Bready or Not: Drawing a Kawaii Toaster with Toast in Procreate

1. Introduction: Hello, everyone. I'm Yuni, and in this class, we again draw this cute Kawhi illustration of an adorable toaster in procreate. During this class, you'll get familiar with a lot of useful features like quick Shape two, Gaussian blur, clipping masks, and blending mode, and learn the basics of drawing in procreate. By the end, you'll not only draw an adorable illustration you'll be proud of, but also feel super confident using procreate. And now let's spend some time drawing. 2. Toaster Sketch: Begin by deciding what kind of canvas we are going to be using. Today we're using a standard square canvas from Procrite with pixel weed and Pixel heights at the 2048 pixels. Our DPI are at 300 and color profile is at a SRGB with this loan number. When it's all done, let's hit done. Let's get to our Nick Canvas, and firstly, let's go under the project and to stop and download all the materials mentioned for this class. When you did it, let's begin working on our sketch. Firstly, let's go to our color palette that we downloaded. We'll go on the color palette right here and the cards on the top to see the colors names, and let's pick some darkish color that will be suitable for this sketch. For example, dark blue. With this color selected, let's go to our brush library. We'll go to the sketching folder and you can pick any brush from here that is working for you for the sketching parts. For example, six B Pencil. When we are done with it, let's do one more thing, so it will be easier for us to create our sketch. We'll go to the ring icon over the top left. We'll go on the Canvas and we will toggle drawing guide. We'll be using these cells that we have right here and when we have the cells created onto our canvas, let's begin working on some basic shapes that we will create for our illustration. Firstly, let's go and create a little box. We will define the shape and the size by going to the cells that we have right here, for example, let's go and create a line going down in that way. When we have it, we will go to the opposite side and we will find the same placement right here and it is very convenient for us to have the cells so we can go and count the amount of cells that we need to use right here. For example, creating something in that way, and then we will go toward the bottom. Again, we will go and create the line that will be horizontal right here and it will be positioned on the same level that we have for the lines that we have outside. When we have the result like that, let's go and work a little bit more on it and turn it into a tosser. Firstly, going toward the right, and we will need to have a bit of the volume right here. So let's go and count to, for example, the same distance that we have outside to the volume part right here for our toaster. Now, when we have the results like that, let's create a bit of a perspective right here, and we will go towards this little intersection that we've created, and we will go a bit higher and create a line going to the right first like that until we do the same onto the opposite side. Let's position it on the same level, so we are creating another line going in that way. Now when we have the result like that, we don't need it to be perfect or anything. We are mapping out what part going to be creating. And if we need to adjust something, we can grab our eraser and erase the lines that we don't need. For example, let's select our round brush for the eraser and go toward these lines that we have on the bottom, and we will get rid of them. Now, when we have the result like that, let's elongate the lines slightly so we will have more space for our illustration and we will go over the left side first and we will create another line that will go towards the middle part right here. Again, with our line, we are creating something in that way. Parallel to what we have on our bottom part, but maybe a little bit more open right here. If you need to create it in a messy way, you are welcome to create as many lines as you need right here. When we have the results like that, let's go toward the opposite side and create something similar here too. Again, creating a line that will be quite parallel to what we have right here once at the bottom, maybe a little bit less open or a ittle bit more open. It's up to you. We can fix everything later on if we need to. When we have the result like that, let's go towards the back part and we will create the lines here too. Very easily creating something in that way. Now when we have the box like that, let's turn it into a more cute shape. What we're going to be doing is going towards the sides firstly, and we will turn them into the rounded parts right here instead of these various straight lines. So let's go firstly toward this part and we will create a curve right here, and we will go to the bottom and we will soften this corner on the bottom too. Let's create a couple of lines right here and create something in that way. You can grab the eraser and erase everything that you don't need so you are not confused later on. Now, let's go to where this landed we have right here. And again, we will turn it into a slightly curved element right here. So creating something on in that way with a couple of lines, creating something like that. And when we have it, we will go to the opposite side and create something similar here too. Trying to create a very soft curve, and we are connecting it with the bottom part here too and trying to create something like that. So when we have the result like that, let's go to where the top and we will create a little peculiar detail right here. So firstly, let's go slightly lower than the middle part right here, the line that we have right here and create another parallel line to what we have on the top. When we have it, let's turn these areas that we have on the sides inside the ears. So we will go with half of the circles or half of the ellipses and create something on in that way. And, of course, we are connecting it with our lines that we have on the sides. So let's try to make it in a nice way and create something on in that way. Again, if you want to erase some parts, erase the lines that you don't need, grab your eraser, and erase everything that you don't need. Let's go through all of these lines that we have right here and get rid of all the lines that we don't need. Now when we have the result like that, let's continue by going toward the back part right here and we will continue creating this rounded sheet. Then we will go towards the bottom part and let's finish up with creating the overall shape of our toser by adding some cute little legs right here. Let's go slightly from the edge that we have right here from the side and we will create a little leg like that. Then we'll go toward this intersection on the bottom and create another little leg right here. Can go a little bit bigger with the shape onto this side. Now when we have it, we will go toward the opposite side and we will again step a bit from the edge, and we will create another little lack right here. If you need to adjust something, go and adjust it. If you want to go with different shape for the lags, you are, of course, welcome to go and do that. I will soften up this corner right here to create a rounder sheep and then we will go and continue edging the details. So firstly, let's go inside the shape that we have right here, and we will go slightly from the edges that we have right here and we will repeat the shape. So we will have some kind of the shep that will be in depth. So let's go and very easily recreate these elements the same way as we have them outside. So going with our lines, again, we don't need everything to be perfect. We are mapping out what we have to create right here. So let's go very easily and create something going in that way. Now, as for the bottom, let's