3 Sunset Silhouette Paintings with Watercolor

1. INTRODUCTION: Si, welcome to the project session here. So here we are going to make with three different paintings of sunset silos. So I'm here just going to teach you three different types. So first is going to be the project of using the masking fluid. So here you can see, I'm just going to use my masking fluid and close up the sun reflections and then using with a different sky, I'm just going to create this first painting. Second project is going to be using the golden sunset hour painting. So it's going to be with a silote of coconut trees and the beach on the side. So the clouds will be on the top. It's going to be kind of fluffy clouds. So this is the other second painting. And thirdly, it's going to be with the harsh silo. So here we're going to again, use the fluffy clouds and it's much colorful. And the base, it's going to be with the grass fields. And here, I'm not going to use any masking tape. Without using the masking tape, I'm just going to apply the white directly and teach you all with different paintings. So I hope you all enjoy this process and paint along with meet together. So hope you also provide some valuable feedbacks about this. So I'm I'm just requesting you to just follow the watercolor session, all the three projects from the first to the last with each single session so that you can understand it clearly and better. And let's get started with art supplies. Bye bye. 2. Art material: Welcome back again to just introduction to Odd supplies that we are going to use for our project. That's going to be our Sunset sellout project. And firstly, I'm just going to introduce our watercolor paper. So this is Canson brand, and it's like 300 GSM and A five sheet. So if we want to just go with A five, we can just go or we can just split it with a six, so that will be easy to work. So as a beginner, it's your choice. You can go with either A five or A six. So this is the quality of the paper. You can see here, the thickness. So it absorbs very well and all the definitions of the paper. So it's a cold pressed one. So this is going to be the paper. And next it is going to be with a masking tape to tape on the sides. For watercolor paints, I'm using the imi brand watercolor kit, and it has got like 24 colors in it. So this is the set. Let me open it up. We also have, like, palate thingingi on the side, so we can just make the blending of colors here if needed. And just comes along with a brush, a mob brush. So yeah, this is a super good kit. To start up. And for brush shirt, I'm just going to use with Brostros velvet touch brushes. So these are aqua brushes and very good for using the applying of water and all the textures to give textures. It goes with different sized brushes. And this number one and number six is my favorite that works very well. So I'm just going to take this brushst. So yeah, and next is going to be with the waters and tissues. Only these are our supplies for making the art piece. So get ready with all your watercolor art supplies, and let's get started. 3. Project 1 - Sunset Grassfield: Hello. So I have just taken a six sized paper of Canson, 300 GSM watercolor paper. And now the task force, we are going to just make a masking of all the corners to make it stable and the borders will be very good looking soif mask. And let's do that process. You can This masking tape even is available on offline stores like hardware shops and also available online. So it's easy to go and buy. So I'll just also provide art supplies list in the descriptions. So here I have just peel off the tape and just taking to the very corner of the paper. So same way, I'm just going to make a paste all over the four sides, and next we can just move on with the color palette. I have tapped all the sides and now it's going to be the selection of colors. So here I have this watch cause and the names of colors written. And for the painting that we're going to do, there's going to be a sunset silo. And so I'm just going to take a white, the titanium white first. And next is going to be with a lemon ellow. So this is the shade, and next is going to be a cadmium yellow medium hue. And next is going to be cadmium orange hue. So next is going to be the red. And this is the magnese violet for making the top of the sky and dioxin violet. So these two colors are the very most beautiful ones. And this is so opaque and the color is beautiful. Next, for the sill out to make a dark portion. For the bushes and the grass fields, I'm just going to add with a burnt umber here. And next is the paints gray and the plaque. So these are the colors that we are going to use for our painting, and I'm so excited that to use and teach with all the techniques and easy steps to make you all draw that. So let's get started. So let's make a simple sketch to the painting to make it easy. And firstly, I'm just going to make the horizon line. So it's going to be exactly on this place, just splitting with the sky and the water. So on just about the line of horizon, it's going to be with a little bushes that we can just make with a simple curves here and there. Just a rough curve is enough. And these are going to be with a silo effect. All these. And in the front here it's going to be with grasses, all the ferns. And now let's just make a masking of the sun to make it like a pure white. So here I'm just going to take my Brostro masking fluid. So even if you don't have this fluid, it's okay. We can just go with our white paint or white gouache, even that's fine. So I'm here applying the masking fluid. I here have a separate brush to make the use of masking fluid. It's essential to have a separate brush because it may damage the hair. So yeah, I just recommend to use a separate brush. Yeah, I've just made a small circle here just to hide the sun. So it's going to be completely of white, some kind of a little pale yellow shade. So I have just masked. Also exactly on the reflection of water here, I'm just taking my brush and going here and there like that. So here, it's important to make it very, very thin stroke. So you can just mostly hold your brush upright and go like imagination of reflections. So I'll make a zoom after the completion so you can see it clearly and make it like perfectly. So it should be exactly straight towards the sun. That's fine. And on the top here and there, I'm adding a little bit of strokes, just the lengthier strokes. So here are the masking fluid applied area. You can see I have just added with the reflections, and this is on top of the sun. So let the fluid masking of the sun and reflections let it dry completely. And in the next session, I will just help you make all the sky and the water details. 4. Project 1 - Painting Sky: Welcome back. So we're going to now paint with watercolors of the sky. So the masking fluid is completely dry now. With flat brrush I'm just wetting completely the paper with water here, only on the top. So just about the horizontal line, applying the water like this and making the paper wet. So the colors will flow very smoothly. Now, I'm just going to take the dark violet that is the dioxin violet here. So I just have a spray bottle so you can just make a little spray on all over the paints starting with a dioxine violet on the top here. So you can add a good amount of color to make it more vibrant. And I basically allow the vibrancy of color. So the transparency of the color will make it look little dull. So I want to make the color so vibrant. I'm adding it with lots of violet here and to the base, next to this dioxin violet, I'm going to take the Magnese violet here and just make the blend of the color. So this color is a bit lighter version of the violet, and we need to just make a smooth blend of the color, as you can see here, starting from the violet. So I'm just making all these with a flat brush. So it's okay to go with the round brush too. In the next colors, I'm just going to make a mixture of blending it with a round brush. So I have taken my mop brush to make the blend here again with the dioxide on the top. So this holds the water well so well. You can see and we can just