Transcripts
1. Introduction : Hello, everyone. This is Shrimai
artist and art educator. I'm so happy to have you here. In this class, we'll be creating a beautiful series of soft and expressive
watercolor paintings, inspired by love, warmth,
and gentle emotions. This class is perfect
for beginners as well as anyone who wants to practice loose
watercolor techniques, color blending and storytelling through
simple illustrations. I'll guide you step by step, sharing tips to build confidence and flow
with watercolors. So grab your paints,
take a deep breath, and let's paint something
meaningful together.
2. Art Materials: Here in this episode, we are just going to get
ready with the art supplies that we're going to create
for the upcoming paintings. So it's going to be
like a greetings. So the paintings are going
to be a little A six form. So if you want to just
make with a bigger size, you can just go with
A five or A four, but A six is little pretty, so I suggest using that. And for that, we need to have a cans in n 300 GSM
watercolor paper. So this is A five. I have just split up, so just
make it into A six cards. So I have these
mini cards ready. So before starting
with the painting, just have the cards ready. And secondly, it's
going to be with a paint, the watercolor paint. So I'm using here with a
Himi brand watercolors. So these many colors I have
swash that's in the set. And these colors are so good and vibrant for a
beginner to use. And it comes along
with a more brush, and even these brushes
are so super good. You can use it
very perfectly and holds great amount
of water work. And next is, like, masking tape if necessary, we
can just go with it. And I have just a bit of white guash squeezed,
so to make a highlight. And with a spray bottle, to activate the paint, a pencil, to make a sketch, a napkin, and an eraser. So these are the
necessary things we need to have along
the painting session. So let's get started with the very first painting, and
I'll be meeting you there. Bye bye.
3. Techniques and Color Palette - 1: Here is our first technique
and color palette session. So for the very
first painting rose, and I'm here going to
just this about how to elevate with the basic
sketch of the rose. So we could just
make easily with the main project just
in very few minutes. So first we need a very
pre sharpened pencil. So with this, we're just
going to make an alignment. So where we are going to
make a sketch of arrow. This is the place I'm going to make with the drawing piece. And here we need to just pull up with the
stem, a base extem. So this is how it
goes narrow from the base and little
widens on the top. So we need to just
build up this way. And from here, we are just going to make imaginary curves. So outline, we can call
that as an outline. So with this outline, we're just going to
make a rough spacing for all the petals of the roast. So yeah, this could be
around this much space. So this curve should
not be that visible. It's just an imaginary line, and we need to keep
it it lighter. So now I'm just going to start making with the
petals in the center here, moving little to
the top from here. I'm just going to make
like a C curves this way. So I'm just adding up with
the C curves as layer. In the second layer,
it's going to be a little broad and
starts from here. So it's going to be small
swirls of C with a great depth. So it's going to be this way, starting closer and getting broad then ending
closer this way. So if we make it a little small, it's going to be like this So you should not make it separate when in the
very middle porting, you should not make it very
separate this way furrows. Just keep on overlapping
without it should be like one on other arrangement of the petal should
be one on other. And from here, I'm just
going to make with the second bigger petal,
the second layer, so from here, like this. And the other petal
just starts here. I have added this
in the section. You can refer it there. Just making a little
lengthier portion to show the depth of
the flow and from here, it's with the other
depth on both sides. So this is the second layer, and you're going
to make one with the beautiful perfect
curves going a little broader and just
making it thinner. This is the pattern for
making the rose petals. So it'll be easy just having a sketch reference and taking
your own time, sketch it. And one with a better sketch
writing will be very better. So this is the outermost
layer and just overlapping. And from here, it's
with another overlap. That's it. It's a little simple, but it looks a
little complicated. So we need at least
to try off like twice based upon your work. So if you get a little great
in the very first try, so happy, we can just
go with the painting. If not, we need to make
the card look very better. So you can just try again. And for the better result, just need little
patience to make. So this is the basic sketch
we can make for the rows, and next is going to be
with the color palette. So for that, I have
my mobs ready. So I have my rose color ready, and next we are
going to just focus on how to paint for the petal. So let me just make a simple sketch of one
single random petal here. So it's going to be
with a shape like this. So let now, so on here, we need to just take our
rose paint, activating it. So this is a lighter value
of the color, any hue. So hue is actually color. So this is the lighter value. And if we add a bit more
color to that watery thing, it's the second value. So the value is nothing but it's just the
increase in pigment. So this is like a bit
more paint added, and you can see the
value difference here. So you can call this
as a value scale. And now I'm just going
to add a bit of water. So I have just dipped
in my water bowl. So we need to just carefully
fill in the paint. So this is just trial. But when we work with
the main project, we need to just erase
the pigments of pencil, so because it's
too dark and that will not result very beautiful. So we need to just
dab with our eraser. If it needed eraser
is available, we can just go with it
or a regular eraser. And my first layer
of this is done. Secondly, just
increasing my value, so we need to add a bit
of color pigment to this. And on the top here, I'm just going to put
up with the paint. And we need to beautifully
blend the colors. So to make more pigmented, we need to add more
paint on here. And on the corners, we want to add a little vein on the petal. We can just go with a small
strokes a small hair sized. So if we want to add little
detailings over the petal, we can just go with a
lesser size of brush. And that's it. So this
is just a praticcession. And the color here I used is
going to be with the rose. And for the leaves and the stem, we're just going to activate
with a bit of teal green. And again, with yellow green. So these are the colors we need. And finally, with tree green. So these are the colors,
and let's get into the painting main project, and
I'll be meeting you there.
