think now is a good time for us to add our audio. So I'm going to go into my music folder. If you haven't already downloaded music, I get mine from Sound Stripe. Although you can search royalty-free, free sounds, that I think Ben sound is a website that has royalty-free music, but Sound Stripe has just always been the best for me. They've got tons. It navigates copyright strikes on any platforms is all completely royalty-free. So we're going to drag our music track into the track. Below. You can see audio one is taken up by our main vocals and then audio to is our music track. So what I'm gonna do here is I'm going to right-click and I'm going to go to Audio Gain and go down to about -15. And let's hear how that sounds. This is my practice. Edit from Ryan's course, create *****. If you want, you can see the audio doesn't quite stop at the right time. So I can do what we've been doing for cut the audio and just drag it back so it starts at the right time. This is my practice. Edit from. Also, if you want a more upbeat part of your audio, you could just cut the audio where you want it to start and drag it back so you get this as my practice edit from Brian's. But I like how we had it before. So let's just go from here -15. This is my practice. Edit from Ryan's course, create homocysteine captions in Premier Pro, where he teaches you how to cut, edit, create better audio, add emojis, and create those fancy captions that everybody loves just like this. Let me know if you liked this edit and new like this editing style, drop a comment below. Now what I can do is also I can add some key frames so the music gets louder just for a second. When we might have, we might have some text at the end saying click the link or anything like this. So it might come on the end for a few seconds. So what I'm gonna do is I'm going to click on the audio and then in effects controls in the volume. You can see I've got this add remove keyframes. So when I click this button, you can see up here it adds a keyframe, and down here it adds a keyframe. And this means at this point in time, I want you to be naught dB. Then what I'm gonna do is I'm just going to go forward. I can either drag the timeline forward or if you want to move ten frames, you can press Shift and press right on the keyboard to move in chunks of ten. So I'm going to go to just a couple of frames later on, I'm going to put ten dB. And you can see it's created two keyframes. We'd have to zoom in quite a lot here to see because there are only a few frames apart, but there's two key frames taken up ten dB, so have a listen to it and you liked this editing style. Drop a comment below. I'm going to show you how to fade it out now as well. So we'll cut here and we'll delete the n track. And then I might go to beats from the end. I'm going to click this button to make another keyframe. And then I'm going to drag to the end. And I'm gonna go -30 and it will fade it out. So there you go. And I might remove that last little hi-hat. So we go like this editing style. Drop a comment below. And we could have a little tight along the end. Maybe I'll do a little bonus After Effects thing later and show you how to make a nice little design here. So next task, drag the music in. Drop the audio so that you can hear the music and you can hear the vocals. And now you've got the foundation in place and this is all coming along and it's called a better vibe. Let's play it through one more time. This is my practice. Edit from Ryan's course, create homocysteine captions in Premier Pro, where he teaches you how to cut, edit, create better audio, add emojis, and create those fancy captions that everybody loves. Just like this. Let me know if you liked this edit and you liked this editing style. Drop a comment below. And there we go. I'll see you in the next one. 8. Manual Text, Font & Animation: All right guys, welcome back. This is the part I know you're excited for. So first of all, I'm going to show you how to make manual text that looks like this. In Premier Pro, that looks like Alex or Mozi style of texts. It's really simple and I'll show you how to do it manually so that when I show you how to transcribe it, I think it'll make a lot more sense. I'll also show you how to do some little scales and some little bounces and things like that. So as you can see here, Alex uses a bold Sans Serif font, which means there's no accents as in it looks modern and clean and there is a little shadow around it. He does a little wiggle on one of the texts and he's got some emojis next to his texts. So first of all, in this short little tutorial, I'm just going to show you how to add tax and get that style in Premier Pro. Alright, so in Premier Pro, I'm going to manually type out the first line. So let's press Play. This is my practice at it from this is my practice edit. Let's just start with my practice edits. So first of all, I'm going to hit the T key here, type tool. Let's just pull this bar over, going to hit the Type tool. I can click anywhere and I can put, this is my by the way, I press Caps Lock, practice, edit. So we can click anywhere to get off the Type Tool, press V to get back to our position tool and we can position here. But what I'd also like to do here is go to Windows, Workspaces, captions and graphics. Because now what we can do is we can go to Edit on the side and we can control the captions and the graphics from this side. So the first thing we wanna do is we want to center align. So as you can see here, I've got central line text. And now we'll move the text back to the middle and you can see its center aligned. We don't want it from the left or the right or center aligned here. Also, if you want to quickly align it, bang on the center of the video, you can come up to here to align and transform and click center and center. Next, we want to make the font look better. So I'm going to select all the text. Then I'm gonna go to the drop-down and you can pick any bold fonts. So e.g. try a few different texts. You want to be looking for the bold version. So let's have a look at Ultra. So here we go. I've got a font here, fire or Sans ultra, But I think Alex or his team use Montserrat. So I'm going to type Montserrat, and this is a Google font. So I'm going to select Montserrat and black. Make sure to have all the text selected. Montserrat. And then black, bold is like this. Black makes it really thick. Essentially. If you haven't got Montserrat, you can go, you can go to Google and just type month Montserrat black Google fonts. You can download this font family, extract it to a folder, click Install, and it will immediately install an update in Premier Pro. So the first thing we wanna do is add a shadow. So in the essential graphics tab, if we've got the, all the words highlighted and we click shadow, There's a really faint shadow here, but we want a bit of a darker shadow. So first of all, the top line here is the opacity. So we bring the opacity up to 100%. Remember if you click off with the text tool, you go into, get this textbox here. So click anywhere on the timeline, and that'll let you go back to your selection tool, but it's a bit gray. So what we're gonna do is we're going to click on the shadow color and we're going to take that to black. So now we have a black shadow. But again, you can see it's quite faint. So what we can do is I'll walk you through these parameters and again, you can make this look how you like, but I'm going to show you what I think Alex or Moses team is doing. So the distance is this toggle here. And the wheel above is how you change where it, the distance comes from. So let's go to zero. Now if we increase the size, you can see we get an outline. But the outlines quite blurry. So if you want a solid outline, the final parameter down here is softness. So we're going to turn that down. And now I think you have something that looks a bit more Alex's. So what we can do, I'm just going to split my screen and let's have a look. So you can see we're pretty close, but I think the size on his outline is a little bit bigger. So maybe it's about here and I think there's a little bit of softness. So let's try ten. I think that looks pretty good. And you can play around with this if you just wanted a more softer shadow, you compress 50 like this. If you wanted to completely different style, you can add a bit of distance like this. But we're gonna go with, I'm gonna go with no outline, no distance, 25 on the size, and then I might go 20 on the blur. If we have everything selected, if you want the words closer or further apart than what we can do is we can go to this button here. This is going to separate the lines closer or further together. Then if you want the letters closer together, we can go to here and drag this blue number wider altogether. His are quite close together. If we want to change the size of the font overall, we can grab this font size number here, and you can drag the number or just drag the slider. So we could go to about here. Let's just get this looking nice. So I think we'll select it all again. 100 was good. And I think I'm just going to go 20 on the size. Let's look at another example here. You can see the words are all on one line and it's quite a soft shadows, so we can try this style as well. So what we'll do is go to, this is my, I'm gonna go to the timeline. I'm going to make a cut before the word practice. And have just, this is my, I'm going to have all caps. This is my, I'm going to center align it. And we can put the shadow on 50 and make it a bit darker like this. So now I think this looks a bit more like the other example that we had. And now if I want to create more texts, what I can do is just drag this layer all the way across. And as I go through, this is my, I look at the waveform. I see when practice edit is gonna be sad. I make a cut. I make a cut, and then I change the word to practice. And then I'll drag practice along just before Edit. And I'm going to make a cut and then put edit. And now we've got this is my practice. You want to get as close to the start of the word as possible. This is my practice. You could even go one step further to have this is my animate separately, but I think we'll get fancier in the next video. So just to show you some other tools that you can use. So on the right, That's how you, this Essential Graphics panel is where you align, where you adjust the font, the size, and the shadow. And now if you want to make the animations or you want to make the texts get bigger or smaller than what we can do is we can click on the text here. Let's go to practice, and let's just play with this word. So if I want to select the word practice without the text tool, remember, if I press V is going to change selection tool here and I clicked, but I have to be clicked off it. Alright, so