Inky Insects: 7 Days of Dramatic Beetles & Insects Challenge

1. Welcome and Introduction : Hi, and welcome to my new class Inky insect, seven days of dramatic beetles and insect allen. In this class, you will learn how to create vibrant and detailed ink illustration of beautiful beetles and insect using simple materials. This class is completely beginner friendly. We'll mainly be using fine liners and bras pin. But you don't even need breastpins. You can create all illustration using simple ballpoint pen, if that's what you have. All the lesions are recorded in real time, so you can follow along with me step by step. At the end of the challenge, we'll also work on bonus project a large more detailed Winged insect illustration to bring everything together. For the seven day challenge, I'll be uploading one project each day. Hi, everyone. My name is Mihal. I'm an artist from India and a skill seer teacher. On a skill sare I teach a variety of beginners planting art classes, including oil pistol, gauze, watercolor and ink illustration. You can also find more of my work on my Instagram and YouTube. We will begin this class with the basics. Also use some of the essential pen and ink illustration technique that we'll be using in this class. Then I'll guide you through an easy framework method that helps you construct any insect with confidence. After that, we will move into our daily insect illustration, building skill and consistency as we go. No fancy materials are required. I've used colored paper for some of the project, but we can absolutely use regular paper available to you. So join me in this seven day challenge, and let's have fun experimenting with dramatic beetles, expressive linework and beautiful ink illustration. I'll see you in my class. 2. Class Project : For your class project, you'll be creating seven detail ink illustration using file and bras pin. You can create all the sevens or you can create any one of your favorite. You can also create the bonus one, the largest one. I'll be uploading a video each day for the class project. You can also upload your project in the project gallery each day, or you can just complete all the seven or eight project and then upload them all at once. Feel free to experiment with different seeps and sizes. And if you want to add additional element, you can do that, too. You can follow my exact reference or choose your own insect for more personal challenge. You can also see your practice sees. By the end of the 70s, you will have a cohesive mini collection of bold, detailed insect illustration. Once you complete your artwork, upload it to the project gallery, I'd love to see your creations. So let's dive in and start building your ink insect collection. Mm. 3. List of Supplies : For this class, you will need very basic supplies, pencil and nails to do the basic simple pencil sketching. In here, I'll be using colored paper. So I've got this oil pistil colored paper. Since I'm using loose seats, I'll be using the masking tip to secure the paper. Tissue paper will come in handy to avoid smudging of the color. I'll be using the fine liner, black and red fine liner from Sakura micron. And to do the mean outlining, I'll be using the Tombos breast pin. If you don't have the breastpin or if you don't want to use it, you can stick with the fine liner and create all the project. These are not necessary. For the whites, I'll be using white colored pencil and I have got the sakura jelly pin. White will come in handy, but if you don't have, you can also create all the projects. You don't have to use it. Apart from this, these are additional supplies that if you want, you can use, we have got colored fine liner. I have got the colored gelpins, colored ballpoint pins. A few rush paints, too. For this class, you don't need all the fancy supplies. You can create all the project only using a simple ballpoint paint. Blue, black and red will do the work. And yeah, I'll be seeing you in the next video. 4. Testing Supplies : Welcome to this section. In here, I'll be showing you all the supplies that I have. Mostly, I'll be using the Tombos bras pin to do the main outlining. Since with this, I can get a little bit more thicker and bit more darker lines. So I'll be mostly using it to do the outlining for all the beetles and the bugs. I'll also be using the fine liner, Sakura micron fine liner. To make it a little bit more thicker, I can just add two or three lines. Apart from it, I'll also be using the red colored fine liner. Then I have got this white gelling pin. So it's not visible in here, but I'll be using it on the colored paper. Let's use it on top of the black. Using the black to create hatching line. Adding the white on top of it. It's not working that smoothly in here. But as you can see for our project for the colored paper, I used lots of lines like this. I use lots of fine to create the background in this manner. So if you have white jelly pin, the project will become more vibrant and more contrasting. Apart from it, if you want, you can use other colored fine liner too. Like in here, I've got blue and green colored one. If you want, you can also use the gel pens. I have got a set of tin colored gel pens. I won't be using it, but if you want, you can also use those. So these are some of the colored elpins that I have. Here's the green one. I won't be showing you all the color. But you have got the rough idea. If you have gelpin colored helpin, you can also use those to do the outlining, add more detailing to make the projects more colorful and vibrant. Apart from this, I also have got this normal ballpoint pen. I have got colored ballpoint pen like this. You don't have to even use the fine liners and the breast pin. You can create all the project only using the black and blue and the red colored ballpoint pen. Here I've got green colored ballpoint team. This one is brown. Here's the yellow one. Light blue one. And here's the purple. So these are the tin colored wallpoint pen that I have. If you want to transform the project into color variations and if you have the supplies, you can do that. I also have got the brass pants. So with this, the main advantages is that I can create very thick and thin lines like this, lines of varied thickness. I basically call this kind of lines dynamic lines. I wouldn't be using the brass pans, but if you want, you can also use those. I also have this yellow colored one. This is a little bit more thicker and it has a little bit of sparkles in it. Gray colored one. These are some of the supplies that I have tasted in here. Feel free to use all your supplies and check them. Feel free to see here your track receipt in the project gallery. And with this, we are done with testing our supplies. I'll be seeing you in the next video. 5. Basics : Hi, and welcome to the basics. In here, I'll be showing you some of the basic techniques that we'll be using for our project. Moni I'll be using two or three techniques, but in here, I'll be showing you six or seven different techniques that you can use for the project. Let's start with the hatching. For most of the project, I'll only be using the hatching technique. So hatching is basically a seeding technique created using parallel lines. The lines can be horizontal vertical slantin. Here we have got vertical hatching lines and horizontal hatching lines. And as I was mentioned, you can also create this kind of slanted hatching lines, lines at an angle. Apart from this, I'll also be using this kind of broken hatching lines. Simple hatching lines like this. Here's another variation of broken hatching line that I'll also be using to add a little bit of texture like this. As you can see, these are also broken hatching lines, but in here, I'm also wearing the length of the lines. Some lines are larger, some are smaller. This is the second example of the broken hatching line. And as we mentioned, it's a seeding technique created using parallel lines. We can create seeding using this. Just by reducing the spacing in between the lines, we can create darker regions. And here's another way in which I'll be using the hatching technique. I'll be creating lines like this to do the seeding. And apart from it, I'll also be using this way to create seeding, adding rows upon rows of lines on top of each other to do the seeding using this hatching technique. So depending upon the project, we'll be using varieties of the hatching techniques. And these are some of the example. Next, we have got cross-hatching. Cross-hatching basically builds upon hatching. You can define cross-hatching as layering sets of parallel lines in different direction. So these are two simple example of the cross-hatching, for the first one, we use angled line, and in here, we use vertical and horizontal line. And this one is a combination of angled line and the vertical lines. Like the earlier one, the hatching lines, you can also use this kind of broken hatching lines to achieve this cross-hatching. And apart from that, like the earlier hatching example, we can also achieve seeding using the cross-hatching. For this example in here, I'm using vertical and horizontal lines. To make the region darker, you just have to add more lines or more vertical and horizontal lines. In here, I'm aiming to make the top left side darker, adding more lines in here to get a little bit of darker region. So more cross-hatching lines like this to achieve the sading. For one or two of the project, I'll be using the cross-hatching, but mainly, I'll be using the hatching. Here's another example. To get a little bit of rough texture for some other section, I'll be using cross-hatching in this manner. The lines were quite closer to each other, thus giving a little bit more dense feeling. Here's another example of using cross-hatching to achieve seeding. Just add more lines to make the region a little bit darker. Once again, I'm aiming to make the upper left side bit darker, more lines on that side. This was our cross-hatching. Next, we have got curved lines. Mainly, I'll be using the curve line to wrap around rounded forms or some of the specific parts of the insects like its eyes, stomach or or any other part of its body. As you can see in here, I have created a very simple sketch for its head. I'll be using the curb lines in this manner to add a little bit of texture like this. And in here, I use a bit of broken hatching lines to act as the curb lines. Here's another example. For the stomach part of our insect, I'll be using this kind of lines to do a little bit of sading here's another one. Using broken cross-hatching lines and creating this kind of curved lines. So these are just a rough demonstration. Now let me show you how I'll be mainly using it. For the conical sap of its body, the insect's body to give it a little bit of three dimensional s. I'll be using cross-hatching or hatching in this manner, following the curve scene or you can see the contour of its body and giving it a little bit more dimensional by adding the lines in this manner, as well as if required, doing the seeding. Let me show you another example. In here, we have got another cylindrical s. This time I'm using broken lines. Using broken lines and doing a little bit of cross-hatching, following the curved seed of the cylindrical sea and making it a little bit darker for the lower region. So you have got the rough idea how we'll be using the curved lines along with the hatching and cross-hatching technique. Now, how are we using this in the class? So here's a simple demonstration. So here we have got insect sling, and to give it a little bit of three dimensional same, I'm using simple hatching lines like this, following the curve se, a little bit of curve same since it's not that much curve. So simply using hatching lines to give it a little bit of more volume. Now to give it a little bit more three dimensional sap. Here we are using curved lines. We'll be doing a little bit of cross-hatching. I'll be making the upper region bit darker, following the curved sieve and making the upper region darker by adding more lines in there. Now for this conical set, starting with the vertical hatching lines, and then we have got horizontal hatching lines that are a little bit curve following the curved seep of its feet. And for the remaining portion, we'll only be using a little bit of hatching line and doing the seeding. So this is how I'll be using the curve lines. Next, we have got a stippling. Stippling basically use dots to build seeding. With more dots, we can create darker area with fewer dots, we can create lighter area. In this case, no lines are involved. For this one, in here, I used fewer dots to create lighter area and created this spherical sea. Here's another one. For this one, I decided to add more dots, more dots, and the spacing in between the dots matter too. For this one, as you can see that spacing in between the dots is far less as compared to the first one. Here I'm considering that the line is falling from the top right side. So the darker side is on the bottom left side. In here, I'm aiming to make it a little bit darker, and I'll also be doing a little bit of seeding using this stippling technique. So we are making the lower region a little bit darker by adding more dots in there. Oh. With this stippling technique, we can create very beautiful texture, so softness and subtle gradient. The main disadvantage with this technique is that it takes a lot of time. So for most of the project, I won't be adding it, but for only a small section, I'll be using it. And with these, we are done with the stippling. Next we have got scribbling technique. This is a very loose overlapping free flowing technique in which we use lines of irregular sieves. Wow. For one of the project, I'll be using it. With this scribbling, you can provide energetic feel to your illustrations. These kind of lines are irregular and you can consider them to be organic. For only one of the project, I'll be using it because I don't have that much control over it. Next, we have got scallops. And basically, scallops are repeated half circle or wave like lines. Let me so use some of the example of the scallops. I won't be using any scallops for our project, but if you want, you can include the different kind of escalops for the background or for some of the section of the insect's body. And lastly, we have got contrasting lines. This is a simple example of contrasting line. I won't be using it. You can use it for the background or for some of the section of the project. In here, I'm using hatching technique and creating this kind of lines that are facing in a different direction. Apart from this, you can also use thi, r thin lines to create the contrasting lines. You can also use dark and light. By dark and light, I mean by wearing the spacing innate in the lines. You can also use straight and current lines to create contrasting lines. So feel free to experiment, and this is all for this basic section. I'll be seeing you in the next video. Okay. 6. Insects : Welcome to this section in here, I'll be showing you how I'll be creating most of the insects for this project for this class. So these are all the insects and the bugs and the beetles that we'll be creating in this project. And for all the projects in here, I use the simple guidelines to create its body so that there will be a little bit of uniformity for all the project in this class. Basically for all the project, I'll be starting with a simple lines. This line will determine the length for the insect's body. And then I'll further divide into more section, mostly four section, but if required, eight or six sections. For the first two section, mostly I'll be creating its head and the region below it. And then for the remaining two or three section, I'll be creating the outline for the remaining portion of its body like this. For this example in here, I use only the first section, and I further divide it into different sections for different portions or different parts of its body. And for the remaining portion, I use to create the rough outlining for its body. But depending on the projects, I'll be wearing the proportions a little bit. For all the projects, I'll be creating three pairs of feet. And to create curved insects, I'll be using this kind of curved lines to determine its length and once again, dividing into different sections, mostly four sections and using a simple guideline to create the outline for its body. For curve insect, I'll also be sewing some port in a bit spotty to give it a little bit of more three dimensional seam. In this manner, I'll be creating this kind of curved bodies for our insect. As for its head, mostly I'll be creating this kind of see front pincers and the eyes on the sides creating this kind of oval see for the eyes so that it's a little bit bulgy eyes. Below its size, I'll be creating this kind of see for its head. This is just a simple example. I'll be wearing the sis seeps for the insides. Now for its antenna, here's an example of its antenna. This is a little bit detailed variation of the antenna. Here's another one using this kind of small sections to create the outlining for its antenna. Apart from this, I'll also be creating a few more variations of the antenna. As for its feet, here's an example. I'll be using this kind of cylindrical sp or you can see conical cylindrical saves to create its feed. Mostly, I'll be dividing into three sections like this. So this will be the s for the last portion of its body. Let's create one more example of its feet, a little bit different angle for its fin. For the last pair of feet, I'll mostly be creating this kind of feet, a little bit bent like this. So this is how it'll be creating its feet, its antenna, the front portion of its head, pincers. And here's a simple example of the horn that I'll be creating. For this too, I'll be making a little bit of changes and also create other variations for the horns. Let me show you a few more example of the body pill poison for our insect. Here we have got an oval one. This is a little bit of polygonal seed for the body of the insect. And as for the winged one, you can add the wings on the sides of it body. And with these, we are done with some simple seeds for the insect's body. I'll be seeing you in the next video. 7. Azure Forest Climber : Welcome to Azure Forest Climber. In here, I'm using blue colored paper, and I'll be using both white and black to create our illustration. This is one of my favorite from this class. So let's start with a simple pencil sketching. Starting with a vertical line to determine the length for our insect, I'll be dividing into different sections so that we can easily create it. In here, I'm starting with a simple sep, simple half oval seep like this for its head. On both the sides, creating the smaller seeps for its eyes. And this will be his antennas. Now let's divide into different sections, a total of four saxon and I'll be using simple seeps to create simple sketching for rest of its body. For the upper part in here, seen wind of half oval see that we created for its was a little bit larger. Now, for the remaining section, we'll be creating its body and its wings. In here, creating this kind of bit conical see for the rest of its body. This simple wings. You can start with this kind of conical triangular sea to create a estimate for its body and then do the remaining section. Extending the sides like this to create the outline for its wings. Simple cap like this for the wing. I'll only be creating its body till the fourth section. And for this remaining section, we have got the wings. Simple seep like this for the wing. So this will be the tail of our insect. And in the middle, we'll be creating simple lines to divide it further. Now let's do the outlining for the insect sling. You can just follow along with me. I'll be creating this kind of simple verson for its sling. Creating this kind of non uniform cylindrical see for its leg and the feet. This is how we'll be creating its feet for some of the section. As you can see, I created simple cylindrical see for other we have got somewhat of conical see. Try to keep it symmetrical and add the feet on the same exact positions. You can vary the positioning of the remaining section of its food, but to start with the same position for its beginning. Now for the second seat of its fin, for all the insects in this class, I'll be dividing the foot into different section. I'll be dividing the foot into three different sections. Now for the last pair, making it a little bit more thicker. Same portion of its feet in here or the leg in here will be covered by its wings. This is going to a simple pencil sketch. Now this is optional. If you want to follow along with me, you can create the outline for the trees. Later on, I'll be using the white jelly paint to do the outlining for the tree and add a little bit of detailing. If you don't want, you can create the insect in here. And with this, we are done with the outlining. Now in here, I'm using the tombos bras ping do the outlining, I'll be making some changes and adjustment as well as I'll be adding more detailings to it. So for our antenna, we have got this kind of bit conical see. Simple conical see for the entire section for its antenna. Let's do the outlining for the second one. Let's put the foot in here. I'll be doing the outlining later on. Adding the antenna on top in here. This is going to be our outlining for the antenna. Now for the remaining section of its body, starting with its head. Mostly, I'll be using hatching lines and a little bit of a stippling. Mostly, I'll be using hatching lines and a little bit of a stippling. Doing the outlining just below its head, a little bit of hatching lines, simple smaller hatching lines. Now, for this portion, simple outlining like this. Let's do the outlining first and then we'll be adding a little bit more detailings. Here, if you want to create a bit of dynamic lines, you can use bras paints in that manner, you can make some of the lines bit more thicker. In that way, you can easily create lines of varied thickness. That's creating this kind of simple C for the remaining portion of its foot. And with these, we had done with this one. Let's do the same thing for the second one, making this region a little bit more thicker. Try to give the symmetry in both. Now for the remaining section of it, second foot. So this is a little bit different as compared to the antenna. And with this, we end with the second one now for the remaining section. Let's do the outlining for its body, the flap that cover its wings. In here, I'll be using simple hatching lines, bit curve hatching lines to add the detailing later on. For the second one here instead of creating this kind of bit broken lines, you can always create clean and normal lines, uniform lines, but to add a little bit of moat darrected to this, that's why I'm using this kind of broken lines to do the outlining. And with this, we are done with the outline. Now for the remaining two pair of the feet. Now for this person, the same kind of thing that we did for the first pair of the foot. Moving on to the foot on the right. And with these, we end done with a second pair. In here, I'll be using the hatching lines to make it a little bit darker later on, continuing on, moving on to the meaning portion of its body, doing the outlining for its wings, doing the outlining for the second wing. Put the wing in here, I'll only be using simple hatching lines to completely cover the entire section of the wings. In here for this middle portion, dividing into different section here too, I'll be using a little bit of hatching line and doing the seeding. Couple lines this to divide into different sections. Now for the last pair of the legs in