Master Viral UI Animations in Adobe After Effects

1. Welcome! Start here: Welcome to UI Animation After Effects where you will learn how to bring static designs to life with clean, scroll stopping motion graphics. After effects is one of the most powerful motion tools on the planet. But let's be honest, I can feel totally overwhelming. You open the software and freeze. Too many panels, too many tools, no clear starting point, you get stuck. Lose motivation and never finish your project. Class is made for designers, creators, anyone curious about UI animation, especially if after effects felt overwhelming or too complex to start. I spent over a decade editing videos, managing two of the biggest channels on their niches, and building creative systems that drive results. I've built editing systems that generate millions of views, in this class, I'm showing you exactly how to bring the same level of craft and polish to your own animations. Together, we'll cover three main areas, setting up your UI designs, animating with pro workflows and after effects, and finishing a piece with sound design and create a polish UI animation project ready for Tik Tok, Instagram and YouTube shorts. I've included free downloadable UIs, templates, and practice files to help you along the way. I recommend watching videos in Adi because every lesson builds onto the previous one. You can control the playback speed, and the volume of every video to learn at your own pace. If you get stuck needing help, be sure to drop your questions in the Q&A section below. Just make sure to check the existing questions first because there's a good chance that the question to ask has already been answered in detail. At some point, you'll be asked to leave a review. Please wait until you've had a chance to really experience the material. Your feedback helps me improve the course and better serve you student. Thanks again for joining this class. I'm genuinely excited to help you create beautiful professional UI animations and to give you the confidence, use it in real projects where the personal or clients based. Let's jump into the first lesson. 2. Download All Class Resources, UI Kits, and Practice Files: Now, somewhere around this video player below or to the side of it, you will find downloadable resources. These resources will help you learn better. On top of that, you'll get some of my templates that you'll be able to use in the future. So I really recommend you to go there, do it quickly, and then let's jump into the next video and talk about your animation. 3. Where to Find Free UI Designs for Animation Projects: Talk about how to get UI designs for free. There's a big variety of ways on how we can do this, but over the next couple of videos, I want to show you the easiest and most convenient ways to do it. We'll have two approaches with after effects, and we'll have two approaches with Illustrator. So if you don't have the Illustrator, you'll be able to use the approaches with After Effects. But if you have access to Illustrator, or you can get access to Illustrator, so you can purchase it or you have a subscript is going to just dramatically improve the whole experience. So I really, really recommend you that. Now, the hardest part with UI designs is actually not the animation. It's the preparation of the UI design itself. The animations are pretty simple. Like, even if we have to animate 100 different positions and layers, it's not a problem at all because there are some tools. I'll show you how to use those, and we can put it into three D. It's it's super, super easy, but then the preparation part is actually the one that takes the most time. Of the next four videos, we can talk about that, and let's jump into the next four videos. See. 4. Workflow 1: Animate Screenshots Using Masks in After Effects: The easiest but quite time consuming approach that we can use, and this is the first one which is going to be a screenshot plus after effects. For example, I took a screenshot of Massagm page, and if we want to animate this, then all we have to do is to break it down into small pieces. You can take your own screenshot or you can use this one. It doesn't matter at all. I'm just going to put the screenshot into after effects, and I'm going to create a composition of the size that I want. I'm going to click it's going to be 1920 by 1080, and it works absolutely the same for talking about the horizontal video, so that will be 1080 by 920, but anyway. And in terms of length, doesn't really matter. But in this case, it's 8 seconds time. I'm going to press okay. And then I'm going to put the screenshot here, and I'll go into the horizontal workspace. Now, I'm going to select our screenshot. I'm going to press Shift Option Command or Control H. And it's going to fit our screenshot basically on the side so that the side of the screenshot is touching this side of the composition and the side of the screen shot is touching this side of the composition. You can press Shift option command G, and it's going to fit it at the top and the bottom, but we're doing side. I'm going to press on S, shift P to open the position and scale. And actually, I'd love to move it a little bit, like so so that we don't have the side to the left and potentially like zoom in a little bit. We have the same amount of space on the left and on the right. And then at the bottom, we can apply a crop effect. So I'm going to search for effects. This is called an FX console, and you can search for it online. It's just a pop up that allows us to search for effects instead of me having to go to the Effect and Presets panel. Okay, so I'm just going to search for a crop. Crop edges effect. And you can see that we have the crop. So if I increase or decrease it, it happens on all four sides. And because we have this thread part, it means that we have an expression here. And if I click on Option or Alton PC, I'm going to disable it. Now I'll be able to independently do it LO. So I'm actually going to click on every single one of these, and I'm going to click on Reset, reset, and reset Leo. And then I'm going to increase it from the bottom and we can zoom in to make sure it is perfect. So let's try 28. 29 29 is actually perfect. Maybe 29 comma one. Yes. I think this is going to be even better. So you can see we cut it precisely. I'm going to press Shift slash in order to go back to the full screen. And right now, actually, we can lower it down a little bit, like so that it's the same size at the top. Here, we have enough space at the top and at the bottom. And another thing we can do is we can press Command Y in order to create a solid. We can add a white solid and put it on the background so that there you go. We have our UI. Now, in order to break this down into lots of small pieces, we have to use masks. And before we do that, it's actually better to rename our layers. In this case, it's going to be re genole. Now I'm going to duplicate it, and I'm going to disable the original, and we'll have the original too. Now, we have to select our shape tool or we can just press on Q and it's going to select it as well. And now we just need to cut era in parts. So for example, let's select our original layer, and let's make a selection. So there you go. We have one selection. Now, I'm going to duplicate it by pressing Command D or Control G. Press on M to select the mask, delete the mask, and then press on Q again. And let's select this gear icon. Then once again, Command D, M, delete. And let's select flat at D grade. Now, once again, command D M, delete, and let's do this part. D M, delete. This part. D, delete. Zoom in select this part. And now we need to go through every single thing that we have on the screen and cut it out, create a mask, basically. After that, we'll have like 50 different layers, maybe more, maybe less, and then we'll be able to animate it easily. So let's do a couple of more things here. Just to save you a little bit of time. I'm not going to do a very good selection, but I'll just speed this up a little bit. So for example, I'm going to select two instead of each one of them separately. D, delete. Let's select this part as well. Come on, D, M, delete. Let's select this part at the bottom. Like, roughly so great. So if I disable, yes, there we go. One thing I do recommend you to do is to rename it properly. This is going to be IG handle, for example. This is going to be, like, gear icon. This is going to be name. And for the text, instead of just saying the name, for example, we can put my actual name, which is Vlocity, which is what we have on the Instagram. There's no right or wrong. It's whatever works best for you and it's easier for you to understand. Then for this part, this is posts. This is followers following Avatar Avatar picture, buttons, highlights, and this is going to be posts. This makes it a lot better. Another thing we can do is, for example, we can select all of these and set a specific color, like, for example, orange so that we know that everything that we have the orange is going to be like here at the top. And then, for example, for the buttons, we can set the buttons another color. And let's say we had, like, a couple of different buttons, then it would be pink or actually, let's put fucha, it's going to be just a little bit more contrasty. For the highlights and the posts, that can be another one. Or, for example, if we had like ten different highlights, we'd have ten different layers, and we would put different colors. So that's how you do it. If you have any questions, let me know. A than that to you in the next video. 5. Workflow 2: Recreate UIs from Screenshots Directly in After Effects: For the second approach to create UI designs, we also have to use after effects, but in this case, we have to recreate the UI design. Let's use exactly the same screenshot as we had in the previous video. I'm going to create another composition, which is going to be horizontal and I'm going to put our screenshot here or actually, we can just copy our original plus the white solid from the previous one, pas here. And enable the screenshot. And you might be wondering, what's the reason for this recreation? And there's a very good reasons because if we go into the previous comp, I'm going to create a null by pressing Shift Option Command Y and then select everything, click on the null by pressing Command or Control, and I'm going to parent everything to the null, press on S, increase the scale, and let's do like P as well. And we can see that when we zoom in, we have bad quality. This is not good quality. But if we recreate it ourselves, then we'll be able to sturize layers. And I'm going to show you what that means. Let's zoom a little bit back. Let's write this word taffy, which is the name of the dog. Not Tafo but taffy. Okay. And let's make it a little bit smaller, just to make sure it fits P and I'm going to put it here. And you can see that the text layer has this button here, rasterize. I'm not even able to disable it. I'm actually going to put it a little bit to the left so that we have a good comparison. And I'm going to parent this taffy to the null as well, and I'm going to increase everything in size. You can see the difference. This has an amazing quality. This has a terrible quality because this is screentot and this is a rasterized text layer. So that's the whole reason why we have to do it. Like so. I mean, you don't have to do it, but it's a very good way to keep the quality. And for example, if you really want to zoom in to some of the texts or some of the layers, this is the way you do it. And I'm also going to show you later how you can save everything as a template so that you don't have to recreate every time. Let's come to comp number two, and let's select the round rectangle tool, and let's zoom in. So here, we'd have to go for something like this. By the way, it doesn't have to be, like, super perfect. I'm going to open the rectangle path and decrease the roundness a little bit so that it's a perfect fit. All I'm doing here is just saying, does it fit to this line or not? And when it does, it's good to go. Great. This is going to be shapier. And for the color, I'm just going to select this color. Then we can duplicate it, press on P, move it to the right, and we can zoom in to make sure it's perfect. Hmm, roughly like this. Once again, doesn't have to be perfect. When people see these Yo animations line, people don't even realize they don't register, things like this because it's just the way our brain works. So we would need to call