now we've got the word practice. We can make it bigger and smaller here. Let's go back to a hundreds, but we can also rotate the text like this. So you see there's quite a lot. This is my practice. See how it's rotated. So all I've done is I've clicked rotation. You can drag any of these blue numbers or you can type them in. So I might go minus four here. And then on edit, I might click Edit and I might go for, so we get this. This is my practice and in front. So now what we could also do is go scale. We could go 110 for practice. And then we click on Edit, and we click Scale and we go 120. So now we're getting this animation. This is my practice. And in front, let's even go, we could even go 150 just to make it more exaggerated. This is my practice from Ryan's course, and it's totally up to you how you play with these, but this is how you add the text, how you rotate and scale. And I'm going to show you one more animation. So as you notice, I've already animated desk, but my screen is zooming in. So let me delete these keyframes at the top. And I'm going to show you how to animate. You can animate texts or images, but I'm going to show you the animation of my face by here. So I'm gonna go to the start of the video and I'm going to click Scale. I'm going to click so there's a blue keyframe here. Then I'm gonna go to the end of this first bit of video. And I'm going to go scale 120. So as you can see, it zooms in like this. This is my practice at it from but the problem with this is that it's not zooming into my eyes. So what I'm gonna do, I'm gonna show you just a little cheat. I'm just going to take a rectangle tool. I'm going to just draw a little square here, a little graphic. There's my left eye. So now as it zooms in, you can see it goes off my left eye. So all I'm gonna do is I'm going to move the position down so it's still in line with my eyes. Then delete my little graphic. So now watch, this is my practice at it from Brian's course, you can see it zooms in to my eye, which makes it look less confusing. You can also do a jump cut. Here. I compress, see, I can scale the next clip, 110. And now it's gonna give us stuff and it's going to jump. But as you can see, the eye line goes up. So we just want to move it down a little bit. So the jump looks at my eyes. This is my practice from Brian's course, homocysteine captions. And if we want to do a little cut by here, we can just click this button to reset the position. These two little backwards arrows. And now we get this. This is my practice at it from Brian's course. There we go. So I suppose for this first video, all I wanted to teach you was how to add your text, the font, how to get the shadow looking good, how to scale, how to rotate. And there's some basic animation. You can do the same animation with the text. So you can go to the start of the word edit. You can click Scale, and then you can go forward to the last keyframe, make sure you're still on there, and then you could go 175 if you wanted to. So now the word edit is going to go 150-175. This. So those are the tools that you need. In the next video, I'm gonna show you how to transcribe the text and then add it altogether, which will be able to give you a simple video quickly, but you won't be able to rotate and you will have less options with scaling will also cover some more advanced techniques for flashier captions in the next video. So hope you've enjoyed, have a play around with that, or continue on to the next video where I'll show you how to transcribe it so Premier Pro can write all the words for you. I'll see you in the next video. 9. Text Method Two - Transcription: When you get into hard times, it doesn't change who you are. It gives you evidence of who you are. It displays, it demonstrates who you are. I find out on Christmas Eve that I had one, lost all my money to Oliver, friends had quit. So this is a really simple one. The text isn't moving, it's not rotating, It's not animating. This is really easy to do. So let's dive into Premier Pro with this style. What we're gonna do is we're going to go to Windows, Workspace, captions and graphics. You should have captions and graphics here. If for some reason there's no transcribe showing, then you go workspace reset to save layout. And make sure at the top here that you're on transcript. Okay, so what we're doing is we're transcribing the text. So Premiere Pro is going to literally write it out for you. Let's go to create captions, maximum length and characters you want that? We want. Let's go maximum length and characters go 20 minimum duration in seconds. Let's go for 2 s because we don't want it to be too long, but we don't want that. We don't want the words to be all on one line, one word each. So you want, Let's try 2 s and see how it comes out. So Premiere Pro is creating the captions. Okay, So yeah, this is pretty good. It's probably cut them up a little bit too small for my liking, as in there's not enough words on the line, but we can adjust that. So I'm just going to show you the quick and dirty way of doing this. So first of all, we're going to select all the captions, which are these yellow track here right now in your essential graphics tab on the right under edit, if you see Essential Graphics browse Edit, this is where you edit the text so you don't go into here and then edit it up here, like you might do when you're doing manual tests. You can only edit the captions here. So let's just look design and let's try and get it looking like homology. So first of all, we obviously want the text to be bigger. One thing I like to do is I like to align to the middle. So C align and zone. You can just click the middle button here and it's all gonna go straight to the middle. So that's, that's already half the job done. Let's make it a bit bigger like this. And now if we click, oh, by the way, sorry, so this slider here creates the size. So if we got them all selected, we want to scrub through, make sure nothing is on two lines. I think this is looking good. So yeah, there we go. We've got the majority of that already done. Now we need to change the font. So san-serif is any font with the little flex, their little action accent accents. So if we go to Montserrat, black and if you don't have this, it's a Google font that you can just download from Google completely free. So we're gonna go from Montserrat, black like this. But you can see because it's bigger now and then you've got it on two lines. So let's maybe go down to 100. Let's see what it takes. 90, 80. I think that looks pretty good. Now to get less CO2 all caps because he does use all capitals. The only problem with doing this method is you're not gonna be able to rotate these. You have less customizability of the words, but you can always add in a manual words. If we have a look, if we zoom in, you can see on homozygous reels back into Europe during, he's got a big shadow, right? He's got a big and it's kind of soft. So it's not a really hard edge, but it's coming straight from the middle hospital I was working. Okay. So what we're gonna do is we're going to go down to here. So see, this is the distance of the shadow, so there is no distance on his shadow. Now, the next one is the size of the shadow. The shadow might be about this big, but it's not that hard line. C, that's like a hard line. So the bottom one is the softness. So we might go to about here. And there you go, all your questions answered. So you've got a Montserrat font with a dark shadow. So let's just configure the settings view. So let's just say to keep it simple, 100% opacity, zero distance, 30 on the size, no on the size, and 50 on the blue or the hardness. This is my practice edit. Okay, so that is how you transcribe the captions. But as you can see, this transcription has broken up all the words I might want. This is my practice edit on two lines. So what you can do here then is for each one you want to fix, I might, I can either double-click this and I can go, this is my practice, edit. And then what we would do is we would go to from And then we're going to make it from Ryan's course. So we're going to delete this one, delete this one, bring this first one over, over, across. Practice. Then right before from we're going to add from into here. Yeah, we definitely need to edit this. Alright, so I hope you see basically what's going on. First of all, let's recap months or at all caps, drop shadow on them in the essential graphics panel, if you can't see this window, workspaces central graphics. Align it to the center of their zone because if it's at the bottom, every time you adjust stuff, it's going to push words up and down. It's going to look weird. So just a line, the zone here, if this box is too small, this little guy is how you open it up. So this is the box. So it's fine right now. You want the shadow on 100%, no distance, 30, size 50, blue. And that is that so far, I'll show you how to do the animations and the scale and the color in a second. Next, you want to come down to the captions and you want to rewrite them, why you like them. So e.g. let's just do one more example. This is my practice from Ryan's course. So create homocysteine captions I want all on one line. So we've got create yes. C-star captions. So Premier Pro has just had a funny moments. So we're going to delete this first one. We're going to drag this over because the good thing is it's already got it in time. So all we're gonna do is we're going to change this Mozi style captions. And then we're just go. There we go, that's fine, That's perfect. We're me. Homocysteine is you have to cut. Maybe we won't create on its own line. I'll create better audio. So see how it goes. What I'm looking at here is, well, it's already done a lot of the work for me, but see this wave form here. This is when I say edit create. So, so just before creates starts, I know that this is going to be in time. Create better audio. And then edit here. I might want to edit to just be huge because it's on its own. I can literally double-click that. It's on 80. I can put it on 200. So it goes and we can make little adjustments like this. Alright, so what you need to do here is go and transcribe your sequence, get the font looking right and make the captions fit the loans that you want them to fit on. Then in the next video, I'll show you how to scale each word and make finer cuts. So there you go, That's it for now. Transcribe, get the font right. Again, I'm on the right lines. Let me know if you have any questions. Also, if you're enjoying this course, please drop a review is going to really help me out. So thanks very much. I'll see you in the next video. 