Wild Page Adventures: A Playful Introduction to Abstract Mark-Making! | Katie Simmons | Skillshare

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Wild Page Adventures: A Playful Introduction to Abstract Mark-Making!

teacher avatar Katie Simmons, Digital Artist | Perch Handmade

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      2:39

    • 2.

      Materials

      10:56

    • 3.

      Wild Page Adventure: Part 1

      5:31

    • 4.

      Wild Page Adventure: Part 2

      8:42

    • 5.

      Color Study

      13:56

    • 6.

      Foraging for Tools

      1:42

    • 7.

      Foraged Object Mark-Making

      16:31

    • 8.

      Thank You!

      2:33

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About This Class

Have you ever wanted to let go and explore your creativity, but felt too scared to try?

Don't worry, I've been there too! Hi, I'm Katie Simmons, and in Wild Page Adventures: A Playful Introduction to Abstract Mark-Making, I'll show you just how fun and easy it can be to unleash your artistic side.

In this class, we'll go on a wild adventure of mark-making and abstract art. You'll learn the basics of mark-making, including how to create different types of marks, layering techniques, and how to use a variety of materials, including acrylic paints, colored pencils, watercolor crayons, and more. We'll also explore the world of abstract art and how mark-making can be used to create unique and expressive works of art.         

                 

Don't worry if you're a beginner or have no prior experience with art-making. I was in the same boat until I turned 40 and tried painting for the first time. I know how it feels to be scared of messing up, but I'll be with you every step of the way to provide support and encouragement.

By the end of the class, you'll feel confident in your ability to create abstract art and explore different mark-making techniques. So let's have fun, let go of our inhibitions, and explore the exciting world of mark-making and abstract art together!

Join me, Katie Simmons, for a playful and supportive class that will help you unleash your creativity and explore the joy of art-making.

READY TO INFUSE YOUR LIFE WITH CREATIVITY? SIGN UP NOW FOR EXCLUSIVE ACCESS TO CLASSES⎯ SKILLSHARE TUTORIALS AND A TROVE OF PROCREATE & AFFINITY DESIGNER ASSETS!