add a bit of thickness here too, so we will create another line right here, so creating something parallel to the line that we have on the bottom. And again, to make the depth effect right here, we will go toward the left side and we will add a bit of the volume right here too by repeating the line right here and moving it a little bit more towards the right. Now when we have the results like that, we also can connect it right here with a little curve, and when we have it, let's go and work on this part. As we are creating a toe serve, let's go and create this little Thingi that is moving the toes down. Let's go toward the middle part and we will first go and create two parallel curves to what we have on the outside part. We are creating something like that, and we are creating parallel lines right here on the bottom and on the top too. If you want to add some interest, you are welcome to create maybe some little ears right here or any other design elements. When you are done with the overall shape, let's create a little handle right here. So for the handle, let's first go slightly higher and create, again, a parallel line to what we have on the bottom and on the top, and then we will move this line slightly toward the outside part and then we'll create a rounded shape like that. Now when we have it, we will need to go toward the opposite side and we will need to recreate the same thing right here, and that way we will have a little protrudon little thinger right here, a little handle. If you want to erase this part to see clearly what you did, you are welcome to go and erase it. When you have it, let's get back to our brush, and we will go toward the middle part and we will again create another parallel curve to what we have on the side. Now, when we have the result like that, let's go towards the middle part, and let's finish up with our toaster by adding some little facial vitros. Firstly, we will go toward the middle and we will create a cross like that that will be parallel. Line wise to the sides part that we have right here. Creating the langon in that way that will be quite parle. Mine is not very parallel, creating it one more time. When we have it, let's go toward the middle part, and from the middle, we will go to the side and we will create the ice like that. So creating half of the circles on both sides, creating them in that way. If you want to add some details in the shape of the little eyelashes or something, you are welcome to go and do that. If you want to add little eyebrows on the top, again, go and do what you need to do right here. When you are done, let's work on at the mouth. So we will go to this line that we've created for our bottom part with the eyes, and let's go and create firstly the kitty mouth like that. The part on the right will be slightly bigger than the part on the left because we have some kind of the perspective, a very tiny perspective right here. And then we'll go on the bottom and create an open mouth like that. When we have it, let's also go and figure out where we want to position the checks. So for example, let's go with big shapes for the checks and create them in that way. So map out the placement for these elements, and when we are done with this toaster, let's go and work on our toast. 3. Toast Sketch: Firstly, for the toast, let's go toward the right part. Firstly, we will step a bit from this line that we have right here and we will create another parallel line on top. Now, when we have it, we will make a little rounded shape right here. So we are creating this little container where you are putting a little toast. And when you have it, we will go toward the opposite side and we will do something similar here. So if you need to define this line a little bit more onto the side, define it, and then let's step a bit from the edge that we've created, and we will create another parallel line right here. And then one more underneath to add some thickness. You will need to go with the thickness that you have right here onto the left side too. Now when we have the result like that, let's work on our toast. Firstly, going towards this inner part and we will go with two lines going in that way. When we have the first line like that, let's go toward the opposite side and let's create something similar here. Stepping a bit from this shape of the ear that we've created and creating a little line going up in that way. To work on the thickness, let's go and add a bit of line right here on the side too and creating it in a parallel way to what we have on the opposite side. When we have the result like that, let's go towards the right part firstly, and we will create another little line that will be parallel to what we have right here onto the bottom. If you want, we also can go right here onto the top and create another guiding line that will help us to build up the top part. It's not necessary, but it will help us a little bit. When we have it, that's the base for our toast and we will go and work onto the top part right now. What we need to do is to go to the sides that we have right here, and we will start to create the rounded shape that will be parallel to one another on this part. So when we have the result like that, let's go towards the last corner that we have right here and create another little line like that. Now when we have the result like that, let's go and continue working onto the top part. Firstly, we will go and again, create another parallel line to what we have on the bottom. We will position it in a center, and then we will connect it with the lines that we have on the side. You can go and turn this line that you've created into a little curve and then connect it with the opposite side here too. Try to make these band shapes quite similar to one another on those sides. When you have the result like that, let's go and add some volume to this part. Firstly, we will go toward this line that we have onto our right and we will go a little bit closer to the edge that we have right here onto the left. So find the center of this band right here and go a little bit to the left and we will go and create a curve going like that. Now when we have this curve, we will go toward the opposite side. We will go and find the center of this rounded shap, and we will need to create a line, again, that will be parallel to this line that we have right here. Let's go and create the Langon like that, and when we have it, we will need to repeat the shape that we have right here. So let's go and try to do that. Connected with the sheet that you have on your right, try to make it rounded, try to make it nice. Take a look at everything from the distance if you want to maybe work a little bit more on side the oral sheep, you are welcome to go and do that. Erase all the lines that you don't need. Take a look at everything from the distance, decide whether you like it or not, whether you want to go and maybe adjust parts, go and do what you need to do. Let's grab our eraser and let's erase every line that we don't need. So all the guiding lines and all the building up lines that we don't need. Very carefully go like that and starting to erase everything that we don't need. Now when we have the result like that, let's get back to our brush, and let's go again to our tot here, and we again will work once our facial features. So let's go again and create the line in the center, the little cross that will be parallel to the lines that we have on the bottom end on the side. And when we have this cross, let's go and create the facial features. For example, this time, let's go and start with a little mouth. We will create the shape of the heart like that. And when we have the shape of the heart, we will go towards the side and we will create little dots for the eyes. You can play around with the position of these elements and with their sides, try to make them similar size wise to one another and try to make