4. Project 1: Now in one of my paper, I have just taped on
all the four sides to hold it sturdy. So with a pencil,
pre sharpened one, I'm just going to
make a spacing as we did in the previous
technic session. So we are just going to make it the height from here to here. So we need to fill within this. So for making the rows, I'm just going to
take a midpoint, so that's going to be on here. And in this place, I'm just going to make a little
seekers sweet it before. So even that in a lighter way. And secondly, it gets a
bit increased in size. So making it a little faster. It mostly goes only
with the curse. And from here, just
filling up with the depth. This is adding on with the third layers and showing
up the petals curse. So this is building up
with the fourth layer, so it goes a little
larger curves. It feels a little hard when
you try for the first time, but when we just go with the
techniques, it'll be easy. This is the overall process
of making the top petal. Next is just a simple step
of grating with the bottom, and I'm just going to
add here with the stem. After making with a sketch
next processes with eraser, we need to just lift
off all the blackness, the pencil blackness,
so the paint will not mix up with the pencil lead. We need just a
little layout left, not to erase the whole thing. This blackness should not be
visible to a viewer's eye, but it can be for artist to make a supporting
work phone painting. So you can see it has, like, a very lightest
range of the shade. And next is going to be get
ready with a paint, rouse. So with this, I'm
just going to mix up a lighter paint
in the palette. So with this color, I'm just going to make
a complete vase layer. I have added just only with the first base layer
using rose paint. I'm just going to
increase the value, so we need to take a
bit of pigment and adding it to the water
to the base color. Now we have a little
increase in the value. So with that, I'm just going
to make it the outer side. So we need a little more
patients to make this. You're just making
with the highlights to the outlines that we previously with the
pencil and just darkening with the second
value or wherever it's dark. I'll be adding you with the picture on the side,
the reference picture. So you can just go with that. And So finally done with
the second layer, and next is adding a bit more
colors for the third layer. So just adding a
bit more pigment and increasing the value. So here I'm just taking a
bit of piral crimson two. And with the rose, the
increased pigment section, just add on the colors
very slowly, not too or. Just here, I'm adding a
bit of paint onto that, I'm just going to
blend the color here. But first processes
like we need to add the pigments wherever necessary. Blending with the colors
and the empty space, but we should not pull
off all the color the darkness from the
high pigmented areas. We need to just blend
it with the damp brush. So the first layer of
making the petals is over, and next is going to be
making with the base portion. So we need the tree green, medium green and yellow
green from this. So with this palo green,
adding the base layer, This is value scale very
least in the scale. So we are just wetting it and leaving the white space
for the vein in the stem, covering all the areas around. Now, next is with
the yellow green, activating that color and
slowly just moving on. And tree green finally. With a tree green or live
if tree green is not there. So that's it. We are done with the rose painting, the
very first painting, and next is going to be with the second techniques and
second painting main project. I re meeting you there. So if you're done with this picture, just post it in the project station completion
area so that I could review all your works done and I'm expecting for your works.
5. Techniques and Color Palette- 2: We are in the second
session for learning with the color palette and the
techniques to make a ring. So it's a couple ring, and we're going to make
with two dimensions. So it's not very flat
or it's not vertical. So we're going to make
with the layer one. So it's like one
ring is on the base and the other ring is
on slanting over that. So to make that, we need to build up with the
oval shape of ring. So this is how it
looks for the base of one single ring And next is going to be with This is how three D offering that slanting looks meant to
build with the inner side. And the one on the top layer over here
is in this direction. So it's in this direction. We need to erase up
with the inner side. That's it. And here is with the shadow
portion of the ring. So these are shadows. So this is just a technique
session and I'm making it a little not that pretty one. So we need to learn wly
the technique here. I'm not focusing on the beauty. These are shadows of object and light is
from this direction. And the color palette here for the ring is going to
be with rose again. So we need to get ready
with a bit of violet. So it is Magnes violet. And to this, we're going
to add a bit of rose next is making with the lightest
shade of brown and earth low. So make sure of these. And to this, we need to add
with a bit of pins gray just mixing up the colors
and a bit of burnt umber. So this is just a
simple technique to make the second project, and we're already with
the color palette. And let's jump on with
the second project, and we're meeting you there.