10. Fancy Captions: Alright guys, so now we're back. Hopefully you've gone through, you've got the whole thing. Look in how you like it. So in this short video, I'm just going to show you how we can scale individual words and we can add color to individual words just to make it pop a little bit better. So e.g. what we want to do is we're going to zoom in on our timeline and we're gonna get just before the word that we want to highlight. So let's start with scale. So I want practice and add it to pop up. So we're going to play. This is my practice. So I'm looking here and I can see that this is where the word practices. So what I'm gonna do is I'm going to make a cut in the captions just before practice. Now I'm going to double-click on the box as usual, highlight the word practice. If I can. If you struggle to highlight the first letter star after my and go down. Now what I'm gonna do is I'm just going to change the font to 100 for practice. So as you can see, practice gets bigger. So let's play again. This is my practice. And now we're going to move along to edit. Just before the word edit. I know this is the word edit. And I'm going to double-click again, highlight Edit, and go to 100. And hopefully it doesn't go on two lines. There we go. So now check this out. This is my practice. There we go. Hopefully you can see how that works. Now, if we wanted to change the color as well, we're going to do the same thing. We're going to go to the section where practice is getting bigger. And we're going to select the word practice. Again, check this out. If I drag across it doesn't let me get the word the p. So we'll click after my and then just go down to get it. Now we're gonna go fill I'm just going to pick a bright color like this, yellow. And now you can see. And then what we wanna do if we select that because there's a cup and we didn't color it at the same time. You can see we need to color both letters, which is why if you are doing scale and color is better off to do them at the same time. So now we're going to double-click. There's two ways that you can get the same color. So what I would do here, you can either, you can click on this word and then you can click Fill and see down here this little hex code. You just press Control and C to copy that. Now you can come over and you can double-click on practice and add it. Again, can't get the piece. So I'm just going to scroll down, click Fill and just paste that code in. There you go. If you wanted to highlight something that's already on the screen, you can just double-click. You can click this little color dropper icon. And then you can go over just highlight. But we don't want that is even though it looks quite cool. So now you can see this is my practice. And it stops the scroll a bit. It looks good. It's scales and it does that. You might even just want to remove practice and edit here. And now it's gonna go, this is my practice and it pops up here. Maybe you take edit out of here. This is my practice. And that's how you do it. Basically, you can go through all you need to do just to recap, select the word that you want to highlight. Maybe homozygous style. We're gonna go just before the word her Mozi, make a cut. We're going to double-click. We're going to select the word home Mozi. We're gonna make that 100. But the problem is it goes on two lines. So it might not work here unless we want it to go into lines. The only other thing we can try and do is if we click here, we can see if we can make this box bigger. Okay, So that kind of works. But it's going to still do something weird. I think. If we go 100, 100, yeah, see, it doesn't really work there because we're going on different lines. We could still do the color though, so we can go home Mozi. And then I've still got the color picked. And then style. And then we select our Mozi and style. So as you saw in the initial example, it was just all in a straight line and just a cheeky little one here. I can double-click on Premiere Pro. And I can use the color picker. And I can go down to this Premiere Pro logo at the bottom of my screen, and I can steal that color. There you go. So let's have a look. This is my practice. And we can probably make Premiere Pro a little bit bigger as well. But we're gonna go on two lines if we do that. So there you go, That's pretty much how you do it. That's the formula. So you can go through and you can design this how you like. Let me know how you get along. Obviously, I want to see your projects at the end. We've still got Add emojis, we still got to add sound effects. So the final thing you can do, I might as well show you in this video quickly because we've done the fancy captions part. Let's just find a line like create better audio. I'm just going to delete this, okay? And now if you want to add captions manually, you can just hit the tax box here. You can create a box which is where your text is going to fit in, or you can just click and just start typing. So what we're gonna do is we're just going to click create like this. And if you have a look, the text has created on its own line. So the text is on its own line here. So in this Essential Graphics panel, we can align and transform on the side. I'm just going to get the texts the same. So Montserrat center align. We're going to align to the middle. And then we're gonna go Montserrat black. There's a few things to note here. So as you can see, these captions are always going to be above everything. So if we added an image to transition to is gonna be below the captions. When you add the tax on its own, it's on its own track. So you can actually cover it up. And that might make a difference depending on what you're doing. So anyway, here's how we do the tax. So let's go Montserrat. Let's go black. That's how the shadow, I think, let's think what we did before. Naught distance dirty and then 15 on the softness, I think the shadow is actually not 100% black, so we want it black and the opacity is on 75, so we want that to 100. Let's just check. Our softness was actually on 50, so we're going to go back to 50. So now we can do it manually. Create better audio. So we've got to cut these manually, right? The reason you want to center align this because it's always going to be in the right position. Create better audio. So I'm going to show you one more little animation that you can do in Premier Pro. So if we want audio to get bigger, what we're gonna do is we're going to go up to effects controls. We're going to press scale. We're going to press this little toggle Animation button. Now what this does, it might sound complicated, but it's really simple. Creates a keyframe at this moment in time. So on the very first frame of this clip, and we're saying be at 100 scale, right? Now we go to the end of the clip. I like to use the left and right arrows. Jet. Let's just make sure that we have nothing overlapping. I like to use the left and right arrows. So we can see, go back. This is the very last frame. And now if we type 110, while that is green, is going to add a little animation. So create better audio, see how it scales up. So basically scale is the size, right? The zoom kind of thing. So you can see at this point it's 100 and then as it gets to 110, it gets bigger. So we could even put 120 if you want a bigger Zoom. And that is how you do a scale animation. We can, we can also rotate. So we could go, we can click Create here and we can go minus to create. And we can go to batter, and we'll go to two. And we'll actually put this on like 120. So we could go. Now we've got a few different animations. We've got rotation, and it gets a bit bigger because I've wrote the first clip is minus two, so it's to the left, two degrees. And it's, and it's on 100 scale. Next one is to the right, two degrees, and it's on one-twenty scale. And the third one, if we just delete, we could have to the left again minus two and just put this on 150. So it really exaggerates it. I think that looks really cool rather than smooth scale. For smooth scale, we might want, Let's just click on the first clip and click Scale up here. And this is actually the footage of me. Now, if we go to the end clip and put one-twenty, it's going to practice at it from you can see how it zooms in on me. Practice at it from if we want it to zoom in, but more to my face than what we can do is we can do the same with the position. So we'll go to the Start will click position. So you add in a keyframe at this point in time, I want it to be in this position. And you can see my eyeline is about here. So we'll go to the very last frame and we'll just move the position down so the eyeline kind of stays in the same place. And that just also adds more engagement. It gives you more engagement. It's moving a bit more. And that's it. So guys, that is it. You don't need to There's nothing more to share about the texts. It's all down to the creativity. If you look, a lot of Alex homozygous stuff is a lot simpler than this, but now you have all the tools. So if you ever see something fancy, you can do it yourself. And if you see something that I haven't already covered, we'll just let me know. So go through do this and then the next video I'm gonna show you where to find emojis and how to add them and things like that. So enjoy, and I'll see you in the next one. 11. Emojis!: All right guys, welcome back. We're finally going to be adding the emojis and the fun stuff. So the first thing to note is that you want to add emojis where they can add something to the scene. You don't necessarily want to be putting too much stuff in there because it can take away from the overall message of the video. So let's talk about a few ways quickly that you can get some emojis. So if you just go to Google and just type royalty free emoji, remember you always want royalty free, so let's just have a look what's available. You can see that you've got joy pixels here. The finest emoji you can use legally. So view our icons and enjoy emoji animations here. And you've got all these by 4041099. And let's go personal use or we can go business. Let's go business use. And let's just take a look. One-in-five employees, $49, okay, So you can buy these, okay, so micro-business, $199. So as you can see, you've got a lot of emojis here. However, I've got another emoji pack which costs a lot less, which I'll leave LinkedIn document, which I got from Envato elements. So Envato Elements costs about 25, 30 years a month. And you can get video templates, presets for Premiere Pro After Effects. And you can just download as much as you like. So as you can see, these cost quite a lot, although they do look very high-quality. But I got mine from Envato elements. I'll leave a link to this very pack and I'll show you how to use it right now. So what I might do on this is my, I might have a finger pointing if we go to essential graphics and I type smiles. So basically, when you install a preset, it, it looks like this. So I drag it in. I dragon smiles. And