Gouache Painting : Winterscape Painting

1. Intro: Wonder if the snow loves the trees and feels that it gets us DEM, so gently. And then it covers them up snug, you know, with the white guilt. And perhaps it says, go to sleep darling. Lisa comes again. Hello friends. My name is Hannah, and I'm an acrylic artist. And I hope you all are doing. So in this class, we'll be learning to beautiful magic vent escapes using gosh technique. What DO materials we will be needing for this gouache painting? Then some basic mixing technique and blending technique. And then two paintings that has windows escape sunset. And the other one is Chile window in detail. And to painting. Ready? So let's start with these beautiful paintings. And I hope you will enjoy this class. Stop it. 2. Materials Required: Welcome back. So this is the first painting which we'd be doing. And the second one is just a second. This is the second painting which we'll be painting. So let's start with the materials which we'll be using u. So this is the ox 300 GSM watercolor cold press paper. The job got it into two parts. It's almost A4 size paper. And the colors which I'll be using is the straw gosh, colors. So it comes with a set of 12. So few colors I'll be using here from these. So apart from this pencil and eraser for drawing and the brushes, this is the liner brush. First, let's discuss about the flat brushes of different sizes. We'll be using that three different sizes of pressures which I'll be using yellow. One, is it too big, and other doors small size. And then the rigor brush. This is another type of rigor brush. And the second, this is the rigger brush again. And this is the Bristol flat brush and again the round brush. So these brushes I will be using on diet bending and the palette knife for mixing the colors and the Spencer than the masking tape. And declared or tissue paper towel for cleaning the brush. And apart from this, two jobs, one for clean water and for one for dirty water and the palate. This is the most important thing. So let's start with the painting. 3. Basic Techniques: Welcome back. So let's first discuss about the colors. So the first color is black, muddy yellow, radium blue, hot pink, lemon yellow, ultramarine blue, and white. Same Gallo will be using in the second painting also. So let's start with some basic techniques which we will be applying here. So this hot pink and ultramarine blue and white is for the background and also the foreground. So let's start with some basic techniques which we'll be using you. First as the column mixing. And the second one is blending the colors which your VR mixing. So let's take a flat brush and stopped with the color mixing. So first I'll be using your ultramarine blue. So you can see there's lot of water on my brush, but you don't have to use that much of what Darwin BIA actually painting it. You have to use very less amount of water and more amount of color. And the second color is hot pink. When we mix these two colors together, it gives a very nice violet color. And it's very nice and soothing violet color which comes out when am not mixing any white to it. It comes in with a dark violet color. But when you are mixing it to white, it gives a nice circular Gallo material. See you? So I'm adding a little bit more of a blue and a little bit more of hot pink. So you can see how nice that violet color has come up. So this color we'll be using for the foreground, and adding a little bit more of blue and a good bit more off. This is the exact Gallo which we'll be using for the foreground. And so this color mixing, this is the first BAD which we'll be using for the foreground also, and some for the background noise. So now let's start with the second column mixing. Now this is the muddy yellow. It's like orange. If you don't want to have mandela, you can use orange also CAD or cad yellow. And then again, mixing it hot pink. And you will see a nice orangey color which comes up. It's really bright and it's like a fluorescent orange type. It gives a very nice texture to it. I can see how nice and fluorescent colors. So these gallows, which we'll be using for the clouds and this for the foreground as well as for the clouds. Now let's do some blending techniques. So first I'll do the blending technique using to do three colors. So first color I'm using here is the dock one that is ultramarine blue. Madame, just mixing it to and fro. If the color is dried, you can obviously add little bit of water to it because it does water soluble. It's not like acrylic that does not water-soluble. But yes, Gosh, is water-soluble, so you can easily blend the colors. Now the second Gallo which be using your is not this muddy yellow. Let's wash off the brush fast and then you start with the Monday yellow and David TOEFL, hot pink. So in between, I'm leaving that gap because I have to mix the color and mix these two colors together. It will create a greenish shade, which I don't want. So I have just left a little bit of gap in-between. And then we'll start mixing it with the column. So now I'm adding your white and starting the blending technique. Adding more of white and just moving upward direction. So I don't want that greenish color to come up in my background. So I I'm just blending the color. That's it. Try to blend the colors from light to dark, yellow, not from dark to light. Just adding a little bit more of what pink. Do you have? A nice violet color shape. Just blending the color and moving the brush and D2 and flow direction. As you can see. You don't need to repeat this step until an analyst that line which comes in between the two colors is faded off. Whenever you are blending the color and the color is getting dried up, add some water and then again start blending it. So again, I've added a little bit of ultramarine and again I'm using and just to and fro direction