Poster Color : 10 Days Of Poster Color Painting

1. Intro: Art is healing because it forces you to forge a connection between your mind and your body. Hello friends. My name is more unison, and I'm an acrylic artists from India. So today class is going to be very special. So it's, it's related to level class, which I will be teaching. And it's different medium. Apart from acrylic, I mostly teach and acrylic medium, but this time I have brought for you something new medium that is posted. Yes. Who stutter is the color which we have been using since our childhood. And it's like, gosh color, you can say poster colors, which we, which is student base color. And if you are a beginner in any medium and you have not tried any medium, I think you should go for the poster color mediums that are very good and it creates a very nice effect, same as that of gosh. So yes, this whole class will be all for ten different landscape paintings. And each day I will be publishing one painting. We'll start from the basic level. And for the tenth painting that will be intermediate levels. So as we slowly increase the level of the painting. So we'll start from basic and then slowly, slowly will go for intermediate level and the cupboard of advanced level also. Likewise, we will be painting the ten paintings. I hope you will like these class. So in this class we will be learning how poster color is different from the gosh medium and how they are unique also in other way. And say, we will be seeing the difference between them. And these ten beautiful paintings, which we'll be doing. Let's start with our first painting of the day. And slowly we'll be posting a one-by-one the paintings every day. So let's start with. 2. Materials Required: So welcome back. So now let's discuss about the materials which we will be needing for completing these ten paintings. So first model is the brushes, these are the pressures which we'll be needing. Then comes the poster colors that as the gambling poster colors than the paper that is 300 and GSM. And then the tissue paper for cleaning your brushes, then the palette. After that, the water container, and some masking tape. And apart from that, the pencils and scaling. 3. Gouache Vs PosterColor: Also, let's see how these two are different. That is caution poster Carlos, how these two mediums are different from each other. So as you can see, this comes in a bottle and this comes in Dubai and water both. I'm just taking out first the gauche color and let's see how does thickness and how this medium is. So you're using that brushstroke, gosh, color. Both the colors are same, that it's really in blue. And now I've just dip my brush in water. I am using this color does civilian blue and just trying it on the 300 and GSM paper, that is 300 GSM watercolor cold press paper. And you can see how the color is. Just use water on my brush that set apart from that, I haven't used any water. Just using this tick tick nice color and it's really highly pigmented color. You can see it's quite opaque also. So nicely that are blocked in the color. So now let's use the poster color from calmodulin and how it is. So let's take out this post-doc color I'll be using in this same jar. And I'm just dipping the brush in water and I'm just taking out this color on my brush. So you can see I've taken too much mount of fellow like I've taken for that gosh, medium. And now you can see these are also very soft colors, but these are not so opaque as that of the gauche mediums. So these are Quaid, less opaque. These are opaque but not as opaque as that of gosh mediums. So these actually student grade colors, which are quite soft and creamy colors, you can say both are very soft and dreamy, but those are medium is quite opaque. As compared to these poster colors. As you can see. This is the main difference between the cosh and bolster Carlos, supposed to colors are actually, or they, or both are opaque. But you can say this is student base and that is more artist based colors. So let's take out the tape and see how this very slowly just take it out because there are chances of paper coming out when you need to take care of it. So you can see these are more opaque and these are less. So both are matte finish. This is student based. And the other one is Little. Highly high-quality. You can see the artist base colors. Highly pigmented. These are more opaque. These are sort of less opaque. You can say it's not translucent Also it's less opaque. And these are water-soluble. Water reactive. This is also water reactive. I feel like poster colors are more reactive to order than gosh. So these are the difference between poster color and gouache color. You can see. 4. Palm Tree Background Blocking: So let's start with our first painting of the class. So these are the colors and brushes which we'll be using. Beach, black, white, magenta. So these four colors, apart from that, these brushes, the splat, rigger brush, fan, brush sponge, palette knife for mixing the color. So these are the brushes and these two tapes, masking tapes from empty. The ballot caused the palate. And the base is 300 GSM paper, which is A4 