lighten it up with a magnes violet and blend the colors in between. So the transition should look very gradient. And next color is going to be with the orange shades. So the color gets saturated in the sky, as you can see. I'm just going to make the layering process from the bottom. So the top two is done with a bright colors, the violet shades. And from this place, I'm going to add a bit with the primary ranges, the warmth of the color. So I'm just going to start with the red next to orange and next with cadmium low annexed with lemon low. So we're going to make a transition like that. And before that, this area of my paper is completely dry. So I'm just going to wet it again with my flat brush. So with just water, you can rewet the paper. So the colors will blend so smoothly like this. Okay, I'm just applying good amount of water. So it's recommended to just use paper watercolor paper of range, at least 300 GSM only because it can hold a good amount of water. You can see I'm adding the red shade. And next to this, I'm adding a bit of ponso the orange shade. So this is a cadmium orange hue, so I'm just adding that color. And to the sides of the red, here it look more like not natural, so I'm adding a bit of burnt tumber to the sides here and make a blend you can see, let's blend it with a red. So I'm again taking a bit of red to make with a blend so this should be the thing. And on the top here to blend it, I'm just taking the orange cadmium orange and making the colors more vibrant. So let the colors bleed to look like a natural effect. And on the top, it's going to be just above the sun, it's going to be with a cadmium yellow here. So you can just apply cadmium yellow on the top here, again, adding a bit of the color on the top. Like this. Now the task is like we are going to just blend the color magnes violet and yellow together to make a shade of desaturated version of the color. You are going to, back and forth to make the colors blend till the last. So if required, you can just add a bit of dioxine violet on the top. Yeah. So mostly our blending process is completely done. That's it. So now let's just give it a little bit of time, so the colors will settle and dry completely because it's too watery. And yeah. Now, this top portion alone, I'm just going to add a bit of lemon ello one on here. Just make it look more realistic like this. Again, just making a wash from the top. So fine. Like this. That's it. Okay. So yeah, let's give a bit of time to make this completely dry. A next process is going to be with adding off the water details and the sky portion is completely over. So next is going to be with the water. Let's see in the next session. 5. Project 1 - Painting Water & Reflections: Welcome back. So the sky portion that we painted is completely dry now, and the rest is going to be with a sea portion. So here I'm just going to take again with the water in the flat brush and apply it over like this and spread all over the area. So the colors will flow so easily and then easily. Yes. Now, next is going to be with making the colors. So the colors I'm going to choose here are magneus violet, cadmium orange and lemon yellow. So annexed is going to be with cadmium yellow medium hue. So all these four colors. Firstly, I'm taking the cadmium orange. So let's just make a spray over the water the colors will be wet. And with this color, I'm making it all over spread all over like this. You can see. Next, I'm just going to add a bit more orange shade in the base. So this is going to be the color reflection from the sky. So here it's going to be with more and more of orange. And as we have mask in the middle, it's like we don't have any restrictions, so we can just go easily apply over that. And on the top, I'm going to make a little mixture of the violet and orange together like this for the seascape just below the sky. Let's just make a definition of this I'm just applying all over. Now, after the application, now the task is going to be worth taking more amount of just amount of the red. So with the red, I'm making with the details here and there, just only in the corners and blending them, adding a bit of violet again in the base. So it will look more of warmth, like this. Now, to this, I'm adding the magnes violet and making details all over. So with the mob brush itself, I'm just going to use the tip of the mob brush here and just move from this side like this to make the details. So these are the ripples of the water. I'm adding, like, from the small strokes to little bigger details, you can see. So if you're not comfortable with a mob brush, you can just take with any of your linear brush. Number one, round brush will also be so beautiful to work. You can take any of the brush. And when the reflections, the ripples move little towards the sea that is a little far away from us. I will become so thin and the details will not be visible as we have done here. So this should be noted well and practiced well, and you can just make it with a difference. So the near ones will be a little broad and much details comparing the far away ones. So near this violet portion in the sky, sorry, in the sea, you can just add more amount of violet like this. And on the base, I'm going to make with orange and violet mixture from all the sites like this. So this will give more realistic freshness of the evening sunset feel. So you can just go with a curse, also strip lines, but everything should be with the tip of the hairs, the brush. Okay. So if you're just comfortable, you can just take a bit of dioxide violet to make or give a darkest look. So I have added, like, plenty of details. Adding a bit of dioxin let and giving the details just near like this. So to the little faraway area, I'm adding a bit of dioxine violet. I'm giving the dark effect, as you can see. All that should be of a little strokes and linear lengthy short and mixed. So in the front, I'm adding just like this, a little rigor strokes to show the wavy form of the water effect. So this should not be a continuous format and you can just make a break here and there, adding wavy patterns like this. So just darkening up here and there. And to this, I'm going to add a pins gray. So with this color, you can just increase the darkness effect just near the land surface. Only the near place of the land should be added with a pins gray, and the rest can be just gone with a dioxin violet. You can see. So to additional adding with the details, I'm just going to make a perfect blend. So the colors will blend smoothly and will not very, like, defined and produce the unique style. So I just I want to make with a blending even or I'm just going with just water to make the blend of all the colors here. And also here and there, I'm adding with orange, as you can see, adding this will make also not only adding here I'm just blending it with the previous Mars violet. So color will look like a pop out. Attained with the same set of strokes just here and there from the top, adding liner one, then the brighter ones like that. These are the final details to be added. So you can just take a pre amount of orange to make it look more vibrant. Yeah, so mostly the coloring works or done. And next is going to be with adding of the grass fields and removing of this one first. Then finally adding with the grass fields. So to the base, I'm adding a bit of magnes violet just in the base. As you can see. Also a bit of burned timber and paints gray. So this is a shadow portion because no much reflections of the light falls over here. So I'm just adding with a gray shade on this place. So all the waves will turn grayish here. Yes, mostly done. And next is going to be with the peeling of section. Here I'm going to use a paper knife to just remove all the masking fluid. Here you can take the corner of the sharp edge of knife and remove it slowly. Remove done. Same way, you can just remove with the masking fluid. This should be carefully done because we should not damage the paper and choose one corner side to remove all the fluids. So if you just take from one side, it peels off very easily. So let me just do this task and I'll show you. Here