and blending the colors. Adding a little bit more of media law. And again, moving the brush in the upward direction and adding little bit of hot pink. Because when hot being mixed with ultramarine blue and gives a nice while its shape, while it. So that's what we want the color to be. We don't want any greenish color to come up. So this is the way we'll be doing the blending for our first painting. And for the second one will be just needing. Suppose if we are using just one color for blending techniques. So first I've used the dark color, and then I have added a little bit of white to red and again, moving it down. And now again I'm adding simply wij to the lower part. And then I will move the brush in the direction until the whole thing is blended together. So in Gosh, you can easily blend the colors. No doubt. So you can see how nicely the blending technique has come up. So now let's start with the painting. 4. Sunset Winterscape Rough Sketch: Welcome back. So let's first start with the sketching. So this is the first painting which we'll be doing and just the basic freehand sketching we'll be doing Gill. So I've already taken two jars of water and the palate, but before that, I'll just tape down the corners with the masking tape. So it's totally fine if you're not using masking tape. But I like the white borders which come up event B was masking tape. So here I am using the oddest grade masking tape. Just a nice white border. And why is it drop-off on the sheet? So I'm just removing it for a while. And let's start with the drawing first. So here it goes. I'm just using my normal pencil and just giving a rough sketch to it. You can say a free hand drawing. So that just the division between the foreground and the background. I hope it does visible to you the lines I'll just document. So that does more visible to you. It's just the diagonal line with the cross and then the tree the tree trunk that do trees which are in between the snow Alia. And I'm just giving edited shape to that G, which will come up so far. Color blocking. That would make us easy when we're painting the entire landscape. And same, I'll do create small, small triangle shaped by entries. So first let's start with the big tree. There's one victory which is quite visible. So first I'll create that one. Just the triangle, which just creating, I'm just creating the shapes so that I have to leave those blank before I'm doing the background color. Because if we apply that background color on these trees, then I'll apply the colors on these g's. It will create a mess and do not come up exactly what it is because this is not acrylic color. That color, we can do that like we can completely do the background and then start sketching the BOD. But with cause you have to create these specific areas which you need to leave that area, and then you need to start the background. So I'm just creating a rough sketch of the pine trees which will come up so that I leave those spaces in between. And then we'll start doing the background. But so this sketch is almost done. So let's start with the painting. First, the background. So let's start. 5. Sunset Winterscape Background Blocking: So welcome back. So these are the colors which we'll be using. And the first color is hot pink, lemon yellow, medium blue, ultramarine blues, radium blue, black, and of course white. So let's start with the flat brush. First. Bit will be doing the background. And before using this, we need two jars of water. One for 14, dirty brush cleaning and one floor cleaning the clean brush and the tissue paper or the clot, whatever you have for removing excess of water. So now first, we will dip the brush in the water and make sure the whole, entire brush is wet and remove excess of water from it. And the first color which we'll be using as the darker one, that is the ultramarine blue. And I'll mix little bit of surrealism blue to it, and a mix of white. So I think I've taken a lot of white because the color has lighten up a bit. So I'll just add a little bit more of ultramarine blue and a bit of radium blue also to it. Because we need a darker shade. And just make sure that the entire corners taped nicely, then only you will get the nice borders. So you can see now the color is quite dry and it's quite light colors you have add more of surrealism, blue to it. I'm just applying it over the top area. If you see that your brushes getting dry, just add a little bit more water to it. And then again, start filling out the colors. Because there will be chances that your brush will get dried off and becomes little bit, you can see how dry it is. I've added a little bit of water to it. And then again at its dot, the color. So this, again I've added what being anything, see the purplish shade which is coming up. You don't have to add too much amount of water, do it otherwise, your whole painting will not come up as expected. You need to have a tick color. So you need to use very little amount of water just to make that brush so that the brushes moving smoothly and the color is blending nicely. You just have to add that much amount of water. You don't have to add too much amount of water, do it. Now. Totally remove your colors from that brushes so that when you are using the lighter wash of color doesn't mix to that light color. Because we will be using your yellow because, and if blue comes in contact with yellow, you know, it will turn into greenish shade, which we don't want. And now I'm cleaning it with the clean water. So same technique. You have to use it for the entire painting and just removing excess of water. And now using mid yellow and white, pink to give a nice fluorescent orange shade to it. You can see how nice the color is, bright and shiny. This will give the effect to the entire painting. See, I'm just filling the lower area and leaving the shapes