Paint Polaroid Skies using Procreate : 20 Simple and Easy Digital Projects to Unwind

1. Introduction: Hello, and welcome to my Skillshare class. In this class we will be painting 20 beautiful and colorful sky projects. Projects are mindful and relaxing. Introduction to expressing yourself creatively while unwinding from your busy day. These are low pressure sessions about enjoyment and setting aside few minutes in a day for creativity, as much as developing your drawing skills. So join me on a journey in procreate as we build your skills to draw and paint and to create, double-up, accrete your routine and help you slow down, relax, and enjoy the process. At the end of this class, you will have massives, my grant, the masterpieces that you are going to be proud of. All the projects are totally easy and beginner friendly. Add, do not need any experience. I am so excited to teach you this one. Let's have a great painting experience together. So if you're ready, let's move on to the next section and look at the supplies that need to get started. 2. Tools Required: Let us quickly look at the tools that is required to get started with the class. You will need an iPad, not the pencil or the stylus that is compatible with your iPad. And Procreate application. A very basic knowledge of Procreate would be useful but not essential. Procreate isn't amazing. Digital application on iPad for sketching, drawing, illustrations, and painting. It is a very flexible application that total beginners or seasoned professionals can use to make digital art. If you can scribble with an Apple pencil and iPad, then you can definitely do the projects that you will be creating is to help you relax and unwind from your busy day. These are low pressure classes and are about enjoyment and setting aside a few minutes in a day for creativity. 3. Setting up the canvas: Using the Polaroid style was for all the Baltics. Let's see how we can create app on the plus icon. And you see the setup default canvases that are already available in Procreate. And I will go with this paper canvas. This is of this size, 11 by 8.5 inch, and I am going to turn it around like this. We had the canvas here. Once this is ready, let's see how we can change it to Canvas. And just adjusting the canvas here. Now on the layers. And we need to set the background color too. Slightly grayish tone color because we want to distinguish the canvas from the background. So I'm doing a full set of grayish white background and change the color to white as well. You can do that later once you have the Canvas 3D. Now tap on the layers and we have our background color set. And now this layer one, we are going to create another canvas. Tap on the color wheel and pick white color for the Canvas. Once you have the colored ready, go to the Brush Library, calligraphy and select this mono line brush. We are going to draw a rectangle on top of this diagram. I am going to set the size of this brush to around 20 per cent and opposite is set to 100%. When you draw using this white color. Because the background is not too wide, it is set to Grace. You can see the rectangle that we are drawing on top of it. If you keep the background white as well, it will be very difficult to distinguish the colors. Will the bathroom, and again, this will be white board. I just created your rectangle. Now in case what drew the rectangle, you can edit and select the rectangle option that you see. Once the rectangle is ready, tap on this arrow icon that you see in the top and adjust the placement of this rectangle. Just move it around until central line appears like this so that you do need, so that you know that it is pleased or vaguely get a little upwards. Now, you need to drag and drop this white color, this rectangle. And the Polaroid can now complete. Now we'll get, well, we're going to fade, needs to be on top of this layer. One is the Polaroid Canvas, and we will be adding more layers on top of this, where we are going to be painting. All this layer need to follow the parent layer, which is the layer one. I am going to apply clipping mask for the layers above this layer so that it stays within this Polaroid Canvas and doesn't cool. Outside the canvas. We will see how it works. Actually when we start painting, I'm going to rename this layer to paint. The layers above the layer one are going to be the ones where we are going to be painful. This see how this actually works when we start the projects. And I'm going to rename this layer one as Canvas. So we're not going to paint on this layer. You can go ahead and add more layers by tapping on the plus icon and make sure that all these layers follow the parent layer, which is the Canvas. So you need to apply clipping mask on all the layers. That is about the canvas layer. Now let's just. Quickly check if this actually want to go to the color palette and pick any color that you like. I will go to the Brush Library and select this mono line brush. And check if this line goes outside of the Canvas. I'm going to the layer painkiller, or we could do with an empty layer, layer three. We're going to start from this call now and take it all the way to the other side. And now drag and drop this color. And you see that it is staying within this polarized Canvas. And that means that canvas is now ready to vote on. Double-tap and undo, undo this thing. And we will see this Canvas because I don't want to be creating this canvas every now and then for all the 20 projects. So what I'm going to do is I am going to save this canvas. And I will use the same canvas every, for every project that we are going through. That way, the size of the canvas or the size of the rectangle that you draw it as an differ in each of the painting, it remains the same. Also, you don't have to create this rectangle. Every time you create a new painting. That all actions item that you see on the top-right, top-left corner, Share. And you see a couple of options here. This is the canvas that we will be using for the project. I am going to improve it in the appropriate format and the format. I like this Procreate option. Select this option, save to files. You can save it wherever you want. I'm going to save it on my iPad. I'm going to rename it as political Canvas. Then save it. That's it. We than saving the project now go off to the gallery. All goopy the file there, you'll have saved it. You can check if it is available. Good to the fines. And you'll see that the canvas is saved, that the book create extension. So if you just tap it, will be automatically open. The Procreate app opens up in Procreate app. And then it is for you to use it for your future projects. This is one way I will show you another way. Importing this procreate canvas from the saved file. That when we started projects. This is how you create a Polaroid style canvas for the projects. If you're ready with this, let's move on to the next section and start with the projects. 4. Importing the stamps and color palette: Now let's see how to input your color swatches and the brush stamps included in the resource section. I hope you'll have downloaded them and it is ready to use. Now, let's go to the file where you have this downloaded items. You can see that the file includes all the necessary things that is needed to get started with the full text. So I have this project, 20 day project set, one set and 20 day project set to. I have this color palette file between clues, swatches for all the 20 projects starting from day one to day 20. Now let's see how to import the brush set and color swatches to procreate application. What you have to do is you have to just stop on this project set one. And it will be automatically imported to the application tap on the Brush Library. And you can see the 20-day project set one, which includes the stamps that we will lose from day one to day ten. Similarly, go back to the file and tap on the 20th objects that can be automatically import it to a booklet application. And you will have this terms that we will be using from the element to date, went back to the files and go to the color palette file and just tap on the day one lift, which will be imported to the appropriate application, will be the color wheel. Just scrolling down. You can see the day one color palette, which you can use. Stack the projects. Similarly, you can import your color swatches for the other days. Go back to the file that on this day to swatch. And you will have a two swatch color palette. It's very simple. I want you to download all the best scams and the color swatches from the one big lake doing feet and keep them ready before you start the projects. 5. Day 1 - Evening Sky: Now let's start first project and I'm going to use this canvas that we did. And I'm going to rename this one. I'd walk estate one app on the canvas and let Doug project to adjust the placement of the canvas. Now we are going to be using one color palette, which you should download from the project resources section on the ballots. And I have all the Padlet tool. So I am going with the D1 palette here, which has this pretty colors. So I'm going to pick this first color from the day one pallet. Go to the Brush Library, airbrushing, and select this medium brush. I'm going to set the size of this brush to around 15% and opposite is set to 100%. And I will apply this horizontal strokes and level. One floor does the canvas with this color. Now go to the color palette and pick the second hello, which is a shade lighter than the first one. The next 1 ft off the canvas. With this color. By applying horizontal strokes like this. Go back to the color palette and pick this top color, which is a local low. And leaving a tiny white gap. Right? I'm going to say the next 1 ft off the canvas with this L-shaped using the same brush, that is the medium airbrush. Go back to the palate and pick this orange shade. And again, using the same brush, apply horizontal strokes and fill in the next section with the shade. And these are the colors that we will be using for this guy. And I'm leaving the white gap. Width is going to be the ground, which we will later on. So these are the sheets of this guy. And now we need to blend all these colors to create nice vibrant sky. So what I'm going to do is tap on adjustments, icon, Gaussian know, and set the blur around 30 to 35 person by tapping the tip of the pencil on the screen and dragging it to the right. I've set it to around 35% and we have a nice gradient. The orange and blue for the sky. No gap on the layers. And I am going to rename this layer as DIE. Next layer, that is layer three. We are going to add the Cloud. So I am willing to rename this layer three as well. And I will rename it as clouds. Go get the color palette and make this shape or dimension does shape. And this is the color that we will use to add the clouds. Go to the library and select the soft airbrush. We are going to be adding really soft clouds to this guy. So I'm going to set the size of this brush to around 25%. And obviously you said 200,000 and I am drawing very gentle horizontal strips. Lovely. If you apply a lot of pressure on the people who pencil this tau doubt, it's going to be, we do not want that. Let me undo and started being by applying very gentle horizontal strokes like this. Do not apply a lot of pressure on your pencil and add these horizontal lines, adding them randomly. I'm not following any particular order. And adding them in the bottom section of this guy. This is it now we need to blend this so that it looks really soft. Going to use the blend tool right next to the brush library. I'm going to set the size to about five, goes into 6% and the city is set to 100%. And I will blend the color, went to increase the size to 10%. And then just simply blend it with this guy. That looks like for release, light, loud that is blending into this guy. 6. Adding the tree silhouette: So if this is it, we are done with the clouds. It doesn't really have to just blending in that this guy colors no gap on the Laos and lead the next layer by tapping on the plus icon. And I apply the clipping mask. So that good for lose the canvas or the bait into you. And I am going to rename this layer for ground color palette and pick this last color that's black color from the palette. We'll do the Brush Library, calligraphy and select this mono line brush. Setting the size of this brush to around 15%. Is it is set to 100%. And I'm going to start drawing uneven line by starting from the extreme left corner of the background and taking it all the way to the right of the background. And now drag and drop the color to this area. The ground section is now trading. The need to add the final element to this painting back. We're going to add a silvered go to the Brush Library and go do this 20-day projects. Set one when I have intended the stamps that we'll be using from day one to day ten projects. And let me go with the day one stamp where, which is kind of a pine tree. And we are going to be using the same color, that is the black color for this. And let set the size of this time to around 30%. Let me see. Yeah, I'll set it to around 30 plus and tap on the center of the screen like this. Now you can adjust the placement of the stamp wherever you'd like. Before that, let me just add this separately also, I'm going to tap on layer, tap on Plus icon and create a new layer. And I will rename this layer five. And now just tap on the screen like this. And you have the three-cell back. Now, tap on this arrow icon. You can adjust the size to the left or the right by dragging it around. And you still do dots on the corners that you see to adjust the size. Know it around like this. You can place it to the extreme right, extreme left, or in the same dove into where you like? I think I'm going to move it and place it. Right. Yeah. This looks good. So let me please secure. You're free to place it in the center side, left, wherever you like. This is set. We are ready with our first project. I am thinking of adding the title of this product here in the bottom section. Can do it or you can leave it as it is, or tap on the Actions icon next to the gallery. Add and select this text. I'm going to move this or Xbox section. And I will select the text and replace this text. My bad thing. And as day one, evening, sky. Now select this complete text and I am going to change the font here. You can select the form that you like. I am pulling matchbook phone that I have. Just the size, increase or decrease the size accordingly. And now select this text box and use this arrow icon that you see. Just the placement and positioning of this text. You still blue dots that you see in the corners. Adjust the placement and the size of this text. Now you can see that the text we added comes up as a new layer. We can undo all, uncheck it if you do not like the text. That is it we are done with plus project. That is the one evening sky project. I hope you enjoyed painting this one, but I needed it. 7. Day 2 - Dreamy Sky: Hello and welcome to The. Today we are going to be painting or pastel style. First import the candles on input and go to the file where you have saved the Polaroid Canvas. It's on my iPad in that it is just tap on it and it will be automatically imported to your Procreate application and you have the canvas ready to work on. This is another way of importing the Polaroid Canvas that you have saved any file on iPad. Go to the color palette, and I have my color palette ready. Here is my day to color palette, and I hope you have downloaded and imported to your book Create Application. These are the colors we will be using the pastel colors for this project. Because boost color, which is the lavender or lilac color. And I'm going to the Brush Library and rushing. And I will go with this medium brush. Then set the size of this brush to around 15% and Open City is set to 100%. And I will start by going with the horizontal stroke like this feeling about the canvas. Next, go to the color palette and pick this second color, which is very light shade of pink, and using the same brush, I will play next one, food for the canvas using this color. Now go back to the palate and pick this code color from the palette. And continue filling the next one food off the canvas with this, each shape. Go back