now with the preset, all of the emojis are going to be here on the side. So I'm going to turn off alien and back hand finger pointing up. I'm going to scale this down to about 15 and I'm going to bring it down to about here. And then I'm going to drag it back. And then let's have a look. This is my practice at it from let's let the animation finish. This is my practice at it from Brian's course. Now what we could do as well is bring in the thumbnail. I've got an idea. I'm going to bring in the thumbnail from this course. So I'm going to drag the thumbnail in. And as you can see that the problem we have here is the thumbnail is behind the captions. So what I might do is I'm going to delete these captions because this already has the title on it. If you do the text manually, you could put the texts layer above the image, but captions are always going to stay on top. So what I can also do here is obviously I want to extend this background. So I've got two ways I can do this. I can duplicate this layer. I'm going to hold Alt and drag down. And by the way, you can just go through and use emojis. But I'm just giving you a new tip just while I'm thinking of it. Now I'm going to go to effects and I'm going to click blur. Then we can go Gaussian blur. And I might just go 50 here. There we go. So we've got like a blurry. Maybe I'll go up to 100, 100, or should we try 50? Which one looks better? Whoops, not 500. That looks cool. So what I can do now, I know I'm throwing a lot at you, but I think I've got a plan and I think you'll appreciate it. There's another extension which is completely free, although you can buy extras called premier composer. I would never bothered doing transitions in Premiere Pro. It takes so much time and keyframing. So I want this to swipe over two, this scene. So I'm gonna go to transitions, camera pan, pan left, and then I'm going to hit it and it's going to automatically put the transitioning. This is my practice at it from Brian's close caption. And I just noticed that I didn't have it long enough, so I'm going to drag it out. Captions in Premier Pro. Okay, now to keep this moving, I'm just going to put a small scale on the image on top. So I'm gonna hit scale. We're going to go across to the end. Go back on to the last frame, and let's scale it up a little bit like this. Now you can see it's got a little bit of movement. And we could probably scale the background down as well. So I'll scale, the background will hit here scale. And then we'll go down a little bit. Okay, we don't want to cut it off. So let's put a keyframe here and let's go to the first keyframe and we'll put it on about 280. So now we get this Captions and we want to make sure these hit the end. Like this. So there's a nice cut right on the end. Okay, so I know that was quite a lot to throw at you, but less recap so you can add images. It doesn't have to be emojis. You can add images wherever you like. So let's just go back to emojis for a second. This is my practice at it from Ryan's course. Captions, Premier Pro. So cut e.g. you might want just an image of it. So if you're using, I wouldn't recommend doing it this way. But if it is just a personal, if it's just a personal project, you could probably go here. Let's type cut. We've got scissors, right? And you can copy and paste any of these images of scissors, you can save it. These are the official kind of emojis, but what I like to use, I've got access to this a long time ago. Png tree, it was really cheap for lifetime access. So you can go here and you can put cuts or you can put even better. Let's go scissors. And you can see here we've got a picture of some scissors. So I'm going to just login course. So this downloads and we just drag it into Premiere Pro. And we can go how to do it. And we can just put cut here. And this will be on its own track and we're making sure it's snapping to the right part. So we can go we can put it here. We can use the position to put it on the side if we want. I think Let's go. You have to then edit. We could go for Let's go back to PNGs at it. We can go for computer, even just like a little laptop like this. Let's just download this and take a look at how it looks. It looks quite colorful and simple. Don't really want anything too complicated. So then we could click here, scale this down, and then we drag this out. And then we go and you're literally just going along adding in little images like this. Now we want headphones for audio. So I'm just gonna go back over to PNG tree. I'm just going to put headphones. I don't want anything too complicated. Anything that's going to look weird, you know, we can try this a little bit colorful. Create better audio. Might even be able to get, if we put audio behind that, firms add emojis. So we'd have to get an emoji in here. So all I can do, I can just press Alt, drag, get my existing emoji pack, and I want to change that back hand finger. See if there's someone laughing or Let's have a look what we've got. Okay, So here we go. I like the sunglasses emoji, so we can go. This is my practice. Edit from Brian's course free homocysteine captions in Premier Pro, where he teaches you how to cut, edit, create better audio ads, emojis, and create those fancy captions that everybody loves, just like this. And then just like this, I'm gonna go, I'm gonna go pop, pop, pop, and we're going to add some pups. So I'm going to go just and we're gonna go Nike and then like and we're gonna go 90 on all of them. Just like And then we're gonna go this. Then I might have the finger pointing up again. And then we'll drag this finger up again a bit. And there we go. Just like this. Let me know if you liked this editing editing style. And then obviously drop a comment below. We want the finger pointing down. I'm going to just hold Alt to duplicate this, drag it across. And I'm going to put a finger pointing down below. And I'll keep that comment below all the way till the end. And we can bring it down. So there you go. You saw how quick I did that. Let's just have a quick look. This is my practice at it from Ryan's cause, Mozi style captions in Premier Pro. He teaches you how to edit audio, ads, emojis, and create those fancy captions that everybody loves. Just like this. Let me know if you liked this edit and editing style of comment below. Okay, so obviously I could keep going with it, but I think you get the point for now. So go through, pick some stylish emojis if you want that emoji pack that I use with the presets, you can just click the link and document that will take you straight to that page. Obviously there's a PNG tree. If you just want the PNGs, they're not quite emojis, but It's quite good. Otherwise, I think you pretty much because of the licensing, somebody has to design them a little bit different and then most of them are up for sale. But you might be able to find yourself some free emojis or just make sure they're royalty free if you're, if you're selling them. But if not, I've linked to that preset back. To install the preset pack is really easy. You come over to here you go, Add, and then you literally, you literally just add the, you find the folder and then you click the thing. Then you search for it. You click the file, and then you can just drag this in every time, duplicate it and change it. And I think this one was Yeah, it's on the you got it with the subscription to Envato elements. So you can keep using a vital elements after that for whatever you want as well. So yeah, I think that's a good option, but obviously, do your research. And oh, I forgot to add premier composer. This transition is a really simple plug-in that you can add up here, you combine multiple packs for it, you install it, and then you can just add packs, saves you loads of time with transitions and things like that. I would never dream of trying to create this in Premier Pro. There's just no need learn it on your own. How to create that with all the blur and the shake, it's just going to take you forever. It's not worth it. So I'll leave a link to premier composer in the document as well. See you in the next one. 12. Sound Effects & Finalisation: Alright guys were over to the final piece of the puzzle. Now the bit that brings it all together, the bit that makes this super sexy and that is adding some sound effects. When you add sound effects, you're going to realize that is the bit that's been missing. So we're going to drag up our timeline here. We're going to drag the top of the timeline up and we're gonna make room for our sound effects here. So I'm going to show you a couple of my favorite sort of sound effects and where to add them. I like pops, clicks, cuts, things like that. So let's have a look where we can add them. Again. You don't need to smash them everywhere, but it does make it more engaging. So this is my practice edit. So we can have two pups here on practice at it. So I'm gonna go over to my favorite website for sound effects, sound stripe. And like I said before, you get royalty-free music and sound effects with Sound Stripe. And it's all royalty-free. You can't get a copyright strike, and there's just loads of it. You'll never run out. So let's go up to sound effects and I'm going to try pop again. If you need free stuff, you can probably go on Google and just search royalty free sound effects. But let's have a look. I love that pop. Okay, let's download that pop. Let's drag it in. Now we're working with the bottom timeline, okay, So I want to cut this down. So we're only working with this one that will pop. There's a few variations of the pops. And now we're gonna go to, this is my practice and we're going to drag the pop so we cut it down. So it just happens just after practice, crafted like that. And then we're going to hold Alt to duplicate it and we get this. This is my practice, edit from Ryan's coarse grid. And you can hear there's already a wash from the preset. Usually I'll turn sound effects down little bit, but I think it really adds to these. So let's, let's go through and see what else we can add. This is my practice at it from Ryan's course, create homocysteine captions in Premier Pro where he teaches you how to cut. I think I'm going to put cut on its own line. So I'm just going to have how to, and then we're going to have, we're going to drag the scissors over. We're going to have cut on its own. I'm going to make it like one-twenty. Let's go about here. And then with the emoji, with the image, I'm going to go up to effects controls and scale this up a bit as well. I might stick it behind like that. So that's a cut. And I might search for a cut in here. Oops. So in Sound Stripe, let's go cut. That's a heavy cut. I think that's quite cool Actually, we'll try. It might be a bit heavy. I've never heard scissors make this noise, but we're going for impact. So