the distance between the mouth and the eyes even on both sides. If you need to create something else, for example, little eyebrows, you are welcome to go and do that. And when we are done with it, let's also go underneath the eyes and we will create the cheeks. Now when we have the result like that, let's take a look at everything. Let's also go and get rid of these cells that we have right here by going to our AEO key on the top left. We go again under Canvas and we will toggle drawing guide right here. Now, take a look at everything, decide whether you want to go and maybe adjust some parts, and let's go and adjust it by going along the lines and maybe adjusting some parts. We also can go and make sure that we are right at the center with our illustration. What we need to do is to go to our Aoki on the top plat and we will go under Union for method. We also will go under snapping and turn on snapping into the settings, and then we will get back to our canvas. We will hold our Apple pencil and we will be looking for these two orange lines. One vertical and one horizontal. When you found these two lines, you will know that you're right at the center, and when you are right at the center, let's go away from this mod by tapping again on our Aoki. And now we have this sketch. So if you want to maybe add some details in the shape of the sparkles or something, go outside the shapes and add a couple of details right here that later on you will recreate to finish up with our illustration. For example, let's go with something like that. Let's add a couple of little sparkles, little dots and everything, and we will finish up by creating a little shadow on the bottom. For this shadow, let's go to the lex right here and we will continue creating the line that will go through the shape of the lex. So we are again creating a parallel, little line right here. As for the bottom part, let's go a little bit higher than the leg right here, and we will again create another parallel line. Now, when we have it, we will continue creating the shape by creating a little curve going in that way. And now when we have the result like that, again, decide whether you want to adjust some parts if you are okay with everything. Let's move on to our next part. We we'll create the clean lines. 4. Clean Lines: Swing ta are clean lines firstly by going to our layers, and we'll go to the icon ta this layer and adjust the opacity. We are grabbing our slider with opacity and we are moving toward the left until we like how it looks until we can see what's happening here, but when it's not that bright. When we are done with it, let's tap ta the layer, and let's create one more layer on. Now let's go again to our brush library and you download the brush that you can find in the project and rush stuff. This is the brush with the title Double MonanTiker brush, and we will set the size of it to 25%, and we will use the same color that we used for our sketch. We will start recreating what we have for our toaster front part and we will use this brush. What we're going to be doing is going towards the bottom first and we will create a line going like that. Can see we're creating two lines at the same time we are quite lazy. We don't want to go and recreate the details a couple of times. Again, you can hold your line at the end. You can go to the editing mode over the top and you can adjust it. If you need to you can move it. You can maybe find a different rotation all this line. When you found the line that works for you, let's tap on the screen and you can see while working with this brush, we have the ends of the line right here. It's a little bit inconvenient, but it will be easier for us to go and continue creating the lines on a separate layer, later on, we can erase these connections very easily. Let's get back to our list. We'll create one more layer on top and we will go toward the rest of the lines and we will continue recreating them. So again, will need to pay attention to the connections that we are creating with the previous line and with everything that we are creating right here. Again, we can go to the Editing two on the top. We can go and work with our little elements right here, with our little connection we can go towards the note right here and play with them too, so you can go and maybe adjust the curvature slightly. You don't need to recreate everything with 100% of similarity to what you have inside your sketch. If you want to adjust something slightly or if you want to maybe do something else right here, experiment a little bit, you are welcome to go and do that too. For now, let's keep this line in that way and let's continue by going to the opposite side and recreating the line right here too. You can rotate your canvas very easily, and it will be easier for you to recreate these lines because the flow of the hands is a little bit going in one so you can go and again, adjust everything with the editing tool. You also will need to pay attention to the sites right here and to the curvature that you are creating. Of course, you will need to pay attention to the shape that you have onto the bottom and on the top, if you have something weird happening like I have right now, it's okay. We can go and try out one more time. Maybe it will work better next time. Let's connect it with our previous shape, trying to make nice connections, trying to make this curve pretty similar to what we have on the bottom. And while looking right now onto this curve, we probably will need to go and add a bit of the volume right here onto the bottom, a little bit more rounded shape. When we have something like that, when we are satisfied with the shape, let's tap on the screen, and let's again go toward our layers. We can go either to the new layer or we can continue not by creating the ears right here, but we can create this little part that we have right here in the middle and we can do it on this layer. What we need to do is to again create a little line like that, hold it, try to make it parallel to everything that we have right here onto our layers. And when we have the result like that, now we will need to go and create one more layer on top to finish up with our ears. Let's go again the same way as before, and we will create nice connections between the ships. Again, if you need to go to the 18 tool, you are welcome to go and do that. Try to avoid creating weird connections because later on, you will have more work to do. Go and recreate everything nicely and try to create nice connections between the parts. When you are done with this task, let's tap on the screen, and let's start getting rid of all of these joint parts. So what we're going to be doing? We will be going toward our layers, and we will be going toward the icon of the layers that we've created, and we will be adjusting the opacie. That way, you will know what you need to go and erase. So when you reduce the opacity, let's get back to a and we will go to all of these additional elements that we don't need and we will go and very easily get rid of them. Again, we are trying to make nice connections. We are trying to remain the same line weight to every line that we have right here. If you need to go with your eraser and erase the parts that you don't need, you will go and erase the parts that you don't need to create the lines that will look nice. So now let's go and erase every little detail that we don't need and when we did it onto this layer, let's go back to our layers. We will again get back our full opacity and we will go to our next layer. We will again reduce the opacity right here, and again, we will do the same thing. We will go alone these additional details that we don't need. We will go with our eraser and erase them. When we are done with this layer, let's get back again to our layers, Let's get back our full opacity and let's go to our last layer where we have these connections, reducing