Transcripts
1. Introduction: Hey, welcome to module six. Congratulations, you
have come so far. You have learned so much
in the past five modules. And today we're going
to wrap it up with yet another technique,
yet more knowledge. And this time we're going to
be working on the bodice. We're going to work
with dads again, but we're going to work with both data and with
addressed data. So without further ado, grab a cup bar and
let's delve into it.
2. Dart variations on bodices: In the last module, we were working with dads along the waistline of
trousers and skirts. This week, we are going to
be working with bonuses. And you have a template
attached with this module, front and back body this way, a small dot in this area. And want them dad too cold if
the bus dad and it's there to do exactly the same as the data were working
with last week, just on a different pace. So what it does is if you
have too much looseness around an area around the bus and you want a
more fitting design, then you want to paint
that excess and create a dad to create three-dimensionality
and a closer fit. And this is what we'll be doing
today with the templates. We going to be exploring on what we can do
with the bust dart, how we could shape viruses
that are very loose fitting and create a
more close fitting, more interesting and design. The first thing that
we're going to do is to cut out our template
front and the back. And the front, you should
have just one data and it's a very narrow
and that's on purpose. And on the back, you don't have any
data because we'll be drawing that from
scratch that later on. So go ahead and cut
out your templates and we'll be doing a few different things
just like last week. So you're welcome to print
out just one copy of B. And then you could
trace them a few times or you could
print them a few times. If you were to fold
the dad and the front, you will find that the front and the back are going to
match along the shoulders. That's very important. If you remember
from module four, when we did face things, we match the front of the bag and the shoulder
because that's where we stitch. And in the same way, you will find that if your dad, your bus data, so region
from bodies is not folded. The front shoulder seams
wider than the back shoulder, but once you fold the
data, they will match. We can have a data is quite
narrow like on the bodies. Create a loose fit with a little bit of shaping
on the bus area. Wherever you can make
that data along bigger, depending on how 3-dimensional your body is, how voluptuous is. The more robust they have, the bigger damage you'd want
around the bust area because they'll create a bigger curve in an area that has
love loose fabric. Similarly, if you want
a little bell-shaped, not too much, you could have a smaller data
and narrower data. You don't have to
have any data TO, if you want to have a
very loose silhouette. As you can see, the shirt that I'm wearing
today doesn't have any dance around here and
it is very loose fitting, is up to you where they
have a bigger diameter, smaller data, no data child, depending on the
way if they want to achieve and on your body
shape and what suits you. But it is good to know things that we're
going to cover today because that will help to as
creating a trusting designs. And sometimes dads can be used
in a more decorative way, which we're going to explore in the bonus section
of this module. So stick around. But for now, we're going to go
over the basics.
3. Creating larger bust darts on the bodice: If you want to create a closer fit and what
three-dimensionality, what you want to do is
to make the DAT bigger. We already have a dad
that's quite narrow. So what we can do
is add a little bit on either side of the dads
to create a bigger data. You want to do is
add a marking on either side of the widest
section of the data. So shoulder bear. And you could do half a centimeter away from the actual doubt
on either side. You could do a
centimeter depending on how big a dad wanted to create. This is just for playing. If it's on your own clothes, you want to pinch
your fabric and see what fits you best
and what works best. Deal in front of a mirror. But for now we're
working on paper. Once you know how big you want that to be and you
have marked that, you can go ahead and connect each marking to
the tip of the data. As we mentioned last week,
the narrowest point, the tip of the data on the body's template
is as the bust point. And you probably won't find das, that our stitch all the
way to the bust point if you went and had a
look in the sharps. But when you are playing around
with dots on the pattern, it's a good thing to do later, we're going to
reduce the length. But for now, use the data that we have in
place as a guideline. So go ahead and connect the tip of the data to the new markings that
you have created, an either side data
that should create a y. The data, if you are to the
new lines of the new data. Together to close it on paper, you will find that there is a little step along
the shoulder. And what you want
to do with that is to unfold everything
and then put some paint just
sticks on paper and the back of the shoulder