of the pine tree which I have drawn earlier. Just trying to fill in the gaps in between which is in-between the pine tree. And just filling the area. You can see how bright orange then it does mix to it. What I have added. Again, I'm just blending. Brush is getting dry it off. And just add a little bit amount of water to it and then start blending the color. I'm just leaving leaving the material gap in between the blue and the orange part. Because I don't want the color to be turned into green modality mixing it later. So I'm just leaving that middle portion. I'm just blending the colors nicely so that the entire color is blended nicely. So now at the one corner, the blue, a blue colors like surrealism, blue. So I'm just adding it in the Bitcoin and do it. And I'm that color also am not mixing it with the orange one. So I'm just making it showed that it doesn't mix with the orange color. So just blending into it to the ultramarine blue mix. Now I'm just washing off my brush nicely and taking white and just dotting to blend the entire area which is left out. So you can see how I'm blending the color and I'm just additive but doubtful. Again, I'm washing the brush and removing excess water and just without any color, I'm just blending it as there's no color on my brush and just blending it like that. Again, I'll wash my brush and again, I will just dry off my axes of water. And then again I'm start blending it. This process you have to repeat 23 times until unless you feel that yes, the blending has been done properly. So you don't have to mix the colors. You have to mix the colors until unless that line in between has been removed. And when you are mixing the dark colors with delayed one just tried to remove excess of colors to from it. And just dry off the brush with your tissue paper. And then again start blending just the blend brush without any column. So in between there's the white yellow part. The home using your, the lemon yellow to give a nice line to it with the same brush I'm using here. You can see just the tip of the brush here I'm using to create that lines, that sun effect, that sun rays coming in from between. And just blending the color. The orange portion. And see the blending is the main body of the bending. It requires lot of patience and a little bit off. It's tricky, but the black does, it comes up. So no need to worry about it. And I'm just adding little bit of white to yellow part. I haven't used any water in that. I'm just directly using the gouache color of the doubt any water. And again, I'm taking that makes sure and just blending the color same column, just blending it. And bringing it in that orange area. Blending is something which requires a lot of patience and practice. Requires a lot of practice when you are blending the colors it comes with practice. It doesn't comes all of a sudden, it needs practice. Then only you will be able to blend the colors properly. So you can see I'm just trying to make the colors blend as much as possible. This is almost done the blending, but just little bit of final touch-up I'm doing. You're adding little bit of pink to make it look more brighter. So it's almost complete. The background one. So you can see again, I'm adding little bit of white. Just draw white, no water to it. Just adding little bit of white to the center. And this is almost complete without any color. I'm just blending it with normal water. So this is almost done. So let's start with the second button. 6. Sunset Winterscape Foreground Blocking: Welcome back. So now we'll do the foreground. So same Gallo here we will be using that does deep purple mix and that little bit more of a violet color. So I'm just adding starting from the below. And then as we go up, the colors will start fading. So from darker to lighter version will move upward. So I'm just adding more of light. So here you can see that a bit more blue is this, I'm just mixing little bit of hot pink and just applying it. Whenever you feel that the color is getting dry, just add a little bit of water. Do we then start doing it again as galoshes water-soluble so it colors will easily dissolve. So just adding a little bit more darker version below. So just move the brush to and fro until the whole blending is done perfectly. And again, adding little bit of white. Just trying to blend the color as much as possible. So why it is a great medium which can be used for blending. So just trying to mix the color nicely. This is almost done the foreground. So just blending the color with my flat brush. Now this background and foreground is done. So we'll start with the trees. These binaries, we'll just fill in it with black color. That's it. Docking will be done with black color. So here I'm using my round brush, fulfilling those details, which we have drawn a rough sketch of it. So you can see the colors a little bit dry. Let's add some more water to it to become more soluble. So I think I'll use a smaller flat brush now. For bigger tree. Though, we are not doing anything just blocking the entire pine tree structure which we have created. And the rest detailing. We'll do after that. But first we will fill in blocking the colors. So just enjoy the process of fulfilling less. First draw that line which divides the background and the foreground. And here you can see I have makes little bit of blue to it. It's not completely black. This class is just a big elaborate glassware. And every person can try it. Even though if they are not beginner, intermediate. They can also try for offshore for fun. So here they are small, small triangles. So I've just changed my brush and using this rigger brush to complete that triangle shape because that flat brush was not coming up nicely. So I've just changed my brush and using my rigger brush. Creating those shapes. Hi. Yes. 7. Sunset Winterscape Tree Detailing: