Moody Ink Illustrations: A 5-Day Umbrella Girl Dark Illustration Challenge

1. Welcome and Introduction : Hi, everyone, and welcome to my new class Moody Ink Illustration, a five day umbrella dark Illustration challenge. In this class, we will create five hauntingly beautiful ink illustration featuring umbrella girls set against dark atmospheric background. Each project explores a different mood and story from night that watches back to guardians of the silent storms. We will begin with a fundamental including hatching, crosshatching, and essential ink technique. I'll also guide you through character construction, including simple body form, expressive eye, and composition before moving into final illustrations step by step. Projects include the night that watches Back, ruin of Jelly dreams, a walk through quiet spirits, center of the Sado ring, and guardian of the silent Iston. Hi, I am Mihal an artist from India. This is my Skillshare profile. On a Skillshare, I teach beginner friendly classes in ink, watercolor and oil pistol. You can find more of my work on my Instagram and my YouTube. This class is ideal for intermediate artists, and most lessons are in real time, so you can easily follow along with me. We'll complete one project each day, building both your technique and confidence as you progress. Before diving into the main project, we'll begin with the fundamentals. I'll also guide you through how you can easily create these mysterious creatures and subtle narrative element moving into each thing. So join me in this class, and let's create something moody, expressive and full of storytelling. 2. Class Project : This class we'll be creating five moody ink illustrations. We have Gargan of the silent Storm, then we have Salter of the sadoin followed by a wa through quiet spirits, reign of Jaily dreams, and lastly, the night that watches Back. Along with the main project, you will also practice essential skills through guided seeds, including hatching, crosshatching, body construction, and fecal features like eyes. For your class project, you can complete all five illustrations or choose your favorite ones. Apart from this, you can also see your practice seeds. Once you are done, don't forget to upload your work in the project gallery. I'd love to see your creations. And you don't have to do the coloring for all the project. Instead of it, you can keep it monochrome only using the black and white, or if you want to make it a little bit or redis, you can use a little bit of red. So these are all the five projects, and I'll be seeing you in the next video. 3. Supplies : For this class, you will need pencil and eraser to do the basic pencil sketching. Then you will need fine liner. In here, I'll be using black, blue, red and pink colored fine liner. Apart from that, I'll also be using Tombos breast paint, two breast pains, one is thinner and one is thicker one. I'll be using it to do the mean outlining and I'll be using the fine liner for the small details. Apart from that, I'll also be using the ink, black ink to do the coloring for the larger section, white jelly pen to add highlights or smaller details. I'll be using two brushes, one large and small brush. An brush will do the masking tape to secure the paper. Then we have got tissue paper. These are the supplies that I'll be using in this class. You don't need all the supplies. You can create all the project in this class, only using normal wallpoint paint. Apart from this, for one of the last project, I'll also be using colored bras paints. 4. Basics : However, in this selection, we are going to explore some very important ink drawing basics that will help you add depth, texture, and form to your illustration. We'll be focusing on hatching, curved lines, cross hatching, along with how lines piecing and preserafect your drawing. In here, we are starting with the hatching. Hatching is one of the most basic and useful sending technique. It simply means drawing parallel lines to create tone and values, simple and plain normal lines like this. We can add a little bit of variations to it. But basically, these are the simple hatching lines that will mostly be using. And when the lines you draw are closer together, the area looks quite darker, like in here. When the lines are farther apart, it looks lighter earlier example that we created. We can also change the thickness or the preser of your line to control the sading. You can also vary the length of the lines in here for you can start with the larger lines, and then as you move along, you can create the smaller one and you can do the opposite to. You can also play with the weight of the line. By weight of the line, I mean, the thickness of the line. You can use thicker pin or you can just overlay one layer on top of the other to make it a little bit more thicker. And as you mentioned, you can just change the direction to get different effect depending upon the situations. These are the simple hyging lines that we'll mostly be using. I'll also be using hatching line to do a little bit of seating. In here, I'll be showing you two ways in which I'll be doing the seating. The first way like this, you can use rows and rows of hatching in this manner to do the seating. In here, too, you can play with the spacing, you can increase the spacing, you can decrease it. So depending upon the requirement, we'll be using this kind of seating. Next one is like this. The kind of seating that we generally do with a pencil. With this kind of seating, using the hatching lines, I'm also wearing the preserF the starting, I'm applying a bit more present and as I move forward, I'm decreasing the presser Mm. Apart from this kind of general hatching and shading using this kind of simple and plain, straight lines, I'll also be using this kind of broken lines to do the hatching. These are all the basics for the hatching that we'll be using. Apart from this, you don't have to only create the hatching using the straight line. You can also do the hatching using broken lines and combine all this element that spacing the line weight, the different kind of strokes and wearing the prison. I'll be showing you how I'll be using the curved lines curved hatching line. Here, I'll be creating a very simple example using concentric circle and do the curved hatching lines. Apart from that, I'll also be making it a broken curved hatching lines. So here's the example using this kind of curved hatching lines in this manner with broken lines. Here's another example. Basically, I'll be using this kind of hatching to give a little bit of more form and definition to some of the object or to some of the seeps. I'll also be using it to create designs or pattern if required. You can call it hatching lines, or you can also call it curved lines. This curved lines help to sew form and volume. Instead of straight lines, you can follow the sieve and the object easily with it. We can also create patterns like circular arc lines or to sew the flow of movement. Next, we have got cross hatching. Cross hatching is an extension of hatching. Here you layer lines on top of each other in different direction. Start with one set of lines and then add another layer crossing it like this. By adding more layers, we'll be making it a little bit more darker. So here are some of the example of different kind of cross hatching that you can do. In here, I use vertical and horizontal lines. For this, I decided to use angled line and straight lines straight lines, or you can say vertical lines. Here's another variation. In here, I change the direction and using line straight horizontal lines. So you have got the idea what cross hatching is. And as I was mentioning, by adding more layers, we can make it more darker. So this is the second layer. This is an example of only two layer, and in here, I'll be adding a few more layers to make it more darker. Third layer. As you can see, just by adding one additional layer, it looks comparatively darker compared to the one that we created earlier. And as for the hatching, you can also use this kind of broken lines to do the cross hatching. You can do the same thing with it. The species, the line weight, and the presser matter in here, too. These are the general cross hatching that I use. Now I'll be doing a little bit of seeding using the cross hatching. For this one, I'm using the combination of vertical and angled line like this. So third layer, fourth layer. In here, I'm making the bottom section a little bit darker, bottom left corner like this. The regions where you want to make it a bit more darker, you'll have to add more lines. You can also create other variations of sps using it directly using the cross hatching to create ses in this manner. Here I was trying to create a conical sap, but then I only created this kind of simple save. Here's another variation. I did the cross etching on this side, the right side, and one more example using broken cross etching lines to do the siding. We'll be making the upper side a little bit darker. Simple broken lines in this manner. Let's make it darker, the upper region a little bit. With the cross hatching, the more layer you add, the deeper and the richer the seeding becomes. This is very useful for creating strong sado and detailed texture. In our final drawings, we'll be using hatching for basic sading, using curved lines to sew the form, and use cross hatching for darker areas. I'll also be combining them as it helps to create more dynamic and interesting situations. So these are the core techniques we'll be using throughout the class. Don't worry about the perfection. Focus on practice and control. Try experimenting with different line styles and see what works best for you. In the next lesson, we'll be exploring more techniques related to it. 5. More Pen and Ink Techniques : Hi, everyone. In this nation, we are going to step further and exploring more expressive line techniques that help us create texture, movement, and depth in our drawings. In here, I'll be covering uneven lines, scribbling, stippling, flowing lines, and scallops. Let's start with uneven lines or broken marks. In here, I've already started with uneven lines or you can say broken marks. These are sought in regular strokes placed in different directions. In here, the lines are not uniform, Spiething is inconsistent and direction varies randomly or slightly. For the first one, I just use random, small strokes to create this kind of one. In here, I'm using the same kind of strokes, but in here, they reach a little bit of spreading out of the strokes from the center. You can also use it to create this kind of wave like form using this kind of uneven, small and large lines. And in here instead of adding it in random direction, in here, I'm following a little bit of direction like this. To make it a little bit more darker, you can use more lines like this. Here's another example. Once again, this are spreading out and we'll be making it quite darker. So we'll be adding more layers to it like this one more line in here like this. This kind of uneven lines creates very natural organic texture. For some of the sections, I'll be using it. Generally use this for rough surfaces, cream bars or for feather or uneven shadows. Instead of the perfect lines, think of it as control randomness. Here's another example. This is somewhat similar to a third one. And instead of a single line in here, we are using two lines here, two, spacing and line weight matters. So you have got the rough idea how you can create this kind of uneven lines. You can create other variations of it. I only sowed you a few examples. Next in here, we have got scribbling. Scribbling is one of the most free and expressive technique. This is comparatively faster as compared to the other techniques, the cross hatching and the hatching. Here we use continuous looping or circular motions to build sading like this. With the loose scribbles, we get lighter tones, with the dense scribble, we get darker areas and with the layered scribbles, we can get rich texture as well as do a little bit of sading using it. Another variation of the scribbling, and in here, I'm doing a little bit of seeding in the middle. So let's do a little bit of more sding in the top. You can see the seed how the scribbles becomes more compact and darker. You can use it to create soft shadows, textured surface or quick sading. Key in here is to keep your hand relaxed and pwd, not stiff. For some of the sections to do the coloring or do the seeding, I'll be using it since this is quite easy and it's more free flowing. In here, we have got a stippling. With the stippling, you can create very beautiful illustration, but it's more of the most time consuming processes. So I won't be using it that much. Stippling basically means sading using dots instead of the lines. You don't have to do the sding on. You can also use it to create seeps in the forms. Using this kind of stippling, you can also use it to do the outlining squeezing thickness matter. With more dots, we can create darker values with fewer dots, we can create lighter value. The first one, as you can see, is of lighter value and in here, we are making it a little bit darker using more dots and adding it closer to each other. The sizes of the dots matter too. In here, I'm just using the tip of the pen to create this. Instead of it, if I want, I can create a bit larger saves, larger circular seeps and use those larger circular saves to do the stippling. It provides a little bit more control over the density of the dots. With it, we can get a little bit more control over how we are going to illustrate. With it, we can control the density of the dots, the sizes of the dot. Since the sizes in here for the stippling dots are quite small, we can control the density of the dots, the sizes of the dots and squeezing between them more accurately and more correctly as compared to the hatching and the cross hatching and other methods. Main disadvantage is that it's too much time consuming. So I won't be using it that much. I'll only be using it for some of the smaller sections. And as I was mentioning, you can use it to create forms in the seeps. In here, I only use the stippling dot to create the circular seed and we are doing a little bit of sailing using stippling dot by making it more darker towards the bottom section. And I'll also be using this kind of stippling dot to create lines and create seeps. This simple stippling dots and using it in this manner to create lines or you can say outlining. Simple dots like this to create outlines. You can notice in the seed that dots go from sparse to very dense, creating smooth transitions. The second and the third example. Here's a variation of larger dots. Generally, you can use this for detailed texture, smooth gradient and clean and control sading. It takes patience, but it gives a very refined and professional look. So that's all for the stippling. In here, we have got flowing lines. These lines are curve directional lines that follow the form of an object. These are somewhat similar to the curve lines, but in here, we have got a little bit more flow to the lines. And yeah, these are the kind of lines. As you can see, instead of the random lines, these lines move in a consistent direction. It follows the set. Mostly, I'll be creating this kind of line following the seep of an object. It also helps in creating a sense of movement You can use to create patterns for the leaf or pattern for the clothes and the designing and giving the project over a little bit of more flowing appearance. I'll also be using it in this kind of lines to create and add more texture and detail for the hair. These are some of the few examples. Apart from this, you can create other variations and other example on your own. This kind of lines helps your drawing feel more alive and more dynamic. Lastly, we have got scallops or you can say repeated patterns. Scallops are generally repetit curved see like semicircle or wave pattern. Mostly, I'll be using it to stack one non layer on top of the other. You can also do a little bit of overlapping. And we can also vary the saves in the signs in here. These are some of the examples of the scallops. I'll only using curved ones, two or three of them for some of the projects. This kind of scallops helps in creating pattern that looks like scales either or decorative textures. Apart from this, you can also use it to create pattern work or stylized structure or create decorative details. These are simple but very effective in adding visual interest. And you don't have to only create this kind of curves. You can create this kind of pointed edges stub. In our projects, Almond be using just one technique. I'll be using mostly, I'll be using flowing lines for the structure. I'll be using scribblings or uneven lines for texture, strippling if required for the shadows and scallops for the patterns. Layering the techniques create much more rich and more detailed drawings. So we'll be using various combinations of these techniques. So these are the advanced line techniques we'll be using in this class. Take your time to practice each one separately and then try combining them. And that's all for this section. I'll be seeing you in the next sllation. 6. Guidelines for Face and Body: In this lesson, we are going to cover the basic construction of human figure and face, which will help us draw characters more confidently and accurately. All the characters that I'll be creating for this project will be simpler ones. Let's start with the body. Instead of drawing a complex human figure directly, I'm going to simplify it into basic seams. In here, I'm using a vertical center line to maintain the balance, and the horizontal lines will help us understand the proportion. I have divided into eight equal sections, four for the upper section, and four for the lower sections. Oh for the int, I'll be creating a simple circular seat. The simple circular see will consist of two thirds of the part, and for the lower half, this kind of somewhat conical see. For the neck, we have got a cylindrical seat for one third of the section like this. The torso is a rectangular or slightly tapered box like this. We are in the middle section. The hips and the legs can be simplified into straight lines or basic seams in this manner. This is a basic simple guideline that I'll be using to create all the projects in here. Simple lines like this for the hand. As you can see, I use vertical central line to maintain the balance. I have horizontal lines that divided into eight equal section as well as it also help and understand the proportions. This step is very important because it helps you keep your drawing align, maintain correct proportions, and avoid distortions. Here the second one. In here, I only created the upper half of the body. So I divided into four equal section. With the two third, we have a circular C for the face. Mm. Now for the remaining section, somewhat of this kind of conical C for the remaining section of the face, cylindrical see like this for the neck. This kind of you can see teapod or somewhat of rectangular C for the torso. A little bit just above in here. Just below it or in here, I'll be considering it to be its navel simple straight line like this for the hand. Accordingly we'll be sifting the hand to add more gestic to it. But this is a very simplified version. Now moving on to the head, starting with the circle, simple circular C. This will cover the two thirds of the pace. Or you can start with a simple straight line and divide into three equal section. The upper two section will be consisting of circular C and the remaining section like this. Or you can consider it to be somewhat similar to egg like CP or con like C. Dividing the circle into four equal section. We have got the ears just below the horizontal lines. Eyes are placed along a horizontal line like this. I'll be creating some white of animated eyes, this kind of bit large eyes. The nose sits halfway between the eyes and the chin. The mouth is placed slightly below the nose, and here's the head, here's the hair line a little bit above the head. Simple cylindrical shape like this for the neck. In this way, I'll be creating very simplified version of the face that is looking forward. Here's another one. This is facing towards the left and looking a little bit downwards. Once again, using the same concept, starting with the circular C for the head. And since this is a bit angled face, create this kind of bit angled line following the proportion, give it a little bit of sphere like save to the circular. Adding the ear just like this and accordingly adjusting the eyes. Here, too, as you can see, the eyes are large, stylized new style. The face is slightly rounded and simplified. Simple neck like this. For this kind of faces, a little bit towards left or the right, focus on spacing between the eyes and alignment with the center line. Accordingly, we'll be shifting the center line a little bit, making it a little bit tilted or angle. This will keep the face look somewhat normal and natural. Let's create one more example. The face looking upward. Once again, starting with simple circular seam. Give it a little bit of volume considered to be somewhat of spherical seam, and accordingly creating this kind of curved line, extending it in here. Only a small section of her chin will be visible. So very small triangular sap like this. Little bit of angled horizontal line like this. Eyes will look like this, only a small projections like this for the eyes. Here. Simple neck like this, the same kind of small nose and the mouth just below the nose will be accordingly shifting as required. One of the key idea that you can keep in mind the center line curves depending upon the angle. For example, straight line leads to front view. The curved line leads to head turn and the tilted lines lead to head tilted like this one. This helps you understand three D form instead of flat drawing. Now, moving on to the fourth and the final one. Nagar will be looking towards the right. Only one eye will be visible. Once again, starting with the circular same. Now for the lower section in here, I'm starting with a simple phase, straight phase, and then