size, cut into four sizes. And these are the colors which I have just taken out. So let's now first base to the masking tape. So these are the colors, as I have told you earlier, and I will be using this knife. So let's start first pasting of the masking tape. So the thinnest one, I'll paste on three sides and on the lower side I'll paste the thicker one. Give it a nice polarized form of paintings. So that's what I'm doing. I'm just pasting it nicely. So that gives me a nice border to this painting. So Bayes did very nicely so that there are no gaps and in-between. The biggest size one on the lower end. Ones, we are done with the pasting and everything. We'll start with the painting. Let's start first with blocking. That is using flat brushes for blocking the background. So just dip the brush in water. Just that much amount of water we have to. Because these opaque colors and we want opaque colors only, we don't want it to be watercolor. So just take your white and mix it with this magenta color. And we'll start from top. First applying the darker color. Now you can see it's already dried, so I'm just adding little water to it, which you should not add too much water. Water is only needed for blending the colors and when it is dried. So as you know, these are water-soluble and you can easily use water to make it again soluble. So when it is getting dried, you can add water to it, but don't add too much water so that it becomes like, Oh, watercolor effect. Because these are not watercolors, these are opaque colors. So we need to use it like that only. Again, I'm mixing more amount of white to it as we're going down. And just blending the colors also together. Now I'm adding little bit of peach to it. And again, adding that color and slowly blending both the colors also, blending is, is important when you are doing the background. Again, adding more of peach and moving downwards. So likewise I'll be adding more and more of pH and we'll be moving till the end. So that gives a nice contrast from darker to lighter color. So this is the background sky which we will be doing enough was painting. This is a very simple painting, which I'm doing here. And now you can see I'm adding just complete peach. I'm just trying to blend both that colors. Just mixing both the colors. And now I'm adding a little white to the speed so that becomes more lighter in color. So again, adding peach. When you're adding lighter color, wash off your brush because there will be chances that there's some magenta color is there on your brush. So that you have to take care when you are using poster colors because these are not acrylic colors that when it dries and you cannot remove the colors. These are water-soluble colors. Even after drying, you drop just one single drop of water and it will be soluble. It can dissolve easily. So you have to take care of that. So you can see the nice background has been created. Now we will be drawing some trees and grasses on that. So we'll be using though that black color and our rigger brush for creating some nice trees. So we'll wait for it to dry. And then we will start with the tree, but just make sure that you have done all the corners properly, so that gives a nice border. So that's what I'm doing here. So we are done with this background. Now we will be doing some palm trees. 5. Palm Tree Final Details: Now let's start creating some palm trees. Palm trees here I'm using my rigger brush for creating such trees. Let's use black. I'm just liquefying the black and then I'm just creating this straight line, as you can see, first using the tip of the brush and as I'm going down, I'm pressing my brush. So likewise, when you press your brush, you can create thick lines. So this is one technique of creating some nice palm tree trunk lines. Straight. Start from dip pen as you go down, just press your brush so that you create nice lines in one go. So when you go start from the tip of the brush and slowly, slowly as you are moving downwards, just press your brush. This is how we can create some nice straight lines for the palm trees. So these are some different kind of palm trees which are mostly found in desert or some desert area naught in the area, the area palm trees are different. But these palm trees are mostly seen in the desert area so that those palm trees I'm trying to create. So what I'm doing here is I'm just creating a triangle shape of it. And the ends are some zigzag form. So I will create something like five of them of same different directions. Then we will fill it with black color. So similarly I'll do for the other triangles also, I'll just fill in this with the black color. So you can see I'm just filling this block with black color and making little taken in the center. So again, we will be doing for the other triangles also, at least will create five palm leaves. As you can see. I'm just creating the structure of it. It is not a complete palm tree. I'm just creating this rupture and then we'll be creating some leaves. So just you can see I'm just creating these structure that is the triangular shape. And I'm just filling this shape with black color. So