Tiny Art, Big Joy: 5 Simple Daily Drawings for a Creative Reset in Procreate | Laurie Russell | Skillshare

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Tiny Art, Big Joy: 5 Simple Daily Drawings for a Creative Reset in Procreate

teacher avatar Laurie Russell, Digital Artist | Illustrator | Educator

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      1:24

    • 2.

      Tiny Fruit

      8:41

    • 3.

      Tiny House

      10:53

    • 4.

      Tiny Plant

      9:40

    • 5.

      Cozy Mug

      11:01

    • 6.

      Cute Critter

      9:31

    • 7.

      Wrapping Up

      0:36

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About This Class

ABOUT THIS CLASS:

If you’ve been feeling overwhelmed, creatively stuck, or just craving something simple and fun to draw, this class is your creative reset.

Welcome to Tiny Art, Big Joy, a five-day illustration challenge designed to help you reconnect with your creativity through small, playful drawings in Procreate.

We’ll draw five tiny illustrations together: a fruit, a cozy house, a leafy plant, a warm mug, and a cute little critter. Each drawing is quick, beginner-friendly, and intentionally simple. Every day also includes a gentle affirmation to help you keep your art practice light, joyful, and pressure-free.

This class is all about ease. No perfection. No stress. Just tiny art that builds confidence and momentum.

To help you follow along easily, I’ve included a free downloadable color palette and a Tiny Art brush in the Resources tab.  However, you can also use any pencil, pen, crayon, or other texture brushes that come free with Procreate.

And if you’d like a little extra support, you can download an extra optional resource here. It’s my Sketching Simplified ebook that will help you loosen up, sketch with confidence, and enjoy the drawing process even more.

Whether you’re new to Procreate or a seasoned artist looking for a creative reset, this class is a cozy, encouraging way to bring more joy into your drawing routine.

WHAT YOU’LL LEARN:

• How to create five simple, adorable illustrations in Procreate
• How small daily drawings can help reset your creativity
• Easy techniques for line work, color, texture, and shading
• How to keep your drawing practice light and pressure-free
• How to build a tiny, cohesive illustration collection
• How to follow a gentle five-day drawing challenge
• Tips for staying playful, relaxed, and confident while drawing

IS THIS CLASS FOR ME?

This class is perfect for:

• Overwhelmed creatives who need a reset
• Beginners or returning artists who want something approachable
• Procreate users who want quick, confidence-boosting wins
• Anyone who loves simple, cute illustration styles
• Artists who want to reconnect with drawing for fun

Basic Procreate knowledge is helpful, but you don’t need to be an expert. I’ll walk you through each drawing step by step. If you prefer drawing traditionally, you can also adapt the class to a sketchbook.

MATERIALS & RESOURCES:

You’ll need:

• An iPad with Procreate
• An Apple Pencil or stylus
• Or a sketchbook if you’d like to work traditionally

Available in the Resources tab:

Free Tiny Art brush
Free downloadable color palette
• Optional bonus: You can download an extra optional resource here

LET’S GET STARTED!

Tiny art creates big momentum! Take a breath, trust yourself, and let’s draw together. I can’t wait to see the sweet little collection you create, so make sure to share it in the Projects area of this class.

Meet Your Teacher

Teacher Profile Image

Laurie Russell

Digital Artist | Illustrator | Educator

Teacher

I'm Laurie Russell, the illustrator and designer behind Pawsitively Creative. Based in the Pacific Northwest, I've spent over 15 years as a professional Graphic Designer and Illustrator, collaborating with diverse clients across various industries. I've been teaching digital art online for the last 5 years, with my main focus area being Procreate on the iPad.