I'll be shifting it a little bit to make it face towards the right. To make it face towards the right, I'm just adding more curves like this on the right side for the nose, a small projection, and for the mouth and the chin, a little bit of projection like this. The hair line just beside the eyeline. Rough outlining for the hair, simple eyes, large eyes like this and small neck. This is just a rough example for our main project, we'll be making it a little bit more detailed. And that's all for this section. I'll be seeing you in the next section where we'll be practicing a little bit more. 7. Shelter of the Shadow Rain: Welcome to the Salter of the sadoinUsing the simple guidelines to create the body of the girl, starting with a straight line a little bit in the middle of the page. At the lower section like this, we are going to divide into eight different sections, and then for the first one, we'll be creating her heads for the remaining three or four, we'll be creating her middle body, her chest stomach, and the thighs, and for the remaining section, we'll be creating her foot. Simple circular seep like this for the guideline for her head, a small cylindrical seep in here for her neck. For the remaining four sections in here, create this kind of bit triangular seam. For this project, I decided to go with the frinlo so I won't be adding that much of details while doing the pencil sketching when we'll be doing the coloring or doing the outlining with the fine liners, then we'll be making changes and adjustment. This will be the outline for the ghost that lies behind her. This two is somewhat of triangular see. The ghost is also somewhat of triangular sea. Create this kind of semicircular see. This will be the umbrella she'll be holding the top of the umbrella. And now let's Saba closer look. We have created her face, simple circular sap like this. Now, giving it a little bit more definition, making it a little bit curved like this in here for the middle section. Her ears. I'll be creating flowing hair for her. So just rough guidelines for the hair right now. This is a free flow drawing. Later on, we'll be making changes in adjustment. She'll be wearing a jacket on top of her clothes. This will be the middle portion of her stomach. A bit of rough outlining for both of her hands. Since she's going to be holding umbrella, arms will be bent in here for the second hand, outlining for her second hand. That's lying just beside her like this. A small projection for the umbrella. To large pocket on the sides. I'll be creating collar, just simple rectangular saves like this for the collar. The clothes were wearing will be buttoned up and the button will be a little bit more detailed one. Enough for her leg. She will be wearing socks. Beside her knees, we'll be creating her socks. This will be her calf. The other leg. Right now, I've just only created a simple cylindrical sea a little bit curve cylindrical seam. When we'll be doing outlining, we'll be giving it a little bit more volume, Stending the line for the umbrella. Oh you being a little bit of curve seep like this. These are just the basic guidelines that we have created for now, when we'll be doing the outlining, we'll be giving it a little bit more definition a bit more saves two large eyes in here on both sides of the umbrella stick. We'll be creating large teeth using this kind of simple saves for the teeth. As for the eyes, just a little bit beside her ear, you can just add it for the same height as her ear. Now, going in with the Toms breast pain to do the outlining. In here, I'm starting with the umbrella. You don't have to stick with the guidelines that you have created, feel free to make changes and adjustment. I'll be making a lot of changes and adjustment. This is a free flow project, so you can change as many things as you want on the things you are not satisfied with a bit of more detailing ends of the umbrella like this. I'll be dividing the umbrella into five sections. Using a bit of broken lines for most of the sections in here, where I'm not that much confirmed. I'll be using this kind of bit broken lines to do the outlining. And later on, if required, I'll be using the simple and normal lines to make the outlines a bit bolder. But otherwise, I'll be using it. This scripts a little bit of different kind of characteristics to the painting. So I enjoy creating this kind of lines. Now we are going to do the outlining for her face. For some of the section in here, I'll be following the pencil sketch, but for others, I'll be making changes and adjustment her hair. So we are going to create flowing hair. I'll be doing it in two part. For now, we'll only be creating the hair surrounding her skull, and later on, we'll be extending hair on both sides. Creating the outlines for the eyes. Making it a bit more curvy. We are going for cute little eyes for this girl. I'll be creating big eyeballs for the insides, comparatively big eyeballs like this, and I'll be leaving a little bit of whites piece for the highlights, a very small nose like this at small mouth. Now, for her neck, doing the outlying ping for the collar. So the simple saves like this. We'll have to do a little bit of adjustments in the fees that I created is comparatively smaller. So some of the things I'll have to adjust a little bit up like this. Her hand, the hand that is holding the umbrella. A little bit of mint sip like this for umbrella. Some of the sections of the umbrella is covered by her hair, so it won't be visible. A little bit more detailing for her hair. Just add more curve lines to give it a little bit more volume and definition, her flowing hair. Right now, just create this kind of flowing hair. When we'll be doing the coloring for the monster, we'll be covering some of the sections and using the black to recreate the hairs. Simple sep like this for the bent portion of her hand. These wearing a hoodie, so the upper portion of the hoodie like this, a little bit of trumbled appearance for the hoodie like this. The second n will be quite simple, easier. The pockets on both the sides. In here, we'll be trying to create a little bit of patterns, but for now, just do the rough outlining for the triangular see. Only a small resemblance like this for her hand, two patches on the sides at her elbow. In here, we'll be creating buttons, beautiful buttons. And this will be the middle section of our clothe using this kind of bit broken lines to give it a little bit of texture for the crumbled up urines. Creating large circular seeps with the black for the buttons. Instead of the buttons, you are free to create other kind of patterns and designs or other kinds of buttons, dividing into two section, the upper section in which we'll be creating her jacket. Let's start by creating large pockets, two large pocket on both the sides. Simple pockets like this. And to sew stitches on the sides, use this kind of bit broken lines. Another button in here. Now, the remaining section of her pockets. In here, I'll be creating small flowers using red later on. Just random designs like this. A little bit of crumble appearance for some kind of feels that is present in here for her cloe. You don't have to create the same kind of pattern or design I am doing. Feel free to make changes and adjustments or add your own personal touches, create your own kind of designs. Doing the same thing for the other side. Just random lines like this, giving it a little bit of geometrical seeps like this for the patches on both her elbows, making it a little bit darker. In here, too, giving it a little bit more detailing like this, just on top of her hand like this. And let's give the cloth a little bit of crumbled appearance. Just create this kind of bitter random lines like this. Just don't over saturate it with this kind of line. Three or four lines will do their work so that the clothes she's wearing is a bit crumbled. Now continuing on with her hair on the side, her flowing hair, a little bit of unruly hair like this. A bit more detailing by adding more curves for some of the section so the flow of her hair. This region, the region is beside her ears on both the sides will be a bit darker. We'll be adding black later on. Go down just random detailing like this in here. For her hair and her clothes, I'll be using s. Now, we are going to do the outlining for her leg. A little bit more detailing at the end just below the buttons. A Put the button surrounding it with stippling dots. Now, we are going to do the outlining for her legs. Let's add the finger for this hand. Now, starting with the upper section of her leg, a little bit of curve seep on both the sides for the knees and the calf. This will be her socks, quite larger socks, the same thing for the other leg. Now, we'll be doing the sketching for the zoos. These are not that much defined. So let's create a little bit of more detailed guidelines for the zoos. Dividing the zus into different sections. One of the zoos is towards the left. The other one is facing towards us. Small details like this for the zoos. So. Let's do the outlining. Once again, you don't have to create the same kind of zoous. Instead of the zoouss, you can create other footpersO you can just follow along with me and do the outlining in the same manner. I'm keeping the zoouse for this project quite simpler. But if you want to make it a little bit more detailed, you can do that, too. No, for the Soze on her right hand. So with this, we are done with the sus. A patchwork like designed for the front section of the sus like this. And yeah, with this, we are mostly done with outline for the girl. Now creating the stick for the umbrella. A bit of ovals for the monster's eyes. Now, we'll be creating two sets of the teeth. For the pencil sketch, I only created one, but in here, I'll be creating top and bottom section. Instead of creating this kind of teeth, if you want to make it a little bit more scare, you can create canine like teeth, bit triangular seeps or whole set of the teeth. I'm keeping it quite simple. So only this kind of simple version for the teeth, open mouth for our monster. Adding the inside for the eyes, simple circular sep like this. Now doing the outlining in the form of triangular seem to give it a little bit of appearance to the mouster body, the shadow body of the monster, we are creating this kind of outlining. Foot now just do this kind of outlining and we'll be extending some of the sections. But later on pelm' be doing the coloring. I'll be covering some of it and creating another kind of appearance for it, creating the foot. So one of the leg is straight, the other will be a little bit bent. Now this leg, this leg will be a little bit went. We have got muscular carpor or monster like this. The upper section of its thigh and the remaining section for its leg. Not that much of defined, but this simple seeps like this for the leg giving the seep of the monster a little bit of etherial look, creating this kind of lines that is coming out from its body like this. These are optional. If you don't want to create this kind of appearance, you can just do the coloring for the outlines that you have created. Since I'll be using the ink to do the coloring, the small details in here, I have that a created. I'll have to cover some of the smaller ones. Instead of these, I'll have to create a bit more thicker butsons for this kind of flowing lines. Extending the side a little bit in here. And yeah, with this, we are done with a simple outlining for our monster's body. Now for her socks, I decided to create simple pattern. So I'll be creating simple cross-hatching pattern. Instead of creating this kind of simple pattern, you are free to create other kind of variations or other kind of pattern for the socks, or you can just keep it plain and simple without any patterns or designing. In here we are doing the cross-hatching. For the first set of the line, I'll be making it bit thicker. For the second set, I'll be keeping it quite simple. This project is also divided into two sections. This is the first sections. In here, we'll be only doing the main outlining as well as a little bit of detailing. In the second section, we'll be adding the finer details as well as doing the inking and completing this project. For the upper section of her socks, a little bit more detail using the broken hatching lines. Now, as I was mentioning, the region is beside her ears, adding the blacks in here to completely cover this in this manner. This is optional, too. If you don't want to cover it, you can use the gray later on to fill this region now we are going to extend her hair on this side. A little bit of more flow appearance for her hair like this. More strengths of her hair flowing like this on this side. Now I'm going to create some random patterns and designs for the umbrella. This will be somewhat similar to the lower section of her clone. Random geometric pattern or shapes like this. You don't have to create the same kind of pattern or design that I'm doing in here. Feel free to add your own personal touches, create your own patterns and designing for the umbrella. I'll be alternating the designs, we'll have this kind of geometric pattern or you can say geometric designs for the first one, the middle one and the last one. For the middle two ones, I'll be creating a different kind of design. For the insights, I'll be adding a little bit more detail later on for now continuing on to the second one. Once again, the same kind of simple geometric pattern. Feel the remaining section with it. I would recommend you to experiment on your own and create other patterns and designing. The umbrella that I created in here did not turn down the way I wanted. Experiment on your own, add your own personal touches and create other kind of variations and designs for the umbrella stub. And with this, we are done with all the three sections for our umbrella. In here, let's divide this into more sections, and then we'll be creating simple arrow like design, arrow like pattern. Dividing the lines in here once again on this side. Now, just simple shape like this. I'll be alternating the saps a little bit and using the black hatching lines to do the coloring. I'll also be using a little bit of red later on. For this section I'll only be covering up to here and I'll be seeing you in the next section where we'll be continuing on from here. 8. Using Red Fineliners : Now continuing on where we left off, I created the same kind of pattern for the other side too. And now we are going to likely erase the pencil marks and see the ink has properly dried up. And here, since I'm using a bit of more smoother surface for the people, I'll have to be a bit extra causes. For that, I'll have to be extra causes. And that's why I use a lot of tissue paper underneath my palm to avoid smudging of the ink as well as the pencil sketches. Removing the inased dust. Since I have got a brass, I generally prefer using it to avoid the smudging of the color by my palm or by my hand. Now we are going to continue with this grey colour preen. This green a little bit tandomly in here for the pattern that we have created. So for all three sections in here, randomly adding it for the insides of the pattern using this green. This is once again optional if you don't want to use it or you want to use the other color. Moving on to her hair, we are going to cover the entire section of her hair with this lighter sad of the green. If you want to do a little bit of shading with the grease or include a little bit of black or do the coloring with the red, you can do that, too. But now, just fill the entire section with the green. You don't have to be that much coarser since we'll be using black, and when we'll be using the black ink, we'll be redefining the seeds of her hair a little bit for the upper section of her socks. Also adding it for her sous entire section for now. Later on, we'll be adding a little bit of grain, but for now covering the entire section with the green. Also be adding it for the cloth, but for now, I'm not adding it. Right now, I only added for the patches of her elbow and for the upper side. I forgot to create the fingers. Small lines like this for the finger. Now we are going to do the inking, but before doing it for some of the smaller section, I'm adding the blacks in between like this, since it will be quite harder for me to do the inking using the breast pain, using the watercolor bras. That's why I decided to use the Tombos breast paint to do the outlining for the smaller section. Now, we are going to do the inking. In here, I've got the Kuratacase ink and using normal small Wauclor brush, to do the coloring. This process is going to take a little bit of time, so I'll be increasing up the speed a little bit. Now, in here, I'm starting with doing the outlining. H Right now, it's in the normal speed, but now I have increased the speed a little bit, 2.5 X. In here, we'll be making a little bit of changes since we won't be able to do the inking for the modern lines that I have created. So I'll be transforming them into a little bit more thicker lines. You'll have to bit extra courses while doing the coloring beside the girl to do the outlining for the sap of her wording. And you'll have to wit causes once again for the monster fecal feature its eyes in the teeth. Using small strokes with the bras to do the outlining in here, and then feeling the remaining section with the black, spreading the color in this manner. I would have mixed a little bit of water with the ink to make it a little bit more fluid. But anyhow, let's continue doing the outlining for the remaining section, carefully doing the outlining just beside the umbrella, its teeth, and the eyes like this. Carefully adding it in this manner, encircling its eyes, encircling the smaller teeth that we have created, and now feeling the remaining section. And with these we are done with this side, we are going to do the same thing. I forgot to do the coloring for its sling. Completely filling it with the black in this manner, we are going to do the same thing in here, fully surrounding the umbrella at the top, eyes and the teeth. Nia just added a little bit of black and between the separate teeth, and then using smaller brush strokes to feel the remaining section, coloring it in this manner. If you're using bit saturated in, you left to bit causes to avoid the smudging of the colon by your palm. So I started doing the inking from the left to right so that I won't be making any mistakes by overlaying my palm on that region. So for inking or coloring, start with the left to right, so you won't be placing your palm by mistake on those regions. In here, we have created a bit more flow lines. So we'll be just converting them into a little bit of different kinds of line, the same thing we did for the left side. Writting a bit of straight lines like this for the triangular shape of its body. And now we are going to create this kind of flowing lines using the watercolor brush. Just random bits of flowing lines like this, covering some of the black outlines that we created with the tombosbuspan. Coloring the remaining section of its leg, making a little bit more changes for some of the sections. And with these, we are done with the inking for our monster. I waited for it to dry a little bit. I'm using a red to create a little bit of rosy checks for the girl, small flour on both her pockets. For some of the sections of the susse, I'm adding a little bit of red. This is optimal. Instead of using the d, you can use the blue black or other colors. You can also do the coloring for her socks using I'll only be covering her jacket and the eyes of the monster with the red. For the remaining section, I won't be using the red. Using hatching lines and doing the coloring in this man for the entire section of her jacket. This is going to take a little bit of time. You can also use the breast pain to do the coloring. But in here, I decided to continue doing the colouring using the breast pain. Continuing on doing the coloring using the breastban in this manner. For this section, I'm using the angle hatching lines like this. For her hand, I'll be changing the direction of the hatching line to create a little bit of quite distinct separation in between the middle portion and the outer sections of her clothes using the hatching lines. I'm not keeping my palm on top of the peeps to avoid the smudging of the ink by my palm. Covering the entire section with the red in this manner. Now moving onto the other side and doing the same thing using the hatching lines do the coloring. Instead of using the red for the other side, you can make it a little bit different. You can use the blue or a combination of red and blue and create some kind of pattern or designing using those colors. Small saxon in here with the hatching lines using the red. The upper part of her clothes, the hoodie and the remaining sections. Add it carefully. Don't add the color for her hand or the parts of her umbrella. Second hand in here, the right hand, as I was mentioning, changing the direction of the hatching lines. We are going to cover the entire section with the hatching lines on this arm. Oh And with these, we are done with the red for the coloring of our jacket. If you want to make it a little bit more darker, you can add another row of the hatching lines or you can also use a little bit of Umra spin, coloring the eyes for our moisture. We are going to completely fill the insides with the red, and then for the eyeballs, we'll be using a little bit of black, not a little bit of black, but we'll be completely filling it with the black, doing the same thing for this eye, filling with the red for now. So if you want, you can also do a little bit of coloring for the teeth. Once again, using the Tombosprspin to do the coloring for the handle of the umbrella, the upper section too. For the stick at the upper section, I'm not adding any coloring, but if you want, you can do that. Adding the black for the eyes of our monster. Now going with the gray and doing the coloring in here for her clone. In here, the red was not properly dried up, so it got a little bit smirged like this. Wait for the colours to dry and then do the