Welcome back. So now we will start with the detailing of the pine tree. So here I will be using my rigger brush and we'll start with the detailing. So I have just 10 down the paint and I'm just using the rigger brush and just creating the tree texture. Just drawing one line and just creating random horizontal and diagonal lines. Again cm just randomly creating diagonal lines where the triangle. So this is the simplest way to draw the binary. We can do the D dealings as well when the Dow drawing those blocks. But this is the simplest way of drawing any pine tree, which is covered with snow. So you can see I'm just repeating the same process on other small pine trees so that it looks. So when we're doing the detailing of the tree with these snow color, and to look obvious, if there's spaces in between, you can create small pine trees. They're also suggest small random lines. I'm just creating beside that blocking. So I hope you guys enjoyed this class. And I wanted to share this painting in detail. So that's why I created the class I Loftus. The clouds and the spin Ding, De Jing and invoice. You can also do an acrylic if you want. The same technique you have to use. But make sure that acrylic is not soluble. So you have to be very careful regarding that. And yes, you can use acrylic gouache, any medium, whichever you like. If you don't have acrylic goes, you can also use both the gallows if you have that. So you can see most of my classes on Skillshare is basically acrylic because I mostly do acrylic medium. You can also see one class that is the holiday cards class and that there is pine tree, which I have created specially for the holiday cut. You can see that as well. How would the tree is created that snow capped trees. So one thing, always make sure that whenever you are using any dealings, try to use your rigger brush or liner brush, whatever you have. Because those brushes gives a very nice detailing and you don't have to put a lot of tick colors on that brush. You can always use very light and liquid form of Dell fluid. Then only you will be able to create a nice small and shop textures. So just enjoy the process. Few more binary trees are left bigger, 11 more smaller, one. Yes. 8. Sunset Winterscape Final Detailing: Welcome back. So now let's start with the final BOD is the main detailing. Just left out. So first, we'll, we'll be using the flat brush for the outlining the division, which is dead between the foreground and the background. So here you can see I'm just using little bit of glue, same color, violet color. Here I'm using my smaller flat brush. And in the lower area, which is dividing the foreground and the background, I'm just creating this line with my flat brush. Just deadline. And you can blend it with that black color. Now let's draw the shadow of the two trees. Just the triangle I'm creating. Those two trees are joining. Now. Can see that black triangle has been faded away, so I'll just make it a little bit off the dock with my black color. Just done. But more is left. Now using my rigger brush, I'll be just taking little bit of white. This is just a dry weight and add it just to lie in the middle of that cloud, which is lemon yellow, so that it is quite bright. Now we'll be using the bristle brush for creating these no effect. This is completely dry technique. I have induced water on that prejudice completely dry brush, and I will just be tapping on that foreground. You don't have to use lots of color on your brush because that needs to be visible. So it's, the brush is completely dry, no water in it. And just can see very light pressure. You have to put on the brush. And just dab, dab, dab. Again. See how nicely those small dot gives a texture of that snow effect and gives a very nice snow effect to it. And it is a very hard bristle brush. If you use soft brushes to create this texture, but you have to use this brush, then only you will be able to create this nice texture. And very light pressure. You don't have to press it very hard, very light pressure you have to put in. So I will just cover the entire foreground. You can see I'm not covering the entire portion. I'm leaving little bit off spaces in between those dots so that it looks like, okay, this noise spread all over but not everywhere it is. There batches of snow everywhere. It will look like. So you don't have to cover the entire portion with the dots. You can leave some of the areas blank also. So this texture is almost done. Just a little bit more is left. Now using the same rigor brush and blue and hot pink mix to stem mixing the color. Because now we have to create that snow effect on the trees also. So I'm just creating that wireless shade, but it too light. I'm adding more white to it because it has more vide, but because of that sky deflection test done and do while it so just applying that. So let's stop to it. The color has to be a little bit fluid then only you will be able to create those nice texture on that. Otherwise you'll not be able to create it, just make it a little bit fluid. Then only you will be able to create that nice texture. So I'm applying the same techniques, models more lines, and giving the shape to the pine tree. This is the easiest way off painting the snow-capped trees. I think. Bigness, which I've never done any painting, can easily paint to this. Sum just creating dots and giving the shape tool D3. Just enjoy this process. And if you are getting impatient doing these small lines, just take a break, have a cup of coffee or anything, whichever you like, and then start doing this. Because it takes time and sometimes we get data, data to all water, just taking such a long time. But when you'll see the result, after doing this painting, you really feel very happy and excited that you have done it. So just do it very slowly and enjoy the process. When I started the