to the palate, the fourth color, and continue the same process using the same brush by applying horizontal stroke like this. And the next portion or the next section of the Canvas. So this is, these are the sky Carlos that we are using for this project. It's in this layer. And now I am going to adjustment section Gaussian low. And I will set the blow to the bulb about 40%. Yeah. We have a nice pastel sky 3D. Now we will be adding the mom in schools. So I'm going to layers and I'm going to rename this layer as Skype using the same canvas that we see. Now. We will add two layers of mountains. So I'm going to rename this layer three as small thing one. Now go back to your painting, go to the color palette and make this fifth color from the palette. We'll do the brush library. Neville, go with the airbrushing. Go with the soft air brush. I'm going to set the size of this brush to about, say, we'll set it to around 70 per cent. And obviously it is set to 100%. Using this brush, I'm going to clean my first layer of mountains, make sure that it is not a straight horizontal line. So it is going to be the farthest mountain. I'm going to fill about one-fourth of the canvas. And now to make it look like, Oh misty mountain, I'm going to tap on adjustments. I can gaussian blur and I will send the blood to allow the people sent so that it looks like a misty mountain, but just far away. Now it's time to add the next set of mountains. So tap on meals, tap on the plus icon. And I'm going to rename this layer for small thing. And in my next set of Mountain Dew, the color palette. And make this six shade from the D2 palette. We'll do the brush library. And using the same brush, I'm going to paint the next set of monthly. Now I have not applied clipping mask. You can see when I paint it comes out of the canvas. I'm sure you know what you need to do. As you can see, it is coming out of the canvas. You do not want that. So go to the layers and apply clipping mask on this mountain so that it follows the parent layer, which is the Canvas. And now you try it. You can see this div, it stays within the Canvas. So let's start with the next set. We want to set the size of the brush to about. They'd say I'm going to set it to about 70%. And I will add the next set of mountains right below the first month. And again, I'm not going to keep it straight. Make sure that it looks like a mountain by adding beaks like this. And I'm going to fill my board one for section using this color. So there we have the second set of mountain. Now we're going to be painting or adding sand here. This section of the mountain needs to look lighter because of the sunlight falling on it. So what I'm going to do is I am going to apply alpha lock on this layer. I'll go to color palette and pick this pink shade seven color. If you do not apply the Alpha Lock, I will show you what happens. Now. If you do not apply alpha lock when I tried to apply the color, it is going to the other mountain as well, but we do not want that. We want the second mountain layer to be led by the sunlight. So what do you need to do is you apply alpha lock on this layer to mountain layer. And then you apply your teams is that is AD, make this section of the mountain lighter. So when the sunlight falls on this section or the peak of this mountain, it appears lighter. Now, I'm using the same brush as you can see. If you apply a lot of pleasure, it looks too dark, you want it to be light. So apply tiny amount of pleasure on the tip of the pencil and lighten this top section of the mounting using this color so that it looks like a sunlit mounting. This is how the sunlit area looks. 8. Adding the tree silhouette: Now go to the layers and add a new layer by tapping on the plus icon. And I'm going to rename this layer five. I will be adding the trees in the next layer, which will be on foreground, trees. Go to the color palette and this black color from the day to palette. You know, what is the mistake now, we have not obliged clipping mask on trees layer. So you need to do that. Now when you try it. States within the camps. So I'm going to fill the rest of the canvas using the same brush and fill this section using this black fellow. Need to add the trees. So I go to the Brush Library, link to the 20-day project set to one. And we have this dam for data. So I'm going to duplicate. I'm going to set the size of this brush to a low 20%. And I'm going to add it in the trees area. Let me do that in a separate layer. So double meals dabbled plus I couldn't read and Leo an applied clipping mask on this layer. I'm going to set the size of this brush 20 per cent. And I will just tap on the screen like this and add the trees, the pine trees, he'll fill in this bottom section. And that's it. We are done with this. It's as simple, so I do not want you to be spending a lot of time on adding the details of the tree details. All you have to do is just tap on the screen and the silver is really, I'm going to fill in in between by just tapping on the screen and making it more dense. Just dab in-between them. Now we need to add an icing sun. The color palette like this last color, when they walked to the village luxury. Airbrushing. And select this soft airbrush. I'm going to set the size of this brush to about the present, around 30% and a moon do layers and create a new layer. Now you can apply clipping mask on this layer and I'm going to rename it as sun. It's always a better idea to create each element in a separate video so that it is easy to believe or redo it. Draw a tiny cell. Create the misty effect and boom, do adjustments section lotion. And I will set the load about 8% so that it looks like the sun is covered by this mess. And we are done with this project. And now it's time to add the Titan. So let's just do that. I can add, I will add the text. I'm going to pick black color for the text. I'm going to rename it as Genie Scott. I'm going to select this text and change form. What I had selected earlier for the day one project. Select the text and this text down. We're going to adjust the size of this form, deliver more. It's up to you how you want it to be or what size should be. Debbie are done with all they do project, which is this nice guy. And I hope you enjoyed painting with me. Please. The same door. And I hope you enjoyed painting this mood blue sky with me today. Let me just rename this canvas or the adverb as the dome. That's it. We're done with our project. 9. Day 3 - Cloudy Sky: Hello and welcome to day three. So we're going to start by importing the Polaroid Canvas to the Procreate application. Do have the Canvas 3D. Let's look at the color palette that we will be using for today's project. I have my day three pallet ready here, and I hope you have downloaded it. So as usual, let's begin by painting the sky for someone to pick the first color from the palette. Brush library, airbrushing. And I will go with the medium brush. The size is set to around 15 to 20% and opacity set to 100% and horizontal strokes and fill the board one photocopy Canvas using this color. Now go to the color palette and take the second color, pick the third color from the palette, and fill the next one who told the canvas with this color. And finally, the second color, which is a very light shade of blue and fill the rest one who took the canvas using this sheet. And finally, I'm picking this food color from the palette and filling the remaining canvas with this color. So these are the four pillars that we need for the sky. No Doppler on the adjustments. Ocean know and take the blood to around 40%. Let me decrease it and set it to around when to send the blood to around 30%. And this looks really wonderful. So I guess we are done with this guy. So tap on the layers and rename this one guy. This is pretty much similar in all the projects. And we use the same technique, same brushes for this guy. Now go to the layer tree and I am going to rename this layer as clouds, where we'll be adding some clouds. No tap on the color palette. And I'm going to pick this color from the palette, which is kind of dark gray, bluish green. Go to the Brush Library. And I will go to airbrushing and go with the soft air brush, which we will use to add the soft clouds. I'm going to set the size of this brush to around 40 per cent and opacity set to 100 person. Now, let's see how this brush works now view, if you apply a lot of pressure on the tip of your pencil, this is how it looks. You do not want that. You want like really so Cloud. So you need to apply a tiny amount of pleasure on tip of your pencil and start adding the clouds. I'm going for a really soft, flowy loud. So I will start by applying a tiny amount of pleasure on my, on the tip of my apple pencil and start drawing this. So blush strokes. As you can see, I am pulling with this dinosaur glass tubes to create that soft clouds. I'm not going for any particular shape and just randomly adding to cloud here. Now, I'm going back to the color palette. And I will this shift color from the palette. And I will add some. I will again repeat the same circular motion and add some clouds here. So make sure to do this very gently. Now go back to the color palette and pick this color from the palette, which is a kind of peach color, and add some PT clouds as well. Right below the one which we have just painted or added. Going to blend it all together so it's not going to look very clean right now. You can see just doesn't make sense, but don't worry, trust the process and you will see the result. So now go to the Brush Library, airbrushing, and select this soft blend brush. I have said dopey city to 100%, and I will set the size of this brush to around 5%. So I'm going to smudge, tap on this match tool that you'll see. And I'm going to set the size of this much to around 10% or reduce it further down and set it to 5% and then went to smudge, all G, all these three colors really well to create the soft, loud. I am again going but this OK, the last strokes and blending all these, tweak those matching these three colors into each other. I'm repeating the same steps by going with the silk gloves, strokes like this, and blending in these three colors like that, that looks like once in the Cloud with different shades off does matching. It didn't it looks like Let's make it a little more dark. So I'm going back to the color palette and Apple, like this bluish gray color. And go to the Brush Library and go with the soft blend brush and set the size to around five or six person. And I'm going to go read the cell glass trucks and add in more depth to this cloud as to make it a little more dark. Again, I'm going with Toklas, true. Lending the color, but the one that is already there. So I'm just making the top section of this cloud a little more dark. Nobody about the shape of the cloud. If you are concerned about the shape of the cloud, are not happy. You can always refer to the reference image. That is the project image that I've uploaded in the results section and then go with it. 10. Adding details to the clouds and painting trees: You can stop it here. Or if you want to add in more color and drama to the Cloud, you can go out. I am going back to the color palette and picking this each color and adding some more beach below. So I'm going to reduce the opacity of the brush door on 60 to 65% and adding in some beach or blending it with this cloud. As I said before, you can keep it simple or if you want, you can add more drama by using differentiates and create the Cloud. Now I'm going back to the color palette and I will go again with this face blue and adding it to your dog and blending it with the beach. I'm pretty happy with the results are wounded. Stop it here. Now, go back to the layers and create a new layer. And I am going to apply clipping mask on this layer four. And I'm going to rename this layer as ground. So now I will pick this black color from the palette and go to the Brush Library, telegraphy, and select the mono line brush. So I'm going to start adding. I will set the size of this brush to around 15% and I will add a slanting line. Oops, I can see that I have not apply clipping mask on this layer. So let me just do that and start adding line right below the cloud here. Now, drag and drop the color. Now it's time to add new layer. So tap on the Layers panel, create a new layer, a clipping mask on this layer. And I'm going to rename this layer. I'm going to rename. So I will name it as trees or three. And I will go to my Brush Library. The 20 day project set to one. And I will go with my date stamp. Set the size of this brush to around 25% and tap on the screen like this. So you have the Tree Hill. Now, select that with the arrow icon. And I'm going to flip it horizontally. And please take your extreme left corner. I'm going to make it I'm going to expand it using this blue dots that you see in the corner and place it here. Now again, the placement of this tree is up to you where you want it. You can keep it small. Keep it vague, hover. You like it. So I'm just checking that it looks this looks good. So I'm going to stop it here. So you can flip it horizontally. You can keep it on the left or the right. You can make it smaller or you can make it big. It's up to you how you want to place it. So if you want only the top section of the tree, you will do that by just tapping on that arrow icon and dragging it to the position where you want to place it. So this is where I want my tree to be, so I'm going to stop it here. We are done painting the date, the project. Now it's time to add the next tap on the Actions. I can add an X, select the text and delete this text. And I will move this text box down and bring it for this section. And I'm going to type in the three. And I will name it cloudy sky. Now I will select this text and change the form too much. Just the size. And then now select this text box using this arrow icon. And it's just the placement and size of this text box. So that's it. We are done with the D3 project. I hope you enjoyed painting this cloudy sky with me today. So let's go back to the gallery. And he mean this untitled street tree. 11. Day 4 - Vibrant Sky: Hello, it's time to clean basal project. I'm going to start by importing the illiterate can. Now, let's have a look at the color palette for Dave full. So I have my day four color palette. And I hope you have read, read, read us why. I'm picking the first color from the color palate to the Brush Library. Airbrushing. Sushi, go read, medium brush, or you can go with soft pressure as well. It doesn't really matter. I'm going to set the size of this medium brush to around the bus. And I would start by applying horizontal strokes. I'm going to fill about half of the canvas color. Now go back to the color palette and make this second Palo default palette. And the next half of the canvas using this kind of see one-fourth of the canvas. As you can see, I have left all white, deaf green now with the lingo for them section, but by law using the same brush. This section is going to be the ground. So I'm living as it is, up on adjustments, I can go low. Melinda said the 30%. Let's go back to the layers and rename this layer of paint, your thigh. And I'm going to rename this layer three. We're going to be in the clouds, so I'm going to rename it as clouds. Now, let's go back to the color palette. And I will pick this color brush library, airbrushing and select the soft air brush. I'm going to set the size of this brush too long, 40%. And I'm going to add some strokes in motion like this. Not exactly self-love, but I'm going to end fruit we went through to add this truths. So again, we are adding clouds here. So I'm cooling for this tactic tumulus kind of loud, which is like this. Really bad clouds. I'm adding this back in to fall through and through motion clouds gathered loud here. So we're going to highlight it more by going to the darker shade. For now, we will use this color and add this add clouds. And it is called strata cumulus cloud expert. So I think that is what it is called. Me. If I'm wrong, as you can see, I am leaving some gap in-between two. You can see those guy be needed. So go back to the color palette and pick this darker shade. Using the same brush I'm adding the same to and fro motion clouds on top of this, orange clouds, adding in more depth to this clouds. So let me just reduce the opacity of this. Sounded five boys in and add in some more in-between or write about this orange. Adding in some more clouds here in the top section begins to seem step, all meet at the side as well. Now, let me just go back to the color palette and big orange. I love rounding eyelid and add in some clouds. Green just blended with their darker shade. 