here. Doing the outlining for the other side too. Now for the remaining section. Simple sap like this, bit of conical sap, doing the same thing in here on the side. Same number of joints like this. And with these we are done with a simple outlining. If you want to do the outlining of the tree using the black, you can do that, too. Instead of the black, I'll be using white jelly pen before proceeding to add the jelly pen, using the eraser to lightly release the pencil sketch, Ise that the ink has dried up and apply light pressure, otherwise, the intensity of the ink will be reduced a little bit. The whole video is in real time, so you can always follow along with me. Let's create the background. In here, I'm using jelly pen, white jelly pen. I'm going over the outline, the pencil outline that we did earlier, and I'll also be making a little bit of changes and adjustment as required, starting with simple outline for the trees. For the inside, I'll be using a bit of broken and bit curved lines to add a little bit more detailing and a bit of texture for me. I'll also be creating two branches. This is going to be our first branch. These are all optimal. If you don't want to create it, you can just leave it simple and plain. For the branches in here, simple, broken hatching lines like this to add the texture. Now for the remaining section of its branch, simple plain lines like this, simple hatching lines like this to add detailing to make it a bit more detailed and bit more textured. I'll also be making the outline a little bit thicker. So I'll be adding two or three lines later on. For the inside, I'll be using this kind of simple broken hatching lines to add a little bit of more textured appearance for our tree. If you want to make it a little bit more interesting, you can always use other colored paint to greet the trees. And if you don't want, you can just leave it simple. Only the insect. This is our second branch, creating the outline. Put the curved section of the branch in here, creating this kind of curved line, adding more lines. Following the canto, the curved sweep of the branch adding a few more lines. For the lower section of the branch, make it a little bit more darker by adding more lines, and for the upper section, decrease the sizes and the number of the lines. As I was mentioning, making the outline bit thicker by adding more lines. For all the remaining section, I'll be making the outlines a bit more thicker and using simple hatching lines like this, lines of varied length to add more details to our tree. If you want to make it a little bit more darker, you can always use the cross-hatching. But mostly for all the projects in this class, I'll only be using stippling and simple hatching lines. Added kale fully in between the parts of the insects body. Completely filling this smaller region with simple lines, doing the same thing in here, adding a little bit when it's fit, adding another line in here for the outlining. As you can see, I'm not covering the entire section with the simple lines, but I'm leaving a little bit of specs in between the hatching lines. Here's our third and the final branch. This is a little bit smaller. If you want to add more branches, you can do that. If you want you can also create smaller trees in the background. Making this region the curve part a little bit more darker by adding more lines. Now for the remaining section in here on the right side, we'll be doing the same thing that we did on the left side. But this side, I'll not be making the lines bit more thicker. But if you want, you can make the lines, the outline of the tree a bit more thicker, like we did for our left side. The lines that I'm adding are not all stream. Some of them are a little bit curved like this, and I'm also wearing the length of the lines as you can see it clearly in here. Adding bit more curved line in here. Adding it in between the two wings. Now, add it a little bit more of white wherever you think it's required or wherever you are not satisfied with it. With these we have done with the background the trees using the jelly pin. For the finer details in here, I'm using fine liner. So we have got Sakura micron fine liner. For the wing, as I was mentioning, simple hatching lines. In here, I'm creating this kind of angled lines. And as I progress, I'll be changing the angle a little bit. For the lower region, I'll be creating some white of vertical lines, dividing into different sections. Make the lines a little bit more slanted and change its angle. So this is what I was saying, changing the angle and making the lines a little bit of straighter. Now for the other section. And with these, we are done with our first wing. We'll be doing the same thing for the second one, creating this kind of angle, simple hatching lines. Here, I'm not doing anything additional, but if you want to do a little bit of seeding, you can do that. You can add another layer of lines on top of it. To make it a little bit more darker, you can always use the cross-hatching. You can also use a little bit of stippling to do a little bit of seeding dividing into different section. You can also use a little bit of stippling technique to make some of the sections a bit more darker. Adding it on the other side. And with these, we add them with our pair of wings. Now for the foot, as I was mentioning, simple hatching lines like this. Also do a little bit of sading near the edges. For all the smaller section, a little bit of hatching. For the antenna too, simple hatching lines like this. I'm just adding seven or eight lines in here to make the regions the lower part a little bit darker like this. It said, simple hatching lines for the front part. Now in here, combination of hatching lines and a stippling, starting with the simple stippling dots. Later on, I'll also be doing a little bit of hatching lines for its eyes, leaving a little bit of white space in here, and then feeling the remaining section with the black. Moving on to its second antenna, doing the same thing, simple hatching lines like this. For its feet, same thing. Oh adding it on the lower side and doing simple hatching lines like this. If you want to make it a little bit more darker, you can do the hatching lines on both the ends. Now for this portion in here, simple hatching lines to feel the remaining section in here. For the upper side, too, a little bit of hatching lines. Now for this large portion, doing the hatching lines on the top right side on the bottom left side, a little bit more hatching on the right side in here for the second pair of E, the same kind of simple hatching lines that we did for the first pair. Adding it for the smaller saxon stew for this larger feet, a little bit of seeding. So for the larger areas or bit more broader areas, apart from the hatching, also do a little bit of seeding to make that region a bit more darker. Doing the remaining section, adding hatching lines for the remaining section in here. And as I was mentioning for the flap that are covering its wing, I'll be creating simple hatching lines and a bit of broken hatching lines following the seep. Just simple plain hatching lines like this to add a bit more detailing for our flaps that are covering its wings. Following the seep and creating this kind of lines. Adding more broken lines like this in here, following the sane, doing the same thing on the other side. For this project, I only use black and white. For the other project, I'll also be using red. Only three colors, black, red and white. Apart from this, if you want to use other colors, feel free to do that, adding more hatching lines. If you want to do a little bit of siding too, you can do that for the upper end and the lower part. Simple hatching lines for the remaining section of the two pair of feet that we have in here for the smaller portions, adding the simple hatching lines like this. And in here for the middle portion, simple hatching lines and a little bit of seeding. For all the section, adding the hatching lines. And as I was mentioning, simple dots like this, simple stippling dots. These are a little bit larger, adding more details in this fon, creating this kind of simple oval saves or circular seep for our insects. And with these, we are done with our project. I hope you enjoyed painting this. This is one of my favorite. Let me know which colored people did you use and how your insect turned out. And I'll be seeing you in the next project. 8. Emerald Jewel Wanderer : Welcome to Emerald Jewel Wanderer. For this project in here, I have used green colored paper. And I'll be using all the three colors, black, red, and white. Let's start with a simple curve line for the length of our insect. Instead of using curve line, you can also create straight lines and create a straight version for the insect. For this one and decided to make it a little bit curve. I'll also be sewing some portion of its body, the side portion. Let's divide into different section. In here, we have got a total of four equal sections, dividing the first one into more section and the second one, two, In here, so for the first second and the third section, I'll be creating its head. For the first section in here, I'll be creating very small head for our insect. And for the next two section, I'll be creating the region below its head, and for the remaining section, we'll be creating its body, its stomach, and wings. Very simple see like this for the insect's head, oval C for its eye. A simple triangular see like this, a little bit of curved triangular seas adding antennas. So a little bit of small antenna for this one, since we don't have that much space in the front. Now for the remaining section of its body. For the remaining section of its body just below its head. Give it a little bit of three diamens look. Make it a little bit curvy like this. Since the pencil sketch is not that visible, you can just see the reference mes in here and use this as the guide. Dividing into two different sections. For this section in here in this middle region, just read a simple and small I like see, and then for the remaining section, we'll be creating its body. You can just consider it to be elliptical see in here. Now for the remaining portion of its body. I'll be creating the wings too for this one. The wings will be folded. Making it a little bit bigger, you can consider that I extended the size a little bit topany whole of its body. This will be the portion of its wings. This is going to be the length of our insect. Now in here, I'll be creating pair of six leg. Hitting two pair of the legs in here for the lower portion, and for the first pair, I'll be adding it this beside its head. On this side, the left side, doing the same thing on the right side. The legs on the left side won't be visible that much since it will be covered by its body. But in here on the right side, its whole legs will be visible like this. Dividing the leaks into different section to make it easier. For the lower section, as I showed you in the demonstration video, I'll be creating a simple bit of heart scene. This will be the largest link in here. Make it a little bit more thicker, the middle portion of it, and this will be the final one. I'm not adding that much detail here with the pencil, but when we'll be doing the outline, we'll be making it more detail. Simple patterns and designs in here for the wings flap. In here, too, creating this kind of simple C, curved see like this, somewhat of conical see. I'll be further dividing this into different sections and then we'll be using hatching as well as a stippling technique to add the details. And with this, we are done with a very simple sketching for our bug. Now, let's do the outlining starting with its head for the eye or the left side. Only a small portion is visible like this. Now for this eye, we have got those bulgy sphere like C for the eye. Dividing its side into two different sections. As I mentioned, a small section of its body will also be visible because we are viewing it from the side. Adding a little bit of detailing in this manner by using hatching line, curved hatching line following the contour of its head. For this side, I created a bit larger line but in here on this side, a bit smaller line, more hatching lines for the middle section. Later on, I'll also be using white to add a little bit of hyaline. Let's do the outlining for the antenna. Feel free to make changes in adjustment to the s side as well as the basement of the antenna if you want. Instead of creating this kind of antenna, you can create any other variations of it. You can create other variations of it, outlining the second one. We are done with the outlining for head, eyes and antenna. Now let's do the outlining for this section in here. Make the seep a little bit curvy. And for some of the section to draw a little bit of more attenson, you can just use one or two. You can just use more lines to draw a little bit more attension there. Here to dividing into two different equal sections. Now, using a little bit of a stippling technique like this, makes some of the region a little bit darker. For the middle portion of both the sides, I won't be adding any detailing. But for the remaining section on the sides, I'll be adding detailing either using stippling or broken hatching lines. And here I'm using the hatching lines to make the side a little bit darker. Small dots like this. Adding a little bit more detailing for its head too, small hatching lines just beside the eyes, small stippling dots just beside its eyes, doing the same thing on the other side. I'll be adding a little bit more detailing or you can say I'll be doing a little bit of siding on the right side to make the side a little bit darker, but the left side will be comparatively lighter. So specing matters in here. To make the region a bit more darker, we'll be adding lines or dots closer to each other. And to keep it lighter, we'll be increasing the spacing between the lines or the dots. For the middle region in here, starting with a stippling, small dots like this. Apart from this kind of stippling using simple dots, I'll also be creating a little bit of larger dot, not dot, but a bit larger lines to use it at the stippling. With these we are done with these two sections. I'll be adding a little bit more detailing later on. For now, let's do the outlining for this remaining section of its body. To make it a little bit more bolder, you can just increase the thickness of the line or you can add two lines. Adding a little bit of detailing in the form of stippling dots. Let's do the outlining for the feet in here. Simple cylindrical seat like this. For this one, I made a little bit of changes to the pencil sketch, and the final portion in here, I'm not able to create it. But if you have a piece, you can create the entire section. The front feet in here, a little bit of hatching and a little bit of stippling, for this front feet in here. And since it's folded, the middle portion is completely cut by its front portion and only a small portion of the third part is visible like this. Now for the middle in here, Since this is also bent, I'll only be creating a very small section for the middle portion. Using a little bit of stippling as well as simple curved hatching lines to add details in this manner. Adding the finer details in this manner. With these, we are done with outlining, as well as adding a little bit of detailing for all the three legs on this side. It's to the remaining section, outlining its body. Adding it in here, the middle portion, dividing into two sections. So another line like this. Doing the outlining for the designs that we have created for the sign. You don't have to create the same designs that I have created in here, feel free to make changes and adjustments. You can create any other kind of patterns or designs as you see fit. Outlining the last one. Using this kind of bit broken curve line to add a little bit of more characteristics to this design. I'll be dividing into more section, so in here. Adding lines in here, following the seep of the body, doing the same thing in here, simple line like this, a little bit curved line, a little bit of hatching beside it. Now for this section in here, the part of its wing. Mostly, I'll be doing a little bit of hatching. Doing a little bit of seeding using the hatching technique, making these regions a bit darker. Following the curved sip of its size and doing a little bit of small hatching in this manner. For the front portion of its head, for its mouth. Simple stippling technique like this, simple dots. Now let's do the outlining for the remaining portion for another three legs that we have in here. Starting with doing the outlining in here, feel free to make changes and adjustment to the placement of the legs if you are not satisfied with it. On this side, all three legs will be visible. So we'll be making them a little bit more detailed, comparatively more detailed than the legs on the left side. In here, I did a little bit of stippling, as well as small hatching lines, broken hatching lines for this somewhat of cylindrical sea combination of both stippling and few hatching lines. Making this region bit more darker, simple small hatching lines like this, a little bit of seeding too. Read it secondly. These licks are comparatively thicker to its counterpart on the left side. Using hatching line to give it a little bit of three dimensional sea and to add a little bit more volume to it for the middle portion, simple stippling dot as well as few curved lines. Gritting pincer like see at the end of the food. For the smaller portion, I'll be using a little bit of stippling and if required, a little bit of hatching. For the third in the final one. Using these kind of curved hatching lines, a little bit of stippling. The middle portion in here, this kind of bit is a regular cylindrical seat, simple broken lines, curved broken lines like this. And the remaining portion like this. So this is our rough outline for the insect. We added a little bit of detailing. I'll be adding a lot of detailing. I'll be using red and white too. I see the ink has dried up and lightly as the pencil marks. I have divided this project into two sections. This is the first part. In here, we'll only be adding the detailing for our insect. And in the next part, we'll be creating the background as well as add more detailing using the white. For this section, I won't be using any white, but for the next section, we have got white and the background. I'll be using red to create a lot of hatching lines, then I'll be using white to add small stippling dot, as well as few hatching lines for the middle section, the front section, its head, a little bit for the antenna, a little bit for its feet. With these, we are done with erasing the pencil sketch. Now, let's continue with adding more detail for the insect that we have created. In here, I'm going in with the right. Following the curved sweep of its body and creating hatching lines like this, you can just follow along with me, or if you want to create any other kind of pattern on design or detailing, you can do that, too. In here, as I progress, I increase the length, as you can see, a little bit of detailing on the other side, too. Creating curved line like this. Now for this sign, once again, as I'm moving, I'm increasing the sins of the lines. As I mentioned, I'll be making the right side a little bit darker, comparatively darker than its counterpart to the left sign. Me hatching lines in here, covering some of the stipping dots that we created earlier. Even if you cover the stippling dots, it will still be visible since we use black and black is darker than the red. For the patterns or you can see the designs in here on top of its body. I'll be just filling it with the array using the hatching line, a little bit of curb hatching lines and completely filling it. If you want to do a little bit of seeding, you can do that. You can make the corner on the sides more darker. Put this middle portion the seed, completely filling it with simple hatching lines, angled lines like this for this one. Once again, curved hatching lines, a little bit of curb hatching lines like this. You can always use stippling, but it will take a lot of time, so I decided to use the hatching lines like this, curb hatching lines. For this portion, the part of its wing, completely filling it with the simple hatching lines. Once again, creating curved hatching lines and filling the entire section with it. You don't have to stick with the red only if you want, you can also include a little bit of black. On top of this rad, you can add a little bit of black. You can also use the black to do hatching, or you can use black to do a little bit of stippling technique. Apart from it, you can also use scribbling or cross-hatching or other techniques. If you want to incorporate that in your project. With these, you are done with this one, doing the same thing in here for the other sign, simple curved hatching lines like this. You can always make it more darker by doing a little bit of shading for the sides for its head, too, a little bit of curved hatching line, comparatively smaller lines like this, following the curved sweep of its head. Front portion of its mouth, a small mouth that we have. Pull the parts of the antenna, small hatching lines. Apart from it, I'll also be adding white later on. Simple hatching lines like this for all the parts, all the separate parts. Now, going back with the black and adding a little bit of detail in the form of stippling dots. Just using the stippling dots and creating this kind of simple designs. You can consider it to be form of hatching stippling dots. So I'm creating a little bit of line like sap using the stippling dots. Both the side just beside the design, so you can see the pattern we created, I'll be adding lots of dots or you can see stippling dots like line. I'll be making some of the section a bit more darker. For those section, I'll be decreasing the gap in between the dots. You have got the rough idea of what I mean. To make the on more darker, you have noticed add the dots more closer to each other to make it lighter or keep it lighter. You'll have to just increase the spacing in between the dots. And you don't have to only stick with the stippling or the hatching. You can also include other techniques. We have cross-hatching, scribbling. You can also include scallops or you can also include contrasting lines to create pattern and design. For this reason in here, completely filling with the black to create a clear separation in between different section. Adding it in here too, creating clear separation. For this sign, same thing. Simple stippling dots like this. I'll be leaving the middle spaces in here completely untouched. But for the remaining section, just beside the pattern, you can see designs, I'll be adding stippling dots like it. Making this region a bit more darker by adding more dot. And also, since earlier we had few lines there, so this region looks compartibly darker. Now for the bottom portion in here, the same kind of lines. On top of it, I'll be adding white to add a little bit of detailing. I'll be mostly creating simple hatching lines. For some of the section, I'll also be doing the stippling using the bite, but for now, continuing on with the black and creating simple stipping dots. Adding it for this portion. Now, for some portion of its feet, a little bit of hatching lines like this. In here, right now, I'm adding it for the smaller portions, small, simple hatching lines like this. I'll only be covering up to here in this part of the project, in this first part of the project. And in the next video, we'll be adding more details and creating the background. Oh. 