the opacity, going to these little parts that we need to get rid of and getting rid of them, going toward the opposite side when we already erasing these parts here too. Now when we are done with it, one more time, go into our list and getting back our full opacity, taking a look at everything, whether we need to adjust some parts or not. If everything looks fine, let's get back to our list and we will merge these three layers together where we have our lines. We will put one of our fingers on the layer on the top and another on the layer on the bottom. Make sure that you are connecting and merging only the layers where you have the lines without the layer with your sketch. Making a pinch movement like that when you are ready, make sure that you have everything on one. And on one layer. And when you have the results like that, let's get back to our new brush that we will work on the other elements right here. We are not going to be using this double manline thicker brush. We will get back to the calligraphy folder until we choose moon line brush. Also can go and adjust it slightly so our lines look smoother. We can tap onto the brush, we can go inside the brush studio. On the left, we can go under stabilization and play with the amount of streamline and amount of stabilization. You can send the settings the same way as you see them right now onto your screen or you can play with these options. You can try it out onto a draw pad. If it feels good for you, you are welcome to it down or play around and find what feels good. When we are done, let's continue by selecting the size of the brush of 4%, so it will be similar to the size that we use right here on the front. Let's continue by going and recreating other elements. Firstly, let's go and maybe deal with the tosert here. We will again go toward the top. We will create the lines the same way as we have them onto our sketch or if you want to experiment, go and experiment, of course. Let's continue by going toward the bottom part, trying to make a parallel line right here on this side, and then we will need to create another little thickness line right here too. Now when we have it, let's go and continue by recreating the line right here. Going like that and creating a straight line, you can hold your line in the end to make it straight. If you want straightaway, we can go and work on the toes right here, creating a straight line like that and to make sure that you are creating a super straight line. We can hold our line first and then use one of our fingers and put it onto our screen. That way you will create a straightly looking vertical line or if you're creating a horizontal line, that will work. So now when we have the result like that, if you have some gaps into your lines, we will need to go and add the color right here so we don't need to have any gaps into our clean lines because later on, it will be a little bit hard for us to add the colors if we have the gaps. Now when we have it, let's go and continue recreating the lines right here. We will go toward this little part right here, create a line that will be the continuation of this line right here, and then we will create a little hook onto the right. Connect it with the line nicely. So again, trying to make a nice connection if you need to go to the editing go and use the editing mode. And when we have it, let's go and work on these little parts. Again, creating a straight line going down, holding one of our fingers onto the screen, and creating another straight line right here on the other side. Again, if you need to add something into the gap right here, the color right here, go and do that. When we have the result like that, let's go and recreate the part that we have ta right. We can go right here toward this line and create it in that way, then we can go and connect it nicely with the little shape right here, creating a lingon like that. Again, try not to make any gaps into your lines, try to make everything super nice and super smooth. If you want to maybe try out to create a little curf red here, you are welcome to go and do that and then create a continuation red here. So you can see that creating the straight lines is not a super linear thing right here. We can go back and forth to some of the elements and maybe recreate some of them if we take a look at them from the distance and maybe we don't like some of them. For example, I probably would want to go and adjust this little line onto the top, but I will think about it a little bit more. When we have the result like that on the bottom, let's continue by going toward this little part, let's try not to make it too curvy, so we can go and create something going like that, maybe a little bit rounder but not too rounded. When we have the result like that, let's go and create the parallel curve to what we have on the left, and we will create something going in that way. Again, you can hold your line and the ends, try to make a nice connection with the overall shape that you have the previous line, erase everything with your eraser if you need to, and when we have the results like that, let's continue by recreating this little line that we have in the back. So again, trying to create a very rounded shape. If we need to work onto the weight of the lens, we will go with our eraser and we will adjust everything that we need to adjust. Now, when we have the result like that, let's take a look at everything that we have right here and let's work ons this thickness part that we have inside the cat's face. So we will go a little bit higher than this last line that we have right here and create another parallel line. So creating something in that way, going quite to the edge right here, but not to the edge, we will have a little gap right here that we will connect with our previous line. So trying to create a rounded shape right here, too. When we have it, we will go toward the opposite side and we will try to recreate the same curve that we have right here once at the top. So again, hold your line at the end, maybe you will need to have a couple of attempts into mastering this line. When you are done with it, let's tap on the screen. Let's go and connect it nicely with the top by creating something similar to what we've created on the bottom right. Again, trying to create a nice curve right here. When we have it, let's take a look at it. If you see that some lines need your attention, you are welcome to go to your eraser, go and erase every little part that you don't need. When we have the result like that, we have the thickness for our parts and when we have it, let's go toward this little handle fingi and we will recreate it. Let's go again with two lines like that. We will try to create them in a parallel way to what we have outside. So let's go and create it in that way. Trying out one more time. If it's snap into a straight line, you can try to lift up your Apple pencil and you can try to go right here at the 18 mode. You might be lucky and you might have the option arc right here, so you can go and use it. If you don't have this option, you are welcome to try to create this curve one more time. When we have the result like that, let's go toward this little line and create a parallel curve to what we have outside. Again, we will try our lock by going to the Editing tool and we will use the option arc. If we have it, if we don't have it, we will go and recreate the line one more time manually. Now when we have this curve, let's go tap on the screen to accept the changes, and let's go and recreate this little part that we have on the bottom. If we have some extra elements go with our erasa and erasing everything that we don't need and do the same on the top. Let's go and create a line that will go in that way. We can try to achieve the same line that we have right here, so we don't need to recreate it one more time. So we can a little bit cheat or something