let's try again. So you how to cut edit. It's a little bit, I would rather something like snip. If we put this when Lascaux Audio Gain, let's go minus five. And then edit. Let's go for keyboard. Let's go back keyboard. Okay, I like that little keyboard. Then for better audio, we can go boom. Once again, I've typed it over the word. So let's go boom. We can add a cinematic boom in there. Okay, and then let's just get the pops back in. Just like this. Just like this. This is my practice at it from Brian's course, create homocysteine captions in Premier Pro, where he teaches you how to edit, create better audio ads, emojis, and create those fancy captions that everybody loves. Just like this. Let me know if you liked this edit and you liked this editing style, drop a comment below. Alright, so that is how you add sound effects. Obviously, I've made this quite a, I've made it quite a slow paced delivery. A lot of b. I love the better reals or shear quite fast and frantic, but I wanted something you can work along with. For the end card, I'm gonna be lazy and I'm just going to hold Shift, duplicate our, duplicate our screen across here. And I'm going to drag this out. And now here's the final version. This is my practice edit from Ryan's course free homocysteine captions in Premier Pro, where he teaches you how to edit, create better audio, add emojis, and create those fancy captions that everybody loves. Just like this. Let me know if you liked this edit and new like this editing style. Drop a comment below. Now we have it guys. If you follow this through, I hope you've enjoyed the course. You can get creative with this and make it as fast, as slow as you like. It didn't know Premiere Pro before. Hopefully this is a bit more about Premiere Pro. Let me know what you find valuable, what you want more help with, and make sure if you've made a project to drop it around this course wherever you can. Also, please leave a review if you think this course was helpful, it's really going to help me out and helped me create better things without you guys, I can't create this stuff. I'll need your feedback, so please post your projects. Thanks for watching, and I'll see you in the next one. 13. Render!: Alright guys, so finally what we need to do is to render. So I actually forgot to put this part in. So I'm just set up a new quick project just to give you an example of how to render. So imagine this is a real here. We're just going to go up to File Export Media. And then we should get these Render settings. It'll usually have the right set. And so something you want to make sure it's selected here is entire source. Because if source IN and OUT is selected, it's only going to render what is between the in and out points, which I don t think we covered in the course. So make sure entire source is selected here. And as for the preset, if you want a lower file size, you can go for medium or low bit rate. So you're going to just change the name. So I'm gonna go like real final, something like that. Then it will put dot mp4. We're going to click location. Final course videos is going to go in there. And then that should be it. If you've got Media Encoder, you can send it to Media Encoder. But really we're just going to hit Export here. And it's going to export. And that's pretty much it. Now you should go into that folder and you'll have your reel in there. So guys, I hope this helps. Thanks and I'll see you in the next one. 14. Thank You! What Next?: You guys Hope you are good. Thanks for taking the course. I hope you learned a lot and I hope you made some amazing reals. So I just wanted to say thank you. First of all, please, if you find this course valuable, leave a review where you can. Secondly, make sure to join the group which is linked in the document to this course. There's a community of over 1,000 video editors, freelancers in there where you can share your projects and get feedback from the community as well. Finally, if you are a freelancer or a video editor and you want to learn more about freelancing. You add zinc and clients. Please check out my other courses. I create courses just like this, step-by-step, no BS to get you straight to where you need to be in the fastest time possible. And of course, if you've got any comments or feedback or you'd like an update from me on anything, anything in the course that you think or how do you do this? Just drop a comment or getting the group leave a comment in there and make sure to post your projects as well. And that's it. Thanks very much. And I'll see you in the next one. 15. Quickly Add Jump Cuts in Premiere Pro: All right guys, I just stumbled across a really cool technique that's going to save you tons of time. So basically, we'll watch this video now and you'll notice there's jumped zooms that are jumping in and out. I'm going to show you how you can do this really quickly. So check this out. No, you want to work online but you don't know wave fit. I'm going to help you see what options are available and how to find out where you belong. First of all, you're gonna be selling a product for someone else or Sandler project fee. Alright, so I think you get the point. So what I'm gonna do is just to demonstrate this. So what I'm gonna do is I'm just going to duplicate the sequence and just call this example. I'm going to drag the, the footage in. Now what I wanna do is I want to get the composition right first on the main video. So maybe I'm going to zoom in a little bit. And we're going to go across and just get me in the top third. I think it's good to not have that black bar there. Actually, I want my eyes in the middle, so be careful. I don't want it cropping off on the side. So I'm going to go across to about here. Now. I'm gonna do my regular, just fix the audio quickly. Let's just go suddenly an example, but we'll go about here then color correct. And remember, we want to make sure that we do all this. We want the whole video, the same explosion of stuff. This is why we need to do it first. So it might not be perfect, but let's just say this. Okay? So now what I'm gonna do is I'm just going to make a few cuts. Okay guys, so I've just kept five clips and just to show you the example. And it's really stupidly easy. We've got the composition right here. Now what we wanna do is we can do little jump cuts. So let's just say e.g. I want to do a little jump cut here. I can click on this track and I can go to 125 and just turn it uptown and we're going and then I could do it here again, 125 and then we got. So as you can see, this method if you're doing it for the whole thing is going to take long time, especially if you've got loads of cuts. Also, you want to make sure that the eyeline is the same when you zoom in. So what I do typically as just I can take a, I could take my text tool here. I can just do a little dots. I'm just gonna do a little dot like this. And you can see my eyeline is here. Now if we zoom in to one-thirty on another track, you can see the eyeline moves. So we would have to move this down because we want the jump to be on the line. Are you more of a creative? The thing is, this means if we want to, we could put scale one-thirty, but now we need to adjust the position on everyone. So here is a better way to do it. So lesson do this. Let's put a dot back for the eyeline. Now what we're gonna do is we're gonna go over to see the effects channel and we're going to apply transform to this clip. So we're gonna go from scale is at 100, so we're gonna go 115. And you can see the Islands moved. Now we can bring the position down. First of all, are you more of a creative person or are you more? We can delete our graphic and now all we have to do is copy and paste our transform property. Click Copy, and then click on every other one. First of all, are you more of a creative person or are you more of a logic person? There's a few components when it comes to working online, but generally, you're gonna be selling a product for someone else or center project for yourself. So there you go. That's how you have eyeline level accurate jump cuts quickly. In Premiere Pro. 16. Script, Shoot & Edit 5 Reels in 2 Hours: Hi guys. So I'm just in the middle of scripting, shooting, editing five reels. And I just want to show you a new method that I think is going to save you a ton of time. So let's just get straight into it. So first of all, I've got all my reels written out in a Google document. I write them down line by line as an I cut as much fat off them as possible, right? So this is the great thing that makes them reals has taught me, is because you've only got 90 s. I have to really get to the point. And I feel like it actually makes you a better copywriter. So, so far the method, I write one line at a time like this. I'm not really concerned about I'm not really concerned about this looking nice on the document because it's line-by-line fact by fact. And what I do is I put a copy and paste this Google document to the parrot podcast or which I'll show you what that is now. This podcast is basically like a little teleprompter holder. And I copy and paste the document to the app, and I put this on the front of my camera. So now line-by-line where reading through and just so you know the settings as well in case you do get this, actually, they're pretty close here. What I use is I have the font on 25, which is basically about the same as one of these lines. And then I have to scroll on ten. Now what I do is what you can even do to make this even easier is say, real one, reel to like this, right? So that's on the camera. Cameras all set up. Now I've gone through and just in one take of Goneril one reel to, and I've made this video, okay, so as you can see here, this is my video. I start out by Putin, the I put the whole thing and this is the original file. This is the original video file, so this is all of it. So what I do is in my first sequence, I drag it in, I rotate it the right way. I make it look good, sound good, blah, blah, blah. Then I do the first cut. Then what I do after I've done the first cut, I'm I know I'm backpedaling a little bit because I'm showing you it now. Because I just thought I need to show my goals this. So when I've done my first cup, What's going to happen is this last curve is going to be like this. So let's just have a listen to when I end, the real shouldn't. I'm making money online. So it ends here. So what I do is I make a cut here, and this is the really important bit. I make a cut. Now, I go to this sequence. I press control C to copy, control V to paste. Now, in the first one, I delete the second part and it ends where it's supposed to end in the second one, I delete everything before. Now. I'm starting from the next part of the next reel and I click on here and I change the name of the real. So real to go