9. Background with White : Welcome to the second part of ML Joel wanderer, continuing on where we left off in here. I'm starting with the white, adding highlights for our eyes of the insect. A little bit of detailing or you can say highlights for some section of its body. So using white to create stippling dots to act as the highlight so you can see a little bit of reflection on its bony. Adding it in here on this side, a little bit for its mouth, too in the front. For the pattern or you can see the designs in here, following the curved seep and and creating stippling dots like this. With this, we are done with this one, doing the same thing in here for this one, the second one. For the third one in here, I'll be adding it on both sides like this. This is comparatively less. Put it on both sides, adding it in here on the bottom side. For this portion of the wings, small hatching lines like this to add a little bit of more detailing in here. This kind of hatching lines with varied length, adding it on the other side to the bottom portion. Doing the same thing in here, creating this kind of simple hatching lines with varied length. This is optional if you are satisfied with how your project turned out, or if you don't have white, you don't have to do it. You can use the blue colour. You can use the red or you can use the black. Now, adding a little bit of detailing for the feet. Put some of the portion of the feet just beside the joints, so you can see just beside the edges. Simple small hatching lines like this. So adding it for all the sections of its feet. If you want, you can also add for the smaller portion. A little bit of detailing for its mouth. Now, for each individual part of the antenna, a little bit of detailing using the simple hatching lines. And with these, we had done with the white fo the part of the insect body. Now, let's create the background. Now, let's create the ground. This is option if you don't want to create the background, you can just leave it as its starting with a rough outlining for the small rocks or you can see a rough texture for the ground. In here, I'll be creating this kind of larger grasses like this. Larger grasses like this, beside the insect's body, I would be caving the entire section for the background. I'll be creating the grasses just here. If you want, you can also create background for the other side, the left side. In here, creating this kind of rough ground or you can see small pebbles or rocks that are present in here. Creating this kind of smaller grasses in between it and adding a little bit of detailing using curved hatching lines of varied length. Details just use this kind of curved hatching lines of varied length. To make it more detailed, you can always use the cross hatching to give it a little bit more three dimensional seed and give it a little bit more volume. You can create other kind of grathes that we have used in our earlier project. A few more grasses in here. This creates this kind of organic seeds for the grasses and add a little bit of detailing in the form of carved hatching lines or curved lines. Make some section of the outline bit more darker by adding two or three lines and then add more lines following the seep of the rock. For this section, let's make it a little bit more denser by using more curved line, and then later on, I'll be adding more grasses. On this side, if you want, you can do that, but I'm not going to do that. For this section just below its stomach, create smaller grasses and will be completely filling. Since most portion of the grass won't be visible, it will be covered metal stomach, so only small lines like this to create a resemblance of the grasses. Adding a few more grasses here and there, you can add more grasses, more rocks, a little bit more detail for the background, but I'm satisfied with it. And with these, we are done with this project, Emerald Tel mandora. I hope you enjoyed painting this. It was a little bit different from all the other project, and I'll be seeing you in the next project. 10. Crimson Timber Sentinel : Welcome to Crimson Timber Sentinel. So this is one of my favorite projects from this class, and this is one of the most detailed and most vibrant project. In here, I'm using somewhat of white colored people. So let's get started. I have included the finished illustration on the bottom left side, so you can always use it as a reference to make changes and adjustment to your painting. And this project involves a lot of steps, so the picture will come in handy. Let's get started in here. I'm starting with a simple vertical line to determine the length of its body, the length of the betton. Feel free to make changes. If you want to make it a bit larger. You can do that, too. If you want to make it a bit smaller, you can do that. As usual, we already dividing into different sections. Start with dividing into four equal section. For the first section in here, dividing into more section. In here, for the first and second section, we'll be creating its head, somewhat of curved triangular seep like this for its head. On both the sides, we'll be adding its eyes for the region just below its head, creating this kind of somewhat of rectangular see, but curved rectangular seep like this. For most of the parts of the insect's body, instead of creating sharp this mostly we'll be creating somewhat of curved seep like this. Now, for its head, I'll be creating pincers in the antenna, and for the remaining section, we'll be creating large wings before adding large wings, creating this kind of simple ellipticals, simple elliptical seams, creating its body. We have got large wings for this one. The remaining three sections that we have in here. Creating this kind of curved seat for the remaining portion of its body, its wings will be visible and somewhat open. Creating this triangular seam and in here, we'll be creating the main body in between this triangular seam. I decided to make it a little bit more broader. Feel free to make it broader, longer, sorter as you see fit. Oh reducing the size a little bit. For the insights, I'll be getting simple pattern like this. This is optional. If you don't want, you can just simply divide it into different sections or you can just keep it plain and simple. Let's add the detailing for its head. Small pencils like this. Let's create its antenna. This is a little bit detailed Antenna. Dividing the antenna into three sections like this and for the remaining section in here. In here, I'll be creating appearance of here like texture for the antenna later on using the black color, as you can see, creating the same kind of antenna on the left side. I'll be creating this kind of texture. Now for the eyes, simple oval shape like this, half oval save. Now let's create its legs. In here, we'll only creating one pair of leg, and for the remaining section, we'll be creating the other two pairs. So this reference image that I am included will come in handy. Feel free to make changes in adjustment to the C side as well as the placement of the legs that we are creating in here. Creating another summat of conical cylindrical see for its leg. And for the remaining section of its leg, we'll be doing the outlining later on and then we'll be creating the seams. For the second per of the leg, a little bit more thicker joints in here. Try to maintain the symmetry on both the side. Creating the same kind of seep in here for the second portion of its leg. Plain and simple line like this. When we'll be using the breastpin or the final liner to do the outlining, then we'll be redefining the sea. And finally, for the third and the final pair of the leg, comparatively more thicker than the second pier. Now for the second part of its length, the length is somewhat similar to the second pair of the link that we have created. For the remaining section, this simple outline like this, we'll be adding the detailing later on with the fine liner or the breast pin. Feel free to make changes in adjustment to the s. And this is going to be a simple pencil skis for our project. In here, I'm using tombos bras pin to do the outlining, starting with doing the outlining for the pencil. As you can see in the reference image, mostly I'll be using the hatching line to do the coloring for our beetle, as well as I also use curved lines a lot for the background. In here, making the antenna a little bit more detail for the upper part of the antenna, making it a little bit thinner. Now, doing the outlining for the second one on the left side. Dividing into more sexton like this. And later on, I'll be creating hair like texture, but for now containing one's head, adding a little bit of detailing in this form, simple circular saves like this. Doing the outlining for the eyes, we have got somewhat of spherical sep or you can say bulgy eyes on both the sides outlining this conical see, and in here, filling it with the simple hatching lines for the poten below its head. Doing the outlining, making it a little bit more three dimensional by making this line bit more thicker like this, doing the same thing in here just below its eyes. Now for the portion in here, simple polygonal seat or you can see a rectangular seat like this. Let's do the outlining for the first pair of feet that we have created, first pair of leg or feet. As you can see, I'm making some changes in adjtent as required. I made this a little bit more thicker and made it a little bit more curvier. Now for the second section in here, doing the outlining. And for the remaining section, creating the same kind of outlining that we have used so far. And with these, we are done with the first lay. Let's do the same thing for the second one. Try to keep it symmetrical, creating the same kind of see for this portion. And finally, the last portion of leg. Same number of joint slides, a total of five. And with these, we are done with our first pair of the leg. Increasing the thickness in here a little bit like this. Let's start a little bit of detailing for this portion. Simple stippling dots like this. Instead of using the dot to create the stippling technique, I just created this kind of small circular scene. Nulls to the outlining for the remaining section. Doing the outlining for the wings. Doing the outlining for the second wing in here. Here, too, I'll be using a little bit of black to add the detailing, but mostly I'll be adding the red for this region. Boing over the outlines that I have created. Using this kind of small hatching lines to create a little bit of texture outline for this section. Very simple and small lines like this to create this kind of metaer texture for the inside. Now I'll be dividing into more sections like this using this kind of simple hatching lines. As for the insights, I'll be using combination of both red and black to do the coloring. Adding more lines to make it a little bit more different and clear separation between the different sections. Now, let's do the outlining for the second pair of leg in here. Try to maintain the symmetry for both the legs. The second part of the leg. As you can see the whole idea in real time, so you can always follow along with me, doing the outlining for this portion. H. Now for the remaining portion, the same kind of simple shape like this, dividing it into a total of five sections, doing the same thing in here, a total of five section like this. And with these, we get done with our second pair of the leg. For the third and the final one, a little bit more figure as compared to the second pair, but the length will remain somewhat same, doing the outrunning for the first and the second portion on the right side too. Now for the remaining section. Oh In here, I decided to increase the number of joints like this. Earlier we created four or five, but in here, we have six joints. Adding a little bit more detailing in form of this kind of small stippling dots, making the outline a little bit more thicker, adding another line, broken lines like this. And with these, we get with a simple outlining for our Crimson tail sentinel insert that the ink has dried up and lightly erase it. Apply light pressure with the eraser to erase the pencil switch. Otherwise, the intensity of the ink will be reduced a little bit. Removing the eraser's dust. This venue is divided into two sections. This is the first section. In here, we'll mostly be doing the coloring for our beetle. In the second part of the project, we'll be creating the background, going in with the Sakura micron fine liner and creating and creating this here texture for the antenna. Simple hatching lines like this. Using these simple hatching lines to do a little bit of siding too, making the ends of the lines a little bit more darker by adding more lines. As for the remaining parts of its antenna, doing a little bit of hatching like this for all the three sections that we have. As you can see, I've not added it just beside the edges. I just added it a little bit below it, a little bit of more hatching lines like this. Now, for its head, a little bit of detailing in form of this kind of simple and small stippling dots, doing the same thing in here for the pencils that we created. More detailing in form of stippling dot just below its second eye. Now for this region in here too, simple stippling dots like this beside the larger dots that we created. Making the regions a little bit more darker by adding stippling dots in this manner. Now, adding it in here for the upper side. A lot of simple, small stippling dots like this. If you want, you can also add a little bit for a sand. Now for the first pair of the legs, simple hatching lines like this on both the sides of the different sections. Adding the hatching lines for the smaller sections tune. You've got the rough idea how we'll be adding a detailing for all the pair of the legs, doing the same thing in here, simple hatching lines like this. If you want to do a little bit of seeding, you can do that. If you want to give it a little bit more volume, you can always use you can always use the cross-hatching technique. You can also use scribbling. Adding detailing for the smaller sexton to. And with these, we are done with the first pair of the legs. As for the small region in here, creating this kind of simple stippling dots like this. Instead of this, you can also create small hatching lines, whatever you prefer, adding more lines on both the sides to make the sides more darker like this. For this section, using hatching lines and completely filling. More stippling dots like this, and we get done with the upper part for the second pair of the line, the same kind of simple hatching lines. Making the sections a little bit darker by adding more hatching lines. For the remaining section, the smaller portions for the smaller sections like this, simple hatching lines. Before adding the detailing for the fourth line, I decided to do a little bit of detailing for the middle portion. Simple hatching lines like this, rows upon rows of line like this to add this kind of rougher texture for the middle portion for the third pair. And for this fifth line, simple hatching lines on both the sides like this. For this section, too, the same kind of lines. And for the remaining smaller section, once again, simple hatching lines. Let's do the same thing for the other side. Adding the small hatching lines for all the section of the lane like this. And as I was mentioning, you can always use the cross-hatching to give it a little bit of more three dimensional look. You can use broken cross-hatching lines to give it more dimension. Now for the last ling, the sixth one, small hatching lines like this. These lines are a little bit more denser as compared to the first pair of the lane. But the smaller sections in here, small hatching lines like this. Now, we are done with this for the insides of the wings, a little bit of detailing. Simple hatching lines like this to make some of the sexon a little bit more darker. In here, I'm not applying that much preset. So the intensity of the ink is quite low. Just create this kind of simple lines. Just create this kind of simple lines, and you can easily create it by changing the angle a little bit, adding it for the upper side too. A little bit of seating using the simple lines like this, adding it on the other side too, extending the lines a little bit like this and making this region a little bit more darker. And with these, we are done with a black fine liner for now. Now, going with the red fine line. As you can clearly see, we are going to use a lot of red fine liner, starting with the head, creating small hatching lines like this. Clear in small hatching lines like this. But the entire section will be just adding rows and rows of hatching lines. For the regions near the sides and the edges will be making them a little bit more darker by adding more layers of the red like this. Now for the second section in here, the same kind of simple hatching lines. Once again, we'll be adding rows and rows of lines to make some of the sections a little bit more darker and to create a uniform distribution of the red color in here, making this section more darker by adding another layer in here. These two sections are more reddish for the antenna. Once again, using the hatching lines. The spacing in between the lines matter. And in here, the spacing is very less. So the intensity of the red is much higher. And with these, we are done with all the section for the antenna, doing the same thing for the first pair of lay, will be completely filling it. But for the sides or you can see the edges or the joints near the leg, we are making it a little bit more darker by adding more lines like this. Put the small separate portions like this, small hatching lines like this. And with these, we are done with the coloring for the first leg. We'll be doing the coloring in this manner for all the remaining legs. Doing the same thing for the second leg and here. So I'll only be covering up to here, the coloring of the first two legs. Then we'll be continuing in the next part of this project. Using the hatching lines to do a little bit of seeding, making the edges a little bit more darker. More lines like this. I'll only be covering up to here in this part of the project. I'll be seeing in the next part. 11. Trees and Mountain : Continuing on where we left off, we have already colored the upper part. Now, let's do the coloring for the wings. Starting with simple hatching lines like this. In here, I'll be adding layers and layers of hatching lines. The same kind of hatching lines that I showed in the demonstration video. As for the links, I'll be making some of the section a little bit more darker by adding more hatching lines and doing a little bit of seeding. Like in here, on both the sides, I'll be doing a little bit of seeding and then hatching lines, making the regions a little bit more darker by adding more red. For the separate spot in here, a little bit of seeding and hatching like this. So we are making the edges a little bit more darker by adding more red there. And for this region in between its head and the remaining portion of its body, doing a little bit of hatching. For this section, adding more lines to make it a little bit more darker, adding the red on other two sides too. Now for this leg in here, more hatching lines, more hatching lines here, adding more red to make it more darker, same kind of hatching lines on both the sides. For this section, same kind of hatching line for both the side and doing the same thing for all the separate sections in here. If you want, you can also use a little bit of black apart from the red. And continuing on with the wings. Instead of using the red, if you want, you can also use the green colour or the blue colour, that will be interesting too. So in here, I'll be adding rows and rows of hatching lines on top of each other. And for the upper and the lower section, we'll be making it a little bit more darker by adding more line. And to achieve this in here, I'm maintaining a uniform distance in between the lines, adding another row in here, overlaying it on top of the black that we used earlier. For this region at the bottom, adding more lines. Now let's make this region more darker. So more hatching lines on top of this to make it more darker. For the upper part two, I'll be adding more lines later on. But for now, continuing on with making this section a bit more darker. A little bit of red for the upper section. I'll be adding more red later on, but for now, continuing on with the other side. Doing the same thing, simple hatching lines like this and we'll be adding multiple layers on top of each other. Apart from this, if you want to make it a little bit more darker, you can also do cross-hatching the wings of our bonus project, I'll be using cross-hatching, and that will give it a little bit more dimenson and make it a little bit more darker. Continuing on with adding more hatching lines. Now for the bottom section, completely filling this region with the red. Let's make it more darker by adding more lines on top of this. More hatching lines like this. Extending it a little bit more to make this a bit more darker in here, doing the same thing for this right wing. And as I was mentioning, a little bit for the upper sextant too. A few rows of hatching lines like this to make this a little bit more darker. Now let's do the same thing for the remaining two legs that we have for the regions near the body of the insect, adding more red to make it more darker and for the remaining section, adding it near the joint. So a little bit more red near the joint, and then hatching lines as for the separate small section, a little bit of seeding and hatching lines. With these, we are done with this leg, doing the same thing for the last leg in here. Simple hatching lines like this, rows upon rows of hatching lines. Small hatching lines like this and a little bit of seeding. And with these, we are done with the coloring for all the three players of the legs. We have got only a small section in here for the middle, as well as a little bit of coloring for the eyes. Using black fine liner and completely covering this entire section. In here, I'm applying very less pressure with the fine liner and I'm adding it at an angle, so it's comparatively less dark. Making the bottom a little bit darker. Now for this regions in here, so a little bit of hatching lines like this to create a clear distincion between separate parts of its body. To create a clear and separate distinction between separate parts of its body. Now going in with the red, a little bit of red overlaying it on top of the blank that we used earlier. I'm not going to add the red for the entire section, but for some of the sections like this, making the bottom section a little bit more reddish, adding more line, adding more red in here, one more row of red in here. And with these, we are done with the coloring for this section. Now for the eyes, going in with the black, leaving a little bit of white piece, simple circular white is piece, and then feeling the remaining section with the black, doing the same thing for the second eye, a little bit of hedging for the pencil. Now going back with the red for the pencer, I forgot to add the coloring for the I forgot to add the coloring for this part of the antenna, adding a little bit of red like this, adding the red for the other antenna. And with these, we are done with it. For this section, let's make it a little bit more darker. Now add more red or black wherever you think it's required till you are satisfied with it. And with these, we are done with the coloring of our beetle. If you're satisfied with your painting, you don't have to do anything else, but if you want to