and create something in that way. When we have the result like that, when this line is parallel to the top one, let's go and recreate this handle thing. Again, we are starting by recreating this thing right here. Let's create a rounder ship. Let's go and create a line that will go a little bit outside the ship. Again, if we need to try it out one more time, we will go and do that slightly outside and then creating the similar thing that we have right here. Try to make this line parallel to the first one. If you have some elements that you need to erase and you will probably have some elements that you need to erase, let's go and erase them. Go on like that, trying to make the lines very nice and very smooth and we are trying to make nice connections. If we overdid it, we will grab a brush and we will add to the part that we erase. Let's go with our eraser to this middle part and we will try to nicely erase this line that we don't need. Now when we have the handle done, let's get back to a brush, and let's create this line right here in the middle. Again, if we need a couple of attempts, we will go and do what we need to do right here. Try lack to have the arc option on the top. If we have it, we will use it. If we don't have it, we will not use it. We will go and do it manually one more time. Let's go toward the top and maybe recreate these little ears if you feel like it. When you are done with it, let's go and recreate the leg. So we will finish up with our toaster. So let's go like that and create the little leg right here. We're stepping a bit from the side, and we are going toward this part and recreating it too. Try to position the legs on one level and try not to create them in a weird way. For example, let's go with something like that, and let's finish up by creating this leg that we have right here on our left. Now when we have the result like that, let's go toward the top and let's deal with our toos. Firstly, we will go toward this line that we have right here, and we will try to make this line parallel to what we have on the bottom. So again, starting to create a straight line, holding it in the end. If we have some extra lines or gaps, we will go and work on them with our brush and with our eraser. Get rid of everything that you don't need and add to the parts that you overdid a little bit. When you are done with it, let's go and start recreating the top part of our toast. So firstly, let's go toward the outside part and let's recreate this thing right here, holding line and the end, creating a very rounded chip. If we need to adjust the curvature of it, we are going to our editing tool on the top and starting to recreate this thing. One more time, you don't need to recreate everything with 100% of similarity. If you want to adjust something, go and adjust it. Try a different things if you want to. When you are done with the first thing right here for the ban, go and create a parallel curve to what you have on the right parts. So try try to match it with the thing that you have right here. And when you are done with it when it looks nice, let's go and tap on the screen and let's finish up the shape on the top. We are creating a line in that way. Again, trying to make a smooth line, trying to make a nice connection so we don't need to work on it with our eraser. When we have the thing like that, let's go and continue working on the band onto the opposite side. What we need to do is to position this little shape, the band that we have right here on the same level that we have on right. You can go and mentally make a line like that and probably we will need to start a little bit lower than right now we have the end of the line. Let's go and erase the part that we don't need. And then we will go from this little dot that we've created, and we will try to create a similar shape to what we have outside. So again, holding our line and the end, trying to go to our eating mode to adjust the overall shape if we need to. So we will probably need to go and create something slightly longer on the top, and we will need to match it with the previous size. So let's go and create something like that. When we have the result like that, let's tap on the screen and let's continue by going and recreating the line that we have right here in the middle. Again, you don't need to recreate it with one line. You can go partially and create it in that way. Try to make nice connections, try to have smooth line, and when you have it, go toward the gap that you have right here and recreate it here too. Now, when we have the line like that, take a look at it from the distance or on the contrary, close up and create the things that you need to adjust right here. So go and erase the parts or work on the parts that you need to add to this part. When you are done, let's go and finish up with this part. So go onto the top, starting to figure out where the center is and starting to create a line going to the opposite side like that. When we have it, we will need to kind of remain the thickness that we have right here. So if you want, we can go slightly more toward the inside part right here and create the similar line to what we have right here. So let's first try to create the line right here, and we will need to nicely connect it with our shape, and we will need to not go toward this intersection that we have right here where we have two lines. We will need to go a little bit lower or a little bit higher than this thing, so we are not creating the tension between the lines right here and the viewpoint right here. Let's try to create this perl curve firstly like that and we will connect it with our first line, and then we will go and try to create a line going toward this little part. If we feel that maybe we can go a little bit lower, we will try to go and do that. You can see we can experiment a little bit even when we are creating the straight lines. For example, let's go like that and we will get rid of this extra line that we don't need. Now take a look at everything and decide whether you want to adjust something, make sure that you don't have any gaps into your lines and when you are done with it, let's go and work on the artificial features. We will use the same brush, the same color for now and we will go and firstly, with the same size of the brush, we will go and recreate our little eyebrows. Let's go again to all of these little parts where we have our eyebrows and let's recreate them on both of our elements. So going like that, recreating our ships, if you want to play around with them, you are welcome to choose any shape that you prefer. When you are down with it with the same size of the brush, let's go toward this mouth that we have right here and let's recreate it here too. So we can hold our lines. We can go to the 18 tool if we need to adjust something. Again, trying to make the mouth a little bit in the perspective. So our ship on the left will be slightly smaller than the ship on the right, but not too much smaller. When we have it, let's go toward the bottom part and create this open shape like that. Honda line at the end, adjust it if you need to go to the 18 mode, make it more open or less open, make it rounder, make it more elliptical, it's up to you. Take a look at it from the distance, decide whether you like the position, the overall position of it. For example, you can go and maybe position it a little bit more straight on the vertical axis. When we have the result like that, you also can move it, for example. When you add down with it, let's tap on the screen, and let's go and recreate the rest of the details. So firstly, let's go toward the size slider and let's adjust the thickness of the line. So for example, 9% we will use for these eyes that we have on the bottom. Let's go and recreate the elements that we have right here. So with one line, again, holding it in the end, we will go and recreate it on both sides, trying