Meet Your Teacher

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Katie Simmons

Digital Artist | Perch Handmade

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Level: Beginner

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Transcripts

1. Introduction: Have you ever looked at a blank piece of paper and really felt intimidated by what to create. I used to feel the same way, but then when I hit 40, I decided to just let it all go. I didn't want to let the fear hold me back any longer. I'm here to help you get over that fear as well. In today's lesson, we're going to just work on mark making. We're going to use a variety of mediums from acrylics to gouache, watercolors, crayons, colored pencils, you name it. Whatever you have on hand is perfect. And you know what the best part is. You don't have to be artistic to make marks on a page. To remember when you're a kid and used to just have fun coloring and creating art. Let's get back to that point. We're not going to stop there. We're also going to dive into the world of color using a monochromatic color palette to see how the colors blend together and the different mediums work together to create some beautiful abstract pieces of art. We'll experiment with layering and blending and creating new textures using everyday objects from outside your house. We're going to create marks and test them down on the paper so that maybe you can use them in patterns or textures later on in different pieces of artwork. I'm Katie from perch handmade. I hope by following me and exploring these different techniques, you'll be able to let go of your inhibitions and just see what happens. So let's get ready to start the first lesson where we'll go over the materials that we'll use in class today. And just have fun. And remember, you don't have to have all the supplies in the world. You just need something to color with and some paper to put it on to start with those, grab those and meet me in the next lesson. I can't wait to see what we create together. 2. Materials: Okay, friends. Are you ready to go on this wild page adventure with me? We're going to begin by going over our list of materials will need for this class. Let me begin by emphasizing, you don't need all the top quality anything. You just need something that's going to make some marks and something to put that mark onto, whether it's a canvas, a book, paper, what have you? We're just beginning with the super basics, right? But I'm going to show you the things that I use now and maybe it will inspire you to try them out as well. First off, let's look at some paper that we can put our marks onto. I began making marks and painting using the Canson, the 11 by 15 watercolor paper. This is a really great beginner paper for your watercolor or gouache or acrylic mediums because it's nice and thick. It will hold up to anything. Come on, look at the size of this. All you need to do is tear it out and cut it down to your size. If you don't, if this size intimidates you too much. I know about intimidating size. And so when I started sketchbook, I'm using a sketchbook. I started with this little small one from this one's from Stillman and burn. And it's there delta series. It's kind of got an ivory ivory color to the paints or to the paper, Excuse me. But it's again, a really nice thick quality. And it's all about just making various marks on your page. For beautiful paintings. I love the drips. If you do want to go a little more adventurous and the bigger size, Stillman and burn also has the larger size. And that's what I'm going to be using today for creating my marks. I'll also use the Canson watercolor paper today. And one more kind of fun, tricky thing that I got into doing is painting in books. And some people are like gasp, like, Do you really want to paint inside a book? And for me, I've found some of the old books have really nice paper. And it's fun to find an old encyclopedia. This one is a flower encyclopedia that I can create different abstract works of art and we're gonna do that today as well. Let's begin by talking about the paints or color supplies that you are going to use today. I'm going to use today. There's so many to choose from and it can get overwhelming. I understand that I first started with watercolors. I love good watercolor palette. This is a beautiful one that my friend created for me and painted all the color swatches for me so I know exactly which color is there. And it comes with the handy palette to put your watercolors down onto and mixed lunch you. Color pencils are really fun as well. And I love these super Furby colored pencils from Lira. They're from Germany and they come in that fun tin. They're all solid wood, but they're really vibrant colors as well. And I don't know if you can see this. But the kind of have a triangular feel to them or FIT, sorry. And so it's really comfortable in my hand and it's a bigger colored pencil. I really loved the obese from Lira. And another special thing that I've learned about recently is the crayons from Lira that our watercolor paints. So when you color with them and add water to them, you get a watercolor look to them. But they're crayons. They're crayons. You guys. They're really fun. But like I said, you don't have to have the really expensive things. I have all of my crayons down here. I have markers, I have pens. They're all on hand. I love if I want to do just pen marks, the mono line pens from The Pigeon Letters are really fabulous. I don't know if you can see that. They're really nice, kind of rounded tip. If you can see that as well. Which means that when you're writing on the page, whatever angle, you're going to get a good color to it instead of some some brands. If