follow along with me, I'll be creating a background two or three simple mountain. Simple outlining like this to create the resemblance for the mountain in the background. Instead of creating this kind of terrain for the mountain, if you want, you can create kind of you can create other kind of outlines for the mountain. On instead of mountain, you can only create the trees and the foreground. And to clear separation between different mountain in here, I'm using black hatching lines like this. Same kind of hatching lines that I did for the middle portion of its body. So the intensity of the black in here is comparatively low. Also, I'm adding the black at an angle so that it won't be that much darker. In here, I'm using tissue paper to avoid smudging of the color from my palm. Since we have used lots of red in here, there is a chance that some of the red might get smuged by my palm. I'm using the tissue paper to avoid that. For all the three mountains that I have created, I'll be adding the hatching line in this manner, adding the hatching lines in here in between the two antennas. Now for the third one, starting with the smaller sizes SM progress, I'm increasing the size like this, creating the outlining first, and then adding the lines on top of it, simple hatching lines. Adding the simple hatching line like this. Now, are we creating simple trees. Making the outline a little bit more distinct, so adding more lines to show a clear separon in between different sections. So with these we add them with the mountain. Now in here, are we creating multiple trees of varied length. Very simple trees like this. You can consider it to be some kind of curd hatching lines or scribbling technique, creating this kind of simple seeds to create the resemblance for the tree in here. These trees are quite easy to create. You can create as many trees as you want. You can vary the seeds and the siges. And if you don't want to add the trees, you can create this simple spiral like pattern that I had created in the foreground. This tree is comparatively bigger. Let's add a few more, one or two, simple lines like this, adding it on the other side. And with these, we are done with the tree on the right side. Let's add a few smaller one in here in between its leg and the head. Adding one more in here, smaller tree like this. That's all for this side. Let's add a few more trees on the other side. Creating the outline. And now let's add multiple trees in here. Instead of using the black, if you want, you can also use the blue or green. If you want to use the green, that will be more interesting. But in here, I won't be using any other colour on black and the red. With these, we are done with the first tree in here on the left side. Let's create a few more. Simple lines like this to give the seam to the tree. One more tree in here. You can add as many trees as you want. And apart from this, if you want you can also use a little bit of red. So simple hatching lines on top of the black to give the trees a little bit of red color. If you want, you can experiment with that. Now carefully adding the trees in here. And with these, we are done with the trees on the left side, making the distinction more clear by adding a few more lines for the lower section of the mountain. Now in here, I'll be creating simple spiral patterns like this. For the fourth down, we have this kind of simple seed curved lines. Instead of creating this kind of curved lines or spiral pattern, you can create you can create any other designs or pattern. You can also use cross-hatching to give it a little bit of mound depth. You can create small grasses in the rocks that we have created in our earlier projects. And you can experiment on your own and add additional elements to this. But in here, I'll be creating this kind of simple spiral like pattern using curved lines. Doing the same thing on the left side. Simple spiral like pattern using curved lines. Here's another spalal pattern on this side. It's adding the curved lines like this, curved and broken lines. Extending the side of the curved lines a little bit. Here, too, if you want, you can use other color to create this kind of pattern, you can use blue. That will be interesting. Adding the line beside its body. Now, I'll be creating another row of trees, creating few vertical lines for the length of the trees, as well as for the replacement. Now let's add volume to it by adding lines like this, simple lines like this, adding it on the other side too. So in here, we have created four or five trees. If required, I'll be adding a few more. These trees are comparatively larger as compared to the earlier of the trees that we created. We're continuing on with creating multiple trees in here. And that's for the background, the spiral patterns that we have created earlier, what are some of the sections. I'll be adding a few more lines in between the trees. Adding the lines on this side for the tree. We have got two more trees. Adding the lines for this one. These two are a bit smaller. Let's make it a bit larger, extending the lines. Doing the same thing for this tree, too, and now for the empty region in here. Simple curved and broken lines like this. Simple, curved and broken lines like this. Now for the remaining section in here, I won't be adding annual trees. I'll be creating simple spiral pattern that we created earlier. But before doing that, let's add the trees on the left side. Creating vertical lines to determine the length of the tree as well as the placement. Add volume to the tree by adding this kind of line, adding the lines on the other side too. And for the remaining sexton, as I mentioned, I'll be creating simple spiral like pattern. Instead of it, if you want to create a forest of trees, you can add multiple trees, rows and rows of tree one after another, that will make it a little bit more dramatic and more contrasting. I decided to do that, but it would have taken more time, so I decided to just use this kind of simple spiral like patterns. So now, let's continue on with the trees that we are creating in here. Adding the lines for this tree. This will be our final tree in here. Making it a little bit more darker by adding another row of lines like this, extending the sizes of some of the trees. And with these, we are done with the second row of our tree. Adding a little bit more detailing for this tree. Now, once again, creating simple spiral like pattern using the curved lines, curved and broken lines like this. In here, we are creating some kind of flowing lines. And as I progress, I'll also be changing the direction of the curvy lines like this. What I mean to say that I'll be changing the flow of the lines Simple curved and broken lines like this. This is somewhat similar to curb hatching lines. Extending the line on this side, too. So these two spirals are met in here. Now, as I was mentioning, changing the direction of the flow. Here I have changed the direction, and as I progress, I'll be increasing the spacing in between the line. Instead of it, if you want to continue with the same kind of lines that we have created, simple and curved line with uniform distancing, you can continue with that, too, or you can just follow along with me and add more randomness to it by changing the direction of the flow or increasing or decreasing the spacing in between the lines to make it a little bit more dramatic and a little bit more chaotic. Continuing on with creating more lines, more broken and curved lines like this. Now for this region, too, as I progress, I'll also be increasing the spacing in between the lines, changing the direction of the flow of the lines like this. Now we have got a small section, the masking tape so that we can add the lines like this. Now continuing on adding more lines for the remaining section. Simple curved broken lines like this. Following the earlier contour and adding the lines like this. And with these, we are mostly done with it. Add more lines wherever you think it's required or where the spacing is high. And with this, we are done with our project Crimson Timber Sentinel. I hope you enjoyed painting this. This is one of my favorite from this class. Out of all the seven project, I have got three favorites, and this is one of them, and I enjoyed painting it. Took a lot of time, comparatively more time as compared to the other, but it was worth it. I hope you have one painting it, and, yeah, I'll be seeing you in the next project. 12. Frosted Forest Hunter : Welcome to Frosted Forest hunter. In here for this project, I'm using blue colored people, and I'll be using red, black and white fine lines. Let's start with a simple sketch creating this kind of bit curve line for the length of our insect's body. I'll be dividing this curve seep into four different equal parts. At the front, I'll be creating a bit of more larger head. So this is going to be our rough outline for its head. Now dividing into four different equal sections. In here, I'll be dividing inside into further more section, but this is just a rough guideline for its entire head. The whole video in real time, so you can always follow along with me, creating large oval seeps like this for its eyes. Also for this project, the side portion of its body will be visible too. So we'll be trying to make it a little bit more three dimensional and s, creating smaller pinces in front of its side and smaller antennas in here, a little bit of band antennas like this. For the remaining section of its body, for the remaining section, I'll only be creating its wings. Cutting into more section since I started with the curved seeds. So for this left wing, it will be completively softer and smaller as compared to the right wing, extending the side of the body a little bit more. Since we are trying to make it a little bit more three dimenson that's why I extended it, and we'll be also making it a little bit curved later on. Now for the front, creating this kind of simple oval seed and now extending it, creating this kind of hoical seed for the front feet, for the front feet of our insect. For this two, we'll be creating three pair of the feeds. This is a little bit smaller. Now for the largest one, this is a little bit went and extending it like this. For the other side, in here, only a small portion of its feet will be visible. Most of it will be covered by its body. Here is the second one. And this will be the third one. I'll be further dividing its head later on when we'll be doing the outlining using the fine liner. And this is going to a simple pencil skeet. If you want to make changes and adjustment, feel free to do that, starting with a tombosbaspin, to do the outlining. You don't have to stick with a simple pencil sketch outline that you have created, feel free to make changes and adjustment. I'll be making the changes in adjustment wherever it's required. For some of the sections, I'll be using this kind of lines to add a little bit more texture and make it a little bit more rougher, moving on to its remaining portion, doing the outlining for the wings. For this project, I'll only be using the hatching lines. I'll be using the hatching lines to do the sading. Making the middle person a bit more darker by adding more lines. Simple curved, broken lines like this. Now for the front, the same kind of lines, two or three lines to make it a bit more detailed. Doing the same thing for its eye. Now for the front of its mouth, the pencils in here, smaller pincels and for the antenna. So mostly for all the antennas, I'll be creating this kind of outlining. Feel free to make changes in adjustment for the end of the antenna making it a little bit more curve. Simple curved seep like this, simple conical heart like seep for its antenna. Now for the first pair. Doing the outlining for this conical cylindrical scene. Now for the remaining section, the same kind of outlining that we did for its antenna. For the sections near its body, we'll be making it a bit more darker later on by using hatching lines and doing the seeding using that. For this one, it's facing towards us. Now for the remaining section, same kind of simple outlining. In here, for the feed too, I'll be using red and black. Now for the remaining portion of its body, it's the stomach, dividing into different section. Here we'll also be using simple hatching lines and doing the seeding. So this is how we are giving it a little bit more three dimensional same for the third pair of ling, doing the outlining. For this one, I'll also be using a little bit of white, red, black and white. For the sides, I'll be using red and black and for the middle, a little bit of white. We are done with all the three feats in here, a little bit of more detailing for our wings. I'll be creating simple pattern and designs using black, red and white. Mostly, I'll be using black to create the simple saves, oval saves. This is simple outline, and I'll be using hatching lines to make it a bit more darker. Instead of this, if you want to create pattern or design, feel free to do that. Doing the outline for the feeds in here on this side. Most of the portion of its feet is covered by its body, so only a small section so only a small portion is visible in here. Making the outlining a bit more darker. Now, let's do a little bit of reading, make some of the regions more darker. So this is our simple outlining. If you want to make changes adjustment, you can do that. Going in with the eraser to lightly erase the pencil sketch, then we'll be adding more detailings. Int, the ink has dried up and then use the eraser. For this project, I'll also be creating a little bit more detailed background. I'll only using white to create trees, a little bit of grasses in the front, small shrubs and bit of texted ground. Now, going in with the red. In here, we'll be doing the simple hatching lines. I'll be doing the hatching lines in batches that I saw to you. The other way in which you can do the seeding using the hatching lines. I'll be adding the red in this manner for three or four places on the wings. To make it a bit more darker and do the seding, you can just add another row of lines like this. As you can see, I'm only adding a little bit for the outlined region. On top of this red, I'll be adding the black later on. You can just follow along with me or if you want to create another pattern on designs using red or if you don't want to use the red, you can do both. Adding it in here, this beside this black dot that we have created for the edges in here, using this kind of curve hatching line. In here, I added the red in somewhat of symmetrical manner. Adding it near the outline region, extending it a little bit. I'm using these hatching lines to do a little bit of shading too. For the empty regions, I'll be using a little bit of white. On top of the black too, I'll be using a little bit of white. And as I was mentioning, I'll be using the red and the black and the white for the feeds to so a little bit of simple hatching lines. Do a little bit of seeding near the joints. For all the feeds in the antennas, I'll be adding the red in this manner, a little bit of simple hatching lines and a bit of seeding using the hatching lines. For its heads, too, I'll also be using hatching lines in here, making the corners a little bit darker by adding more red to give its side a little bit more three dimensional see. Let's do the hatching lines in this manner, following the cont, the curved contour of its head. Making a little bit more darker, adding more lines. Now for the remaining three feets, make the joints a little bit more darker. Now for the first one in here. Making the sides a little bit darker using red. Later on, I'll be overlaying black on top of it, but still, you'll be able to see a little bit of red, the remaining portion of its feet, simple hatching lines like this. And for the antenna, a little bit of seeding using the hatching lines for the front part of its mouth, making it a little bit more reddish. On top of it, I'll also be overlaying a little bit of black and white later on. We now continuing on with the remaining portion of its antenna, using hatching lines and creating this kind of bit bolder and darker tricks with the red. We'll be doing the same thing for the remaining portion of its feet, making it a little bit more darker. You can just add more red like this. You don't have to even do the hatching technique, add red like this in this manner. For the last one, doing the same thing, adding the red in this manner. If you want to add the red for its body, the stomach, you can do that. And with these, I am done with the red for now. Now going in with the black. I'll be doing the simple hatching lines and doing a little bit of setting using that for the outlines that we have created using the hatching lines to completely fill it. If you want, you can make it a little bit more darker by adding more layers on top of it. You can also use cross hatching, completely filling this region. Now for the feed so, I'll be adding the black in this manner, opposite to the red. Also doing a little bit of seating for the joints. And here adding it in between its head and the remaining portion of its body. The simple pattern that we created on the right side. Simple three rows of hatching lines like this to make it a bit more darker. Now for the last completely feeling it, moving onto its head, adding the lines in this manner, follow the contour up its head and try to make it a little bit more three dimension. Put the remaining portion of its side, using the black and following the curb saved of its head and adding the lines in this manner, I'll also be using a little bit of white later on. But for now, small hatching lines like this, a bit of shading near the outlined regions. Another row of lines like this. I left a little bit of gap in between, making the sides a bit more darker, adding more lines like this. The same thing in here, a bit more outlining, making the outlines more distinct by making it darker. Put the front in here, also adding the hatching lines, following into the curved side. And as I was mentoning for the sides of the body, we'll be making it more darker, using hatching lines and doing the seating, overlaying it on top of the red. You can still see the visibility of the red, but mostly cover it with the black like this. Make the joints a little bit more darker and yeah, using hatching lines like this. Adding the hatching line in this manner and making it a bit more darker. For the antinas in the lower part of the feet, too, I'll be adding the blacks. For now, let's continue with the remaining portion. It's stomach. Here, too, doing the seeding in this manner using the black. To give it a little bit of more three dimensional shape, you can also use the cross hatching. Make the outlines a bit more distinct, more lines in here. For this wet, the blacks near the joints, for this region, too. Adding it in here in between the red. Enough on all the smaller regions like this. Small hatching lines for the antenna stew, adding it just beside the red for the card portion for the second one. For the remaining portion of the two remaining legs, adding the black in this manner. To make it a little bit more darker, you can just add more lines like this. In here, I'm adding it in this manner, another of black hatching lines, adding it a little bit more for the lower region like this. Make the outlines a bit more darker to create clear separation and distinction for the eyes, curved hatching lines like this. Overlaying a little bit of black on top of the d for its mouth. Making the eyes a bit more darker, giving it a little bit more three dimensional look by making the outlines more darker and making it a little bit curd following the curves. Now, these are all addisonal detail, trying to make this head a little bit more curved and completely filling it with the hatching lines using the seating technique. And with these, we are done with the black far now going with the white, adding the white for the eyes, a little bit of white for some of the sections in here, the empty species, simple hatching lines, two or three rows of hatching lines like this. So I'll be trying to keep it a little bit of symmetrical like Also adding a little bit of white for the black portions. Put the head to a small hatching line like this. And as I was mentoning for the feet in between the red and the black, This is if you don't want to use the white for the feeds and other details. You can just leave it as it is, adding more curved lines following the curved per sign for the upper part, for the front part in here. And with this, we are with the white for the insect's body. If you want you can also add a little bit of white for its antenna. And now let's create the background. I'll be using white to create the background. If you want, you can use the other colour feel free to do that. In here, I'll be creating a bit of rough taxed food the ground. I'll also be creating patches of the grass and one or two trees in the background, small grasses. In here, I'm just creating this kind of curved outlines in the front for the ground. On top of it, I'll also be adding grasses. Let's do the upper part first and then we'll be adding more detailings for the foreground, creating outline for the tree. In here, I decided to create two trees. This is the first one, adding more lines like this, hatching lines to make the lower part more darker. You can vary the thickness, length and the sizes of the tree. If you don't want to create it, you can just leave it as it is more seatings to make it more darker. Fleeting the outline for the roots of the tree, the portion that is visible, the portion that is visible in here. Adding it in between the insect. In here, I'll also be creating larger grasses and small stems like this. These are all optional. If you don't want to do this, you can just leave it as it. Simple scribbling lines like this to create the outlines for the grasses and a little bit of detailing using this scribbling lines so you can see the hatching lines. This is going to be our second tree. What of same thickness as the first one. It was hatching line or scribbling in here to make the lower part a bit more darker. I'm also adding a little bit in here for the upper part, and this is our simple background for the trees. In here, beside the tree, small grasses like this. For the grounds, to make it a little bit rough and textured, I'll only be using this kind of lines. I'll also be adding grasses in front. Is create this kind of simple outlining like this to add a little bit of textured ground to create a little bit of textured grown like this. For some of the section, you can also do the hatching lines like this. Adding more lines like this. I'll be creating this kind of simple. So this is how I'm going to create grass. So patches of the grass in between. Feel free to create other variations of the grasses. You can also experiment with the sideles thickness as well as the placement for the grasses. I'll be creating simple patches of the grasses like this for some of the regions. Apart from this white, if you want, you can also use a little bit of black to create another patches of the grasses, you can use red to create smaller flowers, making some of the grasses bit more darker and adding it on top of the outlines that we did earlier. Me texture, more detailing for the ground, bit larger grasses. Using hatching lines in this manner to create larger grasses in the front. If you want, you can also create small pebbles in the rocks, making the lower part more darker, a bit of outlining for our larger grass. Let's create a few more patches of the grasses. The grasses in the front are a bit more denser and bit more darker. One more patch of grass in here. Extending the side a little bit more for this larger one. Simple lines like this to make the lower region more darker, more detailing for the ground. This this additional retail that I'm adding it for the ground more retailing for the background too. If you want to add the stems for the trees, you can do that, too. And with these, we add in with our project. I hope you enjoyed painting this. And I'll be seeing in the next project Happy painting. 