coloring. I made a little bit of mistake. Later on, I'll be covering it with another layer of the red. For this section of the umbrellas, too, I decided to completely fill it with the prey. So doing the same thing in here, the other section, completely filling it with the gray. We are almost done with the coloring for our monster, and that goes, these are all extra additional details. For the alternative sections in here, I'm just using the hatching lines in this manner. As I was mentioning, the designs that I created did not turn out the way I wanted. Feel free to use or create other kind of patterns and designing for your umbrella, or you can completely cover it the black or the gray or using combinations of red and the blue to do the coloring. Random hatching lines using the hatching lines in this alternative manner. We are done with this. And here I'm using the in here, I'm using the saccharomcron file a little to create the rains. We're going to create lots of rain. I'll be using a little bit of sicky and broken lines to create the resemblance for the falling rain drops. And on top of the umbrella, I'll be creating this kind of splatter effect using more broken lines in this manner. This is also another time consuming process, and we'll be creating lots of photo droplets, rain droplets following like this. On top of the ghosts body, I'll be using white colored chilly pen to create it. But for now for the remaining section in the background, using this kind of broken hatching lines and creating multiple lines. This is optional. If you don't want to create the rain, you can just keep it as it is simple project like this. Instead of creating rain in the background, you can create other kind of pattern designs or monster in the background. Once again, in here, I've increased the speed a little bit, 2.5 wax. If you want to follow along with me, you can pause the video or you can reduce the speed to the normal. You can use the tissue paper to avoid smudging with the color. Some of the section of the ink was not right. But some of them are not. Instead of taking the risk, I'm placing the tissue paper to avoid the smudging of the color by my palm. Multiple lines like this to create the resemblance for the rain falling. Now, using the white color to create some of the rains splattered on top of our ghosts body, same kind of line, doing the same thing on this side. And yeah, with this, we are done with the detailing for the ghost. Ater on, I decided to come back and do a little bit of more detailing for some of the patterns that I created for the umbrella. This did not turn out well, so I'm trying to rectify it by using a little bit of hatching lines for top and the bottom sections of the geometric patterns in this manner. And for the insides, I'll be creating simple circular saps with a tiny.in the inside. If you have followed along with me, you are stuck with the same kind of this ridiculous pattern for the top of the umbrella. So just create this kind of pattern or design or other kind of pattern or designs to rectify it to make it a little bit better. Rows and rows of hatching lines in this manner for the upper and bottom sections of the geometric patterns. And now for the sides, a little bit more hatching lines for some of them. A little bit of more detailing with more hatching lines, making the upper section a little bit darker using hatching lines. Moving onto the middle section. The same thing. Lots and lots of hatching lines for the upper and bottom section like this. Apart from this, you can also increase the volume of the rain a little bit by adding multiple lines, more lines, converting this rain into a heavy savo The more lines I'm adding it, the more muddier it's getting. And here, continuing on with more hatching lines for the top and the bottom sections. And with this, we are mostly done with the middle section. And with these, we are done with the middle section. Apart from this, as I was mentioning, simple dot and circle encircling it like this. Creating a little bit of resemblance for the I like C. This is optional. If you don't want to create, just leave it as it is. Once again, in here, I increase the speed to 2.5 X. If you want to follow along with me, you can pause the video or you can just reduce the playback speed to 0.25 X or 0.5 X. We are doing the same thing for the final section of the umbrella. Bit more detail in the same manner using the hatching lines and simple circular sieves for the insides. We are done with the black now. In here, I'm going with the red to create more pattern for the inside of the two remaining section, a little bit of hatching lines in this manner. This is a normal spin. Instead of this kind of pattern or design, you can create other variations of it. I'll also be making a little bit of changes to the flowers that we created for our pocket. Since the color was smrsed a little bit, a little bit of changes to the flour, adding a little bit more detail for the buttons with the red. And with these, we are done with this project. 9. Guardian of the Silent Storm : Welcome to this project, Guardian of the Silent Storm. Let's start with a simple pencil sketch. We'll be following the same kind of guidelines that I showed you in the demonstration video. Starting with the straight line, I'll be following the same guideline. Since in here, we'll be creating only the upper part of our body, I'll be dividing into four equal sections. Divided into four equal section. For the upper part, we'll be creating her head and for the remaining section, we'll be creating her neck and the rest of upper part of our body. Start with creating a bit of simple circular see for her head, then extend it a little bit like this, cylindrical seep like this for her neck. I'll be creating somewhat of conical see for this of her body. And in here at the top, I'll be creating umbrella. Circular seep like this for the two third of the section. Extending it a little bit like this for the remaining portion of her face. This is just a simple guideline that we are using to create her face when we'll be doing the outlining, I'll be making a little bit of changes. I'll be making her head a little bit tilted. For the neck, just use half of the section like this, consider the head as a unit and on both the sides, using half of it like this. So on this section in here, we'll be creating the rest of her body. So this kind bit conical see. Using head as the reference. We'll be adding ears in here and eyes just beside it like this. I'll be creating a bit larger eyes. And this will be her hair. Here, I'll be creating a little bit simpler version for her hair. If you want to create other variations of the hair, feel free to do that. Extending the light a little bit more. So I will be using it to create umbrella. In here I'm just creating a simple umbrella. I'll be changing the angle of the umbrella since if I'm going to create this kind of umbrella, then I'll have to create the stick just in front of a face. I'll be shifting the umbrella towards the left a little bit, and by doing it, I'll have to shift the angle of the umbrella too. In here, I'm just showing you how I'll be creating the umbrella. I'll be giving it a little bit of three dimensional sea. So the insides of the umbrella will be visible too. Also, I'll be shifting a little bit upward, the umbrella for now, continuing with the remaining section of her body. In here, I'll be creating a bow. Simple shape like this for the bow. Now, the ribbons on the sides. Creating simple outlines like this, ribbons on the sides. For this, I'll be using red to do the coloring. Apart from this, I'll also be creating lots of riils surrounding her neck. So in here, two or three layers of the frills. Here I'll be using a little bit of black and red to do the coloring later on. In here, in this manner, I'll be creating the frills, extending it. In here, we'll be creating a hand, holding the umbrella. The left hand will be holding the umbrella. In between the ribbons, I'll be creating simple patterns and design. And in here, I'm just roughly sketching out the guidelines for her arm. The skeet that I'm creating in here, if you are going to use it, you can create the umbrella just in front of her head or a little bit towards the left. But since we won't be creating it, I'll be shifting her hand a little bit more towards the left. So if you want to proceed with it, you can do that. You'll have to just tinge the angle of the stick a little bit, or you can just follow along with me and shift the hand a little bit more towards the left. I'll be gritting her elbow somewhere in here in between the third and the fourth row like this. This will be her palm holding the umbrella. Only a small section of her fore end will be visible. A little bit beside her face like this. Depending upon this, we'll have to set the umbrella a little bit towards the left hanging the angle, create a perpendicular line like this. A straight line like this, a little bit tilted towards the right. This will be her hand holding the umbrella. The umbrellas handle, only a small section of her hand like this will be visible. The remaining portion of her hand like this. She is wearing a flowing cloth, and this will be her right arm. For her arm, as well as for the bottom of her clothes, we'll be creating lots of frills and a little bit of designing and patterns. In here, making it a little bit more broader. Here we'll be creating lots of reels and extending it in here for the other side, I decrease the width a little bit in here. On the other side, the right side, sending it in the same manner. In here for the two lads, I'll be creating simple patterns and design. In here for the two sexon, I'll be creating simple patterns and designs of reels shifting the ribbons a little bit. In here too, we'll be creating simple patterns and designs. You can create any kind of patterns and designs as you see fit, or you can just follow along with me and create very simple versions. Since we are going to shift the umbrella a little bit, so erasing the first sees that we created. You can stick with the umbrella in the center, or you can follow along with me and save this umbrella a little bit like this, extending it to determine the height of the umbrella. You'll be creating this kind of simple somewhat of semicircular R in here for the remaining section of this umbrella. And we are going to give it a little bit of three dimes LC. So a little bit of other section, the inside will be visible, making it a little bit curved in this manner so that the insides will be visible. And since in here, we have created a little bit of more space, we'll be extending her head a little bit and creating her hair line a little bit of swirly pattern like this for the bias of her hair. So this is the simple fancy sketch using simple guidelines to create the project. We'll be dividing the umbrellas into three or four sections. As for the top of the umbrella, I'll be creating multiple eyes and beside her, I'll be creating few monster or some tentle screature making the edges a little bit curve for the umbrella. I have divided this project into three sections. This is the first section, and in here, I'll only be covering up to here for the pencil sketch, and I'll be seeing in the next section where we'll be doing the outlining as well as create the monster. 10. Outlining with Brush Pens : Welcome to the second part, continuing on a left top. In here, I'm using Tombos bras ping to do the outlining. The pencil skis that we have created is not the final. If required, I'll be making changes and adjustment to it. In here, I'll be doing the outlining for the umbrella, starting with doing the outlining for the bottom sections. In here, we'll be using lots of broken hatching lines to create simple patterns. In here, I'll be using lots of broken hatching lines to create a little bit to create a little bit of taxon on top of the umbrella. Apart from that, I'll also be creating few eyes on top of it, continuing on with doing the outlining. We have divided the umbrella into four different section, the upper part. Now. For this sections in here, create this kind of simple semicircular sap on the other side too, I'll be doing it. But for now only creating for the sign. Increasing the line weight a little bit while leaving a little bit of a space like this. Later on, we'll be adding red for this. Now, in here, making the outlines a little bit more bolder. So another row of lines like this. I'll be using both simple and broken lines like this in this manner. This is optimal. Instead of this, if you want to use plain and normal lines like this, you can do that. I find that when I use this kind of broken lines, it adds another layer of texture or you can see add more characteristics to it and give it a little bit more organic lure. Once again, in here, I'm using a bit of broken lines like this, adding it in here too. And to give it a little bit of crumbled look, we'll be creating more broken hatching lines for the inside. Simple and random hatching lines in this manner, following the curve sip of the umbrella. You can vary the seeds in the sizes. Apart from that, if you want to make it a little bit more darker, you can also include a little bit of cross-hatching. Now, let's create eyes first and then we'll be continuing on with this hatching lines since it will become a little bit difficult if you did the hatching first and then the ice later. So I decided to create simple eyes like this, a little bit more curvy and bulgy seeps for the eyes like this, somewhat of thicker optical seeps like this in here. For the middle one, three eyes, for the third one, two eyes, and for the last one, a single eye. For the insides of the eyes, I'll be creating a little bit different variations for the pupil. You can create any other variations or designs for the eye. Or instead of the e, you want to create other thing, you can do that, too. On top and the bottom of the eyes, I'll be using more broken hatching lines to give it a little bit of tired and exhausted look. Making the outlines of the eyes a little bit more darker, particularly near the curved sections. Adding a little bit more light weight in this manner. And now encircling it in this manner using broken hatching lines. Adding the eyeballs for nine sides, making the sides a little bit more darker, using this kind of spread out hatching lines like this, making the sides a little bit more darker, increasing the line weight. Now we'll be encircling it using broken hatching lines. You can consider this kind of lines to be either broken hatching lines or we are just simply using curved lines in this manner. I'll be doing the same thing for the remaining six eyes. You are free to create other variations, other designs or patterns for the insides of the eyes. I won't be doing any coloring for the eyes. This will be plain and normal monochrome eyes. But if you want to do a little bit of coloring using the red, blues or greens, you can do that. As for the eyes of the girls, I'll be using blue. But in here, as I mentioned, I'll be keeping in plain and normal monochrome eyes. Adding the eyeballs for the insides. We have got two more eyes in here. This eye is looking towards the upper right corner. Adding the eyeballs for the last one. We are going to increase the line width as well as encircle the eyes using curved lines in this manner. Broken curved lines. As for the insides, as I menton, you are free to create other variations or other designs or other kind of pupils. You can also create texture for the veins using the micron pin apart from that, if you want, you can create multiple eyeballs for the inside. Encircling it with this kind of hatching lines. Spread out hatching lines like this in this manner, increasing the line weight on both sides like this. Curved lines for the upper and the lower sections. We have got three more eyes, doing the same thing for the remaining ones. Spreading out the lines in this manner instead of covering it with the black, making the outlines a little bit more darker, increasing the line weight and encircling it with curved lines. Filling in sides with the black, and a set of two hatching lines in this manner on both sides. And moving on to the last one, only a small section of the eye is visible in here, making it a little bit more curved like this, a small section. A small section is bulging out from the umbrella. Now, we are going to continue with creating broken hatching lines. I won't be over saturating it for only some of the sections, I'll be creating this kind of small hatching lines to give the umbrella a little bit of crumbled appearance. Also creating this kind of bit curved saves to sew the watered droplets to sew some of the watered droplets present in here. Very few small saves like this. And later on in here, I'll be using either red or black to do the coloring. Creating the lines in here for the third section and panning for the fourth one. And with these, we are done with the front section for our umbrella. Now, let's continue with the remaining section in here, doing the outlining for the umbrellas stick. So if you're not that comfortable, you can use the scale to make the lines more straight. I'll be keeping it plain and simple. I won't be adding any colouring for it. We are moving to doing the outlining for the girl. Changing a seep of her fees a little bit. Simple outlining like this in this manner for her hair. The sides of her hair, I'll be creating large animal like eyes for her, same kind of eyes that I showed you in the demonstration video. Large curved shapes like this for the eyes. We'll be creating large eyeballs for the insights. As for the sides, we'll be giving it a little bit of more volume. Increasing the thickness of the lines like this, creating small eye lass. Set of three eyelass for both the eyes. Large circular seed like this for the eyeballs. For the eyeballs in here, I'll be using blue colon. Adding the pupil inside the eyeball. Encircling it like this. Making the outlines a little bit more darker for the lower sections like this, feeling the insides with the black. I'm not feeling the entire section. I left a little bit of space, as you can see, doing the same thing for her right eye, a small projection for the nose, and a smiling mouth. Continuing on with her hair. I'll be creating a very simple outline for her here. Instead of this kind of hair, if you want to create other variations, feel free to do that. Now for the bow in here, I'll be creating clothe frills in here for her, M. All of the simple outlines that you have created, and we are making it quite simple and easy. If you want to create variations and other pattern on designs or other kind of clothing, you can do that. More frills in here beside her collarbone. The frills in here at the side. Let's increase its weight a little bit. So another row of lines using curve lines. This section of the bow, follow the outlines if you want to make genius an adjustment or if you don't want to include this. If you don't want to include this, you don't have to do this. In here for this section, the frills, I'll be using a little bit of red. But for this one, I'll be completely covering it with the red. And in this section, I'll only be doing the outline for the girl and the umbrella. In the next section, we'll be creating the outlines as well as adding the detailings for our monster, as well as do the coloring using the ink, extending the side of the umbrella for the umbrellas handle. This section is in regular time, so you can always follow along with me. Now, the side of her hair, the left side, creating this kind of bit swirly pattern for her hair, we'll be doing the same thing on the other side. Her soldier and arm. One of her arm is holding the umbrella. Another one is on her side. Feels in here this beside her hand. A small section of her hand is visible in here, and the entire soldier will be visible like this. Simple lines like this to create the soldier. We are not adding any pattern or designs in here. Now for her right hand. In here, we'll be giving it a little bit of crumble lobe. Just do the outlining. Just go over the pencil sketch, and then later on, we'll be adding multiple lines for the inside to give the clothe a little bit of crumbled appearance. In here, for her elbow, a little bit of crumbled aparian. I'll be using these kind of simple lines to give it a little bit of crumbled aparians using a bit of broken lines. If you want to create some patterns and designs, you can do that. And in here at the bottom, I'll be creating multiple small frills. For now, let's continue with our remaining section in here. In here, I'll be creating simple design for the middle section using this kind of simple scallops. For the upper section to creating the same kind of scallops. In here, this region, the middle one simple pattern and designs using bit curved lines. This kind of bit somewhat semicircular saves. And with these, we are done with the middle portion of her body. Now, let's do the remaining portion, extending it, giving a little bit of conical save. For the bottom, we'll be creating two layers of the free, as well as I'll be creating simple designs in here, continuing on creating the frills in here. A very simple way to create the fill just like this. Giving it a bit crumbled appearance, just add lines following the same. Using curved lines like this in this manner to create frills like this. Using this kind of line to give it a little bit of stitching appearan Now for her hand, I'll be creating folded hand like this, very simple, very simple shape like this. And with these we are done with both her hands, extending the cloth on the other side like this. And in here, we'll be creating two layers of the frills for the section and the section just below it, I'll be using red. Here too, I'll be giving a little bit of crumbled appearan after doing the outlining. This simple lines like this to give it a bit crumbled appearance. You can also use a little bit of cross-hatching to make some of the section bit more darker. This is going to be our first layer of the frills. Use a little bit of curvy line for the bottom section in here. And for the insides, we'll be using a little bit of red, or you can also use a little bit of black or gray to make it a little bit darker. These are not that defined scenes. If you want to create a little bit more defined or other kind of pattern and design, you can do that. Two or three lines for the inside to give it more grumbled appearance. Continuing on with adding more lines in the same manner. This will be the final layer of the frills in here at the bottom. Another border like this in here. For the insides too, once again, we'll be using more lines to give it a little bit more crumbled appearance. And with this, we are done with another border. Now, adding three or four lines in here like this for all the sections that we have created. Mostly, we have created somewhat of rectangular saves in here with a little bit of curving outlines. This section, we are going to give it a little bit of crumbled appearance using the same kind of lines, but broken lines. Apart from this, also creating few patterns and designs for the inside. Creating few lines for the upper section too. And this is optional pattern or designs that I'm going to create. If you're satisfied with it, you don't have to do it using this kind of hexagonal shapes and inserting it with the curved lines. In here, I'll be creating gems. So gems are embedded on her clothes. Red gems. I'll be adding the red later on. I'll be creating another row of shapes like this. Total of three more in here. Encircling into the small curved lines. One more in here for the middle portion, encircling it. Creating a few more lines beside to give it a little bit more to give it a little bit of more crumbled appearance. We are done with our clothes. Let's continue with the remaining section of our hair. Doing the outlining for the remaining section of her hair in this manner. Creating this kind of swirly pattern for the remaining section in here at the bottom part of her hair. Instead of creating this kind of swirly pattern, if you want to keep it plain and simple, you don't have to add this. In here, I'll be using gray color to do the coloring for some of the sections of her hair. Using more hatching lines in this manner, following the sep of her hair and adding the hatching lines. And with this, we are done with a girl now for the other side of the umbrella, creating the same kind of curved lines. The simple semicircular saves like this. The last one, and now we are going to create the outline. Another outline or you can see powder like this. The same kind we it for the front sign. In here, I have just decreased the line weight a little bit, and with these, we are done with this section. I'll only be covering up to here. I'll be seeing you in the next section. 