in viral won't make you read. So going viral won't make you rich, right? So going viral won't make you rich. Then what I'll do is I'll go through, I'll cut, cut, cut, cut, cut, cut, cut. And when the next real stats, I do the same thing. And then I copy the sequence, paste it, delete from this one, go into the next one, and just keep going. So just to give you another quick example, if we look here, right, we'll listen, listen to this real all the way through and look at the timeline. Going viral won't make you rich. Going viral is great if it's for the Rocky, let's just skip to the end, but at least you grow in the right audience. So are you trying to make money from your content followed for more content creation tips. Alright, so that's the cup. Now let's listen to the start of the next one. Here's how to make five grand a month in your first six months as a freelancer. Okay. So how to make five grand a month and your first six months a freelancer. So this is the going viral won't make you rich sequence which is here. So Copy and Paste. Now we've got two of the same sequence, but the second one, I'm going to change to five K a month as a freelancer. Right now I double-click on five K month as a freelancer, I delete the first cut and we go back and we start cutting again. And then I can cut off my going viral won't make you rich. The reason I don't cut it now is because if we copy and paste it now, we need to open this up and cut it again. So then we go into five K month. Here's how to make fire, and we just start cutting this one. Then when we get to the end, we start cutting again. So just to recap, write your reels in a document. You can, even if you're using a smartphone, you can use a smartphone teleprompter app. Usually you can set your smartphone on a selfie. Just paste the document in there. But I use this. Font size is 25, scroll speed is ten, and then record in one sitting. Drag that into Premiere Pro, fix the first one, the audio, the lighting, everything, get the get the visuals and audio rights. Then when you go to make, when you've made your first cut, copy and paste the sequence which already has the, the audio and everything done. And then delete the delete the extra on the first one, rename it and start cutting again, cut the end, and just do that until all your reels are cut up. Now you have a project with five separate reels that you can go and edit. And also when you're editing later on, you can copy and paste text. You can copy and paste animations from one to the other. So you're all working within one nice project files. So let me know if you found this helpful. I hope you enjoyed it and I'll see you in the next video. 17. After Effects Mini Lesson!: All right guys, welcome back. So we you should be pretty much done now, which is great news. But I just wanted to give you an extra little bonus lesson on After Effects, just to show you a couple more things you can do. So obviously, when we get to the end here, you want your end card in right now. So don't hesitate. Join the course and I'll see you inside. Okay, So what we could do is we could type in here and we could say, join the course. And we can make this like Montserrat again. Black. Oh, by the way, probably a bit. Let's say this, but if you don't have Montserrat, you can download it for free from the internet. So I'm just doing a rough thing here. So I'll see you inside. So yeah, you could put your join the course. You could maybe get a picture in there. But you can see this could look a little bit better. So I'm going to show you a trick. So you could open After Effects and create a new composition and then render it or drag it in. But what you can actually do here is you can just right-click on any thing in the footage and just go replace with After Effects composition. When we right-click is going to load a path for effects, it's going to ask us to save. So I'm going to put whole nosy, nosy a, let's just put this, by the way, this is in After Effects is included in the Adobe suite. So if you have the Adobe suite, you have After Effects, Premier Pro Light room, everything. If you don't have that, well, I'll leave a link around the video so that you can get it. If you're gonna be working on editing much. You definitely want the Adobe suite, my screen record and limitations. Okay, so now we're in After Effects and anything we change in here will change in Premier Pro. So obviously I can't give you a full-blown After Effects lesson. I've got full course on After Effects of cough, quite a lot of courses on it. But just think just for a bit of extra value, I suppose. So we're in After Effects, looks a lot like Premiere Pro. The difference is, well, first of all, it's going to make you a composition here. So let's just delete that. That bar. You don't need that, you don't need this. Join the course. It's already creating a composition. So what we can do now, the reason I love After Effects, if we click Text here and we can say like create, scroll, create, Mozi style, reals. Okay, So the great thing about After Effects is you can drag around, you can drag this text around. You can animate it. And it's a lot easier to animate. So I'm going to show you a basic animation now, so similar to how we did it in After Effects and Premier Pro, we're gonna go across say, 15 frames, press S on the layer to bring up the scale keyframe. You can see down here, we can hit scale, we can scroll back and we can hit zero. And now we've created two keyframes here. It's gonna be at zero. Here, it's going to be at 100. And then we'll go to the end of the composition. I'm just going to make it 110. So we'll get this flying title effect. If also, if we press, you can see, if we zoom in, roll up with the mouse. You can see this anchor point is it's scaling from that point. So what you can do is press Y and then hold Control. Double-click the Pan Behind it, puts that anchor point in the middle. Then you can align this to the middle, this texts. And then you can have boom, create homozygous style reals. Okay, So little bit complicated. I know if you want full-blown After Effects courses, I do have a lot of them. We can change the color just like this. But there's a couple of ways that you can animate texts. And After Effects will show you another one. Go down here. Enroll today. And I'm going to hit a line and just click central line Control, double-click the Pan Behind button. And now, any animations that happen, if I press H, yep, my hand button, any animations that happen happened from where this point is. Alright, so what I'm gonna do now we're going to change the color to white. And as you can see, aftereffects bits, layers on top of each other, not like Premiere Pro, which puts them across. So what we can do actually here is we can go to effects and presets and we can type tracking. And click decrease tracking. And now we've got this sort of animation. I'm going to press U, U, which is going to open keyframes and show me the keyframes. Now, this is going to just blow your mind, but again, this is just extra value. You can literally just design something in Premiere Pro or do some simple animations. But if you can keep up while you're going to learn a bit more about After Effects. So if we hit this graph editor, you can see that the animation speeds up and then slows down and it doesn't start until here. Well, if we move these handles, first of all, let's start it here at the star. Now if we drag the handle to the right, we got a different animation. Because this is the speed. So there's two things going on here. At 0.00 frames, we are at this 40 amount of tracking and then less CO2. And then at 60, 80 frames, we have zero tracking. And after effects just fills in the gaps between. That's how keyframes work in animation. Alright, now, this is the speed of the keyframes. If I select them both and I click Control and just click, I've made them linear so the speed doesn't change. So if we look on the graph is a straight line. This is just speed units per second. The t is just speed. So look, see how the animation just goes in a straight line. Whereas if you think if something slows down, it usually starts fast and slow us down. So what we do is we drag this handle across and we get this animation because it's coming in faster and slowing down. So now look, we have these two kinds of animations. So I'm gonna go to fit. Then what we can also do as well after effects lets you make shapes. So I'm going to just show you quickly how to make a call button so we can hit this rectangle tool at the top. And then we can go to fill. And I'm just going to choose a nice purple like this. Anywhere on the screen. We can just draw a square. And now we've got a purple square. And you can imagine putting this behind enroll today. And you've got a but we can make it a little bit better. So I'm going to press Y and I'm going to drag the anchor points in the middle. If I hold Control, less me snap it to the middle. Look, if it's not in the middle and I press scale, gets bigger and smaller from there. If it's in the middle and I press scale, it gets bigger and smaller from there. Alright, so now if I click on the button, press V, and I'm just going to drop down the layer. And the contents and the rectangle and the rectangle path and the roundness. And if I put that to like 50, you can see I get a round button. But it looks like there's a stroke which I don't want. So I'm gonna put stroke down to zero. So I get around the button. I can always go all the way up to 100 for the roundness. So now you can see I've got this sort of button. Maybe I want, I think I want the whole Mozi style Rios to be bigger. Because let's go one for C and we'll make it go up to 150. So we go like this. So I wanna give you the most value here. So let's just remove the decreased tracking. We're just going to delete that, put Tracking Account amount zero. And I'm going to make this a button that pops up. So first of all, I'll just show you how to make the button look cooler. So what we can do is we can duplicate this button. We can make the bottom layer just a little bit darker, dragging the brightness down. Now, we can put, this is totally unnecessary, but it's a nice little effect. We can click the square rectangle tool on the top one. And click tool creates mask. And now when we cut out half, you can see it gives the button. We've got, we're cutting off half the top color and the bottom ones bit darker. So you can see the button has a kind of gradient. So what we can then do is if we click on the mask, drop that down at 22, the feather. Look at that. It almost looks like a real gradient there, like a real button. So. Now what we can do is we can right-click and hold our layers now enroll today. And we'll click pre-compose, and we'll call this button. Then we'll click Adjust