3D Drawing Class From Beginner to Advanced

1. Introduction: Hello friends, learn the Art of 3D painting From Beginner to pro. Here, 3D painting is an attractive and Creative Art that illustrates reality with new colorful dimensions. This Art will take you to a new world of creativity and imagination. Why there's a style of painting? Because you can create very attractive and realistic paintings by using depth giving techniques to images. In this course, you will be taught six designs from simple to Advanced. I will be with you from the first step until the moment that your creative work is ready, you'll easily learned at different stages of drawing to finally achieve a wonderful result in creating a 3D painting. So don't miss this opportunity by any means. Join us and step into the fascinating world of 3D pencil painting. The award of creativity and Art is waiting for you. 2. Tools: Hello everyone, Good evening and welcome to a new chapter and new season of painting with me. This isn't we're going to work on 3D painting together. We want to see how to do the tricks, how to do the basics. Before we start, I'm going to tell you about the tools that we require during this course. Because we are about to work with some paint, because we are going to have some paintings with colors. So you should have some colored pencils. It doesn't matter. You can use whatever brand that you like. We need a normal pencil that can be HB or B2. We can use an eraser and normal eraser and entered eraser. We need a fader. And a very useful tool that we need for the tricks of the 3D paintings is actually a cutter. So with these tools and equipments, we are going to create beautiful and amazing 3D paintings 3. Basics of 3D Perspective: Hello everyone, Welcome to a new course of painting and sketching with me. Alright. In this part, we are going to learn 3D sketches. And of course, I'm going to teach you the tricks of 3D paintings first. So all the first thing that I should tell you is that so many of the 3D paintings are actually made by the correct perspective that it is making them 3D. So you should just have a very summarized background of perspective. Perspective is actually something that can help you to make your sketches and paintings 3D or even 2D with the help of a watcher point. Does it mean if I want to explain it to actually practice? I'd like to say, for example, imagine that you are by to see the watchers point is actually the point in the middle and the line which is actually in the middle and in-between the sea and this guy which is actually in front of your eye and the you that are looking at it. It will be actually the water and that line would be the water line. So this is a point and this is a line. This is my horizontal line, my horizon horizontal line, which is actually the line between this guy and the C. And this is me, just by the sea. And actually into continuous of my eye would be my horizontal line. Now, if I have something exactly right in front of VI, I can only see one side of it, the side that is in front of my eye. Now, if this surface, if this thing comes to the right of my eye, how it's looked. In this way. I can see two sides of it. See from each corner of my shape, I'm going to my point here, one line and I come inside, go toward inside. And one point and another line would be here. This is actually a cubed now. Just moved it right now because I see more than one side of it. Now it's a cube. Alright? This is my rectangle cube that only two sides of it are visible for me. I see the front side and the side. The left side actually. Now, if I bring this to the left of my work, again, I say exactly on this horizontal line, but on the left, again from each corner, I move toward the point. Connect them. Then I'll create a line over here. I go toward inside. And from here again, I go toward insights. So this is my rectangle cube. So this is my rectangle cube. That in this in this shape also again, I see two sides of my work. The front side and this side. So if this cube comes actually above our eye, for example here, how it's seen. Again from each corner, I move toward the point like this I place a line over here. I go up again. I find my points, and I connect them altogether to make my shape. Okay? Now, my cube look like this. But the size that I can see are only these two. It means the front side and the bottom side. Okay. I just bring this side up and the right. Well, in this case, I see three sides this time. So basically my shape is going to become a 3D shape. So from here, I go to the point like this. I connect the dots together to make the shape hold. Okay. Okay. So it would look like this. I can see this front side, this side over here, and this bottom side. I've got this side surface from surface and bottom surface. And for these practices of 3D painting, it's really good and helpful if you know about the Perspective. So many of these designs and sketches and paintings, our dependent on the fact that you know, how you should put your shapes into perspective and how to make them into 2D or 3D. It is really important. Again, like the right side. I've got three surfaces over here. Now, what happens if this shape, this cube comes below my eye? How it's seen? Let's see. For example, I put it over here, just place the rectangle here. Then from each corner, I drag them to my main point. To my viewpoint, the viewers point. It would look just like that. Okay. Again, in this case, I can see, so on his in front, Of course, this one. The top side can also be seen. This top surface. And this side surface is visible for us. If I put it below here, exactly below my viewpoint, is exactly the opposite of upper cube. So again, I drag the lines to my viewpoint and I create another cube. I can only see two sites and two surfaces here, one on top and one in front. And on this side part, it would be exactly the opposite of my left part. So from each corner, again, I go to my viewpoint. And then exactly like the previous parts, I create my cube. And again, in this case, I can see three surfaces. The top part, the side part, and the front surface. Okay. Now, let me tell you something else to it gave you this tutorial because Many times we see some designs and buildings like a building which is actually coming out of the paper, or for example, a hole in our paper. The point in these kinds of paintings and designs. For example, if I want to consider it as a building, if I want to take photos of this model of this building, will be only seen from this angle. I mean, it actually will be seen 3D only from this angle. If I just want to get a photo from this picture, from the design from below, from right to left. It cannot be seen 3D. If you want to make the shapes in a 3D shape, you should actually take the, take your photo or look at them from the point of view that you first considered your Perspective. In extra steps, I'm going to tell you how to create them 4. Primary Sketch of Spider and Start Coloring: Hello again and we'll come to the first episode of 3D painting with me. Okay? In this episode we're going to create a very beautiful Sketch on painting together and it's also very easy. We want to actually create a Spider which is coming out of the paper or to pay per frame. So first we should start with the main edit. So if your paper is a3 or a4, you should fold a part of your paper. Like this. Very strange. You fold your paper, a part of your paper. Thank this. Then you open the fold. You put it on this way, and then you can start creating your main edit. So I'm going to create a part of my Spider over here and a part of it on the upper part. So you should use your normal Pencil or B2 Pencil and you can actually start working on the main attitude of your work. As I said before, I want to create a part of my Spider over here. It has kind of a circular shape. Then on this top part, it has a smaller circle like this. And looking like that. Again, another smaller one on top of it. From this part of my Spider. I'm going to shape this area as an oval. And then I erase the extra lines around my work. And one this area to be more or wall now. Alright, like that. Can clearly see and try to make the main entered of your work very clean. Shouldn't be dirty or messy. Now let's create the legs. One of them is over here. Going down like this. Here we go. The other leg comes exactly from here. So it's exactly on the other side of the body. And it starts in the same place and ends in the same place as our previous leg. Okay. Now I want to work on the hands and feet over here, the legs and arms. So I'll create it like that. The first and the main entered of this work is very, very easy to primary at it is very easy. And if you just pay attention to the movement of my hand, you can easily do it yourself. As you can see, the arms are very long, going all the way up. And also from here. Again, I'm going to continue this arm all the way up. Alright. I should consider two more lines for my Spiderman arms in these parts. And now the primary and the main answer that via work is done. Just as easy as you've just seen. Okay, Now we're going to do to Coloring together. I'm going to start with my black color. And I want to start applying the darkness of my work. I'm going to use my black colored pencil. And I'm going to drag it over these areas. And I apply the exact darkness that I wanted my work, which is actually pretty strong as well. This is the middle part of my Spider and into Central of its body. It, it's got kind of a shine. So I placed a shine. And now slowly I am starting to darken or via spider's body, making it black. Okay? Now as you can see, I am Coloring my Spider very, very dark with a strong darkness with my black Pencil. And then I'll continue this Coloring up to the top, except this area that I've actually chosen for its shine on the bank. Okay? In these areas that the parts of the body are connected to each other, the amount of darkness will be definitely much more to Coloring is very, very easy, so you don't actually need any special ETC to color this thing. You don't need any special skills. It's just a simple Coloring. I'm going to get my dark gray. I need a dark gray. And then when you've got that, you start moving in Coloring on the parts which you still have some white parts of the paper below. From these parts. Just like that. Do it. And then I'm going to use a very dark red for this area. So 40 side areas were all around the edges. I'm going to use this dark red or very dark red. Then I'll do the same thing for this upper body part. The smaller one. As much cleaner design as you get a new color, it cleaner as much as you can. The 3D shape of your work would actually show itself much more better. So when you're doing the designing, the sketching of your 3D shape or your Coloring it. Do not rush it at all as much as you actually place attention on it. And as much as you spend time on it, the result would be much more better. All the same thing for this back areas. Then I want to work on the legs, on its legs. Now, I'm going to create the legs like that. As you can see, I'm Coloring, but basically I'm just following the line and making it darker. So very slowly as I come down, I am making the shape of the leg thinner. As you can see, it's getting thinner and more narrow as it comes down. That's anatomy. I'll do the same thing for this side of the leg, or better say for the leg on this side. Then again, I'll come down. And as I'm coming down from here down, I tried to make the legs thinner You should do it very precisely with a lot of caution. As you can see, I'm just creating the legs of why Spider delicately. Alright. Now I want to work on this part. This arm. I go up and again, as I move on, I move on toward the end of the line. Make it thinner so I can delicately applying this part as well. In general, when you're moving to the end of the line, you should make your lines thinner. K. Now, this part is done as well. And just like that, I'm going to create this upper arms as well. Basically, I don't actually know that the things that I'm creating right now are counted as the spiders, arms or legs. No idea. It