so it sticks out. And then you can hold the
data along the new lines. And we've got step. You could gently
draw or you could use a pattern master
rule instead. If you don't want
to do that by hand, you can draw a
line that connects continuously the top step to
the rest of the shoulder. So it's nice and smooth, a line that will get
rid of the step. You want to cut
out the excess of paper that you have
and you should have a new shelf
that has been drawn. Now, what you'll
find is that you can close that new
dads just temporarily. And then against
the back shoulder that suddenly the back
shoulders a little bit too big. And the reason is
because we've taken that extra from the front whilst creating a why the
dot that has taken extra fabric from further
towards the center, front and towards
the actual shoulder, that tip of the shoulder. So what we've done is, let's say you've taken half a centimeter on either
side of the original data. That means that a whole centimeter extra has
been pinched together. So a whole centimeter has been taken in from the shoulder. This is why you
would in this case, have a whole
centimeter difference between the front and
the back shoulder. When the data is closed, what you need to do is to
make sure that they both fit. So you could either, if you want to have
really loose loose bag, which is an option, leave the bag as it is, and then add an extension
of the shoulder and to centimeter or however
much you've taken extra and then redraw the whole. With this, you need to be careful because you need to make sure that it's comfortable
against the body. So if you were future working
with a full body parts and then you need to have it against your body or the body of whoever
you are doing this, make sure that the
actual curve of D is following the natural curve of their body around your area. But you want to make sure that the front and the back
shoulder always fit. Now, if you want the
shoulder to also be CTs, just like we have added extra fit and three-dimensionality
to the front, we could do is you could
create a dad along the back shoulder and
it's completely up to you where you place that data. The thing is that it would
again depend on your own back, on the back of the eye
creating that pattern. Because we have got natural
curve along the back. So really, really depend on how, where those curves are for
the patterns fit nicely. For now because you're
working on it or template, you could go ahead and choose where you want
to send that data. Created just like you
created dad's last week, along the waistline, where you have a middle
point of the dart, we choose for it to be. Then you can measure down a few centimeters because
you don't want to have to bigger dots on the top shoulders are few
centimeters is absolutely fine. Then measure. In our case, if we have
taken whole centimeter, you want to have a
centimeter the bag, so measure half a centimeter on either side of the midline, then connect the market. But you have created
the bottom of the midline to create
the tip of the data. Once you've done that, you could do the same thing
that you did for the front. Adding paper behind the
pattern on the job on the back shoulder and
sticking paper on it and then folding
the dad and redrawing, making sure that the shoulder
line is nice and neat, continuous line and no steps. Charles, the excess
of the extra paper. And then what you should have is if you had the
front and the back. And then we can do
is have the front and the back with a dat folded. Then EQ put them
against each other. They shoot again, line up
nicely because you would have taken out the same amount of material on the
front and the back. Now, something to bear in
mind if you have done this is that if you take too much
from the front and the back, then that means the tip of
the shoulder will move in a swell like we
touched upon earlier. And you might still want
to add a little bit extra if it's moved
too much anymore, I want to add a little
bit extra and we draw the front and the back. We can do that with a patterns right next to one
another along the shoulders, placing them like we did in module four, we're
creating pacing. So we have continuous
arch in the back whilst shaping this
part and linkages, move them away and cut-out. You'd need extra paper every
time you add into a pattern. So just get that. And then blue masking tape
ending on what to what, and this is how we
make bigger dots. If we wish to, if we wanted to reduce the data too much take, then you do exactly the
opposite of what we've just done and make the dads smaller, I need instead of adding material from the site
potentially inside shoulder tips. You'd want to take off? Well, if you already have a dad, but you'd also want to make that narrower as
well to match the front, depending on what you do, you can play around
using the templates. You will find that the
more I play around, the more ideas you come up with. So just have a go, just have a little play and
see how the arm holds change, how the shoulder changes, and how much it can move, how Big Daddy could have, and how we use data can have. And you could even try to have a pattern without any dads to
toe and see how that works.
