Landscape Painting for Beginners: Meadow & Water Reflections | Yashas G | Skillshare

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Landscape Painting for Beginners: Meadow & Water Reflections

teacher avatar Yashas G, Paint With Yash

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      0:45

    • 2.

      Background Mountain Painting

      1:30

    • 3.

      Grass Painting

      7:42

    • 4.

      Trees Painting

      5:37

    • 5.

      Bush Painting

      1:10

    • 6.

      Reflections in Water

      6:53

    • 7.

      Foliage

      4:32

    • 8.

      Conclusion

      0:21

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About This Class

Discover the basics of landscape painting by creating a vibrant meadow and shimmering water reflections in this beginner-friendly class. Step-by-step lessons will help you layer greens, capture atmospheric distance, and turn simple shapes into a beautiful nature scene. Perfect for those new to painting, you’ll gain confidence while developing foundational techniques and finishing with a serene landscape artwork.

Meet Your Teacher

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Yashas G

Paint With Yash

Teacher

Landscape Artist

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Level: Beginner

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Transcripts

1. Introduction: Hi there. I'm so excited you're here because we're about to start a wonderful painting journey together. In this class, you learn how to easily create a piece to landscape filled with growing meadows and shimmering water. No experience needed. I'll be with you every step of the way, sharing simple techniques to help you paint with confidence and joy. This is your space to relax, experiment, and explore your creativity. So grab your brushes, and let's dive in and make something beautiful that you'll be proud of. Can't wait to see what you create. 2. Background Mountain Painting: Hi, and welcome back to a new video. In this video, let's go out and see how to paint in the background mountain. So to paint the background mountain, I have some white and some cobalt blue. Make some together on the palette, even darker. And to paint the mountain, I'm making use of an angular brush, okay? Let's come right here somewhere, and sort of drop in beautiful little mountain far off in the distance. I'll take in some white and sort of place in some snow and some mist. So this white indicates both snow and mist. So here we go and sort of refining those edges at the top. Yeah. Sort of playing around with the colors, different shades. And as you come towards the bottom of that mountain, the background mountain, the colors get lighter and you start adding in more of mist. So you just sort of take in some more white. The lighter they are, the further they look. So be careful not to add too much of color or too much of contrast because we want distance. Okay? That's the way we paint a background mountain. Okay, so the next video, let's go and see how to paint some grass. 3. Grass Painting: Hi, and welcome back to a new video. In this video, we'll go and see how to paint some cracks over here in this. So let's take in some limo. This is in the morning scene. So take in some limel and some sap green. Now, I'll give you a tip if you're painting an evening landscape. So definitely this mountain wouldn't be blue. I'll be slightly purplish, okay? And the grass would be a bit grass will have more yellow ochre in it. If this was a evening painting, this is a morning painting. It's in the daytime, so I'm going to add in some of this color. So limello and some sap green. And this is number two fanbush. Okay. Well, let's comb that. Sort covering up the canvas canvas in the sense this is a watercolor paper. Covering up as much as possible. Look at that. Just placing this color beautiful color. I'll show you a trick after this after painting this part. Look at that lots of variations. Don't have to work too hard for this. Just place in some color and wait for it to be tacky. Tacky is a condition where it's neither dry nor very wet. So it's in between somewhere, and we'll take advantage of that, it's coming here. Place in beautiful little things in here, okay? Okay, so now it's almost tacky, and let's go with some black without cleaning the brush with the same fan brush. Let's take it some black. Simple. And I go on some blue, okay? Now, this will not go directly and paint there. You have to wipe this off because it's too much of paint, and we have to wipe it off as much as possible. Yeah. And that's right bottom here at the corner right here at the corner and place in some textures. You can imagine it as you're applying some textures, and this is super effective method to get a realistic grass within a few seconds. You don't have to work hard, the blocking in part and just sort of go back and place in this. And for this, I would recommend personally, I would recommend a fan brush. A fan brush will do the work, definitely. For this. And once you run out of paint, take it to your advantage and just sort of apply very little pressure as you go there. That's the brightest region. So this is the darkest region, the corner, is the darkest region. So