11. Background with Ink: Welcome to the third part, continuing on where we left off. In here, I'm going to create the creatures in the background, starting with the circular see for the head, the head of this worm like creature with the eyes, simple circular saves like this and inside this creating another circular see for the eye ball. I'll create a slimy body for both the creatures. This worm like creature, giving it a little bit more propersy for the eye, extending it, adding a little bit more depth or you can see a little bit more curved to the upper section, doing the same thing for the second one. For these we are done with a simple pencil sketching, now going with the tombs to do the outlining, adding black for the insides of the eyes and now encircling it while leaving a little bit of space in here. For that, I'll be adding to it later on. In here, I'm using Icribbling to do the coloring in this manner, doing the outlining for the eyes and to make it look a little bit more scary, I'll be adding lots of lines. I'll be using this kind of curve lines on the sides on the top and the bottom like this. Apart from this, if you want to add veins for the insides, you can do that, too. Adding a few more curved lines like this for the inside for its entire body to give it a little bit of more slimy appearance, albicurting this kind of scallops. The scallops in here won't be interconnected, but I'll be adding scallops, lots of scallops, rows and rows of scallops like this, and inside them, I'll be adding hatching lines later on. So for its entire body, I'll be adding lots of scallops in this manner. For this one, I'll be using black for the latter half of its body, I'll be adding black, and then I'll be using white to do the coloring in the same manner, creating scallops and using hatching lines on top of it. For now, just create lots of scallops like this and add a bit of line weight by using two lines instead of one. And as you can see, I'm leaving a little bit of empty spaces in between the two lines. Follow along with me and create this kind of texture for the entire body. Instead of this, if you want to create other variations or other pattern or designs to its body, you can do that. I'll only creating scallops up to here for the remaining section. This below it, I'll be using black colour, black ink, and then on top of it, I'll be overlaying white. We are done with the first one, doing the same thing for the second one, using the scribbing for the inside, now encircling it using more scribbling lines like this. For the insides in here, I'll be using red later on. Doing the outlining for the entire eyes. As usual, like the uglier one, we'll be adding lots of lines in this manner. Curved lines for the sides of the eyes, making it bit more thicker and bit more darker with more lines. Doing the outlining for the upper section. And once again in here, we are creating lots and lots of scallops like this with a little bit of line weight. Add more scallops. I have only created two. If you want to create few more, you can create it. We have got a little bit of space on both the right and the left side. You can create one or two more. You can also create few at the top, beside the umbrella. Adding few more layers of the scallops like this. And with this, we are done with these two creatures in the background, the warm like creatures. If you want to add a little bit more detailing, you can do that. You can also add spikes on its body. In here, I'm going to use the ink. So since this process is going to take a lot of time, and it won't be feasible to do the inking using the breast paints or the fine liner, so I'm using the ink in here, starting with doing the outlining for the region in which I'll be filling the ink. I'm using Zikuraaki ink to do the background. This is optional, if you don't want to do the coloring with the black, you can leave it as it is. Apart from the black, if you want to do the coloring with other colored ink, you can do that. You can use green, blue, and the red to do the coloring. On top of it, I'll be using white to create the falling rain effect. In here, I've increased the speed. If you want to follow along with me, you can pause the video or you can reduce the playbacks spin. For the regions near the umbrella and the gird, you have to causes and use smaller breast to do the outlining. If this is a little bit challenging, you can always use the breast paint or the to add the coloring for smaller section, extending and use the file or the breast paint to extend the color and then mix it with a black ink from this. Carefully and cautiously doing the inking using the smaller breast. Adding it carefully just beside her hair. Any of this kind of smaller brush comes in handy with larger brush, it would be a little bit challenging to do the coloring using this ink. On the other side, extending the color. As I was mentioning for the lower half of its body, completely covering it with a black ink. Now, adding it in between her hand and the body of the slimy creature. Fully surrounding her clothes. For some of the sections in the speed, I'll be increasing the playback speed. For those section, I'll be mentoning it whenever I'll be increasing the speed. In those cases, if you want to follow along with me, you can pause the VD or you can reduce the speed, carefully encircling parts of the umbrella like this. The second slimy creature in here. If you want to add the black for the entire background, the entirety of the people, you can do that. In here, I choose not to do it. I created this kind of rectangular s and then filled the black inside it in this manner. The only a little bit of black in here for her clothes. In here, I did a little bit of mistake. The upper region is a little bit lighter. I mixed a little bit of water to it, and the consistency became a bit lighter. Now for the insides of the umbrella, too, in here, I'm using black. This is normally spin carefully encircling the different sections of the umbrella and feeling it and filling the entire inside with this plaque. Once again, in here, I increase the speed, completely filling the inside with it. Be careful around this circular section as well as her head and the stick of the umbrella, the handle of the umbrella. For this sento, it was a bit lighter, adding another layer of black in here. Carefully encircling it, adding it beside her here. Now for the remaining section on the right side, completely covering it with a black ink, you'll have to it causes while doing the inking and see that the other layer has dried up. Otherwise, the ink will get smrged by your palm. The layers in here will dried up. Going in with the white all pen and extending the remaining portion of its body, we are going to create the same kind of scallops that we did with the black I'm increasing the line weight like we did earlier with the black ones. For the remaining section, if you want, you can create few more creatures using the white ink. And with these we are done with the scallops creation for it, making its outline a little bit more bolder with more line weight. Now I'm going to create lots and lots of this kind of broken hatching lines to create the rain effect. Instead the ink has dried up properly and just create this kind of simple broken straight lines and to create this platter effect, just create this kind of smaller broken lines in different angles like this. T. On top of the umbrella and on top of both the creature's head a little bit on top of the girl's head, I'll be creating this kind of smaller hatching lines to create splateral effect of the rain. I'm also adding the rain droplets just below the umbrella to give it a little bit of more dramatic look. This is optional if you don't want, you can just leave the region just below the umbrella empty without any rain. Once again, in here, I've increased the speed, since this process is repetitive and is going to take a lot of time For the entire region, in here, I'm going to create lots of this kind of lines to create the falling rain effect. Now moving to this side, the lower sections of this right side, creating splattering effect on top of the creature's head. Now on the surface of the umbrella creating splattering effect using this kind of broken small hatching line and creating it at different angles like this, covering the entire section with it. Now for the remaining section on this bottom right side, continuing on with creating more broken hatching lines in this manner. Adding few more hatching lines for the insides of the umbrella too. And with these, we are done with it. A little bit of this section was not colored, so using the black to do it. Add few more details wherever you think it's required with a white chilly pen, you can create more splattering flat. Now I'm using the gray filling the insides with the green like this. I'm overlaying this gray on top of the broken hatching lines. If you want to cover the entire section with the gray or other color, you can do that, too. But in here, I'm mostly focused on the broken hatching lines. Apart from it, I'll also be adding it on top of the folds we created. I'm moving on to the creature's eye and creating this kind of spreading out appearance or texture just beside its eyeballs. Adding a little bit of this gray for her here, I'm not going to cover the entire section, but for the regions where we added lots of lines and the regions that will be comparatively darker for those section, I'm going to add gray. And for some of the sections, I'll be making it a bit more darker by overlaying two or three layers of the gray and others, I'll be keeping it comparatively lighter. I'll be coming back to the here later on for now, just adding it on top of the lines that I created earlier to give the clothe a little bit more ragged look. So the folds present on that clothe adding it on top of it with this gray. Adding it just below the fridge. You can also add it for the handle of the umbrella, adding it for the fridge at the bottom. For all the rows that we created in here, I'm adding the grill for each individual section like this. Moving on to the creature for all the scallops in here, just overlaying this gray on top of it. For all the scallops, just cover it with this in this manner. I'm not going to cover the entire section only on top of the scallops like this, adding it for the upper section. Now, we are going to do the same thing for the second one, overlaying this gray in this manner. And with this, we are done with both the creatures. Here I'm going with a blue saccharomcron file and do the coloring for our eyes. Instead of the blue, you can use red or green colour too, or you can just leave it as it is simple and plain white covering the entire section with the blue. Later on, I'll also be using a little bit of white to add the highlights or you can see a little bit of reflection. Using scribbling to completely fill the insides with this blue. And with these, we are done with the blue colored eyeballs. Now going in with the red. In here, creating simple patterns, using red, creating simple small circular saps like this. And for the surrounding region, I'll be completely filling it with the scribbling lines using scribbling and filling the remaining section in this manner. So for her clothes, I'll only using the red. Isad of the red, if you want to use blue or other colors, you can do that, too. For the bow tied around in here, I'll be adding the red. And as for the patterns, I created for the lower section of our cloth. In there too, I'll be using the red to fill the extracondal seats that I created. Also for the lower section of the frills, I'll be using red. I'm going to completely fill it with the red. Before doing it, I'm using the fine in it to make the outlines a little bit more darker. And adding this kind of lines following the curve sea to give it a little bit more crumbled appearance. Now, going back once again with the red and filling the entire section. In here, once again, I increased ISP. Since this process is going to take a little bit of time instead of it if you want, you can also continue with the red ink or the red colored bras pain. Just rows and rows of catching lines to do the coloring in this manner. And here I switched on to the bras paint to do the coloring. It's more efficient and more faster. Now, as I was mentoning for all these sections in here for the freeze, the upper part, completely filling it with a red. For the bottom layer, doing the same thing, completely filling it with the red. Now, going in with a black pie liner to add the detailing in form of this kind of small hatching line for each individual scallops that I created. I switched to file liner instead of the tombos breastbin since with it, I can create comparatively smaller line, and I'll have a little bit more control as compared to the Tambos breastbin with thicker tip. Using this pylon and continuing on with creating lots of hatching lines for each individual scallops that I created. Once again, in here, I increase the speed since this process is repetitive and it's going to take a little bit of time. For both the creatures in the background, I'll be doing the same thing. For the lower section of this body, I'll be using white to create the hatching later on. And with this we're done with the first one. For the handle of the umbrella, completely covering it with a black hatching line. Now, moving on to the second one, doing the same thing, creating smaller hatching lines and adding it on top of all the scallops. Each individual scallops. Instead of creating this kind of simple hatching lines, if you want to create other variations or other pattern, you can do that. You can also turn the scallops into numerous of smaller eyes. And with these we are done with the black. Now going with the white and creating small highlights or you can see a little bit of reflection for the girls eye. Adding it for the creatures eye to small tiny dot. Now for the hexena banal seeds that I was mentioning, using hatching lines to feel it completely like this. I'm keeping it comparatively lighter. Instead of it, if you want to make it more darker, you can do a proper coloring or you can also use the colored bras pen. Now for the remaining scallops in here, using white and creating numerous small hatching lines in the same men that we did with the black one. More tiny lines in here. And with this, we are done with both the creatures. As I was mentioning in here and for other sections, we are going to make it more darker with more layers of the gray. In here, particularly in this region, we are going to make it comparatively darker. This is optional if you're satisfied with your project, you don't have to do this. With these, we are done with the here. Now, going back once again with the red. In here, I'm just going to add red in this manner, creating this kind of small dropect small droplet like effect. This is optimal. If you don't want, you can just leave it as it is, or you can use black hatching lines for smaller sections in here, the small circular sap that we created for the insides, I'm adding red. Adding it in here on top of our head. And with this, we are done with the red for the umbrella. If you want, you can also use red for the eyes. Like in here, I'm using the red for the eyeballs of this creature. You can add the red for the eyeballs at top of the umbrella, a little bit of red in here. And with these, we are done with this project. I hope you enjoyed painting this. M 12. A Walk Through Quiet Spirits : Welcome to a walk through the quiet periods. This project is a little bit simpler as compared to the earlier two that winded, starting with a horizontal line. This will later mind the width of the head and now creating a vertical line for the height of the body. I'll be dividing into eight equal parts, dividing into two equal parts and now further dividing into four equal parts and finally into eight equal parts. Simple circular seep like this for the head. In here, I'll be creating a little bit of tilted head towards the right. Cylindrical seep like this for the neck. Since this will be a little bit simpler one, now creating this kind of polygonal see for the upper half of body, and another tepert seep like this for the rest of her body. Making the souler a little bit curved like this. On this hand, on the right hand, I will be holding the umbrella. Se wearing a large gown gown that I am creating in here will be comparatively easier, and I won't gritting that much of details or designs and patterns on it. The gown is like this at the bottom, a little bit curved. In here, since I'll be shifting her head a little bit towards the right, and it will be quite simpler one. So I simply created simple circular shape instead of using two combinations of the saps. Her left arm in here is beside her. On her left hand, she will be holding another umbrella. Creating very simple skits for her leg. She's wearing sandal and socks. Just simple seat like this for both her legs. The umbrella lies on her left side. If you want to set the umbrella towards the right, you can do that, too. In here, I made a little bit of changes to the hand. Accordingly to the placement of the umbrella, you can set the hand collisions. Angled line like this, straight angled line. This will be the handle of the umbrella. The umbrella in here will be a little bit different. Creating this kind of large arc see for the umbrella, large arc see a part of the circle like this. A small section of the other side will be visible also. I'll be making a little bit of changes to the seep of the umbrella. The right side is a little bit more curve. So this is going to be our simple sidelines for the sketch. In here, on both her sides, I'll be creating multiple small ghost and two or three large ghosts floating around. But the background will be completely filling it with the black and use white to create the spluttering effect and the rain. I have divided this project into three sections. This is the first section in which I'll only be covering the pencil sketching. In the next section, we'll be doing the outlining, as well as doing the coloring or you can see the inking for the background. And in the final section, we'll be adding details for the girl as well as do a little bit more detailing and coloring for the umbrella, creating some patterns. A simple hair style like this. One of her ear will be visible and the head is shifted towards the right a little bit. I'll be creating numerous smaller ghosts beside her like this. Instead of this kind of ghost, if you want to create other creatures, you can do that. And that's all for this video I'll be seeing in the next one. 13. More Detailing : Welcome to the second part of the work through the quietest Spirits. In here, we'll be continuing on Mavill left toe. I'm using the Tombos breast pain to do the outlining. I'll be making a little bit of changes and adjustment to the umbrella. As I said earlier, I extended the siege a little bit on the right, as you can see. Now, doing the outlining for the girls fees. In here, I decided to sring the fees a little bit more. And in here, I'm going to create comparatively simple here style as well as fecal, as well as facial expression for the girl, simple here like this. One of her ear will be visible on the right side, small projection like this for the ear, the here on the other side, on the left side, giving a little bit of curve each to her hair like this, doing it on the other side, and now encircling it for