to match the things on both sides. So if you see that you overdid it a little bit, if you went a little bit beyond the size that you have on the opposite side, you're welcome to go and adjust it through your editing mode. When we have the result like that, let's go and add our little eyelashes right here. So very easily with one line like that, let's go and create these little details. Now when we have the result like that on at the top, let's go towards the top top part and we will recreate the ice right here. So you can either go with a bigger size of the brush and put the dots like that. You can try out a couple of times. Maybe this size is a little bit too small. We can go and try it out a couple of times to find what we are looking for. So for example, this ice looks fine. We can go with even bigger size of the brush, and we will go and recreate the mouth that we have right here. So probably the size of 40, 45% will work perfectly right here. And what we need to do is to create a V shape like that and hold it at the end. When we have it, we can go to this option on the top. We can use either a triangle or an arc option. Decide on your own whether you want to the rounded shape onto the bottom or more triangular shape. You can adjust the curvature of it. You can adjust the size of it. If you need to, you can adjust the openness of it. It's up to you. You can go full crazy right here. It's again up to you. Hold your Apple pencil and move the shape more toward the center when you are satisfied with the overall shape. Take a look at it from the distance to decide whether you like it or not. If you are satisfied with everything, tap on the screen to accept the changes. And let's go and take a look at everything without our lines of the sketch. We are going back to our last and we are hiding our layer by tapping onto this checkmark onto our previous layer. Now, take a look at everything. If you are satisfied with your lines, make sure that everything is closed and you don't have any gaps into your lines. When it is done, let's move on to our next part where we'll add our colors. 5. Base Colors: Begin our coloring part firstly by going to the background color layer and we will go to our color palette that you downloaded. We will go and select the background color from here. Now, when we've changed the color of our background, let's get back to our layers and we'll go to this layer where we have all of our lines, we tap onto this layer and we will use the option reference. Now, when we have this option turned on, we will go on the layer on the bottom and we will create a new layer from here. Now, when we have this new layer, we will add the color onto this layer using the lines that we have on the separate layer. That's how reference works. We will go back to our color palette, and let's start by selecting the toaster base color. With this color, we will go and recolor these elements onto the right. We can go and use the continued elements onto the top, the option right here, or we can go and manually recolor everything like that. Let's go and add the color to all of these little details. And when we have the result like that, let's tap onto the check mark if you use the continue filling option, and we will go and select another color. Goo ward our color palette and we will use the color with inner shadow, and we will add this inner shadow color right here toward the inside parts. Now when we are done with it, let's get back to our layers and we will create one more layer on top. Onto this layer, we will get back to our color palette, and we will select this tosser front color. We will recolor these thing that we have for our front part. So we also will need to go toward this little part right here and add the color right here too. To make sure that you've recolored everything, we have quite similar colors to what we have to our background. So we can go to our list and see clearly what we are doing. We can go and hide a background color layer to see whether we've recolored everything that we need. If everything is recolord, let's get back our background color layer, and let's create one more layer on top. Onto this layer, we will go again to our color palette and we will select the face front color. Let's add the color right here to this little part. Also you can add it toward the little mouth right here, and we will recolor the front part of the toast too. Now when we have the result like that, let's again, go back to our layers. Let's create one more layer. We will change the color to crust. And with this color, we will go and recolor the crust right here. So let's go like that and recolor these elements, and then we will go and recolor this little handle part here too. So let's go like that, recolor everything that we have. So either use the continued filling option or manually add the color. And we also with this color recolor these little legs that we have on the bottom. Now when the result like that we have when we have the result like that, let's go toward our layers and let's go and turn off reference right here from our layer. Let's tap on the layer with our lines and use the option reference from the last to turn it off. Then we also can go toward this layer where we have our basic shape for the front. We will create one more layer here and we will use the color with the title pinks and we will recolor manually what we have inside the mouth. With a smaller size of the brush, you can go and recolor this little thing right here. Now when we have the result like that, we also straightaway can go and add the checks. If you need to see where you've put them onto your sketch, you can get back to your layers, grab your layer with the sketch and hold it and drag it above everything that you have and hide it, you will see what you have right here. Let's get back to this layer where we have our little tank element. We'll create one more layer on the top of it and with the same color that we are using right now with the bigger size of the brush, let's go and put the dots for our cheeks. Right here to the toaster, let's go like that and put very big little checks right here. And when we have it, we are trying to put them on one. So if you need, again, a couple of atoms, you are welcome to go and have as many atoms as you need. And for the toast, we will go with slightly smaller size for our checks, and we will go and put the dots here too. When we have the result like that, let's get back to our layers. Let's hide our layer with this sketch and let's go to this layer where we have the checks where we've put them. We'll tap onto the N icon, and we'll reduce the opacity slightly, so it will be very nicely looking checks right here. When we have the result like that, let's tap onto this layer to close it and let's go and add some details. Firstly, we will go towards this layer where we have these little elements, the front parts. We'll create one more layer on top. We will tap onto this layer and we will use the option clipping mask. That will be able to stay inside the sheep. Now, changing the color to crust one more time, and with the bigger size of the brush, we will go toward the edges that we have right here and we will be adding the additional little details right here, very easily. Let's go toward these parts and let's add a bit of the crust right here. We are just repeating the lines that we have for our lines, and we are going along all of these elements and starting to create these additional elements. Very easily and very quickly, let's go and do that. When you are done with the bottom part, let's go toward the top part where we have the actual toast, and we will do the same thing here. Going toward the edges and starting to add this crust element right here too. Do the same way as before, work with your brush, work with your eraser, if you need to adjust something, go along the edge and create these additional elements. When we are done with it, let's get back to brush. Let's adjust the size over to something small, and let's go and add a few details towards the inside part of the toast and also to the little part that we have right here on our toasters. You can go with some dots. So we occur in some kind of bubbles right here. You can go and make them bigger. You can make them small. It's up to you. Go toward this little part here and add some texture elements onto the front part of our toaster, too. So try not to overdo it when you are done with this task. Let's go and work Ota the shadows. 