12. Adding the tree silhouette: I will stop it here and let's move on to the next section. Now, tap on Laos and create a new layer and applying clipping mask on this layer. I'm going to rename this layer as ground. Now go back to the color palette and pick this last node that has black color from the palette. Brush Library, calligraphy, monoline brush and add lime, and drag and drop the color. Now, let's add some grass. So I will go to the Twinkie day project sect one. And I will select this stateful glass brush stamp. I'm going to set the size of this brush to alone would be pleasant and build grass by just tapping on the screen like this and fill in this section. I'm also thinking of adding bagged trees. So I will go to the brush set and I will select this stuff for a stamp added. So I'm going to set the size of this brush to around 4% or even less. So let's set it to around 35%. Let me add this in our new meals. So I'm going to create a new layer and I'm going to rename it as tree. Now, just tap on the screen to add the tree at just the placement by tapping on this arrow icon. And they'll drag this odds just using this blue dots on the corners, you can increase the size or decrease the size and move it around and place it wherever you like it. I'm going to place it here. This looks good. Size accordingly. So this is set, we are ready with the default project. It's now time to add though. We'll just do that. That ball on the actions. I didn't add the text. Now I'm going to rename it as Dave for and name it as dramatic. Because there's lot of drama going on in this guy's name it, dramatic sky. With just the size and placement of this title. And that's it. We are done with the basal project. Now let's go back to the gallery and we named this project to move to name this untitled artwork. I stay for that. 13. Day 5 - Morning Sky: Hello. Let's start our DeFi projects. So I'm going to start by importing their Polaroid Canvas. Let's look at the color palette that we're going to use today. And I have this day, if I color palette, I'm going to pick the first color from this palette. Go to the Brush Library, airbrushing, and select the medium brush. The size of this brush to decide to do about 25%. Infill the top section of the Canvas with this color by applying horizontal strokes like this. Now go to the color palette, the second color, and fill the next section, again using the same brush. Go back to the Bartlett. And this Todd color from the palette and fill in the next section by drawing one horizontal line like this. I'm going to reduce this size and I will set it to around 15%. Go back to do color, palate the food color, and fill this section with this color. Finally, I will pick this fifth color and fill in this bottom section with this color. Now these are the colors for the sky. That bone, I just mean cyclin Gaussian blur. Instead the blog to around 40%. I'll go to the layers and rename this pain pill or layer as a guide. And go to the next layer, rename this layer as clouds, where we will be adding very simple and easy clouds. Now go back to the color palette. And big this dot color from the palette. Go to the Brush Library, airbrushing, and select this soft airbrush. And will reduce the size of this brush and set it to around 30 per cent and opacity set to 100%. And I will add fuel load is on two strokes. And these are going to be the clouds. It's very simple. Just add 0 random horizontal strokes in few places like this. And that's it. Very simple and easy way to add the clouds. All I'm doing is adding very gentle and very gentle horizontal strokes. And adding in these clouds do not apply a lot of pressure by adding this horizontal strokes at them. Very gentle. Now go back to the ballot and big this fifth I loved from the palette and I'm going to reduce the opacity of the same brush and set it to around the eye. We'll set it to around 50 per cent. Size is the Lizzie marathon 15%. And I will add few more horizontals, strokes like this, and add few more darker clouds here in the bottom section. Now go back to the layers and create a new layer. Let's add a tiny sun. So I'm going to rename this layer as sun. Light clipping mask on this layer. Go to the color palette and pick this last color, the yellow color from the palette, using the same brush. I will say they'll be city 200 bucks and reviews this size or increase the size to around 20 per cent. And using the same soft airbrush, I'm going to add a tiny so good. Like this. Now let's move on to the next section. 14. Painting the mountain and trees: And I'm going to create another Leo. Going to rename it as mountain. Apply clipping mask on this layer will do the color palette, and I'll pick this fifth color from the palette. Go to the Brush Library, calligraphy, and select the mono line brush. I visit the size of this brush to about 15 per cent. I will set the size to around 20% and opacity set to 100%. And I will draw the mountains or just outline the mountain here. And now drag and drop the color. The mountain appears to be a little too high, so I am going to tap on the arrow icon and move it down here. Let me move this down. I'm going to place it here. I'll go to the Layers and create a new layer of like clipping mask. And I'm going to rename this layer as trees, where we will be adding the trees **** silhouette. Go to the Brush Library. Go to the color palette and pick this black color from the palette. Go to the Brush Library, do the 20 day projects, set one, and go with this. They fight stamp. I'm going to set the size of this time to around 50 per cent and tap on the screen to add those. Now use the arrow icon and adjust the placement accordingly. Make sure that the mountain behind this layer should be visible, not completely, but a part of it. And displacement looks like I'm going to stop it here. Now. I'm thinking about adding some more lighter clouds around the sun. So go to the sand layer, will pick this second color from the palette, go to the Brush Library, airbrushing, and select the soft airbrush. And I will set the size is set to whatever it was said previously, reduce it to around 15% and add a few more horizontal strokes around the sun to add this lighter colored clouds around it. At the marriage until you do a lot of casual on the tip of the pencil. It has to be like really light. I will stop it here and it's time to add the text. So let me just do that. Go to Actions, Add Text. Now teens still allowed to black. Just typing in the cookie. You're not able to scale it because we are doing it in the sand layer. So tap on the layers and delete this layer. I bought the sun and go back and go to the trees layer. And now the text added will be about the trees layer. So let's do that. So you're already in the trees layer. So whatever texts you want to add is going to come. I bolded choose layer, so now you can add the text. I bring it down, replace this text and type in as the five. I am going to need met the morning sky. Now select the text and change the font to match book. Increase the size. Then now adjust the placement of this text and bring it to the same though that we are done with the DeFi project. I enjoyed painting this one and this guy looks really beautiful. Now, let's go back to the gallery and rename this untitled artwork. Men go to define that. 15. Day 6 - Pastel Sky: Let's start today's project by importing the Polaroid Canvas. I have this day six color palette here, which we will be using for our deck. And I would go with this plus color that is local to the Brush Library, airbrushing and medium brush. I will set the size of this brush 15 or 12 per cent, and I will draw a circle like this and this top left corner. Now go back to the palette. And I will pick this second color from the palette and draw the circle around this circle. In this section. Now, go back to the palate and pick this third color from the palette and repeat the same step. I'm going to fill in this section and cover it with this color. Lastly, I will go for this food color and fill this remaining section when this color. Now let us blend all these three colors. Tap on adjustments. I couldn't go some blog. And I'm going to set the blur to about 40 per cent. Yeah, I'm going to stop it here. Now go to the layers and rename this paint Hill, Aliyah, I'm going to rename it as Guide. Now go to the layer three and rename this layer as sun. To do the color palette and make this fifth color from the palette go to the Brush Library, airbrushing. And I will go with the soft air brush, adjust the size to about 15% and opacity set to 100% and add tiny circle. Now let's blooded of beds. That bone the adjustments icon Gaussian Blur and set the blur to about 10%. Now, we need to add the reflection of this guy. So let's do that. What I'm going to do is I am going to combine this guy and suddenly you're together. I'm going to pinch these two layers together to make it as a single layer. And let's add the reflection now. So tap on the Actions. I can copy and paste. So you will have another copy of this guy, Leah, now flip it vertical and bring it down. Just a placement accordingly. Now we can see it is coming outside the canvas. Or what we need to do is go to this inverted image and apply clipping mask. Now you can see this within the frame. Now let's add just the placement of this inverted image that is the reflection. Use this blue dots on the corners and adjust the placement. Now, I will go to the eraser. And it is this top section of the inverted image that is covering up this guy. As you can see. I'm going to bring it here somewhere in the center and it is still see this white section. Yeah. This is it. 16. Adding the trees and reflection: Go to the Layers and create a new layer, apply clipping mask. And I am going to rename this layer as trees. Go to the color palette and pick this last color, black color from the palette, go to the brush light duty, 20 day projects set one. And I will go with this day 63 stamp. I'm going to set the size. So this than I do about 50% and just tap on the screen like this. Now using the arrow icon that you see, just the placement and bring it to the center like this. Do exist the placement pure. This looks good. Now. This looks good right? Now, we need to add some labels. So let's do that. Now go to the color palette and make this bold color from the palette. Brush library painting. And select this dry brush. I'm going to set the size of this to about 15% and opacity is set to 100%. And I will add horizontal strokes at the ripple effect on this lake. So all you have to do, you're just dragging the color that's already present and adding like the reported reflection on this lake. I'm just pulling this dragging the tip of the brush on the other side as well. Once this is done, I'm going to erase this section here because there is no tree, but you can still see this black ribose. Don't want that. So I'm just erasing it. Now go back to the Brush Library elements and select this ocean brush. I'm going to set the opacity of this brush to about seven people are sent and set the size to about 20 to 25% and add some ripples. Again, applying horizontal strokes and filling in this section. You don't have to fill the entire section, just add some labels here and there. This section that you'll see, but the ripples. And that's it. We are done with this basics project. It's time to add the text. Now. Let me just do that. Actions add. Before that, let me just change the color to black. Now, Actions Add and Add text. I'm going to bring it down here, replace this text. I'm going to name it these six. As to Sky. Select the extent Jane the phone, too much, bulk, breeze the size. Just the placement of this text. And then we are done with this stage six project. Now go back to the gallery and I am going to change this to be six. Dan. 17. Day 7 - Golden Sky: Welcome to day seven. And today we're going to be painting all Golden Guide. We're going to invoke the Cadbury impulse to the file and import it to the appropriate application. Could be the color palette. I have this A7 color palette. These are the colors that we will be using for this project. And I'm going to pick the first color from this pilot, will do the brush library airbrushing and go with this medium brush. So I'm going to set the size of this brush to around clinical isn't. And I start applying horizontal strokes, usually for this guy. And I'm going to fail more than 1 ft off the canvas for this color. Go back to the color palette, pick the second shade, and the next section, using this color and the same brush. Now go back to the color palette and this toward color from the palette. And fill in. Before Dr. Canvas are filled with these three colors. You need to create a seamless blend of these three colors so you know what to do. Go to the adjustments section, Washington, and set the blur to around 30% to create a seamless blend of these three colors. Now it's time to add the clouds. So tap on the layer and I'm going to rename this layer one. And layer two is going to be the clouds. So once you're done with it, we're back to the color palette and pick this bold color from the palette. Now go to the Brush Library, organic and select this name for the splash. So this is the brush that we're going to use to add the clouds. So I'm going to set the size of this brush to around though 6%. And I will just tap on the screen like this using the tip of my pencil and add the clouds in a random shape. All I'm doing is just tapping the tip of my pencil on the screen to add the clouds. You see it we have scattered clouds. Now I go back to the color palette and add some more dimension to this cloud. So I'm going to pick this fifth color from the palette, which is almost white or off-white. And I'm doing and repeating the same step. And I'm just adding the clouds or the one that we have previously added. By just tapping the pencil on the screen. I'm thinking of going back to the color palette and pick the food color and add some more clouds. It and make it more dense or intense. Just trying to team the shape of this cloud by just tapping on the screen. Now you don't have to worry about the shape of the cloud. You can go ahead and add your own sheep loud, it doesn't matter. I think I was top it Shaw and move on to the next section. Go to the Layers. And I'm going to create a layer just above the sky layer on the glass icon. And it automatically follows eight inch tail, as you can see. And I'm going to rename this layer as Sun. So I'm adding the sun behind the clouds that we painted. The color palette and six color from the palette to the Brush Library, airbrushing. And select this soft blend brush. I'm going to set the PCT 200% and size to around 6%. And I am just adding some really light, yellow light behind these clouds here. I will be adding the sun on top. Perfect. Now tap on the adjustment cyclin Gaussian Blur and set of low to around 30% or maybe I'll set it to around 25%. Now go to the color palette and pick this white flight color from the palette brush library with the soft airbrush. And I'm going to set the opacity to 100%. I will set the size to around 20% or even 20%. And I will add a tiny hole in the center so that it looks like a glowing sun. 18. Adding the tree silhouettes: Now it's time to move on. Next layer, back to the layers and create a layer right above the clouds. I going to apply clipping mask on this layer of Phi. And I'm going to need met. This is going to be the ground section, so I'm going to rename it as ground. Go to the color palette and make this black color from the palette. And I've been going to the Brush Library, calligraphy and select the monoline brush. And the size is set to around ten to 15%. And I'm going to draw an IV line like this and fill in the ground section. Now it's time to add the silver. I have done that I've included in the brush library for you. So before that we will create a new layer and apply clipping mask on this layer. And I'm going to rename this snail its price. Now go to the Brush Library and go to the brush stamp set, that is to 20 day project set to one. And I will go with goldman this day seven stamp. And I'm going to set the size of this brush to around 35% and add this damp. You'll note that on the arrow icon and adjust the placement of this class and extend it or expand it to the sites using the blue dots that you see on the calmness. And I like the placement of the grass here, so I'm going to stop the cure. Now this section here that you see right below, the sun is going to be illuminated with the sunlight. So it is going to appeal a lot lighter. So we are going to add some brown shade. I'm going to do is go to the glass layer of like alpha lock in which Leo go to the color palette and pick this last color from the palette. Knife to brush library, airbrushing. And select this soft airbrush. And I am going to lighten section by adding some brown shape to the glass area here so that it looks like this, illuminated by sunlight. So it has to appear a little lighter. Just going with this last stroke and lending wet, blending it with the black grass. Going back to the color palette, if you think it is too light, you can go and make it a little darker. Let me just zoom in and show you how this looks. Now, you don't need this whole section to be brown. Ada died when Lucas son needs to be lighter. So I'm just doing that. Is you can go and make it dark though. This looks good. Now. Let me mouth and be done with it. Nice at Linfield dig, it's time to add the title. So let me just do that. Tap on the Actions. I can select this text and replace it. Is sovereign. Going to rename this as Gordon sky? I'm going to change the form to match book. I didn't say let me just do that. Adjusting the placement of x. That's it. We are done with the D7 project. Holden Skype. I hope you enjoyed painting this. Now go back to the gallery and lead to swim in this project as D7. And we are done with this project. 