But here's the real story: for me, creativity isn't just a job - it's personal. I founded Pawsitively Creative to blend my passion for art with a mission to inspire joy and make a meaningful impact in my community. I proudly donate 10% of my profits to animal advocacy org... See full profile

Level: Beginner

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Transcripts

1. Introduction: Hi, friends. Welcome to Tiny Art Big Joy. I'm so glad you're here with me. This class is all about creating small, playful illustrations that feel light, doable, and uplifting. No pressure, no perfection, just tiny art that brings big happiness. Over the next five days, we'll draw five little pieces together, a tiny fruit, a tiny house, a tiny plant, a cozy mug, and a cute little critter. Each one is quick, simple, and designed to give you a creative win without taking over your day. This whole class is built on one affirmation that's guiding my own process, too. I'm allowed to keep it simple and fun. If you want to borrow it, please do. It sets the tone beautifully. You only need your iPad and Procreate for this class, but you could also do this on paper with pens, pencils, markers, anything you choose. I'll walk you through each piece step by step, and you'll finish the week with a sweet collection of tiny illustrations that you can share or simply enjoy for yourself. Tiny Art creates big momentum, and I'm excited to draw with you. So let's get started. 2. Tiny Fruit: So Welcome to day one of Tiny Art Big Joy. Today we are starting with a tiny fruit, something that's sweet and simple to warm up your creative muscles. Our affirmation is, I choose sweetness today. Remember, we're keeping this simple and fun, so grab your stylus or your pen. Follow along with me, and let's make this cute little tiny fruit together. I'm going to start with a standard square canvas, but you can do this at any size. And like I said, you can also just do this with paper and pens as well. I always like to sketch things out first, even if it's something pretty simple. So for this strawberry, I'm going to do almost a heart shape. And now we're going to mark out where the stem is gonna go. And I always give my little characters a fun face. Now, this is a little bit too big. I want to have room for my affirmation, so I'm just going to click the transform tool here and shrink this down just a little bit. Okay. That's step one. Really easy. Now what I'm gonna do is add another layer. I'm going to move this sketch to the top and change the blend mode here to multiply, and then reduce the opacity quite a bit so I can draw on top of this. For my illustrations, I really like this crayon, but you can use any brush or tool that you want. For the strawberry, I'm going to use this red pink side of the palette here. I'm going to grab this middle color here. See how big is this brush. It's a little small. Let's go up a bit. And then I'm just going to trace over my sketch. And it doesn't have to be exact. It's just something to start with. Grab the color and just drag it in there to fill. For the stem, I'm going to do that on a new layer. Grab this green here. And I want this to cover up the top of the berry just a little bit. Same thing. Grab and color drop. And now, really, we are already almost done with this illustration. These are supposed to be quick and fun and not take you too much time. Just get you back into a creative habit. Let's add another new layer. I'm going to choose just almost a black here and draw my little face on. Now, you could absolutely add your affirmation and stop here. I like to add a little bit of texture, and there's a lot of different brushes and ways you can do that. I'm going to add a new layer above both of these. Change the blend mode to multiply. And tap on it and change it to a clipping mask. What this will do is it will keep the texture within each of these. That's another great reason to keep them on separate layers. I'm going to grab my crayon brush here. Make sure I've got my green color. And I'm on the clipping mask layer, not the actual color. Let's go ahead and turn the sketch off. And now, when I put this texture on here, it's going to stay right within that green. Let's do the same thing for the strawberry. I'm going to tap and hold this time to sample that color, make it really quick and easy. And I'm going to use a little bit bigger brush just so I can cover this area a bit more quickly. And I don't know how much of that's coming on camera, but you can see there's a really nice subtle texture on these. The last thing that I like to do on my strawberries is add the little seeds. Let's go ahead and add a new layer at the top. I'm going to grab this yellow here and go back to my crayon at a smaller size, and just kind of add these wherever it feels right. They don't have to be any specific shape or size, just kind of randomly adding these on here. Now, what I'm going to do to make these look like they're integrated with the strawberry is come to my adjustments menu, gauge and blur, and just slide that over a little bit to kind of blur those edges. The last thing I'm going to do is duplicate these, swipe to the left. On the lower layer, I'm going to turn that black. A really quick and easy way to do that is to go in adjustments and turn the brightness in the saturation all the way down. Then I'm just going to offset these ever so slightly. It gives them just a little bit of a three