4. Working with multiple bust darts: Of course, you can do a lot
more with data on body. If we take another one of our bodies
templates from bodies. And instead of adding
to the dad where it is, we wanted to have that
centimeter in a different place. You can do that and you
still have that fit. To do this. Choose where you want
your data to be along the shoulder and make a market. Then draw a line
from that marking all the way to the bust
point to add a dot. And let's take a
centimeter off again, like we did here. And then connect those markings again was tip of the data. The bust point. And this would have
created another adapt. But our total data lungs and the moment which we decided
is that to centimeters just stated it would
be in the same dot we have incorporated
into separate dots. And the same would apply
like we did before. You'd want the back to
match the prompt and you could do it in a variety of ways that I explained earlier, where you can either add a little bit more to
the shoulder or the front. You could totally up to you.
5. Shaping the waist: Shaping the waste happens in exactly the same way as we
did last week. You trousers. Except we usually, that data
should be little bit longer. We could do that by choosing where we want to
have a data along the waste. And let's say we want
a sanitary Turner hi, half of bodies, just like
we did with the skirts, but we'll have
three centimeters. Same with the borders. And so we work with have a bonus instead
of a whole bodies. And we're going to have half
of those three centimeters, in that case, 1.5
centimeters reduction. Because if you were to cut
that bond is on the phone, then you would end up having present to meet and
talk to a reduction. We've got the bust
point on the patently. Have, you also have got a line? And that's the first line. The first thing we're going
to do is I'm going to draw a line from the bust point down, straight down, so
perpendicular to the hand. That would be the
midpoint about waste. We are going to have that
data a centimeter away. And to do that, we're going to mark half a centimeter on either side from the
lung pump just created. Then we can connect those two markings I'll have
created with the bust point, thus creating our waste
data at a centimeter width. We can also take a little bit off from side
to shape the waist. Let's take half a centimeter
off from sightseeing. So we'll measure half a
centimeter in from the side, the ham, and then
connect that to DMO. And then you can cut that
out if you wish to do so. When shaping the
waste on broad is something that you
want to bear in mind, is that you need
to make the front, the center front a bit and ANCA as a standard
that is a centimeter longer and then creating
a slight curve all the way towards the side of
the front, nice side. Now, because we're
working with small scale, which is actually how to scale. You could go ahead and do this with half a centimeter
measurements. So add extra paper to
the hem of the patches, then the center by
half centimeter down. And then from that point, just draw a gentle to meet
the side of the pattern. And this is the correct
way to create a shaping of the waste where you're
slightly longer. Samples count, it
would be a centimeter. Now appreciate that when
you work beyond gloves, I won't be possible. You can't just
grow extra fabric. But when you do pattern
continues is the way to do it. And just, you know, just saying.
6. Variations with waist darts: Now, as we did last week, we can move the data around
and we could incorporate our total data allowance or the waste into
different dads. So in a way, we are going to
be doing the same things, but this time the
dads will be a little bit longer because they extend
all the way to bus line. Now, we have got
a one centimeter on actin and have sent me
to take them off side. We can add it all insane dot. So we could add a little bit on either
side of the doubt would create 2.5 millimeters on
either side of that debt, then we'll end up having
a 1.5 centimeters and dad and nothing
taken off from site. Of course, if you have
cutoff the side already, you want to use a new pattern. Because otherwise he would
have taken too much and keep the side and make
the dots bigger. You can also, let's take
the bat, for example, have the same taken off from
the back, but this time, instead of having a
one dat and anything, take them from the side. You could have three little dots and five millimeters
or centimeters reach. Again, you can choose where
you want those dots to bait. You could draw lines connecting the bus
line and the hand. Perpendicularly. You want the dads to be then because there'll be five
millimeters or half a centimeter each in where you
want to measure 2.5 millimeters on either side of each line and then
connect to the mark. And they have created from those measurements
to the other side of the midline to
create the point of the data along the line. So we end up having
is three little dots. But the waste measurement
has not changed because you still taking off one of the half
centimeter in total. You can play around
and make them match. You could have designs that are not exactly the
same on both sides. So it could be the trays, the pattern they have
an have to France, one right and one left. And on the left you could
have just one thing dot. And on the right you could have three little dots and they'll
be asymmetrical design. It's about playing
around, having fun. But most importantly, it is about understanding
the basic. So you could play around. You can move waste as alone. So it doesn't have
to be that your ways that is connected
to the bust point, like one stat that I wanted
to show you when we started, where an easy way to start
creating the dad being technically move it along the waistline and
keep it the same, just moving it further towards the site of further
towards the center. Just snaking back to back. It's completely up to you, just like we did last week.