you tip it, it kinda makes a scratchy mark or no mark at all. But I also have like gel pens that are a lot of fun, lots of options. I also am really enjoying acrylic wash right now. There. It's kind of like a mix of an acrylic and watercolor. It makes a good solid color. And you can add water to it and send it down a little bit. So it's kinda like a watercolor, but it's going to dry so that once it dries it, you're not going to mess it up if you add water to it later on. Having just good acrylics is something really nice to have as well. I love the texture and the buildup that you can get with acrylics. But again, just go to your local craft store and pick up these for a couple of dollars and you can have so many colors to choose from. I'm really digging the fluorescence these days, which brings me to these golden high flow acrylics. I don't know if you remember, but the page that I showed you a minute ago has the drip marks and I'm really loving doing that right now. And that's the look you get with these the high flow acrylics. You can also use your paint tubes. Watercolors. I use I usually use Daniel Smith's or Windsor Newton's. Paintbrushes. Paint brushes are super important, but also not necessary. You can use your fingers as well when you're just getting started there, your fingers will make great marks on the page. But I love having different shapes, whether it's a round brush or if you've got the flat brushes that are really nice. Old credit brushes, really great. I don't know if you can see that for creating, you can cut the tips on them and it will make even better marks on your page. Just a lot of dimension to them. Another thing you can do, go to your kitchen, find a spatula, and you can use the bat to dip through your acrylic paints. Or this is a kid's toy. It's a little scraper that I can use as a palette scraper for scraping the paint across my page. Another great, great use for things that you have around your house. If you have kids, I have multiple kids and I've had so many extra school supplies at the end of the year. Use those watercolors, use those crayons, use those colored pencils. They're gonna be perfect for just getting started. And later on, you can build your supply up like IF other essentials you're going to need for getting started today, a paint palette of some sort. I have this cute little one from Peggy Dean at the pigeon letters that she handmade. And but you can also use just Tupperware container lids, like the ones that you're just going to throw away from your dairy containers. Also some extra rags or paper towels and some jars to at least two jars to have your water for cleaning off your paint brushes. I like to have two so I can put like clean off the cool colors in one and clean off the warm colors and another that when he doesn't get quite so muddy, you can also just use old extra jars. That's what I usually use as well. But today I'm going to use that my son just made and in his pottery class. So far, that's about what we're going to be working with today. Have whatever you want to use on hand to get started in the next lesson. Remember, this is just a jumping off point. And you can jump off with as little as you want. So if it's just crayons today, just get the crayons out. But if you want to adventure into something bigger, get the paints out. Okay? Because there are a lot of fun 3. Wild Page Adventure: Part 1: You have all of your materials ready. And we've looked through all of the different paper supplies and different things that you can use to create on. If you happen to go to the thrift store and grab a book, Why don't you grab your thrift store find now? And we will get the pages ready and we'll get started on that lesson. So using the thrift store book that we got, I'm going to start preparing the pages. You can paint directly into the pages, but I like to start with some Gesso. First, to create just a barrier to help it hold your paint better or your art work better. Here's some of my drips. And even with the JSR, you can still see the words coming through, which is something I really like. I have some pages already prepared. But let's go through and I'm going to show you how to do this first. So I like to shake it up a little bit, make sure it's all ready to go. They're usually some directions on how to use it to prime the surface. This one does say to take 24 up to 24 h for it to dry. But I liked doing really thin coats and using a hairdryer to dry it up best. You may use it on diluted, which is usually how I like it. And you can add water to thin it out. Depending on what medium you're painting onto. You don't need very much for this page. But this is the Liquitex acrylic Jericho. And just get a bigger brush to just start painting over the areas you wish to paint onto. And pay attention to how thin or thick it's going down. And I like to just go over the words. I love keeping the pictures visible and not painting over those. But whatever your choice is, is perfect. You know, whatever you choose to do. And if you choose to just paint right onto the page, you can do that as well. I like to just kinda feather it out a little bit. And I like see how you can still see the words coming through. I kinda like leaving the titles. So this is just a little small spot to paint all the words. And then limit you this page as well real quick. And then I'll get drier, hairdryer, the blow dryer to dry it out. I mean, a tiny bit more to finish this page. But you get a good amount in that bigger bottle, which is better price-wise to get. Because you can use it on all these pages. Because look, I've got hundreds of pages to go and sometimes they'll do a couple of pages ahead of time. But mostly I'll