Miniature Tulips Spring Flowers Floral Watercolor Illustration How to Paint Watercolor Tulips | Megha Cassandra | Skillshare

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Miniature Tulips Spring Flowers Floral Watercolor Illustration How to Paint Watercolor Tulips

teacher avatar Megha Cassandra, byTheArtBug - Artist, Crafter & Educator

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      0:59

    • 2.

      Tips to Remember

      9:14

    • 3.

      Materials

      1:08

    • 4.

      Sketching

      1:34

    • 5.

      Painting the Leaves

      2:34

    • 6.

      Painting the Can

      3:31

    • 7.

      Painting the Base

      1:10

    • 8.

      Painting the Tulips

      3:28

    • 9.

      Painting the Stems

      1:36

    • 10.

      Finishing Touches

      4:57

    • 11.

      Class Project

      0:51

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About This Class

In this class the students will learn how to paint a miniature tulips spring illustration. After taking this class the students will be able to paint their own mini floral illustration. All tips and techniques of painting miniatures will be shared in the class.

Painting micro miniatures can be difficult but with the right techniques in place you can become a pro at it with time & practice.

Some prior experience of working with watercolors will come in handy for this class.

Meet Your Teacher

Teacher Profile Image

Megha Cassandra

byTheArtBug - Artist, Crafter & Educator

Teacher

About Me

 

Hey Everyone, Hi I’m Megha founder, creator and art educator at byTheArtBug. “I truly believe that anyone can learn Art & craft”. I teach online and offline classes & courses at various Platforms. I have plenty of Free tutorials on my Website and Instagram so do check them out.

I believe in simplifying and making art fun for everyone and that’s how I teach it. It is also my way of giving back what all I have learned in 25 plus years.

I am passionate about Art & Crafts Since I was a little girl. Teaching was always my passion, I was a College Professor before I became a full time Artist. So now I am in a perfect place combining both my passions into my profession!