I have just removed all the masking fluids now. It's going to be with a adding section of lemon lolo to all the white highlights, the reflection parts. So here I'm just continuing with adding of lemon at some places. So this addition should not be done all the places because we should be very careful with the glitteringness of the reflections. So I'm just carefully adding with the yellows here and there, so you can see also on the sides should be just completed applying with the yellows. So I'm just finishing it up completely shading everywhere yellow like this to be the coloring section of adding the sell outs. So mostly with the Cescape is done. Coloring is completely done. A next is going to be with adding of all the yellows. Yeah, C is done. Next is going to be with a fill out addition, adding section. So I'll be meeting you there. So just buy for now. 6. Project 1 - Reeds details: Welcome back again. So here is going to be the second last step of adding the bushes and the slots. So I'm just going to take my mob brush again to add the bushes. And the colors required are the black and the burn sienna. So I have taken both the colors. Firstly, with the black color, I'm going to make with a base line here. So just a straight, simple stretch is required to make the straight line, the base line of the bushes. And to this, I'm adding a good mixture. I'm taking a good mixture of the black, and just start making the push effects like dabbing it. Just a small dabs over is enough, and this should be done like starting from little like, heights. And when it reaches the center to the sun exactly center to the sun, here we are going to make a mixture of the burned timber. So if you don't have burned timber, you can take your burnt sienna. Anything is fine. Just below this, I'm adding the burned timber. And again, continuing to that, take a good amount of black and add to the excess of the place, just making with heights. And here, it's important to hold the brush very closer. So the detail portions will be so good. You can make the details very easily just by making a little dab like this. Same way, we can just make it under the sun, again, going back to the previous place to add the details. Yeah, this is fine. So our second last portion of adding the bushes is done, and final portion is to add with a grasses. And for that, I have just taken number one brush along with the mob brush. So this is from Rustom. This is from Hami Brand. So this is number one round brush. So firstly with the mob brush, and here we need only the black color. So with a black, I'm just adding the details. So here you have to hold it closer and hold your brush upright and make all the details like this. So the brush little dry that make it a little moist. So I'm just activating it with water. Now just mixing up the color well with water. Now, just adding the grasses, so they are so, so tall, and it crosses so easily above the sky like this, just making with lengthy strokes this should not be bold. Before adding the details to the grasses, I'm just making only the outlines as much as possible, like this. So all these wads it goes in different direction, it grows in different direction. So you are going to paint along the directions like this. And we should not just go just near the sun. So we need at least a gap of this much, and we can make it grow like this. On the top, I'm going to add a bit of the grass effect. So for the grasses, here you're going to just use your more brush and make like this soft feathery texture. Same way, you can just add on all the sides. Okay, now, mostly on this right side with the mob brush work is completely done. Next time I'm going to jump towards the other side, adding a little wreaths, small sized wreaths and mostly just don't disturb this reflection part that adds beauty to the picture. So just leaving that I'm going to add with the wreaths like this and my brush becomes wet. So I'm just a little bit dipped in the water to just make it moist and work with the flow. Here again, taking up the blacks. So the grass it grows in all the directions so as we have to paint like this, moving in all the directions. So one will be so tall, the other will be short and went like that. So we can make it like this. And this should not be clumsy, and we need to make, like, a little thin strokes. Yes. So most of the details are completely done. I'm just extending this up. Just a bit up and adding the feathery texture. So I'm doing all this with the mob brush. As this is a larger one, I'm doing it with the mob brush itself. For smaller details, we can just take with a number one round brush. As this doesn't go so dark and it gives a gray effect, I'm taking a little amount of black again. Yeah. This is perfect. Now, to make the small details, I'm going to take my number one round brush. So with this, you can add it on this place like here. Like this. Okay. So for the baby ones, you can just add a bit smaller and softer effect. This looks perfect. So I'll just add all the details and we'll show you the final result. So you can add all this. So before adding, if you feel a little hard, just take a rough piece of paper and give it a try. That will work well and help well without making mistakes. Same way on the other side, I'm going to add with us baby plants, which should be very thin and feathery. Yeah, this works well. So successfully, I think I hope you just learned the techniques and little easier way to make the salut, the sunset salous. So it will feel relaxing to just watch the nature with all these lights and shadows, the colors. So I admire it a lot in the evenings. And with that, yeah, successfully, our painting is completely done. So let's just peel off the tape here, slowly removing it. So you have to peel it off holding the tape on one side of the cornet upright, and you should peel it outwards. So not inwards. If you peel it inwards, what will happen is the painting the corner edges may damage. So it's recommended to peel off very, very slowly as much as possible and with much patience. I have just peeled on all the set. Just one is remaining. You're successfully peeling it off. And our first painting is done. So I hope you enjoyed this first painting session of Sunset Silhout. And I'm so excited to just share all the techniques and making the details of the rest two watercolor paintings of Sunset. So one is going to be with a coconut silo, and the other one is going to be the heart silot. So I'm so excited. Yeah, let's just move on to the next session. I'll be meeting you there. 7. Project 2 - Coconut Tree Silhouette: Welcome back. Here I'm ready with the second painting of painting a sunset sil out of coconut trees and the beach side. So I have a fantastic fantastic clouds. So to paint all these, I'm just going to use the paints, the rose and burn tumber. And next is going to be with the paints gray again. Next is going to be with a black. And here is the cadmium medium yellow hue. And next is going to be cadmium orange, the red. Also magnese violet, lemon yellow, and die offs and violet. So all these colors are being used to make them painting. And the brush is again going to be with the same set. So first is going to be with a ma brush, and second is brown brush, and number one, and to apla water, I'm using the flat brush. So these are the majors, and if required, I'll be switching to the Bus stop brush size 12 and six. So only, these are the brushes, five brushes I'm going to use. Now, firstly, I'm just going to make a simple sketch to just make the split up of horizontal line and the details of adding the beach scape. So just three fourth of the place, I'm going to make it for the sky and just one fourth with the seascape sorry, the landside area and the split of seascape. So both is going to be with one by fourth side. I'm just splitting up it here. You can see so with this split, so this is a horizontal line splitting both the land and water and next is going to be with making perspective sites like here, I'm just going to make the wavy patterns like this. So this is for making the waves of the sea. And next is going to be from the same edge. You're