this button left. This is going to be button right. And let's disable this. See what we have in terms of text. Edit profile and view archive. Okay. So let's put our text in. I'm going to disable these buttons for now. Edit profile, and I'm going to zoom in. Yes, there you go. This is perfect fitment. And now, if I enable the left button, put it here and select these two. So if I disable or enable it, we cannot even tell the difference, before and after, before and after. Of course, there's a little bit of a very little bit of difference, but such small difference, people never realize it. So I'm going to duplicate the edit profile, press on P, and let's change the text to view archive, press on P once again and move it to the left. There you go. And now I'm going to parent the view archive to the right button and edit profile to the left button. And I'm going to also enable, like so. Because we parented it, I use if I move the left button, you can see that we have the text move with the button, which is super convenient, and that's the way it should be. For this text, it's pretty easy to replicate. It's exactly the same thing. You just create a text layer and put it in, make sure it fits perfectly. The pictures, it is a little bit harder. Longs are short, we will never be able to rasterize pictures unless it's AI or something like that. The pictures are always going to lose quality. So if you have a high quality picture yourself, yes, you can do it. So you would do it like so. You would create a circle. Okay, let's say it's going to be like this. And then all you have to do is track mat the picture of yourself to that shape layer and it's going to be this cutout, right? But then whenever we are going to increase in size, it's still going to be the picture is going to decrease in quality. If you want to go through the trouble of doing it for every single picture, you can. But with pictures, it's okay to create masks. Everything that has pictures, we are just going to keep it as it is. And just for the text and for the UI buttons, we have to recreate it. And if we are talking about these buttons here, we can recreate it by using the shape layer. So we would have to create actually, let's select the rounded rectangle so we can do it like so. And by pressing shift, I'm going to make sure it is square rectangle, rectangle path, decrease the roundness a little bit so that it fits. Instead of the solid color, we're going to use a solid stroke and we'll make it this color, decrease the stroke width, for example. Within this shape layer, we are going to create another shape going from here to here and I'm going to press on shift. It's going to create the shape layer. And I'm going to draw I'm going to select the shape layer, draw a line from here to here and from here to here. And then in the middle, we need to create the striangle which we can do with the startol. So all we have to do is to create the startol and then with the scroller of a mouse, decrease the number of angles to create the striangle. You just need to make it a lot smaller in size. Like, how big is this one? Roughly like so. And then for this polystr we just need to open its properties, and I mean, we can move it like so, or we can open the transform properties of it and then move it right and left. And now, if I move this whole shape layer, which is going to be this button. There you go. We just recreated this button ourselves. And if we were to it in the previous position where it was, you cannot even tell the difference. Maybe we can decrease the stroke a little bit by selecting all the layers and then the stroke width, let's put it to two, make it a little bit smaller. And then for the S, we can decrease actually, we need to put the anchor point to the center. For that, I need to select your layer and press on command and then double click here, it's going to center the anchor point here. Now if we decrease the scale, this is what's going to happen. I'm going to open the shape layer contents polystarF the polysty itself, the stroke color, we're going to use the solid fill color and we need to make it this color, like so. And, okay, we can increase the scale of this thing a little bit. There you go. So that's how you can recreate every single button. This one is a lot easier. This one is a little bit harder, but it's exactly the same thing. It's exactly the same process of just recreating it. Once you have all these layers, ready to be animated, over the next two videos, I'll show you how to use Illustrator. So if you don't use Illustrator, you can skip those videos. But if you do want to know how to take it to the next level, then I really recommend you to watch next video. So if you have any questions, let me know, add that in the next video. 6. Workflow 3: Animate Figma Designs with Illustrator + AE: Welcome. In this video, we'll explore how to use Illustrator with FIGMA. FGMA is an application where you can get all sorts of interesting designs, and it's absolutely for free. You don't have to pay for it or anything. So just have Figma installed, login. And then once you log in, if you download an app or use the browser, it's very similar, so you need to go into the community. And here we need to search for all sorts of UIs. So for example, we can search for MAC UI It's going to open a lot of stuff here. But I actually quite like this one. So if I double click on it, and then I click on Open Infigma, it's going to take some time to load. We have a lot of different UI designs here. And if I zoom in by pressing command or control and using the scroll wheel on my mouse, I can really zoom in and can see the quality stays very good. Right? I can zoom in into absolutely everything. The quality is insane because we're using S SVG files. And these are the files that is basically the same as the text and after effects, which they can sturize. So that's why we have this very good quality, even if we really, really zoom in. So we have lots of stuff. And we need to select one of the designs that we like. Let's select this very first one. We can select the black one or the white one. The way you select Figma is you need to double click and you can move things around whatever you selected. But we selected both of these, and we can either kind of go here and select it like so. Now, we selected the Black one. Or let's say I just disect everything, I can double click select both of these again, and I can double here again, and now it's going to select the one on the right. So you can either click here on the left until you select exactly what you need, or you can just click on the screen. And let's say I want to select like music. I have to click, Duble click, double click until I select the music. But we don't need to go that far, so I'm going to zoom out a little bit, select select. This is the one that I need. And I'm going to right click copy paste as SVJs really important. Now, we need to open Illustrator and click on you. Web Large, 1920 by 1080. If you want to four K, you can always do it, but 1920 by 1080 is going to be very, very good. By the way, the bigger the resolution, the harder is going to be on your computer because this is going to take quite a bit of power for your computer, especially in after effects. So that's great. 1920 by 1080. And because we copied SVJ, I'm just going to press on Command V, and it's going to take some time. There you go. You can see that the size is slightly different, and we have to search for fit artwork to bounds. So we need to go into object, artboards, fit to artboard bounds, and it's going to automatically fit it to the screen, which just makes things a lot easier. Now, the way it works in Illustrator is you have layers. Right now, this is all one layer. But if I open it up and open up and open it up, we'll have quite a few more layers. The problem is that when we have one layer, that layer controls everything. And if we want to separate these into different layers, we need to select all of these. So we need to open it up until basically we get a lot of different small layers, and then we need to track them out into the layer number one. And now by selecting the layer number one, we need to click on the three dots here and click on release two layers sequence. Now, we need to select these once again, select everything and then drag them out of that layer. And so now you will see that we have this part separate. We have this part separate, this part separate, you know, this button separate, the background separate. Whereas before we had it all into under one layer. And let's say I want these to be separated as well. So we need to select it, and it's going to be layer number 19. Let's open it, open it, open it, open it. There we go. And we have now a lot of stuff. So I'm just going to select all of this, everything that's under this. Select everything. The clipping mask is not something we have to select. It's just a mask that it was a mask that hid these parts at the bottom. Now that we dragged it out into undid layer, we just select once again our layer, click here once again, release to layer sequence. And now, once again, select all of this, 181 layers and drag them out of that layer. And now every single piece is going to be separate. So now I can move music, this part, this background, this background, every single button, move every single thing. Now, for these parts at the bottom, because they are just a little bit weird at this point, we can either select it and delete it. Like so and this part as well. Or we can do it later in after effects. But at this point, what we're going to do, I'm going to press on Command zero to fit the screen. And now I need to press on Command S to save this as a file. I'm going to save it on desktop. As Illustrator file, yes, save and pressing Okay. Now, when we come to after effects, I'm going to just drag our file here. And here's a very important part. You have footage and you have composition in the import kind, and we need to import it as composition, super important this step. Now, in the footage dimensions, we need to do layer size. The difference between the layer and the document size is when we have the layer size, it means that every single layer will be limited to its original size. Basically, the mouse will be the size of the mouse. And if I try to touch it, it's going to be the size of the mouse. But then if we have the layer size as the document size, imagine the mouse that we see is this small, but then when I try to touch it, I'm going to move the whole room around me because it's going to be the size of the document. Basically, every single thing here is going to be the size of the document, and we don't want that to happen. We want to be the layer size. So I'm going to press Okay, and it will take some time to load. That usually doesn't take a lot of time, maybe a couple of seconds, sometimes like 20, 30 seconds, sometimes even a minute, depending on how many layers you have because it has to go through every single layer to import it. There you go. And now, if I double click on our Untitled, we will have it here. I just needs to load a little bit because we have a big amount of layers. And now, you'll see that we have every single thing as a separate layer. But if I press on Command K, you'll see that the width is 14 40 by height, 900. So the size is quite small, and then if I zoom in, we can see that the quality is not super great. But honestly, it doesn't matter because we can increase the the size to 1920 by 1080, going to press K, p person shift slash so that it fits. And so remember when we imported it, it was roughly like so in Illustrator. It wasn't perfect fitment. The artboard, the background was just a little bit bigger. And now, what we can do here, something super interesting is we can create a null, shift option command Y, select everything by pressing Command A, and then holding command or control, select the null to deselect it. And then parent everything to the n. It's going to take some time. Actually, let's select everything and click on this button to rasterize everything. Once again, it will take some time to load it. But then once we increase the size of everything in after effects, let's increase. There you go. You can see the quality stays absolutely the same for everything. The quality is really, really good. It's almost impossible to get this kind of I mean, it is impossible to get this kind of quality from screenshot. Now that we have all of these layers, we can increase or decrease the scale of every single layer. We can let's say I select this one person P, I can move around every single piece. So this is how you create your I designs in Illustrator. Let's jump into the next video. Also another way to create I designs in Illustrator. And soon after that, we'll jump into animating everything. So if you have any questions, let me know, and that to you in the next video. 