composition, the span of the layers. Okay, so it's selecting everything as the composition for this button. So what we wanna do is click this little guy down here. And it's just going to bring the composition to the button. The button size. I know this is gonna be quite confusing, but if you can follow along, great, f naught, plenty more colors and aftereffects. Dirt cheap. So now I've got the anchor point on the button. I can actually scale the whole button up and down. I actually like it about this size. But I'm going to show you a plugin. Let's go for AT. But I'm going to show you a plugin called animation composer, which is the same as Premier composer, but you have some more animations. So I click motion presets to d transitions and then scale. And there's some preset animations for a nice bumps. So from anchor point x, y, then if we drag this out, come on. Let's see two at a time. At least. Then we can just press N. We select this one. Maybe we drag it out a bit. There we go. Now we have the button. We can also add motion blur by clicking this button to the whole Mozi style reels. And we can also key frame, adjust the keyframes so that it flies in a bit faster and slows down like this. We go look at that. We could add a little bit of glitter. So I can go to animation composer to the special effects transitions or shape elements. They've got glitter on here so we can go fix duration, click, Add. And now we'll just go to 1 s. Drag this down. Obviously that's way too big. So we're gonna go for like 15. So you could add your finger down emoji here, I'll show you just one more thing you can do if you want to get a cool background, go to story blocks. You can go with the story blocks and you can just look at backgrounds. And this should be the same for like so many. This evenness looks cool already. So you can just download a background, drag it in. Already looks super set. Then if you think the maybe this isn't really standing out with the background. So you could either add the drop shadow like this and you add some softness to it. Maybe some opacity. You, I'd let you basically just adding a little bit of black around it. If we switch it on and off, off, look at reals here on. So just helps that pop through. So you could do that. There's not three 0s in Rails. Or you can go to layer new solid, black solid, slot it. Just above these go in order upwards. So the top one is on top of everything else. And then you can go to t and then put 25% maybe for opacity. You can play around with this opacity. So you could have 100% or you can just darken it a bit. She just want kinda 20 per cent there. There you go. Now if we save this, and then we go to Premier Pro. My needle that will render. So I'm going to press I and then 0 and then sequence render. Out. There you go, join the course and I'll see you inside. Now. I'm going to just show you one more little tip. So like I said, again, you can, the goal of this is to get you to all the work you've already done. If you're at this point, then great. So one more little tip. Let's just, well, I'll just make anything in After Effects. So let's go to New composition test. This is going to blow your mind if you use After Effects. So I can say I just want amazing title like this. And I want this to just put a preset animation. By the way, you can get preset text animations for after effects. With this plugin. This stuff doesn't happen in Premier Pro. But we can get like let's say we do this. We've got this preset animation here. Okay? And let's just add our background. So I've created a completely new composition, right? Completely new composition. I'm going to trim this down to like 3 s. If I just press control and save now. And this composition is called test. I can just drag test into Premiere Pro, into footage here. And then I can just drag test on top of anything. You can just completely import After Effects compositions straight onto the Premier Pro timeline on the facts and much more. You can work through it step-by-step with you. Obviously, this doesn't make sense. But how amazing is that? So the reason people like After Effects is obviously you've got, it's just easier to design an animate and make things bounce and flying. Because you have this graph editor and you can do, you can do so much with this is crazy. So obviously, like I said, I've got loads of other After Effects courses. Maybe I'll leave a link just to, I'll leave a link to the best one around this video, but hope you've enjoyed, That's how you design an end card and there's a little bonus After Effects training for you. If you found this valuable or you know, anyone who, who this training could help them please share. And also let me know your feedback on the course. So thanks very much for watching and I'll see you in the next one. 18. Descript Fancy Captions Tutorial: If you want to make fancy captions like this for your video in just a few minutes, then keep watching this video. All right guys, I'm going to give you the quickest and easiest tutorial on how to use D scripts so that you can make these fancy captions. So I've gone over two d squared. Now you're going to make a new project. So just hit New Project. And I'm just going to call this D script test. I'm going to show you the best features of D script without all the other fluff because I don't think there's a solid tutorial out there. So I'm just gonna go over to some practice footage that I've got for my course and I'm going to drag it in. And D script is going to transcribe this automatically. The transcriber is really good and it's desert quite fast. As you can see, my video is being transcribed. Now I really want to just break this up into the lines that I want appear on the screen. The first thing I want to do is I want to cut out all this crap where I'm not at the computer, so I'm just going to click at the start of the timeline and drag it across. You can also close the gaps between words by dragging these across and they snap to each other quite nicely. So it's easy to get rid of all the gaps. Let's take a quick look. Short, sweet and to the point. So hey guys and welcome to the course. Really excited to have you here. So next, I want my video to fit the right resolution. So you can see here is currently landscape, but I might want to change this to portrait or vertical. So as you can see, if I click this little button at the top video settings, I can go portrait and it fills this frame. There'll be difficult to expand this to portrait, but you get the idea, then I can click square and now it fits in a square. So for the sake of this video, let's just put it in a square and you can see it helps you snap it together. Obviously the video isn't color graded, graded or anything. So now we're going to put the captions in. So let's just scroll back to the start of the timeline. Pretty similar to any other edits and software. You've got this bar at the bottom that scores you left and right and holding control and down and up on the mouse. So let me zoom in and out. It's now press Enter. Hey guys, and welcome to the course. Really excited to have you here. I think. See that gap between, I think I can just drag that here. I think you're going. So now I want to break this up into a few lines. I'll just do a few just to show you quickly. By the way, if you want to edit a word, click on the word and press E, then just make the correction and then press correct. It'll make more sense when I put the captions in. So let's just break this up into four lines present antidepressant Enter. So now I'm going to select my loans here and I'm going to press Control and k. Then I'm going to go to Insert fancy captions. So I've got this. Hey guys and welcome to the course. Really excited to have you here. I think you're going to love this course. I like keeping courses short, sweet, and to the point. There you go. So obviously the captions aren't doing anything at the moment, but we can change that. You can go you can click the captions box and you can select captions down on this blue line in the timeline. This is the fancy captions bar. So when you select this, selects the fancy captions. If you want to drag them across more of your script, you can do that as well. And you can even just record audio with your voice and select fancy captions, put them in as well. So it is really quite useful. So we can change the size of the fancy captions where I want them to be and we can drag them in. And let's just say, I want them to be here in my footage at the bottom. And now what we're gonna do is actually activate the fancy captions. So when I click on fancy captions, there's a few things we want. We need fill to be selected. So it fills with the fill color. Then we want word level animation on. Sometimes these settings won't be on. So let's have a look. Active work color is the color of the word that is currently active. Future word color. We want that transparent because we don't want to see the future word and then playhead color, you can have that whatever you want. So now if we go back, let's have a look. Hey guys, and welcome to the course. Really excited to have you here. I think you're going to love this course. I like keeping courses short, sweet and to the point. And there you go. That's how you add your fancy captions. You might want to add some extra footage in-between. So I'll just give you an example of how to actually bring some footage in or maybe cut some footage. So the shortcuts are B. If you want to press B and get a blade, you can make cuts. And then a goes back to your selection tool. And then you can delete like that. If you want to drag footage in, less just grab a random piece of footage. So I'm going to grab this video here. I'm going to drag it into the timeline. You can see that it is above the fancy captions. But if I right-click and click, Move layer down. Now it's going below and we can just adjust by grabbing the corners, just like we did with the video. Welcome to the course. Really excited to have you here. We could even just drag this so that it starts here. Hey guys and welcome to the course. Really excited to have you here. I think you're going to love this course. And there we go. I think that's the quickest, simplest way to get to grips with D script. I do love it. It's good for getting those captions don't really quickly. You can do it from just voice-over and the captions look really cool. But the only problem is so far as there's just no button to rotate. If you if this text is if this video sorry, is in filmed in vertical but it's sideways, I just can't see a button to rotate. And I've looked and I've Googled, there's nothing yet, but if you do want to add these fancy captions really quick to your video, hit the link in description, grabbed the scripts, you can get free trial. I think it will export on the free trial with a little watermark, but the actual full software's about $15 a month in the US and UK. So really cheap, really good way to get your videos pop in on social media. 