6. Project 2: Here to make with the ring, I have placed my paper a little
tilted to the horizontal, so it takes a good lager space. Now we are just going to
make with the surface here. I'll attach the picture on
the side for the reference. So this is the surface. You need to again make this with imaginary work, not so dark. And now with this, we are just going to
place with the ring. So the first ring, it's like on this side. It's exactly like this way. And the second ring is, like, placed on this area. Overlapped. Now, for the first ring, we're just going to make with the oval in a slow motion
moving over the paper, we need to just
bring up the shape. And to this on the side, I'm just going to elevate with the dimension to look it
very really realistic. Just parallel to this line. You need to increase there.
To this parallel line, I'm just building another curve to show the realisticness. Now, to show the depth on
the other side, from here, I'm just marking a point to
this place, the ending point. So this is starting
on the ending point, and we need to build
up the inner side. Now, we just going to erase with all the unnecessary
things that's unnecessary lines,
clearing all up. All the guiding lines. It's not necessary after a
makeup perfect ring. Now, we have to build up with
the second ring placement. That's like it's placed over
on this side from here. So it starts from this place. Okay. Now to the opposite
side from here, just starting and
need to end here. Now clearing up with the lines. So this is on the top, and the base will
not be visible. So you need to clear with
the base ring lines. Also all the unnecessary
guiding lines here. That's it. So we need to just make with a
lighter version. But here, the colors
where we are going to use are not that
lighter colors. So we are just going to make with the shades of
Magnes violet, rose, bunch earth and pines
gray and burn tumber which all little
darker in the shades. So we need to want
to erase this thing, taking on with the paints,
get ready with that. Now just wrap it with the
dioxin violet or dark violet. Moving on the color this way. Just making a base
layer of magnes violet. And to the other
side. Dioxin wallad. I'm just adding here for differentiating with
the shadow portion. You can just refer to the colors on the picture added above. Here and there, I'm just leaving with a
little space to make the highlights and the
dark portions are on here. All these are done with dark
violet or dioxin violet. So in case if you don't
have the dioxin let, just go up with dark violet and a bit of dark violet
again to move on this place. More shadows to the base. I should look much darker. And to this adding
a bit of rose. To the other side,
I'm just going to mix with a base
layer using earth, a very light wash. The top, I'm adding
with a bit of burn tumber just making all around. And making a bit wet with the same color
and going over here. On the other side here
with the same color, just going very lightly to
show the dual tone colors. Just adding on more layers
and a bit of violet too. So the colors, it should
be done on wet on wet. For just adding up the
reflections, cleaning my brush, just removing a
bit of color with a wet brush and just wiping
the colors ces on the tissue. Just adding a wet brush layer. So the colors will plant. So this is just coloring
of the rings or done and not yet
with the shadows. So filling again with
the dark violet on here. Next with more brown, the burnt umber, adding
on the colors here. And with the same brown
just going over here for the additional layer to darken it and differentiate with the previous laying the base ring. A bit of pin gray. Then finally, over to this, I'm just taking my Earth love, adding a light wash of it. So to this, we need to
add with the shadow. So the detailing is a
little layering process. We need to keep on changing with the colors to add the
depth and realisticness. So next to make with
the shadow portion, I have my pines gray, so this is the pines gray, and not that much
of color is added, with a very light
wash of first layer, I'm making the shadow. To the very next of the
ring, we need to split up. So to partition, I'm adding value the increasing
value here of wine spray. Starting from here. And taking a bit of violet
for reflection of shadow. But it's not actually
with the violet, we're just making the base
layer of pine scree first. And over to that, I'm
just adding a bit of violet to the second ring. Starting it so narrow
and broadening it. So the shadow gets
connected here. This is the second project
and we are done with it. Finally, just to make with the additional highlights
and detailings, I'm taking a bit of the sepia, the darkest of the brown. Moving on to this these are with the Sepia. Slowly, we can just peel off all the sides and our
second card is ready. So it can just put
up with a frame or present to the loved
ones or friends, anyone. It's completely our choice. Practice for the tutorials. We're working on one theme
and just building up, learning more painting works
based on one single thing. So I'll be meeting with the third mind project and technics session upcoming next.