7. How to move darts around the bodice: Now we're going to do something
more fun and exciting, and that is to move
data around the body. So what we're going to
do is we could actually move our waste data somewhere else that's
not around the waist. And we can move our bust
dart somewhere else, not around the bus
where it is now. And we'd still have the same fate that we
have a one star two. Before we start
moving those dots. Let me explain. So grab another prompt. Bodies. Start with, let's have the bust dart and if you're way she
can make them burst. That wider IS thing
we're going to do is to move that around. We need to do to do this is you can choose where
you want to move the dad. And as we're going to do an arm called dat
instead of a bus. I'm going to mark where
I want mine to be alone and then connect my
marking with bust point. The next thing I'm going
to do is I'm going to cut along that all
the way to the bus. Once I've done that, I'm going to fold my
dad sticking together. You can either use blue or
masking tape up to you. Once you've done this, you'll see that that
area that you have cut along the line
created opening up. And because it's opened up, we can put a little behind it, then close it again
just temporarily just hold it and then
cut the excess paper. And when we open the bits
and we fold it again, you'll see that a new
dad has been created. You can use colored paper. So you could see
this that I posted notes should do fine using
that small bodies they have. And we've suddenly
moved the data to data that's coming
out from the uncle, believe it or not,
will be the same. Even though this looks smaller. In reality, it takes out as much excess is just
from a different place. Another thing you can do is move the bus dot somewhere
else along the shoulders, exactly the same way. You can also move it from
somewhere around the waistline. What would happen
if we moved it to a very corner where the site
team meets the waistline. Well, if I make a marking
and that owner and then connect bust point
to that marking, then cut along the line
and close the bus stop. That partial open up. We could do the same
as we did before. I'm paper behind it, gluing it from there, holding the open part. So it needs along that line again and then cutting the
excess off on the side. And I'll hold the hand. And when we open
the section again, we'll find is gone you
that that new data, it's called special
name when it's in that place is called fringe dot. It looks really nice
on when applied. Here, you can see
how it is different depending on how big the
data in the beginning one. So if we started with the original data,
That's the pattern. The new dad is the narrower. If we started with
the data that we have made bigger to begin with, then the new fridge that when
we vigor and they'll apply to all dads depending on
where you want to move them. The ratio will be the same.
8. Moving the waist dart to the bust dart: Another thing you
can do is actually move the ways that to us. As a starting point, you can prepare a
pattern where you've got the original template
that I've given you. And you have also drawn the ways that
connects to the bus point. Then what you want to
do is cut right in the middle of the bus all
the way to the bust point. And once you've done that, you can fold the waste data together and that will
automatically open the bus data. So if you close and
hold the wastes that having the
middle of the bus, the bus that will open along
the possibly have cut. And that means that the
data's not pick up. So all you need to do is to add, pay up the humming. And then as we did in the
very beginning, fold, the new bus data falls, the bus data lines. And wherever you have a
step along the shoulder, you want to redraw that. Now because technically
technically you're not taking off any more from the shoulder
because you haven't drawn extra outside of the data. You've inserted extra
inside of the dot. Then you don't have
to actually reshape anything on the whole. Because what's happened
is if you actually found that what appears
to be bigger dad now and then measure the front to the back
bar is alone shoulder. What happened is that
that's too much. And this is because we have kept our original data
lines were just inserted the waste that
inside the bus stop. So the waste will
be more fitting it. But we wouldn't have taken
extra fabric from this. So that's quite an
interesting thing and it's a difficult thing to grasp because it almost
makes no sense really. Because he taking, taking
more fabric from here. But actually that fabric is
being taken from the waist. You're ready. Again. You can't really do this
using your own clothes. But something interestingly can do if you are creating
your own patterns, which you might get into doing in order to redesign
close later. And using the close just as fabric rather than as
they are right now. In terms of pattern. This is possible when terms of straight up cycling, it isn't. But it's an interesting thing and I wanted to show it to you.