you've got to be careful and just sort of placing in very lightly. Tapping it very gently, very, very lightly. I'll show you a trick to get in some depth as well. Yeah. I'm almost holding the brush very loosely to get in very little textures over here because I don't want a lot of textures there. Lack of detailing also helps to get some depth. Yeah. That's how it looks. Now, I'll just show one thing. Come here and you can add in some extra depth. I need to take a lot of paint for that. Take a lot of paint, and let's sort of come over here and give it a lip. Give it some lip for this grass. Look at that. Go back, wipe off the brush, the front brush, come here and take off Texas paint off the brush, and come back over here. And sort placing more of that. And I want the corner sweet pretty dark. And pronounced. Look at that. It gives you that effect. Beautiful effect. And you also use a dry brush blending. The brush is almost dry. So you can sort of come there and have that effect. Beautiful effect. Look at that? Just sort of blending it. It gives the lip the upward lip for the painting. And let's come to a in here. Play some more of a darker color. Just a bit, not much. Look with that, can hear the sound. I hope you can hear the sound, so that is the way it has to work. And when you do this, the brush words out a bit, so you can take it to your advantage again, and you can make this brush work for more textures in the future paintings as well. To use a worn out old fan brush for this, it gives you very good textures and effects. And now, to make it look even more beautiful, let's take in some lim low and some green mixed together. Yeah. Can add in some wine to that limou and make it even brighter. But let's not do that now with selves. And let's go ahead and play some that color. Highlights on this beautiful grass. Yeah. And it also clears clear cut effect of the grass, like the starting of the grass, ending of the grass all that. Now, we'll go ahead and have some trees coming in there. That we'll see in the next video as well. Missing in this color. Of course, wiped off the brush, not wiped off. In fact, I've cleaned this brush very well so that I get that effects so that I don't see some darker color, which I used paint black, this black color. Look at that. Just like that. Okay, now, be careful. Look at that, that spot. That's a sweet spot. So it's lent. Take in some more of this color, come back, go back over there. Look at that. Each time you go back, it looks even brighter. And just sort of tapping it I'm still looking for some textures out there. Not too much, but definitely want some textures so it looks convincing and realistic, as well as it makes your painting pop. Make your painting look beautiful in the gallery. Yeah, that's the way it goes. Yeah. W that. I'll just introduce some of this color over here itself. Okay, so that's there. And let's take in some plaque as usual, and it's gonna go back and paint in this immediately. This time we'll not wait for it to be tacky, okay? Let's go go and pack it very lightly. Very gently with a lot of patients. Let's do it with patients. Very, very gently, sort of tap in it, air here and there, and just sort of create the transition over there as well. So this transition can be created only when you have wet paint that is blending, blending is smoothening up both colors to look as one color. But this is blending. Definitely, this is blending, but here you're not trying to smoothen anything. You're looking for textures. So that's a different technique. This is a different technique of blending. Easing it. It looks good. Just to make it look even more convincing and realistic, tap it over here and there. Just here and there, not much, much. Just here and tap it very lightly. The letter you going to tap, the better effects you're going to get. Yeah. There we go. So as I said, let's go on to the next video and look at how to paint in some trees over here. So there's some transition from the foreground to the background. Okay. 4. Trees Painting: Hi, and welcome back to a new video. In this video, let's go and see how to paint in some trees over here, pine trees, especially. Let's see how to paint them to create some transition from the background to the foreground. For that, I have some black. In the previous video, you'd have seen me painting this grass. I took some black and applied it over here with that same brush with few minutes. I've taken that same brush. I've not wiped it off. The black paint is there. Now, the speciality is that black paint is kind of tacky. It's not wet. It's not that wet, as you can see, it's not shining. It's not shining, you know, I I take a new paint, it will shine. So that color, that's the stage of that paint we need, the tackiness of that painting in the brush. Let's take in color, some green, some of the colors together. It gives you a grayish effect. I hope you can see that. You get a grayish effect in this and let's take that Semlor. We can take in a lot of this color as well. Node both sides of the fan brush, place in something. Where do here, too? Just a bit, not much. You don't want it to be too much everywhere. And just chisel brush. By adding a lot of paint, and it's come right