D shadow look. Now we're ready to add our affirmation. I'm going to put this at the very top here and pick whatever color you want. I'm going to use black. Come to the wrench. That's your actions menu under add and choose Add Text. This is definitely too big. So before I get started, I'm going to change my font. And take the size down quite a bit, so I can fit it all in one line. Alright, double tap there. I choose sweetness. Today. And now we can come back with our transform tool and put that wherever it fits in our composition. And the last optional step is I'm going to add a little bit of a background color here and come all the way to the bottom. I like to do these on a separate layer rather than changing the background color so that it's easier to add texture and things later. I'm going to grab this very light pink, and I'm actually going to make it just a little bit lighter. So let's go this way just a bit. Okay. I'm going to drop to fill that layer. And then we're going to add one more above this, turn it into a clipping mask. And this time, I'm going to choose screen, which is going to make the texture lighter rather than darker. It's a nice, subtle effect. Nice work. Look at that tiny bit of joy you just created. Go ahead and post your fruit in the project gallery, if you want to share it, and I'll see you tomorrow for day two. 3. Tiny House: Welcome back to day two of Tiny Art Big Joy. Today, we are going to draw a tiny house, just a few shapes and some cozy details. The affirmation today is, I Belong right where I am. Let this be easy. You're allowed to keep it simple and fun. Yours does not have to be as detailed as mine. Let's just get in there and draw. Once again, I'm going to use a square canvas, but you could use any size that you'd like. I'm going to go back to my pencil, which I like to sketch. And to create this cute little mushroom house. We're going to create the mushroom cap first. Just kind of a basic organic shape. We're going to add the trunk and maybe one little extra mushroom coming out the side here. This is where the underside of the mushroom is going to be. We're gonna have maybe a little door right here and a window. And that's pretty much it for this sketch. Super quick and easy. Let's go ahead and move that to the top. Change this blend mode to multiply and reduce the opacity. Now we're ready to actually start drawing our mushroom. So I'm going to go ahead and start with the cap first. I'm going to grab this red and just refine this shape a little bit as I go. Color drop to fill. And we're going to add a layer above this as a clipping mask and add those white spots. If you push and hold, bring one finger on. You'll get a perfect circle, which is pretty cool. But also your spots don't have to be perfect. Sometimes it's nice to have a little bit more organic shapes. I'm going to draw all of these outlines. And then when I color drop, I can choose continue fill and just tap each of these to fill those in. And I'm just going to clean up these edges just a little bit. I really like this organic, imperfect kind of a look, but I don't really like these pieces that are sticking out quite so much here. Great. And there's the top of our house. Now we're going to work on the trunk. Let's go ahead and put a new layer for that. And you can grab any of these colors. I'm going to kind of turn this one into a brown by grabbing the orange and desaturating it a little bit. Make sure this layer is below your roof. And I'm going to kind of try and make this look, again, a little bit more organic. Drop some colour in there, and then we'll have this little one coming out the side. And at this point, I could go ahead and do the other mushroom on the same layer here because they're not going to touch. Let's sample this color and just draw another much smaller mushroom cap here. Go back and extend that stem just a little bit. And then the same thing. We can go onto this clipping mask layer and add spots to this mushroom, as well. Now your basic shape is already done. Let's go ahead and add this door and window. We're going to put those above the trunk layer. Let's sample this color and then we'll go just a little bit darker. And for these, I'm going to add a clipping mask above it, so it's really easy to put the window panes in. That way, they will stay right where we want them. And I'm going to add this little tiny detail here just because I think it looks nice. And then we just need a door knob. So you can get into the Tiny house. So at this point, it's looking pretty good. We can go ahead and turn our sketch off and we can add the affirmation at this point, or we can add texture and a few more details, which is what I'm gonna do. Yeah. Let's add another layer above our red mushrooms. This is going to be a clipping mask, as well, and change it to multiply. And I'm going to do that same thing. I'm going to grab my crayon and just add a little bit of texture to these. Now, because this is above the white right now, that's why you're seeing the texture here. So all I need to do is just swap these layers, and then we will have texture on the red, but not on the white. Let's add some texture to our trunk here. And one thing that I like to do is use a smaller texture brush and go around some of these features, so they pop a little bit more. And again, nothing perfect. I'm not making an absolute perfect circle here. I just want to outline this window a little bit so