similarly for the last one also, I'll be doing the same thing. Makes sure that you are black color is in fluid form so that you can create fine details. Whenever we are creating any fine details, it should have to be in fluid form. The color has to be it not too much of fluidity so that the color value, color pigment Z, or the color pigment gets degraded. You have to use that matter, that much amount of water that is required to mix the color and to create some fine lines. Likewise, here I'm using another brush rigger brush, which is of smaller size, that is two by zero. And I'm creating some nice lines. You can see some nice lines coming out of that triangle. And same in the other directions. Two directions changes, but lines are all the same. Again, see these are different types of pine trees, which is mostly seen in the desert area. So same thing we will be doing for the other two trees also. So the first painting is quite simple painting which I have chosen so that you can easily draw it. And you can easily get into the hand movements of the brush because we will be using same brush in most of our painting. So this is quite simple painting and simple basic painting which I'm just trying to teach you guys. I hope you are getting it. Whenever you are using poster color, don't use too much amount of water in it. Use only that much amount of water that is required for blending the colors and for mixing the colors, only that much amount. So this is one of the most important thing when you are using the poster colors. Don't use poster colors as watercolor. Don't add too much water in it. And one more thing, these poster colors are water-soluble. It's not like acrylic colors that when it dries and if you drop water on it, it will not come out. This is not happening in poster colors. Poster colors are water soluble. So even if it dries and if a drop of water falls on your painting, your whole painting will ruin. So we'll make sure of that. It is just like a gouache medium, like when we use water on it, it will automatically be soluble. So make this keep, just, just keep this thing in mind so that and to protect your painting, you can laminate this or just frame it. Now you can see these beautiful three trees have been created. Now I'm using my fan brush and little amount of water in it. And then just moving the brush in the upward direction. So I think it's quite dry, so I'll just add a little bit more color to it. And again, I will move it in the upward direction to create some nice glasses. I'm just using the tip of the brush to create these grasses. So using the complete brush, just the tip of the brush to create the grasses. So just adding little more water to it to become more fluid. And again, you can see that it's Dr. vectors coming. So I'm just adding little water to it, not too much water. So that the color and just trying to create some nice grasses in different directions. So that's how you have to also do it. This is our first project, off the painting which we'll be doing. And I'm using here this point. So close sponge and my white has been finished values more white. So I'm just creating this round circle, like a moon on the moon or sun you can see on the top of the tree. And again, I'm just taking a little bit more white and moving in a circular motion. And now I will use my rigger brush to create some nice so cooler moon in the center. So you can see my color has already dried up that white color. Just creating in the center. And some dean little bit more white to it. Because I want a little more dark because my white color has already finished up. I'm just taking just draw white without mixing any water. And this is it. Now we'll create some birds flying in the sky with my same rigor brush. Just do three birds. Flying birds, just to be shape. And this is a painting is complete. Our first painting, very simple, very easy painting. Let's take out the masking tape and see how it looks. So we can see how masking tape is important to create some nice borders to it. So our first painting is complete. So this is your first project. So let's start with a second. 6. Valley: Hello friends. Welcome back. So let's start with the second painting. Let's start just a rough sketch off the mountains with a pencil. So there are 23 Mountains which are overlapping one another. So I am just drawing a rough sketch of it. Very light gets you need to draw. You can see the two mountains which are overlapping and one on the other side. So this is the sketch and we're done with the sketching. So now we will do the painting buds. So let's discuss about the colors. Burnt sienna, yellow ocher, cadmium orange, cadmium yellow to Daniel, white and black. So these are the colors which we'll be using here. So for blocking the color we are using the flat brush. So just dip the brush in water. Only that bunch of underwater we need to use it. Then take this yellow ocher and mix it with little yellow and a little bit of white. So we'll start with the blocking of the background. So you can see it's already dry, so I'm just adding little water to it. So just adding more color, two-word. Again, applying