going to make a wave of a little wave, not that huge wave. So this is, like, differentiating the way. And here, we'll be adding a different shadow portion of the color. So yeah, this detailing is must. I'm just topping it exactly on this place. So this is going to be completely the wave, and these two are going to be the flat portions of water. And a small detail of the wave is being additionally added here, just like this. Here, I'm just going to, again, wet my top portion, the three fourth portion of the sky using the flat brush and completely moist the paper using water. So the colors will bleed perfectly. So we can do the same. I'm just try avoiding the color should not bleed just below the line, or accidentally mine is flown. I just lift the water excess using the tissue. Same way you can just do it. This is a quick tip for an error. Yeah, I'm just rereading the water all over the paper. So it's perfectly done. Next is going to be the activation of all the paints you can see, activating all the colors. Very well. Okay, now with a more brush, from the top, I'm going to add with the rose. So adding the rose here and there. So next wherever needed, I'm just adding the rose, also a little bit of oranges. So the sky goes so beautiful and warm effect. To bring that effect, I'm adding colors this way. Brush also should be very wet. Like this. And in the middle, even here and there, I'm adding a bit of orange like this. So the colors it bleeds so perfectly. And in the middle, we need to just add more amount of violets or just activating the color well and adding the violets in the middle. Let the colors flow in their own natural direction, and we don't want to make up blend much. So if required, we can blend. Not unnecessarily. Most portion of the violet it goes with the backdrop of the sky. So if needed, you can just add a bit of dioxin violet to the mix. Only on the top here and there. At the different places is going to be with violet. So Magnes violet. So that's the lightest color, activated well with water and bringing up the beautiful effect of sky. You can see. Next cleaning up my brush well, and just moving along this way so the colors will blend well bringing to the end on this side. All these are mostly with the violets. Now it's time to add much of the oranges. So with the orange, I'm going to make it flow from this side, like this. So starting from the orange, I'm going to make with a mixing up of cadmium yellow, orange hue, like this. So the colors are just getting down, saturated. Even here, if you want to just lift up the color for making the cloud effect, you can just remove the colors to that area, I'm adding a bit of orange to make it look fiery, so good. I'm satisfied making this effect. Also, on the top here, it goes with so much of black, sorry, violet and just removing that violet and leaving up the space. You can just put the violet excess here on the side. Again, adding with the removal. So here we are going to use our rose an orange mix. You should keep on washing your brush because the colors remaining in the brush may get or the paint damage. So if you blend together, so just removing all the colors then and there, cleaning up the brush well, picking up fresh paint, and just adding it to the. So yeah. Mostly the cloud section, it's done. And to this, I'm just adding more amount of white. So here, the cloud section, it has gone mostly with the dark shade that I don't like. So I want to just remove these colors, tarding yellow here. So the orange present already just blended with the yellow and also the violet on the sides to produce a different shade of the color. Yeah, this looks super good. Next is going to be again, adding with a rose here here and there. Dropping the water. So you can just go with the flow to whatever direction the paint flows. It's no restriction that the color should be completely like this and this. We can go with whatever flow we get. So it's completely creativity. And again, applying just a bit of orange onto the base, I'm adding a bit of yellow to this. So the colors will blend completely like this. So again, just taking with this yellow. So as we get down, we are just focusing on making the yellows on the sides. So here mostly making the oranges to the base, painting with the orange in the base. Just give a spright stretch of the orange. And to the sides, I'm adding the yellow cadmium yellow. In the middle where the sun is present, the sunlight is present. I'm adding a bit of lemon yellow and blending the colors well. So yeah, the blending should the color should not stand out. Blending is much important here. We can just make the effect with a brush strokes, adding it like this. If needed, finally, we can just add a bit of yellows like this and blend it with the clouds. Finally, again, taking with the yellow mixture, so getting it little down from the base. Okay, so mostly it's done, and let's give a little time to line for the colors to settle. And here on the top alone, I'm just adding a bit of mixture of the dioxin violet and the rose. Okay. So next, finally, adding the mags violet here and there to make it realistic. Just hold your brush closer on the bristle and just keep on the pains dropping, add it like this, again with a magnes violet. I'm dropping the paints with this effect. Yeah, this works good. The violet should be visible. If the colors then you can add a bit of violet to that to make it dark. So that's it. I'm just adding details to the sky with the breast strokes. So mostly our painting is done. Let our sky settle, and I'll be meeting you in the next session painting with the sea waves. 8. Project 2 - Painting Beach: Here we are completely done with the sky portion, and next is going to be painting of the seascape. So to paint this, I'm mostly going to give a base layer of the orange cadmium orange as a base layer in the bottom here. So if we give this next, we can just on the top overlay with the detailings we need. So I'm just giving the base layer as this. On the other side opposite, I'm just going to use the burned Siena or burn tumber whatever you have. So with this, we can just add with the landscape, so the shore of this edge. So I'm just going to add it with good amount of pigment, and this should not be watery that will not look good. Here you can just go with the sharpness, the fine details of the paint. And if done, just let it dry completely and we can focus onto the side of making the s. So to that part, I'm adding orange again. On the top here, just adding the orange it's very slowly because this should not merge. And next is going to be adding the burnt again. So you can just give a single stroke of the burnt ocher. Here in between, you can just see it goes with a shadow effect as the wave, it just goes folded like this because the sky reflection mostly goes with the shades of violet and the rose and the bottom breaks down toward the orange and yellow mixture. So for this fold of wave, I'm adding like this Okay, so now the color has let it completely dry and after it gets dry, I'm just going to add with the details. So the way it is going to be in this direction. The fold is going to be in this direction, so we need to just go along the breast strokes this way. And I'm just going to take my burnt burnt umber again and add a bit of details like this over the base of the other waveform. So this is perfect. And here, I'm going to add a mixture of paints gray from the corner to boost up the dark effect. And again, burnt umber, then a bit of pins gray. So with both mixtures, I'm just blending the colors to make this sure The depth is very much important so that we can differentiate easily. Even on this side of the corner, I'm just adding with the black. Yeah, so mostly the way format is done. Now, mostly this color, this area of the color is completely settled down, and we have just made a perfect finish blend of the sea show here. And to make this, I'm going to add much details. So with the same mop brush, I'm just taking my Magnese violet in good amount. So to that violet, I'm just making in the center this way, so painting in this direction and blending it with the