just do one at a time or, you know, the open folds together and get them dried out. And you're just ready, ready to paint for your day. Like I said, I am new to all of this. So if there are better ways to use this, I'm sure there are, but this is how I use it. This is how I do it. And if you find a better way to do it or learn a better way technique, then use that technique as well. But I'm just showing you how I do it and making it really simple. I put my brush down, I'll get the hairdryer. This part is going to be a little bit loud. So now you have your page, it's all dry. Let you touch it another and we're ready to get started on painting or making our marks on the page, grab some binder clips. I forgot to mention these earlier. Something that's really great to have that just help hold your page down while you're working and keep the page from lifting up when you add the water or paint to it. Another thing, get some music going. Find your favorite album, or scroll through your playlist. And I find something that you really enjoy listening to and to have fun and get creative 4. Wild Page Adventure: Part 2: Let's begin by just creating marks on our page with our drier mediums. I'm going to use my colored pencils. Those lyrics do prefer bays and just some crayons. I picked a few colors. We're going to begin by just making some marks on your page, right? I'm going to start off with maybe this nice purple and start by just making lines. You don't have to stay on the Jess owed part that we just painted. Used up your whole page. Go over the words if you'd like, because it creates a different textured element. If you want thicker lines, make those thicker lines as well. Another thing that's really great is try holding your pencil from the end and creating circles and see what happens. They're not gonna be perfect. And that's exactly what we want, right? Or maybe you do circles inside of circles, right? Just see what you can make by letting it be loose. Because he can always color those in and create a different design later. And test how your circles are when you are holding them down at the end where you're more comfortable. See how the difference in the colors. It's really dark and these are really light and a little bit not perfect where these are a little more perfect. I'm going to grab some color and fill in some spaces. Because that's a fun thing to do. Think of those days when you were little and just coloring in the lines or color outside the lines and see what happens. Make some wolves squiggle lines, or close your eyes and see what happens. When you have your eyes closed. You have a little more freedom on the page because you're not paying attention to where those lines are coloring, right? Try your less dominant hand. I'm right handed, so I'm trying left-handed and seeing what happens, right? It's all about just experimenting on the page. Sometimes you'll get making your lines and maybe you'll notice a pattern beginning, right? And you can work from there as well. It's just about being creative, listening to that beat in the music. Maybe you got a really great beak going. And you're sticking with that beat. Just see where it takes you. Again. We're not emphasizing on anything being perfect. In fact, we're trying to not be perfect at all. Try holding your pen or crayon in a different way, right? And seeing what happens. I think I'm done with the dry stuff now and I'm going to get started on some paints. I'm going to go with something really bright to add to this color here. And I'm also going to have another color that I can mix it with. That one. I'm gonna do this metallic. It's kinda fun. She come up a little bit every once in a while. You don't need a lot on your palette or tupperware lid, whatever you're using, right? And I'm going to begin by using Just my kids scraper, right? And letting my paint down on the page and seeing what happens. I love acrylic because you get that thicker texture happening. And it's kinda fun to just leave it like that and rinse off your scraper. Sorry. Use paper towel or an old rag and dip into another color and see what happens. I like pulling the colors through each other and seeing what happens. Hello, how the colors are mixing as I'm using them. It's always really great since I've got these big thick chunky pieces to find a smaller brush to create some details. This is my number four round brush. And then I can go in, make dots, create texture that way. Maybe I'm dipping into another pink color so that when I'm pulling it, I can see the different colors pulling through. I really loved doing that and pulling it through other colors. Just makes me happy to see those colors mix. Sometimes though, if you've got too many colors mixed, it will get money. So pay attention to whether you're using cool colors. These are both cool colors, so they're not going to get you money. But if I use a cool color and a warm color, and then the colors might get money. But it's all just about experimenting on your page and seeing what happens. And maybe using those little circles to fill them in different colors. What happens when you pull your acrylics across different mediums? You can do the same thing with your watercolors and see what happens when you pull a watercolor across your crayons. Because of the wax, it will lift off and it won't connect. I'm going to let this page dry. Another really handy tip is using wax paper and trimming it down to size. When you do close the pages after it's dry, you can they won't stick to each other. So let's sit tight on this one and move on to our next project, working in our, the watercolor sketchbooks. Alright, so let this dry. Take a break if you need to, and come back in just a minute? 