doesn't matter that much. So should just do it, whatever it is. I think this upper two are the arms and two ones which on the bottom are the legs? Well, I don't know. I'm not so much familiar with the wild world, especially insects. But anyways, I'm going to continue. I said arm. So maybe arms. As I move on to the end of the arm, make it thinner and more delicate. Now, I also have to create the last two arms of my Spider. You should be very precise and careful about these arms. Because when we want to make this shape into a 3D, these arms actually play a very important role. I'll do the same thing for the other side as well. And as usual. So I come over here, I just make a bump, a prominent shape. Then again I go up again, another bump over here, and then I'll continue until the end of it. Okay? Now, as you can see, I'm doing this work very precise and very organized. Now I'm going to use my gray color and I want to create the shadows of the legs and arms of our Spider. So first of all, I want to create the shadow of this area. The shadow of the body, which looks like this actually. So just remember when you are doing the shadows and the shavings, you should just Color. So cohesively. You should be very careful in this area because if it gets a little darker or lighter, it doesn't look so it doesn't look like a shadow or shading anymore. So be very precise about this area and don't rush it. Also, the shadow of the leg will come from here to the leg itself. Now, in this area that the leg is actually connecting to its own shadow, the amount of this shadow would be darker and more. Also on this lower area, this part is darker because it's actually meeting the body. And for this side, I'll do the same thing. I apply. The shadow from here. I'll come toward the leg itself. And then in the end, just match them together. Just like this. So here we go. I'm going to continue for a while. And my dear friends, if you want to see the rest of the video, you can actually follow us in the next episode. 5. Continuing Coloring and 3D cutting: Hello again to all of my dear friends. Welcome to the continuous of this tutorial with me. Well, we were working on the shadow parts together. As you can see like that. Then for each part, I'm going to create a shadow and I'm going to consider a shade for it. We need to have a shadow for each part. It's very important. And sometimes I see some students just make some mistakes. The point is that sometimes they actually apply the shadows on the lower part and some parts, just by mistake, they apply the shadows on top of their work. This contrast, this, I'll pause it doing with actually make your work get out of its 3D shape. So the direction and the placement of the shadows are very, very important. From here I should come up. And then just like that, I will work on this part of the shadow for the long arms of my Spider. And from here, I will work on this arm. So I'll continue it this way. Okay? Now, even up to here, if you want to consider your work, we've almost got the 3D shape of our work. Now. We're just going to work on some tricks to continue our work. Okay? As you can see over here, the shadow is on this side. So over here again, I mean, on the left side, I just drag and guide the shadow toward this area. And I'll continue it until the top part of my work. So it would look like this. Again, I emphasize on the fact that you should not change the correct placement and the correct direction of the shadows. It's very important. And they should be symmetrical. You know, even right now, because we've applied the shadows correctly. We've got kind of a 3D shape to our work. Now with your light brown from overhear from this lower part, I'm going to combine this color a little bit into my gray color. This is a light brown and I'm using it so little. I don't want to use it too much. I just wanted to get out of that completely gray color. And then I'm going to use even a darker brown, one shade darker. So for these parts. And then I'm going to use my white colored pencil. And I'm going to drag this white color on all the shadow parts that I've already created because I want my shadows to be more cohesive. I don't want them to be a stains or something like that. I want the shadows to become smooth and cohesive. So I'm just dragging this white color over the shadow parts. As you can see. I'm just continuing this way from all these parts going to do the same. And I'll just repeat this work for each part of the shadows I've created. Like that. Alright. Now I'm going to use my white color for these areas as well. I'm just going to use it a little as some stains over here just because I wanted to be a little bit shinier. Now I want to work on the last move. This is actually the best move that actually makes my work to look like 3D. So first of all, I'm going to cut this area very slowly with my cutter. I mean, this folded line, this folded part. I'm going to cut it Very slowly and very carefully with my cutter. Just like that, as you can see. Okay. You should do this with a lot of cautious. Then I'm going to do the same thing for this other side. Alright? Now, I'm going to cut around my spiders arms. I'm going to do these cuts very clean, very carefully and very clean. I tried to cut around my spiders arms. Hint, if you're not careful like I am, you might just cut the tip of the arm. I cut the tip of the arm by mistake. Later. I'm going to tell you how you can fix it if something like that happens in your work. So easily like that. Also from here, I just cut my work all around the arms. Do not tear apart your paper forcefully. Be sure that the part that you want to separate is caught by a cutter. Because if you just want to take them apart forcefully or tear them apart, it can actually tear your work apart and can ruin your work. So be very careful about that. Then for this part. For this middle part. Again, I'm going to use my cutter and very clean and very carefully. I will separate this area from my work. Okay. Now, as you've got the main parts of the paper out, you can actually work on some details. If there are any small parts left, you can use your cutter to get them out. As you can see, there is a white area over here between the arm and its shadow. I can do two things here. I can either cut it out with my cotter very delicately or I can actually color it and I can make it the Color of this area match the background of my photographing. First, I'm going to use my black color, going to work on the arms over here. And then for these parts, I'm going to color them again. I can color this white area to match my background's color where I want to do the photographing. So right now I want to cut this middle area, but you can color it as I told you. But I'm going to go with option number one. And I'm actually using my cutter to delicately and very, very carefully take out this white area in the middle. I can show that my Spider is coming out of its frame. Alright. I will also want to darken this shadow a bit more. I want to make it darker. And just like that, my work is in a 3D shape. See, it's like it's coming out of this frame. Just remember to fill all the white parts on your work, especially on the address which we've actually cut the paper. So use your colors to cover them. When I put it like that. As you can see, it's like, you know, it's in a 3D shape and you can photograph it or you can use it. Anyway, you like, this is our first 3D painting. It just so simple. I hope you've enjoyed it a lot and see you next tutorial 6. Primary Sketch of Hand and Start Coloring: Hello again. Welcome to a new episode of 3D painting with me. Okay. This part, we're going to work on a hint together. We want to show a hand coming out of the paper, reaching out. My paper is an A3 size, but you can also work it on A4, so it doesn't matter. But what paper that you're working on, you should consider half of your paper. So after you've considered half of your paper vertically, just right here, start creating the design and Sketch that I'm doing right here. So over here, I create a circle with your normal pencil, with your HB pencil. And you do it exactly the same place as I'm doing it right now. Based on the size of your own paper, of course, considered a half, and then draw it right over there. So I'm going to create and draw the shape of the hand coming out of the paper. As you can see right now, just doing the primary Sketch, the primary draw. I come all the way up. And over here, this is the elbow. So this should be the arm. And as you can see, I'm actually creating a scary arm. So it can look more rough and it would be more attractive. It's like a scary arm coming out over the frame to get you. So alright. Now I want to pay more attention to the details. Details of the arm are very important. And this area is the body. We should show a part of the body. Not all of it, but a part can be shown and then even erase the extra lines. So my main and primary Sketch will actually show itself. And it would be cleaner as much as you make your primary draw and primary Sketch cleaner. Your work would be easier. Just like that. I would also work on this area around the arm. Okay, so I want to design this aria, a bit of a stone shape. I want to create some stone texture over here and you can actually draw them, Sketch them like this completely randomly. Just like when I'm doing. In some parts, they can be bigger or smaller. Sometimes they would be doubled. So very easily you can actually apply this attitude of the arm. And I'm going to complain it all around up to this area. Then I'm going to work on the Hand and the fingers. This is the Hand and that's the thumb. From here, I have to create the fingers. So I'm going to create them. The first finger, the second one. The third one, and the fourth one. That will be my thumb. Actually now my thumb. But anyways, now I'm going to consider my fingers more completely, going to create them more completely. As I told you before, I'm going to create it a bit as scary. So that's the reason of this odd shape here. And then in this area, I'm gonna do the same. So just as easily as that, we've created the fingers. Okay. Now for the surroundings of this well Or this whole, which is over here. From the bottom of each is stone. I'm going to create a line and drag it down to show that this is kind of a whale or hole that this arm is reaching out of it. As you can see, I am turning the direction of my lines based on the direction of the stones and circular shape of the whale. Well, in the upper part, I'm actually doing it less. I create less lines. But over here I've created more. I would also create some stones over here on this side of the arm. Because I wanted to show it's the circle. It has a dimension. Alright. Now let's work on this inner parts of the, well, again, I'm changing the direction of the lines. That's very important to show that this is a circle. And then I start with my black colored pencil to apply the shades in the shadows. Basically, I'm going to color this thing with my black colored pencil. Okay. I start from this side, this edge of my arm. And very delicately, very finely, I start shading and I move on. Remember, to keep the tip of your pencil completely sharp. This is very important so that you can actually work on the details better and more. So it comes right up, up to here. Then from here, I start applying this strong darkness for my work. So especially on these edges, I have very strong darkness because I want to show that this muscle on the arm, it's actually the bicep. I want to show that it's prominent. Therefore, I'm trying to color the edges and the surroundings darker and keep the center of it a bit lighter so I can show its prominence. We'd having a lighter shade on it. That's why I'm going to dark on the address and the signs. So very slowly and very carefully. I do my Coloring. My work would actually look 3D. You see something that in 3D painting is actually going to make your work look 3D. Is if you, if you can apply the volume of your work perfectly. If your work doesn't have any volume, Of course, it won't look 3D at all. It will look like it