bending and the beaming, I happened to me also that I used to get very impatient, have to complete this, I have to compete this. But in order to complete this painting, the bending gets ruined up and not feel good. So I better take your time and then do your painting. It's not. And that thing comes up when you are in a hurry, you have to be a little bit. So just by this process, we are almost done. Just the bigotry is left just to trees or left, I guess. So if you're painting has been does getting dried off, just add a bit of water to it and then started again. You can always make that cosh colors soluble just by adding a little bit of water. Do it. As creative. And you'll see this. And the whole painting is complete. And it gives a very nice, I'm really loving and hope you are also just giving it a good bit of more white to it. And that the yellow outline so that it looks little bit more vibrant. Can see how vibrant colors looking. Sylvia, done. So let's start removing that tape, masking tape and see how it looks with the white borders. Tried to remove the day very slowly. Tearing off your paper, whichever you are using. So very slowly and diagonally, just pull off the masking tape and see how nice the borders are coming up. So I hope you'll like the spending and enjoyed it. Waiting to see your projects. 9. Chilly Winter Rough Sketch: Welcome back. So now let's start with us second painting. This is something different but same color we'll be using here. You can see I've put my sheet in the vertical direction. The other one was in the horizontal direction. So this painting, we'll be doing. So first let's draw the image. Just a rough sketch. Freehand drawing, non-graded method, nothing. It is just a free hands drawing we'll be doing, yeah. So just grab your pencil and just dot withdrawing. So first we'll draw the middle line. This is the center line which I'm just drawing. I'm just random, randomly chosen the center lane, just approximately. And then let's draw the mountains first. And then we'll start with D below foreground. For these very simple freehand drawing, you don't have to do any grid method or anything. If you are not good at drawing, you can just simply draw a random sketch. This is just a random sketch which I'm doing. It's not so difficult, just a random mountain and revolve it we use to draw when we are in childhood. So now the foreground here you can see I've just drawn a diagonal shape. Just six sec. How the water is moving doesn't middle, which is the water reflection which will come up and the rest as the snow area. Mostly I use a Britain grid method when I'm doing something very realistic and have to be accurate, especially the portraits I use for landscapes also when I'm doing the bigger projects on the canvases. But this is just the free hand drawing which I am doing here. So I'm doing it very slowly so that you can also go hand in hand with me. After drawing this sketch, we'll be starting the painting or blocking the colors. And in this also I have used the same gallows, which I will be using the jab, jab used in my previous painting. So same color. No much difference, just surrealism. Blue here is not used. Apart from that, all the colors will be used over here. So now the drawing is almost done. Suggests giving little bit of textures which we have to create on the mountains. Just block, creating some random shapes to block in that as well. So this is done. So let's start with our painting. 10. Chilly Winter Background Blocking: Welcome back. So let's start to adopt painting. I've just taken out the colors in the palette. You can see the Daniel White, mid yellow, lemon yellow, hot pink, blue, ultramarine blue and black. So these are the colors. We'll be using the same colors and do jars of water. So let's start with it. But the painting and the tissue paper, of course, for cleaning the brush. So now let's start with D painting with our flat brush. So this is a flat brush. I'll just dip the flat brush in the water and then we'll start mixing the color and the pain. The first the background. So first I'll use white because here the colors you can see a very muted forms. So why does use a lot? So very subtle light color, which gives a nice wireless and pinkish shade to the clouds. You can see I have added much of white and very, I think why does 90% and 55 percent bought hot pink and ultramarine blue? So just trying to create that color, very light, subtle color to it. So let's start with the top first. So I'm just blocking the color. And C f naught govern the entire, but just the upper part of the clouds have covered. And then we'll just wash off my brush nicely with the first one jar. And then with the clean water just nicely, you have to remove all the colors. Device it will mix with yellow color and we're done and do another column so we don't want that. So make sure that you have clean your brush very nicely. And if you have two brushes, you can use data also. That is perfectly fine. But I'm using the same brush which I have used for the above background. Now a year RAM using the mid yellow and white mix and just have left in between the little area. Because data we'll be using when I'm mixing the color. So you don't have to touch that area. You just have to leave a little bit of portion and Medan. And then you need to start with D, lower clouds. I'm adding more white to it. And just filling the lower portion. Makes sure that you don't paint the clouds. Otherwise, you know that galoshes soluble and a few will try to use some other color. It will mix with yellow and it recreates some other Galois, so we don't want that. So try not to use that color in the mountain BAD. So now let's add little bit of pink and yellow and white mix. I'm just creating little bit off. I-n-g look orange shade. Do it. And moving upward. Now just remove the color and just