9. Moving the bust dart all around the bodice: Another thing you can do is to move the bust dart
around anywhere. You can be somewhere
else on the shoulder. It could be like we
did alone, arm hold. It could be from the side seam. It could be as a French data
about intersection between the sides and hair. It could be that you move it to the waist
somewhere along the way, so it doesn't actually
matter which way around. You could move the bus
dad into the waste. That that's a rainy day. Just like we moved
the waist to the bus, that you can do the
opposite so you won't have any dad left here. We are close to the waste and the waste
out and look bigger. But actually it would have just incorporated the bus
data inside of it, exactly like we've just
done the opposite way. Now, what if we move the ways that to the
bus nitrogen is done? Then we decided to move
this whole new data. This massive both Dad, I'm created somewhere
else you could do. You could just move data
around indefinitely. Way. If we move to that, to the center prompt, that is where things
get more interesting. So go ahead and mark anywhere
along the center line the only part and
then connect that Mike and you've just create
two to the bust point. Cuts along that marking
and close your bus. Of course, the section
they have curtains on will open up and you can add people behind IT ticket and then folds
in that section again, cutting off the excess paper
that beyond say tonight. Then when you open it again,
we'll have a collision. Be weird. But when you go
out and stitch it, end up having something
very interesting. Every time you move
a data center, you going to have
to have a seam on the front because you can't
really cut the whole thing. Falls. What you do then is add
seam allowance to the cut, two pieces, one
right and one left. And then close the dance, stitching them and then stitch
the scene on the front. And what you end up having
is interesting effects, like God that one here. And you can play around because
depending on whether you have chosen to move that to the, towards the bottom
of the center line. The top of the center line, you're going to have
rent angles into x. So interesting. Yeah, it's something else
to play around with. Stitching these dots. It's exactly the same way as
we did last week with waste, that they're just playing darts and you stitch them
exactly the same way. It's just a little bit
wider than bit longer potentially depending on the way on an alert bodies there are, as you can see, that big data
that we took from the bus, moving it towards
the center crunch that made it wastes molar. But again, the Fed
should be the same. It's just how that works. So go ahead and play around
with moving, dance around. This is your homework,
play around. You can move dads get comfortable with the
idea and moving dad. Because once you do, you can start playing around with more
advanced techniques. Later. Need to understand this technique in order
to create interesting. And I hope they
handed fun doing it.