has any dimensions, so it shouldn't be flat. You should make a volume with your shadings, with your shadows, your Coloring. This is very important in 3D paintings. As you can see, basically, I'm creating a volume for my bias of and my arm over here. On the prominent parts, I will have less darkness. And on the sides and the edges, they would be more. I'll do the same thing I repeated for this part of the arm as well. So just like that, I'm gonna do it Then I create this shape for this inner part of the arm, the part that the elbow is bent, this area would definitely be darker. And as I said before, wherever you've got the lighter areas, it means that that area is prominent, so pay attention to that as well. Now I come up and I want to show the structure of this area that includes a bone. Therefore, I apply it part by part and I'll make it shine, make it light. So I can show that this area is prominent and is actually a part of a bonus structure. Just like that. I come all the way down here. Okay. I would also work on this area, very softly, very mellow. And then again, right from here, I bring the darkness into my work, a very, very strong darkness. So just like that, as you can see, I'm applying the dark areas and making them lighter. As I move on to the more prominent parts, that is very important to know which parts are more prominent and which parts aren't. The parts which are more prominent be lighter in shades, and the parts which aren't. Of course they should be darker. So I'm also going to apply this part by part shape of this area. The way that I'm doing it. From here, I bring the darkness slowly outward and you will fade it slowly and smoothly. Just like that. I would also want to work on this area. The same way. The fingers. K, Here we go. Scary fingers. Alright. So that's it. 7. Continue Hand Coloring: Okay, so from the lower part of each finger, from the bottom of each finger, I create a shadow. So as you can see, I'm spreading the darkness on the part, on the background or the surface which the hand is covering. So just like that, I shade the lower part from the outside. I just guide the shadows and the right direction. I also apply some on an organized or random shadows for this part of the hand above the fingers. And just like that as you can see, I've a spread in a shadow just below the fingers and above them. Then I would also make the fingers into several parts. And here we go. Yes, that's it. I'm almost done with the shadowing the fingers. But I still need some more shade in between the fingers. We need more darkness. So don't forget that. I want to work on the will. See exactly as I did for the arms. I start very dark on the edges and the signs of I, of R. Well, and like that, I move toward the center and make it more complete. As you can see, it got a bit lighter toward the arm. I'll do the same thing for all the parts of the will. It means that even this inner parts are actually included in the same way. Alright. So now I move up and I fade this darkness. The direction of your fading is also very important. Don't forget of ADA it. Now I want to work on the well itself. Same. First of all, I wanted to work on these stones on the edge of the well, making them more visible and actually completing them. And then I want to come down a little from this circular shape that I've already created. This will actually make your work more realistic. That just get it out of that. It's circle shape. You can do it in a circle shape. There is no problem with that, but if you make it into an oval, it makes it more realistic. It looks better. Of course. Just like that from these parts, I'll do the same thing. I create these stones. And I continue this thing. Right over here. Now is start creating a design actually like that. I wanted to draw this. And from this back part, just from above the stones, I start applying a darker shade. Basically it's a shadow. Anyway. I'm going to fade them upward. Basically. Again. I'm going to fake them toward outside. See, it's darker near the stones. And as I go out, they just become lighter. Some parts are also darker as well. So I start from the sides, from the address of the stones and I will make them darker. When I move out, I make my shadings a bit lighter because I wanted to emphasize on the stones and the dark shadow right beneath them. I have to control The percentage of my shades. With my dark color Pencil, black colored pencil, I apply a shade and I move it downwards. All the way down. Then I apply a general shade over all the stones. Also over here inside of the will. Should be shaded like this, very generally and very lightly. But then I actually make these lines coming toward inside of the well. So I can make it more 3D. Well, of course we should get more darkness from the most inner part of the well toward the walls of the well. I apply a very dark shade over here. As I move toward the walls of the will, to the sides, I actually fade them. Then I would also create some shapes for the stones in this area. Just like that. Okay. I also consider a shade and shadow for these stones. So I can have that volume and that dimension in my work. Alright, here we go. Just like that. Hi, come down over here. And I also make some shadows and shades for the stones of this area. From below each part. I create a line and I drag it outside. It already kinda looks 3D, or better say it got some dimension. Okay. Now for each part, I consider Morrisons. I can make them double, make them big or small. In anyways, I'm going to draw more stones on this area. And I want to look in a bit random. Now from below each stone, I'm going to apply a shape like this. So I can keep the volume of my work like that. You see when you want to actually create the volume and dimension. The most important thing in your work is to play with the shadings and shadows. That's the most important thing. If you learn how to do that. You won't have any problem in any kind of 3D paintings or volume paintings because you know how to create a volume or a dimension with shading, with different shading, you can actually pass the other courses, the sketching courses. So you can actually be a master in this point, shading. So continue the same way for the rest of my well, and I'll get the volume for each part. We're gonna continue next episode 8. Shading of Hand and 3D Cutting: Hello again. Welcome to the last episode of this tutorial with me. We're going to complete this painting and we are going to continue the stones. As we move up. The stones will actually look a smaller based on the Perspective rules. So the stones which are in front are bigger. And then we go further. We go toward up, the stones would look smaller. Just like that. Alright. So here we go. Then I'm going to work on the shadows of my fingers, making them more fade. Then for the middle of the hand, for the center of the hand, I'll consider a shade like this. Okay? So from here, I bring the absolute darkness upwards so I can show that This part is inside of the well and it has a depth. So here we go. Okay. As you can see, we are going to darken these parts a bit more because they are further and just as easy as that. Okay. Now, I'm going to work with my gray color. And with my gray color. I'm going to make my shadings more faded, that it can actually make my work more natural. So I'm going to make it more natural with fading the shapes. Here we go. Just like that. And just as easy as that, I'll have my painting, my 3D painting. Now I get my white colored pencil and I actually apply it on the white areas. And that's it. Okay. Now, for this painting, I'm going to create the fold over the elbow area. Just remember that in this painting, you should not actually fold the elbow area. You should actually fold the sides of it. You shouldn't create too much of a fold on the elbow itself. So for all the areas next to it, but not the elbow itself. So I am fold my paper and then with my cutter, I start cutting it. So I will use my cutter on the sides of my elbow, cutting the extra paper out. As you can see, of course. Just like that. And from here, I also take it out. Then I use my cutter and I move it all around my elbow. Be very careful in this area not to cut your elbow. Should just go around it. Very smooth. Just like that. I got the elbows out. Then I use my black pencil to get the extra whiteness in the surroundings of my cut on the edges. And that's it. So if I put it in this angle, you can see the 3D shape. Now I'm going to tell you how it's going to look 3D. See if I actually place my camera over here upfront of actually above the painting, as I bring it down a bit sideways. And I'll turn my camera into different ways. So you can see the 3D shape of this painting. We can say it completely right now. In this angle you can clearly see the 3D shape of the work. It's like it's coming out. It's all about the right angle. You can do there photographing in the same way, in the same angle to get the 3D shape of your painting. I hope you've enjoyed this painting, this tutorial, and I'll see you next episode. 9. Basic Sketch and The Beginning of Glass and Fish Coloring: Hello everyone, Good evening and welcome to a new episode of a sketching and 3D painting with me. Okay. In this episode we're going to create an amazing, an exceptional 3D painting altogether. The sketch that I've considered for this episode is actually a glass with a liquid in it. And it would be in 3D in a way that the Glass is coming out of the paper and you can actually place your hand inside of the Glass. Okay, just like the previous samples, if your paper is in a3 or a4 doesn't matter. You just consider half of your paper, half of your framework. And then you start working in the center of your paper, in the middle of your paper, I want to sketch a Glass. So as you are looking at the Glass in this angle, I should make it longer and more stretched. Because when I want to actually look at my work in a different angle to make it 3D. It will actually comes into a normal size. Because I'm looking at my paper on this side like this, it would be sideways like that. And based on the Perspective rules, when you look at something from this side, will become shorter. Therefore, I have to a Sketch my primary Glass. I should Sketch it taller and more stretched. So in this angle, I'll make it taller than when I turn my paper, make it sideways. It would look normal size. So I'll consider this area. The opening of my Glass. Your sketch should be very clean and organized. Shouldn't be messy. Not at all. Okay, This is the opening of my Glass. And then I'm going to create the body of the Glass itself. That Of course, I'm going to sketch this Glass longer and taller as I said before. All right. So I come a little bit lower. I come a bit more down. It should look like this. The bottom of the Glass should look like this flat line. And then I should also create another curved line in here just to separate this area from inside of the Glass itself. Because we should show that our Glass has a thickness and this area is the liquid inside of our Glass. So in this area, I'm going to work more so I can show the liquid inside of the Glass. Okay? Imagine that if your finger wants to go inside of this Glass, well, exactly. As the size of your own finger, the thickness of your finger. This would be the placement of your finger. You should actually place it on your painting, on your Sketch. So I'll consider the finger over here. Create a finger over here. And then from this area, I'm going to create a reflection of the top part of the finger. The last part of the finger. These are some reflections and I'll tell you later, I'll tell you about it more completely. This is the bottom of the Glass. Again. I have to create a circular shape over here as well. Because again, I say we have to Have dimension. I also wanted to create a beautiful fish over here. Looking like that. Alright, I'm sketching my Fish. That's all about it. And just has beautiful and cute as this one. So here's our Fish. Now we want to start working on the paint and the shades actually of this work. First I want to start with my Fish. I'm going