19. Day 8 - Sunset Behind the Trees: Hello, it's starting to be a project. Let's start by importing bill goes to the application. When do I just stick there? And now let's take a look. I lived bounded for this. I have my color palette trading cyclists, we will be using just by colors for best sticky. Select the second color from the palette and go to rehash liability. Airbrushing. And go read them medium or soft airbrush. Going to set the size of this brush to around 20 degree. Anyone poison ivy Finland go. I really feel almost half of the cameras with this color. Now go back to the color palette. And big bestowed by law from the palette. And for the next half of the canvas. Red, this color stamp to blend the colors to tap on adjustments. Good question. No. I will take note on 30%. Now go to the layers and rename this painkiller layer as a guide. Now go to this layer three and unmute duty name this layer three as clouds. By now I'm pretty sure you must have understood why working in layers is recommended because if you have to correct any element in your painting, it is much easier to do it. Now, I will go to the color palette and pick the first color from the palette. On brush library routines, they paints and select this five nodes inside the size of this brush to around 15% and opacity is set to 100%. And I will start with gloves, so I will go with circular motion strokes. Add the clouds. So I'm going to start from the top section of this guy by Googling radars agglomeration and almost gobbling bill DOD section or began with clouds. Now I will reduce the opacity folder down to 80%, 80%, and I will start adding lighter shade clouds. In the same. Non-doctors have a go with this hopeless truths like this. Next section. You can still see the color underneath. That is, you can still see the colors of this guy below the clouds. So that is what you want to achieve. We need differentiates. Four. Now I said obesity little more. I will say 90 v and then add some babble lobes on the edges. I'm Linda said, or reduce the size further down to train people isn't. And add some clouds, leaving some gaps in-between am adding some more smaller clouds right below it. And again, do not apply a lot of pressure on people feel fence and it needs to be. Gentle strokes that will reduce the opacity to 80% and again, continue adding lighter clouds. You, all I'm trying to do here is use different shade of a shade of the color on the top and lighter shade on the bottom so that it looks like a shadow on the clouds. Notice that I am not filling it completely. You can still see the layoff of what the color underneath that is. You can still see the color of this guy. I reduce the size of the brush further down and adding some distinct layouts using no PCT also further down at all, 50 per cent. Now, again, the shape and the size of the CloudStack to add up to you how you want it. You can find all different shades of shades and shapes of cloud. So what you're doing feeling have to follow. What I'm doing is I'm just showing you how you can do it. It's up to you to experiment. Clouds retail father are being stood up your small grain size compared to ones which are your yield. I'm going back to the color palette and picking default second color from the palette because I feel that the clouds here in the bottom section of beers. When going over and using the same brush, I'm just adding some sky colors. I slide down. You'll notice that I'm not applying a lot of casual. I'm just managing, delete a blank Jones yonder, get both my pencil and lightening few areas of the clouds. You can see the color, eventually, how the colors reduced by just going over it with the same color as this guy. I'm thinking of drug use in the clouds farther down. So lively, cool or warm, red snaking Carlo, which is completely fill it with a color that you will still not happy with how? So I'm just going to completely, you could completely erase it all, covered it with this color. It's one and the same. So I'm just covering it with this color completely and back to the color palette and pick this first color from the palette. I'm Linda said this isotope, this brush to around 20% and opposite they said to 50%. And I will add some lighter shade loud here. The golden section. 20. Refining the clouds and painting the trees: Now let's make some adjustment by going back to the color palette and make this third color from the palette and go over it. Enlightened few alias. Go back to the color palette and this first color from the palette. And I'm doing, please don't hesitate to 100%. And we're going to add or adopting the values on the sides here. And adult section. Just adding the shadows, the clouds that it will mean that it appears to light. You can go and again, going with this Oakland motion, just causing you're analyzing, this actually looks. Go back to the color palette and pick the second color. Going to lighten the areas. Now, as I mentioned earlier, you can play around and experiment by changing the size of the brush until you're happy with all the clouds appear. So I think I'm going to stop it here now. On the Layers and create a new layer. I'm going to rename this layer to as trees, where we will be adding the trees down to the color palette and pick this last color. And apply clipping mask on the new school back to us and apply clipping mask. Now go to the color palette and pick this last color, that color for the two silhouette. Go to the Brush Library. During the day before. Take set to one and select the eighth or G stamp. When you do said the size of this dam to detect it to around 40% and just tap on the screen like this, tap on the arrow icon that you see to access the placement of this stamp. By using this blue dots on the corners that you see. Now you can place your order, just the placement of the trees accordingly, hope you liked it. Slopes. Good. Need to add one more element though this isn't one going to the color palette. And I will make this food color from the palette two layers and create a new layer. You're going to be adding the setting sun. So I am going to rename this layer as sun and apply clipping mask on this layer. Now go to the Brush Library, airbrushing, and select the soft air brush. We're going to set the size of this brush to around 15. Do I don't drink the poison ivy ad also good like this. Now, tap on the adjustments. I couldn't Gaussian Blur and said the blood to 15%. So that looks like it's glowing. On top of this, I'm going to draw another circle like this, this same brush and add this sun so bad now it looks like there is a blue around the sun. This is it we are done with the project. Now it's time to name or add the text. Now before adding the text, I need to change the color of the exon, going to pick this black color from the palette. Now that bone actions, I can add text. We're going to bring it down and I'm going to rename it as they ain't no sunset behind the trees. Now let's select the text and change the form. I'm going to change the font to match book. Now, adjust the placement of this text. Yes. We are done bed eight a day. Now go back to the gallery and you name this untitled artwork as they age. 21. Day 9 - Magical Sunrise: Hello and welcome back to day time being nine project. Let's start. I'm going to start by importing the Polaroid Canvas to the appropriate application. The canvas. Now let's look at the color palette for this day. Nine. So tap on the color palette, and this is the color palette that is D9 color palette we are going to be using today. So, um, we'll pick the first color from the color palette, go to the Brush Library. Airbrushing medium brush, set the size of this brush to 15% of the city's set 200 per cent. And the first one, food with this color pipeline, horizontal strokes. Next big the second color. Repeat the same process. Apply horizontal strokes like this. And the next one go to the Canvas. Next, go back to the color palette, pick the third color. Repeat the same steps. Fill in the next portion of the canvas, and go back to the color palette. Though food color, which is a shade of brown and fill in the next section. But this color and the school will be this guy colors. Now we need to blend it together, so tap on adjustments. I couldn't go learn and set the floor to around what the person. So these are the colors that we're using for this project, for this guy. Now cool, tap to tap on layers and go and rename this layer I Skype. But the layer three is the one where we are going to be adding the clouds. So tap on this layer of like a rename this layer as clouds. By now. Very familiar with the first two step, that is sky and clouds. Go to the color palette and this last but one color. And go to the Brush Library. Airbrushing and select the soft airbrush. This is the brush that we will use to add the clouds. I will set the opacity of this brush to around 70%. I bisect it to around 75%, and I will set the size of this brush to 15%. And I will start fighting the clouds. It's a pretty simple Cloud. All you have to do is apply very gentle horizontal strokes like this. Now I think the size looks too small, so I'm just going to undo and set the size to 30% and just apply a very gentle horizontal strokes like this. You're not adding a lot of details. Because simple Cloud. So all I'm doing is just a blind, very gentle horizontal strokes like this. Again, I'm ending the adding them randomly in different places. Really don't have to stress about adding this. How the shape should be. Main aim of this project is to have fun to create telephones. Guys will just start getting fruit. Apple on the adjustments. I couldn't Gaussian blur. I'm going to blow the clouds. I'm going to set though to around 10%. They looked like this release. So distributed clouds. This is six. Now let's move on to the next section. So tap on the Layers and create a new layer. Now, I'm going to bring this layer right below the cloud, cloud layer. And you can see the clipping mask is automatically applied. I'm going to rename this layer as we add, adding the sun behind the clouds. So go to the color palette. And big this sixth color from the day nine palette. Now I will use the same brush, someone who said increase the opacity to hundred percent and I will set the size to around 40%. And I'm just drawing or adding this horizontal strokes. This is going to be the glow around the sun. So bone the adjustments. I couldn't go too low and set the blur to around 25%. And now we'll do the pellet palate and pick this fifth color from the palette and use the same brush. I will reduce the size of the brush to around 35% and add a tiny circle here. To add the glowing sun. Tap on adjustments. I can gaussian blur and set the blow down seven. 22. Painting the mountain and trees: So this is it. Just added a glowing sun. We painted a gluing sand. Now go back to the layers and create a new layer above clouds and apply clipping mask on this color palette. And seven color from the palette, which is kind of dark gray. Now go to the Brush Library and I will go with the medium hard airbrush. Obesity is set to 100% and I will set this size around 40%. And I will draw the mountain by going with the slanted line like this and fill in about one-fourth of the canvas with this color. This is going to be distant mountain that bond the adjustments. I couldn't Gaussian Blur and set the float to and do per diem per cent. Now go back to the layers. And I'm going to rename this layer as mountain. Now, tap on the plus icon and create a new layer. And I will rename this layer, sits as ground. We'll do the color palette and pick this black color, which is last color from the D9 palette. Go to Brush Library. And I will go with the same medium. Airbrush. It the same size and opacity. Okay, now we have not applied clipping mask on this layer. So go back to the Nios and apply clipping mask on this ground, LEO, sorry, not Alpha Lock, clipping mask. The Alpha Lock and fill in this section with this black color using the same brush. Just filling it by cooling with autism to strokes into when Phil motion. Do not keep it straight. Go forward, always go for it. Toby line. Now go back to the layers and create a new layer where we will be adding the silhouette. So I'm going to rename this layer seven. I'm going to type it as three. Apply clipping mask. Now, go to the Brush Library and select the 20 day projects at one and go with this T9 tree stamp. 