13. Crimson Forest Stag: Welcome to Consent Forest Stack Project. In here, I'm using somewhat of light blue colored paper, and I'll only using red and black to do the coloring. Let's start with a simple pencil sketch. Using this vertical line to determine the length for our beetle. Now let's divide into different section, a total of four equal section, starting with dividing it at the middle, dividing it into further two sections. If you want to make it bigger or smaller, feel free to do that. Now, I'll be using simple seats to create a rough outline for the body of the beetle, creating this kind of bit curved trimolar seam for the head of our beetle. Creating the head of the beetle in here, below the first one. This will be the head of the beetle, and I'll be creating a total of three large horn. For the remaining section in here, creating this kind of simple s. You can see this a little bit of rectangular, bit of curved rectangular seam Make the rectangular sep a little bit more bulged in here at the middle. This is the upper part for our beetles head. And for the remaining two sexons I'll be creating the body for the beetle. Creating this kind of curved sweep to create the simple outlining for the wings. If you want to make it a little bit more broader, you can do that. Now, extending the lines a little bit of curved seep like this. A little bit of curved seep like this for the remaining portion of the beetle's body. If you want to add the wings on the sides, you can do that. Now in here, let's create the outlining rough outlining for the horns. Starting with creating this kind of curved seem. Now, let's add a little bit more detailing for our horn, extending it a little bit more. As I progress, I'm increasing the width of the horn, doing the same thing in here. Instead of creating this kind of simple portion of the horn, if you want you can create other variations for the horn. Small pencils on the side. I decided to create one more horn in here. This is optional. If you don't want to use it, you don't have to create it. Apart from this, I decided to add another set of pincers on the side using curved lines like this to create outlining for the pincers. Extending the side a little bit. Now let's create the legs. As usual, I'll be creating three pair of legs. Another curved leave for the leg. Try to maintain the symmetry for the length of the legs and the positioning, making it a little bit broader near the joint. And in here, it's a little bit thinner. Now for the remaining portion if it's leg, for this one and decided to only divide the leg into two sections. If you want, you can divide it into three sections like we did earlier. So this is going to be our first pair of the leg. Let's do the second and the third payer. Simple half oval seeps like this. Conical seep like this. Here, I won't be dividing the link into three sections. I'll only be using two sections. And we are done with this one, let's do the same thing on the other side. This kind of somewhat of conical see. Another curved see like this. When we are done with the second pair of the link, let's do the third and the final one. Another half oval see like this on both sides. In here, I decided to extend the length a little bit, making it a little bit longer, making this a little bit curves. So this is going to be the remaining section of its body stoma, continuing on with the leg, a little bit more thicker leg near the joint. For this one, I decide to divide into three section. Instead of dividing into three sexton, you can proceed you can proceed with dividing due two sexton like we did earlier with the other two pairs. The final part of it line. And with this, we are done with creating three pairs of the lane. If you want to make changes and adjustment, feel free to do that, connecting these two part together. With these, we are done with a simple pencil sketch. Now, going in with the breast pain to do the outlining. In here, I'm using Tombos breastpen to do the outlining, and I'll be creating simple lines to do the outlining. If you want to use other breastbins to create dynamic lines, you can do that, too. But in here, I'm aiming to create a little bit of uniform outlining. And if required for some of the sections, I'll be making some adjustment and changes or overlying one line on top of other one. Giving the horns a little bit more definition, creating these kind of curve lines to give it more dimension. The upper part, too, making it a little bit more curved and giving a little bit sharpness. Now, for the remaining portion of the horn, doing the same thing on the right side, outlining the horn like this. Now, for its side, let's do the outline. In here, eyes won't be visible. If you want to create the eyes, you can create small bulgy seep on the sides, but I won't be doing it. Doing the outlining for the additional pences that we have created. In here, I made a little bit of genius by extending it and giving it a little bit more sharp edges. The middle person in here. Just going over the pencil sketch and doing the outlining using it as the reference. Now, let's do the outlining for the leg. For the first pair of the leg. Giving it sharp edges on the sides. The final portion of the lay. For this two, giving it a little bit of sharp edges on the sides. Let's do the outlining for the second one. For this project, I have divided into two sections. This is the first section in here. I'll only be doing the outline. And in the next section of this project, we'll be doing the coloring using the red, as well as creating the background. For the background, I'll be creating a simple large oden branch, not ooden branch, oden stem. And with this we turn with the outlining for the first pair of the leg. Continuing on doing the outlining for its main body, doing the outlining in here. Continuing on with doing the outlining like this, following the curved see. Doing the outlining for small oval seeps. Now, continuing on doing the outlining for the second pair of the leg. Giving a little bit of more sharp edges on the side like this. Doing the outlining for this one, giving it more sharp edges like this. And finally, doing the outlining for the third and the final pair, adding the line in here to create a car sepresi between two parts. So simpletrt line like this. Continuing on doing the outlining for the remaining portion of the leg, giving a little bit of more sharp edges like this for the final portion of its leg. Advertise, we are done with the outlining for all the three pairs of the link. If you want, you can add the eyes, small bulgy saves on the sides. I won't be doing it. And in here, I made a little bit of mistake two sides are not that uniform. So later on, I'll be making a little bit of adjustment for its body. For now, let's continue with erasing it. Apply light pressure with the erase it to remove it and ensure that the ink has dried up, otherwise, we will get smudges all over the paper. I'll only be covering up to here in this section, and in the next section, we'll be doing the coloring for our beetle as well as creating the background. As I mentioned, for the background, I'll be creating a huge string. So the beetle will be resting on top of this huge string. I'll be seeing you in the next part of this video. 14. Inking the Tree : Welcome to the second part of the Crimson Forest Stag. So we'll be continuing on where we left off. We have already created the outlining and erase the pencil and sketch. Now, let's do the coloring here I'm directly starting with the red, and as usual, I'll mostly using the hatching lines to do the coloring. Let's start with the top for the horn in here for the horn. I'll be doing a little bit of uniform coloring for the upper part of the horn. And for the remaining section, I'll be doing and for the remaining section, I'll be doing simple hatching lines, rows upon rows of hatching lines. By adding more lines, I'm making it a little bit more darker. So this is how we'll be doing the coloring. So this is how we'll be doing the coloring for the upper part of the horn. Now as I progress, I'll be decreasing the intensity of the lines and doing this kind of simple hatching, rows upon rows of lines like this. Do the same thing in here. Apart from red, I'll also be using the black. Feel free to make changes and adjustment to the coloring and the process. Don't have to stick with only using the hatching lines. If you want, you can also use scribbling cross-hatching stippling. Continuing on with adding more hatching lines, rows upon rows of hatching lines like this. And in here in the middle, I'll be using black. But before doing that, let's bring the outlining a little bit more crisper using red. So in here, following the seep of the head, I'll be adding red like this. Wh completely filling the entire section, the outline section following the seep of it set and now completely filling it the red. I'm not doing any kind of hatching or cross-hatching. I'm just completely filling the insides with the red. Now for the pencils, a little bit of red like this. And for the horn in here, making the upper portion bit more darker. And for the remaining portion, a little bit of hatching lines like this, rose upon rows of hatching line. As for the remaining section, I'll be adding the black. I decided to extend it a little bit more two simple oval seeps like this and completely filling it with the red. This will be the coloring for our head with the red. Now, moving on to the additional pincers that we have created, a little bit of red for the upper part and a little bit more red in here. Now, we are done with the red for the head for now, going in with our black here I'm applying medium presser with the black and creating the lines at an angle like this, a bit lighter side of the black. Also adding it for the pincer in here. So this kind of lines with the black and completely filling the insights with it, here two rows upon rows of lines like this. Instead of if you want to create any other kind of pattern or design or if you want to make it more darker, you can do that. You can also use cross-hatching or stippling. So feel free to add your own personal touches to it, adding the black for the additional princes that we have created, adding it on this side too. Now, I'll be using this black to do a little bit more coloring for some of the section. Basically, I'll be using to make some of the sections darker like this side the sides of the legs. Adding it in here, making this region a little bit more darker. If you want, you can also add it on the other side, extending the size a little bit by adding more hatching lines like this for this region, too, making it comparatively more darker by adding more lines. Now going in with the red and feeling the remaining section of the legs, hatching simple hatching lines like this. I'm not making some of the regions darker by doing the seeding. If you want to do that, you can do that in the same manner in which we did the coloring for the horn. Moving on to this line, adding the red in the same manner, simple hatching lines like this. And with these, we are done with this line. Now, once again, going back the black, creating an additional outlining like this in here. Following this sap and adding more lines. Let's make some of the sections more darker. So another pair of lines as well as feeling the remaining section with curved hatching lines like this. Following this heap and adding the lines like this. Instead of this, if you want to completely cover it with the black, you can do that, too. As for the insides, I'll be completely filling with the red. Simple hatching lines like this rose up nose of hatching line. I'm making the upper and the lower part comparatively darker by using sting. But for the remaining section, I'll be trying to create a little bit of uniform texture like this. As you can see the upper and the lower part is comparatively darker and the middle portion is somewhat of uniform. Continuing on for the remaining section. In here, I'll only making the upper part a bit darker like this. For the remaining section, we have got simple hatching line, adding another row in here. So this is comparatively lighter, making the sides a little bit more darker by adding more line, making the lower part more darker by adding more lines and decreasing the squeezing in between the lines like this. And with this, we are done with this middle portion. Now for this section in here, a little bit of red like this. Apart from the red, I'll also adding the black, but later on, Mona, adding the red on the sides like this. Going back with the black, I decided to make this a little bit darker, a little bit of black in here. Now for this region in here, adding in between the reds, adding it on the side too. As you can see, I'm not applying heavy pressure with the black, going back with the red and making the sides bit more darker. So more layer of red. Now, once again, going back with the black and making some of the section comparatively darker, same kind of thing that we did for most of the legs. Adding it on one side like this. Doing the same thing on the right. Adding it more black in, making it comparatively darker. Going back with the red and filling the remaining portion like this. Simple hatching lines like this. If you want to do the seeding, you can do that too. Adding it for the oval seeds. For the leg on the right, for this final portion in here, little filling with the red hatching lines. And we are done with the second pier of the leg. Once again, going back with the black. So I'll be going back and forth with the black and the red, adding it in here for the middle portion, simple hatching lines like this. This is how we'll be doing the coloring for this middle portion in here for this portion, creating another outline. And as I was mentioning, this portion is not that uniform. So the sizes of this portion are a little bit skewed, one side is a bit larger. I'll be using this kind of outline to balance that. As you can see, I'm adding more lines in here for this side to adding more lines like this. Following the curved shape of its body and adding lying like this and for the side, completely filling it with the black. Adding the black on the other side too, completely covering this entire section with the black. If you want to add more black for the upper part, too, you can do that. You can start with creating the outline and then adding them black. I won't be doing it, but if you want to do that, feel free to proceed. Completely filling it like this. And with these, we are done with the black for the sides. Now, the remaining portion in here for the main part of its body, simple hatching lines like this. So as you can see, I'm using this to do a little bit of seeding. And by increasing the gapping in between the lines as well as applying light bracer I'm able to create this kind of simple hatching lines, doing the same thing on the side too. I'll also be creating few lines in here at the bottom, not few lines, but the same kind of lines that we did for the upper part. Using this black to create this kind of hatching lines, a little bit of heading two. Let's do the same thing on this side. Apart from this, if you want to create any kind of pattern or designs using the black, you can do that, too. A little bit more black on the sides too, doing the same thing on the side. And here too just beside the middle section, extending lines a little bit more. If you want to cover the entire section with the black and add another layer of red on top of it, you can do that, too. But I won't be covering the entire section only up to here. And with this, I'm done with the black for now. Now going in with the red and completely filling the entire section, overlaying this red on top of the black. I'll be adding rows upon rows of red like this. In here, too, I'm applying comparatively less preserve with the red and adding it at an angle like this to make it a little bit lighter. Instead of it, if you want to make it darker, you can just add the red in the normal manner that we have it for all the other elements in here, making the lower region a little bit more darker so more hatching lines like this in here. The same thing in here for the upper part, more hatching lines to make it comparatively darker. And with these, we are done with this side, do the same thing on the other side, simple lines like this. Adding another row of lines like this in here. So I'm just going to completely fill the remaining portion with this red, and then we'll be doing the coloring for the final pair of the lag. Now, for the bottom section, we'll be making it comparatively darker, adding it just beside the outline section. Now, more rows of red to make it comparatively darker. One more row like this. Add more red till you are satisfied with the composition. This was comparatively lighter, so I decided to add a little bit more red for this one, too. If you want to add a little bit of more red for the upper part, feel free to do that. Adding the blacks in here. For some of the section, these are additional. I decide to make them a little bit more reddish, adding red like this. Continuing on with the black. We'll be doing the coloring in the same manner as we did for the second pair of the leg a little bit of black for some of the portions in here, just beside the joint for the sides of this portion of its leg in here too, doing the same thing on the leg on the right. Simple hatching lines like this with the black. Now for the final portion, too, a little bit of black in this manner, the black on the other side. And with these, we are done with the black for the final pair of the ling. For the remaining portion, we'll be feeling it with the red. In here, I decided to make it comparatively darker. For this section, simple hatching lines like this. And adding it for the final portion of its leg, comparatively more red, making it quite uniform and darker. Let's do the same thing for this final one. Bring it in here for the middle portion. Simple hatching lines like this, overlaying it on top of the black tube. And for the final portion of the leg. And with this, we are done with the coloring for all the three pair of the legs as well as the coloring for our insect. You want to make something adjustment, add more detailing, you can do that, too. Let's create the background. In here, I'm using white to create the rough outlining for the CP of the tree. Only a branch will be visible in here. And since this is not visible the white, I decided to switch with the black, using the black to create the outlining. So using the black to create the outlining for the tree's branch. Simple line like this a little bit curve. So this is going to be the width of the branch. This is optional. If you don't want to create it, you can just leave it as it is. To add a little bit of text and pattern to it, I'm just creating these kind of random lines. Besides this, I'll be doing hatching lines, and for the remaining section, I'll just be filling it with random lines. Instead of it, if you want to create other kind of pattern or designs, feel free to experiment and add your own personal touches to it. Doing the same thing on the other side. For the tree, I won't be using the red. I'll only using the black. But if you want to include the red, you can do that, too. For the saps, I'll only be adding this kind of simple hatching lines and doing a little bit of setting like this. You can add this in Ai mandala or at any angle. Or instead of this, if you want to create other kind of pattern or design, you can do that, too. But for now, I'll only me creating this kind of lines. And as for the outline, I'll be making it a little bit more thicker later on. I'll be adding three or four lines. But for now, I'll be continuing with creating hatching lines like this. To give it a little bit of more texture, you can also use cross-hatching lines. You can also use scribbling. But if you use stippling in here, it's going to take a lot of time. So I would suggest you not to use stippling for this tree. Adding the lines on the sides too, like this. You can add more hatching lines anywhere you want. You can add more hatching lines apart from the outline section that we have did. So you don't have to only add the lines just beside the outlines that we have created. Feel free to add it anywhere. Adding it in here between the two horns. You can also use these kind of lines to create the shadows for the beaten. This process is going to take a little bit of time. After doing this, I'll be filling most of the regions with the simple lines. Continuing on, I'll be making this side, the right side comparatively lighter, and the left side will be comparatively darker. Adding it in here. This tide its leg. A little bit just below its body. We have got four or five in here. In here, I also decrease the razor a little bit. We have got darker, left side and lighter, right side. As for the remaining portion, as I was saying, we cating this kind of simple lines. Instead of this, if you want to create the lines closer to each other, you can do that, too. So in here, vicating this kind of spacing in between the lines. I'm also wearing the length of the lines. Adding it carefully in here in between the pencil and the horns of the beetle. I'm just going to fill most of the section with this kind of lines. Continuing on adding more lines. With these, we are done with the upper part. For the remaining portion in here, the lower part. Simple lines like this. So we are halfway there for the remaining section, completely filling it with this kind of line. Adding it beside its leg. After doing this, I'll be making the outline of the tree a little bit darker, comparatively darker. Now we have got only a small section in here, filling the lines in here at the right. And with these, we are done with the lines. Now, let's make the outline a bit more darker. So more lines like this. Apart from this, if you want to make it a little bit more darker, insides of the tree, you can do that, too. But I won't be adding any additional lements or making it more darker. I'm satisfied with it. Doing the outlining for the right side of the tree. And we are done with the outlining. And with these, we are done with this project. I hope you enjoyed painting this. This is somewhat similar to the earlier project, and it was quite fun to paint. It took a little bit of time, but it turned out pretty good. And I'll be seeing you in the next project, happy painting. 