previous color. Also, I'm just taking a bit of burn tumber and from the straight last, I'm just lifting up the colors for the wave and going like this So this is how the wave format appears. And here and there, if we need with a dark shade, we can just add with a pains gray and a mixture of burnt sienna or burned timber. And to the base here I'm going to add a bit of the pains gray like shadows. And this looks very flat. To make an improvement, I'm just taking my burned timber again and with this just making a little amount of the wave format here behind. So starting, making it broad and slowly moving forward, I'm just making with a simple strokes of lines, a continuous line set. This works look like a wave format, starting from the faraway portion. We can make it like this. And I'm just going to add a mixture of red just a bit of red to the corners here and lifting it all over, also from here here and there. And I'm just going to make it with a complete blend with the colors present. So here you can see it goes with a blend of brown shade and the red shade. This is fine. And I'm just going to here make a blend till the last. Now, washing my brush thoroughly. Next blend is going to be simply with just empty brush. I'm just lifting the red. I'm blending that with orange. So the end, it looks like a great reflection of the sky like this. Same way, making it to the other end of the sea, like this. Yeah. Now again, washing. So next is going to be with the cadmium yellow. So with that yellow, I'm adding it to the base here and also a bit of orange. So putting down all the colors to bring out the reflections of the sea go with a single stroke of the brush to bring out the effect. Yeah, mostly the way format is done. So if we need to add with some kind of yellows, we can just take a bit of camium yellow medium hue. And here and there, I'm just adding the yellow details. So that looks like a reflections and just wipe the excess color with the tissue. Again, take the color back, add in the starting portion of the seashore. I'm just continuing the same process again and again. Also in between like this. Finally, to here. Okay. So this is successfully done, and the next process is we need to make this part dry completely. And final part is adding with a coconut tree. So let me meet you in the next session. So bye for now. 9. Project 2 - Silhouette of Trees: Welcome back. So here, it's going to be with the last step of coloring the coconut trees. So this is going to be the sellout. So for making that, I have just taken my number one round brush. So the paints are going to be with a burnt umber and the black color. So both colors are required, and dress before painting with a black. So firstly, I'm just going to make a bigger tree here and a smaller one. So it's going to be with the four trees. So starting from this way to this way. So it's going to be three trees continuous here and one last tree on the top. So firstly, I'm just going to make with them. Bottom portion, the tree trunk portion with a black. And for the leaves, I'm just going to take my burnt umber to make the leaves. And over that, I'm just going to add with the black color. So let's see. Firstly, I have just taken my black. So if you're okay, just okay to draw with the paint directly, you can just go with that. If you feel little hard to make it, you can take your pencil. This is the first one. And second one is going to be a small tiny thing. So this is the second and this is going to be the third one, which is a little bit taller, and this is going to be the fourth one. You can make a little bent and just grown up over it like this. Yeah. Now, I'm just going to make the painting process. Just dilute the paint as much as possible. I'm mixing the color. Now I'm just going to wait it inside. And when you reach the top portion of the re rank, it should be completely like narrowing towards the top, so we can stop it on here. Next is going to be the smallest one. And again, just loading paint, making it a little darker. Then on the top, I'm here adding with the little breath, not so pointy. Again, just lifting from the base. Can this let reach the top. Then finally, I'm adding it on the base here. So I'll just complete and show you this. So the base portion is completely done, and next is going to be with a leaf and make that I'm taking my burn tumber. So firstly, we need to just make a split like this, not too watery. So we can make a split, and then just making the details of the leaves. So firstly, it should be completely done with the burn timber. Like this. Same way. Just repeat for all the trees. This give the realisticness. I'm adding the same effect again. I'll show you just for one simple tree here. And this brown should not be completely visible because we need to overlap it with the black color. The color gets keep on trying, and I'm just activating again and again. This number one brush, it's not available and if you have some kind of a triple zero sized brush or double zero brush, even that are okay to go with. And when you just make with the tree leaves, so this tree leaves should go in the direction of the wind. So it's grown a little up the one I'm working, so it's grown up, so we need to make it in the upward direction and not in the bottom direction. So it's not compulsory that much of the brown should be visible. Just the shade the siler portion should be like realistic because when the sun just falls, it shows off not only the black color, also the other color in the shades of browns. So I'm just adding with the brown. Here you can see this leaf is little sideway, and we need to paint it in the same direction. So the same way as I have painted this part of the leaf, I'm just going to make for all the other trees so you can do the same way. Now completing after with the blacks. So the browns, I'm just going to make with a black paint. So on the top just over the top like this, you can add the black because it will give some kind of a double shade with browns on the top, it's going to be with a black. So it will look more realistic and we can add this style. So I'm just going to finish with this tree first and let me just continue with a speed up. You can just take your own time to finish this. We need to be careful of adding all the leaves, so this goes very thin and not broad. So we need to keep our breast accordingly comfortable and just paint it. Same way on this side. So we can just make with the stem portion, the bigger vein first of the leaf, then with the extensions on all the sides. Yeah, this looks so beautiful. And a perfect easy sell out. So just give all your feedbacks in the project section so that I can just make my drawings and ideas. Like, I can just come up with different ideas and different projects with a suggestions and interest. So please provide your valuable feedbacks. I'm so eager just to read everything and upgrade our project courses. And also, if you're done with the paintings, the first one, the grass field one, also this coconut tree one, Alex is going to be with a horse. So we can just complete everything and take a picture of all these and post it in the project assignment area so that I can see everything. Now, just one tree is being completed using the blacks and Brown. Next is going to be with the rest to three. So let me complete that. So here I have done with all the four blacks of the coconut tree. So this painting is completely done, and let's just peel off the tape and see the final result, how it looks. I'm just slowly peeling it off. So this is the final result. Hope you liked it. So just try and upload all your projects in the assignment area, and we're left with just one painting and I'll bet in the next session in that painting. By for now. 10. Project 3 - Horse Silhouette in Sunset: Hello. Welcome back to the Project three. And here we're going to just make the painting of sunset Slot of a horse, and it's standing in between the grassfelds. So the paints needed for this are like, so it's going to be with a white, and next is going to be lemon ellow and cadmium yellow medium hue, cadmium orange hue, and pone hue. So it's kind of a light orange