7. Techniques and Color Palette - 3: Here in making with the
third main project, and we're going to discuss about techniques and
color palette here. So it's based on a chocolate theme for the
third day of Valentine's Week. So here, we're
just going to make with lollipop in heart shape, also a cookie in a heart shape. So basically, we need to add
with a heart on everywhere, but we need to look like
how we can build up. So it's again, like a placement of the sticks chalky like this. So we're going to make a
stick parle and beautiful. We need to make this, and the other one is like
overlapped on here. So it's just a
simple thing making it without any usage of ruler
and pencil should be sharp. Go with a free hand.
And from here, just leaving this stick
little on the top, we need to start making
our heart on here. This depth should be exactly
straight to the stick. Here comes again with
the same pinging. Okay. Just marking up with above. So this is how
basic stick looks. And next is adding up
with the highlights, I'm just going to mark
a bit of white here. So this is a safe zone so that we could
remember that this is a highlight So next
is with a cookie, and that's going to be a
bit like this heart shape. Making a dual heart shape. And over this, it just going
to add a roast flavor, so it's going to be with a bud. So I have just added
one single sample. And in the main project,
we're going to make with two different
colors and flavors, and two little hearts will
be added in the base. So next jumping with
the color palette. As the heart theme, it goes
mostly with the shades of red and rose,
pink, all the shades. I'm just going to
pick up my rose. So under this, we are just
going to have our scale. So as we learned in
the previous classes, we're going to make values, so it's going to be with a pigment richness.
It depends on that. And next is with the other color Pyl crimson
for making the rose, but here to make this, we're going to use
our pyrrole crimson. So this pigment or
rich, the brand I use. And even with this pile crimson,
it goes with the values. So just making with one
single value and adding a bit of paint to increase same way again and again,
increasing the value. Next is, like, we are going
to make with a cookie base. So for that, we'll be
kneading earth low. So this is a lighter version, actual pigment of an earth o. And to lighter it, we
can just make earth low and a bit of
white mixed together. So just washing my
brush to take the white and again, activating it. So this is earth
low and white mix for the base of cookie. And to this, we can add a bit of orange or cadmium
low medium hue. To bring a more peachy work. And next is, like, we are just going to
make with yellow green. Next is with the pines gray
to add with the shadows. So we're going to use more
lighter value for this. Like, we're going to mix up with the Pines gray, and to that, adding a bit of sepia just
a bit and burn timber, the brown shades to make the other portion of shadow,
the other color tomb. So even this works fine. But these are the
colors we are going to make use of the
third main project, chocolate and get ready
with your color palette. So here are the color
names and get ready with all your color palette and we can just move on
to the main project, and I'll be seeing
you there. Bye bye.
8. Project 3 - Part 1: Here we are set up with our thermin project and
ready for that. And here, I'm just going to, as we practice in the
technique session, just going to build up
with the lollipops, just two and two cookies, everything placed in some
different directions. So we're going to
make alignment, the placement measurements. So here, it's like the first one is going
to be on this place. It's like this. So just going in a
lighter manner so that we could build up after this if we feel it's right or if it's wrong,
we need to erase it. And secondly, it's
going to be on here. A bit tilted this way. So these are the two placements, and next is with two hard
placing on this slide. So first, I'm just going
to make a proper stick, adding a line parallel
to the previously done. Our next is from this place. We need to leave a bit
of cap on the top, leaving it here,
starting on this point. This is the first one
and secondly on here. I have just added the
picture on the side so you can just feel easy to take that as a
reference and make it. I'm going a little
faster as we have practiced better with
the technic session. This is the first
and we're going to make the highlights
a little later. The second bow is going
to be in this place. So we are perfectly
done with the bows. Next, just adding a little
hard pieces in the base. So here we the cookie, and you can just make
a larger portion of this On outer to this, we need to add a parallel
layer of heart shape. So without confident
in making exact shape, if you don't want to move
onto the main project, just practice separately in some rough space and get
back to the main project. This is a small request
to build up the skill. Next one is going to
be a little tilted. So next is, like, adding on a bud, as it goes with a
flavor of rose. Now, the sketching
part is done next is like we are going to remove
all the unnecessaries. So I have double lines on here, just removing that and slowly
erasing all the darkness. So if you have needed
eraser, we can go with that. It's dust free and
so good to use. So as we discussed in
the previous recording, with a color palette,
we had our rose, so just activating my
rose with the water. And for making this, I'm just going to add a base layer using