to color my Fish because I want to create a goldfish. Therefore, I need my orange color and my red color. So I should start with my red color and I'm going to work on the darkest parts of the Fish. You should just lighten the primary Sketch of your work a little. Therefore, when you are Coloring it, you can actually make it look more natural. And the black color doesn't get involved in other colors that you're using. So I'm going to use my red color. And from this top part of the fish, from its fin, I'm coming down making dark red and making it darker. As you can see. Here we go. Then from the fins, I start creating a shade, bringing it down. And just like that, again, I'm creating some shadings, making them lighter comparing to the edges, Of course. Now continue. As you can see, I'm going darker on the sides and edges and a bit lighter while I come toward the center of the Fish because it's a bit chubby. So we should show that some parts of it there are more prominent. In some parts, are actually the edges of its body. Again, with the shadings, we are going to give it some volume. It doesn't matter if you're doing the shading with a black colored pencil or other colored pencils like this one. The rules stay the same. With the correct shading, you get the correct volume. Then I can work on its fin and its tail. It's a per fin. And now I move on to my orange color. As you know, goldfish is orange basically. So from with my orange color, I come from the red colors toward the center. So as you can see, when I start on the edges, on the red colors, I have high Hand pressure, but as I move on toward the center, I'm decreasing my hand pressure. I start from the dark reds, coming all the way toward the center, making them lighter. And by blending these colors altogether, I'm actually working on the volume of my Fish. So here we go. Getting it together. As you can see, it's coming together better and more as I continue my work on it. Okay. Now, I guess my yellow colored pencil and said goldfish, Of course it's going to have some yellow in it. And as I did before, I come from the darker parts toward the liner parts. So on the edges and then the size, they would be darker. In the center, it would be lighter. I cover all of my Fish with it. Very smooth and very nicely. As you can see, the colors are all coming together. So so it, my black color. I should also work on its eyes, making them look better. I would add some a strong darkness over here if they're needed. And doing all of it with my black pencil. Can you see how beautiful it gone? Now? I'm going to use my red color and I'm going to create some scales for this part of my work. I'm going to shade just beneath them with my dark red color. After creating the scales. 10. Continue Coloring Of Glass and Fish: Okay, again, I consider a darkness for overhear. And you can actually created with your very dark red color. And it would look like this. Okay, so our Fish is done right now. And now I'm going to use a bit of the color that I've used for my fish so I can show the reflection of the fish inside of my Glass and in the liquid. Okay, I'm going to erase this area. Actually I'm making my primary Sketch wider altogether, so I'm going to use my red color. I'm going to apply it over here. And as I move on, I fade it more so I can get the reflection, right. Also, I need a bit of reflection over here as well. It's a liquid, it's Glass. Definitely. It's going to have some reflection of the colors, even not the whole shape. Okay. I move on to my gray color. So I'm going to pick up my gray color. Let me just find it. Sorry. Taking a little long. I know. Okay. I've got it. And now I'm going to use this color. And I'm going to use it on the sides and the walls of my Glass toward outside. I'm going to shade it towards the outside. So first of all, I'm going to color the bottom of my glass, making it more clean. As you can see, I'm using the gray color on the bottom and I'm shading toward this side. Again, I emphasize that the direction of the shades are as important as their placement. And there are mount. Some parts near the Glass should be darker and as I move on, we will get lighter. But the parts which are near my Glass or on this edge should be definitely darker. All-in-all. It's not that dark as we used to do in our previous episodes, but it's still dark. Okay. So here we go. I apply the shades wherever they're needed. I'm going to use it even a bit more, making my darker spots darker. And as I move outside, making them lighter. My shade should be in the shape of my Glass. The shadow of the Glass is over here, so my shading should look like a Glass. As I move up. It should get lighter, as I said before. Do not lose the shape, do not lose the direction and the placement. I also make all the shading is over here more cohesive like that. And from the bottom of my work, I start shading again. So here I go. Come up. Alright. Now, I use a bit of this same shade on this side of my glass as well. But on this side it should be very, very light comparing to the other side of my Glass because this is actually kind of a side that the light is coming from. So as you can see, I'm creating very, very light shades just to show that there is a shade here just to separate the Glass from the white background of it. But again, I insist do not overdo it. Keep it light and Cupid minimal. So just like that. And I kinda make it faded. See, even now that I've turned to paper, you can See that 3D shape. It knows completely. Now, for the bottom of my Glass, again, I should add some more shades. I should bring the darkness over here and make it more. Of course. And then in-between these parts, again, I'm going to apply the dark shades of the bottom of my glass. I am applying them over here. So here it is. Okay. Now for inside of our Glass, I'm going to use my light, dark blue. As you can see. I'm using my dark blue, but I'm creating very, very light shades here. I can just apply some kind of color. Just a trace of color is enough for here, as you can see, light chains don't overdo it. And just like that, I'm going to work on all of these parts. Again, I say Do not overdo any part. Just a trace of color is enough here. If you make it too much, it won't look natural and it will look beautiful. Keep it simple and minimal. Okay, Here we go. Okay. Now I want to move on to the next parts. This top area under reflection of it, which comes to the front part of our Glass, should be as the Color of the background of videography or my photographing. My background is this green color. Therefore, I should get the exact color of my background to my work on the top of the Glass and the reflection of it, of course, in the liquid. First of all, because I want to create this green. I'm going to use my black color and I'm going to shade it very lightly here. You can even do it on a black background so you would not go through all the trouble of making the painting as the same color as your background. Because this takes a bit more time. But if you want to make it simpler, you can use a black background so you won't go through all this trouble. But if you want to work through it a bit more, you can do what I'm doing over here. And let me tell you this. As much as you blend the colors together, it helps you in your skills, definitely improves them. So don't be afraid of it. Practice makes perfect in it. Now I'm going to use my dark green over here and I Start Coloring here. I can match the color of this area to the Color of my background. All right. I'm actually applying the exact same of my cardboard, sorry, exact same color of my cardboard in this area. Now, for continuous of our tutorial, we're going to next episode. Follow us 11. Finishing the Coloring Of the Glass and Fish and 3D Cutting: Hello again, Welcome to the rest of this tutorial with me. Alright. We're going to continue our work on the Glass. Was actually Coloring this area with the same color as my background color. First I used some of my black color and then I'm applying some green over it. I'm going to continue my work. I come down and over here. I'll faded a little. As you can see, it gets faded. Over here. Our colors should not look flat at all. That's why we are using contrast, darker and lighter shades next to each other to create a volume and also flat shape. I'm going to use the same green color on this upper parts a little as well. On the edges of the opening, the mouth of my Glass. Then again, I apply some black color over here just a little, not too much. Very lightly with a very, very low Hand pressure, I applied to darkness here. And I fade it in the middle. And if you're a member, I said you should put your finger over here. So be careful. You should not actually Color this area. It's the placement of the finger. So you should Color around it. Alright. I apply the darkness of here with my black color. But as you can see, I'm doing it very lightly. Again, I said it's better not to color your placement of your finger because when you want to do your photography or videography, you would know where you should place your finger exactly. But you can color it like I'm doing right now. I recommend you not Color it because you're going to start it J1, forget the placement of your finger, but you can do it like I did. So then again, I'm going to use my green color over it. As you can see, I'm going darker on the sides. And as I move toward the center, I am applying lighter shades. It's the same for here on this area. So from the size of the finger toward outside, again, you should apply a bit more shading. The dark parts are on the edges, all around the edges on the size of the Glass or right next to the fingers. The sides of your finger. Here we go. Then I use my gray color over all of my shadings in order to fade them all together. And actually blending them with this action. Okay, Here we go. Just like that. From the sides. I'm going to apply some Small shades in my work from the edges of my Glass. I'll do the same thing. So I'm going to work all around my Glass very vividly and I just create some shades around it like that as a reflection. And from here I apply a very strong darkness. And I'll do the same thing for the other side of the Glass. I wanted to look symmetrical, so I'll do it for both sides. In this area. I apply very light shade and then I'm going to use my orange color over here. Why? Because the reflection of my Fish should also come up to here. The Beginning of my liquid. I'm actually going to New try neutralize it with my gray color a bit, not to leave it to orange. Then I'm going to sketch some lines, like water lines, the lines that you can see on any kind of liquid, mostly water. So I am sketching these lines over here to show the texture. And it's the same over here. Even right now when you look at it, you can get a feeling of 3D. Let's just start working on the finger. See, I actually want to apply a hole over here so I can place my finger inside of it. But from debt hold down, the rest of my parts should be colored as the same color of my finger. Obviously depends on your skin tone. I'm gonna do with mine. Again, I say that curved line, I'm going to cut a hole, put my finger, place my finger inside of it. So the rest of it should be as the Color of my finger. Now with my skin color, I'll start from the sides and I create a shade. I bring it down. You don't have to work on the skin tone very professionally. Just to get a shade is enough. A good shan't. Okay. Now I'm going to use EBITDA of my dark brown for the sides and then a bit of gray for this area. Or better say these areas. Okay. No sketching of our Gus is done up to now. Now you want to do the tricks of making it into a 3D shape. So again, I'm going to fold my work from right here. I just get it right here. Again, as you can see, I'm mostly folding the sides of my glasses, not the class itself. I don't want any lines on my Glass. And then I use my cutter to cut these parts. I do them very carefully and delicately. Of course. I'm going to separate the sides. I'll do the same thing for this other side. Do not rush through it at all. Then you want to cut your work. So from all around my Glass, very carefully, I'm going to cut the extra paper out because it's in the shape of a circle and it's very delicate issued. Use your cutter very carefully. Not to cut any part of your main work. So be careful about it. Varies. Similarly, I want to detach it from here, like this. Okay, I got it out now. Alright, now, I said, as I said before, I would also have to cut this curved line, which is the placement of my finger. I have to cut a hole like that. And then I take it out. This would be the placement where I can put my finger in it, see. If it's too small for your finger. Of course, you should make it bigger. No worries. Like this. See, now I can clearly put my finger in it. Now. I want to tell you how you can photograph it or how you can record a video from this model. Okay. See this finger goes inside of my work like that. And this is the angle where you should take your photos. See. Now I've got a model, a standing here and she's putting her finger inside of the Glass. And as you can see, when I turn my camera, you can get the 3D feeling. You see this is the correct angle for getting the 3D shape. Just as easy as that. We could have created a 3D painting with actual human contexts in it. I hope you've enjoyed it and see you in next tutorial. 