6. Shadows & Highlights: For the shadows, firstly, let's get back to our layers, and let's go and work on our shadow right here onto the toast. We will create one more layer on top of this layer that we were on. We will tap onto this lay and we will use the option clipping mask. Now, tap onto the icon on this layer and let's adjust the blending mode to multiply. Let's set the opacity to something around 50%, and by using the same color, we will go toward the bottom part where we have our toast and we will go and create a little shadow right here. You can go and repeat the shape that you have for this front part of the toaster and create a nice little shadow like that. When we have the result like that, let's continue with our shadows, but we will go and do it on a separate list. We are continuing adding shadows on our toast. Let's get back to our list and create one more layer on top. We will tap on it and use the option clipping mask. Now, go toward our color palette and we will use the toast shadow color right here. With the bigger size of the brush, we will go towards the edge right here. We are not on the layer where we need to be, so we will need to go to the layers one more time, and we'll grab this layer that we've created and we will actually need to put it toward this little element that we have. So it's very easy. We have this layer selected. We have it. We will grab it and drag it above the layer that we have for the toast, and one more time, we'll tap on it and use the option clipping mask. Now, with a bigger size of the brush, let's go towards this side, and let's recolor the whole area that we have right here on the right. As for the top part, let's change the size of the brush slightly, and we will go toward the top, and we will create a peculiar little shadow like that. Continue ding the shadow to the bottom, so go on like that and manual adding the shadow to this part. Try to avoid creating some dots or something like that. And when we have the results like that, we also need to go toward this part and add the shadow here too. Let's start by creating some peculiar little shadow like that and continue edging it right here towards the middle part. If you want, you can go and make a nicer connection right here. So also right here too. When we have the result like that, let's go and work a little bit onto this part by reducing some opacity. What we're going to be doing is going into our erasa and we will set the medium blend brush from the air brush and folder to our erasa. When we did it, we will set the opacity over to something around 25% or so with the bigger size of the brush. We will go towards the top right here and very, very softly, we will start to erase some of the apased here. If the 25% of opacity is too much, you can go even lower with the value to create a nicer reducing opatert here too. We also can go toward the bottom part and reduce a bit of opacity here and a bit of apace it here onto the top to create a nice transition between the colors. Now when we have it, we also can go right here to this part and adjust the opacity here too. So we're creating a very smooth transition between the colors, and when we have the result like that, let's again get back to our brush and do the same with the handle that we have right here. Firstly, let's go with the bigger size of the brush. Let's create the shadow gone, for example, like that. And we also will go toward the bottom part of our handle and create a shadow go in that. Don't need a shadow right here, so we can erase it with the normal eraser that we used before, or for now, you can go with the eraser that you picked right now. It is our medium blend brush. We can go and reduce the opacity and make nice transition between the colors, and then we can erase everything that we don't need later on with a normal brush for our eraser. Start to create a nice transition between the colors. Let's go toward this little part and create something in that way too. Let's go and try to reduce some opacity of this element and make a nice transition between the shadow and the light part. Now when we have the result like that, let's get back to our normal eraser. So I was using the round brush from the painting for our eraser. Let's go and erase the part that we don't need right here for this little handle. And when we have the result like that, let's get back to our brush. And let's go and add a bit of a shadow right here toward the legs closer to the shape that we have for our overall shape of the toaster. Again, if you want to erase some of the parts right here, some of the shadows, you are welcome to go and do that or you can use the smudge brush here too. It will work perfectly. Again, to create some kind of the very soft transition between the colors. You decide whether you want to use the smudge two or the eraser. When we have the results like that, let's continue by going towards the toaster and add a bit of shadows here. Firstly, let's go and find the layer where we have the toaster. So we'll go toward this part. We will create one more layer on top, top on the leer, and use the option clipping mask. Going towards the color palettes and using the color with the title toaster shadow. And with this toaster shadow color, we will go with a smaller size of the brush toward the right part of our toaster, and we'll go and create a nicely looking shadow right here. So let's go and create something like that. When we have it, we will go and make the closed shep going toward the bottom like that. Again, creating the shep and then we will drag and drop the color inside it when the sp is closed right here onto the bottom. If you want to adjust it in any way with your brush or with your eraser, you are welcome to go and do that. Also, we can go toward the bottom part again with either our medium blend brush for our eraser or with the smash tool and adjust the opacity on the bottom slightly. So very, very softly erase the parts on the bottom, so we will have some of the reflection from the ground right here. And when we have the result like that, let's continue by going to the front part right here and create a new layer on top of it. Tap onta the layer, use the option clipping mask, use the same brush that we used before. And let's go toward this part and we will add a bit of the shadow here to add some volume to everything that we have. Now, when we have the result like that, we also can go toward this little part and add a bit of shadow right here. If you have something that you need to erase, go use your eraser and adjust the parts that you don't need. Accidentally erase these parts, so I will try to create it one more time. When we have it, we will go and work on the bottom part right here. So we will need to find where we have these additional elements. We have it on the previous layer. So let's go to the layer that we used for the shadow for the main shape of the toaster. And let's go right here toward this part and add a bit of a shadow right here too. Now when we have the result like that, let's go and add some highlights. For the highlights, firstly, we will go toward our lays and we will go above all the layers that we have right here. Let's create one more lay here. Let's go towards our color palettes and let's first use the face front color. We also will get back to the lay that