wash off the brush and then again start mixing that color. So I'm just blending watercolors and I don't have any color on that brush. I'm just mixing it but just the window removing excess water and just trying to blend the color. Just moving the brush and D2 for reelection and blending the color. This is one technique of blending. Another one is off you by using white color. So I don't want to use much of whites. So I have just blended the color that normal water and brush. You can see how nicely that blending is being done away. Adding little bit of hot pink texture to the above area because this is not completely violet. This bit of pinkish shade suggest creating random clouds and just blending it. Now adding little bit of white below, because that is quite, quite awhile. So just adding a little bit of white to it. And now the same color add be using for the river images there. So same color, which I have used for the background for the river. Also I'll be using first I'm using that light yellow shade. And then the orangey shade. Again cm always leaving some portion in between. So that when I'm blending the colors, it gets blend, blended nicely. So I've just left in between little white portion, the Jal, be blending with my brush. Once I apply all the colors, all the colors have been applied now, they're just wash off the brush and we'll start with blending with normal water. Suggest blending it with normal water. You don't have to use too much of what DO very less amount of water should be there. Just dip in the brush and remove X's award by wiping off to the declared and then start blending it so you can see how nicely this has blended. So let's start with D. Second button. 11. Chilly Winter Mountain Blocking: Welcome back. So now we will be doing the mountains. So first I'm using the same brush, that is the flat brush, but of smallest size. And I'll be just blocking the background color of the mountain. So here you can see I have used same mixture of Gallo, little bit pinkish, hello, and adding more white to it. Because it is very light pinkish and while it's not completely white. And I'm just blocking in that area, leaving that shapes in between. Adding little bit more of white because I need more light texture to it. So just enjoy. Just done. Here, I'm adding the black also do it. So same Y-linked Gallo, little bit of ultramarine blue also. And I'm just covering very small, small dots and lines. I'm creating to give a nice texture to that mountain. I'm just creating some textures. So you can see the shape is coming up. Dementia result is just beautiful. You just have to wait and enjoy. The process. Suggests lightning that color up. So adding values separate. Little bit more of violet D and white color. To add little bit of shadow area two, it goes this shadow area. Just little not covering the antiabortion, just little amount. And just darkening that texture a little bit more. So it's almost done that mountain now we will start with the snow-capped area of a same color. That's why eyelid and adding more white to it. Just covering that area with my flat brush. But you can see just to give it a contrast between the landscape. 12. Chilly Winter Foreground Blocking: Welcome back. So now the foreground is left. So plus we'll do the blocking and then the detailing. So here again, I'm using my flat brush and ultramarine blue and white mix and little bit of hot pink. So it's drying, suggest additive, but don't want to do it. So when you see that your color is not mixing and that dry texture is coming up, just add a little amount of water and then stop bending. So this is just filling the area. Adding more fight because it goes down and becomes lighter and shade. So you can see, bought the paintings almost same, but they have different landscapes that these have mountains and those have pine trees. So these also have pine trees, but these, but this pine tree will be a little bit different. So just wanted to create the contrast between the landscape and the mountains. I have used a little bit darker shade of blue. It's not completely wireless. You can see now once that upper portion is done, but just Nia, just trying to blend. Let's start with D area which is above the river. So this is Docker. You can see DACA color, which is why led, but it is darker in color to give a nice contrast between the landscape which is dividing the sections. So just covering the upper part and the middle area will be having different color. Just lighter in shade and applying it above. And this is little bit more pinkish color. We can say pinkish violet mix. So you can see most of the painting you can do with the flat brush and a liner brush. So you don't need any other brushes. A BAD from liner and flat brush and a four yeah. And flaws, snow, you need Still brush. So I think three brushes would be enough if you are bending the staple of paintings. And try to use tick sheet, because this is 300 GSM. So use take sheet and then only you will be able to create nice paintings and painting with an odd come up behind. So does you can also use for making gods. If you're creating any holiday cards, you can create this painting. Now I'm just creating little bit of texture on the clouds. I'm just taking little bit off. What? Pink and ultramarine blue, more of hot pink. And just creating small, small cloudy textures on the top. If you don't want to create, it's perfectly fine. You want to just leave it like this. That is also fine. So I'm just does giving little bit awful cloudy texture to it. Let's sit here. You can see I'm just using the tip of the brush to create those clouds. And this pressure's not completely, it's almost dry then only you will be able to create that effect. And after that with just normal brush does try to blend the colors. Because I don't want to shop colors to come up as clouds. Now, just take little bit of white row wide and just add a center line, which we have also used in the previous painting. If you remember. Let's take black and ultramarine blue mix and also little bit of white also. Because I don't want it completely dark colored to come up and just filling the area which is joining the land and D, Waldo. So once this below lining is done, we'll do the upper bod, but lighter value by adding it, by adding white to it. You're also, you can use round brush if you want. But DRM using flat brush because this is more easy and convenient for me. And just be done with me. Video. 