7. Workflow 4: Import PDF UI Files into Illustrator and After Effects: Okay, let's talk about the last way to create UI designs. Imagine taking a screenshot and then having to cut out every single word, every single just icon here, it's going to take quite a bit of time. And we can speed this process up significantly. I'm going to show you two ways, one on Mac and one on Windows. If we go to Safari, we can actually go into File and then export as PDF. Go to Desktop, Google, let's call it, Mac here. And then the same thing, if we go into Chrome, we have to go into File. Print, Save as PDF, and let's save it as a PDF. And let's come to desktop and call it Windows. Now, I found that it works a lot better on MAC through Safi because of the way Safi creates a PDF. Basically, what we do is we create PDF of the page on whatever we are on. And this is, if I preview, this is what the page looks like. But then if I go into Windows, this is what the page looks like. Slightly different. So this is from Chrome and this is from Safari. Now, what I have to do is, so this is Mac. This is Safari, right click open with Illustrator. Some of the PDF objects have been reinterpreted because it's not always perfect, just press Nook. Replace fonts, it's okay. Just click on UK. You can select the font that you want to replace it with. And there you go. This is the whole page. It's this simple. Now, we can obviously select everything. Actually, we select the layer, click on release layer to sequence. Select everything and just get it out. And then we can move every single thing. Every single thing is its own layer now, which is super, super convenient, right? Exactly the same thing. Just save it as an illustrator file, put it into after effects. Good to go file, save us. Illustrator, Adobe Illustrator, and yes, save it. Great. However, if I do the same thing with Windows, it's exactly the same process. So open with Ado Illustrator, pressing okay. This is our page, which you can definitely tell looks slightly different, but still good enough for animation. And we have to do exactly the same thing, release layer to sequence, select all the layers, drag them out. And then once again, every single thing becomes its own thing to animate. So let's do exactly that, save us. Illustrator, and we save it on desktop, there's going to be windows. And now, if we select our MAC, for example, and put it in once again, composition layer size, super important, press N k. It's going to take some time to load, and then we'll have to do exactly the same thing for the Windows. Now, if I double click on this one, a very similar thing as we had before, we have, once again, hundreds and hundreds of layers. Every single layer is movable, and there you go. We just have to select the right one. Perfect. And then we can move every single text here just to show you that we have exactly the same thing for the Windows one. Here composition layer size, click on Okay, double click on it. There you go. This is a slightly interesting color, so I'm going to add a solid. Let's make it white, and I'm going to put it to the bottom, and there you go. And once again, we can move every single part here. So it's just the difference between the safari and the chrome is the formatting. The formatting of safari is better, but we can do it for different websites. Some of the websites don't work really well because if I, for example, go to YouTube, and I do the same thing with YouTube. Export SPDF. Yes, let's do it on home screen. And then this is YouTube. I'm going to open it with Illustrator, person k. You can see that actually, all of the text is looking weird. It's because of the different formatting that they use. If we were to do it, like so, all we have to do is, for example, we select our text, something like this, like smartphone Awards 2025, go into Illustrator, Zoom in. On cheat, like the text, put it in, and there you go. It's exactly the same thing. It's just we have to work on it a little bit, but saves quite a bit of time. So every approach is quite good, but every approach has its advantages, disadvantages, and it's just the way it works. If you have any questions, let me know. Add than that see you in the next video. 8. Build Reusable UI Templates for Future Motion Projects: In this video, let me show you how to create reusable templates. Whenever we have a screenshot, we just created masks around in after effects or we re created a screenshot in after effects or we used an Illustrator or PDF. The way we can reuse this in the future is save the after effect file. With this, all I have to do is press Command S and it's going to ask me to save the file. I'm just going to save it on a desktop press and save and I'm going to close this project. If I create another project, it's going to be, for example, with this new composition, all I have to do is to select our Aftereffects project. This is going to be template, and I'm just going to drag and drop it here, and it's going to have our different compositions. And so all we have to do is to drag our compositions here and it's going to work. Whenever we do changes here, for example, we have the different layers. We increase some of the layers. Let's maybe select a few more. Person S, increase a couple of parts. I mean, you can see we've made some differences here, right? And I'm going to person and as say this project, there's going to be like video project, and I'm going to close this project, and I'm going to open our template. And our template, nothing has changed, but everything that has changed has only changed in this after effects project. So this is the way I can create template. Obviously save the illustrator files. It is particularly really useful if you're using the screentot because if you are using the illustrator files, obviously, you can just drag and drop it into the project and create a composition with it. You don't necessarily have to save an after effects project with it, but still going to add just a little bit more convenience for you because you don't have to import it next time. And for example, if you moved a couple of things around, it's still going to be quite useful. So that's how you do it. If you have any questions, let me know that see you in the next video. 9. How to Use Animation Composer for UI Motion Design: Welcome. In this video, I'd like to introduce you to Animation Composer, an unbelievable free tool that will help us to animate everything. So this is a Mr. Horse website, misterhors.com, and here we have the Animation composer, which you can get by going into the products marks for after effects, and we are going to have the Animation composer. Now, the link is going to be in the resources section, so you can easily access it there. This is a free version, but there's an option to get a paid version, which is going to have a lot more. But honestly, the free version is unbelievably good, and I use the free version. By the way, it's also for premiere, so it can be really, really good. Anyway, you can take a look at what this consists of, but I'm going to show you how we are going to animate our UI designs with it. So when you get into after effXs once you install it, the installation is pretty simple. Follow the instructions, going to window and animation composer here at the top, and then you will have this window pop up. I just put here on the right because it's convenient for me to be here. And in the vertical, I have it here. Let's say, I'm going to import this video here composition, layer size, and person K, and I'm going to open it. So we have 100 differ layers, and let's say want all these layers to pop up on the screen one after the other so that we have this very interesting effect where it's one by one, almost like a machine gun. In order to do that, we just need to find the layer that it starts with, and this case, this would need to find maybe this. Let's check. So layer ten. And then if I select this, Okay, great. Great. Great, great, great. Okay, so until here. And I'm going to mark it with another color. Let's go for orange. Let's just double check that whenever we select T layers, it's going to be something else. Okay, so we are going to animate everything that starts like everything that's below this point and above this point, basically everything we have here. Basically, like this. We're going to animate everything like this. And to do that, we selected all of these. Mark them with another color so that it's easy for us to identify it. And now we need to once again select everything, and we need to go to animation composer, and we need to browse for motion presets. Basically, it's just the way a certain layer is going to appear on the screen, and you have a lot of different options. The moment of the animation composer oftentimes comes from the anchor point, and we can see that the nc point, it is here for let me actually show you. So for this layer, it is here. For this layer, the ancho point is right there in the middle. For this layer, it's in the middle. But sometimes it's not always perfect. The ancho point might be a little bit off. So let's say, for specific words, the ancho point might be we can change the ancho point by pressing here and I can move the ancho point a little bit to the left. And what will happen is, let me press on S. If I decrease or increase the size of that layer, it's going to decrease or increase based on the ancha point, which is what we do not want to happen. I want to make sure that the ancho point is in the middle. And the reason why I'm telling you this is because if let's say the ancho point is a little bit to the side and we press in some sort of animation. Okay, let's go for this one. Yes. So you can see it's going to appear a little bit from the side, which is something we don't want to happen. So in order to avoid that, if our anchor point is a little bit to the side, all we have to do is to click on the stool and just move the anchor point to the very middle. Or if it is a little bit on the side, we can press on command or Control and then double click here, and it's going to be right in the middle of that layer. Now that we have that out of the way, let's select all of our layers, and let's browse and let's do this one overshoot. And let's click on I. I'm just going to fit to the screen. And there you go. We have all these layers appear on the screen all at the same time. Now, if I want each layer to appear one by one, so one after the other, we need to select all these layers. And then if we go into the edit tab in the animation composer, you'll see that we have layer selection. Here, we need to move this a little bit by, let's say, like one frame. So I'm just going to add here one at the very end and press on Enter. And you'll see that it will move every single layer, a little bit to the side so that we have this very smooth animation. Now, let's play it and see how it looks. Great. And here we can actually customize which one we like. So we can do it randomly. We can do it in a selection order or we can do it ascending, descending. So if I wanted this to happen the other way, we would do exactly the same thing, and I would just put wonder at the end, person enter. So instead of it being from the bottom, it would be from the top. Let me diselect. You can diselect everything where person Shift Command A. So if you have, like, a lot of selections, you can press Shift Command A and going to diselect. Yeah, there you go. Very, very good, very smooth. With animation composer, I mean, there's a lot more. There's all sorts of text animations, but we're going to talk about text in a couple of videos where we'll use the text Evo in unbelievable free tool as well. Then we have titles, transitions, graphic components, sounds really good, as well. So you can definitely explore. It's just I really wanted to show you that you can animate in bulk and something that's going to save you an unbelievable amount of time. We can also go and do random. See the difference. So now, as you can see, it's just a little bit random. But the difference is not significant. So we can go ahead and do random but a little bit more. Let's go for, like, 14 There you go. Looks really, really good. Imagine doing this by hand with every single layer, it would take a ton of time. So really, really big saver. Now, you might be wondering, okay, how do we put that in the video? And then in a couple of videos, once again, I'll show you how I actually create a full video out of this using the animation composer and all the layers and, like, all the methods that we use. So we'll cover that next videos. Add than that, if you have any questions, let me know. Add that, I'll see you in the next video. 