5. Color Study: You've just created your first piece of mark-making in your thrift store find book. So now let's jump into another project where we're working on our colors and specifically a monotone color palette. Let's begin. I've already picked out some colors. I'm gonna go with this green palette and various shades of green. And I have another watercolor in my tin here. Pick out like three or four different mediums that you want to work with. Whether it's gouache, watercolor, crayons, colored pencils, whichever you choose, we're going to work in a single monotone color palette. So I'm just doing all different shades of green for mine, but you can choose whichever ones you like and have fun with it. What is your favorite color? What is the color? Maybe you don't usually work with chew something fun. I'm also working in my Stillman and burn my larger watercolor sketchbook. You could also work with the watercolor paper you have for this project, but try to keep it at a watercolor paper. That makes sense. You know what? I'm going to add one more crayon in here. And it's going to be my watercolor awkward real color. Crayon, watercolor crayons from Lira. I'm gonna do that one as well. I'm just going to get everything ready to go and get them onto my color palette. This one, I already have one picked out. I'm gonna go with this cobalt green. And I'm going to take the little palette out here to get this one ready. It needs a little water added to it. And I have this little spray bottle that's nice to get things. Add a little water to get it, get it going. Just to start. Then I'm going to add my wash, which is nice, nice, bright green. And I don't need a lot because I will add water to this as well. And I'm also going to use this fellow green watercolor from Daniel Smith. I'm going to just put that over here. This is just time to get everything ready. And my awkward real doesn't need any prep. My crayon for sure doesn't need prep. I'm going to find a blank page and open up to that. And this is when those binder clips are really come in handy to help keep your page open and flat. I'm going to go with my dry first, which are my crayons and this one will get wet. So I have to remember that when I'm working with this one that once I pull water through it, it's going to change how it will look on the page. But that's the fun part because I don't know while I'm first putting it down, how it's going to be. Well, I'm going to start with this regular crayons first and maybe work this one through. And remember, we're just making the marks on the page. I'm going to start with some lines that I can fill in later, just making those marks. And I'm also going to put some of these things to it. That's just kinda what I feel like doing. See what happens. When I add the water to it. This side, I'm gonna kinda come across it in. See what happens. I'm going to take that brush that I cut the tip on. You can see I just created just cuts in it so it will make a fun little pattern. First, I'm going to add some water to my gouache. Will always want to add just a little bit and start out a little bit at a time mixing it. I'm just going to push that brush down there because I'll probably use it, but I want this brush to start out kind of dry. And I can tap it off to see how it looks. And I like the little marks that it's making This is how I make patterns as well, but that's another story. It's just great to add some texture to your artwork. I just dip that in water so the texture is going to be different now. Okay. Love what it's doing. And because this is the gouache, I can add the water to it fine and dilute it some, right? So you get a little bit more of a watercolor a feel to it, the more water you add to it. But once it dries, know if you could see this right now, but the watercolor crayon is blending out. And it's just about experimenting so you can kind of mix the water with this and the gouache. And they'll kind of be a little bit more like a watercolor painting. With the blending out that you can get from it. You can just kinda let it do its thing, which is the fun part about watercolors. See that one's starting to dry already, so it's not doing anything and blending as much. Now it's pulling up because of the wax from the regular crayons right there. Start making lines here, two different swirls, textures that you can get from different brushes. Traveling my smaller pigeon letters brushes. Now I'm going to add some water to this little green watercolor. One. I really want to blend down a little bit and then C, or add water to it quite a bit. See what happens. First is the other ones. I love the colors, I love green, it just makes me so happy. I live in a very green environment at the Oregon coast. And we have big forests that go right to the ocean. So it's green all the way to the beautiful blues. And some days you really see the blues and the greens. Mixing together. Reminds me of this. Hello, what's happening here? With the mix of the watercolor and the mix of the wash. And love seeing the water kind of repel away from the as well. Go ahead and get your hands in there. Because it's all about experimenting. Another thing that's fun to do, It's just getting water. On your page. See how when it mixes with the watercolor. Crayons. Get that different lip there. It's really fun. You get that pretty bleed that's happening. I think it's so fun. It's so powerful with these crayons because it just kinda pops. Let's see what happens when I take this one that I've added the water to know a little bit more. And then you can work right out of the pot. Just make marks. Well, yeah, that's more of a gray green. It's interesting because this one said cobalt, but it was a