only the rose color. So we need to go with a
lighter value for this not too pigmented slowly just moving around without making the
paint come out of the object. I have just covered
a playing with a first base layer of rose. So it's going to be a
little lighter version. And over this, I'm
going to take my red. So with this red color, again, it's not too pigmented and we need to go with a
value scale remembrance. So it's a little lighter
version in the red, so it could be with this stage. We need equal parts of water and a little amount of
paint, not that too dark. Now to this, I'm going
to go around slowly. We can go with a lighter
wash over the stick too as we want to make it look
like it's in the candy. So this is the base layer. And to this, additionally, I'm going to increase a
bit in a value scale, adding a little pigment to
the previous stage of color. So with this, we need to
make up with a brightness, increasing the tone on here. So just leaving the
little portion on top, we need to move
around taking more red showing the
depth of the stick adding a little bubble structures
and blending the color. Adding little amount of pines gray mix to show
the depth of the color. And and to this, we're going to add
a bubble shape, so just using the
tip of my brush. Moving around here,
small with the circles, small circles here and there. To this, we're going to make the bow using again
with the red color. So good, brilliant red. The tip. Painting exact shape. Layering again with
the bright red. And to the corners of the bow, I'm just adding the pines
gray and red mixture. So we are done with
the top red words. And next is adding
with the highlights. So I'm just activating my guash. It should be creamy,
thick, not too watery. And with that, on the top, just going with the highlights
exactly to the shade. I'm going to extend making
with just pin gray mix, pin gray and the brown mix to create the shadow
and the paint here, you can see it's little
watery aw value scale. And steak to this is here. We should not fill
inside the stick, and we need to just move to the outline outwards
for the steak. And to the other side,
I'm just making it a little watery and flat. So this is the very base
of making with the candy. And this candy is an assignment
for you to complete. It's going to be a task. And I'm going to
make this small one, adding with the
base layer of bread Now with little browns, just adding it on here. And going with a
red layer on top. Paste, again, we need to
add a very watery mixture of shadow using bun tumber
sepia and the pine gray eggs. And after this it's spread. I'm just going to remove
the color by using the damp brush and wiping
it in the tissue to spread it over red again activating
with the white gouache, just going around on
the top. That's it. And again with red, leaving
the whites just moving on. Now, here the task is like, take it as a challenge to
complete a candy pig or a candy van and a small one using the same techniques
and color palette, and we can make this two in Part two. I'll be
meeting you there.
9. Project 3 - Part 2: Here for making the second one, I have my color ready.
That's Earth hello. Just making a light
wash of Earth hello. Before that, it's a little bit with more darkness of pencil. So I'm just going to arraase Just applying the colors inside. Making it for the second one. This is just a base layer
and not to pigmental To this inside, I'm
just going to add with lighter rose,
the base shape. And to the other one, I'm
adding with pyrrol crimson. Again, with good
amount of pyrrol crimson, just filling here. This is a little
higher in the value. Applying with a third
layer, a bit more darker. Now to this, I'm adding in
the base one with a rose. Here for the base one, this side is going to be a little
lighter and again, taking a bit of rose and just adding the color
only on this side. So it's going to be a bit
darker. And a bit on here. That's it with the
color application. And next to add the base here. I'm taking my burnt sienna and mixing it with
the earth love, moving on here, taking a bit more burnt tumberT look it
little roasted and crispy. And again, on here, this side, it's going
to be in the base. On showing the depth to make the filling in
the middle embost. You need to create a shadow
portion just around this. Now, taking CPR to
add the details, I need to use step here. I'm adding more details. Again with the CPR
for the base one. So Sepia works are done. Next is adding with the flavor. So I'm just going
to make rose petal, so just activating
with the rose, and just dabbing it
here and there to show look like a
petal Ti on the top, only on the bottom one. And again here with the pyl crimson for
adding the darkness. A minute dots here and there. Just working on the butt. Just taking good pigment. With a green So my green is like it reached
the top of the rose, cleaning it up with a damp brush and just again adding a good
amount of pyro grimson. That's it. Now, next, ask adding the base sepia,
the shadow portion. So to the sepia, I'm
just going to mix with the pine spray and
working on here. Now to her base here, I'm
going to add a bit more water. Differentiating it
with the surface. Is cleaning my brush well and
with a damp brush, again, just allowing it to
blend with the paper. So that's it. You are done successfully with
our third project, the candies, Chocolates. So next upcoming projects little interesting one with
ever loved one all over. So that's going to be Teddy, and I'll be meeting you there.