12. Basic Sketch and The Beginning of Flower Coloring: Hello again, Welcome to another episode of 3D painting with me. In this episode we're going to work on a very beautiful Sketch. I'm actually going to create a beautiful rose, a beautiful flower alike. It's coming out of the paper, of course. First I'm going to tell you how to do the primary Sketch of this beautiful flower. Again, as I told you before, consider half of your paper, whatever size you have a3, a3, or a4. Then you've considered the half of your paper. For example. Because my paper is too big, I want to consider this area for my work. From this fold, from this folder line, you should start creating your Flower. Okay? I want my Flower to come over here and continues all the way down there. So this would be the big, the end of my flowers, a stem. I place the stem of my flower over here. And now I want to sketch the flower itself. You see from all these parts on can start my work. I start from here. I come up, I'll come back again from here. And as you can see, I'm not creating straight lines. There are a bit wavy. It's a flower. Here. I actually create the general shape of the bond, the rose bud. This is a rose flower, I can, I say, if I haven't mentioned before, From here, I come and I create the shape of the rows right here. So now very slowly, I will create the rest of my rows. M actually sketching a beautiful rose over here. You can Sketch any kind of Flower that you like. It's not necessary that it would be arose. You can create a sunflower, a lily. Anything you like. My favorite flower is Rose, especially and Waitrose. So I've decided to create arrows for you. From here, I come down toward the end of this stem. And also very slowly, I would like to add some thorns on my Flower. Okay. Because as you know, you can see thorns on the stems of rows Flowers. Now I'm going to also create a leaf over here. Because it's early about The Flower or the stem. We also need leaves. So from here, I come down to complete the leaves, and this is my third leaf actually. Looking like this. Again, I come a bit more down and I add another thorn over here. Okay? Now, this is the main answered and the primary Sketch of my work. Now I want to Start Coloring it and shading it. Of course. First of all, use your black colored pencil for applying the depth and a strong darkness in your work. So I'm going to start from here. The inner parts of my rows Flower. These parts are the darkest. So I'm going to Spread the darkness to its surroundings. As you can see, I've applied it in one place and now I'm spreading it. Its surroundings, fading my shapes. You don't want any stains here. Now, if you're creating a rose flower the same as me, and if you're actually doing the same Sketch as me, you should do to shadings exactly the same as me. But if you're trying another Flower, you should do based on your own. Of course, you should have already learned this stuff. As you can see, I'm just applying the Shane's wherever I need them. And just like that, I also shade this bottom parts of the petals, making them darker. And just around the petals. I mean, all around, all the edges of my petals should be darker. Just do it very smooth. So it would still look natural. We don't want to make it too cartoony. Okay. And just like that, I will continue my work. In this area. We have the rows bond itself and I'm going to shade it again as usual, darker around the edges and lighter in the center. Because we want to show that centers are prominent and we have a volume, so there should be a contrast of shades. I would also shade this central parts. Right in the middle. I'm covering all of the petals one-by-one to create and get to **** Flower correctly. I also come from these sides. Shading them. I get my red color. And then I start from the dark parts with a very high Hand pressure. And I try to fade them a little toward the center. So I'm going to use my red color. I'm going to start from the dark, very dark parts of my shades. And from there with a very high Hand pressure, I Start Coloring. As I move toward the center, I decrease the Hand pressure and I make my shades, my red shades, lighter. I'll do the same thing for this side. See, now the black is not showing too much anymore because I've covered it with my red and it's actually turned into dark red. Just the way I wanted it. So like that. And of course, I'll do the same for this last petal. Of course, the inner part of each pedal, which shows the depth of it, would be done more dark. It would be darker because it's inside and it has a depth in order to show that we have to create darker shades. But as you can see, for example over here, because we have a prominent part, we're gonna make it lighter. So I'm gonna do the whole thing like that. The same way. Very beautifully and very slowly. I apply each one of these shadings in their own placements. So I applied the darkness like that. And then very simply, I move on to my orange color because it shouldn't be only read. I want to create a combination of colors to make it look more natural and more cohesive. So I'm going to use my orange color. And these parts, especially on the lighter areas of our pedals. That's very important as that. I'm also going to color these areas. Wherever I have light shades, I'm going to use my orange color. So basically I'm covering it hole with my orange color. This way, all of the colors look more cohesive and at the same time, I kept my contrast same. I would not leave any white texture in my work. Now, I'm going to use my dark red and I'm even adding more darkness into my work. As shades. Of course. Looking like this. Looks better now. Wherever I have a twist in the petals, I definitely have more darker colors. And the darkness is obviously more. K. Again, I move on to my red color. And I add more contrast to my work. I make it more red. Then I move on to my black color. And I emphasize some of the darkness and I've already made emphasize on them, and I fight them into the rest of the colors at the same time. Here we go 13. Continue Coloring Flowers: Now I want to work on this Samza of my work. Again, I start with my black color and I apply some strong darkness for these parts of the stem. These are, these are actually the top part of the stem. Looks like petals, but they are green. So they can be counted as leaves, very small leaves right on the top of the stem and below the flower itself. So I would also work on the stem itself. I just drag a line down, straight, not messy and very clean. I use my black color in order to create it and maybe even work on some thorns. Not too much. Just a tad is enough. Here we go. And I'll do the same thing as I go down and continue my stem to the end of it. Alright? And as you can see, I am actually fading my lines. Which shapes we shouldn't have any specific lines in our work. Every line you have, you should fade them with your shadings. That's the important part actually. Okay. So here we go. Just like that. I would also apply the darkness of the leaves. They definitely have some darkness to. So here we go. I make this part even more complete. And wherever I feel like there's a depth, I will apply strong darkness on it. Because the only way to show it depth in a painting is to apply the darkness. And if you've got some messy parts or dirty parts on your work by dragging your hand on your paper and making your paper black or messy. Be sure to erase it right away. Do not let it go. Just like that. I'm going to apply the darkness to my leaf. And as I do, you can see it's coming to life. K. And of course, the upper leaf is going to be done the same way. Okay? Now I want to get another color for Coloring these areas. And first of all, I'm going to start with my dark green. So I use my dark green. Over here. I apply the color from the sides. As you can see, I'm starting on the edges as usual because the edges are darker and as I move toward that center, they would get lighter. I would also have to Color even over the black parts. So I am actually applying this color over my black, so it would not look black because they are leaves. They should be green. Okay, Here we go. I'll just continue till the end. Then with the same color. I'm also going to work on my leaves. I apply the dark green and I fade it in my work. And also I'll do the same on this leaf. I'll go from the dark parts to the light parts are going to continue in next episode 14. Completing the Color of The Flower and 3D Cutting: Okay, Now we are going to continue the rest of this tutorial together. So as you remember, I was just starting to apply my color from the darkest part of my work. And I was bringing them to the light and finding them at the same time. And of course with my green color. I'll do the same thing for this other leaf. I shouldn't just live this one out. So especially from these parts, I'm going to apply my green color in this way. Okay? Now, for my third color, I'm going to use a lighter green. As you can see my hand. I'm going to use it on the parts which have been uncolored. So you should actually add this color to your work, again from the sides toward the center. Because when you apply layers of color on top of each other, even if you don't want to take a darker, so we should be darker on the edges and sides and as we move on to the center, it should get lighter. So that's why I say each color you want to add, it's better to add it first on the sides and then in the center. Then I mean size, I mean, Of course the edges, the dark edges that we have in our work. Okay? I will have higher Hand pressure in the surroundings and edges. As I move toward the center, I decrease it. Okay. Now, I want to get the lightest green that I have. This is my lightest screen. Then you should cover all of your stem and leaves. With this light color. Just leave the center of your stem lighter than all other parts like this. But anyway, with this light color, you should cover the whole area. You can go all over your painting once was actually helps for blending the colors. And of course, making it look better. It makes your work look more cohesive. I'll do the same for the leaves. And of course, I'll do the same thing for this outer leaf. Okay? Now, you should get your white color and you should drag it over here, the center of your stem, and also on your leaves. Just to make your work completely cohesive. Here we go. I can also use a bit of my white color over here on the petals of my rows. So I can give it a nice volume and I use a bit of it for here. Furness area. Okay. I want to use some tricks to make it more 3D. As I told you in the beginning of our work, we should have folded our paper like that. And now again, as you can see, I'm folding the sides of my flower so hard. I create this line. And of course with my cutter, I'm going to separate the upper part of the paper. Again, I