10. Add 3D Depth with This Must-Have After Effects Plugin: In this video, we'll talk about how to take our Yo animations to the next level. If you have a words UI animations online, then you will see that sometimes these animations become three D. And the question is, how do we make it three D? There's a very easy way to do it in after effects, it's actually with the plugin called depth. Once again, it's absolutely for free. Just go ahead and sold it. So let me show you how it's done. When you get to this website, just go ahead and click on the price zero and then click on purchase this case purchase again because I've purchased it before. Go ahead and get it. You have to put it into Adobe After Effects folder into scripts. Script your panels and just drag and drop it here you can see depth. I have it here. And then once you come to after effects, just go into Window, and we need to have it enable here depth. So I put it next to animation composer here, and we once again, need to identify which layers are where exactly and identify which layers we want to make three D, which layers we want to separate in three D. In this case, I want to separate everything that's going to be here in the middle, like within the finder, within this folder. I want to make sure I find every single okay, so we have something here. So we have this text, okay? We can mark this with orange. Basically, we just need to find everything that's so we go from the top to the bottom. Okay, until here. The way I'm doing this is I'm just trying to find the layer that's not in the middle. And I start with layer that's where is it with this layer, which is the first layer within this frame, within the folder because this one is, like, is something else, right? I'm not sure what it is exactly, but it's definitely something different. Anyway, so we need to mark these with color. Let's select everything press on orange. Okay. So now we have everything in orange. Great. So whenever we turn something into three D and after effect and we create space between three D layers. If we move the layer a little bit further away or closer to the camera, the layer either becomes a little bit bigger or a little bit smaller. And this plugin allows us to basically keep the same size whenever we move it a little bit further or closer to the camera. Let me create another composition to show you this. Let's say we have something like this. And let's say we turn both of these three D by clicking on this button here. By the way, if you don't have the three D, you can just switch by clicking on this button here to Toggle Switch, and you can make it three D. Move it a little bit to the left, and I'm going to add a second viewer. And this viewer is going to be from the top. And to make things a little bit simpler, let's go to Advanced three D, the renderer, and let's add a little bit of the extrusion depth so that we can see things a little bit better. This is our circle, and this is our rectangle. And if I click on R, I can show it to you like this, right? So you can see this is the view from the top. This is the view just from the front. Let's person P. Let's say I want to create some space between these two, so I move our circle a little bit farther away from the camera. Or, in this case, we don't have the camera yet, but it doesn't really matter. We move it further, and you can see here, it becomes a little bit smaller. So when person commands that, it became a little bit bigger. This one became a little bit smaller, and you can see it kind of moves within the screen as well. And if let's say I want to move this one a little bit closer to the screen or to the camera. So now we have some space between them. You can see this one became a lot bigger and changed its position as well. Now, we can actually avoid that by having the depth plugin. Let's turn off the three D. Let's say it's just kind of the way it should be from the very beginning, right? And I click on disperse. Okay. So currently, these are in the same position, but if I click on disperse again, you'll see that it did move a little bit. So this one is now further away. This one is closer. But even though these changed the position, you know, on the screen, they stay the same, right? So before and after before, after before and after. And if we take a look at what's happening, the scale changes and the position changes as well. For this one, the position is zero because that's where the zero is. But for this one, for the square, it's a little bit further away. It's at 1,000, and that's exactly what we have here. The layer spacing is 1,000. And if we want the layers to be moved further away, closer away at the same distance, all we have to do is to parent them. So impress and commands it, and let's create shape layer. This is going to be by the way, it's another important part is that it's going to go from the top. So whatever layers on top is going to stay closer to the camera and whatever layer is further down here, it's going to go further away from the camera. So I just duplicated it. Lim press and P, moved a little bit to the side, so now we have two of these. And I'm going to just parent, let's say, layer one to layer three. Basically one squared to another. Let me tell you the camera. I'm going to select all of these, and I'm going to click on disperse the same issue. Click disperse. And you can see because we had these parented, they are now further away at the same position here at the top. So a couple of things we can do. We have this part which we can keep here at the front, and therefore, we are going to parent all of this to layer number one. So we select all the layers of parented to layer number one. Like so. Then when we go to the very bottom, we will also pan that layer number one. We just need to go a little bit up. Well, not layer number one, but layer number seven, right? So we have everything layered put to layer number seven, great. And now we can do layer basically all the orange layers. We will pan to the first orange layer. There you go. Now when we select these and click on disperse, we should have exactly the same thing happen. So if I go into second Viewer, it made it perfect, but we actually needed all of these buttons to be in front instead of the back. So for that, what I would do is I would select this layer 52 and put it to above layer number one. And then I would once again select everything and click on disperse. Perfect. So now we have the background further away, as you can see on the screen here, and we have basically all the orange part here at the front. And if we select our camera to open camera option depth of field, if we enable it and increase the aperture, let me show you it with one viewer. You'll see that because we have all the orange layers a lot to the front, we can isolate it with the background. Another important aspect why we're doing this is because of the thing called parallax. Parallax is basically whenever you drive with a car, you will see that the mountains stay in one position and almost never change because it's very far away. But, for example, like a house that's going to be in front of the mountains and yourself is going to move a little bit faster because you're driving. But things that are very close to you like flowers on the side of the road are going to move even faster. This is called the parallax. Let me quickly show it to you. So the clouds that are very far away, they move very little bit compared to something that's in the front and something that's in between the very far clouds and the very front, it moves somewhere in the middle. And we can actually achieve exactly the same thing, exactly the same effect. So we have our camera and our camera is connected to the camera controller. In this case, it's a null. If I click on P, and if I move it a little bit to the side, you'll see that we have exactly this effect. If we move up or down, the background doesn't change as much as the foreground changes. And the orange layers are in the foreground. And because of that, we have this slightly different movement, which tells us that there is a little bit of space and this three D, which makes it a lot more expensive when it comes to these kind of videos. So this is the depth plugin. Now, imagine putting that together with animation composer with motion presets, let's go and use this one, and then we can go ahead and randomize do something like this. So we have all of these things appearing on the screen. Oh, I see what happened now. Didn't work because all of these layers are parented to layer number one, so we need to command Z, select all of the layers, all of the orange layers, and then click on non. So it's going to be parented to none, but now when we select it, and let's say we go to browse and we do exactly the same thing in, then we go to edit stack it randomly, add a little bit of this randomness and deselect everything. Great. And now, let's say we also animate the camera to go, let's say, from actually, we can go from a little bit lower to a little bit higher. So I'm just adding keyframes and having it appear on the screen. We can also selective press N F nine to make it a little bit smoother, customize the graph so that the graph is a little bit smoother as well, like so. And you'll see that we have this interesting three D movement and popping up. It looks very, very expensive. Obviously, we'd have to play around with the background a little bit. Move it a little bit to a slightly different position so that it looks a little bit better. So anyway, if you have any questions, let me know. A than see you in the next video. 11. Speed Up Your Text Animations with TextEvo: The last super useful tool that's going to help us speed up the animations and make our lives a lot easier is text Evo. When you come to this website, you will see that it is $30, but then if you put a zero here, you can get it for $0. So you just name your own price. I mean, obviously, if you are a business, then you need to read the description, but if you're an individual, then you can just go ahead and add a card and use it for. Once you install it, once again, it's a very similar thing. All you need to do is to put it into script UI panels and just go ahead and drop it here so you can say I have text E two here. And then when you come to after effects, Window and text Ear at the bottom, and then you can just drop it. I have it here, in the horizontal workspace, and in the vertical workspace, I have it. Why do we use this? Is because in order to animate in text and after effects, of course, you can apply some sort of effect on the text, for example, like a typewriter effect, which is going to be great. But if you want to have very interesting customization to the text, it's animation, then textiv is going to be super useful. Let's put some text on the screen, make it a lot bigger, make it white. Great. And let's just put it right in the middle. So we can search for effects like, once again, typewriter effect, right, and it's going to type the text, which is an interesting effect, or another thing we can do is we can animate the text. So we can add a character offset. We have the range selector, then we can animate the end and the start and then we can customize it. Kind of useful. But then text Evo makes things so much easier. So in order to use the text Evo, all we have to do is click on Plus. When we have our text selected, we need to click on Plus, and it's going to add the text Evo effect. If we have nothing selected, you're just going to add a text layer. And then we can go ahead and customize this exactly the same thing. We can click on Plus, and when we open, we have two keyframes. One is the starting keyframe and one is the end keyframe. What we can do is we can change the movement, the opacity, the blurriness, the whatever of the first keyframe. Whenever we get to the second keyframe, it's going to go from that set to this original state. By the way, we don't even have to kind of be on the keyframe. So for example, if I change the position, and let's change the let's