10. Techniques and Color Palette - 4: Here in the fourth
project techniques, we're going to make
learnings of Teddy, like how to build
up with a bear. And we're just going to
make a pair of bears. So it's not going to be
in practice session, we're just going to practice
with one single thing. So let's get hands on that. First, making for the face, it's going to be a bit oval. So it's horizontally
oval like this. At the top, it goes
with good furry ears. You need to make parallel
positions for it. Next is going to be
with mouth portion. It's going to be again oval, but it should not be that
big making the nose. Just keeping with eyeballs. So eyeballs, it's like
a little distant. I'm going to make
it a little closer. This much closer. Next is making with the hands,
the body portion. So this is how cherry look. And with the hands. So we can make some detailing
works here if needed. So it's just a single one, and we're going to make
with the colorings or the color palette
is going to be. It's going to be burnt umber, a lighter shade of burnt tumber and burnt ocher if needed. The dark brown to add
with the details and a bit of orange cadmium
orange to make for the face. So this is for just
one single theory, and the other one is going
to be with a pines gray. So it's going to be a
value scale of pine gray. And finally, for the heart, I'm just going to add with red. And again, for dark potions, just adding with piral crimson. So this is going to
be the color palette for making the fourth project. We're just going to
elevate with the pairs of Teddy holding a
heart for the theme. So let's get started
and get ready with your ASIx sheets and the color
palette for this project.
11. Project 4 - Part 1: Now in the main project to start with this making
a pair of teddy, I'm ready with MIA
six sheet fixed. So firstly, I'm
just going to make a center portion and
just add with a heart. So it's going to be a little stride So the middle point should
be in a axial line. So this is how I
have made my heart. And to this, make
a face of Teddy. It's exactly to the
center of this portion. So from here, it's going to be need to make with
this much bigger face. You can just go easily making with a
reference to the side. Making a shape only in the
air so that we can get a good shape exactly
as it is we want. Now just easing up
the unwanted Here, it's like the next phase, the teddy space is going
to be at this place. So to just show up
with the flat texture, I'm just adding a
little dotted box, not a flat straight line. And to this, we need
to build up with ears. So these two ears
are like so close. And one on here. This is with the ears. Next is, like, its face or little tilted towards,
like, focusing the heart. So it's like turned
out to the middle. So the mouth portion is
going to be exactly on here. Again, just building up
without shape first. Not to the top on here, we need to add with
a cute little nose. I should be a little
closer to the mouth area. So we are done with the face. Next is going to be hands
holding the heart together. We need to build up hands
it's very pretty easy. The other hand of this study is going to be exactly straight. So we need to make
an alignment from the top and mark a point
here and from the base, we need to mark
another point here. So erasing the heart because the hand portion is
located in the front, so we cannot see
the object behind. We need to erase the
unwanted lines of heart. Next to build up with the
base portion of the body. In the center here, we
can just build up with the lines for making
Teddy's legs. And in the center here just
adding a little curve. Then for this one, it's going
to be the surface of lex. The basement of the leg
is going to be same as the previously done one, increasing the height to the same length and
leaving a bit gap. So that's it with a sketch. Next is with the coloring path, and we can just jump into the part two episode to
make the coloring work.
12. Project 4 - Part 2: As a starting point, the first base layer is going to be with the burnt sienna, and we're going to activate it with good amount
of water to make a light base layer
and paint it all over for the very first study. Cleaning my brush with
water and just taking a bit of red to add
the base of heart. So by the time, the color for the teddy base
layer should get dry. And for the other one, we need to activate with the pins gray, making a light wash of this The colors are settling
down in both the bears. Now we need to add
with the tone, so we need to
increase the value, going back to burnt sienna with a little pigment increased and not going
to be a lighter value. We need to blend with
the damp brush or evenly the previous
dark color like this, taking a bit of burn sila and adding to the
base of the legs. Next one tumber the dark brown. Painting it all
areas that's little heathen to make a
spot a visible spot. I'm just going to mix a
bit of orange to this. Just tilting my brush to blend
the color with the same. So we need to add a bit of colours and just wetting my
brush, cleaning my brush. Now, with a damp brush,
blending the colors. I evenly spreading with the second layer of browns and taking a bit
of burn tumbo here. That's it. So let the
previous painted layer completely dry just adding a bit of oranges to the top here. So next is with the
pines gray here, taking good amount of pins gray. With good value, need
to add the dark tone here. Even on this side, the dark value is like it's enough to be
added on the face one. This much is okay, and I
have cleaned up my brush. So with this wet brush, I'm just going to evenly
spread the color so that the darker area will blend perfectly with
the lighter ones. We don't want the
colors to stand out. We need a beautiful blending. Same way for the years here. And again, with the pine gray, you need to move onto the base. You need much more
patience to add the colors and layers to
build up the originality. Now, just washing my brush
with a damp wet one. We need to blend the colour. Now, the second one
is completely done. Next is adding up with blacks. So we need a good dry brush, so it should be
like wetter a bit. So it should not hold any
water that much water. I'm just going to take my
black small amount of black. And if the portion we painted previously
is completely dry, we can work over it. If it's not the black may spread over the browns and will
produce a little nasty look. So we need a little
time to make it dry. And even for here,
we're just going to add a very light outline,
painting it inside. And here we need to make with
a beautiful little eyes. That's it with a teddy. And we can just add up with the hairlines here for the ears. We can either do this
outlining works with a black watercolor or we can just go with
a very fine liner, so it could be with 0.05 Neb. I need to make an outline
for this brown teddy or we can just go using
with burn temper or sepia to make a darkest look for outline using
over the brown teddy. And next is like
we're going to use the red. Sticking my red. Now, same way, we're just
going to with the same red, I'm just going to add a bit
of hearts here and there. If we have, like, more
ideas to add with some kind of flowers around,
you can just go with that. And we can also make a little watery work of brown and sprinkle
here and there. And with the gray
on the other side. I'll look more beautiful. So that's it with
the fourth project, and I hope you will have this. If you're done with
all the projects, you can just submit
your work sections all in the products submission area so that I could
remove your work.