different manufacturer versus the gouache that also says it's a cobalt green. Those are two very different greens. It's just fun to play with your colors and get dirty and get messy. How does it make you feel? Just sitting here painting away. Do you feel anxious because you don't know what to paint? Or is it a little more freeing because it can just be a marks of mess. I feel like it's a little freeing having these marks of mess on the paper. Because I'm not trying so hard. I used to try so hard. And I never thought I was a good painter or I wasn't creative and artistic because I had thoughts of like museum style paintings in my head. And of course, we're not going to start that way, right? Nobody starts that way. Everybody starts as a mess. And I think a mess is pretty beautiful. What's your favorite music on? And sit back, fill up your page and have fun. 6. Foraging for Tools: Let's get prepared for this next lesson. Our next lesson, we're going to be working with items that we've foraged out in the wilderness for or just outside our home. Actually, some things we would like to look for are twigs or leaves. It's a great time to get any new plants or pine needles, anything you can think of. I live in the Pacific Northwest, so I can go searching out in the woods or I can go searching out at the beach. Have fun exploring and seeing what you can find to create different marks on your page, you'll be surprised at how many different things you can find when you just get outside. Another really quick thing to say is if you do bring them inside or if you have a couple of days in-between this picking them out and painting, maybe leave them outside and an open air container. So any little bugs can get out, go free. Then you can work with your items later. Have fun exploring. And I'll see you in just a minute. 7. Foraged Object Mark-Making: Did you get out into the wilderness? Did you just get outside in your neighborhood? Let's be honest, maybe not the wilderness or maybe sometimes it feels like the wilderness. I don't know where you live, but I hope you are able to get outside and let's get ready to hop into this next lesson. Now that I've chosen a few of the items that I collected on my little walk through the woods and on the beach. I've picked out a few that I think would be great for making texture on my page. Set those aside and get my paper ready. Let's get our large watercolor paper ready or whatever size you have that handy. And I'm going to create various little boxes on mine so that I know where I want to have them separated. And I have 123-45-6789 different things. So that's perfect. I can put this into nine separate boxes. And I'm just going to use my acrylic paints for that. What we're gonna do is make some patterns using, using your textures. And you can use them later on in different designs. But that way, if we have them separated and using a dark color, if you use it in a different digital design later on, then you can really isolate them better. So I get my paint ready to go. And I'm gonna do a little bit extra just because I have a lot of different designs. And I can also just really easily take a little brush and leaving my smaller brush. Just have a quick, a quick line. So I'm gonna do each direction into thirds. That'll give me nine boxes. Doesn't have to be perfect. Just so I know they're there. You could do it with a pencil if you don't want to put it down on page this way. But it won't be a part of my design later, so it's fine. And probably do this spot here. I'm going to start out with this cute little pine bunch. And for these, the best is to kinda tap it off and just get the edges of your you don't want it really thick and spots. We can just see what kind of marks. Those may be a need a little bit more. Love those little dots It's making. And that's really cool for a texture or a background that I could use later on in my digital designs. So that one went down a little thick, but that's okay too. Like that. Alright, I'm gonna move on to the next piece. So the next one is my shell that I picked up. That one, I'm just going to dip in and put on the page and see what happens. I think this one works a little bit better at an angle because of that sharp edge. But I liked the lines that it's making. Every side is gonna be a little bit different. Put them in. These could be really cool digital lines in a pattern that you make later on. And maybe that's where you'll find this later for me. I like to have a lot of different variations of it. I'm also going to see what happens when I tip it over. Can you use a different side? Because of the edge, it's not going all the way down, but that's okay. Later on I could isolate each of these in Affinity Designer in the pixel persona. But it's fun just to see what kind of marks you can make. Alright, Next, I really interested in this piece and I don't know how it's gonna work. I would love to be able to get this texture down on the page. But it might not work the way I want it to, but that's where we're just going to try it out. I'm going to take one of my brushes and I'm going to apply the paint to the texture on this piece of bark. And we'll see what happens. Of course all the pieces are coming off. But that's okay. That's what happens when you're working with nature, right? Okay. Here we go, we'll see how this works. You guys didn't quite work because it's got a little bit of an edge to it. But what happens if we do this side? Fill it all in. See what happens. Nice little layer on it, not overly thick. Thick enough so it will come off on your page. I kinda like the lines that's happening here and then that slide got a little too smushed. It can kinda see the difference in what came off