here at the top. Barely touching the surface. Barely touching the surface. Let's have a beautiful little pine tree right about in there, and another one. And they don't have to be perfect. Look at that. They don't have to be perfect. That's a trick. And that's advantage of this technique. Okay, I want that to be crispier. Which one? This one. I want that to be crispier. So let's come right about there. Yeah. Yeah, that's what I wanted. Yeah. That's what I wanted. And this is just by tapping. Most of it's tapping. And that goes away into the mist. Okay, so that's where you want it to be. Now let's take in some black. Come over here at this corner and darken this just a bit. Not much. Just a bit. Darken this up just a bit. Okay? Let's come over here and just paint the trees. Having some darkness and shadows on the trees, just the way we painted the grass. Let me sort of tap a bit. And this will be the innermost part of it son being on the exterior part, okay? Yeah. Look at that. Look at that. You can add some more highlights, but it's not too much of that so that we get some controls. Look at that tapping lightly. This will be only the interior part as I said, No everywhere. Don't entire tree to be completely dark. So that lightly. Tapping it tap the bottom of that tree. To create some blurrishness, blur the bottom. Not too much. Just a bit. And now let's mix up a color seam color. Let's sort of come over here and lay some crispiness on the trees. I look for detailings getting some fine edges to final edges. Yeah. I sort of tapping it. I hope you can see that. That's the way it's painted. Maybe we'll add in some more of lime mellow. That's it. Depends on the direction of the light just coming. You can tap it over there and slightly give a blend. Just a blend. Here in there, just a blend. Okay. Sit up. Brush down, go back to the fan brush. Take in some black and get in the shadows. Sort of tap it. Don't blend it like that. Just tap it very lightly so the paint doesn't come off the surface. So that's the shadow. Look at that. You look so profeshoning and much more nice. If you want you can add in some highlights again if you want. And let's go and add in some fine highlights over here. It's a bit over here and there. Yeah. Yeah, look at that. It looks neat and good. Let's bring that color over here too as well. To bid. Not much so that it's not too dark. You have to make it even convincing. So let's make it too dark. Yeah, there we go. I like that affect. Look at that, you get some highlights in that dark spot, and that's a bonus point. Okay, so the next video, let's go in given the block in for this bush right over here. 5. Bush Painting: Hi, and welcome back to a new video. This video, let's go to see how to paint in a bush. In this video, we will look at the blocking, which is the basic foundation for that bush. So let's take some blue and some black, have not added water, and I'm taking the same old fan brush. Yeah. Okay. And let's come right pollen here. All right about in there and sort of place in some beautiful effects of bush. Okay? Look at that. You get some of those extra twigs and leaves foliage, and that's a bonus as usual. Place there. Look at that? Just like that. Now, I'll just show you how to paint in the reflections in the next video. But for that we need to get in the basic blocking and part of it. Okay? So it's going to come all the way till there. It's going to come all the way till here. Who that's convincing. The next video, let's go and see how to paint in the reflections. 6. Reflections in Water: Hi, and we'll come back to a new video. In this video, let's go and see how to paint in some reflections of this bush in the water. Now, that looks like paper. Now. This is a plain surface, and we'll make it look like water with the help of reflections. So for that, I'll wipe off my fan brush and sort of come right in there, and I just show you how to make use of the texture. Here, the texture is good. It's well textured. Let's take in some black, just a bit. Over here and there. Okay? I'll take in a lot of black this time. There's a lot of green from over here. If you want to add in some water, if you're painting in oils, you can kind of add in some linseed oil. Okay, so when that's there, come right over here. Let's play in some of that. Effects. Look at that. Look at that. Look at that. We're getting instant effect now itself very instantly. And there we go. Let's have it. Yeah, there we go. So this is one technique. Now, I want some more detailings in my reflections. I hope you guys also want some details in your reflections. You just block this color in and I'll show you the trick. Just block it a bit more, and I'll show you why and you'll use yourself to figure out why I'm using a lot of this black here. Okay? Yeah. Okay, so now I'll show you how to get in that reflections effect and bring the reflections to light. So I've taken this detailed round brush and I've flattened this by adding a lot of paint, and I've added just a few drops of water. I'm painting in the crylics today. And it's come right here and ensure it's dry. Yeah. This means if dryness is okay, you can do it. Come over there and release that color. Should be even thin and sort of