200%. I will set the size of this brush to 20 per cent and tap on the screen like this. It's too small, so I'm going to increase the size and set it to 30%. Yes. And now using the arrow icon that you see in the top, going to flip it horizontally. I'm just going to turn it around or you can keep it as it is. It's up to you and adjust the placement of this tree. Now you can see that we have not applied clipping mask on this layer. We can do that back first. Placement and place it wherever you like it. You can keep it in the center or on both sides. Either go for the left side, right side, increase the size, so keep it as it is, however you like it. Now, I will go back to the layer and apply clipping mask. Just increasing the size and adjusting the placement of this tree. This looks good. That's it. We are done with D9 project. It's time to add the text. Tap on the Actions. I can add an add x. Now replace this text to bear. We're going to replace this text. I'm going to type in D9. I'm going to name it as magical sunrise. Now select the text and genes deformed and adjust the size. Just the placement of this text by tapping on the arrow icon. And that's it. We are done with the nine project. I really loud, loud this project and I hope you enjoyed painting this with me. Now go back to the gallery and rename this untitled artwork as the line. 23. Day 10 - Lilac Sky: Hello and welcome to take them. Let us paint lilac sky today. Net force in both the Polaroid Canvas. Let me just Canvas and let's have a look at the color palette for today. So I have this date and color palette ready here. These are the only colors who we will be using just four colors today and creating very beautiful sky. I will pick this first color from the palette, go to the Brush Library, airbrushing, and go with this medium brush. I will set the size of this brush to about 30% or 25 per cent. And I will start adding horizontal strokes and fill in about half of the canvas. But this color. Next, I am going back to the color palette, and I will think this pink color. And I will fill the next half of the canvas with this color. Now that bone, the adjustments, I can go ocean bluff and send up to about 60 per cent. Now go to the layers and rename this paint here layer as Skype. So this is a common process when can you name the first two layers, the sky? And if there is any cloud, we will name it as Cloud. Now before adding the clouds, Let's go back to the sky layer and add some modification to this cloud. So go to the Brush Library and use this airbrushing soft blend brush. Alright, I'm going to set the size of this brush tool 15%. And I am just going to blend this thing with the purple sky. You'll see that it looks like that the pink color is scattered onto that line, that area. You're going to pull it down as well and blended, and go back to the color palette. And I'll pick this first color from the palette. And I'm going to blend this on to this pink area as well. Even on going for all uniform blend in the center. But rather it's like the two colors are like margin onto each other. Now go back to the palate and pick the second color and then repeat the process. And I think I'm going to stop it here. Now it's time to add the clouds. Tap on layers and go to the cloud layer. Go to the color palette and pick this third color from the palette. Go to Brush Library. And I go to my 20 day project set to one. And I have included this cloud brush for date, and I'm going to use this brush. I will use this size to 60%. And obesity sector person. And I will start adding the clouds by cooling. And this circular motion like this and giving 0 puffed up. I'm painting of BAFTA Cloud giving it a random shape like this. You can check the project image that I have uploaded in the resource section and try it. Now, reduced opacity of this brush to around 70% and add all fill in this bottom section of the cloud. Keeping the shade lighter in the bottom section and doubt go in the top section for this globe. Now once the system tap on this icon and move it down a bit so that the pink area is visible to the brush. And then in this section. So as I mentioned earlier, the shape is, you can shape it to me you like it doesn't have to look exactly like this. 24. Adding the bush silhouettes and moon: Once you're ready with the cloud, go back to the layers and create a new layer, apply clipping mask. And I'm going to rename this layer. So blush, where we'll be adding a boost stamp to go to the color palette and pick this last color black color from the palette. And I will select this, go to Brush Library and I will go with the date and brush stamp opacity set to 100% and I will reduce the size to set the size to 50. Now you can see that it is going outside to go to the layers and apply clipping mask. Now mobile app on the arrow icon and more it and place it within Canvas stream. I just still size by using the blue.it is sitting in perfectly so. Now it's time to add the final element. So I will go back to the layers too. I forgot to include white color in this pilot, so I'm just including it now. Let's add a tiny crescent moon. Will do the brush library, or you can add it in a separate layer. So I'm going to create a new layer, rename this layer as moon. Now go to the Brush Library, airbrushing, and select the soft airbrush that will set the size of this brush to around 60%. And add glue or the moon like this. Now, go to the eraser and adjust the size. So I'm going to reduce the size to 10%. And then due to eating slowly, it is a section of the moon like going in circular motion like this and create this crescent moon. And it's one of the simple way to create a realistic present moment, to draw a circle and then use an eraser to a section of the moon. That's it. So let's, we are done with this project. Now. It's time to add the title. The text. Just a placement tap on actions. I can add, add text. I'm going to, so this is in white color, so go to the color palette and pick black from the palette. And I'm going to replace this text. The den. And I will name it light like Skype. When to select the text and change the bone too much smoke edges to size. Tap on the arrow icon and adjust the placement of this text. Then that's it. I hope you enjoyed painting this really simple lilac sky with me today. Now let's go back to the gallery and rename this project. They, then it's done. 25. Day 11 - Sunset Glow: Hello and welcome to the 11. Let's start today's project by importing the Polaroid cameras. Been using a lot of colors today. Let's go and check today's color palette. First, let me just edges through Canvas and tap on the color palette here and who they are and color palette. I'm going to pick the first color from the palette to numb. You know, the process, go to the trash liability airbrushing, and go with the medium brush. Loading dose and the size of this brush to around 15% and fill in the top section of the Canvas. Go back to the color palette and make the second color from day 11 ballot. Filling though, they stopped the canvas. This color, I am giving this white gap in-between the school colors. Now, tap on adjustments. I can go and set the blur total. I said the go-to around wasn't know that bone layers and rename this layer, rename it as Guy. Du is going to be where we are going to add two clouds. So I'm going to name it as clouds. Now, go back to the color palette and the third color from the palette. Go to the Brush Library, organic. And select this cotton, Josh. This is the brush that we are using to add the clouds. And this project. I am going to set the size of this brush to around in person. And I will start adding the lungs like this. Again, I'm going to and fro motion here. To add the clouds. The main aim of this glass is due in two different ways in which you can add the clouds to create a different interesting looking sky each time. Again, it's up to you how you want to add the Cloud to decide how you want to shape the clouds. Adding some in the corner, you as well. I love some gap in-between the Cloud. Go ahead and adjust the size and opacity of the brush to add darker and lighter clouds. I'm going to fill in this section and make it a little more dark. Now, if you are not sure about the shape of the cloud, you can go and refer to the project that is uploaded in the project section and died to recreate the same thing. It's time to add a different shade or a different color of clouds on going to the color palette. And I will pick this food color from the palette. Go to the Brush Library, airbrushing. And I will go with the soft airbrush now. Save this size to it. Wasn't. And I will add horizontal strokes. No size looks. This one's from learning Gleeson said to do it on 30% or threonine glycine and add some, what is on the clouds. Adding some more here in the bottom section. 26. Adding the clouds and tree silhouettes: I'm not applying a lot of pressure on the tip of my pencil to add this cloud. Now go back to the color palette and pick this last but one fellow which is like round and intensify the color of this cloud here. I'm adding shadows to this. Well, making it a little more darker. Adding them in the circular motion. So based on the shape of the cloud, you want to take, you can either go for horizontal strokes or you can go for so close to the to and fro motion to add if fin shaped clouds. Now go back to the color palette and big food color again. Going back to the color palette, and I will pick this Seven color or six color from the palette. And never go to the Brush Library and brushing and soft blend, blush, Moody, blended together. Synthesized, stood on ben blessing and blend these two to create the soft looking cloud. Going with the circular motion to blend these two so that it looks like the two colors are part of the same cloud and doesn't really look. Now go back to the color palette and this darker color, again, brown shade and said this size do I don't fibers and just blending it, making it a little more intense here in the top section. Now I will go back to the color palette and big Hello from the palette, go to the brush by doing airbrushing and select the soft air brush again, I've used the size further down to around 20% and had some horizontal strokes like this in between. And I didn't shade ready gently, it doesn't have to be too dark, so I'm ready gently adding the lighter shading between the stub clouds. And that's it. We are done. Cloud section. I would stand to move on to the next meal, so moved to the US and that will create a new layer. And I will rename it as an apply clipping mask. Or you go through the color palette and pick this black color, which is last color from the state. Go to Brush Library calligraphy. Select the mono line brush now decides this sector around them present and others start drawing a line starting from the extreme left corner and pulling it all the way down to the extreme right. And I will drag and drop this black color. Now it's time to add sulbactam. So I will go to my windy day project set to. So I will go with the day 11. Tristan said the size of this dam do around what the present. And let's add this three and when a new layer, so I'm going to create a new layer clipping mask. And I will rename this layer as tree. Like always say it's a better idea to create each element in a new layer. And just tap on the screen to add the tree silhouette. Now, tap on the arrow icon and adjust the placement and the size of this tree stamp. Please sit better view like it. I think I will stop here. This looks good. It's time to add the snow. That bone actions I can add. And I will replace this text typing the 11. And I will name this project as sunset. Let me to select the text and change the font of this text. Match the size. Tap on the arrow icon and that just the placement of this text accordingly. I'd say we are done with the 11 project. Back to the gallery. And I will rename this untitled artwork. I'm going to name it as d 11. 27. Day 12 - Dawn Sky: Hello, It's time for the project. Let's put polaroid Canvas. Ones who have dog and was ready. Let's look at the color palette for the day. So I have my color palette ready. So these are the colors that we will be using today for the project. Will pick the first color from the palette, go to Brush Library airbrushing, and select this medium brush. I've said the size of this brush to around 15% and about half of the canvas with this color. Next, I will go with the second color. Next section using the same brush by applying horizontal strokes like this. Now go back to the palate and the third color from the palette. And for the remaining portion with this color. So these three are the colors that we'll be using for the sky. Tap on the adjustments. I can go and set this to about 40 per cent, reduce it further down to around 30%. Now go to the layers, and let's rename this layer as a guide. Go to layer three, and I will rename this layer three. Clouds. Now go to the color palette. And there's some really cool with this bold color, which is kind of all. Hello. Go to the Brush Library and go to the 20-day project set to. And I've included this brush for the clouds L, which is named as state law. And I will reduce the size of this brush to around 25% and obesity is set to 100%. And I will add the clouds like this by going into and through motion. You can shape it according to how you like it. I'm adding some more clouds hill. Again, going with the two through motion. We're going to fold this guy with the Lord. The Lord loves tiny clouds. So I'm adding the strokes healed and they're random shape. Now, let's go back to the color palette. And I will make this fifth Carlo molar. I'm going to pick this last but one color, which I will add, add the darker, shade hillock that don't move to cloud here, which we have already painted. Using the same brush. Just identifying the color of two cloud that we have already added. I will go back to the ballot and pick this color and add some clouds here. And the mid section. You can notice that the color appears much lighter here because I am not applying a lot of pressure on the tip of my pencil to add the clouds here and the midsection. And keeping the pressure very minimal and adding this really gentle strokes. Now go to the color palette. And I will pick this fifth color from the palette. And again, I will add some clouds heel. Again, I'm keeping the ratio on the tip of the pencil ready minimum and adding this. Now go back to the ballot and pick this color, six color from the palette. I'm reducing the size further down and I will set it to around 15%. And I will add some more clouds. In the bottom section. Now go back to the palette and the color from the palette. And that will reduce the opacity of this brush further down to around 70%. And I will add some much discolored cloud on top off to one side we painted. Just play around with this to add the Cloud in the shape that you want available. Go back to the Padlet. And I will pick this food color from the palette. And the clouds here in the top section appears much smaller. So I'm going to add some more dimension to it and will increase the opacity. And I'll fill in this section to add no clouds. Odd make the clouds appear a little bigger. 28. Adding the grass and electric poles: Once you're done, adding the clouds will be two layers and create a new layer. I'm going to apply clipping mask on this layer. And I will rename this. So I will rename it as ground to back the color palette. This last color from the palette. Go to the Brush Library, calligraphy and select DOE mono line brush. I'm going to start drawing the line. Just the size of this brush and set it to around 20%, float around 15%, and start drawing the Gobi line starting from one corner and take it all the way to the other side. And now drag and drop the column. Now let's add some grass to this layer. So I'm going to the organic brush. And I will go with a birthday ZBrush. Say the size of this brush to it, then goes and opens it is set to 200,000. And I will add the grass. Did this right above the line. Just stopped though. If both your pencil on the screen and I still leaves, going to reduce the size further down and ads more smaller use heal our tap on layers and create a new lingo and apply clipping mask. Now I'm going to rename this layer five, where we will be adding the electric tools. So I'm going to name them as electric poles. We're going to add a very simple electric pole was just a straight line. So go to the Brush Library calligraphy and go widow mono line brush again. And I'm going to set the size to about 15%. And I will draw a line like this. On this right side. Now I will add one molecule on the left with this short toe compared to the one on the right. Now I will reduce the size to about 10% and draw tiny lines. He'll be the same step on the other side. And now add the wires. So I will reduce the size further down to about 2%. And then show the wires connecting this. Adding 1 mol. Joining it to the pool is going to reduce the size for the down and set it to one person. And I will add one more while connecting the poles. You don't have to worry about if dividers group period or something. It's just write this as medicine, the project. It's now time to add the text. So let me just do it and add, and add extra place to text. To type in D2L. I'm going to name this project as dawn sky. Select the text and genes to form so I didn't change it too much. Bulk. Increase the size. No tap on the arrow icon and adjust the placement of the text accordingly. Implicit consent. That's it. Now, let's go back to the gallery and name this drug. Going to name it. 29. Day 13 - Fiery Sky: Hello and welcome to date that Dean. Let's start the project by importing the Polaroid canvas. The canvas. And let's quickly look at today's color palette. To tap on the color palette. And we hadn't state 13 color palette, which is warm colors. And I will pick this first color from the palette, which is the darker shade of low. Go to Dash library, airbrushing, medium brush. Set the size of this brush