it stands out. And we'll do the same thing for the door. And then we'll use a medium size brush and kind of blend that a little bit. So it's not quite so dark. Add a little bit of shadow underneath here to show that the mushroom caps are there. And the last thing that I'm going to do for this one is just add a little bit of a wood grain. So I'm going to add one more layer. And let's put it behind the door. But above the trunk. For this one, I'm going to change it to screen, which is going to lighten this brush and just use a very subtle texture here. I'm going to turn the opacity of this brush down and just kind of add some of these swirls here. And then we're going to change the opacity of the whole layer, so it just blends in a little bit more. Okay, I'm liking the way that looks. I think we're ready to add our affirmation, which is, I belong right where I am. I'm going to change back to black, add a new layer at the very top and add the text. Now we can resize this a little bit. Now we can resize this a little bit and put it right where we want it. Now, especially because we have a white background right now and these white dots on the mushrooms, they're not showing up quite as well. So I am definitely going to put a background on this one. And I think we used one of these pretty blues over here. So let's grab this one, lighten it up a little bit. Color job. And on this layer, I'm going to use a texture brush. And let's try making the screen. Let's see how that looks, making it a bit lighter. Yeah, I'm liking that. Beautiful job today. Your Tiny house has so much charm. Share it if you'd like, and I'll see you for day three. 4. Tiny Plant: Hi, friends. Welcome back to day three. Today, we're going to be drawing a tiny plant. Plants are perfect for this because they remind us that growth happens in small, steady steps, and that's our affirmation today. I grow in my own time. Stay loose, stay playful, and let this feel gentle. Let's get into it. Let's open a new canvas. I'm going to grab my sketching pencil. And you can draw any kind of plant that you want. I'm going to start with sketching out a little planter pot. And this is going to be a very stylized version of a Monstera plant. I just love the look of those. I start with a little bit of a heart shape at different angles. Make this top one a little bit bigger. And then to make the monstera shape, you're gonna actually just cut out some of these little spots here. So I'm gonna mark those off in my sketch so I know where those are going. And that should be good to go. I'm going to shrink this down a little bit because I already know I'm going to need room for my affirmation at the top here. I'm gonna change this to multiply and reduce the opacity. So the first thing I'm going to do is the pot here. I think this purple is just a really fun color. So I'm gonna use that. Have an oval shape here. What's around this corner a little bit. I think, especially in today's kind of oversaturated AIR environment, it's just so nice to have things that are actually imperfect and not always have to have everything just so. It's nice to know that a human created something. Alright. I am going to fill this with a different color, and I'll show you why. It's grab a contrasting color like yellow. Dragon drop. And now what I'm going to do is choose my select. Switch to automatic and just tap on that yellow there, copy and paste. Now I have this fill on a separate layer. I'm going to hide that for a moment. Let's come back here and let's go ahead and take that out so we don't accidentally have it in there. Tap on it, and just three finger swipe to clear it. Alright. Now we can go ahead and change this color to anything we want. If it's gonna be dirt, probably this kind of dark brown will be good. I'm gonna take two fingers to swipe and turn on Alpha lock here. Then I can just drag and drop the color on there, and it will stay on that shape. And this looks like it's leaning just a little bit. I know we wanted it to be imperfect, but I feel like the plant might fall over. So here's a little trick. If you go to transform, you have a couple other options here which can really help you with your design. So if I go to distort, I can pull just this corner out and kind of get that lined up a little bit better. Okay. I feel like that's looking a bit better. Now we can go ahead and move on to the plants. Let's grab a nice green here. And I'm gonna make these stems just a little bit thicker so they stand out. And these are going to need to be above the dirt so that you can actually see them. And the leaves are gonna go on a separate layer so that we can actually manipulate them a bit more. For these, I'm going to make them just a teensy bit brighter. Go ahead and make your modified heart shape, fill it in. Now we're going to go through and do these cutouts. Grab your eraser. If you are on your brush and you tap and hold, then you'll erase with the same brush, which is really nice. You won't have those weird edges there. So I'm just going to cut a few little spots out of these. And these can be organic shapes as well. They don't need to be perfect cutouts. Mm. Mm. And sometimes monstera leaves have a little bit of a spot where insects have eaten away, so you can put a few of those in if you want, as well. Now our base drawing is looking really great. Let's go ahead and turn our sketch off. And same thing. We can go through and add texture and details