say Y, right? It's going from the bottom to the top. There you go. Super simple and already animated. Couple of things we can do. Some of the great things I like is having the opacity at zero. So it's going to happen like this. Already looks cool. Then we can do the blur, so we can customize the blur. Let's put it to 101 hundred here as well. So it's going to appear so then you can customize the delay or the direction we can customize if we go here and if we go into text if we pop up or panel we need to change based on. We can do it on letters. It's letters sasless words, lines or cancel. So if you want it to happen by words, just click on words, and we need you to select it, right? Yes, this one, let's say words. And instead of it being by characters, now it's by words, so now the whole word appears. And if we have a couple of words, text animate. Okay, what happened? Text Animation, select the text, make it a little bit smaller. There you go. Text animation. Perfect. So as simple as that. There are many things you can customize here. So I would just encourage you to go ahead and explore, see what you like, see what you would like to use. Most oftenly, I just use kind of the either character or word animation and something as simple as it appearing on the screen. And by the way, you can also save presets here. So you can select text and you can click on preset, and you can add a preset of whatever animation you have on the screen, and then it's going to appear here. Or you can apply an animation that you saved before. You can remove. Let's say, click on this one, and I remove it, but I'm not going to do that, or you can refresh if it needs a little bit of an update. You can also copy the effect, for example, if I select this layer, so I'm going to duplicate, click on it, delete the text Evo press on P, move it a little bit higher. Select the text animation, so I can copy this animation, and then I can paste it here and we have things exactly the same. And by the way, I can press on you to reveal the keyframes and then move the key frames around. So I can select like this and just going to appear from this point. So that's how you do it. When we recreate the text going to be super useful to have another layer of animation of animated text going to make it so much better, and this tool is going to save us a lot of time. So if you have any questions, let me know and see you in the next video. 12. Congratulations!: Congratulations. If you are watching this, it means you made it halfway through the course content, off covered a lot, so congratulations to you for making this point. And there's a lot more valuable content coming soon, but before we get to the next video, I want to simply ask you if you found value in this program up until this point, take 60 seconds to leave you honest review. Of course, I will immensely appreciate this, and feedback will massively help future students in deciding the best program for them. So leave you feedback now, and of course, if there's anything I can help you with, please let me know in the Q&A section below. You're doing great. Keep going. Without being said. Let's get to the next video. 13. Use ChatGPT to Brainstorm Viral UI Animation Ideas: Welcome. In this video, we'll explore using HGPT to come up with IDs, to brainstorm IDs. So whether you're using JTPT to work with your clients or to create videos for yourself, it's going to be super useful. Let's begin. The first thing I'll do is I'll talk to JGPT explain what I want to do, and then we'll see what JGPT does. Hey, JTPT, I am creating video about UI designs. Actually, it's not necessarily about UI designs, but using UI designs. So that's going to be UI panels, there's going to be websites, there's going to be interfaces, all sorts of stuff. Specifically, I want to create a video about Steve Jobs, the person who created and I want to create a short film video, which is going to be, let's say, like 30 seconds long, and we need to use UI panels, and we need to tell an interesting story about him that either has not been told yet, which probably it has, but at least that is not as popular, but it's very interesting and, like, a thumb stopper. First of all, I need you to give me interesting ideas of what we can talk about. Potentially, if there are non ideas, we can talk about his net worth, about how much money he's made, things like that. Having some sort of interesting fact about him would be great. So go ahead and first of all, tell me the interesting facts about him, and then after that, we'll decide what to do next. So, the more context I give to JDPT the better because it's going to understand what I'm going for and really great, great results. Yes, this is actually true. He was fired. This is true, as well as if these facts are not true. I like the fact that his salary was $1, so I think we can lean into that and we can use different UIs. That's correct. So let's go and create the script for a 32nd video, starting with a very strong hook, then the value part, then the very good ending, satisfying ending. Let's go ahead and create the script, and I'll give you feedback. You can see he kind of wrote for me all sorts of stuff, and I'm just giving feedback back to ATPT. Hmm. Actually, now that I'm looking at it, don't like how it's how the story is developing. Okay, let's create a video about his net worth. Let's talk about his net worth when he died. Let's not talk about, like, the fact that he died, but let's just overall talk about, you know, that he was worth I don't remember what it was, but like ten plus billion dollars. And that the interesting fact is that he actually made, like, a lot of that from Pixar. Okay, let's first talk only about the narration, about the script itself. And then in terms of DOI, we will figure it out later. I think this part is good. So I think we can kind of use this part. I don't like the ending part. Everyone assumes Steve Jobs made his fortunes with Apple, but that's not actually true. But that's actually, what am I right? But that's actually wrong. When he died, his net worth was a little over $10 billion, but the majority that Mm hmm. I think this is going to be this is going to be a really good script. So we will use this script. This is a really, really good idea, and we just need to make it happen. So if you have any questions let me know, other than that see you in the next video. 14. Prepare UI Assets and Layouts for Animation: Welcome. In this video, we need to create our UI designs using our script. We will also ask ITPT to help us a little bit with this. And we can definitely use our own creativity, and I have a couple of thoughts on how we can do this. But I also would like to see if there's anything that IDPT will suggest that potentially we'll make it even better. HITPT. So let's use this as a script. I think this is going to be really, really good. So we're just basically getting rid of the ending. And for this, I need you to suggest what kind of UI designs we can use. So for every line or for every change of the UI design, I need you to tell me what exactly needs to be used. Okay, let's not add this much texts. Let's shorten your response by 75%. What I need you to do is to next to the line, just kind of after a dash, write what kind of UI we should be using because what you're doing is a little bit too much. Can you give an example of a card? You're talking about some sort of finance card showing apologo and then later you're talking about a card. So can you explain what that means or visually show like visually find an image online to show it as an example? Okay, this is very interesting. Anyway, let's do it ourselves. So for this part, I will actually use Apple logo, ah in mind, where it's appearing step jobs. So this is going to be an opener overlay of bank account design. It doesn't have to be like exactly that because we might change a couple of things a little bit later. It came from Pixar. Pixar animated logo on the screen. Here we need article from Internet and other article. And here, great question. What can we use? We'll think about this one. Potentially, we can use like an iPhone orally or something like that. We'll see. We'll see. So Apple logo. I will go just a faraway and just search for the Apple logo. It's best to have it Bing gi. This is great. Going to download it. Bank account design, this is actually something I have already in one of the UI designs. So this is the bank account I have. I will just copy it and put it to download. Then let's search for Pixar animated logo. Okay, great. So I'm just going to copy the link. Go to a website, which is tdwn dot TO and download this video. Doesn't matter which tool you use, it's just some sort of download. You can Google it, and you'll be able to easily download it. It's going to take some time. Great. Just downloaded it. Perfect. And what else do we have here? Articles. So for that, I'm just going to search for an article Okay, this is actually pretty good. I'm just going to make a screenshot here and I'm going to put it to downloads that we have the screenshot. Perfect. And now we need to have another article, and I'm going to make a screenshot here as well, and it's going to be put here as well, right? So we have two screenshots. Perfect. Now we just need to record an audio, and we will be ready to edit this video. If you have any questions, let me know. Other than that see you in the next video. 15. Animate Your UI Design in After Effects (Part 1): Video, let's create the animations. So what I did is I recorded the audio, cut it into Premiere Pro, and by selecting, right clicking, replacing it with After effect composition, I put it into after effects. Just important parts that whenever you do this, you have to add some sort of graphic. Otherwise, you will not be able to import just the audio. Once I put that into after effects, I just deleted the graphic, and now we have our composition, which is 1080 by 1920, 30 frames a second, and it's exactly the same size as our audio in the background. We're going to select all the audio and press Shift Command C or Shift Control C to precomposite. This is going to be audio, so I'm going to call it audio just to make sure that it is organized there are less layers. I'm going to go into vertical, and I'm also going to go into UI Designs, which is our Apple logo payment, the screenshots, and the video. G select everything, put it here, and I'm actually going to put it in a folder, and we'll call it UI designs. And now, all we have to do is to just edit the video we have our text here, our transcript. Everyone assumes Steve Jobs made his fortunes from Apple, but that's actually wrong. By the way, I completely forgot to find a picture of Steve Jobs PNG. Let's see what we have here. Why don't we use this one? Even though it's slightly worse quality, still pretty good. Going to dragon drop it here and put it into UI designs, although it's not a UI design. First thing, I'm going to press on Command Y to create a solid layer, which is going to be white solid. And then I need to put a PNG of steep jobs here and Apple logo. So I'm going to decrease the Apple logo and this is going to be the very beginning. Actually, what we can do is we can copy these, paste it here, and then put markers. I don't remember how to put markers, so I'm just going to open keyboard shortcuts. You can just open them by searching keyboard shortcuts, and this is going to be a shortcut for you to open the shortcuts. So let's search for marker, and it's going to be Control eight in my case, Control eight. So that I know where we have layers and grades. So now we have here, here, here, here, here. So we have every single new speech happening at the marker, which is great. So in the very beginning, we have this speech which everyone assumes Steve Jobs made his fortunes from Apple. Okay, I'm actually going to start with the second with the UI design with the payment. By the way, it did not import it correctly, so I'm going to delete the payment, and I'm going to drag and drop it like so. When you put it with other layers or with other files, doesn't import it the way we imported it before. So this is going to be our payment, and I'm going to change 1080 by 1920, so it is like. Going to create a null by pressing Shift Option Command Y, select everything by pressing command A, and holding command, I'm going to press on null so that we deselect it, and I'm going to parent everything to that null. So now, whenever I increase or decrease the scale, everything is going to decrease or increase. Now, we