10. How to draft a dress dart: Another thing I wanted to
show you in this module is dressed that are dressed does a little bit different
too plain dad's, whether brain dads on
polish, on trousers. And that's because
they're kind of like a dabbled that they can be
found along the waste. But on dress, single piece dresses that don't have a scene along the way. So let's construct a dress that, and I'll also show
you how to stitch it. Take your template. This week, we're going to add
some way beyond the handle. Stick your template
and A4 sheet of paper. And then extend the center front line down,
all the way down, one up, and then extend the sign saying also
all the way down. Then you end up having a
way, a longer borders, which is how you
start to dress up and draw a waste dad from
the bus point down, you can mark the
line along the hand of the original bodies
because they handled the original bodies is the waste that could
be the waist line. At the waistline, our
dad is its widest. You could take a centimeter,
two centimeters. It's completely up to you. It doesn't really
matter because we just learning how to
create a drift down. The next thing we're going to do is you can extend
the center line of the data all
the way down to o, depending on how long
you want address that be Now on your own. Depend how much access you have around the ten
year in their head. Very similar to last week. I extend, similar to what
I've already got the chart, so got more symmetry. Mark how long down you want
the dress data to end. So you could model the
same amount between the waistline and the bus line. And then that mannequin
they have created. You could connect with
either side of the data. That's along the way. I'm having this kind
of diamond shape. It could be a bit narrower
and it couldn't be a little bit wider depending on what measurement is tied to. The same rules apply in terms of pattern cutting. Dressed dots. Where they can be moved
around the waistline. They can be split
in narrower dots. They can be taken
off from the side. So it could be that you
could actually take one or two and measure it away from
the side seam along the way. Then extend it connecting to the whole of the
bottom of the apple. Then two words, however long you wanted
below the waistline. But make sure that if
you aren't leaving the dart frog taking
off from the side, just like we did with
skirts last week. Make sure that you come things
a little bit and there you don't take way too much
because besides silhouette, my mother told me
when you do that, make sure things are
balanced and that you have the dots distributed
where you can, if you have a lot to take off. Don't have a sharp forms and sharp edges and less sharp
geometries, your thing, it is just a guideline
I'm giving you just as how things are done or
more balanced look, but it isn't guideline. You could choose to ignore
it and just play around and experiment and see what
works and what doesn't. That's why long design, because there's
just so much with just the guidelines
that I've given you. So much you can do. You just need to learn
these basics first and then just how they
just keep going. Just keep experiment. If you have red dots, you can go ahead if you like, and merge that back because
normally you would have cheap another back on those. Because the point
of address that is to make a dress fit
around the waist, got a nice silhouette. You don't have to have
converged out to toe. You could have a straight wrist, straight down, no shaping
of the waste at all. You can do ignore that and just have the streets and the
way it's totally up to you. It's different things they can do depending on
the fit that you want. Just like when we
played with plain dads, you don't have to have them
because we don't have them. You end up having really
loose way if you have got nice way depending on how
much you want to take in. It's totally up to you. And that's the beauty of it.
11. How to sew a dress dart: Lastly, let's stitch
address that. And again, like you did last week with the
stitching a plane dad, he could cut a few different
pieces of material and play around with the width and the length of the
database stitching. You'd essentially one to draw a dad just like
you did on paper. You can start by
creating a little cross, if you like, with horizontal
line and a vertical line. And then decide how far up you want the top of
your data to go. How far down you want the
bottom of the doubt to go, then connect your
markings to create that kind of watch call a
stretched diamond shape. And I could do that a few
times every time changing the length and the width
of that diamond to that. Then you want to do is fold
the material right sides together and pin along the
lines that you have created, making sure that you
match the top and bottom side so that the
line is old enough. And when you are
doing this on fabric, we want to do is, we could do that with a
heartbreak pen, you like anyway, because then it'll
be easier to follow any way you could do it by
eye while you're sewing. But the part we've got, the sharp bits at its widest. You want to curve a little bit when you sell it because again, our bodies and curved,
they're not sharp. And so what you
want along the way, so you want to have nice curves. And because of that, you want, when you're stitching
this kind of data, we want to have got
slightly curved edge of the way through white sharp
parts of a white dress. Now you might think that
you just start from one side all the
way to the other. But the great weight
is distressed dances. You'd actually start from one side Once the
middle of that size. So let's say is tap on
the top half of the data, but around the middle, closer to the widest point. And then you continue on curving
around the widest point. And these are all way too
opposite tip of the data. And you can do it in same way