just like we've done in the last couple of days. I'll go ahead and speed this up since it's basically a repeat of what you've seen before. Now we're ready to add our affirmation and our background. And let's go ahead and put a background on this as well. I think this yellow will contrast really nicely. Lovely. Your tiny plant is a little reminder of your own growth, too. I'll see you tomorrow for day four. 5. Cozy Mug: Welcome to day four of Tiny Art Big Joy. Today's illustration is a tiny, cozy mug, something warm and soothing. The affirmation for today is, I can slow down without losing momentum. Let this be calm and simple. You're doing beautifully. We can draw this little cup of comfort together. Let's get started. I'm going to start as usual with a quick sketch. I'm drawing the mug a little bit further down because I want to leave room for some spirals of steam, and this affirmation is a bit longer, so I think it needs to be two lines. Add a little handle here. Alright, that's looking pretty good for a basic sketch. Let's move this to the top. Change the blend mode to multiply and reduce the opacity. Now we can start drawing our mug. For this one, I'm going to start with the tea or cocoa, coffee, whatever. I drink a lot of tea, so that's what I'm drawing. Let's go ahead and draw a nice organic shape here, fill it in. Then I'm going to draw the mug behind this. Let's go ahead and do this nice blue. First thing I'm going to do is draw the rim, and I can basically just do a whole shape and fill it because it's already behind the teeth. And then we'll just adjust it a little bit. So it doesn't look too big. That's the great thing about erasing with the same brush is I'm still getting this organic look here, even when I'm erasing, rather than if I was erasing with, say, this monoline brush, I would get a really sharp look there. And that's just not the look that I want. Now we're going to do another layer behind this for the actual mug so we can put some shadows in here. Go ahead and Whoops. Make sure that you close the top of your shape, and then we'll be able to fill this in. I'm going to do a handle on another layer so that I can do some more effects on it. Close those off and fill. Now we have the basic mug. I'm going to turn off my sketch so that I can look at the proportions and layout of this a little bit. Feeling like the rim is a little bit thin right here. So let's do that. And I think this needs to come out. Just a little bit more. Now we're already to the point where we're going to add texture and details. Here's one little time saving trick. I'm going to add a new layer, change the blend mode to multiply, and before I turn it into a clipping mask, I'm going to duplicate it three more times. This saves the time of not having changed a blending mode every time you add the new layer. Then you can just drag these on top and then we'll turn them into clipping masks. Yeah. Let's add some texture to our beverage. Because I want this to look like it's inside the lip of the cup, I'm going to add a little more shadow on the backside here. And then we'll add one more layer above this with clipping mask, changes to screen, and then we can put some swirling details in here. Really subtle, but I think it adds a nice touch. Now let's go ahead and add some texture to our cup itself. First layer I'm going to work on is this base part of the mug. I'm gonna tap on a hole to sample the color. And I think I'll use my medium texture brush. And what I'm going to do is I'm going to add some darker texture. Make sure you're on the clipping mask layer, and then I'm going to add some darker texture right here as if the rim of the cup is casting the shadow. Same thing over here. And along here. And then we can blend these out a little bit. Now we're going to do something similar for the handle. We're going to make it a bit darker here as if the mug itself is casting a shadow. And then for the rim, we should be able to just do basic texture. Now, if we want to add some extra details, we can definitely do that. I'm going to add a screen clipping mask layer here, get my small texture brush and just add some subtle lines here. In order for us to see the steam that's coming off of this beverage, we definitely are gonna need some kind of background color to contrast. Let's go ahead and add that in. Really pale purply color here. And again, we're gonna put screen on the layer above it and add some nice subtle texture. Now we can come back and put that steam on. It's going to need to be above all these other layers. And let's grab white by double tapping in that corner. And I'm going to use my thin brush. That's a little too thin. And you can make this be any shape that you want. I'm going to add a little bit more texture to these. And I think in order to see this, we're still going to need to do a little bit more behind the mug. So let's add one more layer here, change it to multiply. And just add a little bit more subtle shading behind the mug so that it stands out just a little bit more. Then we'll be able to actually see that steam. I really love the color of this background, but it's not contrasting quite enough with the white. Okay, I think that works. Now we're ready to go ahead and add our affirmation, which is I can slow down without losing momentum. So good. Your mug feels warm and cozy already. Rest up and come join me for our final day tomorrow. 