insist you should do this work very, very carefully. Because sometimes it happens, even if it happened for me before that, then I was Cutting my shape. My color just slipped from my hand and got into my work and it ruined the whole thing. So don't rush it. Just take your time with it and very slowly use your cutter on this line to separate it, Of course. Okay. Now I should separate this area, the leaves below the flower, because they are so delicate, I should even spend more time on it and make it, you know, better. I'll come over here doing this one as well. Next is the flower itself. I'm going to cut all around it, all around the edges. Okay, I'm going to continue this cut all the way down here. Just be very careful not to rip your work apart very carefully and slowly. Make sure you can attach it easily. Say it's a bit of stuck here. So I'm going to take it away with by Qatar again and with by hand again very slowly. Okay, this should do the trick. I'll try again. And yes, Here we go. Here it is. Now I want to do another fold from this side. This time. I want to take a bit of the leaf out of my framework. And of course, a part of my stem, the ending part of my stem, I want to take them out of the frame as well. So again, very slowly and very straight. Try to cut this area. If you can not do these cuts straight, you should definitely do them with a ruler that can help you. So try to make the cuts straight and carefully because this area is also very delicate. As you can see, we have some fine lines here. And of course, last but not least, the leaf. Again, I say, when you cut it with your cutter, don't just rip the paper. All of a sudden from the other side, you see sometimes some parts may be stuck. So you should just try to detach them and take them away very slowly with a lot of Kushan like this. Alright, so dressed as easy as that, we've got our Flower. Arrows are beautiful. 3d rose flower. Again, very, very. You feel like there's a wide part still on the edges of your work. We're used to be the cut paper. You can color it with your colored pencils. And I can even write something nice here. For example, I can write, I love you. It should fit the painting, shouldn't it? So here it is. Now let's take a photograph of it or record a video 15. 3D Photography of Flowers: Okay, Now, if you want to do to photographing or videography, you put your painting in this angle. And then with moving your camera up and down, you can get the right angle for its 3D shape. See. I can even fold this area a bit. And this is my work. This is my 3D painting in this angle. You see here it is. So beautiful. I hope you've enjoyed this one to and follow us for more tutorials. 16. Basic Sketch and The Beginning of Smurf Character Coloring: Hello again and welcome to a new episode. I'll 3D painting with me. Okay. This time we're going to create a very, very cute character, which I know is one of your favorites. It's The Smurf I want to create a 3D. Is Smurf? A little Q to Smurf. As usual, you should consider the half of the paper you're working on. And then you should start creating the primary Sketch of your Smurf with your pencil. You can do it the same way I'm doing it. They're so cute little creatures. Okay? So I'm going to create an oval first. It's actually chubby oval. It's a fat oval, as you can see. And then from here, I'll try to create its hat. In this area, I have the Smurfs ear. As you've seen in the cartoons. The ears of the Smurfs are big, almost bag consider comparing to their hats. I create two on both sides of the head. Then I erase the extra lines of my work with my eraser. And from here, I move up to create the rest of its head. Actually one of the iconic features of Smurfs are there hats. From here I come down, I create the shape of the head. I also create a circular and cute nose for him. Then I create the mouth for my Smurf. Okay. Then I start the two eyes from here. It has certain color eyes. Okay. Then I erase all the extra lines of my work going like this. Okay. Am just as easy as that. I've got my is Smurf head. So easy. Now I want to create my Smurf spotty. So from over here, I'll consider a circle in this shape. Okay, then from here, I come down and I also come down from this side as well. All right. This would be my Smurfs clothes. They also have very funny clothes. So I'm gonna get them right. One arm is actually coming out this way, stretching. And of course, don't forget about the fingers. I'm going to create the fingers in this way. This is one of my Smurfs, arms and hands. And the other one will be placed here a bit of distance. First, I'll erase the extra lines so my work would be cleaner. And then in this area I add three fingers over here to complete the second arm. Again, I erase the extra lines wherever I've got them. Just to make my primary Sketch clean. I bring the mouth a bit more down. For example. I place it over here in this shape. And now it's face is definitely Smurf. Goddess Smurf here. The only thing left is the leg. I'm going to create the legs for him. First, I come down. Now. It's foot. Actually looks like a bean. Foot, looks exactly like a beam. I'm going to create this second leg with a bit of distance. Again, I come from here. Then again I create another bean over here. I should also add a very small team. It's back. Now, I erase all the extra lines of my work. I clean my primary Sketch because I want to Start Coloring. Are going to Start Coloring and making it into a 3D painting. Okay. I'm gonna start with my dark blue for Coloring my Smurf. Then first of all, I'm going to Start Coloring from this sides and edges of my Smurfs hit very carefully and very slowly. I'm applying this dark blue on the edges of the head, or better say address of the face. You should do it. So your work would actually look clean, the outcome would look clean. Very slowly. I tried to drag this color and faded toward the center of the face. I do not overdo it and I do not make it dark. It is dark and around the edges. And as I move on toward the center, I decrease my hand pressure in order to get it lighter and spread it throughout the face. I also determine the eyes with it. I mean, I'll go around the eyes with my dark blue and I'll sit around the nose. Okay. Then I just apply light shade toward it's okay. Then I continue adding the darkness wherever I need them. And the edges of the face around the eyes, the nose, and wherever it's needed. You can actually use any other kind of sketches that you like other than Smurf. Or you can actually Sketch any kind of cartoon character that you like. Okay? So whatever character you're going to create and Sketch, just remember to do this shadings as clean as I'm doing care. And that's why that's important. I should also darken this lower part of the nose. And as I move toward the tip of the knows, I actually decrease the darkness because the tip of the nose is very prominent. So it should be lighter. I'll do the same thing for the darkness of these areas. And just like that. Here we go. Then I move on to the other parts. For example. For his ear. Again, I apply the darkness on the ear around the edges on the lines And from inner part of its ear, again, I apply some darkness. So I come to its body and I'll do the same for antibody. Okay. So from these parts, again, I bring the darkness of this arm to my work. Also. I'll do the same thing from below the head without the face. These parts should be dark hair of course. So I'm going to work on this area and the arm. I'll start applying some darkness and my work, for example, on the Hand, this is one of the fingers, another one over here. Just like that. Then for this area, again, I imply some darker spots, some lighter shades. And again, for over here, I create all of these shades with these contrasts. This is actually what can give your painting a volume and a depth. So I should also apply the darkness for here below the arm. Just the way as you can see it. Okay. Now I move on to the other arm. So just from this darkness that I've already applied over here, I started my work again and I drag it towards the arm. Can actually use it for dinner. So I can show that it's all attached there. And of course, because that's a very darkest spot and it can help me to get my shapes better. Again, I'm going to use some darkness for the fingers, apply some darkness on the fingers. And then little by little, I'll faded in the prominent parts. Wherever that is more prominent, I'm going to shaded lighter and fade actually my dark colors. So just like that, also, we need this side of the arm as well. And I am applying my darkness exactly as I did in the previous parts. Fade the darkness completely 17. Continue Coloring Of Smurf Coloring: Now I'm going to use a blue which is one degree lighter than the previous one. This kind of a sea blue. And I'm going to use it on these parts. And if you pay attention, I'm using a circulatory Hand movement. And I am dragging my colors from the dark parts toward the lighter shades and the prominent parts. So here it is. Just as easy as you can see. Then again from these parts below the nose, I add another shade like this. Then I'll do the same thing for the ear, also for these parts of it. Okay. It's looking pretty good. So from the side parts, again, just like the previous parts, I'm going to use my lighter color. I'm going to start from the dark parts and bringing it to the lighter areas. This actually blends the colors together, making it more faded, more smooth, and more natural. The belly and the front part of the body is also done. So here we go. For this Hand. I'll do the same thing. No problems there. So just like that, I'll get even a lighter blue. And again, I come on the lightest areas and I'm dragging my Colored Pencil over there. So basically, I've used a three degrees of blue color. I used three shades of blue, a dark one, I mean D11, and a light one that I'm using now for Coloring this whole Smurf. This lighter one should be applied on the lightest areas. And then for my last touch, I'm going to use my white colored pencil. And of course, as you know, I'm going to drag it all over my work in order to make this areas, these light areas cohesive, looking like they are all the same color. So very slowly. We just blend the colors and fade them into one another. With our white color. It also gives it a smooth look. As much as you feel the textures of your cardboard or paper more. This blending and also creating the volume will actually show more in your work. They would look better to try to feel the texture of your paper or cardboard as much as you can. This can affect your whole work. So wherever I have a darkness or even a light, I'm going to cover it with my white color. Okay? Now, I'm going to choose a very, very, very light blue. Just let me find it here. It's going to take some time finding the blue here. Sorry, I meant a very, very dark blue. I start applying this color on the parts which have very strong darkness. I apply this color in order to create a great contrast and Create a depth and volume that I want in my work. So I choose a very dark blue, this blue that I'm holding. And then I apply it on the darkest parts of my work to get degrade depth. Simultaneously. I work on some parts with my white and I'm just covering some parts with my dark blue, especially on the arms and around the fingers. These are some dark spots. Okay. So just like that, very slowly with a lot of patients, I'm doing it. I don't want just a splash. My dark call her lover. I can. And I should be very careful not to create any stains because in this step we're actually fading the colors. I'm getting the shapes correctly. So here we go. Going all around the fingers as well. So step-by-step and slowly I add this darkness into my work is C. Then I've applied this very dark color. How much I've got volume in my work, how much more I've got volume in my work. It already had some, but then I added this dark color. It just popped out. It's like double the volume. Got it more and show it more. So I'm going to use it on the face and ears as well, especially around the eyes and nose. Of course over