19. Live Reel Edit Timelapse: I edited or homocysteine real life. It took just over an hour to make, and it got over 6,000 views and 130 likes on Instagram in 2 h. And that's with an audience of only 400 people. I recorded the entire thing and I've made it into a nice little time-lapse for you to watch for your viewing pleasure. Hopefully you can pick up a triple to from the video first, I'm going to just show you the final real and then we'll get into the time-lapse. Hope you enjoy. Here's three tips to help you manage your time better as a freelancer entrepreneur. Number one, keep the things that cannot change in the calendar. So e.g. for me, I keep my meetings and I keep my jujitsu schedule in the calendar. Those classes don't change the meeting times don't change. Bonus tips make the really important things like meetings red so they stand out on the calendar. Tip number two is to write the most important thing that you have to do tomorrow down the night before I write MIT my most important task, and I leave it on a notepad by my computer. This way when I wake up, I have one focus. If I get that done, I'm going to have a great day. Bonus tip. Use little checkboxes for your other tasks because checking things off gives you momentum throughout the day. And tip number three, don't over-complicate it. If you're just a freelancer or you've got a handful of clients, you probably don't need complicated apps, project management apps, apps on your phone. Keep it all in one place. I like a notepad and a calendar. Keep it simple until it requires those bigger apps. Let me know if this video was helpful or how you manage your time as a freelancer entrepreneur, drop a comment below. No. They're all there. They're all right. Right. 20. Amazing Titles Final Course Video: If you want to make amazing titles for your videos like this, then this is how you do it. Alright guys. So what we wanna do is we want to make a cup of our first clip, our intro, where we're going to say the title. So in this, so in my example is going to be, if you want to make amazing titles for your videos like this, then this is how you do it. Then we're just going to take a cut here and we're going to delete this. I actually need to change the sequence settings so that this is in a real format. So I'm just going to go to 1801080 by 1920. Hit, okay? And then obviously I need to scale this up so that it fits. Let's go to 180 just to make sure. And I might just move it right a little bit because I'm not quite in the middle. So now what we do is right-click the first clip go to replace with After Effects composition. Now we're going to choose a place to save the composition. So I'm gonna go to my courses because this is part of my course and we'll just save this as amazing tiles. And boom, I wish in hindsight that I shot this a little bit definitely because there's not really much going on in the background and my t-shirt doesn't make it pop out either. But there we go. Now we need to design the title. So I'm going to show you how to get some inspiration. So I like to go over to Instagram. I'm fine, some of the best creators. So one which I like a lot is Travis Brown. So if we have a look, Travis has got a lot of these great sort of title. So let's just click and have a look. So you can see he's got the title, but there's no animation on it. So we can just go one step further with this. And we can make a title that actually animates in. Now we'll go into After Effects. We can go up to the rectangle and we can make a shape. Let's just make this one. I'm going to keep it orange. This is the orange I'm using for my brand. And then we can just align this shape. And we'll just focus on the design first. So I'm gonna go, I can go amazing titles. And now if you click the two, if you click the text and the layer and then go align selection, you can actually align these up so together. So what we might want to do is make titles as big as amazing. And then we'll drag this down a little bit. And I think it looks quite good to have them the same size so they kind of fit in a box. We'll go paragraph and well aligned to the left. And we can change one of the colors so we could go white like this. I actually don't think this orange is a great choice here for the background. So what I might do is change the text color to orange and then the background color to black. Because I think it's going to stand out more. There we go. Now if we want to adjust the rectangle without destroying the corners, if we actually scale like this, you can see it's going to make the corners a bit weird. So we're gonna go down to rectangle path. We're going to click Size and unclick the link here. And I think we need an exclamation mark here as well. Then we can just click on the title. And we can just scale this down a little bit. And we can bring this up a little bit. Now all we need to do is hold Shift, select our text and our layer and pre-compose. And we're going to call this amazing titles or title weren't wherever you want to call it. Now you can see if we press any, if we rotate or any, make any changes, is all changing from this little point in the middle. That's the anchor point. So what we're gonna do is press Y and we want to click that anchor point and drag it down. And actually if you hold Control, you can, it will give you a line to keep it in the middle. You can also click this little button to collapse everything down so that your composition then moves to just being in this box. And now all you need to do is animate. The way I like to do it is I go to Premiere composer or animation composer, which will be either in the description or linked around this video, around this course. And we'll go to Motion presets. Now, if you haven't got this, hit the link and go over to animation composer, you might need to buy the 2D and 3D transitions. I really like to use the 3D transitions, position, rotate, and scale. And you can see we get all these different preset animations. And we can just press button in and just apply yes, converts a 3D layer. And now we're going to get this animation. That's not the one I wanted. Let's go back. Usually animation composer is going to make them 3D for you. But if not, click into your composition, make sure these 3D boxes are clipped. If we add the motion blur, turn on the motion blur. And then we can also go to browse and we can put out and we can add the animation. So bonus tip, if you want to add, you can add some shape elements as well. So we're gonna go to 2D special effects. And we can just click, Add, and add some electric on here. There's tons of these in animation composer. So we can go put this over it. Now, if we want to go a step further, we can add some shape elements, so we can add some arrows. So I'm gonna go for rotating this 45 degrees. We're going to scale it down to 25. And then we can duplicate this arrow, rotate it to 90 degrees, note 125 degrees. Yep. And then we'll move this across to the right. And now we can make both of these arrows read. I think that would look quiet scroll stopping. And we could probably both, we could probably make both of these a bit bigger as well. Now this is going to serve as the thumbnail for the video. So let's have a look. And we don't want to go in we don't want them going over the title. So I'm just going to move them a little bit. I might also change the color of the red. Make this a little bit bolder. And we can also animate, we can also animate the arrows out. So let's just go tee, select both, click T keyframe, the opacity. And as they go up to their final resting place, we're just bring the opacity all the way down. So now we've got this. Might even have them going out a bit quicker. So let's just move these opacity keyframes back. And that's it. If we go back into Premiere Pro, you can see that this composition has taken over and we've got this. If you want to make amazing titles for your videos like this, then this is how you do it. If you want to make amazing titles for your videos like this, then this is how you do it. I go, so I'm just going to quickly show you how if you're uploading your video to Instagram with these titles, you can actually use these thumbnails. So I'm going to render this video out just a short clip. I'm not actually going to upload it as the real. I might even mess with the design. I might even make a short. I'm going to make a short and a real from this lesson, I think. But let's just export this as real demo because I want to show you how to use the thumbnail. So I want to show you how you can add the thumbnail to your video. So to show you from the computer, I'm gonna go over to this app called incest. So this just lets me upload Instagram Reels from the computer's really good. I recommend it if you do this a lot. But I'm going to show you what I mean. And basically, if you're uploading from your phone is gonna be exactly the same. So what I'm gonna do is I'm gonna go to click and I'm going to add a reel. And then we're going to just select the real, I love this app. It just makes it really easy to upload from your computer. But there is one downside to it, which I'll show you now. So let's just get our real demo and click Open. And now this is going to upload and look, it's automatically got the amazing titles. This isn't me looking at my best. This is not even the best background or anything. I wish I prepared a bit more, but I wanted to make this video so change covers. So now you can see we can change the cover. So we've made the thumbnail with making the video, you can even go to frame and you can pick the exact frame. So we could just go, I want that little bit of lightning on there. Now, if we click, if we go back and then we go also share to feed, you can see that it's gonna share it to the feed. The only thing you can't do on here, which you can do on your phone is you can click crop profile image and you can move this up. So amazing, titles is in the middle. So I just wanted to give you that extra bit to show you why we're doing this and also what you can do. One more thing if you want to go a step further. Suppose you want to create a design, but it doesn't quite fit in the video. So you just want to create a design in Premiere Pro and then use that as a thumbnail. Then all you do is you can find the frame, find the frame that you want. So let's go here. And then you just click this little camera icon. And let's just select the folder and then just press Okay. Now in that folder, you can see we've got the still image and you can just upload this as your thumbnail. So that's everything goes. Enjoy and I'll see you in the next one.