13. Chilly WinterTree Detailing Part One: Welcome back. So now let's start with detailing first. So we have already done the blocking part. So here I'll be using my rigger brush and the color which I have used for those foreground, same color, make sure I'm using. This is a mixture of black and ultramarine blue and white. And I'm just outlining that mountain which is above. I don't want it to be completely bad black. So that's why I have, I added a little bit of ultramarine blue and white to it. So I'm just outlining that mountain BAD. So make sure that your color is properly vet and it does get a little bit in liquefied form, then only you will be able to create a clear lines and sharp lines. And I'm just adding a little bit dof details to that area which is dark enough. Just small, small dots to those area to give a nice mountain detailed effect. This small dots will appear like trees on the mountains. So just the smallest small dots and lines I'm creating randomly all over. It's just that we need to use proper amount of color and water to paint the painting. This is the main thing that we need to take care while we appending. Gosh. So this is just random lines and dots. I'm creating urine. They're all using the same color now I'm outlining that snowy area that does the landscape, but the same color. Now, I'll use drop-off black color. I'm just mixing more black to it because I want to darken up that trees which are at the bottom of the mountain. So just creating small random dots and shapes create a bushy effect to it. So whenever you are using any sort of detailing, ladies always tried to use your liner brush or rigger brush. They give a very nice texture and detailing. Do it. You can use round brush also, if you have the smallest sized round brush. But I feel more comfortable using this rigger brush. Because you can see it has long tale, but you can easily use it for just just creating, wanted to create those. So guys, don't forget if you are painting these two paintings or any painting, whichever this one or that one, do tag me on my Instagram, that is more any art gallery. I would love to see your projects over here. And as well as over D Instagram page. If you have to just giving random dots, creating a grassy texture. So just mocking the areas where I need to create those pine trees. And after that we'll be creating the leaves. So now this is done. Now we'll be creating the leaves jam, just wetting my pink little bit more so that it becomes nice and fluid form. And I can easily create the details. Because when the pain just take, you cannot create such details. The binned has to be a little bit liquid form. Then only you will be able to create such details. And now we are creating the leaves. Same technique I'm using web, which I have used over there in the first painting. But the difference is that the VIF was created the triangle and then we created this. But in this we are just creating those random diagonal lines. So just enjoy the process of drawing the pine trees. Yes. 14. Chilly Winter Tree Detailing Part Two: Each and every painting has their own unique style and beauty, which takes a lot of effort and patients. So you can see I'm just creating random lines and just creating that leafy texture, which is just smaller dots and specially at the center. But I'm creating little bit more dense area so that the line that the drunk is not very visible. That needs to be a little bit more dense with leaves. So I'll show you how I'm creating those leaves in separate Paypal. Let me finish this first. Now, same technique for these small ones also. Just need to give the shape of that binary, that triangular shape budget comes out. So let's see how this tree texture will come up. So I'll show you one g, how we are doing it and the rest you can do for all the trees. I'll just show you how you have to do it. Does create one line and just small random dots and lines I have created. I hope it does quite visible to you. Can see just small diagonal lines like the leafy structure which I am trying to create it. You can see just small lines, slant lines I'm creating over there. You can also create these pine trees using Guam brush, fan brush that gives a different look. And when you are using this rigger brush, it gives a different look. So different, different buying brush painting. You can do with the different brushes. All of them creates a different pine tree look. So you can see I've just created a dense spot in the middle. So same technique here, I will be using for the rest of the trees. So just enjoy the process and have a cup of coffee or tea, and then stopped doing it slowly. So you can see the almost done with dead just do three more. Binaries are left. And this tree, which I'm creating, you have added a good bit of that yellow texture. That many yellow because I don't want it to be completely black. Because of that sunlight and reflection, it has to unintuitive bit brownish, orangey shape. So I've just added as we go down more black, so above it as more light color. And as we go down into a blackish color. So you can see those 23 creating with same color. Just loving this. I hope you guys are also enjoying it. I would love to see them. So again, I am starting with the delight, that is the warm color. And as we go down. So I feel colorist take you can always add some amount of water to make it liquid form. Because we need liquid to flow through a precious thoughts and sharp lines. You'll not be able to create videos. Yes. So mostly background and the upper portion is almost done. Now we'll start doing that is a foreground to create a more realistic look and more texture. So this is done. Let's start with the second. 