need to find this text, and we will have to put other numbers here because we have 134,000 and Steve Jobs net worth was a little bit more. So we have this line here. When he died, his net worth was a little over $10 billion, 10 billion. It's this number here. That's quite a lot. And what I'm going to do is I'm going to create a text where I'm going to put one, actually, and I'm going to search for a preset which you can find in the downloadable resource section. You can just apply this preset, and basically preset that allows us to control the numbers and we can animate the numbers. This one needs to be at zero because it does it in circles. Basically, one circle is 360 degrees. And when I go to the next circle, you can see it just adds a little bit more and I can just on making it bigger or smaller if I wanted to. In order to put a specific number, we need to put this one to zero and put here like 10 billion. If it's going to work, of course, maybe it's a little bit too much for the system. Maybe we need to get rid of commas. There you go. There's our billion. Now we just need to make the text a little bit smaller. And obviously, we don't want it to be, like, precisely that. We can make it just a bit bigger or maybe significantly bigger, something like that. I'm going to press on P, move it a little bit decrease it in size. Move it a little bit up. Little bit to the right and a little bit down. Let's see how the text was before and now. Okay, so to move it a little bit to the right. And by the way, now we need to also parent this number one to the null. We can put it to the very top. It's not a problem. So that we know that we have our numbers next to the null. So our text here is when he died, his net worth was a little over $10 billion. Great. So we can just animate this. We can press on you to have the angle control. So we put the angle control. I know, let's put it here. But this one, we need to make it a little bit smaller and it's going to work some like this. So we're going to have increasing numbers. Now for the Sam Smith, we need to disable a couple of parts that we can get to the text. Sum Smith. This is the text. When I select the layer, if I create a text layer, it's going to be right above that layer. But if I don't have any layers selected and I start typing, it's going to create a layer which is going to be number one. But we do want to make sure everything is closely together. So it's going to be selected layer 71, then present T and present T here. So here we write Steve jobs, P and S, and I'm just going to put it there. Go to disable Steve Jobs. This is good. We also need to parent Steve Jobs to null. And now when we increase the size of the null, everything is going to scale. We can delete this part and this part, so it's going to be like this. By the way, for Steve Jobs, which we can also put at the very top, by pressing command shift and right bracket going to become the very top layer. We can to make sure it's at the top isn't easy to find, we can add text Evo. I'm just going to apply one of the presets, which is going to be like up opacity plus characters, so it's going to be something like this. Then I'll go into transform position and just change it so that it's not as big of a movement in the beginning. Yeah, this looks good. Basically, we can animate every single part here. Why don't we just use the animation composer to create some sort of movement? Let's press in and do a bit of random select everything, okay? So Oh, interesting. It enabled all the layers, all the visibility for all the layers. So let me just disable some Smet. And this select all the layers. Move it just a little bit to the right so that we don't have any layers appearing in the very beginning. Okay, this is pretty good. Now we also need to animate the opacity of this text here to make sure because in the beginning, it is visible right away. So we can do some like this. As you can see, we have lots of UI parts animated at the same time. Like, it didn't take us a lot of time to do this, but it looks really good. Maybe a little bit chaotic at this point, but then we'll see we might change it. It's not a problem at all. Okay, so for this part, it's actually really good. So it's this part. And let's see what we have like this. You're going to select this part and move it to the very front, and we just disabled the Bgon. Yes, like so. So let's open our Steve Jobs, Steve Jobs video, and let's put our payment here, which is going to be I'm going to cut this part by pricing option right bracket, so I'm just going to cut it until the cursor. And I'm just going to put it here. When he died, his net worth was over $10 billion. By the way, it needs to be ten and not 1 billion. It's to be like this number, yes. So we need to copy this number and not 1 billion. Now, we go into our text, which is going to be one, put this to zero, put this to 10 billion. Mm. And we need to delete commas. Like so. Perfect. Delete the keyframe press Shift P to reveal the position keyframes, move it a little bit to the right. Like, so great. Now, let's make it not precisely, like, 1 billion, but a little bit more than that. I'll select this. Come to the very first keyframe, put this one to zero, and this one to this number, but also delete the commas. There you go. This is what we have. Looks really good. So when he died, his net worth is a little over $10 billion. Great. Just going to move this keyframe a little bit further. At least one of the UI designs is good. But the majority of that didn't come from iPhones, Max or Apple stock. So let's search for Apple stock. It's two, five years. One year, five years, maybe we can find Yes, something like this graph would be great. This is a great UI design. And here we can do all years, going to take screenshot of that. Then we also need iPhones and Max because that's what we're talking about. And for that, we can use Mmm. We can use screenshots as well, iPhone 17 because this is the latest version, 17 PNGs going to make our life a little bit easier if we have it in PNG. If we don't, we can always yes, this is good. So I'm going to download it. Mac, PNG. This is a good one. We can use it. So now we just need to select all of these, and let's put it in our project and then just drag and drop it here. S to decrease the scale. And now we're going to create a mask here. And I'm going to create a mask. Like so. Great. So we have the Apple stock, then we have the iPhones and we have the mak Great. So I'll just put it here, and then we'll think on how to animate that a little bit later. It came from Pixar, so this is going to be Pixar Animated logo. Let's find this video of Pixar. Was it this one? Yes. Shift Option Command G H to fit it to the screen. I'd like to cut it until this point. Here we have it came from Pixar, and now we'll have jobs bought pixel at some sort of time and date. So I'm just going to put it here as to decrease the scale a little bit. Now we can use the crop effect. Let's put it to zero. Now Did like so. Okay. Now this is great. So now we can crop it from the top or bottom without losing anything. Okay, so crop from the top or from the bottom. Okay, so it looks like it's vice versa, but it's not a problem. And then left and right. This looks good. We can cut this part. And now we have another screenshot, about 20 years later. And we can actually, I believe. You can take the previous screenshot, copy all of this, paste it here. Now we just need to adjust the crops a little bit, just a little bit from the bottom, a bit more on the right, like so. And from the top or let's find the stop. Like so. So let's see what we have. In the very beginning, this is what we have, then we have this animation. Then we have this, and then we have this, this, which is, by the way, we can probably move a little bit to the right and make it a little bit higher so that these are sort of similar to one another. And then in the end, we don't have anything because we have not yet decided what we'll do with this one. Actually, for this one, because we're using the for the first line, because we're using the Apple style, we can keep simplistic, like Apple does. We can keep it minimalistic. And we can have text appearing on the screen. Everyone assumes that Steve Jos made his fortune from Apple. We're going to copy this text, open the text tool, paste it here, make it black, put it in the middle, select everything, make it a bit bigger. We can have a couple of interesting ways that we can do this. So let's just cut this up a little bit, put it, like so. Great. So let's create an animation for the text. Actually, I will just apply preset right away, so I'll apply up by words. Actually, I like to make it a little bit bigger because just a little bit too small. Great. And now we can have stiff jobs appear on the screen. So this is the Apple logo which we can disable for now. We can see that the stiff jobs actually cut out a little bit from the bottom, and we want it to be smooth. So I will, first of all, make him just a little bit bigger and put him above the text. And I'm going to create Command Y, create a white solid, which we can mark as white. And I'm going to lower it down a little bit. Cut it up, put it o, and I'm going to decrease the scale. I'm also going to apply fast box blur to it. Going to increase the blur and click on repeat edge pixels so that doesn't repeat and let's increase it in size, press on P, and lower it down a little bit. So this is what we're going to have. And we can animate Steve jobs to appear on the screen. This is Steve Jobs. We can actually rename Steve Jobs. We can just rename the screenshot to be stiff can parent this white solid to Steve jobs. So we will parent it. So now, whenever we move Steve jobs, this is what's going to happen. I'm going to press on P to create a keyframe. This is going to be the final keyframe, move it a little bit further. But on the first keyframe, it's going to be out of the frame. Going to select this, press on N F nine. I'm going to open the graph editor and make it in an interesting way. At the end, we want it to be smooth, so we're going to smooth it out. But in the very beginning, we want to be the opposite, want to be as abrupt as possible. And actually, I'd like to move step drops a little bit lower because I'm going to change the income point a little bit. And then for the Apple logo, let's think about where we can put it and what we should do with it. Can put it a little bit higher, make it a bit smaller, put it like so. Actually, there's a very interesting effect, I remember what it's called. After a little bit of digging, I found it. It's called an inky Irish wipe, yes, inky Irish wipe. There you go. So, into pressing you to have the key frames, this is going to be the transition. Steve Jobs made his fortune from Apple. I actually like that when we have this full coverage, we can actually just hide everything behind and then disable it so that we can keep the white background, but then everything that we have on screen is going to disappear, and then we can get rid of this circle because it's not good. So we can just click here and disable the circle. Great. I think at this point, it's a good idea to take a little bit of rest to kind of reset the brain and then come back with a fresh eye and see if anything's going to be better or not. So if you have any questions, let me know, and I'll see you in the next video. 