15. The Horned Monarch : Welcome to the Horn Monarch Project. In here, I'm using own colored paper. And since the pencil sketch won't be visible if I have used the normal pencil in here, I'm using white colored pencil to create the outline. Here I've created an angle line to determine the length for our beetle. Now let's divide into more section. Start with dividing into four equal sections, then we'll be creating simple seats for different parts of its body. For the upper portion, I divided it into a few more sections. So in here, we'll have its eyes in the head, and for the upper section, I'll be creating its horn, cutting this kind of little bit of curved see for its head. On the sides, I'll be adding the eyes and we'll be trying to give it a three dimensional see so some portion of its body on the left side will be visible. The inner portion will be visible. Creating another outline like this so the side view of its head. Now let's create horn. Simple curved shape for the horn. You can create any variation or any kind of horn, but in here, I'll be creating a very simple variation of horn like this. Apart from the horn, I'll also be creating two pincers in the front. Simple shape like this for the front pincers. Adding oval see for the eyes on the other side, only a small portion of the eye is visible like this, a little bit more detailing for the top of head for top of its head. Now let's create the remaining portion of its body in here, a small triangular see. Let's create the remaining portion, extending the line a little bit more. A little bit of curved seep like this. So you can consider to be somewhat of bloated triangular bloated or curved triangular seep like this for the remaining portion of its body. So this is going to be the whole length of this better. Now I'll be creating a pair of six leg. I'll be dividing the legs into three different sections, and I'll be mostly using conical and cylindrical shape to create the legs for our first leg in here. This is the first portion. Second portion like this, another conical shape like this. And this is the third section with sharp edges like this. The second one in here too, this kind of conical or cylindrical seam. This is a little bit band, so creating the second section for it. And the third and the final one with the sap edges. And in here, we have got the third and the final one. This will be comparatively larger than the two, the second section of its leg and third in the final one with the curved edges like this. In here, too, most of the portion of this leg is under its body, so only a small section is visible in here. The other two legs. The other two legs will be bend. So only a small portion of it will be visible, a small section of the first part and a small section of the second part. In here, I decided to make the leg in the front, but it was not looking good, so I decided to change the direction. Only a small section of its leg will be visible in here underneath this underneath the first one. And later on when I was doing the outlining, I decided to make a little bit more changes to the leg. So for now, just continuing now just continuing on with it. So this is going to be our simple sketch. Let's do the outlining. In here, I'm using tombosvers pin. And once I do the outlining, I'll erase the pencil mas. You don't have to stick with the outlines that you have created, feel free to make changes and adjustments as you see fit or as required. Doing the outlining for the horns that we have created. This division of his trees on the section. So all the sections in here for its head or you can see the fees going over the outlines for them. The eye on the other side, creating this kind of bit bulgy save for the eye, the front pincer, two smaller ones. Make some of the section a little bit more darker by using two or three lines to create a clear distinction between separate parts, doing the outlining for the second horn in here. For this project, I'll mostly be using broken hatching line as well as lots of stippling. I'll be using black, red and white, all the three colors. Now, doing the outlining for the remaining portion. And as I was mentioning, make some of the section a bit more darker by adding more lines like this. In here, I'll be using blacked and white, all the three colors, using broken hatching lines and stippling. Here too, I'll also be using all the three colors. I'll be using comparatively less white. Mostly, I'll be using white to create reflection and so a little bit of highlight, either using simple hatching technique or simple stippling technique. For this section in here, I just did a little bit of simple hatching lines like this. Now for the pair of the legs, the front one, make some of the seeps a little bit more curvier, add more lines to make some of the section a bit more distinct. The second section of its leg. Now, the curve and the sharp edges that we have created in here. The same thing on here, the second leg. And as you can see just beside the second portion of its body, I sewed a little bit of its inner portion of the body so that it will look a little bit more three dimensional. Now for the largest part, the remaining portion of its body, just going over the outline, dividing into two section with this line, adding one more line, making the lines a bit more darker. Now doing the outlining on the other side. Small portion of this will be visible on this side and filling it with the black, simple hatching lines like this. Cut the final lay on this side. Making it a little bit more curvier, adding more lines to give it a little bit more depth. The second portion of the leg and third in the final one with this kind of outlining for the leg. I got lots of section in here for this section. Now, the legs on the other side, just going over the outlines that we have created. This is going to be the second section. Different sections like this for the third one. For the first leg in here, only a small section of the second part is visible. Most of it will be covered by the second leg and its body. And as I was mentioning for this one, I decided to make a little bit of chin. So I decided to sew some of the portion of its body. In here, I decided to create the front portion of its leg like this. Now, most of the section of the third leg will be visible. The different section at the last part. So this will be our simple sketch for the horn monarch, a little bit of detailing for some of the section for the eye making this vision bit more curve, adding more lines on the other side. So yeah, this is our simple outline. Let's erase it lightly. Instead the inchas write up and lightly erase the pencil marks. Since I use color pencil to do the outlining, and the intensity of the ink is decreasing a little bit when I'm erasing it. Later on, when I'll be adding the detailing and doing the coloring for it, I'll be redoing the outlining for some of the section to make them a bit more bolder and more darker, remove the erases dust, and erase the remaining pencil sketch lines. Let's start with the background, and then we'll be doing the coloring for A beetle. For the background, I'll be creating two or three variations of the plants and leaves. These are the first one, so large leaves like this. Mostly, I'll be using this kind of mid curve or you can see organic lines to create seeds for our leaf. I'll be creating total of six or seven leaves. We have already created the midrib, the line that divides the leaf into two section. And now let's create lots of veins, adding the veins just beside the midrib. If you want, you can also make some of the section of the leaf bit more darker. You can redo the outlining using two or three lines. Apart from adding this vein beside the midrib, I'm also adding few veins on the edges of the leaf like this. This is going to be our second leaf, a little bit thinner version of the leaf like this. Instead of creating this kind of leaf, if you want to create any other variation of the leaf, do that. You will also make this a little bit more larger, bit smaller, bit more oval. So experiment on your own and add your own personal touches to the leaf and the background. The third leaf initially my plan was to sow that this leaf is a little bit bend, but later on when I was completing the project, I was not satisfied with it, so I converted into a full leaf. But for now, just considered that only half section of the leaf is visible. Let's create our fourth leaf, adding it just beside its leg, two lines for the mid rubs, and the remaining section using this kind of broken lines to create the remaining section for the leaf, adding multiple veins near the mid drum. We have got four leaves in here. If required, I'll be adding or creating few more. Let's create some leaves in here. This is going to be a bit larger leave the same kind of leaf, but comparatively larger. Now, let's add lots of veins just beside the mid rib. I'm also wearing the sizes of the veins that I'm creating, some are larger, some are smaller. You can also use broken lines to create the veins, or you can just follow along with me and do the same thing that I am doing. And as you soil the whole meteor in real time. So you can always join along with me. Now, let's create a little bit of texture for the ground. I'll be dividing the ground into different section, and then I'll be using this kind of small hatching lines to add texture. Simple small hatching lines like this, and I'll be dividing the ground into a lot of section. Create this kind of different section using this bit of curb line, and just beside it on midw it, add this kind of small hatching lines to add rougher texture for the ground. So for most of the ground, I'll be adding this kind of texture. Apart from this, you can also create small rocks, stones, wooden planks and small grasses that we have created in other project. Here, I decided to create another variation of the leaf. So we have got a small plant in here with four leaf. Using this kind of broken lines to create the main stem. No main stem, this will be the mid drips for the leaf, a total of four mid drip. Now using broken lines to create a rough outlining for the seep of our leaf. We have got two more leaves in here, still using the kind of broken lines to do the outlining. Feel free to experiment with the other variations, see, sizes, and numbers of the leaf. Instead of four, you can create three leaves or four or seven leaves for the middle region, just filling it with the hatching lines to make it quite darker. Now, let's add lots of veins. Adding the in just beside the mid drip and near the edges too. So another hatching lines just beside the outline section. Make the outline bit more darker by adding more lines. We'll be doing the same thing for the remaining three leaves. We'll be adding lots of hatching lines beside the midrip. Moving on to the third leave, adding the small hatching lines near the mid rips. And I'll also be adding lots of lines, lots of small hatching lines near the edges of the leaf. And a little bit of more hatching lines near the sides. Since we have smaller leaves in here, I won't be able to add lots of hatching lines on all the side. And with these, we are done with this plant with four leave. Now for the ground in here, creating a bit different kind of texture. Broken lines like this to create rougher texture for the ground. In here, once again, using hatching lines, simple and small hatching lines like this to add texture for the ground. Beside it leg, creating small divisions like this and we'll be adding hatching lines, small hatching lines, a fully, adding it beside its leg and its body. So the area surrounding our beetle, I'll be covering it entirely with the hatching lines and dividing the ground into different sections. If you want to add more leaves or more plants, feel free to do that. I won't be doing that. Instead of it, I'll only be creating this kind of texture for the ground. Simple curved lines and lots and lots of hatching lines. Apart from the hatching line, if you want, you can also use the cross hatching to make those sections a bit more darker. Now, in here, this beside this thorn. So this region is quite empty. We'll be adding lots of lines later on, but for now. Now, as I was mentioning for this sleep, I was not satisfied with it, so creating the outline for the other side as well as adding multiple veins beside the midrib. A little bit more detailing for some of the sections on the right, simple hatching lines, or you can use a combination of both curved lines and hatching lines meaning there. Me detailing wherever you think it's required or wherever you or wherever you are not satisfied with it. More details in this form. And with this, we are done with the background for now. I'll be adding a little bit more detailing later on. But for now using the black, do a little bit of detailing for the eater. Put some of the section in here for the horn, using this kind of broken hatching lines to make this a little bit more darker, doing the same thing for its head, using this kind of bit curved lines, a little bit of hatching in here to give it a little bit of textured head. For the pencils, using curved hatching lines, making this quite darker. Yeah, in here on the side of its sad. So for some of the section that are not looking that great, just go over the outlines, make it more darker. Since when we erase the pencil marks, it has lost some of its intensity. For the leg in here, a little bit of outlining, as well as a little bit of sading to make this quite darker. The side person more hatching line like this for the second leg, using this kind of broken hatching lines and making the region bit darker, doing the same thing for the leg on the other side, a little bit of outlining, small hatching lines. And yeah, make some of the section a bit more darker by using this kind of hatching lines and redoing the outlining for some of the sections. For the horn, a little bit more retailing. Now for the third pair of the leg, curved hatching lines like this for the upper and the lower part, doing the same thing on the other leg, more hatching lines and using the hatching lines to do a little bit by making the region more darker for the second section, and for the remaining smaller section, more hatching lines for this section of the feet, the curve and the sharp edges that we created. Now for the larger portion in here, using this kind of stripling dots. So you can consider this to be stippling dots or some kind of smaller hatching lines, smaller broken hatching lines or a stippling dot, whatever you prefer. So adding texture in this form using this kind of smaller lines. Let's do the same thing in here. So this kind of broken small hatching lines or you can consider it to be stippling dots. Adding the texture in this fan for this latter portion of its body, the wings in here. Apart from this, I'll be adding red and white later on. But for now, just use this and create this kind of texture for the remaining section, extending the side a little bit more, a little bit more detailing in this fan. Also vary the length of the lines that we are adding or the stippling dots if you are using that. Some of the lines will be a bit larger, others will be quite smaller. Make the lower regions a little bit more darker by adding more dots, making this middle portion bit darker, too. Now for the other side, the same thing, wearing the length of the lines as well as making the lower regions quite darker by adding more dots in there. Me detailing in this form. For this right side, I'm making this a little bit more darker and a bit more longer. I only be covering up to here in this section of the video. And in the next section, I'll be adding a little bit more detail for the foreground and using red and the white. Redo the outlining for some of the section that have lose its intensity. Yeah, that's all for this video, and I'll be seeing you in the next part of this video. 16. Details with Red: And we go with the breast paint for now going in with the fine liner on the other side of its feet and the other sides of its body. I'll be using this kind of hatching lines to add detailings in this manner. I'm also towing a little bit of seeding the regions near the edges and the curved portion, these are a little bit more reddish in color by using the seeding technique. You can also do the seeding in this manner with two or three rows of the hatching lines, adding it in here for this third feet on the right side. The regions near size using curved hatching lines like this encircling the eyes. I'll be adding the red for most of the section in which I added the black. So you can just follow along with me. Here. Instead of using the stippling technique, I'm using the hatching technique. I'm also wearing the lens of the line like this. And to make the read a little bit more visible, since we are using the brown colored paper, I'm doing the seeding. To do the seeding, I'm adding more lines. Now for this portion in here, once again, as you can see, I'm using this, doing a little bit of seeding and hatching lines like this. You can just add rows and rows of lines like this. Adding the lines on the other side. Adding another row like this. If you want, you can make some of the portion more reddish by adding more lines. I forgot to add the right for this feet. Small hatching lines like this. In here, too, small hatching lines overlaying it on top of the black. And with these, we are done with this. Now for the bottom section in here, once again, hatching lines like this. Add lots and lots of hatching lines like this. Extending the sins of the hatching lines a little bit like this. I'll also be using a little bit of white later on. I'll be using white to do the stippling technique. Now for the front portion in here, using red, once again, we are using hatching technique and doing a little bit of seeding. If you want, you can even cover the entire portion with making the region closer to its mouth a bit more nous by adding more lines. Now for this region, the triangular see region that we have created, overlaying this red on top of the black hatching lines and completely filling it like this. And with these, we add another red. Now for this region, I was not satisfied with it, so I decided to add more detailings in form of this kind of small hatching lines to sew a clear distinction between different pots and to add a little bit more detailing for the ground. This is option. If you are satisfied with your ground, you don't have to add more detailing. A little bit more detailing for some of the section. White for the highlight for the eyes, making this curve set a little bit more outlined. For the pin set too, a little bit of reflection with white. Now, in here for this portion, a little bit of simple stippling technique to add a little bit more detailing. For the other portion two, I'll be using stippling like this. Simple stippling lines in here for this portion two. Instead of using a stippling technique, you can also use smaller hatching lines that will be interesting too. A little bit more detailing in this manner. And with these, we are done with this project. This is one of my favorites from this class. I hope you enjoyed painting this. I had a lot of fun painting this one, and I'll be seeing you in the next project. Happy painting. 17. Pinewood Wanderer : Welcome to Pinewood Wanderer. In here for this project, I'm using light olive colored paper, and I'll be using red, black and white colour to do the coloring. Let's start with a simple pencil sketch. In here, I'm starting with this bit angled line. We'll be using this line as the length for our beetle, dividing into four sections, starting with dividing into middle. Now let's divide it further. Let's create a rough outlining for the seep of our bug. This will be its head. Simple, simple, half oval seep like this for its head. In here on the both side, I'll be adding ice as well as antenna. This below its head, we have got another oval half oval seeep like this. This is just a simple scape. When we'll be doing the outlining, we'll be making some changes as well as defining a sap properly. Now, let's do the outlining for the remaining section. For the remaining three section, we have got this simple sap for its body. Doing the sketching on this side to make this a little bit more curvier. So the right side is a little bit more broader. Simple outlining like this for the antenna. For this insective we'll be creating a total of six legs. Simple outlining like this for the leng. For the first part, we'll be creating only a single pair. For the remaining section, we'll be creating two pair. I'll be dividing the link into three different sections like this. Just simply do a pencil sketch like this. We'll be making some changes and adjustments and we'll be doing the outlining. And this is going to be our rough s for our beetle. This beetle is climbing on a leaf simple line like this for the midrib of the leaf. Now going in with a brasbin to do the outlining, I'm using Tombos breastpin starting with doing the outlining for its head. Making the side a little bit bulgy for its eyes on this side, creating oval s for the eye. If you want to create pincer, you can create that, too, but in here, I decided to create a simple seep like this. Now, let's do the outlining for its antenna using this kind of curved line and creating this kind of simple see and creating this kind of simple see for the antenna. Doing the same thing for this one. Simple curved lines like this to create the antenna. For this project, mostly, I'll be using the stippling, as well as hatching. Mostly, I'll be using black to do the stippling and red and white to do the hatching lines. But for now, let's continue on with doing the outlining. For some of the sections, I'll be adding two or three lines like this to create a clear separation in between different section, as well as to make the outline a little bit more darker. Doing the outlining for the remaining portion. Now in here for the middle portion, creating this kind of simple same, dividing into two different section with a simple straight line pair of straight lines like this. Doing the outlining for the other sign simple curved line like this. Let's do the outlining for the pair of legs that we have created. The whole Video agent real time, so you can always follow along with me. And this video is divided into two sections. This will be the first part, and here we'll be doing the outlining and a little bit of coloring. The first two section of its leg is under its body, so it's not visible, only the last portion is visible. So I created simple Cp like this for the last portion. For the leg on the side, the entire section is visible, creating simple outlining like this, creating this kind of sharp edges for the middle section. And for the remaining section, this kind of line, the same that we did for the first lay, doing the outlining for this one. A bit of conical seep like this. Now, making this a little bit broader in here, adding sharp edges on the sides. Now for the remaining section, once again, creating sharp edges like this. Instead of creating this kind of SA edges, you can create the other variation that we have created so far. Now for the last person making the SA edges a little bit more curvier. The final leg on this right side, Once again, creating sar edges like this. Now for the last person making the Sarpedges a little bit more curvier. Adding the leg on this side, only a small portion is visible in here. Most of it is covered by its body. The upper portion is visible like this. And finally, this one, for this one to most of it is covered by its body. And with these, we are done with a simple outline for our insect. If you want to add a little bit more detailing, you can do that, but I won't be adding any more details. Let's erase the pencil sketch, and see that the ink has dried up and lightly erase the pencil sketch. I'll be I'm using red for its antenna, a little bit for the leg and mostly a lot of red for its wings. Apart from that, I'll be using black for its head, the region below its head, and I'll be creating simple circulars using the stippling technique. Now for the leaf in here, I decided to use the white to create the outlining for the leaf. I'll be creating very simple variation of the leaf like this. Since it's not clearly visible in here, I have included the image in here, creating this kind of bit curvy lines for the leaf. Instead of using white, you can use any other color. You can use