shade. And next is going to be the red and the pyrrole crimson. So if you don't have Pyl crimson, you can just go with a regular crimson. That's enough. Annex is rose. So next is Magnese violet and dioxine violet. So all these colors are repetitives from the first two paintings. Annex is going to be burn Siena and sepia. So if you don't have a sepia, you can take burn timber and finally with the black color. So all these are the colors that we are going to use. And before starting, I'm just going to make a quick sketch of a hears standing here and so that we can easily color on all the the clouds can be colored all here. So I'm just grabbing my pencil and going to make a quick sketch of the horse standing exactly on this side. So the head it ends on this place. So starting from the base, you can just make with a circle here, like a rectangular shape, a small rectangular shape for the body. So this is fine. And to that, I'm just going to add an additional layer on the side. So from this second split, so it's going to be the first, and this is going to be the second split. So from this split, you're going to just build up with the neck of the hoarse like this. So this is fine. And from here, we need to just make with a triangle shape. So we are going to build up easily with only the shapes. So yeah. This goes like a tropezium we are going to make the shape just to the shape. And from here it goes with the hairs of horse and yeah, the nose parts, the mouth. So you can build it easily, so it's nothing hot in it. And just slightly, you should not build up making with a sharp fine edges because the face do not have any sharp fine edges. We need to make it easily with the curves. Then on here, it goes with the high end. So just molding an extra on the side. So on this side, it goes with the ears like this. And on here it goes with the other ear. So mostly the head portion is completely done. And next, the body part ends here. So you can consider like drawing the neck portion here and here. So this is the front side of the body, and it ends exactly on this place. So we need to just make a quick line like this. And next to the back portion. So here I'm going to add an extra curve on this side. Just coming along like this. Yeah, this works very fine. And next is going to be with detailing adding the details of the legs. So mostly half of the hoarse is completely done, and all the shapes is not visible because it's going to be in silo and I'm adding a little detail here. So here we are going to fill in with a white color. And next here all these places it goes with the hair particles. So you can just make a wavy pattern small has like this. Yeah, this is good. So all the has should extend till this place. So this is just for our assumption and to make the legs, so you can just build up from the base like this. So here and there, you can find a bit of highlights. That is because sun portion is here and the light from sun it's going to be fall over this side of the horse. So so many highlights will be visible from this side, and it's completely dark on here. Next is going to be the completion of legs. So we can make it like this. And here it's going to be the base of the horse. And on this side, it's going to be the other leg. Making exactly parallel and a neat look. So the next leg, the behind ones are going to be exactly near like this. So if you want to just make the knee portion, can just make it like this and attach it from this place. Same way on this side, it's going to be from the extension on here and going down parallel to the previous leg. And next, it's going to be this way, like this and make with a tail portion like this. Yeah, this is very fine. So mostly the detailings of the horse are done. If you want to just increase the size of the stomach or pack, you can just increase. And I have just made a little extensions here, so I'm just going to erase that portion alone and correct it. So from here, just make the leg and the knee that's it. So not all the bottom portion of the hearse will be visible. Only this much of the hears is enough. And we're going to just make the removal of all the pencils or here just dabbing with eraser. So if you do't have any normal eraser, you can just go with our needed eraser. That works very fine. So I'm just making use of this for now. Even this is fine. Okay. So this is a quick sketch. We are done with the sketch, and I'll be mating you in the next session for making sky portion and the base portion. So for now. 11. Project 3 - Painting Background: Hello. Welcome back to the painting session of the third project. Here I have all the colors ready. And here we are just going to activate all the colors by spraying it over in everything. So spraying helps in just making all the waters loading water more. So I love spraying it instead of pouring the water and activate every time over the pan. And again, using with a mob brush. So before we start, I recommend to just make the paper wet, the base wet. So I'm taking my flat brush again, just going from the top. Or if you want to spray over the paper, also, it's fine. You can just make spray over the paper well and spread the water along the paper. Like this. So I have just wet my paper completely, and next is going to be with applying of the brown. So here I'm going to take the sepia. So with this shade, I'm just going to wet the base of the paper here well. All this base is going to be with the sepia. And on just about that, it's going to be with a burnt tumber mix. So I feel the sepia mix is little or not enough and not bold. So I'm adding that with good amount in the base, you can see So adding a bit of a little amount of pons to this mix here. Okay. So next, washing my brush well and taking a bit of the Ponsio color and adding it on the line, the horizontal line and blending well. So next is going to be with the cadmium orange hue. So with that color, I'm making on this place. So let all the colors settle well. And now the task is like making with clouds portion. So on this cloud portion, I'm going to take the base layer of yellow here. I'm just going to make slow process of adding in the base like this. So all the base portion is going to be completely covered with the lemon ellow here like this. So this is important. And after the color application, let's give a little time so the colors will settle. And over this, we can add the details. So mostly the portions are covered with a yellow and over this, almost here and there, I'm applying with the base layer as yellow. Like this. So this is okay. But this sudden near after the land, this portion has to be completely yellowish, this is recommended. And now after applying the yellow, I'm just using my light cadmium yellow medium hue. So with this color, I'm just going to make on these sides all the details, just like dropping the paints from here and there. Very slowly. So the yellowness the lemon of the sky will never fade. So without disturbing the hops, we can just go on the sides like this and drop our paints. Take in little larger amounts of adding the paints and the clouds are so fluffy. We can just go with our own creativeness. No conditions are here to make the painting. So it should not be like with restrictions. The cloud should be like this and this direction. I'm moving mostly in this direction towards up like this, taking amount of yellow again, just just putting it on the top. Like this. We can take a bit of orange now. So all the colors all the water is dried up. So with this, I'm dropping a bit of orange activating with water, taking a bit of orange and dropping here and there, like this. So it's good to be added on the top because the sun portions here, so we can make it on the top, like this. Yeah, this is fine. And here it's mostly going to be with a mixture of red. So red is going to be added on the middle portion with little drops. Just the small drops of reds is enough. Only with a tip of the brush is okay to be done. So if we drop the paints here and there, it will beautifully spread along and create some beautiful effects. We need the patients to make it slowly and enjoy the process like this. Yeah. This