15. Chilly Winter Foreground Detailing: Welcome back. So now let's start with foreground detailing, so forth. Foreground detailing, we'll be using your brush and I'm completely using the dry brush. I haven't applied any water do it. And I'm just adding ultramarine blue and hot pink white to create a nice texture to it. A little bit more of white. I'm just starting with dabbing the brush. You can see I'm not pressing it hard, very light and gender press that you need to do. And the line which divides the do landscape, I'm just making a little bit more visible with the dot technique. So this texture gives a very nice look to these no, bought. This technique we have also applied and the previous painting also. So same technique here I'm using. And I'm adding little bit more of ultramarine blue. And again, doing the same thing. I'm not filling the entire area. I'm just randomly leaving some areas and dabbing the brush. So you can see how nice the texture is coming up when you are leaving some areas and just dabbing the few areas gives a nice texture and snowy look to that landscape. Just don't. So now we'll be adding a little white to it and a little bit of black because I need a little bit darker to create that effect below. So I'm just adding little bit of white to grayish color. And here I'm not dabbing the brush. I'm just using a dry method technique and removing extra color. I'm just moving the brush downward to create some lines, random lines. It gives a nice texture to that area when you're using this crystal brush. As you can see. Same thing I'm doing for the below, which is D shadow bot. So now we'd be doing the outlining. That has been my same rigor brush that I have used for creating those pine trees. Same brush I'm using and adding water to black because quite dry it off. And another liquid form just the same, divides the shadow. Just outlining. So it's just a division between the shadow and the upper landscape. I'm adding just a little bit of blue and white to it to give a nice outline to the upper area because I don't want it to be black. So I'm just outlining. Now again, using my brush, I will be creating texture. So just make sure that your brush is completely dry. And I'm using that black color. And just creating texture. To the below. Shadow I just created. You can see that small, small d dealings create the paintings such beautiful and just creating small, small details that did and it does adding beauty to this landscape. You can try this out using acrylic paint also using same method. Now again, taking ultramarine blue and white mix. Just an outlining that snow which is above the river. Just to mix and just highlighting the doors. That's it. Now again, using my brush to create more texture to the area of just using white and just creating small dots. Just using white and creating smaller textures to that area. Just draw white without any water and just dry brush technique I'm using here. And I'm creating small white dots all over the land. Most company adjust the shadow part is left. Does the shadow of the binary that just reflecting on the left. The dating is done for the foreground. 16. Chilly Winter Final Detailing: Welcome back. So finally, last part of the painting that is the binary shadow with tweeted be creating. Here again, I'm using that color, that orange and black mixture. So just creating the lines just above the tree. Just for pine trees, I will be creating. And same technique which I have used earlier for the pine tree. Here also, I'll be creating this shadow effect. Feel facing difficulty in creating the below shadow. You can just don your row to the other side and then start creating that tree. That will be more easy for you. I cannot donate because I've just taped down and with masking tape on the surface. So it does difficult for me to done that out. So you can do that. That would be easy for you too. So this is my, gosh. I have shared to you on my Skillshare class, meaning paintings which I have done using wash technique. You can check out my Instagram gallery for more videos. I have many other classes also regarding acrylic painting. You can check that as well if you like landscape painting. Now, again, using my brush to brush, I'll just take little bit of ultramarine blue and white and just create small dots in the lower ground. And you can see there are some black lines which are coming in that area, that Riverside, which I don't want it. So I'll just take again that seem to jive used fought that river and I'll just go with that. I'm just covering that area. Make sure you're doing it properly at the ways you would again, mess the whole painting. Because this is water soluble and it's very difficult to when you are doing it. So make sure you're doing it very carefully. I'm just adding the same thing as most complete. I hope you liked Both of my paintings. So almost done. So this is almost complete the painting. Let's take out the masking tape and see how it looks. So. So this is a smaller version of painting which I did earlier when I was practicing. So I'm just taking out the masking tape and let's see how it looks with a nice white border to it. So you can see you have to take it out very slowly. So this is the complete painting. And let's see the other painting also. So these are the two paintings which we have completed. And this whole lesson, I hope you liked it. And thank you and have a nice day.