here below the head. It's the same thing because it's very, very dark. Very closed up area. This part of the ear should be done to I have this darkness. Okay. As you can seem like that. Then I'll use the same color and the same process for its ear. Because we should show the depth in ER as well. I don't want to make the whole thing and the 3D shape, but leave the ears flat. It's not going to work. I'm going to try and work on it more until I get the volume that I want from it. So again, I'm going to work on some darker spots, or better say, very strong dark shades on the arms and on the body. And as you can see, I am fading all of these shadings little by little to their surroundings because I don't want any border with my colors. I don't want any specific lines or any color borders in my work. That's why I'm fading whatever color that I apply. Forget about the little team. Color it to. Then again, I switch to my light blue colored pencil. If I find it here. So again, I get my light blue. I am using it on detail a bit on the ear. Just a touch over some parts to make it even blend more antibiotic or Of course, alright. Now get your black colored pencil. Sharpen it completely. And then use it to create the mouth sheets. Create a Smurfs mouth with your black colored pencil. I'm even going to color inside of it a little except its tongue. You should feel the rest of this mouth with your black color. Then you get your red color and you feel inside of the tongue. And they complete the tongue and mouth. I'm also going to use my black color on some very darkest spots in order to get a dark shan't wherever I need them. It's only on some parts, not everywhere as you can see. The parts which are really dark. Here we go. Now, the last, but not least, of course, are the eyes. For the eyes, I'm just going to apply two dots. And then from the sides, I'm going to use my blue color to go around it. So I use my dark blue to create around the eyes and I'll do it also very fate. And then you use your light blue on them to fade them better. Just like that. And just the shade for inside of its I, a very, very light shade. Just a trace of color is enough. Shouldn't be blue. Now I'm going to create the hat and the bottom part of my Smurf. So first of all, you should use your dark blue. And then very slowly and very mellow and very lightly, you should shade these areas. Do not rush at all. Just take your time, would it? Take it as slow. So your shading will be cohesive and in one color, you don't want to create any sudden stains. Keep your hand pressure low and do some shadings on the hat. Continue the same way. For the continuous of this tutorial. Be with me next episode 18. Complete Coloring Of The Smurf Character: Okay, welcome to the rest of this tutorial with me. I was working with my dark blue and applying these dark colors. No, of course, from these parts from the back of the hat that we have some wrinkles on the hat, I would actually increase the darkness just like that. So from the bottom, just like that, I add more darkness to the wrinkled areas. And for this part of the hat, Of course, I consider this darkness. Yeah. Okay. I'm done. For now. I should also bring some more darkness from the edges of the hat. I'll do it. Okay. Now I'm going to use my lighter blue. And I'll fade this color toward the edges. Then I'll use my white colored pencil. And I will cover the whole hat. So I'm going over all the darkness that I've already applied to fade them. And I'll go through the other parts to blend the colors together. Just as you can see. This way. Then I also drag it once on the face. The same on these parts as well. So I'm gonna do it. Okay? So I'm gonna do the blending from the top of my work. So all of my colors are actually makes to each other and faint into each other completely. I don't want any specific lines or stains of colors. Now I'm going to use my gray color and I'm going to work on these parts, making them even more faded. Okay. Or this area, again, I'm going to use my black colored pencil to darken this part even more. So cute. Looking so cute. And of course these parts should be darker. So I'm going to use my black colored pencil to get the correct shades that I need from here. And again with my white colored pencil, I create a faded shape for this area. And I'll drag it up to these parts very slowly and lightly. And then I'm going to do this same process and repeat the same procedure which I've done for they had for the pants for the bottom part of my Smurf. Depends on legs and feet. I'm going to repeat exact same procedure as I did for the hat. So I'm going to apply some darkness I would apply some black color in this area. And then I'm going to use my white colored pencil to create it's faded color. Okay. Then I'm going to use some color for the feed. But before that, I should lighten my primary Sketch with my eraser because I didn't want my colors to get messy. Okay. And in the bottom parts of the shoes or the feet, the shadings are darker and as they come up they would be lighter until we get to the ankle. The ankle is also a bit darker comparing to the rest of the leg. And I'll do the same thing for the other leg and the other foot. The bottom part of the shoe or the foot is definitely darker. And as I move on, it will get lighter. I can even use a bit of my black color for this area. And of course, fading it in with my white color. The best thing for fading is the white colored pencil. Okay? So I'm going to take the lighter blue. And I cover these areas a bit. Then I use my eraser and I can add more light to these parts. And of course, I can erase all around my work to make it cleaner. I don't want it to be missy or have any extra colors are anything around my work. Alright. So I'm going to create a very, very light shadow over here. Just, you know, below the foot. Under the foot. So with that in mind, I'm going to expand it a bit more because it cannot be just a circle and that's it. I'm going to spend expand this shadow. So it would look like that. This is the shadow of my Smurf. This wide area. It looks like he's kinda falling. Probably falling out of our paper. Okay, Here we go. Coloring it nice. And I use my finger to fade it a little. As you can save and I drag my finger on it, it will get faded. Okay? 19. 3D Cutting of Smurf Character: And now I should've start cutting my work so I can make it into a 3D. So I only want this part of my Smurf to be on my paper. The rest of it should be cut out. So I am going to fold my paper from here and cut it from here. Because I want the most of its body out of my paper. I just only want this part on the paper. I'm going to start with my cutter and cut my Smurf out of this paper. I'll do it very carefully, very, very carefully. I'll do the same thing from this side. And then I have to cut out my Smurf from my paper. So I should use my cutter and go all around my Smurf to cut it out the paper. You should be very careful because this is going to be very delicate. It's kind of a complex Sketch. It has so many details. So try not to lose any of them. In your cutting process. You can just spend some more time on it. Okay. Here we go. Okay. The bottom part is almost out. Okay. Now, I separate this part as well, and then I come to the bottom of its pants and do this. Continuing all the way through here. You should rotate your paper in order to CO2 your work in different directions because you have to move your hand easily. It's a very delicate work, so it's better if you can move your hand easier and easily. So you can get up all the parts that you need. K then it goes here. And of course, this middle area. Be very careful not to tear any part of your work. This should also be cut, gets out. And The same thing is going to happen here. I'm going to cut around the arm in the Hand. Okay. So part by part, you should separate these papers and you should cut your Smurf out. Working on the hand. They even need more cautious. Small parts are harder to work with And this area is also separated and cut out. Okay. This part of the body. And my Smurf Hand again, inheritance. We are almost done. Again. I insist that you'd be very careful around the fingers. See, you should press your hand beneath your cardboard, or better say, on the cardboard so you can actually cut this part out. Okay, I just make a cut over here like this. Then again, I bring my cutter. Actually I take it from below the paper or cardboard. And I cut the smaller parts. Then I'm going to cut its face out. The face. And of course after that, the hat. As you can see, I am rotating my paper because it's easier to work this way. I want to get all the details and I don't want to lose any. Just like that. I go around the hat as well until I get to this part, the ear. So I go around the ear. And the last part, the back. Again I say, do not just suddenly after Cutting, you shouldn't just suddenly take the paper away because some parts might be stuck. I get my Kotter beneath my paper and very slowly from below, from beneath. I start cutting out my sketch, my painting. See for example, this part gotta stuck. It wasn't cut. Okay? And I think we are done. Maybe if it's of this area, again, here we go. And that's it. Now as you can see, we've separated our Smurf from our paper. We basic big cut it out of the paper. Let me just make this right now it's done. Okay, Good. And get this area to the round shape of the hat. So we gotta down. Now, I'm going to tell you how you can photograph it or record a video on it. 20. 3D Photography of Smurf Character: Okay, Now after you've cut out your work, it should stay up like this. So you can take a photograph or you can record a video from it. 21. Basic Sketch and The Beginning of Spiderman Character Coloring: Hello again and welcome to a new episode of 3D painting with me. Okay. This time we're going to do the one last tutorial of this course and we are going to create a Spiderman. So this time we're going to create a 3D is Spiderman. You can choose any other Sketch that you want, but I've decided Sketch of Spiderman. So I will darken to backup via picture. So if a sketching the work is too complex for you or it's too hard for you to do. You can use this way that I'm showing you right now. I'm just doing it for saving time. I will darken the back of my work. Then I will place it on my paper that I want to do to work on. I addressed it. Then I start going all around the lines of my picture in order to copy the sketch on my paper. With this way. So easily your picture will be copied on the paper. This is good for the times that you want to save time. Or as I said before, this would be good for the times where it's complex for you. I'm working on the legs. So I'm going all around my work, going on all lines. Also the arm and the Hand, eyes. And we've already worked on the body. I even go over the design of its close. I can also go over the shadow of our Spiderman because we need this to, you know, I also go all around the shadow. Okay. Just like that, I'll copy my work and I start sketching. And I actually Start Coloring the primary Sketch. First of all, as you know, and as you can see, I'm starting with my red color. I installed from these parts. Below my Spiderman. Spiderman is Nick. Sorry. In these parts, I work with a strong darkness. Okay? So in this way, I apply my red color where it's needed. Of course. Here we go. And do you can do this exactly as I'm Coloring this model. Okay? Just like that. So very slowly come from the sides toward the center. I come over here and I'll continue. See. Okay, I'm only applying the background color right now. And as you can see, I am not doing any shadings knows yet First, I'm just doing a background color for all of my work. Sorry. Then later I will apply some are shadings in order to get the volumes and the other stuff. So just as this I'll continue. So I will actually made all the red parts red. I mean, wherever I had red color in my work, I applied red color in here. I should also complete this arm as well. Okay. I don't want to make their head read yet. Because first, I want to do this shadings over here and then move on to the next