6. Cute Critter: Hey, friends. Welcome to Day five, our final day of Tiny Art Big Joy. Today, we're going to draw a tiny critter, cute, simple shapes, nothing complicated. Our affirmation today is, I'm doing better than I think. Now, I have drawn a bunny here, but you can absolutely draw any critter that you would like. The basic shapes and principles are going to be the same. Let your inner child have fun with this one. You're allowed to keep it simple and fun. Alright, let's draw something adorable. When you're drawing characters, it's definitely important to get your sketch in. They may look complicated, but really they can be broken down into very simple shapes. Kind of an organic, oval shape for the face, bigger one for the body. Feet, arms. I'm drawing a bunny, so it's going to have the big ears. All my critters have hearts for noses, so that's what I'm gonna do. And really, this is a great base to start from. You can basically turn this into any critter that you'd like. You could add a man, change the ears and make it a lion. You could add a little bit of a mask here and a striped tail and make it a raccoon. Really, the sky's limit. So pick whichever character that you'd like. Go ahead and change just to multiply and reduce the opacity, and we can start drawing our bunny. Now, because I want my bunny to be a really light color, I'm actually going to go ahead and do the background first so that I can see what I'm doing. For this one, I'm going to use a nice blue, maybe a little bit more teal there. I'm going to change just to multiply. Because my bunny is going to be pretty light colored, I know I'm going to need a darker background. Let's go ahead and add this texture. And now I'm ready to start drawing the bunny. I'm not gonna have it be pure white because it's really hard to add texture to that, but we're gonna go just slightly off. I'm gonna go into this kind of orangy yellow sphere and come just off white a little bit. I'm going to go ahead and draw the face. My ears for this bunny are going to be attached. So I'm gonna go ahead and put them on the same layer. Next, I'm going to add a layer for the body. And arms can come off of here. So that's fine. And I think actually the legs as well. These really just going to be kind of sitting freeze forward here. And then we are going to add a little tail back here. Make that a little bit brighter. It's a little too thin. Here we go. I know that's not perfectly, like, where a tail would be, but just but it gives it a little something extra. And I think suspension of disbelief is fine. Now we're gonna go ahead and work on the face. Because I already know where everything's gonna go and I'm not exactly on my sketch. I'm gonna turn it off, so it's easier for me to visually see where I want things. But if you're following your sketch exactly, then definitely you can leave it on. I'm going to add the mouth first and then put the little heart on for the nose. And this is just my style of character. Absolutely, you can do whatever you want. Now we can go ahead and add some texture to this little guy. I change this to multiply clipping mask, sample this color and go grab my texture brush. Because we didn't do this pure white, you can see we actually are going to get a little bit of texture on here, which is really nice. And then I am going to use white to do a little bit of a muzzle here. We can go ahead and add some color to the ears. This nice pale pink here. I'm still doing this with a clipping mask, so it's staying within the ears. And now we just need to finish off the body. Change just to multiply. Clipping mask, sample the color. And for this one, I'm going to add a little bit of shadows first, and then I'll do the overall texture. So I'm going to do a little bit darker here where the shadow would be from the head. Hand a little bit where the legs would bend. And then we can go ahead and do the overall texture. Yeah, I like to add some little paw prints or claws or something like that to my characters. So let's just grab kind of a neutral color here and grab a smooth pencil and just add these on. Alright. Now, this bunny is looking really good, but it's too big for the page now. We don't have room for our affirmation. So we can actually move the whole thing. We can select all these layers, either group them or just select them all and come to the transform tool. Make sure it's on uniform. And then we can just shrink our bunny down just a little bit. It's always better to draw bigger and shrink it because you're not going to get the pixelation. If you draw too small and make it big, then you risk having kind of those rastry edges. Alright, we just need to add our affirmation now. I'm doing better than I think. I'm gonna go ahead and make this all just a little bit smaller 'cause I think it can fit on one line. You made it. Five days, five tiny pieces of joy. I'm so proud of you. Share your full collection, if you'd like, and stick around for the final class wrap up. 7. Wrapping Up: Thank you so much for joining me for Tiny Art Big Joy. I hope this challenge helps you reconnect with your creativity in a soft and simple way. Our guiding affirmation has been, I'm allowed to keep it simple and fun. I hope you carry that with you in your art and in your life. If you enjoy this class, please upload your project so we can all celebrate with you and feel free to check out my other classes for more creative play. You created something beautiful this week. Keep going.