is very fine. And on the top, as the colors dries up here, we need to add a bit of yellow to make the strokes, take good amount of light cadmium yellow medium hue and add the strokes like this. So also on this side of the heart should be noted often. Yeah. So let's leave a space in the middle this place to make the sun. And I'm just taking my lemon ello again, dropping it here and there to make a good yellow effect. This is fine. And next on the top, it's going to be with a mixture of dropping the rose. So let's just take our rose and drop it here and there. So the place here it's completely dry, so I'm just taking fresh water and adding it on the top. With the rose, I'm just going to make the same cloud patterns here and there. This is going to be with a lighter shade of the rose if you have. And on the sides, it's going to be again with applying like this. Then to the base of the rose, I'm taking a bit of light orange and adding it on here. Then dioxine violet. With that violet, I'm just putting it over top of the rose. This is Magness violet and over that is going to be with the dioxine violet. On the corners, it should be completely with the dioxin violet. Just dropping the colours of dioxin violet on this place to make the darker effect. So this is perfect for the evening sunset sky. So let the colors settle and we don't want to disturb anything. Even on this side, I'm adding it. And then to the remaining space, I'm just making it with a magnes violet again on here and a bit of rose to this. So let all the colors blend naturally. I'm just washing my brush very well, taking a good amount of magnes violet here and going to drop it in between, like this on the top, so the colors flow on its own. And here in the middle, it's going to be with the mixture of dioxine violet. So even that colors flow on its own. Then as the color settles, it's becoming a little dull. So I'm just matching it with the orange, taking a bit of orange, and dropping it, blending with the rose here. Same way on this place. For making the sun, I'm just taking white colour and adding it in the center as a circle like this. So it's like our option in the first project we saw of applying a masking fluid and then adding the white. So we just left that white as it is. Here in this third project, I'm just taking a bit of white paint and applying for the sunlight. So any process is fine. And over this, we need to just add a bit of lemon low. So the paper is completely dry, so it's easy now to make the details. So I'm taking lemon low and just passing it over the sunlight as the clouds are hiding away the sun, and I'm just taking the cadmium low and adding a little stroke here and there, like this. Even this will be very fine looking. So it's good to just give a beautiful background just behind the sun, so it will pop out. And with the same yellow, I'm just moving on the sides here like this. The clouds are completely settled now, and next task is going to be with adding of the orange here in this place and smudging, just blending it to the base. So firstly, it's going to be with orange at good amount, next with a Ponsio just next to the orange and take the water. The color should blend very well. And to the base, it's going to be with a burned timber first and the sepia. Firstly, here with the burn timber. Next, it's going to be with a sepia. And if you just interested to add a bit of black just next to the sepia, that is also fine. We can add it. Mostly, all the process is completely done. Next is going to be making with the horse. So we need to allow the colors to dry completely. And here I feel a little we can add a bit of orange scenic. So I'm just taking orange paint. I'm moving like this to the topwas covering the background of the horse to make a good detail of it. So we can cover it completely with the orange. Now, to this, I'm going to add Ponso. So this is the next arcstic color after orange we have. I'm just going to add little droppings like this. And you can better give it in a diagonal way so the colors spread properly like this. And here and there with the paint. This is a small fluffy clouds. It can add with any of the warm colors. So mostly our project, the background is completely done, and next step is going to be with adding of the sell out of horse. So I'll be meeting you in the next session. 12. Project 3 - Horse Silhouette: Welcome back again. So here we are going to start up creating with the horse fill out. And for this, I have just taken my black, white, lemon low, cadmium yellow medium hue, and camium orange pons. Or you can just take your vermilion or scolor instead of pons if you don't have. And next is going to be the primary red and black and burned thumberne sepia. So these are the colors I have just taken. To make it, I'm just taking my black first, so activating it with the water. I'm just giving the base as we did for the sky using black color. So all this area it's going to be completely with the black. So we need to just leave only this portion white. I'm leaving that can work very slowly and carefully to bring the same result. I'm just making it flow downwards. This is the correct way to be done. So we have splitted two curves. The front side is going to be with the body part here. And this top also is covered with black. So I'm just showing up all the places that's going to be completely black, and here is going to be black. Next, moving downwards in the front line. So this is the front side of the leg, and all this is going to be black. Just leaving it like this. And on this side, we're going to make a mixture of orange, also orange and burn timber, so we need to work a little carefully. So little by little, adding the colors like this. Just taking up the color from the sides of my pan. And with the point of the brush, you need to fill up all the details. So the ears of the horse will be so sharp and beautiful. So we need to create the same effect. And Isil out the shadow, the effect of the details, all the parts will be clearly visible and it will be very sharp, okay. So we need to create this same effect that's very important. And I have just applied water before in this place, right? So that's a little wet still. I'm just going to cover on this place of the horse. Here, it's not that wet. So I'm just pulling up the water downwards like this and moving to the sides. Also to this side of the horse. And the main task is like we are going to blend the hoarse portion on the sides with the burnt sienna and orange, so we need to keep the colors ready, adding details of the nose and mouth portion of hoarse, like this. So this is going to be the hair line. So making hair should you should have a moist brush filled with a paint, and I'm just dragging up like this. To make the hair strokes. So all the hair should be visible, like flying towards and every single hash strand should be visible like this. So each hair should grow or fly in its own direction, natural way. Everything should not be in the same direction. So on the top, it's moving towards the up. And some in the front, it's going to be with a little amount of burnt sienna mix. Yeah, this is the brown. So you can take any medium brown shapes. So the hair, it starts from this place and moving towards the front, like a hair. And from this place, it's going to be like this, starting very light. And move to the other direction. So I'm just increased with the saturation of the blackness. My colors are drying up. Yeah. Now just we can paint with black over again. So with the black, I'm just going over this place. Again, like this. And the years too move like this. And if needed, if you want to make it more black, you can just add other layer of the black on here. Or you can also use the Guash paint to make it so mad finish. I'm just going over with only watercolors. Not a mixed media type. And now it's time to just fill up the front portion of the horse. Like this. Here, it's going to be again with a little in the middle portion with black. Also here on this side, it's going to be. All these portions are going to be in the black. So I'm just taking a black paint and adding it only on these portions. So