13. Project 5: Here, starting with
the fifth project, we're going to meet with two
flamingos standing together. And here are the
colors needed like the pink next color needed is going to be
with the pyro crimson. The final color is going
to be with the black. So this is a simple color color for making the flaming goes. And here to make this, I'm just going to not
use with the sketch. We're directly going to paint with the more
brush we have. So firstly, we need to
activate with a pink. So with this pink,
I'm just going to make it on this side. I'm going to add a
bit of white over. So we're done with
the body simply. Un next from here, we need
to add on with the curves. Very carefully, we
need to build so we can make a rough imaginary
curve first so it goes right here and This is how we are building for
the flamingos, the neck. And next is going
to be again with a light mixture of
white to the rose. So if you're directly having a lighter version of the rose,
you can just go with that. And on this side opposite, I'm simply just going
to build up with the body taking a bit of rose, taking a bit of rose. So this is a basic
structure for the body. And next with the
pyalGrimson here, I'm just going to mix up
with the previous color. And to this, we are going
to build up for the legs. So one leg is like a little more straight here starts here. We need to hold
our brush upright. On the second one, it
starts exactly on here. You need to cut
it on this place. Like this. King activating
with the pyrol crimson. You need to make legs. So here the legs are straight. Next is we're going to activate a good amount of
rose with my brush, I'm going to dab it
here in the base. Now to this, we're
just going to take a black and we need
to add it on here. Same way at this side. Now, with a little amount of white, so it could be gouache because the watercolor
white may not work. Just adding it here. Good amount of black to make
a small little dot for ice. We are done. And next is
adding up with a heart. So that could be we can
just go with pyrocrimson or just rose or lighter
version of the shed of rose. We can go with a
pink, any colors We are done with the
fifth project and we are just left with
one more project. We're going to make it in the upcoming class and
get ready for that.
14. Techniques and Color Palette - 6: This is going to be
our last project and just go with
a color palette. We're going to make a couple and a big two heart shaped balloons. And for that, I'm
just going to take my Prussian blue,
activating it properly. So this is the Prussian blue. Our next is going to be with the Talblue And to
the paler blue, I'm just going to add
up a bit of pins gray. To increase in the value, we can just go with adding a bit more pins gray
to the same mixture. So these are the
color ranges of blue. Next is red. So values in red. And for the hair, we're just going to make with Sienna and with burn
timber and burn talkker. So burn timber will be
enough and black if needed. These are the colors
needed for making our main project, the
last main project, and get ready with
the color palette, all the colors purely
mixed so that we could make it a little undisturbed. So yeah, let's get started. Get ready with your
pencil and paper.