to around 15% and fill in the top section of the Canvas. Now go back to the color palette. Pick this red color from the palette, and fill the next section. Using this red color. I'm going to fill about half of the canvas. Now go back to the color palette and pick this third color, which is kind of brown and fill in the bottom section with this color. Now, tap on the adjustments icon, Gaussian Blur. And I'm going to set the blur to add on 50 per cent. Bring it further down and I will set to around 45%. I'll go to the layers and rename this layer. I'm going to rename it as Guy. I'm going to rename this layer three as clouds, where we will be adding the clouds. Now go to the color palette. And I will use the same color that is blown color. Go to the Brush Library, airbrushing, and select the soft air brush. I will set the size of this brush to around 20%. And I will start adding the Cloud or I'm going to set the size of this brush to around the 20 per cent and start adding horizontal strokes. For the clouds. Again, it is a random shaped loud. Add the strokes very gently. Don't apply a lot of pleasure on the tip of your pencil. Just add very gentle, soft strokes like this. And add the clouds. Now, go to the Brush Library and select the soft blend brush. I'm going to set the size of this brush to around 7%. And I'm going to blend it with this guy to create the soft clouds. Only if you see the hard edges on the clouds, you can go ahead and blend it if you have already created a really soft clouds where those soft airbrush, you do not have to have to worry about blending it in to create the soft look. Go back to layers and create a new layer. Like, Oh, I am going to rename this layer as Sunday. We will add setting sun. Go to the color palette and pick this food color from the palette. Go to the Brush Library and select soft airbrush. Select the soft brush. I'm going to set the size. So with this brush to around 10%. And we're going to create a circle like this. I can gaussian blur and set the blur to around 29 to 30%. Now go back to the color palette and pick this color from the palette. Go back to the Brush Library and set the size to room 8% and add a tiny glowing sun. 30. Adding the trees and silhouettes: Now go to the Layers and create a new layer. Apply clipping mask. We'll go to actually be mustered his son Leo. So I'm going to do that as well. Now. Let's go back to this layer, and I'm going to rename this layer mounting. Go back to the color palette and this black color, which is the last color from the palette, go to the Brush Library, calligraphy and select the mono line brush and add the size of this brush to about ten per cent. And start with though. Or add the mountain peaks starting from this extreme left corner or start from extreme right corner. And add this curvy mountain with some peaks in-between. Two. Or the son Leo, like this. And add another peak, June the sun, and bring it all the way towards the right. Now, drag and drop the color. Now go back to the color palette and pick this brown color, which is the third color from this palette. Go to this layer and apply alpha lock on this layer. We are going to add some light to the mountains. So we'll do the brush library, telcos, and select this cabins. I'm going to set the opacity to 100%. Set the size to around 10%. And I will add some light so that it looks like it is. Add some brown shade to this speaks not covering entirely, but just adding on the labs all the left side of the peaks, I will add some light and shadow. We're just showing the light and shadow, shadow. Ready gently at this brown shade to the peaks of the mountain. And you can already see how beautiful this looks when it is, when the mountainous head by the sunlight going to stop it here. Now it's time to add the tree silhouette. So I will go to the brush library. I will go to the color palette, pick this black color from the palette to the layers and create a new layer. I will rename this layer six is three, where we will be adding the tree stamp, apply clipping mask, and go to the Brush Library. Go to the 20-day project set to select this data in trees down. The size of this brush down to around 30%. And tap on the screen like this. Now tap on the arrow icon and adjust the placement of this tree stamp. You can place it on the left side as well by flipping it, flipping it horizontally and I'm going to place it on the right. The placement. Yeah, this looks good. So I'm going to stop it here. I'm happy with the placement hills, so that's it. We are done with our data team project. It's time to add the text. So let's do that now. Tap on the Actions I can add a text, replace the text is, I'm going to type in the 13. I am going to name this project has fiery sky. Select the text and replace the font. Change the font. Match book size. Now, tap on the arrow icon and adjust the placement of the text and bring it to the center. Yes. We are done with our data team project. Go back to the gallery and rename this untitled, hard for them to type in. Deep 13. And we are done with the project. I hope you like this bright and colorful project. 31. Day 14 - Colourful Sky: Hello and welcome back. Let's begin. Today's project. I'd Canvas. Let us look at a color palette. I have this table being way too, we will be using today. I really big the forest Carla from the Bartlett folder, the brush library, airbrushing, medium brush. I will set the size of this brush to fill the present and obesity 200%. And I'm going to fill in the top section of the Canvas with this kind of go back to the color palette and the second color from the palette and full in the next section, when this light blue sheet, we will do the color palette and pick this top and bottom section with this color adjustments. I couldn't push. And now I'm going to set the blow for both. I'm increasing the viewer and setting it to about 40%. Only O's. And I am going to rename this pain pill. And I'm going to remember this guy. I will rename this layer to me as clouds bad. We will be adding some clouds. Now go to the color palette and big this food color. From the palette, go to the Brush Library. The goal with the 20-day proud dig. And I will pick this day 16 Cloud, which we will be using for the full screen as well. And I will save the size of this brush. Let me just undo it and then set the size of this brush to about eight per cent. And I will add the clouds. You really don't have to shape the cloud. You can see that it really takes the shape of the cloud. You just have to use the tip of your pencil and go end-to-end flow motion and Finland, clouds. It is that simple. Now, go back to the color palette and pick this color from the palette. And I like the clouds to add a darker shade on top of a low clouds, clouds that we painted. Again, all you have to do is just use the tip of your pencil and drag it into and full motion. And it's very simple. I'm going back to the palette and I will pick this color and I'm adding few more and looked out here in the bottom section. Now, I'll go to this blend tool. And I will blend this yellow and orange together to create a smooth transition so that it looks like they're part of the same loud. Now go back to the color palette and pick this last color, which is black color from the palette. Did a brush library. And we will go with the galley graphene monoline brush. To set the size of this brush to about 1%. We have to add this on new layers and layers and I will create a new clipping mask and I'm going to rename this layer as ground. Now using this mono line brush and then draw the line. Now, drag and drop. Let's add some grass to this ground. So I m going to the Brush Library, do organic, and I will select this week. 32. Adding the grass blades: Set the size of this brush to about 16% and opacity set to 100%. And I will start adding this glass plates starting from dome from the bottom and dragging my tip of my brush towards the top section like this. And add the glass plate and fill in this complete section where the grass blades. Now, if you find this to meet a lot of work and remote one spin, the world, want to spend a lot of time and adding scraps, splits. You can go to the stamp set from day one more day due to Java has this grass blade and just add the stamp. Instead of spending time on this. It is pretty simple. All you have to do is use staples and add the class play starting from bottom section and pull it upwards. I am going to speed up the process here since it is already leaping to do step and only need to do is fill in this complete section and make it look. Now, once that is done, go back to the Brush Library means select the telcos. I didn't select the bone tree gouache. I'm going to set the size to eat Watson entry limb, this bourbon section. We're going to increase the size for this section where the grass and the ground needs so that it looks familiar. You can clearly see the ground and the grad separately. I don't want it I want to make it look with a lot of grasp it. So that's what we did. Now let's go to the 20, the full deck said before being pre stamps. So this is the tree that we will be adding. So let's do that on a separate layer, on the Layers and create a new layer. Rename this layer as a tree. Apply clipping mask. Now, just tap on the screen and you have the tree. Before that, let me just reduce the size and set the size of this brush to around 24% and add the tree like this. Now, using the arrow icon at just the basement of the tree, you can set it either to the left or to the right. I'm going to flip it horizontally. Let me just check where my move it around. It's up to you where it's completely your tree, wherever you'd like it. To just move that only check whether it looks the best. Because I want the clouds to be visible and I don't want it to be covered completely by this adjacent invest. Just take him back. Please said, Yeah, this looks good. Still visible. So I'm going to stop it here. It's time to add the eggs. It's due that actions I can add and change it. Before being dark. It is colorful and bright. Bulb. We're gonna mean with colorful, scary. Select the text and butane the form too much work. And adjust the size. It's just the placement size of this by using this blue dots. Look almost the same. We are done with that before. Jake. I hope you enjoyed painting this with me today. Now, let's go back to the gallery and rename this untitled artwork as defaulting. 33. Day 15 - Bright Sky: Hello and welcome to the 15, wherever you are going to be painting of tropical oils. And let's start by importing the Polaroid Canvas. So once you have the canvas ready, Let's now look at the color palette for the day. Where I have selected very bright or Carlos for this guy. Color palette. And we have this thing, 15 color palette here. So I'm going to pick the first color and go to the Brush Library, airbrushing. And we will go with this medium brush. I will set the size of this brush to print the person. And the first, the top section of the Canvas with this color. I'm going to fill about half of the canvas with this color. Now go back to the color palette and pick this second color from the palette and the next hop, the canvas with this color, I'm leaving this white gap between these two colors. Now on the adjustments, I can go motion blur. And I'm going to set the blur to 40%. Go to the layers and rename this paint layer as a guide. Now, I will go to layer three. I'm going to rename this layer three as Sylvia, not going to be adding clouds in this layer. Instead, we will add the low, the sunset glow. So I'm going to rename this layer as sunset glow. And let's see how we can do that. Go back to the color palette and make this bold color from the palette, which is a low. And go to the Brush Library, airbrushing. And I will go with the soft brush. Let's set the size of this brush to around 15% and opposite is set to 100%. Now I'm using this brush, I'm going to add always shaped blue around somewhere here in the center of the circle. Doesn't have to be exactly over because we're going to blow this again. So kind of selfish shaped a little glow around the center of the canvas. Now go back to the islet. Know before that, let's go to the adjustments. I couldn't go Schindler. And I will lower this. I'm going to set the Gaussian Blur to it on the insect it to around 21, 20 per cent. Now go to the layers and add a new layer. And I'm going to rename this layer as sun and apply clipping mask on this layer. Now I would pick this fifth color from the palette, and I will use the same brush. I've been said the size of this brush tool per cent, and I will draw a circle here. Now I'm again going to that just meant I couldn't go ocean blue. And I will set the blow to around 15 to 20% to around 20 per cent. Now go back to the color palette and pick this off-white color from the palette. Now I will use the same brush again. And let me just undo it and reduce the size down to about eight per cent and I will draw the glowing sun. Yeah. So you can really see the glow now. So I'm going to stop it here and move on to the next section. Go to the Layers and create a new layer by tapping on the plus icon. And I'm going to rename this layer five. We will be adding the blurred mountains. So I'm going to rename this layer as small things or to the color palette. Before that apply clipping mask on this mountain layer. Go to the color palette. And this brown color or color from the palette, go to the Brush Library, airbrushing. And I will go with medium airbrush. Now, the size is set to around 15 to 20 per cent. And I will start adding them on things like this by going with the horizontal stroke and fill in this section. Could also use the calligraphy brush by drawing all Toby line and then drag and drop the color. You could do that as well. Now, tap on the edges means I can go shun blood and I will set the flow to both inputs and now go to the Layers and create a new layer. I wouldn't be picking this black color. Now before going to the Brush Library, Let's finish this layers. 