16. Continue Animating and Add Interaction Effects (Part 2): Let's continue editing the video. Let's see what we got so far. Everyone assumes Steve Jobs made his fortune from Apple, but that's actually wrong. So this is where we need to say that's actually wrong. Then we have this animation appearing on the screen, which is okay. By the way, we can put the picture of Steve Jobs here at the top. And then we can potentially do Zooming here. But the majority of that didn't come from Max, Apple, or Apple stock. So this is where it needs to be. It came from Pixar. Jobs bought Pixar in 1986 for $5 million. And then, and then we say that single deal, Okay, great. So I have a couple of ideas on what exactly we can do here. So, first of all, I would like to highlight the fact that it was bought for a particular amount of money. So here's what I'm going to do. I'm going to create a shape layer, which I'm going to highlight with the shape layer, this thing. Basically, I'm just creating a shape on top of that. And then for the color, we are going to make it yellow. Let's do it look so. And then for the mode, we're going to use multiply so that we can see through it and got this up now, I'm going to apply an effect called linear wipe. And then if we do it, so we can see we can inch how the text is highlighted. I'm going to change the angle to minus 90s that it happens from left to right instead of right to left. And now we can create a keyframe, press on U. So this is going to be final keyframe. If we move a little bit to the front, we can do it the opposite way so it's Select this, press F nine to make it smooth, and we can do it like as well to make it even smoother. Perfect. And then I'm going to duplicate it, press on P, move it a little bit lower and move it a little bit to the left. Like so. There's a couple of things we can do it. We can either decrease the shape itself. So rectangle path, decrease the size, horizontal size, then press on P, and move it to the left, like so and then decrease the size even further. So now because the linear wipes are in different positions and we animate in different positions, we see the effect where this one is highlighted, even though this one isn't. And that's exactly right. So we need to change these numbers a little bit so that it works. Pretty good. Although I would actually precompose this because if we increase the scale, you can see that because we have this linear wipe effect, which is basically I'm going to quickly show it to you. If I apply, like, a gray, yes, there we go. If I apply a gray, just solid, and then I apply a linear wipe, you can see what kind of effect it is. And so we are basically animating it to go from here, which you can see our highlight to go to here. But then whenever we increase the scale, let me give you a quick example. The highlight stays in the same position. The text changes its position relative to the linear wipe. So that's why we get this weird effect, and so it would actually be a little bit better to just precompose it. And now, if we increase any scales, it stays exactly the same, which is exactly what we needed. And then we'll call it Article 1, and we'll cut it from here to here. The way cut is with Shift Command D, it creates cut on the layer. So we have this, by the way, for this pixer, we can also apply a color key effect and then select the blacks thin edge by one, increase the tolerance. But then what we'll also do is we will create a mask. So I'm going to select the layer, click on here on our shape layer. Create a mask. Then we'll be going to the effects color key in the compositing options. Click on plus, create a mask, and then we need to invert the mask so that we don't cut out any blacks from here. So now it is perfect. 20 years later, Disney bought it for 7 billion, so we can highlight this line here. We can actually just go ahead and copy this shape layer, pasted in here, like so. So the This is our highlight, which we're going to put in the very beginning. We're going to increase the size of the rectangle, horizontally and vertically shift P to reveal the position and move it a little bit. And we just need to change this part. And we need to change this as well a little bit, and this should be good. Definitely making some progress here. Everyone assumes Steve Jobs made his fortune from Apple, but that's actually wrong. So for that actually, I think we can zoom in here. And for that, I'm going to create an object Shift Option Command Y. I'm going to cut it and make it lined of this part here. I'm going to connect all of this aside from, yes, we need all of this to then P and S, and we'll start from here. And whenever I see in the background, but that's actually wrong, we will zoom in on that part to emphasize it roughly like so, and then we can press FNF nine. By the way, if you have this option, the flow plugin is also really good because I can just select it. Instead of me doing it manually, I can just select one of the graphs, for example, like this one, it's going to make it smooth. Like so. And one more thing I'd like to do here at the end is create another transition here so that we transition from this view onto our UI video, and we can do that with animation composer, as well, so we can look for transitions. Here, we can do something like a Zoom Zoom out. I think like Zoom in is going to work pretty well, and we need to put it at the top. So we'll do something like We have this kind of jump here from this color to very black. We just need to add some sort of transition. And for that, I will press some T for this transition. It's going to go from this super black to barely visible to very visible. It's going to go maybe we can do it like so just trying to create a smooth transition that's going to allow us to create a smooth movement. Yeah, this is actually really good. First of all, we can come here and let's find this part. Where is this one. Layer 76, and we can use a picture of him that we used before. Okay, I'm just going to copy this steve and put it into payment here. I don't need any position keyframes. We can just put him there, press on S, decrease his scale a little bit, and then track mat it to layer 76. And, I see. So it's not layer 76. It's layer 78 cause layer 76 is the blue highlight around it. So we need to track mat it to layer 78 and enable it. Eventually, make it just a bit smaller, move it a little bit to the side so that it fits there. So there we go. We have our steep drops, and I'd actually to make this layer create shapes from vector layer. And I'd like to make this layer white so we can person fill and then fill it with white so that there's just a bit more contrast. We can see steve drops a little bit better. Okay, so we have this very good zoom was a little over $10 billion. So here, I would like to zoom in at this point. So I'm going to create a null. Let's see if it's not animated at all, doesn't have any gift range because if I press on U, nothing appears. So I can press on P and S, and then I can zoom in a little bit on these numbers. So it's going to be so as you can see, our step job stays in the same position. So what we have to do is to find it Steve jobs, and we need to parent it to null number one. Before it starts moving, so now it stays in the same position, great. I'm going to select it, now I'm going to press on flow instead of doing it manually, so it's going to save me a little bit of time and then create a bit more space. So let's see what we have. And I'm going to move the key frames just a little bit faster to start a little bit faster. For this last frame, we can move it out of the frame, like so. So it's going to go from here to out of the frame. And for these where I'm also just going to click to make it a little bit smoother. I'm going to open the graph and in the very beginning, want to be smooth, but at the end, we actually want it to be fast so that it happens like this. So it gets out of the frame quickly. Let's see what we have here. Okay, and here I'm saying the majority of that didn't come from iPhone Max or Apple Stock, I'm going to put it to the bottom and shorten these a little bit. IPhones just going to decrease everything in size a little bit. But the majority of that didn't come from where do we have it here? And over here, we can actually use something like a typewriter effect. I feel like it's going to be a good change of the situation because we had some different animations here in the very beginning, for this part, we can use something a little bit more different. Typewriter, and then we can start it from here. And I'm just going to speed it up a little bit because I can actually hear my voice in my headphones. You cannot hear it, but for the sake of time, I'm going to do it quickly here. Press on P, move it a little bit higher, and potentially decrease the size just a little bit. Apple's stock is barely visible. We need to do something with potentially increase it in size, like so, because the graph is just too small. And then if we're going to why don't we create like another mask or does this one have a mask? Yes, it does. So we can actually just change the mask. We can select this and then move it a little bit, like so. So I'm selecting the mask by using the selection tool and just putting it there. And why don't we move it a little bit lower? Potentially put it in the middle, like so now I'm saying it came from Pixar. We can put this text here saying it came from and then Pixar will be sort of like a text. Our video will act as captions in a way. So let me put it like so. Okay, so we have a couple of things here appearing. We have this big text appear. We're going to press on P and S and create keyframes. And I'd like to start from this line, which is how did Steve Jobs get into Pixar and select these, make it smooth. And actually, for this part here, I'd like these key frames, potentially just move it a little bit because I don't like the way it's being animated here. Move this a little bit faster, as well. Why don't we find a picture of Steve Jobs for this very last part here? That single deal made him wealthier. Ooh, this looks very interesting. Why don't we try to use some this? Okay, so for disappearing, I'm just going to animate the opacity to make it like, so And here we can also try to use a transition from animation composer to see if maybe something like this. And then to add captions here at the very end, going to copy it. Why don't we add text E here and I'm going to paste the text. Just select the text, person P, change its position, and let's create some sort of animation transform position. Let's lower it down. Decrease the opacity and increase the blur by 100, 100 going to press new and make things a little bit faster, and then decrease the delay to let's say 0.5. Actually, it needs to start here. And I think the blur is just a little bit too much. So we can decrease it to 50. And let's create opacity keyframes here as well. So this is going to be one and it's going to be at zero, then this one for some reason is at five. Actually, I'd like to precompose this and zoom in on that a little bit, as well. P and S. Create keyframes, zoom in a little bit. Like, so select these two. Make it a little bit smoother. Okay, let's watch it from the very beginning. A 17. Add Music, Sound Effects, and Final Audio Polish: Welcome. In this video, we're going to do sound design right in After effect. And in order to do that, we need to find our audio file, which is going to be at the bottom, and we have to press L and L two times. And then we are going to get the audio waveforms. This is super important because it's going to just make our live float easier. We'll be able to see where we have certain words where the speech ends and the other speech starts, basically the end of the sentence and the start of the new sentence. Now, in order to do the sound design, we need to get audio, the best place that I found over the years is Epidemic Sound. Epidemic Sound is a company that specializes in producing music, sound effects, voiceovers. And if we come to their website and we take a look at it, we'll see that we have the discovery type which is going to be like all at once. Then we have the music tap where we can search at the top or sort by different genres artists, things like that, super convenient. And for the sound effects, we have lots of sound effects here, and as you can see, we also have user interface. So we come here and search for lots of user interfaces. What I do is I go into the interface and I just search for some glitch. B. This is actually really good. There's going to be a link in the description for the 30 day free trial for epidemic sound. I recommended you to try to see how to work with professional tools. However, to save time, I already have a folder with UI sounds, which are all gathered from epidemic sound. As you can see here, we have epidemic sound at the top. So you can find all of these sounds on epidemic sound. And let's have a little listen to what we have here. Yeah. Yeah. Okay, so this is going to be the first sound that we are going to use, and to make our life a little bit easier, we can actually just select everything here and we can precompose it by pressing Shift command or Control C, and it's going to be called visuals. We can use the audio here. So we can actually create another folder and call it audio to make things even better, and then put audio here, and then whenever we put any other of the sound effects, we'll just put it in the folder to make sure things are organized. So there we go. This is our sound. I'm just going to drag and drop it. Press on L, L again, and there we have our sound. So we can see we have