I am a Paper Florist, Watercolorist, Home Sty... See full profile

Level: All Levels

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Transcripts

1. Introduction: Hey everyone, This is major. I'm a watercolor artist based in Bangalore, India and the founder of the art book. I simply fell in love with watercolors when I started it. And my favorite thing to paint in watercolor flowers. In this class, we are going to paint this beautiful miniature tulip illustration. And I will show you step-by-step how to go about it, how to draw it. What are the things that you should remember by painting miniatures? And we will also discuss all the materials that you will be needing for this class. If you'd like Weinberg, you can check more watercolor classes which I have uploaded. And also you can visit my website, which is by the art bug.com to know more about me and to get lots of freedom sources which I have put up there. Since it is springtime. Let's go ahead and paint some beautiful miniature tulips in this class. 2. Tips to Remember: Okay, so before we start our class, there are a few things that you have to remember when you are painting with miniatures. So here is the paper or the sketchbooks that I have here. So this is a mini sketch book. So this is three centimeters by three centimeters. They come in different sizes and you can always check out your local stores or online for this, for watercolor, I have this one with white paper and always remember that you have to use thick paper, 300 GSM or more, and 100% cotton. So they come in different sizes that you can see with this one here is super tiny, so this is around 1.5 centimeters. Like this. It's up to your preference and your comfort level like which one you want to use. And then I have here is the magnifier. So you can see it has one main glass, then there's one bull's eye as well. So you can easily use this if you have trouble painting like that. However, for this size, this is not that much needed or required. But if you feel comfortable painting this way, like especially for checking out the details and all. You can always go ahead and use this as kind of magnifier is easily available on online stores, Amazon, etc. And then it comes with a light also. So you can just put about 3M then use the light options. If you want even more clarity with depth. This is here and then mini balance like this are easily available again online. So this is also a good tool to have if you are a manager level. If you don't find this kind of sketchbooks, you can always go ahead and cut your paper into any desired size that you prefer. You can start with slightly bigger and then gradually move to smaller ones. And do this and have a smaller mini paper, but always use a 100% cotton and 300 GSM or more for watercolors. Then when we come to the brushes, here are the brushes. These are all numbers 0 or lesser than that. This is what I prefer, although separate brushes are also available, which are miniature brushes or detailing brushes. So they are available separately. So in the whole set you will have only tiny brushes. If you prefer that, you can use that as well. Then in that you can get different types of brushes like round and flat and maybe a gap dung or a dagger. Different types of brushes like that you can easily get. But as far as I'm concerned, I prefer using these normal brushes which are 0 or less than that. And always make sure that your brush has a very nice point because for many HR that is very, very important. So that's about the brushes. And this is all optional. These are micro miniatures. So here it is. This is a micro mini. This is 11 up from miniatures. You can see here. This is super tiny. Here it is. You can compare it with my Neil and see how tiny this is for painting these kind of miniatures. This comes in really, really handy. But don't move on to this until you have practice on this and become familiar with this. So this is a miniature one. This is just a normal brush which has to, which I have cut into smaller ones. So it's a number 0. More miniature books are here. You can also cut the paper very, very tiny like this to create mini paintings like this. You can see here, since when the water clean water, some many palettes, these are all miniature collections, just in regular miniature short pieces that you can find online. I have these here. I have many brushes. Then mini containers to fill water, and some many da, by ballots like this. These are all optional if you want to have everything in one limited box and you really love painting with many edges. Then you can go ahead and use this. Then another important thing to keep in mind is your hands are always please your hand like this formally. If you want, you can always tape the paper. If you are painting in a sketchbook, hold it nicely and family don't put it in the air like this, always like this table. Then go ahead and do your painting like this. Heal and move the top part of your hand to add all the details like this mini, mini stuff here. That's very handy and then the tip of the brush. So you can practice some strokes, please your hand like this. And then you can just practice doing these fine lines. Dots like this, zigzag. So this way you will know how much water you need if you have too much water than the lines or detailing with not come nice. So this will give you an idea. So it's like a warm-up exercise, our practice. Crisscross batons. Always your paper and your hand have to be stable so that your miniatures turn up nice. Like this, just using the tip of the brush. We've been also practice. Make this shorter hill very simple. Like this. Then you can add leaves on this. You can pick up a big paper and fill it up with this leaf. So it will give you a very nice warm of practice before you started with the class and start painting miniatures. Unless your hand is nice and stable in study, you won't be able to pay it nicely. So make sure there's no shivering or shaking like this. Practice nicely before you just hop onto the glass. That's really, really important. That's about it, the materials and everything else that you will be needing in Barton tips and I have shared with you, these are the few tips. So do keep this in mind and remember, by taking this case. Along with this, it is always a good idea to start with something simple and illustration which does not have too many elements. Or just start with one simple stem and one simple flower. And then just take it gradually as you that this more and learn while painting. Also, if you have never painted lineages before, don't just right away start with this size. You can always start with our 33 inch by three inch of orange by four-inch. Whatever you feel comfortable with. Miniature painting can be a lot of fun because you can just fit everything in the palm of your hand, all the materials that you need and take them away any way you are going to fit everything in the pocket. It can be really fun. If you are a beginner, always start with something very simple, like just one stem of a flower, one leaf, or a very tiny illustration so that you would