red, black, blue, or any other color. Continuing on with creating this kind of cursy for the remaining section. This is going to take a little bit of time since we'll be covering the entire section with this kind of leaf. As I'm progressing, I'm increasing the sizes of the leaf a little bit like this, creating the midrob here for the remaining section, the bottom part, giving it a little bit of thickness by adding more line like this. Now continuing on with creating the leaves on both the sides. Adding it carefully in here beside its leg. And we are done with the left side, continuing on with the right side. I'll also be adding one more line in the middle. But for now, let's continue on with creating more lines like this. The same kind of outlining for the leaf. And as you progress, increase the size of the leaf a little bit. I'll be creating seven or eight more leaves, and then we'll be doing a little bit more detailing. Let's add a few more two or three leaves One more leaf in here. With these, we are done with a simple outlining for the leaf. Now in here, I'm going with the black, and I'll be using and I'll be using this black to do the stippling. So simple small dots like this to do the stippling. I'll be making the upper and the lower part of the head comparatively darker. And as for the middle sexion I'll be keeping it simple and lighter. Instead of using the stippling if you want to proceed with the hatching, you can do that, too. But I decided to use the stippling. Since this makes it look a little bit more refreshing, continue on with creating the stippling dots. Cutting a little bit of more dots to make this region a little bit more darker. For the ice, too, I'll be using a little bit of a stippling, but for now, using the stippling dots for the antenna, simple and small dots like this. As you can clearly see piecing matters a lot, the closer the dots are the denser it will appear. The farther apart there, the lighter it will appear. So depending upon that use stippling in that manner. With these, we are done with the first antenna, doing the same thing for the second one, simple plain dots. And with these, we are done with the head and the antenna. Now for this section here too, I'll be making the upper part comparatively darker, just below its head, as well the lower part and a little bit for the right side. Simple stippling dots like this. And as I said earlier, if you want, you can also use the hatching technique or cross-hatching technique that will save you a little bit of time. Simple plain dots like this. This project is going to take a little bit of time since we'll be using a lot of stippling technique. Later on, I'll also be using a little bit of white to create a little bit of reflection. On top of this black dots, I'll be adding the white. I'll also be using a little bit of white for the eyes, a little bit of white for the head, as well as for the leg, small hatching lines. Mostly, I'll be creating hatching lines with the white. Adding the stippling dots in this side on the right side. Now for the middle section, make it a little bit lighter by increasing the spacing in between the dot. Creating more dots in here on this side, on the left side, making this comparatively darker. The bottom region two, I'll be making it comparatively darker. For now, continuing on with this right side, making it darker by adding more dots, decreasing the spacing in between the dots to increase the darkness. Lots and lots of dot to create this stippling technique. Adding few more dots for the upper region to make it comparatively darker. And yeah, with these, we are done with the upper part, making the outlining a little bit more clear. Now for its main body, so in here, I'll be creating three or four simple spherical sap. I'll be using the stippling dots to create the same, starting with doing the outlining for the spherical shape or circular shape, and then we'll be completely filling it with the stippling dots. Let's add one more in here. This is optional if you don't want to do this, you can just use the red later on. But if you want to follow along with me, you can create this kind of dot. Apart from this, if you want to create any other kind of dot or designs, you can do that, too. So feel to add your personal touches to it. And in here, we are going to completely fill it with the stippling dots like this. You're done with the first one. Let's do the second one. Of the spherical seeps that we have created in here, I'll be trying to keep the spacing on the distance and mint top somewhat uniform. Adding lots and lots of stippling dots to make it comparatively darker. This would be fine. Now for the third one in this side, not the entire section of this circular seep is visible. For the top and the bottom, we have got semicircular seep. In the middle, we have got circular see completely filling the entire section with the stippling dots. And now for the other side, three more dots, three more circular seams. So let's continue with creating stippling dots in here. After this, I'll be going in with the red. I'll be doing two layerings of the red. First, I'll be using light pressure with the red and completely filling the entire section with the hatching lines, and then later on, I'll be adding another layer of red on top of it. But with that, we'll be creating multiple single strips to add a little bit more detailing or you can see pattern on top of the wings. Let's create the fifth one. Adding more dots to increase the intensity a little bit. For this section two, I decided to fill it with a black. Simple stippling dots for this region. I'll be making the upper part of this region comparatively darker and for the remaining section, we'll be increasing the siecing and making it quite lighter. Let's make this region quite darker by adding more dots. And with these, we are done with this one. Now for the final circular scene, we are going to completely fail it once again with a stippling dot. With the stippling dots can create very beautiful and very detailed and defined illustration. But the main disadvantage with the stippling technique is that it takes comparatively more time. So that's why I decided to use stippling technique for this last project. A lot of stippling technique. We use a stippling technique for other projects, too, but we use very lays of that. And with these we add in with all the circulars here. Now, we'll be using a little bit of stippling technique for the legs. For some of the section near the main body, as well as near the joint, we'll be making them quite darker by using stippling techniques like this. And with these, we are done with the two legs on this side, moving onto the other side. Same kind of thing. I pulse stippling knots near the main body, as well as near the joints, as well as a little bit near the edges. Now, adding it for the second one, a little bit for the second one. Now for the third and the final one, making this region more darker. Adding it in here too, so near the edges, making this region quite darker. Adding more dots to make it more darker. Adding it in here for the small section too. Now moving on to the left side and adding it and adding it in here for the smaller section, simple small stippling dots. And for the final leg in here, making this region quite darker near the edges. Adding more dots in here. I'll also be adding the smaller dots for the lower section. Apart from it, I'll also be using red. We'll be using the red and creating more simple stippling dots here beside the black, as well as a little bit of hatching lines with the white later on. And with this, we enter with a stippling technique for most of the section. And I'll only be covering up to here in this section of the project. And in the next section, we'll be continuing on from here. So I'll be seeing you there. 18. Leaves with Green and White : Welcome to the second part. We'll be continuing on where we left off. In here, let's start with the. Starting with the simple and small hatching lines for the antenna. For all the sexton of the antenna in here, creating this kind of small, simple hatching lines and overlaying it on top of the black stippling dots that we added earlier. Now for the legs in here. If you want, you can also use the hatching lines, but I'll be using both combination of both stripping the hatching line. In here, right now, I'm doing the stippling dot. For this section, doing the hatching lines, simple hatching lines. So for the smaller regions, I'll be using the hatching lines. For the larger regions, I'll be using simple stippling dots like this, adding it in here for this link, adding a little bit more for this line. Continuing on with adding the stippling dots beside the black. For this portion, too, for the upper part, adding more stripping dots like this. Now for the remaining section, simple stippling dots like this. In here, as you can see, I'm not adding that many stippling dots as compared to the black, so add comparatively less stippling dots with the red, adding it for this one. And in here, if you want, you can also use the stippling dots like this. But this will take a lot of time, so I won't be doing it. Instead of it, I'll be creating. Instead of it, I'll be using the hatching lines and I'll be creating this kind of strips, doing multiple layering to create a darker set up the red, and we'll be creating this kind of strips. But if you want to proceed in this manner, you can do that using this kind of stippling dots. So this is just for a demonstration purpose. I won't be doing it, but if you want to do it or if you want to add your personal touches and create other variations of it, you can do that, too. Oh creating hatching lines like this are at larger hatching lines, and we are going to cover most of the sections. So the lines that we used earlier, the stripping dots that are used for creating the lines, overlaying this red on top of it and creating this kind of larger hatching lines. To make it bit more darker, add more lines on top of each other. Instead of creating large light at one, you can create the line in this manner by extending it like this. One more line in here on the sign. Creating multiple strips like this for the side, we have got a total of four. So let's create lines in here. Since we have got larger in here, we'll be trying to create a total of five for the sign. Creating the second one. I find this comparatively easier as compared to the one that we did earlier using larger hatching lines. So instead of creating larger hatching line, create this kind of smaller lines and then extend it doing layers and layers of the red. In that way, we can create the lines much easier as well as we are making the lines quite darker. So this is our third strip. Creating the fourth one. Plan was to create a total of five, but I don't think that I have that much squeeze in here. I'll be adding a little bit more detailing for the inside later on, but for now, continuing on with adding the detailings for the leg. Simple stippling knots like this. Adding it beside the black. And as I mentioned, we are adding it comparatively less. Adding it for the second one. And with these, we are done with all the lengths, six pair of laying now continuing on with the red. So as I mentioned for the entire section, I'll be completely filling out the red. For the strips that we create, I used two or three rows of the hatching lines to make it to quite darker. But in here, we'll only using a single layer. As you can see, I'm applying medium preserve with it as well as I'm adding the lines at an angle. So we have got comparatively lighter set of the red in here. Covering the entire section with a red like this. I find it a little bit easier to do the hatching in this manner rows and s of hatching lines. In that manner, I'm also adding a little bit more detailing in the form of strips. What I mean is this the regions where the two rows of the hatching line mi is comparatively more darker. In that way we are adding it more detailed. Now add more red wherever you think it's required. You can make some of the sexton more darker. You can make some of the section a bit lighter. To make it a bit lighter, you will have to just increase the intensity of the region beside it. And with this, we are done with the red in here for now going in with the white, using the white in here to create the mid for all the leaves like this, simple curved simple curved lines like this. So for all the sections of the leaf, I'll be adding a single line like this. If you want to add the veins too, you can do that, but it would be a little bit chaotic. I won't be doing it. Adding it for all of them. Here, if you want to do a little bit of hatching or stippling, you can do that, too. You can make some of the suction of the leaf quite darker. With these, we are done with the left side, doing the same thing on the right side. Simple curved line like this for the inside. Instead of a one, you can also add two like this. For the larger and broader one. In here, I'm creating two lines like this. Now carefully adding this beside the insect. Oh And with this, we are done with the leaf. Now. Let's add a little bit more detailing for the insect, a little bit of hatching line on top of the red to sow the reflexion like this. I'm adding the white in here for the lighter sections of the red, and I'm also overlaying a little bit of white on top of the black like this. A little bit at the bottom section too. Simple small hatching lines like this, a little bit of reflection in here too. And making this region a little bit lighter by adding more white like this, simple, small hatching lines like this. Now for the eye, simple, small dot like this, a little bit in here. Now for the legs too. Simple small hatching lines like this just beside the joints and near the insect's body. Adding it for the last one for the second section of the leg, too. Comparatively larger hatching lines like this. Now, adding more white whenever it's required for the leaf. And with these, we are done with our project. This is how this project turned out. So after completing this, later on and decided to make it a little bit more interesting, so I used a little bit of green colour. This is optional. If you don't want to do this, you don't have to do this. And here, I'm using the green colored fine liners. Ika microns, green colored fine liner and adding a little bit of detailing for the leaf, adding it just beside the white outlines that we did earlier. So I did this after completing the project. I thought I have not used any other colored paint apart from the red, black, and the white. So for this one, I added the green like this. If you don't want to use this, you can just leave it as it is simple, plain simple and plain white, or you can just follow along with me and add the green in this manner, three or four lines for all the leaf, three or four lines for each individual leaf. Or if you want to make it more darker, you can just do hatching you can just do cross hatching or hatching with the green to make the leaves quite more distinct. Since we have got lots of leaf in here, so this is going to take a little bit of time. Now for the leaves in here at the bottom section on the left side. And with these, we are done with a leaf on the left side, adding the green for the middle section. Now for all the leaves on the right side. Adding three or four lines like this for the inside. For the smaller and the thinner leaves, add fewer lines for the larger and the broader leaves, add more lines. Adding it carefully in here just beside its leg and its body. Continuing on with creating more lines. With these, we are almost done with all the leaves with the green. We have got three or four more leaves in here. Since the leaves are quite broaden and a bit more larger, I'm adding comparatively more lines. So if you want, you can also do a little bit of hatching like this to make some of the section near the edges, bit more darker or near the mid ribs, adding it for the final one. And with these, we are finally done with our project. I hope you enjoyed painting this, and I'll be seeing you in the next project, happy painting. 19. Secret Winged Awakening Bonus: Welcome to the bonus Project in here, we have got Secret Wing Awakening. For this, I'm using light blue colored paper, and this is a little bit larger than E four CH paper. For all the project earlier, I used E two sich paper. So starting with the vertical line to determine the length for our insect. Dividing into four equal sections. This will be a little bit different in here, I'll be using cross-hatching. For all the project up til now, I don't have used the cross-hatching, but for this one, I'll be using cross-hatching will be comparatively more detailed, starting with a very simple Sam for its head. This will be the upper part of its head. Creating this kind of bit curved oval see for the remaining section of its head on the sides, I'll be creating its eyes. Simple see like this for the eye. Let's create the antennas. For the antenna, I'll be creating this kind of simple seat when I'll be doing the outlining. For now, let's continue on with the remaining section. For the remaining section in here, the three section that we have, I'll be creating this kind of cylindrical see for its body. Feel free to experiment with different seeds and sizes, but in here, I'll be creating this kind of simple cylindrical see ultimate conical at the bottom. This will be the wing flaps on both the sides, I'll be creating the wings. Let's create the remaining section for its antenna. For this one too, I'll be creating pair of three legs, so a total of six leg. Creating the outlining for the first pair of the leg. For all the pair of the legs, I'll be dividing into three different sections. Try to keep it symmetrical at both the legs at the same positions and also try to insure that all the sections are of equal length. Creating the rough outline for the remaining section. Creating this kind of curves, we'll be adding the detailings later on for the sections. I decided to make it a little bit more cylindrical, so extending the sides a little bit, making the division a bit more distinct. Now for the second pair of the legs, this will be in here. And for the third pair of the link, I'll be adding it at the bottom for now continuing on with the different sections of the ling. Creating the second section in here. Adding the second section in here for the leg in the right side, another curve line like this, we'll be adding the detailing later on. Now for the wing. I'm creating this kind of wing, simple wing like this. A little bit curve. These wings are optional. If you don't want to create the wing, you can just create the body for our insect. And instead of creating this kind of wing, if you want to create any other variations for the wing, you can do that, too. So this is going to be our simple C for the wing, and here's our final pair of the length. So we have got the final pair at the bottom. This insect is sitting at the tree, so rough outlining for the tree. For this project, I'll only be creating a single tree like this. If you want to create multiple trees in the background, you can do that. I am just showing you this as an example. I won't be creating multiple trees. This is going to be our pencil sketch for this project using the tomba spurs pin to do the outlining, starting with its head. This kind of oval set. Now let's do the outlining for its Antenna. Creating this kind of simple oval seeps for the entire antenna. Instead of creating this kind of antenna, you can create any other variations of the antenna that we have created so far. And with this, we are done with this one, doing the same thing for the second one. Simple seeps like this for the antenna. This is one of the largest projects of this class. I divided this into two sections. This is the first section. In the next section, we'll be adding the background as well as doing a little bit more coloring in here, we'll only be doing the outline as well as a little bit of detailing using the red and the black, doing the outlining for this section, making it a bit more broader and more darker by adding more lines, outlining for the eyes. Now let's do the outlining for the first pair of laying for this section in here. And for the final section in here, biting into three or four sections like this, the last section, making it a bit more curved and giving a little bit of s edge. Let's do the same thing for the second leg in here. For the second section in here. I was not able to record it, but this is how it turned out the second line. Now for this portion of its body, going with the pencil screech that we have created for the middle portion too, simple and straight line like this. Creating this kind of cylindrical sap, if you want to create any other variation or any other kind of sap, were to do that. Doing the outlining for this side too. Now, let's do the outlining for the second pair of the legs, making this section a little bit more broader. The second part of its length. And for the final part in here, creating this kind of simple and small claw. Let's do the same thing in here on the right side, making this region a bit more broader. Now, doing the outlining for the two remaining sections. As you can see, I'm not sticking with the pencil case that I created, feel free to make changes in adjustment as you see fit. The final part of its leg. Final pair of its leg at the bottom. So this is a little bit different from all the legs that we have created in here. I divided into three different section. This is the first section, second one, and this is going to be the third and the final one that is visible. Most of it is covered by its body. Only a small section is visible in here. Now, let's do the outlining for the wings. In here, I decided to make a little bit of changes to the angle of the wing. A little bit of changes like this. I'm extending the side of the wing a little bit like this, doing the outlining for the remaining section of the wings. We'll be doing the same thing on this side, the right side, standing the side of the wing a little bit like this, and now doing the outlining for the remaining section. So with this we are done with a simple outlining for the insect, adding a little bit of black for its eyes. Now let's erase the pencil sketch, and see that the ink has dried up and lightly erase the pencil marks. Removing the erasis dust. Now let's do the coloring in here. I'm starting with the red. For the smaller sections of the antennas, I'll only be using simple hatching lines like this. So for all the smaller and separate regions that we have created in here, adding the red in this manner. Instead of this, if you want, you can also use the black or a combination of red and black. Continuing on with adding the red for the remaining section of the antennas in here. Now for its head in here, following the curve shape of it and creating the hatching line, a little bit of broken hatching lines like this. Let's the cross-hatching in here, adding another set of line on top of it, following the curve set. So mostly for this insect, I'll only be using red. I'll be using a little bit of black for only the wings, but for the remaining section, I'll only be using the red. In here, doing a little bit of seeding, making the upper part a little bit darker. Now for this section, once again, creating the curved line, following the curved shape of its head. Before doing that, I decided to do the coloring for the first pair of the leg and then we'll be coming back. So in here for the smaller section, using this kind of simple hatching line. For most of the smaller sections, I'll only using simple hatching lines for the broader and thicker