two sounds. Everyone assumes Steve Jobs made his fortune from Apple, but that's And we can shorten it up by doing just so. And then when Steve Jobs is about to appear on the screen, we're just going to put it roughly right here. Steve Jobs M So everyone assumes Steve Jobs made his fortune. I would say that it's a little bit easier to do sound effects in something like Premiere Pro, but we can still do it in after effects. So we have the sound when Steve Jobs is coming onto the screen. Zoom Steve Jobs made his And in order to work with the audio, speaking here in the background, it's a little bit too loud. Zoom Steve Job. We to go into Window audio. Then we are going to have it up here, and we just need to drag and drop it here just for organization purposes because it's a little bit more organized this way. And then all we need to do is to lower the acupose. For example, for this one, I would say we need to go to, like, minus ten. Let's give it a try. Tom's stiff job? Everyone assumes stiff job. Mm hmm. Let's give it a try to try -12. Everyone assumes Steve Jobs made his fortune from Apple. But that If it's still a little bit loud, we can lower it even further by, let's say, currently it's at minus ten. We can do it at -20 and this one -20, as well. So let's give it a try. Everyone assumes Steve Jobs made his Yes. So it's settled in the background. Pretty good. Everyone assumes Steve Jobs made his fortune from Apple. So here for this Zoom, you can actually use animation composer and look for sounds. And here, we can actually just search for a swoosh let's give this one a try. Oh, but that's actually from Apple. But that's actually. Hmm. I'm not sure if it's working really well here. Let's give this one try. That's a little bit longer. His fortune from Apple, but that's actually rom. Mm hmm. Okay, this is better. For this very interesting Zoom that's happening on the screen, we can actually use something similar. We can just duplicate this one and then create Swishliko. Actually oh When he died, he's not from Apple, but that's actually rom. When he died, he's net worth from Apple. But that's actually wrong when he died. Great. So what I'm trying to do is just support the moment that we have with some sort of sound. Then for this one here, we can actually use something like a ratchet, which I believe I have here. Yes, this can be pretty good. Let's put the ratchet here and see Presson L to see the waveforms. I his net worth was a little over $10 billion. But the majority of that didn't come pixel. Jobs? What picture are you? Yes, I'm just going to use a part that's a little bit later. Start roughly here when we see the numbers for the first time. His net worth was a little over 10 billion. Dollars, but we are going to end it here. I'm going to press Option Right Bracket to end it here. Billion dollars. But the majority of that didn't from. Okay, for this one, we can use the typewriter effect, which we also have typewriter. Let's just put it in and disable the visuals because it's actually video, and let's find a place where we have the first letter start and we're going to put it there. But the majority of that didn't come from iPhones, Max or ApplesT. Yes, perfect. And then for every single pictures that we have uppe, we can use some sort of, like, a hit or some sort of pop up, which we can actually for animation composer. This is good. I'll come from iPhones. So I'm just finding a point wherein it switches, and then I'm going to use it again. Max. And where's it in here? And let's add. Let's listen. I come from iPhones, Mac or Apple's stock. It came from Pixar. Josh Dobbs bought Pixar in 1986 for just 5 minutes. And here, we can use a marker sound effect because we're sort of, like, highlighting it with a marker. So let's search for a marker. This will be good to go. By the way, I forgot to add it to the audio. It's not a problem. Let's put it here, make sure things are a bit more organized and then put the ratchet here as well. Perfect. Okay, for the marker, let's try and drop it. Let's see when we have the word begin. Roughly here. Just $5 million. Okay, this is good. And then for this marker, let's use marker here as well. I'm going to duplicate it by pressing Command D or Control D, and then I'm going to move to this place where I'm also going to press and shift to make sure it fits perfectly to the playhead. 20 years later, Disney body four for 7 billion. For these movements, we can also use a swoosh. So we know this is a swoosh. We can duplicate it, put it to the top, put it here. We start in 1986 for just $5 million a tiny gamble. 20 years later, Disney body four. And then use another one here, so I'm going to duplicate this one, put it to the top, put it to the right. Let's put it like so. By four for 7 billion. Move to bit left to start faster. Disney body four for seven. Later, Disney body four for seven. Maybe a bit to the left. Disney bought it for over 7 billion. That's good deal. And here we need to use something like a fast Swoosh. So going to once again, go to Animation composer, search for Swoosh. Bit faster, let's see. That single deal made him for 7 billion. That single deal made him wealthier than his entire Apple career. Everyone assumes Steve Jobs made his fortune from Apple, but that's actually wrong. When he died, his net worth was a little over $10 billion. But the majority of that didn't come from iPhones, Max, or Apple's stock. It came from Pixar. Jobs bought Pixar in 1986 for just $5 million, a tiny gamble. 20 years later, Disney bought it for over 7 billion. That single deal made him wealthier than his entire Apple career. Now we just need to lower everything down by roughly 20. So if I open audio, we have it at -20. Okay, so I'm just going to put -20 here and I'm going to copy it and then press on tab and put -20 further as well. Apple, but that's actually Oh, okay. This is too quiet. So let's try minus ten minus ten. Basically, the one on the left is the left ear and the one on the right is the right ear, and we can actually just take away it from the right ear or from the left ear. From Apple, but that's actually wrong. When Okay, so this needs to be minus ten and minus ten, as well. He died, his net worth? This definitely needs to be a lot quieter, minus ten and minus ten. Let's give it a try. When he died, his net worth was a little over a little over billion dollars. But the majority of that did Oh, yes. This needs to be at like -20. But the majority of that didn't come from iPhones, Max, or Apple. Oh, and this is, like, very loud. Okay, so click on this one. -20 -20. Let's see. How loud it is? IPhones. Okay. This is a good amount of loudness, -20. -20 is basically in terms of the decibels. You want to make sure that the audio is somewhere roughly in the minus in between zero and -30 in terms of the sound effects, the voice overs, things like that. What picks are in 19 This needs to be at minus ten, as well, so that we can hear it, but it's not overpowering the voice. What picks are in 1986? We just fight? This is too loud, I know, right away, it needs to be at -25, more or less, because it's very loud. It's for just $5 million. A tiny gamble. 20 years later, Disney. So once again, needs to be at -25. 20 years later, Disney bought it for over seven. And this needs to be at -15. Disney bought it for over 7 billion. That single deal made him. And this needs to be let's try -15. That single deal made him wealthier than his entire Apple career. Everyone assumes Steve Jobs made his fortune from Apple, but that's actually wrong. When he died, his net worth was a little over $10 billion, but the majority of that didn't. Actually, the movement that's when it's going down, actually, I would like to add another sound effect here. Which would be like a swoosh. We can go to Animation composers search for Swoosh For this swoosh, move it to a Little bit down. Billion dollars. But the majority. And move it to roughly here. When it's about to disappear and move into super fast. Billion dollars. But the majority. A a bit faster. Billion dollars. But the majority. Little over $10 billion. But the majority. Majority. Shalin. It's better here. Okay, so audio, let's do minus ten for this one, minus ten, minus ten was a little over $10 billion. But the majority of that didn't come from iPhones, Max or Apple's stock. It came from Pixar. Jobs bought Pixar in 1918. Pixar, I think, could be a good idea to allow the visuals, allow the audio to appear here as well. Bulltk. It came from Pixar. Jobs Bought Pixar? So let's listen. Fullstok. It came from Pixar. Jobs bought Pixar in 1986 for just $5 million a tiny gamble. 20 years later, Disney bought it for over seven. Billion. That single deal made him wealthier than his entire Apple career. Everyone assumes Steve Jobs made his fortune from Apple, but that's actually wrong. When he died, his net worth was a little over $10 billion, but the majority of that didn't come from iPhones, Max, or Apple's stock. It came from Pixar. Jobs bought Pixar in 1986 for just $5 million a tiny gamble. Ten years later, Disney bought it for over 7 billion. That single deal made him wealthier than his entire Apple career. Everyone assumes Okay, this video is perfect. I absolutely love the way it turned out. We have lots of good sound effects, and it's really, really good. So now the last part, all we have to do is to export the video. We are going to do that next video. If you have any questions, let me know. Other than that, see you in the next video. 18. How to Export Your UI Animation from After Effects for Social Media: Welcome. And this video is sent for us to export the video. So all we have to do is go into file in the top left corner, click on Export and add to Render Queue. For the settings, I recommend you to keep the best settings here in the render settings and for the output module. I recommend setting high quality with Alpha. Basically, in terms of these settings, if there's anything specific that you need, you'll definitely know because either a client will request or a platform will request or something like that. If not, then just leave it at best and put a high quality with Alpha. So just do it like so. What this does is, if there's something like a background, it's going to keep the background. But if there's something transparent, it's going to be transparent. It's just something I set for myself, and I always have high quality with Alpha. It's just a little bit easier because I don't have to switch. So that's why I always export with these settings. And then if I click here, we need to give the name of the video, which is going to be the name of the composition that we want to export. We can change it here at the top. Click on Save and then click on Render. And that's it. After it renders it, we'll be able to see the whole video to make sure everything's okay. If it is, then this video is done. Let's come to the desktop and see the video. Everyone assumes Steve Jobs made his fortune from Apple, but that's actually wrong. When he died, his net worth was a little over $10 billion. But the majority of that didn't come from iPhones, Max, or Apple's stock. It came from Pixar. Jobs bought Pixar in 1986 for just $5 million, a tiny gamble. 20 years later, Disney bought it for over 7 billion. That single deal made him wealthier than his entire Apple career. Beautiful, absolutely beautiful. I love this video, and this videos ready to be published. So if you have any questions, let me know and I'll see you in the next video. 19. Last Step!: Congratulations to you. You're nearly 100% done with UI animation after effects course. There are just two small steps you need to take. First, take action. As Confucius said, a journey of 1,000 miles begins with a single step. So if you haven't already, take your first step by creating your first UI animation. All the best information in the world means nothing if you don't act on it, and even small steps lead to massive outcomes. E. If you found value in this program, I would really appreciate if you could take 60 seconds to leave you honest review. I'll be immensely grateful to you and your feedback will massively help future students in choosing the best program for them. Although this course is complete, your journey has just begun. Be sure to keep me and fellow students posted. Remember, I'm here for your success, so if you have any questions, be sure to reach out in the QN section below. Thank you again for choosing me as your instructor, wishing you all the best and looking forward to seeing you in future courses.