her head on the top, small cylindrical neck like this. And as for her eyes and the nose, I'll be keeping it quite simpler. So just simple circular seep, I'll I'll be creating simple circular sea and to do the placement for the eyes, I'm using reference line going back once again with a breast pain to create her eyes. This is going to be her eye dose and small circular see like this for the eyes. Instead of creating this kind of eyes, you can create other variations. You can make it a little bit more anime like the others we have created so far, you can extend the side of the face too. Now, for her clothes, the gowns she's wearing, we need set like this. For the hands in here, creating this kind of wavy line to give a little bit of wrinkled appearance to the clothe. Now, doing the same thing in here, creating this kind of bit curvy lines. In here, I'll be using a little bit of red later on. Creating this border and inside this border, I'll be adding the red. This hand is holding the umbrella, adding a little bit of wrinkled appearance with this kind of broken lines. This don't oversaturate it. Now, this is going to be the handle of the umbrella. Filling it entirely with the black like this. Creating the stick or you can see the handle of the umbrella like this simple straight line in this manner. If you're not that confident, you can always use the ruler to create a straight line. Now, outlining on this side and the left side. Outlining for the lower section. Continuing on with the left hand. On this ends will be holding another umbrella, a closed umbrella. In here, I'm not adding or creating any kind of textured aerian if you want, you can create wrinkle effaced using the same kind of line. This will be the umbrella. In here, I just created a simple straight line. Later on, we'll be converting it into umbrella, closed umbrella. If you want to extend the side, you can do that instead of the umbrella if you want to create other thing. So stick on magical stuff, you can do that, too. Both her legs. We are going to do the outlining for both her legs. Very simple seat like this for the legs. Just following the straight lines and creating her second leg. She'll be wearing sandals on her leg. Simple we sap in here. And socks. We have got socks on both her leg. With these, we are done with a simple outlining for the girl. If you want to create patterns and designs, you can do that. I'll be keeping it quite simple for now. Later on, I'll be adding simple designs at the bottom. We are continuing on with the umbrella. Elliptical shape like this for the inside. Here we have got an arc save for the upper section. For the section of the project, I'll only doing the outlining, creating ghost, and adding the coloring for the background. And in the next section, we'll be adding the final touches, adding the color, creating a few more designs and patterns. I'll be dividing the umbrella into different sections for both the outside and the inside. In here, sorry, it was not visible, but I just transform the stick into the umbrella. As you can see in here, I have included the image, and I also created few ghosts, smaller ghost at the bottom. Continue on with creating smaller ghost. Instead of this kind of ghost, if you want to create other variations of it or other kind of creatures, you can do that. And here, I'll be creating multiple ghosts on both her sides. Simple curvy saps like this for the ghost. I have kept the sizes of the ghost somewhat uniform. Instead of it, if you want to vary the sizes, you can do that, too. On the sides and for the upper section, I'll be creating few larger ghost. This is optional. If you want to keep it plain and simple with only this kind of smaller ghost, you don't have to create this kind of larger ghost. On instead of the ghost, as I mentioned earlier, you can create other creatures. Another large ghost inside. And one more ghost just below it. The top of the umbrella, simple seat like this. If you want to create more, you can do that if you have a space. Now, let's divide them realign to different sections. Using broken lines for this, instead of the broken lines, you can always use plain and simple lines to divide them relin to different sections. I prefer using this kind of broken lines. It gives a little bit of more characteristics, and I find it more pleasing. That's why I prefer using this. I'll be doing the same thing. I'll be dividing the insides of the umbrella in the same manner. A little bit away like this. Carved broken lines in this manner, one more on this side, and a little bit of more decoration in here for the divided sections like this. This is optional, the same kind of design that we created for our ear project. If you want to create or add more details to the umbrella, you can do that. You can make it a little bit more larger. For the ghost, creating this kind of simple pattern, you can see I'm trying to create grass like effect in here. Simple lines random lines like this. I'm using this kind of uneven lines to create this kind of rougher texture. I'll be doing this for all the ghosts that I have created in here. Moving on to the right side and doing the same thing using this kind of uneven lines. And with these, we are done with this kind of texture. If you want to create a few more goes, you can do that. Creating this kind of curve line to determine the background. Instead of doing this, you can feel the entire section with the black, but I decided to create this kind of curvy lines and determine the outline regions. This is optional. Instead of using this kind of curvi lines, you can always use straight lines. And now we are going to do the coloring. In here, I'm using Zikurataki black ink and I have got large breast. I'll be using both large and small bras for the large breast. I'll be using it to do the outlining for the larger area as well as do the coloring. With the smaller breast, we'll be doing the outlining and the coloring for the smaller areas, particularly near the ghost and the girl. This process is going to be a little bit time consuming and you will have to bit cautious. We don't want to overlay the black on top of the sketches that we have already created. Carefully encircling the coast with the black. In here, I've increased the speed to do the inking. If you want to follow along with me, you can either pause the video or you can reduce the playback speed. I switched to the smaller brush to do the outlining for the smaller section and smaller areas, carefully filling the black for the insides. Try to maintain a uniform consistency of the color. In one or two of the product, I mixed a little bit of water with the black and the consistency or you can see the uniformity of the black got varied and it did not create that kind of beautiful effect or you can see uniform black background. So I would recommend you to ensure that the uniformity of the black remains the same. Adding it in here just beside the mil on the left side. You don't have to exactly follow the uneven lines that you have created. Later on, we'll be adding white. So just overlay black in this manner, simply completely failing it. Just try to create this kind of rougher texture using the black. You don't have to be extra coss. One more thing that you can do instead of the black ink, you can use the breast paints and encircle the goose that you have created and then mix it with the black ink. Instead of the black, if you want, you can use other colors too. You can use red. That will be interesting too. You can also use blue, or you can also create a gradient from black to gray and then black gray to white. Continuing on with this side. Carefully adding it just beside her hand. Be extra cautious. Avoid smudging of the color by your palm. You have got two more ghosts and the lower section. Encircling the other half of the umbrella in here carefully, adding it in here, this beside the umbrella. The last ghost in here, adding the black. I was not able to record the last section, but I finished adding the ink for the remaining sanction, and I waited a little bit till the ink dried up. In here, I'm creating very simple eyes for our large ghost. I'm leaving a little bit of white space for the highlights, or you can say pupil for the eyes. Instead of this kind of ice, you can create other variations of it. Simple and plain mouth like this. I'm not going to create nose, but if you want to create nose, you can do that. And only for the larger ghost, I'll be creating mouth. For the smaller ghost, I'll only be creating the eyes. For this one, I decided to make the eyes a little bit larger. I'm going to do the same thing. I'll be leaving a little bit of white space for the pupil, and beside that, I'll be completely filling it with the black in this manner. Do the same thing for the second eye. You can add more physial expression to the eyes and the mouth. A little bit of different kind of mouth for our ghost in here. And finally moving to third and the final large ghost, the same kind of eyes. You can add more characteristics to the ghost face by adding eyeglasses most as beard. And you can also experiment on your own and add more characteristics and more features to the ghost, completely feeling it with the black for the second eye, carefully encircling the white section. Now creating another simple mouth. We have got a sad ghost in here, and this mouth resembles a little bit like the moustache. Now moving on to the smaller ghost in here, I'll only be creating the eyes. Simple eyes like this for some of the eyes, I'll be leaving a little bit of white piece for the others, I'll be completely covering it with the black. Here, if you want to experiment, you can create other variation, other kinds of eyes, and you can also add facial expressions. You can add you can add nose in the mouth. I won't be doing it. I'll only be creating simple eyes. Two eyes like this for the remaining ghost. You can also vary the seeds in the sizes of the eyes. And here, I'm keeping the eye somewhat uniform. And I'll only be covering up to here for this section of the project. I'll be seeing you in the next section. 14. Final Highlights : No. Welcome to the third and final part of walk through the quiet spirits. In here, I'm starting with the white jelly pain. So we are going to create lots of broken lines like this to create the resemblance of falling ran On top of the umbrella, as well as on top of some of the ghosts and some sections of the girl's body, I'll also be creating a little bit of splattering effect like this. And apart from it, I'll also be creating lots of callous beside the ghost. Continue on creating this kind of simple broken lines for the entire section to create the resemblance of rainfall. For some of the repetitive sections, and here I'll be increasing the speeds. But for most of the section, we have got the painting in the real time. Using this kind of uneven lines to create the resemblance of small grasses. So for all the ghost, I'm going to do the same thing using these kind of uneven lines and encircling it, overlaying it on top of the black. Instead of this, if you want to create the other kind of patterns or designs, you can do that, too. You can use this fight to create more patterns and designs beside the ghost. And finally, adding it for the last ghost in here. Now, let's create lots of scallops. I'll be using two lines to create scallops. Small scallops. I'll be keeping it uniform. By uniform, my mean I'll be keeping the side somewhat same. And we are going to encircle the girl on both the sides as well as the goose with lots of scallops like this. So continue on with encircling the ghost as well as the gird with lots of scallops. Instead of creating this kind of scallop, if you want to create other kind of scallops or add more variations to it, you can do. Apart from it, if you want to create patterns or designs, you can do that, too. You can also create the resemblance of grass and large plants and trees beside her instead of the patterns and designs or the scallops. So feel free to experiment and add your own personal touches. In here, since this process is going to be repetitive and time consuming, I have increased their speed. If you want to follow along with me, you can pause the video or you can reduce their speed. Continuing on with adding it just beside the umbrella in here. Lower section two, we are going to completely fill it with this kind of scallops. Moving on to the right side and doing the same thing. Inside the scallops, if you want to create patterns or designs like the one we did earlier, you can do that using the hatching lines in here, just below her leg, creating this kind of simple broken lines to create the resemblance of the ground. In the ground, if you want, you can use uneven lines and create the resemblance of grass and shrubs presents and surrounding the girl, adding it just below her clothe. Now continuing on to the right side, multiple scallops, somewhat of the same uniform size. Continue on with adding more scallops for the remaining section. If you want, you can cover the entire background with it, but I won't be over saturating it with this kind of scallops. After doing this, we'll be continuing on creating more rainfall, and I'll be creating a few more patterns and designs for the umbrella. This is optional. For this project, I'll also be using colored spins. I'll be using the green one, the pink one, and the red ones. With these we are done with the scallops. If you want to add a little bit of more scallops, you can do that. As for her clothe, I'll be creating simple pattern and designs for the bottom section. I'll also be using red. In here, this is a normal spin and creating a little bit of splatter effect just beside the umbrella like this. A little bit larger broken lines like this in this manner. Just under the umbrella, I won't be adding that much, but a few like this. Instead of it, if you want to keep it plain and normal, you don't have to add. Below the umbrella. Only a few like this. Continuing on with the remaining section, the right side. As compared to the R two project, the amount of rainfall that I'm creating in here is comparatively less. And with these, we are done with the rainfall. Now going in with the red, creating earrings for her. This is optional. Adding the red for the border in here for the hand. Instead of the red, if you want to use other colours, you can do that. You can also use the black to do the coloring. You have got red, blue, black, green, and apart from it, as I mentioned, I'll also be using gray and the pink colour, adding it for the other hand. Now, for the socks, the upper section of the socks, I'll be doing the outlining later on for her sandal too, adding the red. Now going in with the fine to create the outlining, starting with her hand. In here for the bottom section of her clothes, I'll be creating another outline or you could say boundary. I'll be completely feeling it with the red. I only created it for one side. If you want to create it for the other side, too, you can do that. Now, going with the red to completely fill it, admit this were done with the red for this and using the black to do the outline for other sock. And in here, too, I decided to create simple pattern, simple red outline. On the right side, we have a little bit more red extending the size a little bit more for the red. Making it a little bit more darker. For the umbrella, if you want to use red, you can do that, too. Now going in with the gray color, and I'm going to covering the entire section of this umbrella with a gray. For her hair, too, I'll be using gray. And apart from her hair, I'll also be adding the green for her socks and a little bit of gray for the umbrella, but I'll be using the grease for the umbrella later on, completely covering the entire hair with a gray. If you want to do a little bit of more layering with the grey, you can create a little bit more dark and lighted tone for her hair, adding it for the other lay, completely filling it with the green. You can also use a little bit of grey for some of the ghost, if you want. Now, we are going to create patterns and designs for the umbrella. Feel free to experiment and add your own personal touches my creating your own patterns and designs, or you can follow along with me and create the same kind of patterns and designs. Mostly in here for the designing, I'll be using lots and lots of scallops of different seeps and sides. Instead of single line, I'll be using multiple lines like this. Now for the middle section, more scallops, a little bit more smaller. Now, just on top of it, we are going to do another outlining using more scallops, a little bit of different kind of scallops. But first, let's do the outlining or you can see creating boundary like this. And now using mode lines like this, same kind of line, try to maintain the same distance between the lines. And on top of it, I'll be using broken lines and create one more layer. Using the broken lines to create another layer. This is going to take a little bit of time since I'll be creating lots and lots of scallops and few more patterns and designs for the top for the insides of some of the section, creating small scallops like this, creating small sections like this, small semicircle shapes, for the insides, I'll be adding the red later on. And as I mentioned, if you want to create your own patterns and designs, feel free to do that, or you can keep it plain and simple with no patterns and design, simply using the colours to do the coloring for the umbrella. I'm going to create more layers of the scallop, the same kind that we did for the bottom section. Multiple large and small scallops in here. For most of the section for the upper part, I'll be using a combination of simple lines as well as curve and broken lines. Another layer like this. And for the insides, using broken lines in this manner. It. The upper layer two, once again, using more rocken lines like this. On top of it, I'll be creating three or four more layers of those scallops. And as I move forward, I'll be decreasing the sizes of the scallops a little bit. More scallops. Mostly in here, I'm using plain and normal lines like this. One more scallops in here. Now, one more layer on top of it, using the same kind of lines, using the same kind of plain and normal lines. Mostly in here, I'm using three or four lines. You can vary the seeps in the sizes or the numbers of the lines for the scallops. Instead of creating this kind of curved scallops, you can create other kind of scallops. More scallops like this. And as you can clearly see I have decreased the size of the scallops comparatively. For the top, I won't be covering it entirely with the scallops in here. I'll be adding the red. But if you want to cover the entire section with the scallops, you can do that, too. And with these wee with this kind of simple pattern. Go in with the red and creating this kind of simple pattern for the scallops at the top. So for all the scallops in here for the upper section, I'm going to do this. Instead of using the red, if you want to use other color or create other variation patterns or design, you can do that, too, or you can keep it plain and simple without any patterns or designs. Continuing on with the red, doing the same thing for all the remaining scallops in here. Adding it for this third section. And with this, we are done with this section. Now moving on to the fourth and final section on the right side. Adding the red in here for the smaller sections. For the two rows, I did not add any red, but if you want, you can do that, too. Now in here, I'm going to use the red breastpin and apart from that, I'll also be using the pink one. This layer in here, completely filling it with a red breast pain. Once again, I would like to remind you, instead of using the same color, you can use other colors. You can use the other colours or keep it clean and normal without any colors. Now, adding the lead for the upper section, the area in which we did not it adding scallops. Apart from it, we have got two more scallops in here in which I did not add the red, so adding the red in here, overlaying this in on top of the red hatching lines from the earlier. I was not able to record a small section, but as you can see, I did the coloring using the green. I mostly feel all the scallops with the green for the upper section, and for the lower section, I used a little bit of pink, as well as for the broken scallops that I created using broken lines for that section too. Now, as I was mentioning, I'll be creating simple patterns like this. Simple star likes in this manner using broken lines. This is optional. If you want to keep it clean and simple, you don't have to create any patterns or designs. Or instead of this kind of pattern or design, you can create your own patterns and designs for the gown. For the upper section and for her arm, I won't be doing anything. But if you want to create more patterns and designs for the upper section, you can do that, too. You can also create simple patterns and designs for her socks, too. For the star shapes, I'll be feeling the red. Instead of the red, if you want to add other colors, you can do that, too. A few more smaller ones and between like this. And I think I'm satisfied with the number of the patterns that I created, doing the outlining for some of the section, which I forgot to do earlier. Now, once again, going back with the red to do the coloring for the patterns that I created for all the star like see that I created, just feeling the red inside. Completely covering all the starts with the red in here. We have got few more, seven or eight. Now, adding it for the last two. And with these, we are done with the red. And yeah, with these, we are done with this project. I hope you enjoyed painting this, and I'll be seeing you in the next project. And 15. Rain of the Jelly Dreams : Welcome to reign of el Dreams. In this project, we are going to create something different. Instead of monster and different kind of scary creature in here, we'll be creating multiple large jellyfish, starting with the horizontal and vertical lines. In here, I'll only be creating the upper half of our body. Dividing into four