15. Project 6: Just got ready with
my paper taped. And here to start with a couple. We need a pencil shaft, going on a base surface. Make an imaginary line. And from here, we need
to build a couple, so it could be with
this much height. Both of standing
till this place. And we need a mid portion, so that could be the
middle point here. Now, to draw this, I'm
just going to make a split of we can
start from alignment. So this is with a
costume of a girl. This is going to be a costume. Not the baseline, it's going
to be with the top line. And from here, it's going to
be with the neck portion, and this is going
to be the head. So just making a little
sample layer alignment. And for the boy, it's going
to be again for the costume. The jacket is just a little
above the girl's one here, and it's a little
high for the collar. And just a small lift for the neck finally with
the face tilted above. So this is a basic. Even the girls is a
little bit tilted. So this is the
basic of alignment. Now we need to build
up with the tress, so it's going to be from here. Both hands are holding together. And with a stool on the top, finishing up with
the girls jacket. So it extends still on this
point. Here comes the hand. So both hands
collected together. This is the front
portion of a girl. And from here, we need to
build up with the boy. So it splits on here. For the hand, And from just building up
with the collar work. The finishing line of a jacket is at this point, exactly sight. From this place is like we
need to extend for the legs. Here for the legs. We need to show this
a bit splitter. And for the face elevation, we need to just build up
with the hair line first. And this portion is
going to be making with a neck portion and
a face bit tilted. Let's keep this simple. Adding with the hair lines. Next for the guy,
it's going to be with neck portion
and the jaw line. Now, from here, we're just going to meet with the balloons. Second one from here. We need to erase up
with all the blackness. Here we are just going to make a backdrop using Prussian blue. Next we to be with
the painting session. Slightly tapping here
with a Prussian blue, amount of water so the colors
spread, flow together. Just with the background. Following to this, we need to
activate with the Talo blue a bit and just adding
it in the base as a surface and adding a bit of pin gray
to Taloblue mix. Also with good amount
of Russian blue. And a bit of grass effects
just with tip of our brush. So it's simply done. And next is, like,
activating our edge. It's like, well blended with the water on a low value scale and putting it
here and there for the background again without disturbing the pressure in blue. Cleaning of my
brush, flattening. Now, next process
is like we need to make it for the person. So here, I'm just going to take my bread again to make
it for the jacket. And just going with a bit of pyrrol crimson to make it
look like a shadow portion. He's making a bit in the
front with a pyro crimson. Or you can just go with a mix of a little brown shade to the red to make it
muted, so unsaturated. Again, just going with the red
color for the jacket here. Now, I have my wet brush, just a clean wet
brush, and with that, just lifting up the colors
and wiping it in the tissue. You can see just lift the
colors to make it pale. So as soon as this gets dry, we can just move on making
that portion behind. So in the base here
for the pants, I'm just going to add up yo
blue and the pine spray mix. And again, just
activating the same color to make it for the
guys work on here. To darken it up, we can
add a bit of pin spray and Thilo blue mix together and go with the
second layer here. Now, again with the Telublue
we are going to make it for the guy the boy's jacket, picking up Telublue Same
way as we did for the girl. We're just going to make
it on this portion. The light shape we
can just make it for the hand and cleaning
up my brush. Now, with just a bit of
pins gray or Prussian blue. So we can just go
with a Prussian blue and differentiating it behind. Now, cleaning my
removing my colors extra colors from
the hand portion to distinguish from the jacket. Just taking a bit of pins gray, adding the color just
behind the hand. H. Now we can just clean our brush and
remove the color slowly. So it should be a gentle clean. Again, adding a Toblue
a second layer, just leaving the hand,
cleaning the brush. So we need to make To
blue and a gray mix Yeah. Secondly, we are just going to add with a bit of Earth low mix and orange
mix for skin tune, we can just go with
neck potion and face. Similarly for the bowie. I shouldn't be that detail. We can make it for the hands. Now to this, we need to make
with the balloon on the top. Now, I go with the red. Just going with second layer. Now, after this step, we can just take a bit of black and remove all the
water from the brush. So with this, we can just
fill up with the lime. We can just go with
any random color. And here for just completing
with a high portion, I'm using my Sepia, the darkest of brown
or burn timber. So to that we are just adding
with the base layer color. Unto this, we can just
take a bit of burnt ocher. Allow this to dry. Meanwhile, we can just activate the red in good amount and add a bit of hard element around
in different sizes. Not to this, we can just make a light wash of red and
sprinkle here and there around. Time to take the black color. So using black, I'm just going to make it for
the hair portion. Making stroke effect to make
effect of hair strench. That's it. Our painting is over. We're done with the
last main project, too. And if you're done with this, just please submit it in the project submission area
so that I could review that. And yeah, we'll meet in
the wrap up session by
16. Wrap up!: Here we have completed
successfully with themed project session, completed six main projects. So it started with
a beautiful rose try and we learned with techniques and color
palette for this to draw a rose the couple ring secondly. So we did that too. Next with the candies. So we beautifully just
learned on how we can just make a glossy effect using the candies reference, and next with a teddy so we went on making
with a teddy bear here. And final two projects
were so easy to construct. So that was one with a flamingo, the other one with a par here. So we just completed
these many pictures. Hope you enjoyed
this lesson and felt useful to learn a new
technique in your art journey. So if you felt so
happy working with Artist Castle by
Sri I recommend you to upload the completed
project sessions to the assignment
projects submission area so that I could review
all your works, and I feel motivated to make more upcoming
projects in Skillshare. So happy Valentine's. Thank you.
Srimathi, Artistcastlebysri - Art Educator