34. Adding the palm tree silhouettes: We'll go to the layer clipping mask and rename this layer six. I'm going to mimic this tree. Now go to the Brush Library and go to MPD projects set. And I'm going to pick this day 15 tree stamp, adjust the size and set it to around 30 per cent and tap on the screen like this. Now, tap on the arrow icon and adjust the placement of the trees. Now, don't worry about this white gap. We will fill it later. First edge is still placement of the trees. First I adjust the placement or the trees going to bring the same bill. This looks good. Now let's fill in the bottom section. So we'll go back to the layers. Go to the Brush Library, window, airbrushing. And I will use the same medium or go with a medium hard brush. And I will fill this bottom section, the white gap that you see. This completes section using black Gallo. Make sure there are no gaps. And we need to lighten this section. So we need to apply, go back to the layers and apply alpha lock on this tree is Leo. What do the color palette and pick this third color, the brown color from the palette. Build a brush library, airbrushing, and select the soft blend brush. I'm going to set the size of this brush to around 15 or let me set it to around 12 person and obesity set it goes in and Advil or light in this area. Since we selected down, it isn't working. Let me just undo it and go back to the color palette and this orange shape, second color from the palette. If the same step, I'm just blending it in here. Lighten the Alia, the trunk hopeless and some use of the trees sites. I think I will stop it here and we are done with this project. It's time to add the text. So let me just do that. Deb own actions, I can add an extra change the color of x, so no need to change the color to the color palette and black, the love from the pilot. And then type in, I'm going to type in the 15 and I'm going to name it. Right guy. Select the text and change the form. I'm going to change it too much. It just the size and done. Now I just the placement of the text accordingly. That's it. We are done with our bright and vibrant day 15 project. Let's go back to the gallery. I'm going to change this untitled artwork x, and I will replace it as 15. And that. 35. Day 16 - Rising Sun: Hello, and let's start L 16 project where we will be painting a beautiful died. So let's start. Let's import Polaroid Canvas. Let's take a look at the color palette for the day. And I have this base 16 color palette with me, which all the warm colors, as you can see, lot of browns, orange, and a loop. I'm going to pick the coolest color from this basic scheme palate, who do the brush library? Airbrushing. And we'll go with this medium brush as usual. Instead, the size of this brush to go around 25% and fill in the top section of the Canvas. Like this. We're going to add all these things. And so we are going to follow a slightly different approach. This guy here, I will go back to the color palette and I am going to take six color from the palette, which is the skill of color. And using the same brush I am going to draw us like this. Center. Now, go back to the color palette and pick this fifth color from the far left, which is the orange sheet, and draw a triangle to reduce the size and set it to around 15 to 17% and draw a semicircle around the self illusory. That means just being something like this, filling in. And now I will go back to the palate and pick this color which is a darker shade, and draw another semicircle around this orange semicircle that we just fill in this complete canvas with this four colors. Now that all the adjustments I can go ocean node and I've been said the blow to about 30%. Now go to the layers and rename this layer mask. Now go to the layer three and rename this layer three as loud. Now go back to the color palette. And I'm going to pick the second color, or dark brown. This is the color that we've done to add loud at the top for the panelists. And then we will add moving to something like it is blending on to this style. So let's see how we can do that. Now go to the brush library. I will select this medium hard airbrush and set the size of this brush to about 35% and opacity is set to 100%. And I will add the cloud, if you will, in the top section, where you can see the lighter brown shade. Now I'm going to give it just a random cloud shape. Drawing the outline here. Using this brush. As you can see, dislike, it's going up and down. We've just giving us the shape of the bottom. We can see that I'm doing to fill in this section below. Say about one-fourth of the canvas. Now let me just reduce the size further down to about the person. You're finding these edges. I'm just giving it more. They find bell shape. Go to the cloud layer, tap on this arrow icon and move this up. I'm going to place it at the top of the canvas. You just now go back to the layers, go to the sky layer and create a layer just above the sky layer and below the cloud layer. I'm going to rename this layer as second Skype, where we are going to blend this guy but this cloud so that it looks like the cloud is blending in with the sky. So let's do that. Now go and go back to the color palette and pick this brown color. I can go to the Brush Library, medium brush. And I am going to set the size of this brush to about 10%. And I'm filling this section right below the cloud. Now I'm going to fill in this section right below the cloud with this brown color so that it looks like it is a part of the cloud, but we're doing it in a separate linear. Now go back to the color palette and big this third color with this, a lighter brown. And go to the Brush Library airbrushing and filling the soft blend brush. The size of this brush to about ten person and then gently lead blended with this darker brown color so that it looks like it's about it's kind of blending the cloud is kind of blending with this guy. Will go to the color palette and big this darker brown. And now just blend it with this guy like this. Going in semicircular motion. And just blend the cloud and this guy together so that dust cloud, which isn't a separate layer, looks as if it's the part of the sky, smoothly blending in with the sky. So this is how it looks. Now you, while doing this, if you see that you can see the harsh line of the cloud, you can go back to the brush library, select the medium brush, and just reduce the size and just blend it together like this so that the line doesn't appear so that you cannot see the cloud line. And then use a blending brush. That's all soft blend and then blend it and it has to look like it's released more than you should be able to see the tide line of the cloud. 36. Painting golden lining and tree silhouettes: You can see that the cloud appears to be blending in with the sky. So this is where I'm going to stop and be the next section. We'll do the color palette and pick this last but one color, which is kind of coffee color, shade, lighter maybe. Now go to the Layers and create a layer above the second sky meal. And I apply clipping mask and I'm going to rename this layer as golden lining, where we will be adding golden lining behind this cloud that we painted earlier. The Brush Library Artistic. And select this Gold Rush. I'm going to set the size of this brush to about 8% or seven frozen. And I mistyped outlining this cloud that we just painted earlier. So that it looks like a golden lining for the Cloud. Because we will be adding a racing sun. It looks like a beautiful light that is coming from behind the drought behind the cloud. To create this Gordon liming. Now go to the Layers and create a layer just about done. Leah, apply clipping mask and rename this layer. I'm going to name it as standard pebble bed. We will add the rising sun, go back to the color palette and pick this off-white color, go to the Brush Library and rushing. And I will go with the soft rush. I'm going to set the size of this brush too about L and present. And I will draw, I will add a circle like this by just tapping the default, my pencil on the screen. And we add, we have though racing sun. Now, let's move on to the next section. Create a new layer. And I'm going to apply clipping mask, rename this layer that has streets, but we will bunch of trees or adding a tree stamp. Apply the clipping mask, go to the color palette and pick this black color, which is the last color from the Padlet, will be the Brush Library 20-day project set. And select this day 16 tree stamp. I'm going to set the size of this brush to about 50 per cent. And tap on the screen, put this tree silhouette now on the arrow icon. And using this blue corners and blue dots that you see in the comments. Damp sand looks like it is rising behind those trees. There. I'm going to place it heal. The tree trunks me to appear little light. So I'm going to apply alpha lock on the trees layer, go to the color palette and pick this orange color, which is poured color from the palette. And go to the Brush Library and brushing. And select the soft brush size to about in-person. And just lighten this section of the trees. Lead though tree up your stride behind the sun. It has to appeal it to light up. Just making this section the little light. Using the soap. Gosh. Yeah. Need to stop it. And we are done with the day 16 project. It's time to add the text. Let me add the app on the actions. I can add X. This is in orange color, so let me just undo it. Moved to the color palette and this black color from the palette and add in, we'll do white base 16. And I moved named this project as rising sun. Now select the text and change the form to match both sides. Now that won't be liked and then that just the placement and the stakes, right? Oh, yeah. How beautiful is this project? I'm in love with this. And I hope you enjoyed painting this one. Now, let's go back to the gallery and rename this untitled artwork. Change the text to be 16. 37. Day 17 - Twilight: Hello and welcome to the 17. Started by holding the Polaroid Canvas canvas. Let's look at the color palette that we're going to be using today, which is the day 17 color palette. Just delete this. So these are the colors. First color from the palette. We'll do a brush library, airbrushing, and select the medium brush. I'm going to save the size of this brush to in-person city sector percent section of the Canvas with this gun up. Now go to the color palette big the second color, which is a shade lighter than first one. And for the next section, hello. Doug gala, which is a shade even more lighter than the second one. We are using sheets or fully transition colors. Now go back to the color palette because food color and fill in the next section, we're going to be using a lot of colors for this guy. It says the full color. Go back to the color palette, sixth color from the palette. And then I'll go back to the color palette seven Carlo and fill in the welcome section of the Canvas where this column that does a lot of colors. Now go do. That just means I can go in. And I'm going to set the blue about, going to set it to about 35%. See that beautiful below in the bottom section. This is what we want, will be the layers and rename this layer. Rename it as a guide. I'm going to rename this layer. I'm going to type in Laos, this is where we will be adding the clouds. Now Goofy, the color lip and this color from the palette. Go to the Brush Library. I'm rushing and select the blend brush. I'm going to set the size of this brush. Then I will start adding the clothes. Ready gently. I don't like the color of the loud. So let me just undo it. And this is not the color that I'm sleeping for amping this fifth from the palette. And I will add the clouds. I'm using very gentle strokes like this. Using the blend brush will induce going to reduce the size further down. Olson or vocals. And I will add the clouds and the random shapes by going with the flow motion. Random. So again, I'm adding random shaped clouds in random places. Now go back to the color palette. This cream color or off-white color from the palette, and add some of that alert loud here in this bottom section. Using the same land rush, it's going to create like really soft clouds spread. It is just blending it. And you will not see any hard edges. Just adding a little drama to this guy, like me being this really, really soft clouds here. 38. Painting the mountain and tree silhouettes: Now that one the layers and create a new layer, we'll apply clipping mask. I'm going to rename this as mountain. We will be adding their distinct move, then move to the color palette. And this last but one color from the palette. We'll do the Brush Library calligraphy and select the mono line brush. When you said this, I store it on. Then plus and then start adding the mountain. Starting from where to start from this corner and add some more bandwidth, aches leg, and bring it all the way. Right? Now, drag and drop the color. Let's now go to the Layers and create a new layer like clipping mask. And I am going to rename it as you go to the color on it. And there's lactulose last color from the palette. Again, I'm going to repeat the same step and I did it all. Start laughing. A mom thing. Again. Funny one line. You're going to take it all the way till again, overlapping the mountain. Now drag and drop the color. It's time to add the trees. So we'll go to the layers and rename this layer clipping mask, and that will rename it as a tree. I'll go to the Brush Library and let us pick the tree stamp that we are using for today will be this day 173 stamp. Set the size to about 40%. And I will just tap on screen like this to add the tree. Now that select the arrow icon and adjust the placement of this tree accordingly. Using the blue dots, you can just increase the size. I'm using the green dot that you see. You can turn it around and place it wherever you like it. I'm going to do on a slanted this tree here. This is how our day 17, Belichick, looks like. Happy with the reserve. If you want to add glowing moon. Now let me just add the eggs. The actions I can add an x. I will replace the text. Wounded typing the 17. I'm going to name this project as Twilight. Now select the text and replace the font. I'm going to change the font to match the size than just the placement of the text accordingly. To reduce the size a bit like this. And now let's go back to the gallery. This looks gorgeous, isn't it? Now, let's go back to the gallery. And I've changed this untagged and 17. 39. Day 18 - Blue Sky: Welcome to the AP and they start the project in bulb, the Polaroid Canvas, complete application. Today we are going to be painting blue sky with clouds. So let's go to the 18th color palette, which has only the sky colors. So we'll pick the first color from the palette. The brush library. Airbrushing. Select the medium brush. I'm going to set the size two brush to around 25 per cent. And I will feel about half of the canvas with this color. Now go back to the color palette and pick this second blue from valid and fill the rest of the canvas with this color. Now go to that. I can go in and set the blur to around totally percent or 3%. Now let's go to the layers and rename this layer. And rename this layer three Clouds. It's all very, very simple logic and it can be done very quickly because I have created this cloud brush to make it easy for you. Go to the color palette and think this white color from the palette. Go to the Brush Library. 20 day project set to go with this day. 18 loud. I'm going to set the size of this brush to around. Doing the two 25%, 25%. Opacity is set to 100,000. And I will start adding clouds by just stopping the tip of my pencil on the screen and dragging it like this. To add this loud. But Linda gaps give it the shape that you like. Adding some more here, go Now, all you have to do is just do people feel pencil on the screen and Jackie don't pull it to left, tried to add this gloves in the shape that you like. The lag 1 mol on the bottom section. One making it to add one more in this corner. I think I will make this little girl learned, join it to the Cloud here. Fill this section completely wiped over and meet this cloud. Completely white. We will add the shadow using a different color. Fill in this section completely. This looks okay. Now go back to the color palette and pick this food color, which is kind of bluish gray. I'm using the same brush shouldn't seem same size and repeating the same step. Adding some gray in-between this mid-section to add the shadows to this cloud. Now, if you feel it is to, you could use the opacity of the brush and add the shadows. You can go back to the color palette, white again, and go over it and make it a little lighter. 40. Painting the grass and tree silhouettes: Now it's time to add the new layer. So tap on the layer and create a new layer above the clouds, a clipping mask. And I am going to rename this layer. Name it, that's codon. Now go back to the color palette. Black color from the palette, go to the Brush Library, link trophy and select the mono line brush. The size is set to around ten to 15%. And I will draw a line as usual. When you don't delete the right. Now, drag and drop the color. Now we need to add some you could ask to this area. So I'm going back to the Brush Library, organic. I will go with this paper brush. The size of this brush to around 5%. And I will add this wood end-to-end through motion and add this. Could ask are the leaves and the section I'm going to cover the top section of the ground, LEO. Just giving it some shape. Now you will see some gaps in between. You can fill in. Now, go back to the Brush Library. Before that, let's add the train and separate layers. So go to layers, create a new layer. And I'm going to rename this layer as tree. Now go to the Brush Library. Bring today's set to select this. They eating brush. I'm going to save the size of this brush too long. They need to take the 2% that print on the screen and add the tree. Now that one, the adult, I can adjust the placement and the size using the new corners. The blue dots that you see on the calmness and with that on using the green dot that you see at just a placement weekly it a little bigger. Gloves should be visible, so I'm going to place it. You're free to place it wherever you like it. So this is if we had done with the day eating project, now it's time to add the text. So let me just do that. Actions, add a text down and replaced stacks. I've been the eighth thing. I'm going to name it blue sky. Selected text and change the form. I'm going to change it to match book. It's just the size. Then. Now I just the placement of this text deep to the center. And yes, we are done with this begging beautiful blue sky with clouds. Which is a very simple project that I hope you. Loud painting this. Now, let's go back to the gallery and rename this untitled, outbursts. Protests. A thing. 