want to get overwhelmed or intimidated by it and start slow and then gradually keep moving up. You have to always remember that practice is the key until and unless you keep on practicing, your skills will not improve. So don't give up even if your first, second, third, fourth painting does not turn out very good, you have to still keep at it and keep on painting and practicing. And the best part about many edges is that if you are painting something similar in both, then it will just take a few minutes for you to do it so you don't have an excuse that you don't find time. Just back this practice and practice. Always use the right tools so that you are not frustrated. Emmanuel, colors are not working and your brush is not working on paper and your paper is not good. So always big good qualities and the right materials and tools. And another important thing is to enjoy the process. Just have fun and just keep at it and keep doing it. Whenever you are painting with many edges, make sure that you have a lot of light. Natural light is the best, so always sit near a window. Otherwise it will put too much stress on your eyes because painting with many edges can be really stressful sometimes. Or use a magnifier for better clarity and less stress on your ice. So I guess that's about it. Just have fun and keep on practicing. 3. Materials: Let's find out what materials you will be needing for this miniature watercolor illustration. So first one is this mini sketch book. This is a three centimeter by three centimeters sketch book. If you want to use a little bigger you can use. But for this miniature, I would recommend this size. And if you don't have this available with you, you can also take a 100% cotton watercolor paper and cut it into three centimeter by three centimeter. For this illustration. Here are my watercolors, Winsor and Newton watercolor set that I will be using today. And for the brushes I'm using normal number 0 or lesser brushes for this, I don't use usually this manager brushes are the detailing versus which come for making my many edges. But if you've referred those, you can go ahead and use them. This is basically what we need, watercolors and tiny sketchbook makes sure that your paper is a 100% cotton. And then we have our water jars, two jars of water, some tissue, pencil and eraser. That's it. So let's go ahead and start with our class. 4. Sketching: Let's start with sketching out. What again are water jar? So what I'm doing is lightly sketching with a pencil. So you can make any shape you want. We are not detailing this. It's just a rough sketch drawn with a very freehand style. Just a basic body of the cannon and a little handle here. Also a tiny little spout on the other side. That's about it. We are just, we have just done a very simple, basic and freehand sketching for this end. For the flowers we don't need to sketch, we just go ahead and paint directly on them. Let's watch the next part on painting the leaves. 5. Painting the Leaves: Let's go ahead and start painting the leaves. Fall leaves, I'm going to use sap green. You can use any other green if you prefer that. I'm just loading up my brush with some green. Then by pressing the brush, I will start. Then gently lift up the brush, leaving a nice and fine point. So we have to create deeper in the leaves, start broad and on the top they will be narrow. So that told the truly believes are just like this. However many you want, you can go ahead and paint if you want to vary the color a little bit. I just add a few on a little bit of yellow for the sap green to make it a little lighter. And maybe do a few leaves with that to bring variation in the painting. Seem. Start broad and then finish the leaf with a nice and fine point. Just to repeat and made pain 67 leaves or however many you prefer or you like. And just make sure that the vase is full and nice. And also their space to add flowers. For a slightly darker shade of green, you can add little bit of cobalt blue or ultramarine blue to the sap green to make it a little bit darker. We are done with the leaves now in the next spot, we go ahead and start painting the water again. 6. Painting the Can: The leaves are not done that start the scan. Now for that I'm just full supplying some clean water onto the base. The body of this on all of it. Then you can use any color you want. But for this one, since we are going to put a nice vintage kind of old look. So I'm using a grayish color. What I have done is just to mix a little bit of blue into black, and then I have made this color. If you have any grades available with you, you can just simply use them or you can mix your own grade as well. So on the clean wash off paint, water, I'm just applying a little bit of paint. Also. I'm just waiting it a little bit like on the top, I have put less pigment on the bottom. On the side, I'm putting little bit more. Similarly on the handy, we will put a little bit even darker just to show that it has a little bit of shadow on it. Then the spouses, these parts are very, very thin, so you have to make sure that you are resting your hand nicely and firmly on the table. And using only the tip of the brush, your brush should not be loaded too much with water otherwise, lol gets spread. So just make sure about that. Here we are not doing that much detailing since it's very small, so just a dark pigment I have applied onto the handle. And seemed that this part as well, whatever shading and color variation we have to do, we will do it on the body of the Ken. So this is the bottom part. I'm applying more color here, make it a little bit darker. Then we will just spread this color. The remaining part makes sure that you blend it nicely so it doesn't look like a hard line. Also a little bit cleaner from here. You can always grab a tissue and soak up whatever extra you have while it's wet, it's really easy to do this. Just lift up the extra column. Then you can just continue with your gray. On this side near the spout also, I will put a little bit darker color. Again, we are not going to do any more detailing here because it's very thin. Taking some more color. This top part. Since the leaves are there only one side, you have to do. Then just put that color in. Wherever you have space, just fill it in the darkest color. Then finally, the remaining site, the last one. That's most of it, just a little more color in the corner and then blending it all nicely in the cans. First leading is pretty much done. We'll paint the flowers in the next spot. 7. Painting the Base: Okay, So the candidates done, Let's do a little bit of these, do it so that the painting has a nicer look. I'm again using the same gray that we use for the can. You can mix in a little more blue or more glad to change the sheet a little. First, I'm doing a very light version, slightly overlapping so that it appears as if the candidate is sitting on a surface like median all shelf or something like that, I'm also adding a little bit of blue. So just spread it evenly on the base. Take a little bit more darker or more, more of the gray color. And just highlight this part. Just to make just to show as if it has more shadow. Then you can just go ahead and blend it in so that there are no hard lines. This is the first layer will add more details to this. Meanwhile, in the next part in start with the flowers. 