regions, I'll be using cross-hatching lines to give it a little bit of more three dimensional sap. For this region too, I only use hatching lines and did a little bit of seeding at the bottom section. But in here for this region, we'll be doing a little bit of cross-hatching, creating simple lines like this, following the seed, a bit curved lines now. Cross searching in here. A little bit of seeding, making the upper region a little bit more darker. And I'm adding the line in this manner following the curve sea to give it a little bit more three dimensional see continuing on with this section, reading this kind of bit broken and curved line following its s. Now another set of hatching lines on top of it, and I'm following the s. So we'll be doing a little bit of sading. I'll be making the left side comparatively darker, more lines in here to make this darker and a little bit in here too, making this region by making this region a little bit darker. Middle region is comparatively lighter and the remaining sections are and the remaining sex are on different sets of red. Removing a little bit of pencil sketch, now continuing on with the second leg. Here, too, I'll be doing cross-hatching, now creating this kind of line, horizontal lines, making this region bit more darker, following the curve seat and creating a little bit of creating this kind of three dimensional look for this leg. For the remaining section of the leg, once again, simple hatching lines. For all the separate sections in here, the four sections that we have, simple hatching lines like this. Well, let's do the same thing for this pair of leg. So we are going to use cross-hatching for all the three secons in here, since this is comparatively more broader and more thicker. So starting with the simple hatching lines and then we'll be conventing into cross-hatching. For this second two, I'll be using cross-hatching using this kind of vertical lines. Now using this kind of horizontal line. In this case, in here using this kind of vertical lines. Making the side a little bit more darker by adding more red. And finally, in here, I'll be making the upper and the lower part comparatively darker, adding the horizontal lines to achieve the cross searching effect. Now, let's do the coloring for the wing. I'll be dividing the wing into different sections. So there will be a total of three section. We'll have red, then black, and then red once again. This region, I'll be adding the red. People hatching lines like this. For this one, I'll be using a combination of both hatching lines and cross-hatching. For only a small section, I'll be using cross-hatching, but for the remaining section, I'll only be using the hatching lines. Following this curve and creating the lines like this, the upper part for the upper region in which we added the lines earlier will be converted into cross-hatching, and the remaining section will have hatching lines. Instead of it, if you want to convert the entire section into cross-hatching lines, you can do that, too. We'll also be making some of the sections quite darker. So I'll be adding more lines later on for now. For now, let's completely fill the entire section with the hatching lines. Now we are going to make some of the section quite darker, adding another line in here to create a clear distinction between the different sections that we are going to create. I'll be doing the seeding later on. Let's create another section. This is going through the third part of its wing, and in the middle portion, I'll be adding the black. Is following the seep and creating the hatching lines. For this section, I'll be making the upper and the lower part quite darker by doing the seeding. Now, going in with the black. I decided to create simple pattern like this for the wing. Simple circular seep like this and a single dot and a single dot for inside. I'll be creating seven or eight simple seeps like this. Simple circular seeps with two or three lines and a single dot and a single dot for the inside. If you don't want to create it, you don't have to do this. Now for the remaining section, I'll be using hatching broken hatching lines like this and we'll be completely filling it. Till now, I have not created any broken lines but for now, but from now onwards, I'll be creating broken lines too. So broken hatching lines, and we are going to completely fill the entire section with it. Following the curve side and completely filling the entire region with it. Instead of this black, if you want to use other color, you can do that, too. You can use red, you can use blue, you can use green, or you can also use different color combinations. So you can mix a little bit of red or blue or black. Or you can also use a little bit of white for the middle region. You have got lots of choice. You can also add your personal touches to it. Feel free to experiment and add your personal touches to the wing that we are creating in here. I'll be adding more details in the form ofsting but for now, continuing on with the remaining portion of its body. So for this portion, we'll be using cross-hatching lines, starting with the hatching lines. So this kind of mid broken lines for both the sides, I'll be completely feeling with this kind of mid broken lines. All we making the upper and the lower part quite darker. And also for the middle section, we'll be making it comparatively darker, creating this kind of broken hatching line for the entire section. Instead of creating lines in this manner, you can create the lines in other manner that we have created so far, you can just create rows and rows of hatching lines. You can just follow along with me and create this kind of larger broken hatching lines. I'll be adding two or three more in here. Now, as I was mentioning, we'll be making the upper region a little bit darker. Before doing that, let's do a little bit of cross-hatching, creating vertical, so creating horizontal lines like this. So these are horizontal broken hatching lines. So continue on with creating this kind of broken hatching lines for the entire section. We'll be keeping the middle portion a little bit lighter. We'll be keeping the middle portion quite lighter and the remaining section, upper, the lower and a little bit of medial and a little bit of middle portion, darker, comparatively darker, but the remaining will be lighter. I'm not able to properly explain it, but you will see when we'll be doing more detailing. For now, let's continue with adding more broken hatching lines for the remaining section. We have got only a small section, so continuing on with adding more lines for the remaining section in here. And with these, we are done with broken hatching lines for this section. Now. Let's give it a little bit of sading making the upper region a bit more darker. Add more lines. Just add multiple lines and decrease the spacing in between the lines. In here, too, this section of the middle portion. A lot of lines to make this region quite darker. Mostly, I'm using the vertical lines to do the seeding in here. But if you want to include the horizontal line, you can do that, too. Now moving on to the bottom section. We are going to make the bottom section mid darker too. Simple broken hatching lines like this, vertical hatching lines. Let's add a few more lines to make it more darker. So this is how we'll be doing the coloring for the wing. I'll be adding a little bit more detailing later on, but for now, let's do the same thing for the second wing in here, second wing flap that we have, starting with the vertical broken lines, vertical broken hatching lines like this. So this process is going to take a little bit of time since we have to create lots of vertical and horizontal lines and then we'll have to do the seeding. So be patient and continue on with creating more lines like this. So we are more than halfway. I'll be creating three or four more lines in here, then we'll be creating the horizontal lines. And with these, we are done with the vertical lines. Let's create the horizontal line. Same kind of line. You can create simple and plain lines or you can create simple broken lines like this. First, let's add this horizontal line for the entire section, and then we'll be doing the seeding. Continuing on with adding the horizontal line for the remaining section. In here, if you want to create patterns or designs, you can still do it. You can use the darker side of the. You can use the black and create multiple spots pattern or design, or you can just add more red to create simple patterns and designs. So layers and layers of red to create simple pattern and design if you want to do that, or you can use other color, you can use blue green to add designs. For now, I'm just continuing on with creating more horizontal lines. And with these we are done with the cross-hatching. Now let's do a little bit of seeding. The same kind of seeding, we are going to make the upper region a little bit of middle portion and the bottom section quite darker by adding more hatching lines like this. I'll only be using the particle lines to do the hatching, but if you want to include the horizontal lines, you can do that, too. Sending the lines a little bit on the right side. Now, let's make the middle portion a little bit darker. Simple straight hatching lines like this for the middle section too. In this region, a little bit more darker. Try to maintain the symmetricity of both the sides. Now, moving on to the bottom section and trying to make it a little bit more darker. For this section of the project, I'll only be covering up to here, and in the next section, we'll be doing the remaining coloring, adding the background. So yeah, that's all for this section. I'll be seeing in the next video. Happy painting. 20. Scars on Tree: Continuing on where we left off, in here we are doing coloring for the last pair of lay simple hatching lines using red to create this kind of simple hatching line and a little bit of shading for the upper part, adding more lines to make it a little bit darker for the remaining two sections, simple plain hatching lines. Now for the last section in here and with these, we are done with all the three pairs of the lens. If you want, you can do a little bit of seating for some of the sections like this. Now, moving on to the wings, we'll be doing the coloring in the same manner, starting with creating the outline, simple outline for the region in which we'll be adding the red. We'll be using both hatching and cross hatching crosshatching for the upper part and hatching for the remaining section. Second outlining for the red. Now, let's add the lines. Try to see that both are symmetrical. I'll start with creating the lines. In here, I decided to start with this smaller one. Simple curved line following the seam. A little bit of seeding for the outlining area. Now for the larger one, starting with the large line large edging lines like this. Read eight or 12 hatching lines in here. Now, making the outline region a bit more darker, so more lines in here. And apart from that, we are going to fill the remaining section with this kind of hatching lines. Let's do a little bit of sading so making this region bit darker. Lots and lots of red in here, doing the same thing in here too. Now continuing on with the hatching lines. For the upper sexon we have got cross hatching and for the remaining section in here, we have got hatching lines like this, the same thing that we did for the first wing following the curb and adding hatching lines for the remaining section. We'll be making the upper part and the lower part a little bit more darker by using more hatching lines. Making this lien a little bit more darker, using it to do without lining. Now going in the black and let's start with creating the simple design or tency pattern that we created for the first winglet a simple black dot surrounded by two circular seeps. I'll be creating ten to two of this kind of seeps and then we'll be completely filling the entire section with the black hatching lines. You want, you can add few more, I'm satisfied with it. Following the seep of the wing, let's create lots of hatching lines. Broken hatching lines like this for the entire section here, if you want to convert those hatching lines into cross hatching, you can do that, too, but I won't be doing it. Continue on with filling the remaining section with the black broken hatching lines. Now filling the remaining section with a cross hatching line. Here just beside the wings flap, I'll be doing a little bit of seeding with the black and for the lower secon too. So two sexton for the seeding. Now filling the remaining section with the cross atching line, we have got only a small section in here. More broken lines, and with these, we are done with this. Add more lines wherever you think it's required or wherever the spacing is great. And with these, we are done with the black for the wings for now. Now for this region in here, the middle section, hatching simple hatching lines like this. Let's fill the entire section with this. Here the applying medium presser with it and creating this kind of bit lighter shade of the black while doing the hatching. With these, we are done with the coloring. We have to do the coloring for one of the legs too. This section for this entire section will be doing the cross touching as we did as we did for the on the left, making the upper region and lower region a bit more darker by adding more line. Now for the second part, vertical lines now adding the horizontal ones, a little bit of stating for the upper section to make it quite darker. And for the third in the final section. More lines like this. And with these, we are done with all the legs. A little bit of seeding in here, as I was mentioning, doing the same thing in here. Let's make this region darker, too. So adding more lines. So adding more line to make it quite darker, doing the same thing in here, making it quite darker for here. So once again, adding more hatching lines in here to make this region quite darker. And fin in here. So once again adding more hatching lines to make it quite darker. And we'll also be making the lower regions on the other side like this a little bit radius. So my radius, I mean more darker. Lots and lots of hatching lines to make this region quite darker. And all the edges in here, too, a little bit of sating like this, knowing the edges a little bit more pronounced. Do the same thing on the other side, nabbing on the right, making the edges a little bit more pronounced by doing more sating like this. I'm just following the sep of the wing and adding lots of line. The speecing between the lines are quite close. Continuing on. Making this little more darker by adding lots and lots of lines in here. Then with these, we add them with the red for the wings. Now, as I was mentioning, using black, do a little bit of shading here beside its body. Simple hatching line following the curve, see. Do the same thing in here at the bottom. Simple hatching lines like this to make the lower region a little bit darker. As compared to the red one, this is comparatively less, but yeah, following the outline side and adding lots of hatching lines to make this region quite darker. With these, we are done with this wing, doing the same thing with a wing on the right, adding it just beside the outline section and at the top and at the bottom. Lots of hatching lines like this. If you want to make it more darker, you can do lots of hatching lines. Following the sweep of the lines that we added earlier and creating this kind of smaller hatching lines and reducing the squeezing in the lines, thus making this quite darker. Continuing on with adding more lines. And with these, we are done with the black. To avoid the smudging of the ink, I'm using the tissue paper below my palm. Now let's create the rough outlining for the tree that we have. As I mentioned, I'll only be creating a single tree, but if you want, you can create multiple ones. Now let's do the outlining in here on this side. This tree has got only a single branch. If you want to add multiple one, feel free to do that. Scar on the tree. I'll be creating multiple scars of different seeps and sizes and orientations. This is optional. If you don't want to create it, you can just use simple hatching lines to fill the entire section, or you can just follow along with me and create this kind of multiple scars. These are not that much defined sin, but simple seeps like this. Apart from it, I'll be using lots and lots of hatching lines, curved hatching lines to add the texture for the remaining part of the tree. Adding simple lines like this. Simple, small vertical hatching lines like this. Doing the outlining for this region with this kind of curve lines. And now we are going to fill your remaining section with lots of black lines. So this kind of simple, small, broken line following the curb sip of the tree instead of this, if you want to make this quite darker, you can always use the cross hatching. If you want to use stippling here, I would advise you not to use that since we have got a large tree and it will take lots of time. So stick with using only the hatching or cross hatching to create this kind of text for the entire tree. In here for the branch, creating this kind of bit curved lines, somewhat of circular lines, and adding lots of it to make this region quite darker, comparatively darker. As for the branch, following the seep and creating this kind of simple lines. Let's make this a little bit more darker, adding more lines like Now continuing on here, I'm going to create another scar, making this region, the outline region a little bit more darker, not darker, but creating this kind of line to make it a little bit rougher. So this is going to be the scar in here too for the inside region, simple broken curved lines like this. And for the insides, just create a few more scars like this and we'll be doing seeding using the small hatching lines. I'll be creating two or three seeds like this. And for the remaining section, we are going to do simple siding like this. I'll be creating a few more scars for the remaining section. But for now, continuing on with adding the hatching line, simple hatching. Simple hatching lines like this and doing the siding. Now, adding it in here too. And with these, we had done with the scar in here. So this is the second kind of scar that we have created. So you have you can create either this one or the one that we created earlier. Continuing on with the left side, creating lots and lots of hatching lines like this, small broken hatching lines. This process is going to take a little bit of time. I think around eight to 10 minutes, step it scent and just add lots and lots of line, adding it beside its leg, the front legs. Now in here beside it's leg on this side, adding in between antennas to simple small hatching lines. Continuing on with more hatching lines in here on the right side, adding a few more hatching lines like this. Here's another scar on the left side. This is comparatively smaller, so let's create one more. So a set of two scars in here. Since these are quite smaller, so I'll only be creating a bit of rougher outlining and then doing the seeding for the inside using simple hatching lines. Now in here, as you can see, just simple hatching lines like this after doing the outlining with curved lines. Completely filling the entire region with this kind of hatching lines and doing the seeding. And yeah, continue on with adding the lines in between the scars that we have created and for the remaining section adding in between the wing and the leg. Do the same thing on the other side, the right side in between the wing and its body. Now we have got a small section in here. Simple broken hatching lines like this for the entire section. Earlier I see it, it would take around eight to 10 minutes, but I don't think so. I'll be completing this within four to 5 minutes. We have got another scar in here, bit larger scar. Before adding the detailing in here, continuing on with creating more hatching lines for the upper region. Continue on with this car? This will be a little bit different from the first two that we created. I'll be completely filling it with simple hatching lines and doing a little bit of sading. Rows and rows of hatching lines to fill this scar that we have created. In here, as you can see, I'm applying medium pressure with the black to create this kind of bit lighter shade. Make it clearly distinct from the remaining part of the tree. Make the outline more darker by adding more lines, more rough and curvy lines like this. And for the inside, doing another layer of hatching lines, rows and rows of hatching lines to make this quite darker. More hatching lines for the inside. And with these, we are done with the Scar, continuing on with adding more hatching lines for the remaining section. And with these, we are done with the hatching lines. Add more hatching lines wherever you think it's required or where there is a lot of spacing. And as I was mentioning that I'm going to make a little bit of genius for the Scar. So I'm just simply going to redefine the outline a little bit by making it quite darker and for the inside, lots of hatching lines to make it quite darker, doing the same thing for the second one. Making the outline a little bit more rougher by using more curvy lines and making them quite darker by adding more hatching lines for the inside. So with this, we are done with all the cards and the texture for our dring. This are our final detail. I was not satisfied with the darker shade of red in here, so I decided to make it a little bit more darker. Once again, lots and lots of hatching lines to make this region quite darker. Wherever I add it earlier to make those region quite darker, for the upper region, for the middle region, and for the bottom region, we'll be adding layers and layers of hatching lines like this to make them quite darker. Adding it in here for the bottom section, make this region quite darker. More hatching lines like this to make this more darker. You can also do a little bit of horizontal lines to make it quite darker, but I'll only be sticking with simple vertical lines. Me lines wherever it's required to make it comparatively darker. A little bit of red for the wing, so a little bit of crosshatching in here. Doing the same thing in here on this wing on the right side, crosshatching. Now, going back once again with the black to make some of the regions of the tree quite darker, hatching lines like this where there was a lot of specing in the lines. And yeah, with this, we are done with our bonus project. This was the biggest project from this class. And yeah, this is going to be our final painting for this class. And I'll be seeing you in the next venue. Happy painting. 21. Class Conclusion : Welcome to the conclusion video. This is the final video of this class. Congratulations on completing the inky insects. Over the past week, we have built a bold collection of detailed insect illustration. We practice structure, symmetry, texture, and strong contrast using hatching and cross hatching, along with stippling and confident line work. Most importantly, we sewed up consistently, and that's the real artistic growth. I hope this challenge help you feel more comfortable with the fine liners, Bust pin and dramatic sading technique. Keep experimenting with texture, line, and color combination to develop your own signature style. Don't forget to upload your projects. Share your favorite piece in the gallery. If you enjoyed the class, consider leaving a review and following me for more creative challenges. Thank you once again for joining me, and I'll be seeing you in my next class.