on the page, but I kinda like those lines, gives up fun texture. Alright, I got to wash my hands off real quick. I'll be right back. Get the dirt off of page. And we'll go on to the next one. So this piece is a piece of charcoal from a fire on the beach. So this one's nice because we don't even need a dip. It, it's just going to make some marks on its own. Fantasy that was marked across the paper. I'm at C. That's the fun part of this. I'm going to get rid of that excess. So those lines, so it'd be really fun later on to use in a different piece of artwork. Or maybe you're going to take this and make a whole piece of art. So I also got these cute little ***** willows. And I want to see what happens. What sort of shape I'm going to make with the placebo? Cute little, its own little pink brush. But the shape is really its own. It's creating this little piece in the back here. Depending on how hard I push down on it. You can also come in here and dip the edge of it and do your own minds. Kinda cool texture to them as well. Let me get that piece out of there, those little piece of grass. All right. So what do we have next? Oh, I'm gonna do these little pine cones because these made me so happy when I found them into words. The cookies, those are, look at them. They're just tiny little pine cones. Alright? And I'm going to dip a man, me, I'll put them in this side. That's a little bit. Be a little bit. Okay? This one almost looks like a thumbs up. I like it when it loses some of it. But it's all a lot of fun little patterns that I can use. Lots of texture in all of those. Okay, What else do I have? This mosque? This one is gonna be a little tricky. Maybe I'll dip it and just barely tap on that. And when to use my spatula to help in there a little bit. I think that's going to be some cool color. Then then. Yeah. How fun is that? You can do that again. And it's just experimenting, right? Creating textures on your page. Because that's all we're doing is mark-making, right? Alright, I've got two more slots. So have I done, I haven't done the graphs. I haven't done this little little bee truck. I'm gonna do the beat truck first. One. Let's see what happens when I do all of the edges. It's just kinda fun. You feel like a kid again went back at this. Let's see what happens if they can make it go. Continue to go without touching the edges, rolls around and get it to go. Getting messy. You guys you getting messy. I feel like those lines as well. I don't know if you can tell what I kinda like the lines. Think they're my favorites so far. Oh, she's my rag because we're on to the last one. I'm going to get messy again. Okay, Let's see what we can do with this one. Wonder, I'm going to try something different. I'm going to have it be a relief or is that what it's called? Where I put the paint down on top of this, I'm going to water this down just a tiny bit. Someone was getting a little dried out. Sitting here. They don't ever usually have a problem when I add a tiny bit of water to my acrylics. Okay. Remember that's my kind of crusty brush that I had earlier. And we're gonna see what happens with the negative side of having the texture down and painting on top of it. And what we get when we lift it up. A little bit, a little bit unpredictable, right? So I have some of those lines in there. That's kinda cool. I'm going to try doing that here. It's dragging its own lines through it as well. All right. Gang a little messy here, you guys, but here are my different colors, my different patterns by different textures. I'm really loving this one and maybe I'll make a Procreate brush with that one. I loved these lines which I think I will make some sort of pattern with. And I love the texture from the charcoal as well. I hope you had a lot of fun. Let's get cleaned up and I'll meet you back here in just a minute to go over what we learned today. 8. Thank You!: Great work everyone. You guys have done an amazing job getting over that fear and getting your marks onto the page. You've explored some new techniques that I hope that you can take into the future and keep creating and just letting your fear diminish and your artwork grow. I hope I've inspired you with my journey of getting over that fear and pushed you a little to step outside the box. Sometimes just getting those marks on the page is so much easier than thinking about creating a whole artwork. I love abstract for that reason because it's really how it makes you feel. Remember, the goal of today's lesson was not to create the beautiful works of art, but to just learn the different techniques for mark making and to explore and get, get a little messy, stick with me. And we'll go on a great adventure of learning new things and creating together. Follow me to stay connected. You can find me on Instagram at perch handmade. And if you feel like you really enjoyed this class Lieber referral, I always love hearing how you guys felt. If you do post to Instagram or social media, use the hashtag creating with pH m, That's perch handmade, then I can share your artwork with my community. My commitment to my community is making sure that we're staying connected. And I also give out freebies every once in a while. So put your name in the box, check it off, join the list. I know we all have these lists. I promise I won't send too much your way except for some freebies and helpful tips on my blog. Make sure to also share your project with the class because it's inspiration to everyone out there to learn something new and try making those marks on the page. You'd never know who you're going to inspire. Thanks for joining me on this wild page adventure. I'm Katie from handmade. I can't wait to see what you create in the future.