8. Painting the Tulips: Let's start with our two loops. Now. I'm using this nice abrupt pink, which it doesn't convert this set, but it's from Winsor and Newton, opera rose. I'm doing first, I have taken less pigment on the brush and I'm doing these mini oval shapes. This is more like a half of one flower. In the same way I'm going to paint a few more that light shade the half part of the tulip, like mini ovals. Whenever you are painting these, remember to rest your hand from the on the table so that you get nice and clear shapes. You can do however many shapes you want. And then one status done, we'll start with the other half. This will be darker pigment and the same breed. Bill finished the oval, making one more confetti. You can also leave a little bit of white gap in-between. Half is dark and half is light. Just using the tip of the brush, resting your hand nicely. You can finish the other half of the tulips. You are confused about the shape. You can always refer to the photograph of a real tulip on the Internet just to get the hang of how the shape is so that you are painting, painting it, you're nicely, It's just basically like an oval shape. That's what you have to follow here. I'm leaving a little white gap and the light color just leave it like that. Then you can also put a little bit of ten line if you can, if you're a fuel or give it the brush, you can just put one more in line with the darker pigment on the lighter side of the flower. As a final touch up for the flowers, I'm mixing a little hint of black in the same color. And then we will be highlighting the base of the flowers. This a little and maybe a little bit of line in the center where the two colors we're getting mixed. It can just highlight that as well. Remember not to overdo this black otherwise it would just spoil the pinks in the flower is because they are really tiny and there's not more than not much. Being pigment in this, with this black is just for the highlights. And if you're satisfied with your flowers in the first round, off, light pink and dark pink or whichever color you have chosen, then just you can avoid this dark color. That's about the flowers. They are mostly done now, in the next part of this class, we will go ahead and add stems to the flowers. 9. Painting the Stems: Let's go ahead and finish this stems for this, you can just use sap green as is, or you can add a little bit of blue or black to make it a little darker. And as the stems of the tulips are a little bit thick so you have to press the brush already. There's your hand firmly on the table and press the brush a little. And then just simply make broad, thick lines for the stems. Making the green a little bit darker here. So that the stems look a little bit different from the leaves that we did before. Just rest your hand firmly, press the brush. We just we don't want to use just the tip because we don't want 91 kick lines. Just like this. You can finish the stems for all of the flowers. If you want some to be hidden behind the leaf, then just make or just paint only that part as if it's behind the leaf. Just like this. That's about it for the stems, you don't have to do anything else. And in the next part of this class, we just go ahead and finish the watering can and add whatever finishing touches are left for this illustration. 10. Finishing Touches: Okay, So the illustration, many floral illustration is mostly done. We'll add a few more highlights to the watering can and add a little bit of rusty effect, vintage effect to it. Firstly, I'm using the darker gray and covering this part, which is the hollow part. Since the flowers are inside, it's gonna be mostly dark. Just highlighting it a little wherever I find space in between the stem and the leaves. Just filling this up. A little bit of more dark pigment towards the sides. A little highlight on the spout and the handy. And then finally on the base. As you can see once I put this dark color, how it has just popped out from the background. Because as watercolor dries, it becomes lighter. So sometimes it is really important to add these highlights towards the end. Then a little bit of more color, more dark green. The neck part, and at the bottom. Then just blending it all in. We don't want to cover this lighter part which we lived before. It is giving it a very nice glow as if light is falling from this side, so we don't want to ruin that. And then a little bit more darker towards behind the GAN and in front. Just to create more shadow. And then just blending it all nicely. Very subtle. More towards the left side as the assume that the light is coming from the right. Then you can just let it dry for a while and see if you need to add anything else. Now the last job which is the rust. So what I'm doing is wherever I want to put the rest effect, I'm just so cooling in applying a little clean water onto just that part. And for the rest you can mix a little red and a little brown. If you have a very judicious brown, you can use that. So I'm mixing a little red in the burnt sienna. Then the surface that is VET. I'll just use another brush to do that. The same number and this light part. And just though obese was all the GAN, and then just put in drops of this reddish-brown. Since the surface is already wet, it will just spread and blend a little bit with it, giving it a very nice and beautiful old vintage and trustee look. A little bit in the corners where the handles and the spotter attached. Little water there and dropping some more. This rusty brown little bit of touch-up here and there as we don't want to do too much. So be careful with it. Even when you are spreading the water. Makes sure that it's not too much otherwise, all the bees that you did on the GAN will just get all mixed up since it's a very small surface. A little bit more towards the bottom part where you would generally see more dressed. So that's about it. I think it's done. We don't want to overdo it. Let us move on to the next part and talk about your class project. 11. Class Project: Here we are all done with our miniature do lip illustration. I hope you enjoyed painting it with me. And for your class project, I want you to recreate the same thing. If you have a mini sketch book, then you can use it. Otherwise, you can always go ahead and cut the paper in this size, which is three centimeter by three centimeter and paint your illustration on it. You can change the color of the tulip if you like. You can change the green. You can change the shade of gray. They just play around with it, but keep the techniques and the tips that I have shared in mind while you paint. And I'm looking forward to see your creation if you like my work, you can find me by name, by the art bug on any social media. If you try this class, do share with me and leave a review and I will see you in my next class. Thank you and bye-bye.