equal section further dividing it. Now, let's create her head, starting with the circular Z, two thirds of the space for the circular. Now a little bit of curve sap like this. In here, I decided to tilt the girl's head towards the left, so I change the angle. Instead of the vertical line in here, we are going to create this kind of angle line so that the face can be shifted easily. You can either use two third or one third to create cylindrical C for her neck. This is just a rough guideline. We'll be making changes as required when we'll be doing the outlining. Continuing on with her neck. Simple cylindrical a little bit angle, cylindrical Cp like this for her neck. Now, for her torso in here, we are going to this kind of tapered seat, a little bit of angled line like this for her shoulder and this kind of sea simple se extending it a little bit. Extending it a little bit and creating a bit of rectangular seam on her right arm, she will be holding the umbrella and her left arm will be lying just beside her. I'll be keeping it a little bit simpler. I won't be using the blacking for the background, and I also won't be creating the rainfall. We now continuing on with the sketch. So we are going to create her right arm. In here, si holding the umbrella. We have got two sets of cylindrical shape for her arm. Recording shifting this line, the tapered sap of her body. This will be the hand holding the umbrella. Instead of the right hand holding the umbrella if you want, you can sift it to the left hand. You will just have to reverse the sketching order and make the left hand holding the umbrella creating this kind of angle line. Make sure that it's perpendiclo to the handle of the umbrella. Now, creating an arc sap like this for the umbrella. The umbrella is looking somewhat smaller, so I'll be making it a little bit larger later on for now, containing onto the remaining pencil sketching. In here for her, I'll be creating fashionable clothes. Rough outlining for her clothes. Creating detached sleeves on both her hands. We have got this kind of puffed cuffs, creating this kind of simple version of the puff cuffs on both her hands. In here, she got ribbon around her hand. For the second hand, if you want to do the placement just beside the first hand, you can do that. Instead of it, if you want her to hold something else, you can do that, too. In here, I decided to keep it simple, just placing it beside her body like this, simple shape like this for the rest of her hand. The same kind of ribbon tied around her hand like this. The lower section of her hand, the palm won't be visible in here since I don't have that much space. If you want to add more decoration designs or pattern to the clothing or if you want to change the clothing, you can do that. On her make, I'll also be creating the same kind of ribbon that I created for both her hands. Now, the lower part of her top. She will be wearing jeans and we have got this kind of top for the upper part, and in here, we have got simple jeans. Once again, if you want to change the clothing she is wearing, you can do that. For her here, I'll be creating very simple one, bob cut hair style for her here. Simple, somewhat of curved triangular seep like this for her hair. Extending the size a little bit more, making it a little bit more flappier. I'll be creating her here in layers, so two or three layers. Now for the jellyfishes, I'll be creating total of three or four jellyfishes beside her. I'll be creating jellyfishes in different perspective as well as different kinds. For now, just create simple seeps like this, oval seeps for the jellyfish. And as I was mentioning I'm not satisfied with the umbrella, so I'm going to make it a little bit larger, making a little bit of genius to her waist and moving back to the umbrella, extending its size a little bit more, increasing the arc of the umbrella in this manner. Okay. You're satisfied with your umbrella, you don't have to do this. In my case in here, the other portion, the other side of the umbrella won't be visible. Left side won't be visible since I increase the site but I don't have that much space in here on this page. Here, I'll be using lots of curved lines to create a simple pattern or designs for the umbrella later on. I'll be using this kind of swirly lines to create the tentacles for our elifs. To add a little bit of texture and detailing, I'll be using curved lines as well as this kind of simple save. And with these we are done with a simple guidelines for the simple sketch. Now, let's add a little bit more detailing for her face, dividing her face into different sections and using these guidelines to create her eyes, nose, and the mouth. A bit larger eyes like this, making it a little bit curvier near the end. Small nose, curved sep like this for the nose and small mouth. And with this, we are done with adding detailing for her face, ribbon like necklace in here. Now, let's do the outlining. In here, once again, I'm using Tombosbeast paint to do the outlining. For most of the larger sections, I'll be using Tombosbest pin to do the outlining. For the smaller ones, I'll be using Sakura micron fine liner. In here, I've already started with the bottom of the umbrella using this kind of bit broken lines to create the outline. Generally, I use this kind of broken lines to do the outlining for the section. Later on, I'll be using simple lines, simple and plain lines to do the outlining for now, discontinuing on with it. Moving on to doing the outlining for her eyes. Giving a little bit more pointed edges to the curvy section that we created earlier. Creating eyeballs for the inside. For her eyes, I'll be using blue colour. Theise section are quite a small, so I decided to use the Sakura micron fine liner. Continuing on with it. Also making the outlines of the eyes a little bit more darker. Simple curved soap like this for the nose, small mouth. Creating simple lips like this. Now, let's do the remaining section of our face. Making the checks a little bit curvier. Now, simple chin like this, a little bit curved s. Creating her hair. The lower section of her hair like this in here. Small section of her ear is visible on this side just beside her eyes, outlining her neck. As I was mentioning, I'll be creating the here in different section. This will be the front section of the here and just behind it, I'll be creating the second section. Mostly, I'll be using this kind of lines, curved lines, curved hatching lines and making the hair a little bit darker. This front region is comparatively lighter. The region just behind it, I'll be making it more darker. Moving on to the other side and doing the same thing, using this kind of line to create and give a little bit of seep to the here. Now, let's add lots of line curved lines like this, following the seep of a here. Instead of creating this kind of hair, if you want to create other variations of the hair, you can do that. Apart from this, if you want to make it colorful, you can use red, pink, blue or green colour to create the hair for the top, creating this kind of lines that are coming out from the center. In here, I'll be adding comparatively fewer lines. Now the banks present in here, front of her head, dividing into different section and filling it with smaller hatching lines like this. Also, to create clear separation in between different banks, I'll be making the outlines a little bit more darker with more lines. Let's add few more lines to make it a little bit more darker. The other section of the here that lies behind this. For this kind of hair, I'll be using small hatching lines in this manner and completely filling the entire region. Just rows and rows of hatching lines. Now, adding it for the upper section. I decided to make this side a little bit more larger extending the side of the here a little bit like this in here, making it quite darker with more lines. Now for her neck, simple outlining like this for the ribbon necklace. Instead of this, if you want to create kind of necklace or if you want to keep it plain and simple, you can do that as you wish. Simple circular saves like this for the designs. And as I was mentioning that I'll be creating a clear separen between different banks, using the file in it to make some of the section a little bit more darker, thus making the outlining a little bit more darker. Creating her eyebrows, where a simple eyebrow like this, only using a single curve line like this. Handle of the umbrella. If you're not that confident directly creating the straight line, you can always use the ruler to create it. Sorry, this sexon is not visible, but in here, I've included the photo. I just created simple version of the palm like this. Now for the ribbon tied in here. Creating this kind of simple pattern inside it. Now let's do the outlining for the remaining section, doing the outlining for her souldier. Detached sleeps are optional. If you don't want to do this, you can just leave it as it is and create simple and plain arm. Doing the outlining in here for the detached sleep. In here, we have got puffer cuffs for her arm. I'm trying to maintain the symmetry for both the arms. So that's why I'm switching from right to left. Making it a little bit more curvier and cutting this kind of simple curved lines for the inside to give it a little bit more volume and so that it's a little bit fluffier. And now, let's do the same thing for the second arm, doing the outlining for the bottom section, and the remaining section, the rest of her top for the upper section, and this kind of curved lines for the bottom section of the curve. A few simple hatching lines in this manner. And with these, we are done with both the detached sleeps on her arm. Doing the outlining for the remaining section of her hand on this side. Outlining the remaining part of her top. In here, if you want to create other kind of patterns or designs, feel free to do that. Feel free to add your own personal touches to it. Now, the remaining section for her torso. Now, let's create her jeans. I'll be creating very simple jeans in here. Giving it a little bit of wrinkled effect like this. Instead of this, if you want, you can also create the belt tied around her waist, her other arm. The remaining section of our forearm. Before doing that, let's create the outline for the genes. Simple rectangular seep like this, creating rough outlining for the pockets on both our sides. Chain in the middle. With these, we are done with the jeans, extending the arm and creating the cuff around her arm like this. And I'll only be covering up to here in this section. And in the next section, we'll be doing the outlining for our jellyfiss as well as add a little bit more detailings to it. Do the remaining outline for our umbrella, and I'll be seeing you in the next video. 16. Creating Jellyfishes : Continuing on where we left off, welcome to the second part of the ruin of the jelly rings. In here, we'll be creating our jellyfishes, making a little bit of changes to the initial outline of the jellyfish. I separate it a little bit upward and create this kind of bean like see for the body of the jellyfish. As for the tentcle, I'll be directly using the fine line to create it for now, create this kind of broken lines, broken curve lines to create the base for our jellyfish. And to give it a little bit of three dimensional shape, I'm using this kind of curve line and following the Cantu the curve shape of the jellyfish. By contour lines, I mean the hypothetical lines that runs throughout the whole structure. Since this is a little bit of curved save like this, that's why I created curved lines so that it's three dimensional. To add a little bit of texture for the top, I just create this kind of simple saves. And beside it in here, we'll be creating the tentacles. To create a clear distinction in between it, I'm making this a little bit darker. As for the tentacles, just create this kind of simple saves, simple lines, simple curved lines like this. I'll be creating two kinds of tentacles. One will be this kind of larger one and other will be smaller one. For that, I'll only be using two or three lines to create very thin tentacles. These are the larger ones. I'll be creating five or six of this kind of tentacles and apart from that, I'll also be creating a little bit of more detailing. I'll be creating circular and oval saves on top of it for some of the sections. Simple seeps like this to give it a little bit more texture and a little bit more detailing. These are optimal. If you're satisfied with simple tentacles like this, you don't have to add this. And instead of this kind of detailing, if you want to create other kind of detailing, you can do that, too, or you can just follow along with me and do what I'm doing right now, creating this kind of simple oval seeps and encircling it with dotted lines like this. Adding it for all the tentacles that I have created in here. This is the largest one, the largest tentacle in here. We add few for the middle section too, and now the other kind of tentacles. This will be a little bit larger, comparatively larger, and just using two or three lines to create this kind of simple tentacles. If you are satisfied with only one kind of tentacles, the one we did earlier, you don't have to add this. Otherwise, in here, I'll be creating five or six of this kind of tentacles. Let's create one more in here. Making this region a little bit more darker by using more lines. If you want, you can add a little bit more detailing to create a clear separation in between different tentacles, you can make the outlines a little bit more darker. But I'll be leaving it as it is for now. If required, I'll be adding a little bit more detailing later on. Let's move on to the second one beside her head and below the umbrella, creating this kind of jelly save, creating this kind of bean save. The earlier one, the first one that we created, the top view, a little bit of top view and the side view was visible in here, only the side view will be visible. You can consider it to be other variation of the jellyfish. In here, I'll be adding a little bit more detailing and create a bit different kind of tentacles. Going in with the sakura micron file and it to do the outlining. Just going over the outlines, and for some of the sections, I'll be making it a little bit more bolder for now, adding the cantu lines following the curved seep of the jellyfish and adding the lines in this manner. A little bit of detailing in the form of this kind of simple sieves, somewhat of circular seeps for the inside, making one side a little bit more darker with outlining. In here, the Bs is a little bit different from the first one. Adding more scallops like saves in here to make it look a little bit more denser. Instead of creating this kind of bees, if you want, you can proceed with the other kind, the one we did earlier. Now let's create the tentacles for our elifs. The tentacles that I'll be creating here will be more defined and will have lots of comparatively more curves than the first one. And I'm also marring the thickness a little bit more. So we have more variation of the thickness in here. In here, I'll be creating four to six tentacles like this. And then the same kind of tentacles, the simple ones that I created earlier, tentacles that I created earlier with two or three lines. M. Same kind of detailing using this kind of oval or circular sieves. So the sides, I'll also be adding a few for the middle section. Apart from that, I'm also encircling it with dotted lines like this. And the additional detail that I was talking about, this is the additional detain, dividing the tentacles into two sections by adding one line, a bit of broken lines in the middle. If you want, you can add it for all the tentacles for all the sections, or you can just follow along with me and add it for some of the sections of the tentacles. I'm not creating straight or uniform lines in here. I'm following the seep of the tentacles and using broken lines to divide it into two parts. Now, another layer of tentacles, the same kind of tentacles we created earlier. Now, let's make it a little bit more darker. Another line on top of it. If you want to create a bit more separation in between the other tentacles that we created, the thicker tentacles, you can use the black to redo the outlining for those sections. And you can also use a little bit of hatching to create a clear separation. And with these, we are done with our second elifs. Let's do the third one. For the third one, most of the upper section will be visible and only a small amount of tentacles will be visible since I'm creating it in here at the bottom section. If you want to sep the jellyfish a little bit above, you can do that, too, going in the fine liner to do the outlining, creating this kind of bit oval sea for the top view of our jellyfish. And this will be the side view, a little bit more defined see for the best like this using this kind of organic sees, curved lines to create this kind of bit organic see for the best of our jellyfish in here. Now, in the middle, creating simple pattern like this and to give it a little bit of three dimensional sap using this kind of curve line and following the hypothetical contour of the sap of the galifs. So curved line to give it a three dimensional form, two small hatching lines in here to give it a little bit of mod, volume. Making the best a little bit more darker. Outlining in here, doing another layer of the outlining in this manner. Now, let's create the same kind of tentacles, similar to the first and the second one, using the kind of curve lines. In here, you can play with the thickness of the tentacles. You can also play with the length. Apart from creating these tentacles for the downward section, you can also create some of them for upward sections. In here, I'm making it somewhat similar to the second one by dividing it into two sections using this kind of curved lines. Simple oval seeps like this, immediate on top of the tentacles and also using a bit of broken lines to encirculate for some of them. And finally, creating the other kind of tentacles, using simple lines. These are not that much detail since I don't have that much recipes in here. And with these, we are done with our three jelly fishes. If you want to add a little bit more detail, and if you want to create more jellyfishs at the top or beside the girl, you can do that. We are going to do the detailing for our umbrella. A small section of the umbrellas inside will be visible, making it a little bit in here like this. Using pencil to sketch out the different sections first and then we'll be using the fine liner to do the outlining to avoid making simple mistakes. That's why I switched to the pencil to do the sketching first. In here, I'm dividing the umbrella into a total of six sections. If you want to increase or decrease the divisions, you can do that. For the inside in this section, I'm also dividing it. Now going back once again with the fine liner and going over the pencil sketch. Using two or three lines to create the divisions in this manner. Also another layer of outlining for this section, the other side of the umbrella. The divisions that I created in here for this section is a little bit different from the divisions that I'll be creating for the upper section. If you want to create a little bit of pattern or designs for the different sections, you can do that. Moving on to the upper section, and once again, I'll be using two or three lines to divide this into different section. As you can see the divisions in here are a little bit different from the one that wet for the insides. One more line in here, an additional line to make it more darker. Moving on to the right side. And finally, for the middle section, creating a little bit of straight line like this. And with this, we are done with outlining for our umbrella. In here, you can create any kind of pattern on designing for the umbrella. Or you can just follow along with me and create the kind of pattern and designing that I'm going to create. I'll be using a combination of organic seeps like this, as well as scallops. So layers of scallops and this kind of simple organic seeps. I'll be creating the same kind of design that I'm creating in here for the bottom section and use it for the upper section. So organic seeds followed by scallops and in the middle, I'll be using simple hatching lines. Oh. Simple seeds like this. Now for the remaining section in here on the right side and a little bit in here. Now in here, I'm going to create the same thing for the upper section, the same kind of organic seeds like this. This resembles a little bit like plants, or you can see this resembles a little bit like algae. Now in between, I'll be creating multiple scallops. I'll be wearing the seeps in the sizes of the scallops a little bit, but mostly I'll be using this kind of semicircular seeps to create the scallops. For each section, I'll be creating three to five scallops depending upon the sine. This is optional. If you don't want to create it or if you want to create other variations or pattern, you can do that. For the scallops in here, I'm using two or three lines. Now for the remaining two sections in here, in here, we don't have that much space, creating fewer scallops like this. One more smaller one. If you want to cover the entire section with the scallops, you can do that too. Now I'm going to do the same thing for the upper section, creating scallops in the same manner, using the semicircular sieves and just changing the direction a little bit. Adding it for this section. Let's add a few more in here. And with this, we are done with all the scallops. One more in here for this section. And with this, we are done with this. With this, we are done with the umbrella. And yeah, we are done with this outlining for the entire section. If you want, you can do the coloring on your own. You can you can create the effect for the rainfall. You can use the black background or other color background. You can do the coloring for her clothes. I hope you enjoyed this illustration. O 17. Using Coloured Fineliners : Welcome to the bonus section of the Rain of the Jelly