41. Day 19 - Ocean Sunset: Welcome back and let's begin with the 19 project. We're going to import the Polaroid Canvas. Once you have the canvas ready, Let's look at the colors that we will be using project today. So I have this day 19 color palette with me and I will pick the first color from the palette, go to the Brush Library, airbrushing, and select the medium brush. I will set the size of this brush to around 20% and opacity set to 100%. And I will fill in the top section of the Canvas for this color. Now go to the color palette. And when the second color and fill in this next section with this color, go to the color palette. I'm picking the food color from the palette and the Lindow bottom section, but this color tap on the adjustments, I can go shun blood and set the blog to about 40%. Now, go to the layers and rename this layer as Skype. And go to the layer three. And I will rename this layer as clouds. Go back to the color palette. Though. This fifth color from the palette with brown sheep go to the Brush Library. When DDA projects I do and go with this twin, the D9 loud. Emily said the size of this brush to about 6%. And opposite they said 200 per cent. And I will start adding the clouds by just tapping the tip of my Apple pencil on the screen. I'm going to reduce the size, but then down and set it to about 4% and add the clouds. All I'm doing is just seeing the tip of the pencil on the screen and adding the clouds, giving it a random cloud shape and filling in this entire section with the Cloud. That will reduce the size further down and refine the shape of the cloud here. Fill in the gaps. So the badge of the cloud may appear light dough. You can go ahead and go over it and add though. They'll fill in the gap. So once you are done with this, now go to the Brush Library, airbrushing and select. And I will go with the soft airbrush. I'm going to set the opacity to hundred percent. And I will set the size to around 15 per cent and it's still small. So let me set it to around 30% and fill in this section using this soft airbrush. Filling in the gaps in between with this brush. Go to the color palette. This next color, which is the six color from the palette. And using the same brush, I will increase the size for the answer to, to around 50 per cent and the next section, but this color, don't worry about how this is looking now, we will blend the two colors. Now. Use the blend tool and just blend these two colors really well, so that it looks like the color is going from darker shade to the light shade. I did this part. Skype. Want to read you increase the size to her own person and just blend these two colors. I'm going to stop it here. Now, let's go back to the layers and create a layer right about this guy or below this cloud where we will add the linings. So I'm going to rename this layer four, apply clipping mask. So it will be applied to, I'm going to rename this layer for as lining, where we will add lining for the Cloud that we painted. Go to the color palette. We will use the same color. Go to the Brush Library. Use the same cloud brush that is 20 day protests set to the 19th. Cloud, reduce the size further down and set it to around 2%. And using the same, use the brush and add the lining. We'd asked to appear lighter on the edges. So I'm using this lighter shade and filling in though, outlining the cloud so that it appears like a golden blaming. You'll want to experiment. You could use this brush and add the clouds in the way you like it. You need not follow the exact same step that I'm doing. Instead, you can experiment with the cloud, brush the clouds. Linda's complete section and add the lining. Now, you can see like that is this golden lining for the loud. With me. Zoom in and show it to you how this looks. Looks really good right here. I'm going to stop it here. And let's move on to the next section. App on layers and create a layer just above the clouds. Go into the color palette and I will make this color what color from? Before that, let's apply clipping mask and rename this layer. I'm going to rename this layer sun. We will add those settings, some. Now go to the Brush Library. Apply clipping mask, go to the Brush Library, airbrushing. And I will go with the medium brush again. I will set the size to about 20 to 25% and add the glow. Do adjustments. I can go shun blood and send the blood to about 35, 40 per cent. Going to set it to about 40 per cent. Now go to the layers. Again in the same layer, but we'll add this and I'm going to take this third color from the palette. I will go to the brush liability, airbrushing, soft air brush, set the size to about 30 per cent and add a circle, or the Sun here in the middle. So that it is, we are done adding this setting sun with the glow around it. 42. Painting the ocean and trees: Now let's go back to the layers and create a new layer. Apply clipping mask. We're going to rename this layer as ocean, where we will be adding the ocean and the bees. Go to the color palette. Big this last part, one color from the palette. Go to the Brush Library, calligraphy and go with this mono line brush. I will set the size 15, 20%. And I draw a straight line starting from one side to the other side, a straight line. Now, drag and drop the color. Need to add the waves. So let's go to the color palette and this sixth color from the palette. We'll do the brush library. I'm going to go materials and I will select this short hair brush. I will set the size, the size of this brush to about 60, 65 per cent opacity set to 100% and add the waves. Now, thing is going outside the ocean layer, so let us go undo it and go back to the layers and apply alpha log base that we are adding stays within this ocean layer. So all I'm doing is adding horizontal strokes and filling in this section. So clearly thin lines. My just appear like you are adding a different color. Horizontal stroke. Necessarily do not have to worry or stress a lot on the adding the details to this ocean because we're going to be adding one more layer on top of it. Now go back to the layer. And if you think that the color appears to light, you can use the same ocean color using the same brush and add some horizontal stroke over it and make it appear darker. Go to the ballot, and I will pick the sport color from the palette. Go to the brush library. Now, make devious and select this fine hair brush. I will reduce the size of this brush and set it to around 25% and add this lighter shade right below the sun. Just filling on leave this section right below the sun using this color on the brush. I'm going to stop it there now go to the Brush Library. And if it appears to light again, you can go with the ocean color again and fill in the section using short hair brush. Yeah, This is sick. Let's move to the next section so I better go to the color palette and add the grass foreground. Go to the Layers and create a new layer. And I'm going to rename this layer seven black clipping mask. And I'm going to rename this layer seven. Name it as ground. Go to the color palette. And I will pick this black color from the palette. Go to the Brush Library, calligraphy and select the mono line, brush, add, Gabi, uneven line. And drag and drop the color. Now, I'm thinking of adding some grass to this ground section. So I will go to the Brush Library, 20-day projects, set one. And I will use this grass brush stamp from the food and add the grass will set the size to about in-person and just tap on the screen here in the bottom section to add the grass blades like this. Again, now, you can set the size, you can increase the size and add all the grass blades swell up to you. Let me undo this section. Linda's in dissection, I will increase the size for the two to 15% and then add some more blades. Yeah, This looks good. Right? Now, let's move on and create a new layer. And I'm going to apply clipping mask and rename this layer where we will be adding the trees. So I'm going to rename it as tree. Could do the brush library 20, the project set to select this day 19, Tristan, I will set the size of this brush. We'll set it to four people listened and kept the pencil on the screen. And to add the tree, I am going to flip it horizontal. And I'm going to turn it around using this green dot that you see. And just the placement. I will move to this corner on the right. I'm just adding section of the tree on this top right corner. You can adjust the placement of the tree wherever you'd like it. Yes, we are done bed the day 19 project. I am very happy with the result. So now it's time to add the eggs. Let's just do that. Tap on the actions. I can add text. I'm going to bring this downhill. Next. We're going to name it died in the 19. And I am going to name it ocean sunset. Now select the text and change the font. I will change it too much. Bulk. Increase the size. Down. No edges to placement. Text in the center. That's it. We are done with it. We are done with actin Adele, beautiful sky. Now, let's go back to the gallery and rename this untitled artwork. I'm going to change the text to D9 team. 43. Day 20 - Gloaming Sky: Hello, It's day 20, and it stands for the final project. So let's begin. I'm going to start by importing the Polaroid Canvas. The Canvas. Let's look at the colors. I have this date when the palate with tasks like really beautiful colors. I'm going to pick this first color from the palette, go to the Brush Library, airbrushing, and select this medium brush. I will set the size this brush to about 25 to 30% and fill in this top corner. Now, go back to the Padlet and the second color from the palette. And I will be using the same brush. I'm going to fill this section of the Canvas with this really beautiful color. Go back to the palate. If this third color, use the size further down, and I will set it to around 15%. In this section. Now, don't worry about how you are going to fill in the colors. It's totally up to you. I want you to do it as you like it, because it's the 20. I want you to fill in colors the way you like it. Don't stress a lot about the positioning of the colors. Now go back to the palette and I will pick food color and fill in this section. Now, let's blend these three colorful colors. So that just means I can go Shin. And I will set the bow tie or I'll set it to around 40%. Yeah. Now I'll go back to the layers and rename this layer. I'm going to rename it as a guide. Now go to the layer three and renamed it as clouds. We will be adding like really flowy dancing clouds in this project. And again, don't worry about the shape or the position of the clouds. I just want you to have fun and add this flowing dancing all over the sky. So go back to the color palette. And I will pick this food color from the palette, go to the Brush Library, and then select for those soft airbrush. I will set the size to about Dwayne be pleasant, and opacity is set to 100% and I will add the list of class. I'm going to increase the size for Adele and I will set it to about 40% and add this soft clouds. The random shape. I will be adding the clouds or lower this guy having different colored Cloud Disk. Adding some more yellow. Your lawn here. As you can see it, as clouds are all over this guy and dancing and are moving in all possible direction. I will go back to the public and there's toward color from the palette and add two more of this color. I'm going to do, I'm going to increase the size for the insect it to her own 50 per cent and add some clouds. I just want you to have fun. And though we didn't all your knowledge. Now, let's go back to the palette, and I will pick this fifth color from the palette. Using the same brush. Add some nice glowing clouds in this bottom section. Adam, very gently don't apply a lot of pressure because you want them to look like really soft clouds dancing all over this guy. Adding some more yellow. Now, go back to the Padlet and pick the six color from the palette. And I will reduce the size and set it to 47% and add some in-between this cloud and make it brighter. 44. Painting mountains and tree silhouettes: Now if you think that it looks too bright, you could go back to the palate and pick this food color and go over it and cover it by applying this gentle strokes and make it light, dark thing that you do, too bright. It's up to you how you want to play around with this brush and add the clouds to make some, no, I just meant by going back and adding covering these clouds. Now I think this second color and some would make adjustment to this guy and blending it with the clouds. Go back to the palate and there's Todd color from the palette and add or lighten. This blight clouds are met. By applying very, very gentle strokes. You can stop it whenever you feel that this guy looks good enough. I will go back to the Padlet and pick this first color. And I didn't feel more strokes in between. Now it's time to add a new layer. So tap on layers and create a new layer. I am a blind clipping mask on this layer, and I will rename this layer as small team. Go to the color palette and in this last but one color, go to the Brush Library calligraphy and select the mono line brush. I will set the size of this brush to about 15% and add the outline, the mountain starting from this corner at the beach, sand. Bring it to the other corner. Now, drag and drop the color. Let's add some snow to this mountain. So I'm going back to the Padlet and I will pick this last color and apply alpha lock on this mountain layer or water more texture we're going to add stays within the mountain layer, will do the brush library charcoals, and select this bond tree brush. I will set the size of this brush to about 20 per cent and add some texture to this mountain. Ii gentle strokes so that it looks like it is covered with snow. Not using white, but a shade lighter than the mountain. So add the texture. And I'm going to stop it here. And more on layers and create a new layer. Apply clipping mask and rename this layer. I will name it as trees. Now I'll go to the color palette and big black color from the palette. Go to the Brush Library, link D-Day projects said tool. And go over this date stamp at just the size of this Dan, and I'm going to set it to around 57 to 60 person and just tap on the screen and add the key stamp. Use the arrow icon on and adjust the placement of the trees using this blue dots that you see in the corner. Yeah. Make sure that the mountain layer is not completely window completely part of the mountain layer visible. And that's it. We are done with this final project, which is the De Duan De, and I am very happy with the result. Let's add the text now. Go to Actions, Add and text. Replace this text and I'm going to type in the 20. Hold this down. And I will name this project as looming sky. Select the text and change the font to match book. And it just decide accordingly. Now, tap on the arrow icon and adjust the placement of the text to the center. And that's it. We are done with. Our final project. Looks really beautiful. So let's go back to the gallery and rename this Untitled Artwork. And I'm going to factor the brain being done. 45. Conclusion: Thank you so much for watching my class and I hope you enjoyed painting simple, colorful and relaxing projects for 20 days and procreate. I believe that by now you can confidently paint the sky and clouds without any help. You can use the stamps and cloud brushes that I have included in this project or in this class for your future projects. You can always paint more such landscapes or cite images, use them differences from sites that offer free majors, like Pixabay and Unsplash. These types of four tons of free majors that you can use. Please share your final artwork and progress shots by floating your block to your project section. Also, please don't forget to leave a review about the class. And let me know if you enjoyed this class. If you have any questions, please let me know. I am happy, too. Happy painting and take care.