making it right over there. Look at that. Look at that. And this will help you to bring your reflections to light. Okay. Let's add more color. This is just starting part of the details of the reflections. The color is coming off, so we've got to take in more thick paint. Bring that color down a bit. Yeah. Placing a photo. Okay. Now, it doesn't look like reflections, but I'll show you in a moment once that's dry. Now, it's almost dry and I've taken a bigger detail round brush go from the paper that is white apart into the back apart. I like that. Okay. Look at that. It's just actually like blades, but that's going to give you beautiful effects. Very beautiful effects, and it'll make your painting pop and it'll make your painting look more realistic. Yeah. There we go. Clean up this area. Look at that, you g that effect of reflections instantly and let's bounce in this color. Is a bit of a here and there, so it looks convincing and realistic. Can some more wine and place it right over there, simple place here and there and let there be some variations. Even there because it's landscape painting and you can keep things simple. Some reflections. That's it. Go back, think some more white and there we go. And just tap it just a bit, not much. W? Yeah. You still want some detail in the foreground. Okay. Let's concert it in this part. Let's in color. Just a brush, adding in some decent amount of paint. If you want, you can add in some water if you feel like that the paint is a bit thick. Then you can add in some water. Otherwise I would recommend you to go with paint straight away. This adding water will dilute the saturation of the paint and you lose that saturation contrast vibrancy, you want to make your painting refresh. You just don't go with water all the time. That's it. Just here and there, like that. Yeah. You go back with the brush. Clean angles. A lot of bright color. Come and make sure that there is not too much gap between each stroop I'm doing. Just follow this and you'll get a beautiful little reflection. Look at that. Okay, let's go back and get those grass textures, once again, hack in some black with that same fan brush. Away here. Swing all the way till here so that there's some lip. There we go. Yeah. Okay, there we go. In the next video, let's see how to add in some foliage action on this bush. Thank you. 7. Foliage: Hi, and we'll come back to a new video. And this video, let's go and see how to paint in some foliage on this bush. Paint the foliage, I've taken a modified flag brush. This was initially a flag brush, and I modified it by cutting pristles at the end. And with usage, the pritles have opened up and popped out. So this will be a very good brush to get in some textures for that. And we'll take in some sap green. Saplin and some limel. Yeah. We'll take bit more limel. With that, let's come over here and drop in some beautiful actions of foliage on this push and the secret to get some textures is tap it very lightly not only in this bush, may be grass, might be reflections, it might even fall sometimes. The trick is to add in very little pressure. So there we go there. Yeah, there we go. Sort tapping it very very gently. Go back, reload the brush. Come back here. So here. For that, you will ensure that the backdrop is completely dry, 100% dry. Only then you can do this. If it's not yet dry, just let it dry for a couple of minutes. It's in oils or sorry it's not in oils. A paints take weeks to dry. Okay. I stays more of this green. So if you're painting an acrylic or watercolors, you can allow a few minutes for it to dry, or you can have some here a dry action going on on the surface. So just quick in the process. Yeah, there we go. And that would help. That's one of the things I used to do when I had to paint. When I was painting acrylics or in watercolors, and I had to get a dry within some, let's say, it's a few minutes. I used to use hair dryer, turn on the AC or a fan or do something to make this dry. Simple. Okay, so let's come back over here. I'm applying more pressure, as you can see. Okay. Just a little bit of that color. Cap it very gently. If you're lowering too much of paint, apply very little pressure, and you can take your time. Do it patiently and you can get that effect. You will get that effect, for sure. So over here. There we go. Let's bring some action. Sit the bottom. Extend this a bit spring this a bit over here. There we go. Me look real strict natural. Yeah. Okay. Okay, now we'll go some final touch ups and I've taken in this fan brush, a dry fan brush, and I wipe it off. It's almost clean. So I'm going to load in some lemonlo or limel both are the same. Sauce. Please here. Taking some more of that colour. Place a do there. Simple. And sauce. Taking decent amount of paint and it'll help you get that contrast. Beautiful contrast. Look at that? That's the way we do it. Okay. 8. Conclusion: Okay, so with this, I come to the end of this class. I hope I've added some value to your knowledge. I hope you've enjoyed it, and you learned some epsentrics in landscape paintings like reflections, foliage, distance, contrast. Thank you so much for watching till the end, and I'll see you in my next lass. Till then, take care and bye bye.