Dreams. In here, I'll be using the fine leaners to do the coloring. Here I have already started with the Satura micron fine leaner using red color and creating simple hatching lines while following the sep of the Jelifs I'm also doing a little bit of seeding using this kind of simple hatching lines. I'll be adding it for this section, the lower part of the elifs, as well as for the upper section. And I'll also be using this to add the details or you can see the coloring for the tentacles. For that, I'll be using simple and straight, angled line angled hatching lines. Apart from it, I'll also be using a little bit of pink. Inserting some of the curved seeds like this in here using the curve lines. Now for the upper section, doing a little bit of sading using the hatching technique. Only a small amount of hatching in here in this manner. You are free to use other colors. You can use green, blues, blacks. Now for this section, some of the larger lines that I created earlier with the black, overlaying red on top of it, as well as making those section a little bit more darker by adding more red there. Now going in with the pink and a little bit of this pink beside the lines, also extending the lines using it. We are simply overlaying a little bit of pink on top of the red, as well as extending the lines a little bit in this manner and making it a little bit darker. Adding it for the last one, layers and layers of pink in this manner. Now moving on to the jellyfish in here. Here, mostly, I'll be using the pinks and a little bit of red, starting with upper section and using this kind of small hatching lines to do a little bit of seeding for the upper section with this pink. Instead of the pink, as I mentioned earlier, you are free to use other colors. And if you want to keep it monochrome, you can do all this using only the black fine liner. Somewhat of uniform hatching lines in this manner, and also doing a little bit of seeding, making the upper region a little bit darker. The simple saves that I have graded in here, I won't be doing any coloring for the it. Extending the sizes of the lines a little bit near the curb part like this. Now, we are going to do the same thing for the lower section, following the curve sweep of the jellyfish and adding the lines. Overlaying this on top of the earlier line that we created with the black. A little bit of small hatching lines for the middle section to comparatively thinner and lighter lines with lots of spacing in between them. Now, to make this region, the lower part a little bit darker, I'm using the red. We are going to do the same thing that we did for the first one, making this lower region comparatively darker, using these hatching lines to do the seeding. And I won't be doing any coloring for these simple circular seeps and oval seeps that I have created, carefully encircling those seeps and doing the hatching and doing the seeding using the hatching lines. In here, we are using these hatching lines to do a little bit of seeding as well as providing forms to the seep of the jellyfish. Me seeding in the curve sections. Oh Now, like we did earlier for the contour lines in here, we don't have the contour lines, but using the red to create contour lines and extending it in this manner, we are going to make this sections a little bit darker comparatively darker. So using red to create canton lines and overlaying lots of red on top of it, if you want you can always use black in here. For the base in here, I'm using a little bit of pink, just adding it above and below the simple scallops that we created, the curve sap scallops. And with this, we are done with the upper section for the second one. Now for the third one, starting with the pink. For the upper section, we are just going to do a little bit of seeding using the hatching lines, following the star like seam that we have created in here and encircling it with this kind of simple, small sading lines, simple, small hatching lines. In here for the top, I'm using pink. Later on, I'll also be using a little bit of red. For the base, I'll also be using pink and red color combination. And for the organic s structure, I'll be using only the red. Continuing on with the pink in here on top of the base like this, creating this kind of curved hatching lines and doing a little bit of seeding using this. Continuing on with creating more smaller lines. In here, I'm creating the lines accordingly. For the regions that are closer to the upper section, I'm making the lines comparatively smaller. And for the regions that will be farther apart, I'll be increasing the size of the lines. To get a little bit of lighter seeds of the color, you just have to change the angle of the pain or you can also play with the preser applying high presser to get a little bit of darker seed, and with lighter preser and different tangle, you can get a little bit of medium tone or lighter tone, spacing matter. With larger spacing, you'll get bit lighter seed and with closer spicing, we'll get bit darker tone. Now, making it a little bit more darker using the red. Adding a little bit of red for the inside in this middle section. Making some of the section, the sides a little bit darker with the red, increasing the length a little bit. Now for the bees in here, if you want, you can use the black and green the scallops and then add the red. But in here, I'm directly using the red and creating this kind of curb lines, curb flowy lines like this. Now let's do the coloring for our tentacles. In here, I'll be using this kind of simple hatching lines, angle hatching lines. For each separate tentacles, I'll be changing the angles, and for the adjacent tentacles, we'll have diametrically opposite angle and line. With these, we are done with the first tentacles in here for the second one, as you can see, I'm using the same hatching lines, but in here, I have seen the direction, different kind of angled hatching lines like this. Instead of this, if you want to use vertical and horizontal hatching lines, you can do that, too. You can also include a little bit of cross-hatching. You can make the upper regions a bit more darker with cross-hatching. And as you progress for the lower section, you can make it a little bit lighter by converting the cross-hatching into hatching and then increasing the spacing in between the lines. And instead of that, you can also use different colors. Apart from the red, you can also use blue, black, green, in here. I'll also be using a little bit of pink, but later on for horn, continuing on with the hatching lines for the remaining larger tentacles in here. For the small sections, the oversights that we have created, I won't be doing any coloring or adding adding retailings for it, but if you want to do the coloring or add details pattern, you can do that, too. Now, for this smaller section. In here, we have got two or three section in which I did not add any red. For those section, I'll be adding pink later on. Now moving on to this one. In here, we'll be using both red and the pink, starting with the pink in here. Since we have divided the tentacles into two section, I'll be using diametrically opposite angle line angled hatching lines in this manner. For one side, we'll have this kind of lines and for the other side, completely opposite lines. With these, we are done with one side. Now for the other side, as you can see, completely opposite lines like this. This is a little bit time consuming process since we have to create lots and lots of lines, and, yeah, step and do the coloring in this manner. Or if you want, you can switch with the colored breast paints and do the coloring in other manners. Following the seep of the tentacles and adding the hatching lines in this manner. And as I mentioned, you can always use the cross-hatching. You can also use a little bit of stippling. If you want to increase the speed, you can always use scribbling and flowing lines to do the coloring in that manner. Let's add the pink for one more of the tentacles, then I'll be switching on with the red. Simple ang anddine like this, changing the direction and adding it on the other side. And with these are done with the pink for now. Now going with the red and adding the red for the remaining tentacles that I have in here. I have got three or four tentacles. Not complete tentacles, but small sections in between the pink is tentacles, adding one directional lines like this for those sections. I'm not going to add it for all the sections. I'll be leaving some of the section. And with this, we are done with the coloring for our second elifs. Now let's do the coloring for the third one. Oh, I forgot to add it in here. So using pink to add the coloring using pink to add the hatching lines in here for this first one, we have got three smaller sections completely filling it with the pink. And with these, we are done with the first and the second elifusF the third one. We are going to do the same thing using red and pink and doing the hatching lines in this manner. Now, changing the direction. Since in here, we don't have that much space and we have created smaller tentacles. This will be comparatively faster. After doing this, we'll be moving on to the umbrella. For that, I'll be using red and blue, a little bit of black for the inside. As for the girl, I'll be using blue colored for her eyes and a little bit of blue colour for her jinsF her top and the detached cuff, I'll be using red. Changing the direction and adding it like this. Now for the remaining tentacle in here, switching to the pink. In here, since I did not have that much space, I created fewer tentacles. If you want to increase the number of the tentacles, you can still do it. You can add one or two more in here. You can do the same thing for the other jellyfics. You can create a few more tentacles for them. And with these, we are done with all the Jelly fishes. Now moving on to the umbrella for the middle section, using the blue and creating simple hatching lines like this. We have somewhat of uniform spacing in here. And as you can see, I'm making it to a little bit lighter tone. So the spacing is a little bit higher by higher means we have got larger spacing in between the lines. To make it a little bit more darker, you can just decrease the spicing. You can also use cross-hatching. And with this, we are done with the blue for the middle section. Now for this organic sees like this, I'm just going to use the red and do the hatching like this. For the upper section, since all the line will be concentrating there, that region will become a little bit darker, and as we move away, the spacing will be increasing and will become a bit lighter. So for all the upper sections, I'm going to do the same thing with the red. You don't have to use the same color. You can use the other color. You can use the red, blue, green, pink. And now adding it for the last section. And with these, we are done with upper section. Now we are going to do the same thing for the lower section. Simply using these kind of hatching lines. The spacing between the lines is comparatively closer as compared to the blue ones. And for the scallops in here, I won't be adding any coloring, but if you want to include the coloring for that, you can use pink, black, blue and green. You can also use the inking or colored rose paint to the coloring. In here, I won't be creating any background using the black, but if you want, you can do that. Or instead of the black, you can use simple black fine liner and create the rainfall effect using broken hatching lines. This is going to take a little bit of time since we have to create numerous lines closer to each other to feel the remaining section. And with these, we are done with this left side. Let's do the same thing for the right side. To avoid smudging of the ink by my palm, I placed a paper beneath it. A paper beneath my palm to avoid the smudging of the ink. We have got two more sections. And for the origin under the umbrella, I'll be using black and completely filling it with same kind of hatching lines. Instead of it, if you want to make it darker, you can just completely fill it with a black ink or black sketch pen or black breast paint. And with this, we are almost done with this section. Now, moving on to the final section, simple hatching line of somewhat of same uniform distancing. And with this, we are done with the upper part of the umbrella in here for this section, just using simple fine liner, black fine liner and filling the entire region with it. Lots and lots of hatching lines in here to fill the remaining section. With these we are done with the left side, moving on to the right side. We have got two more section, continuing on with the remaining sections. With this, we are almost done with this section. And now moving on to the last section. And with these, we are done with the coloring for the umbrella. If you want to do the coloring for the handle, you can do that, too. I was not able to record it, but in here, I use red for this section, some part of our tops, a little bit for the detached sleeves. And in here for the jins I'm using blue, the light blue that I used earlier. And with these, we are done with this bonus project of coloring the girl and the jellyfishs. I hope you enjoyed painting this. This was quite fun and a lot different from all the project we have created so far. I'll be seeing you in the next project. It. 18. The Night That Watches Back Bonus : Welcome to the last project, The Night That Watches Back. Let's start with simple guidelines to create the Girl. In here, this is a little bit Japanese them illustration. In here, we'll be creating floating goose Yoki, as well as albicurating Japanese style umbrella and lantern. Starting with a straight line for the girl, I'm creating the girl towards the right. Let's divide into four equal sections. The girl will be facing towards the right. Only one side of her face will be visible for this project. Instead of it, if you want to place that on the middle, you can do that, too. But in here for this project, I decided that she'll be holding umbrella right in front of her and the umbrella will be tilted towards the lab. So that it will be covering her back and the hand in that manner using the combination of circular seep and curved lines, curved seep like this to create the head. Now for the remaining two sections in here, creating her torso. Now for the remaining section, a small part of her waist will be visible like this. This below this line use simple clentrical seat to create her hand. On her right hand, she'll be holding the umbrella. And on her left hand, I'll be creating simple Japanese lantern. Feel free to adjust the placement of her hand. This umbrella will be resting on her shoulder. Using simple lines like this to create her forearm clasp hand like this for the umbrella. Simple line to determine the length as well as the placement of the umbrella. This looks a little bit broader, so we are going to make it a little bit thinner. This spots in the upper part. Some of the sections of her shoulder and the back will be covered by her long hair. In here for her clothes, I'll be using skills like pattern. Extending the remaining section in here for her waist and below it. Making this secon a little bit more thinner. It's looking comparatively boded, so that's why I decided to make it a little bit thinner. Now, other hand, my left hand holding the lantern. Instead of creating lantern, if you want, you can create any other thing. Changing the placement of the umbrella a little bit. Now we are going to create a perpendicular line in here. By perpendicular line, I mean, these two lines will be at 90 degrees. Mm hmm. Triangular shape like this for the umbrella. Instead of this, if you want, you can use the other kind of umbrellas that we have created so far using curve. But in here for this project, I decided to use Japanese thing. So that's why I'm creating this kind of bamboo umbrella. Now, let's create her hair line. And the same kind of guidelines that I showed you in earlier video using that to create her nose and the mouth in this manner. Only one of her eyes will be visible in here. Oh Instead of this kind of face, if you want to create other variations of it, or the girl or if you want to make the girl facing towards us, you can do that, too. And we are mostly done with a simple pencil sketching for the girl, the umbrella and the hand. I have not created the lantern so far. I'll be creating it. I'll be using simple oval saves to create the lantern. Now let's do the outlining here in here, I'm using the Tombos breast paint to do the outlining. I have not created the UCI floating UCIs in the background. I'll be doing it later on. For now, just do the outlining for the umbrella like this. We have just created simple triangular see, but we'll be giving it a little bit more definition. For now, just use the outlining for the width of the umbrella. Now, in here, since this will be a little bit smaller section, I decided to use the Sakura micron fine liner. So we are going to do the outline for the girl's face. So that depending upon this, we'll be making changes in adjustment to the placement of the umbrellas handle as well as her here just beside the umbrella. In here, I'm just going over the outlines that I created earlier with the pencil sketche. Feel free to make changes in adjustment. If you're not satisfied with your pencil sketch. You can always use the reference lines or guidelines to make your process quite simpler. Large eyes like this. The eye is also facing towards the right, so it's a little bit thinner, comparatively thinner the pupils eye created. In here, wearing a flower brooch. Simple saves like this to create a rough resemblance for the flowers in here. You can use shades of the color to do the coloring for it. I'll be using pink and red to do the coloring later on. Simple seats and designing in this manner. Instead of this, if you want to create other variations, pattern or designs, feel free to do that, add your own personal touches. Now extending it in here, this beside her hair line in the front. Now, using curve lines like this in here for the hair. Making it a little bit darker. Now, let's do the remaining section of her hair in here for her here, we'll be making it a little taxed. And so different sections of her hair, I'll be creating small clusters like this, and for those sections, I'll be filling it with the curved lines. I'll be using simple seats and create this kind of multiple sets or structures in here. A small amount hair in here, this front of her forehead. Now extending it and giving it a little bit of rough shape and then we'll be filling the insights with different sections. You are free to create any other variations or styles for the hair. In here, I'll be creating large and flowy here. In here, I'll be creating large and flowy here till harvest. You can consider it the time basically using this kind of scallops and filling the insights with curved lines. The hair will be lying behind the umbrellas. So we are going to do the outlining for the umbrella stick and just behind it, we'll be continuing on with just behind it will be continuing on with the hair. Since this is a Japanese style umbrella, so we have got small sticks coming out from the handle like this. The support mechanism of the umbrella. Now continuing on with the remaining section in here, creating this kind of bit curvy see for the flowing here. You can vary the seep side as well as placement for the here. And as I mentioned earlier, you can also change or create other variations kind or pattern or designs for the here. So we have created simple outlining for her here. And in here, I'll be using more curved lines or you can say flowing lines to fill the entire section. So I'll be dividing into different sections, and for those section, we'll be completely filling with different kind of flowing lines. The main project is divided into two sections. This is the first one. And in the next section, we'll be creating the ghost and a little bit of more detailing. And then we have got a final and bonus section in which I'll be doing the coloring using the colored fine liners and the breast pain. Mostly, I'll be using the colored breast paints to do the coloring. Continuing on with creating more detailings using this kind of flowing line for her hair. Add lots of line for the different sections that you have created. You can play with the spacing to make some of the section a bit more darker. You will just have to decrease the spacing. And to make some of the sections a little bit lighter, you will just have to increase the spacing. You can also play with the line meat. You can use the Tombs ds pin and redo the outlining for some of the sections or just continuing on with this file leaner and going over the outlines twice or thrice to make that sections a little bit more darker. Instead of this, you can also include a little bit of broken lines to add a little bit of different kind of texture to the hair. You can also include a little bit of cross-hatching to make some of the section a bit more darker. Now moving it back to the top of her head and cut ining with adding more lines for different sections on her forehead. The hair on her forehead. H. At creating one more section in here and feeling with lots of lines. And with these we get done with her hair. Now, doing the outlining for her neck. Moving on to doing the outlining for her hand holding the umbrella, a simple bangle like this, simple curve sap like this in here to create the bangle. Now her hand that is clasping the umbrella stick or umbrellas handle. The simple structure like this, not that defined. Adding a little bit of small curve like this. You can create any kind of clothing for her. I'll be keeping it quite simple and creating simple top and simple bottom. And as for the pattern or designs, I'll be using simple scaling so you can say scallops. I'll be creating scaling like pattern for her entire section, entire clothes. Here we have got another detached sleeve. Creating this kind of simple pattern using this kind of scallops. In Isil, my plan was to create a mermaid. Then I gave up on that idea since