I'm adding a bit of black here. And to this, I'm just going to wash my breast first and taking my burned tumber or burn sepia, whatever you have. So to this, we need to add along the black and make a mixture. So this will become a perfect silo with the highlights. And I'm just taking a little amount of black again and making details on the sides, covering all these portions. Same way with the brown, I'm just going on this side. And the rest portion is going to be with the orange. So it's like a beautiful bright orange. And for that color, I'm just taking cadmium orange and applying it this place. Same way we can use here. If orange is not that visible, we can take our gase paint and apply it on the top to produce the orange effect. Even that will work good. So again, taking a bit of orange to make the details highlight on this side. Yeah, so mostly the other side is completely done. And for the top here, I'm going to add a white color only on this place. Only on here. So I needed for highlights, you can add on this place too, when that's fine, here and there. Next is going to be making the most highlight details because here I can find the paper behind. So I'm taking again with a black and just reapplying to make it a dark textured black like this. So all this should be done completely covered over the face. Also the years, I'm just going it on everywhere. And finally, it should be done. In this place. So I'll just complete making over the hair structures of the horse on back here with a moist brush, and so you the result. Yes. Mostly it's done and just the end of the hair strand should be very thin. You can make that effects flying towards air. So for making this effect, the brush should be completely dry. And instead of using more brush, we can just take with our linear brush too. So even that works well. And here is going to be with a horse tail. Taking amount of paint again and adding for the tail portion in the base like this. So mostly our horse is completely done. Our next is going to be with adding off the grass fields. So I'll be meeting in the next session. By for now. 13. Project 3 - Painting Grassfield: Welcome back. So for the last portion of this third project to make with grass fields here, I'm just going to take the burnt umber and burnt sepia, also white, all the three colors together. So first with the sepia, I'm just making with the grass strokes like this. So you can use any number one brush of your choice, and all the strokes should be very, very thin like this. So when it goes a little behind the details and the coloring thing will be a little different. So here I'm just going with the sepia, the brown shade, the sepia shade. When it just moves a bit on the top, you can make with the burnt umber. So here I'm just taking my burnt tumber and making all the details. But when it just nears over the orange layer, you can take another different shade the earth tone will be very fine. For that, I'm taking the Earth yellow from my set. Earth low will be very fine. This is earth allow. With this color, we can add a very behind like this just making with thin curves. So all these details should be done just near the sunlight, not very front. And if you're done completely with all these three color mixtures of the grasses, next is going to be with adding the white highlights of the grass. So that's important, and we need to do that. Next again with the burned timber. So here and there, we can just make a little high one and add a feathery texture on the sides. Same way with the sepia. You can just make a thin one, lengthy one on the sides and add the feathery texture on the sides like this. Okay, so this keeps on moving. In the base just near the base, if you want to add the blacks, even that's easy, and we can just go with a black stop to make a bigger good sillot. Yeah, here I'm just finishing up with the blacks and making the bold strokes of grass. Or if you want to just make up with just simple strokes very slowly, even that is our choice. We can do anything. Again, with the burned thumber, the sepia. I'm making it like this. We need to completely fill up this land area. So here you can see, I have just used the colors of plaque, starting from the base using black and sepia, burn timber, and then finally with the Earth ocher. So with all these colors I have done with making the raspel and next is to produce the highlights and the shadow silos of the same grass. I'm taking a bit of black. So with a brush, I'm just moving with the single lengthy strokes in the center like this and making the details so this should be done here and there. This will look realistic and beautiful. If not interested with a black color, we can also take our burn tumber or the darkest shades of brown to make this same thing. That will look more realistic. So I am personally using the black. Yeah. So here and there, the details are being added. Now, it's now time to just actually use the white color paint to make with the details. So here just taking the white and adding the same thing using the white color. So we can just take it like this. Also here and there in the mid. When the color is dry, it perfectly blends the other shade of the color. So we are applying it over here and there over the browns. So the colors will completely dry with a white and produce a kind of a lighter shade. So if you wish to just make it lighter version, you can just take a bit of earth low. And with the earth low, I'm just going it over like this. Even this is fine. So it's completely our creativity. And here and there, I'm just using the Earth low to make the same color patterns. If the color is too thick and paste like a thing, we can use it instead of wash. So here, the Him Earth low it's completely opaque, and I can use it easily over here. That's it. So if you want to add more number of grass types here and there, even you can just go with a simple strokes of the grass and that's fine. Instead of adding completely with details, you can just go with a simple curvy strokes like this. Even that looks neat, give detailed effect. So mostly we are in the end of our process. So next is going to be with the peeling of the tape. I'm going to peel it off slowly. So that's it. If you're done, just post all your drawings and paintings in the project section in an assignment session. And if you feel a little hard or if you go with any questions, you can feel free to ask me, so I can just respond. Here I feel it's a little linear. I'm just adding the details in the back. Here you can just go with burned tumber or the black color itself. Like this, yeah. So let me meet you in the last session of this complete all the projects. By for now. 14. Thankyou: So I'm just completed with all the three projects and hope you are just doing along with me and enjoying all the process. And here we have just experienced three different types of clouds painting, also three different types of landforms and a seascape. So here, on the first, we just did with a masking tape, and on the second, it was just directly with the slot of us using different colors, and the cloud type was also a complete fluffy type. And thirdly, it's kind of a very golden evenings like that set. So we've just gone with three different types of colorings. So now I just want you to give us a feedback on all these three projects so that I can make different ideas. I can come up with a different ideas and topics according with your interest. So also I just request you to drop all the three paintings projects output results in the assignment area so that I can verify everything and provide a result of it. So I'll just make a look. I'll give you a closer look of all the details. This is a painting that we did as a second project. This is the third project that we did. And this is the first project. So hope you enjoyed all the process. And also, please drop your percentage like which you liked it first and which was enjoyable, which was your first most liked one. So that's it for this project video. Next in the next project, I'll be sharing with some different kind of topics. And yeah, bye bye. Thank you for attending the class till now.