as we did that last week, where at the bottom, where close to the tip, you want to end up
having the needle about Prince went away
the actual fold. Then timing our material line up with the needle and
then just hand needle, create another
couple of stitches. Then take the whole
piece of fabric out with some excess thread
and then catch up to finish stitching
the dad we want to do is turn the data Medea. Start from where you started
stitching previously, overlapping a few stitches. So you don't need to backstitch anywhere along the dark because you stitching over stitching
that's already there. That has the same
function as backstitch. So just tap from waste started just a few stitches behind
and then stitch all the way towards the tip of the DAT and finish
of the tip as you do with them the other side
and how normally do named dots and blue dots with a
few stitches along tip, keeping some excess thread, tying it and trimming it. Then you can go to your
ion and press nicely. And in my belly to be finished, you want to do it on
section two time? Because where we've got that widest part of the
data is where the waste is. And so it will sit nicely
on a curve like the waste. But on a flat surface
you want because that's going to put Dad's to shape things so
they're not flat. And so the more shape
to waste you have, the smaller waist to hip ratio, the bigger your dad's will be to accommodate nice clothes fit. So be more difficult to maneuver
that if that's the case, you were does they're
not quite so wide, it will be easier
because there won't be quite so much shaping
and the waste. So it really depends on how
wide DuPont and some people, to make things easy in a way, heavily to cut diagonally along the widest
part of the dress. Dad, I never do this. And the reason I do this because that would
weaken the material. And at some point in mind, Rick, I don't think
it's a good idea. I don't think it
looks very good idea because it just leaves a real wages and ending
on the material. If you have used
material that crazy though that's not a great idea. If you have used material
which is say, see-through, everything be visible so you probably don't
want to do that. I need them. Sometimes dads can be quite
decorative like that. If you are using a material that see-through
and you add dots, waste, for example, there'll be visible and that can
be quite interesting. Definitely. You just want to make sure that you are pressing it nicely. And when it is on the body, it should set up quite nicely. If you feel like you've got too much work around
the waist of the dark. We can do is you can trim the excess material of following
the shape of the data. And then potentially,
you could then stitch that together to just add an extra set of stitching. You can also use binding. Again, it really depends on
the material of the youth because it was too and
that will add bulk. So I'm not being
very good at it. You see two, again, you don't want to see
some random bits of binding through the right
side of the material. So if you don't wanna germanium, that you want to
know how the bulk, you might want to
consider having more data than narrower because then they'll be less material
taken in a long time. And now we'll distribute the children's data lungs all
the way around the waist. Take the same amount of ways. But the whip pan Dad, no, waistline will be smaller
and more manageable.
12. Module 6 bonus video - how to use darts creatively: Here is your final bonus video. And this week as we've worked
on a dance on bonuses, I thought to make it a bit
more interesting and show you a few different ways in which he could play around with
data in a different way. So if you have a pattern ready and you want
to create more samples, we could do is you can
use the same pattern and create different effects
just using that one pattern. What I mean by this is you could The dark on the
outside of the pattern. It's teach them but instead of stitching the dads
or right side, right side, you stage
them wrong side to side, and you end up having
the data on the outside, which could create an
interesting effect, is quite unusual. And it can be very interesting. Another thing you can do is instead of stitching
all the data, you could actually just pinch the dots on the top and securing them where the seams app example the shoulder or on the sides. But one way of data and
that's creating pleat. Pleat can then be holding the one side and stitch that
way or folded Deanna way. And it will create two
completely different effects. And the final way
in which you can play around with
dad is to actually, once you have
stitched the dad and the regular way to
add to top stitching, stitching the dark down, creating an interesting
top stitch detail. And you could use different
colors if you like, just to make it
more interesting. And again, this is pretty
completely different effect, even though you'd use the same. Which one is your favorite?
13. Final thoughts and suggestions: Hello, play,
experiment, enjoy it. And if you have any questions, be sure to ask. And I do hope that you have
learned and not at home. They have made the
most of this course. And I hope that it has given you the tools to continue and go for more advanced techniques
making the most out of fashion design,
experimentation. I'm so proud of you. You've come such a long way. Make sure you play around. Make sure that you take
everything that you've learned past six
modules and mix it up. Why not print another one of the templates from
previous weeks and apply a different
mix of techniques they have learned to create
a completely new design. I hope they started
building of older. Hope you have got a
lot of samples create. I know that with some
practice and experimentation, you could create some
incredible things and a wardrobe to be envious. I look forward to seeing
you again until then. Thank you. Hayley.
Eva Dragoeva, Fashion Designer