part. So I want to start from here. I bring the darkness into my work from below the head with my black color. Again, I say for now, I keep the head on Colored because if I make that R2, it would be really hard to apply the shading where they need to be. Okay, now, from this side part, I'm going to do the same thing. Here we go. Up to these parts. I will do all of them. All the dark shadings will be applied here. So with my black color, I apply the darkness on his stomach very slowly. And it's a lot of patients, I apply the darkness in their own placement. C. I can also work on this part of the arm. Okay. So here we go. I'm bringing the shades into my work and is stars look better. I should also have some dark colors, some black colors on the edges of the arm around the lines and the fingers. Of course. Just like that, I'm going to use my red color and I want to go over these parts that I've already colored black because I want my work to look more faded. Just like that. And just as easy as that. Okay. Then I would also have to work on my Spider man's head. Now I can start it because I've already shaded below it. So I would know where is the head is placed or his neck. Now, I'll Start Coloring the head. Keep in mind you should notes Color over his eyes. They should just stay on Colored. Okay. Here we go. And then again with my black colored pencil, I will try to add the darkness for this area. Okay. I go around its head with my black color and also around his eyes. And then I faded toward inside because as I said before, I don't need any specific lines, so I have to fade any line that I create, especially if they're with my black color because they can be so visible. Then also from here. I'm going to shade this area so I can show that the lower part of his arm on his shoulder is more prominent. Then again, I guess my red color and I want to work on this part more. Okay? 22. Continue Coloring of Spiderman Coloring: Now I move to my blue color. And I'm going to apply my blue color over here. Just like that. They will be colored in this way. And it will be the same from these parts, these areas. So I applied my blue color in the parse that I needed. Then I get my darker blue. And with that, I start shading in Start obviously from the sides and the edges of the arm and hand toward the inner parts. And it would look like this. As nice, as beautiful as this one. Then again, I guess my black colored pencil and I darken this area completely. And also this area. Do the same for here too. Then I work around the arms and I apply the color over here a bit more. Then I want to work on the bottom of my Spiderman, the lower body part. So as I did before for the upper body part, I start with my red color and I start with his legs. Okay. So I just use a lot of Hand pressure in Coloring this area because I want to feel all the textures of my cardboard and my paper. And as much as you can feel the texture of your paper or cardboard, it can actually make your work look better. Every aspect possible. For example, you can even choose a Sketch or a photo in which Spiderman is flipping or jumping over some building. This kind of characters can be really interesting while we bring them to 3D paintings. Okay, then I moved to my blue color. And with my blue color, I'm going to color all the leg parts. I go up. And from here. Okay. Again, just generally, I'll create a background color. This time with my blue, with a very high Hand pressure. C. Just feeling all the parts and all the textures of the cardboard or paper. No worries. Okay. Then I should get the volume of my work with my darker blue, so don't worry about it. As I said before, it's just a background color just to feel the textures of the cardboard or paper. Now I get my darker blue and again, I Start Coloring especially around the edges and making them darker. Alright. Now I'm basically applying my darker blue around the edges wherever I need to to create the volume that I want from my picture. Okay. I will also work on the knees. Comes all the way up to here. As you can see while I'm adding these dark blue lines, it is giving my work more volume. It's giving get depth in some places, making some other parts look more prominent is getting it out of that flat shape. Even right now, you can clearly see the difference between the upper body part and the lower body part. Because I've already done the shades for the upper body part. Okay. I should also do the same thing over here. Here we go. Okay. Now, I should use my black colored pencil. And I should just bring some of the darkness into my work with my black color. As always. Just as easy as that. I'm going to start from here. I am dragging the darkness into the lower body part. In this area, K. We're going to continue this tutorial in next episode. 23. Complete Coloring Of The Spiderman Character: Hello again and welcome to the continuous of our tutorial. Alright. I was applying the darkness of the work with my black color, as you can see. And actually I'm applying the darkness the way I see them in my model picture. Putting them in the right places. Here we go. Wherever I see them, I should apply them. Just as easy as that. You just need to pay a bit more attention and go for it. So I applied and needed darkness went my black color. There ever. They shouldn't be. Then I'll do the same thing for the links. All the way down to the feet and toes. Okay. So here we are, darkening all these parts and I'll continue because Of course I should do the same thing for the other leg, especially around the ankle. Well, we should have darkness on both sides of the body. And this bottom part of the foot, of course, would be the darkest. I'm going to use my white pen this time. And I'm going to apply some white spots in my work. Some of them as you can see on the arm, Hand, some of them are on the body. So they use of my white pen. I am creating this white or better say light spots. They look like some kind of a shine or for showing the more prominent parts. This is a good trick to get them all. So very carefully. I drag them up here. Here we go. It would look like this. First you should drag your white pen on your hand like that. You should just drag it on your hand. So it would get warmed up and it doesn't get too little or too much of the white color, the white ink on your work. Just the amount that you want. Okay. I can also apply it over here on the head. Alright, it's needed for the mask basically. And that is how it's done. I'm gonna do the same thing for the arm, the shoulder, the arm, and all the way to the wrist, and even the Hand. Okay. For all these parts, again, I should use my white pen. Of course, in these parts, it's not too visible. For the legs, the red parts of the leg and feet. And doing the same thing on this other side of the body. On this other leg. Of course. You don't wanna do just half the painting. We should do it all the way. Alright. We're almost finished. This area Okay. I also apply some lines on the shoulder, right over here. And now I'm gonna do the exact opposite. Here we go. Just as you can see, I'm doing it. Now. Take your black Pencil, black colored pencil, and then from inside of these parts, one-by-one, from behind, the white areas. Apply your shades. With your black pencils. You should apply some shades right next to the white lines that we've just created. In this way, your Spiderman Sketch will actually show itself pretty well. It will pop out and it will get Ville volume K. Do the same thing for this area as well. One-by-one. I'm doing them. If you can see. Here we go. Then I move on to the center of the body, or better say to the middle of the chest. This area is very dark, so I am Coloring get with a high Hand pressure with my black pencil. Just Coloring get dark as you can see. And then I would also do the same thing on the legs and foot. So from the address from the sides, I'll go darker. All around the edges would be dark. And then I applied the rest of my shades and I tried to fade them as I move toward the center. I don't want just sustains of color. Of course, whatever color we add, we should fade it. Okay. So do the same thing for the head area and consider this darkness for it. Just does this. Okay? The darkness of here goes a bit more up. Also, again in the middle of the chest. I'm kinda creating The Spiderman logo. I put it in middle of his chest place. It's always been. Now I'm going to create the shadow of my Spiderman. I'm going to use my gray color. And is start from here because it's connected to this foot clearly. So I'm going to color my Spiderman shadow with it. With this gray color. In this way. This is the head area and the hand. Okay? Then I Start Coloring, Of course, with my gray color. I'm going to color the whole area. I'm just going to do it very slowly and with a lot of patients. But again, I say because it's a shadow, I'm going to color all of it with my gray colored pencil. Just going to cover the whole area, the whole shadow area. Leaving that spot not Colored right here in the middle because there isn't a shadow here. So I carefully just go around it. And then very slowly eye color all the shadow gray. So here we go. And it's done. And then I get a lighter gray. And I go over all the parts that I've just colored because I want to fade all of them. See. Then I go all over it one more time with my lighter color. It fades. All of the darker lines. Makes it look better. Just like that. And that's it. 24. 3D Cutting and Photography Of Spiderman: That alone, king Spiderman and just caught the Spiderman and out and making it into a 3D is Spiderman. I'm going to fold my paper from over here because we want this area to be outside. So I strongly full the parts which are not inside of my painting so I can cut them easier with Lai cutter. I've asked one is by them and let me first good. Spiderman itself. And then I can cut the rest of the paper easier, of course. So I'm using my cutter and going all around my Spiderman. Just as this see very slowly. Because you don't want to just get into your main painting. I'll go around his head. Again. I say it would be easier for you if you can rotate your paper because your hand can move more freely. And the Cutting phase, the Cutting stage would be easier for you if you can rotate your paper the way I'm doing now. And it actually reduces the risk of mistakes for you. So continue downward. And as you can see very easily, I caught that part out. I should also separate the head and from this flight of the head and can easily go down to the other arm. Here. Right from here. I'm going to separate it. There. Also some very, very delicate parts over here because they're small parts. But I'm going to very carefully separate these two bearer, say, cut them out. Right? Then this area between the legs again from this side. Just have to be sure. And I'd be careful not to cut the leg by accidents. And the last part would be here. I mean, the last delicate part, Of course. I get this part out as well. Cut it out. I cut this area out to the part just around the knee and tyrannous. Now I just have to cause the main parts so I can separated from the rest of the paper. So from here I cut it. And as you can see, it's coming off. The extra paper is coming off. So I cut out my Spiderman from my paper that bad. Then I use my dark colors in order to go all around the edges of my work. If I see they are still white because we don't want to leave any white parts in our painting. And also, I use my Kotter again to cut out these parts, these small parts from between the fingers. And then of course, I use my orange color to go around it and cover all the white parts. Notice. Okay. It goes like that is Spiderman. And then I fold the Spiderman a little up, aren't they put it like this? And now let's go to see how we can photograph and let's see that's too bad. Okay. Now, if I move my phone and I'm based this angle, and you can see a Spiderman is actually spending out of the paper. So I can take photographs of him and this angle to make it 3D. I hope you've enjoyed this tutorial as much as you, and I'll see you in next courses and next tutorials with the naked