we've created and we will change the blending mode to overlay. Now when this is done, toward our toaster. Let's go and add a few little dots, a few little additional elements right here. When we are done with the inside part, we will go with the smaller size of the brush towards the outside parts toward the left first, and we will go and start to add some highlights here. So we are using the dots. We are using a bit of the like lines right here. So we are going along everything that we have right here like that and starting to add the highlights toward this little part. We also will go toward the top right here. We'll add a bit of the highlight right here on the top, going toward the opposite side, adding a bit of highlights here. You can go with simple shapes with dots with something gone. In that way, also can go and add some sparkles. You can go with even smaller size of the brush and go to some random places and add a bit of the sparkles here too. Now let's get back to our toaster. So for example, let's continue by adding a bit of the highlight right here onto the top. Let's go toward this little part at a bit of a highlight. When we have it, we will go towards this side and we will add a highlight here too. Now, when we have this, let's go toward the toast and let's add the highlight here too. So going again towards the left side and we are starting to add a bit of the halt right here. Going along the whole side right here, you can use all the options that we used before, so you can hold your line. You can create it in that way. You can go toward the top and add a bit of the highlights here too. Repeat the shape, add a few of these details, and everything will look very, very smooth and very, very nice. For example, we can go right here and add a bit of a highlight here too. When we have it, we again can go and add some sparkles. So go and add a couple of dots, a couple of simple elements towards the side right here. You can go toward the toast right here, too, and add a couple of these details. Here, create a couple of these elements, and when you are done with it, let's go and add a bit more details by changing the colors that we have right here for the lines. 7. Final Touches: What we need to do is to go to our layers. We will go and find our layer with the lines, and we will create one more layer on top. Tap on this layer and use the option clipping mask, and then let's go to our brush library, and we'll go to the airbrush and folder to select the soft blend brush. With the soft blend brush, let's go toward our color palette, and we will use this dark red lines color. With this color, firstly, let's go and recolor the facial features. So we will go like that and very boldly, erase, but add some color, the different color adhere to these elements and everything will look even nicer. Then we will go to some brown elements. So for example, firstly to the toast with the smaller size of the brush, let's go and recolor the lines that we have right here. Very carefully, try not to recolor the lines that you have on the separate elements. So if you need to go and erase something, go and use your eraser to this. Continue adding the colors going along this whole shape that we have for our toast and finish up on the opposite side. When we have it, let's go and recolor the elements that we have right here onto the handle. With the same color going like that and recoloring these elements, with the same color going toward the legs that we have right here and recoloring them too. Then when we are done with our little legs, let's again go to our color palettes and let's change the color that we will use for our lines that we have right here. Let's go with our cast shadow color, and we will go toward the lines that we have right here and we will recolor some of them. So for example, let's go outside, and let's recolor these lines that we have right here. Try not to go too close to already recolored elements. You can play around with where you want to recolor the elements. So you can play with the amount of pressure that you are using and maybe create some additional little color transitions with different colors right here. So it's up to you, you can go and maybe create a bit of a color right here, a different color, and maybe leave these elements with the darker colors. When we have the results like that, what we need to do next is to go and add the sparkles toward the eyes right here. Let's first get back to our calligraphy folder, moon line brush. We will select the white color. We will go toward our lays and we will go and create one more layer on top of this layer that we wore on. We will go toward these little parts. We will create the highlights inside the ice, change the size of the brush and go to one of the sides for your eyes and let's create these additional little highlights inside the ice. When we are done with it, let's also go toward the mouth and let's add a little tongue right here. What we need to do is to go back to our color palettes and use the same pink color. We will go very boldly toward this bottom part and we will create the tank like that. Don't worry that we are going le bit outside the sheep, add the color, and then we will get back to our leas and we'll tap onto this layer where we have the sparkles and the tank on, and we'll use the clipping mask right here. Now when we have the results like that, let's finish up with everything by going outside and adding our shadow and some sparkles that we had onto our sketch. So firstly, let's go and work ones our little shadow. So we will go back to our layers. We will go to the bottom, go to the layer that you have for the shadow right here and from here, create one more layer, hold it and drag it underneath everything that we have. And let's go to the ribbon icon. With the Etraban icon, we will use the free hands method and we will go toward the bottom, and we will need to create the shadow on like that. So we are going from the lag, and we are creating a parallel line to what we have right here for our whole bottom part of the toaster. So again, if you need a couple of attempts, you are welcome to go and have it. Let's finish up creating this thing by creating a little shape like that, and then we will go toward the bottom and create the parallel line to what we have on the bottom. So try it out a couple of times. Close the ship when you are ready, and when you are ready with it, let's go and select the cast shadow color and drag it toward this part. Now tap onto the S ribbon icon to get rid of the selection. And then let's go first and reduce the opacity of this element to something around 50%, so it looks nice. And then, again, we will grab our eraser with this medium blend brush and very, very nicely. We'll go from the bottom, and we will start to reduce the opacity right here. So we don't need to see the edge that we have right here. So go like that and start to reduce the opacity of this element. So for example, let's end up with something like that, and when we have the shadow, let's go and add some sparkles. So one more time, we will go above all the layers that we have. We will create one more layer. We will switch the color to white, and we will go to this folder that you downloaded with the stamps. So simple stem brushes, we will go with sparkle thin, full, and we will go and add some sparkles outside and maybe inside the sheeps. So adjust the size of your brush. You can go with bigger elements with smaller elements. It's up to you. Try add enough of them. Try not to overdo it. If you want to overdo it, overdo it, of course, go towards some of the elements right here inside the sheeps and add a couple of sparkles here too. When you are done with adding the sparkles, we are done with our illustration. Thank you for watching this class. Let review if you liked it and can see subscribing for Mirkai videos in the future. Looking forward to senior project.