I did not have that much space in here. But if you have more space and if you want to create the mermaid, you can do that, too. Now, creating simple outlining like this for her top. Adding one more of scallops than here. Now, for the lower section, simple outlining like this. And, yeah, that's the simple clothing that I created for her. Now, her left hand in here, she'll be holding the lantern. The thumb is visible on this side, two of her fingers on the other side. Instead of the lantern, you can create any other thing, you can create a stick or you can create other thing that she is holding. I'll be coming back to the lantern later on. For now, moving back to the umbrella and giving it a little bit of texturing look, dividing into different sections. These sections are somewhat equidistant from each other. Let's give it a little bit of texture using three or four lines to make it a little bit rougher. Adding more lines for the remaining one in here. We have got one more in the middle. Making it a little bit more darker. And finally, for the middle one. Now, let's give it a little bit of rougher texture for the bottom like this. Instead of it, if you want, you can create green and uniform, too, but to give it a little bit of texture and wooden appearance for this bamboo umbrella, I'm making it look like this. To give it a little bit more texturing in here, I'm mostly using this kind of simple lines. You can also use a little bit more broken hatching lines inside it. Okay. Make it comparatively more darker, you can also use a little bit of cross-hatching for some of the sections. I'm also making the lower section a little bit more darker by using two or three lines, a bit of broken hatching lines, as you can see. Now we are done with this side, adding a little bit more detailing in here, making some of the section a little bit more darker by increasing the line weight a little bit. Now, let's continue the remaining section upper part. The same kind of detailing using two or three lines, increasing the line weight and giving a little bit of textured appearance in this manner. Now we have got only the two sections, the same thing. Increasing the line weight in this manner by adding two or three more lines. And finally, the last one, the middle section. Now adding a little bit more detail for some of the sections by adding a few more lines, this kind of broken lines. And with these, we are done with the umbrella. So I have raised the pencil masks, and in here, we are going to create the simple lantern. Simple sap like this, a little bit of oval or you can see elliptical C for the lantern. The bonds tied to the lantern that sees holding. Let's have a closer look, and we're going to create elliptical sap, or you can always use the circular sap or oval seeps to create the lantern. This will be the best for the lantern, and we have got bambo lantern that sees holding in here using broken lines to create the outlining or S for it. Now, let's give it a pro per se. We have got different sections in here, so that's why I use a bit of curve lines to do the outlining. If you want, you can also include few Japanese or Chinese characters written on top of it to give it a little bit of more authentic look. Put some of the sections, increasing the line with a little bit, making some section a bit more darker. And with these, we are done with a lantern. For this section of this project, I'll only be covering up to here. In the next section, we'll be creating the floating goose Yuki, as well as add a little bit more detailing. We'll also be doing a little bit of inking with the black, making the outlines a little bit more detailed and darker, and I'll be seeing you in the next video. 19. Creating Floating Eyeballs Yokai: Welcome to the second part of the Night That Watches Back. Using the pencil and in here, I'm creating simple oval seeps for the floating ghost yokai. In here, I'll be creating floating eyeballs yokai that will be following her. A little bit of color was ismsed by my palms. So B causes to avoid spilling or smudging of the color by your palm and see the ink has properly dried up and then continue on. On top of this oval seeps, we are creating this kind of curved seep to give it a little bit of flowing appearance that is smoke or something is coming out from it, giving it a little bit of ghastly appearance in this manner. M. You can create as many as you want. In here, I have to create a total of one, two, three, four, five, six, seven, eight, nine. These are the simple yokai that I have created instead of this, and apart from this, if you want to include other elements, you can do that, too. Now, going in with the sakura micron fine lane to do the outlining. You don't have to stick with the outlines that you have created with the pencil sage P P to make changes in adjustment. We are trying to give it a little bit of flowing appearance that it's floating, creating this kind of curb saves like this. For the insides, we'll be creating eyeballs like this. Very simple eyeballs. To give it a little bit more texture look, I'll be using lots of small hatching lines like this in here to create the outlining for some of the sections for the inside of the eyeball. Instead of this, you can also use the dotted lines or strippling technique to give it a little bit more texture and encircling it in this manner, increasing the line weight a little bit. Now, let's do the same thing for the remaining floating eyeballs. Not all the eyeballs will be in the center. I'll also be changing the placement of the eyeballs. I'll also be changing the placement of the eyeballs inside. Like this one, this is a little bit towards the right. The same kind of small broken hatching lines. Now encircling Outside the eyeballs, I'll also be using small hatching lines, but I'll be doing it later on. To make this process a little bit easier, you can use the pencil sketch to place the eyeballs inside in different positions and then go with the fine liner to do the outlining. So that's what I'm doing in here with the pencil sketching. Continuing on with the fine liner to do the outlining for the remaining ghost Uki that is floating around. Using scrabbling to do the coloring or you can say inking it. This process is going to take a little bit of time since we are creating minute details and we have got a lot of floating eyeballs in here. Inserting it with small hatching lines in this manner. Increasing the line weight a little bit. With the square done with our three eyeballs. Now let's do the remaining ones. For this project, I made a little bit of mistake here. In here, I used two different black color. So it created a little bit of distinction in between that. To make this process easier a little bit. In the bonus section, I started with black breastpin to do the outlining so that the smaller section can be outlined easily. And then I decided to fill the remaining section with the black but when the ink dried up, it created a clear separation between the mis pen and the ink that I used. And when I tried to cover it with a black ink, it was not that possible. The region beside the gun was looking more darker. So I would suggest to you if you are going to do the coloring, stick with either the breast pins or the black ink. Continuing on with the remaining floating eyes like this, we have created a total of 51 This UK is trying to attack on UK, it's listing on the umbrella. Eyeball in the front like this. Since this is a little bit smaller one, I did not add that much of detailing using small lines or you can see dotted sieves for the inside. We have got two or three more. A bit larger se for the eyeball, now encircling it with this kind of simple flowy sieves. One more eyeball beside it. This is our final eyeball. If you want to include or increase the number of the eyeballs, you can do that, too. Encircling it with this kind of hatching lines. The eyeball is looking downwards. So only a small section of this is visible like this. And with this, we are done with all the eyeballs, floating UCI. These are fiery eyeballs Uki that is following this curl. I mean section, the handle of the umbrella that I forgot to create. Using hatching line to make it a little bit darker. I have also increased the width a little bit. Enough for her clothing, creating this kind of scales, I have changed the direction. It's completely opposite to what we created for her hand. But as we move on, I'll also be changing the direction a little bit, as you can see in here. You are free to create any other variations pattern and designing for her clothes. Or you can just follow along with me and create this kind of spiral pattern using scallops. Instead of single line, we are using multiple lines to give it a little bit more volume to make it a bit more bolder and a bit more darker. Adding it for the remaining section in here for her top. Okay. And inside this, you're creating simple pattern or const design using two or three lines like this. This is optional. You are free to create other variations, pattern and designs for the insides too. For the smaller ones, creating small lines or small detailing in this manner for the larger one, as you can see, we created more larger detailing for the top. And with these, we are done with our top. Moving on to the bottom section in here for the bottom section, I'm keeping it plain and quiet. I'm keeping it plain and simple. If you want to create patterns or designs, you can do that. Inset that the ink has dried up and lightly erase the pencil marks. And with these, we are done with our paint illustration for this project. The Night That Watches Back, I hope you enjoyed painting this and I'll be seeing you in the bonus project where we'll be doing the coloring for it. 20. Coloring with Brush Pens: Hi, and welcome to the bonus section. And here we'll be doing the coloring. This is optional. I'll be using the colored bras paints to do the coloring. Instead of it. If you want to keep it monochrome, you can only use the blacks and the green. In here for the hair, I have already started with a breast pain. In here, I'm using the olive green colour to do the coloring for the here. You are free to use other colors. If you use red, you can use pink, you can use black. You can use other sads of the color to do the coloring of the hair. Make some regions a bit more darker. I'll be doing two or three layers of the coloring. But for the remaining section, I'll be doing a bit of flat, covering the entire section with a uniform layer of this olive green color. Now adding it in here, the lower region of our here. I'm adding the color following the courtship of the here to give it a little bit more three dimensional lo. Covering the entire pin sketch with it. As for the umbrellas, I'll be using orange and ocher and a little bit of brown. For her skin, I'll be using skin color. As for her clothing, I'll be using green and a little bit of yellow. For the background, I'll be completely filling it with black. As for the floating you guys, I'll be using a little bit of black along with yellow and orange. Moving on to the bamboo umbrella. In here, I'm starting with the orange. Put some of the sections in here, overlaying this orange on top of the earlier sketch, creating this kind of bit broken lines. Now, adding it on this side, the right side. I'm not going to overlay it on top of all the line, but for some of them like this. And we are done with this now going with the ocher, completely covering the entire section of this bamboo umbrella with it, overlaid on top of the orange that we use, later on top of it, I'll be using the brown. Mostly, I'll be adding the brown on top of the different sections that we have created for the bamboo. But for now, continuing on with it, overlaying on top of the orange as well as feeling the remaining section with this. To make some regions a little bit more darker, you can do two or three layers of the color. And with this, we are done with the umbrella. As for the umbrellas handle, the stick, I'll be using the same color. Adding it for the support. Now, extending it for the remaining section in here for the handle. Now for the Is in here, going with the black to do the outlining first, and then later on, I'll be filling the entire background with the black. Since the outlines in here are a little bit smaller and more curvy, it would be a bit harder to do the outlining with the watercolor brushes later on. So instead of it, I decided to use the black to do the outlining first and then later on we'll be filling the remaining section the outside with the black. To preserve this curve and crisp nature of the outlines, I'm using the black. We are going to do the outlining for all the floating you guys with this black. In here, still, if you want to increase the number of the floating guys, you can do that. Apart from the larger ones, you can create bit smaller ones too. Continuing on doing the outlining for the remaining section. I'll be doing the same thing for the remaining sections too. The umbrella and the girl, I'll be using this breast paint to do the outlining so that it will become a little bit easier to do the coloring for the outside region, the background with the black. Creating the outline in which I'll be filling the color black black ink. Instead of this, if you want, you can feel the entire section with the black. But in here, I'll be creating this kind of bit circular seed, and then I'll be filling the inside with the black. To avoid smudging of the color by my palm, I'm using this paper underneath my palm. So some of the color from the breastbin might get to stick to my palm. I'm using this paper underneath my palm as a precaution. And with this, we are done with outlining of our fifth floating ghost, doing the outlining for the umbrella. We have got three more floating ghost yokais in here, carefully doing the outlining in the same manner. Et's do the outlining for this side of the umbrella and then we'll be moving back to the remaining two yokais carefully doing the outlining in here for her head, here, and for the smaller sections in here, I'll be completely filling it with a black like this so that I don't have to use the watercolor brushes to feel the ink later on as it would become a little bit challenging to feel the smaller regions with the watercolor brushes and the ink. Carefully filling for this smaller region. We continue on with doing the outlining for the remaining section on the left side. And with this, we are done with outlining of the umbrella now for her hair. I here too, for the smaller section, I'll be completely filling it with the black, and for the remaining section, we are going to continue on with doing the outlining in the same manner. Following the curve sweep of her hair and doing the outlining. Adding a little bit more black for the smaller regions in here. Now, moving into this side front sign, carefully doing the outlining in here for her face. Try to preserve the crisp edges of her nose and the mouth. Now, we'll be coming back to her later on, but for now, doing the outlining for the remaining floating goes to you guys in here. And now we have got only a shingle one, doing the outlining for this one, the last Uki And with this, we are done with all the ghost Yuki, continuing on with the remaining section, doing the outlining for the girl. For this smaller region in here, completely filling it with the black, adding the black in here for the bangles. Carefully doing the outlining in here for her arm and the umbrellas handle. Now, for the remaining section of her body, following the s and doing the outlining simple outlining like this. Let's do the outlining for the lantern. Encircling the bangle like this and now doing the outlining for this arm. Adding the black in here. Carefully filling the insides with the black. Now for the remaining section, plain and simple straight line like this. And with these, we are done with the outlining. Now as I was mentioning, creating an outline, a boundary vegan with a black for the remaining section, the inside region, I'll be filling the black. If you want to cover the entire region with the black, you can do that, or you can just follow along with me and create this kind of s Rtangular seep like this. If you're not that confident, you can always use the ruler to sketch a straight line. And with these we are done with most of the outlining and creating the boundary like this. Now we are going to do the inking using the black ink, carefully filling the entire background with the black using water color does A Zickurataks black ink to fill the entire region with the black, carefully add it in here in between the floating ghost u chi. This process is going to take a little bit of time since we have got lots of floating Ghost Ukis in here with lots of curves. So you'll have to bit causes while feeling the colors in between them. We want to preserve the crisp edges and the curve lines that we have created. So add the black carefully in between the ghost kis. Since this process was going to take a lot of time, I feel the entire region with a black on my own, and this is how it turned out. For some of the regions in here, the intensity of the black is not that uniform, but we'll be covering it with this kind of rainfall effect using white to create this kind of broken lines to represent falling rain. And why doing this, we are also covering up the ununiform region, the black that we use in between the ghost yokai. So for the remaining section in here, apart from the region under the umbrella, I'm going to cover it entirely with this kind of broken white lines. On top of the umbrella, I'll also be creating a little bit of splattering effect with the white, as well as some of the sections of the girls here and a little bit on top of her head and a little bit on top of the umbrellas handle and her hands. I'll be creating the same kind of splattering effect that we have created so far with some small broken and angle hatching lines. Once again, this process is going to take a little bit of time. In here, I've increased the speed a little bit. If you want to follow along with me, you can pause the video or you can reduce the speed. In here on top of the umbrella, creating these kind of small lines, small hatching lines to create this flattering effect on top of her head and on top of her hand lines. Now continuing on with the remaining section, creating the same kind of broken lines. In here for this region, this underneath the umbrella, I won't be adding that much of line, but if you want to continue on with it, you can add more lines underneath the umbrella. Mm. Now for this side, filling the remaining section with the same kind of lines. And as I was mentioning to make it a little bit more denser, you can always create algae smaller lines, smaller broken lines, and that will make it a bit more denser and bit more thicker. Adding it in here just beside the umbrellas on top of a hand stew With these we are done with the white. Now let's do the coloring for the lantern, starting with the yellow. This is in real time. He section the rain to Aisin was a little bit faster. Now, adding a little bit of orange like this. Just going over the outlines for this. Adding it on the other side, too, as you can see, I did not cover the entire outline. I'll be using the rounds to do it later. Now going in with the skin color, and we are going to fill the entire region with it. Try to avoid doing the multiple layering as it will create an uneven texture. We don't want it. But if you want to sew a little bit of shadows or darker region, you can do two or three layers. Adding it for her hand, this hand that is holding the lantern, not for her stomach in here. Making this region, just be her hair a little bit darker, doing the same thing in here. Adding it on the sides of her hand, for this hand, making it comparatively darker. This willow her clone. For these sections, I added two or three layers to it to make it bit darker. Now for her clothing, going in with a green, covering the entire section with a cream. Another layer to get a little bit of uniform consistency of the green in here. Try to create larger strokes to avoid this kind of mistake that I did. Now for her top continuing with the same green. Add it carefully just beside her hand. We don't want the greens and the skin colour to get mixed. Adding it for this section, upper part. Now for the detached sleeve, completely filling the green with the sweet with the green. Now for the upper sections, the outlines that we created, completely filling the yellow. Now for the floating ghostuki encircling the circular sat with this kind of lines, so small hatching lines in this manner. To make it a little bit more interesting, you can also use a little bit of orange, start with the orange and then add yellow. Instead of this yellow, you can also use blue, blue and red to create different colours for the eyeballs. In here, for her hair, using yellow. Instead of it, if you want to use other colors, you can do that too. For the flower that I created in here, I'll using pink and purple feeling the pink in here. Now going with another sd of the pink and feeling the remaining section. Earlier my plan was to use a little bit of purple, but I decided pink will do the work. And with this we attend with our project. If you want to add a little bit more detailing, you can do that, and I'll be seeing you in the next medium. 21. Thanks and Conclusion : Congratulations on completing the Moody Ink Illustrations. Over this fi project, you have explored how to build characters, create atmosphere and use ink technique like hatching and cross-hatching to bring your illustrations to life. More importantly, you have practiced consistency and storytelling through your artwork. I hope this class helped you feel more confident with ink and encouraged you to experiment with mood, composition and subtle details. If you have not already, don't forget to upload your project in the gallery. I'd love to see your work and your unique interpretations. If you enjoyed this class, feel free to leave a review and follow me for more creative challenges. Thank you so much for joining me, and I'll see you in the next class.