the colors from the top, starting from the top. And we'll go down just using the same flat brush which we used in the previous painting. So just applying the scholar in one direction in a horizontal manner. And so just taking now orange and this mixing little orange, yellow, again applying the colors. So in that case you need to do the blending also. Just wash off your brush, remove excess of water from your brush, and then start blending the colors. This is how the blending is done, even if it is acrylics or it is cosh, this is the way how the blending potters done ceramic mixing little white also to it. And just moving it in the downward direction. And trying to cover this entire this background area. So as we're going down, the color value changes, it becomes more lighter. It's a very simple mountains cave painting. You can say these are lots of mountains are there. And currently there are only three mountains which we are depicting here. This is the background of painting which is almost done. Now we will take this fan brush and just this burnt sienna. Applying it on the brush and just using the tip of the brush to create some mountain textures on the top. I'm not covering the entire thing with this brush. I'm just creating some textures on the top so that it gives a nice look to the mountain. And then the same flat brush I'm just trying to blocking in this upper mountain with burnt sienna. You can use smaller flat brush also for blocking this area. So once this is done, we'll do the other mountain that is adding little bit of yellow ocher to it and just covering this other side of the mountain. So this is mostly yellow ocher, which I'm just playing. Little bit of one CNAs, they're just on my brush and I'm using just yellow ocher. And covering the other side of the mountain. Then comes the lower part. So for the lower part, before doing that, just creates, let's create some textures. Same on the other side of the mountain, which we did on this side. Then we'll do the lower side of the mountain. Just taking black and just covering this area. But black color. So whenever you are taking the poster colors, take the colors, don't use, don't mix too much of water in it, otherwise, your whole color will be ruined up. It will not create that quality of colors, so you have to use very less amount of water. Now you can see I've done with the blocking part, that black color. This three mountains are done the blocking part. So now we will create some more details to it. So just taking this liner brush, that is the rigger brush and creating some more lines on top of it to create some nice Dustin or three textures. Just using this brush and creating some lines. You can see some different lines on that big, some are small. So I'm trying to create like that using the same that burnt sienna. And as I'm going down, the size of the lines decreases, it becomes little smaller. Just applying it in between also to give some textures to this mountain. Now, on the other side, we'll use be using the same technique. I'm just mixing water into the Scala because this color is already dried off and just applying a little bit of small, small lines on this side. So very small, small lines and textures I'm creating on the other side are using black and creating same textures, same lines, some are big, some are small. To create a nice or treeline area you can see. So we'll be covering this entire, this black area which is going diagonally. And as we're going down the lines, the size of line decreases, it becomes more smaller in size. So these three mountains are done. So we will create some more details to it with this round Sponge brush. I'm just taking this bond Russian adding a little water to it because my wife has dried off, so just creating some sun over the area above. Just taking adding more water and just creating some nice Don't take too much of water. And just using my sponge, I'm creating the sun and the center of these two mountains. So this is it. You can see how just moving the brush. Now, once this is done, let's add a little bit more white to it. Just the row wide without any water. And I'm just creating a nice circle as we did in the previous painting. Also. Dust, nice circle to it with desk drawer wide without using any water with our rigger brush. So we can see how the effect comes up when you use that sponge. Now with my same rigor brush. So we'll create birds that are moving in group, like in the area which is in between the sun and the mountain, just reshape. And we are done with this painting. You can also create some trees if you want. On the upper side, like falling palm trees or if you want more detail into it. But I'm leaving it like this only. My painting is almost done. And we'll just take out the tape and see how it looks. So let's take out the tape and see how it is looking. So this is a very simple painting where we have used two colors for blocking the background and the mountains soil. So you can see how nicely the border has been created. So this is it and our painting is complete. 7. Pine Tree: So let's start us next painting. So this is the colors which we'll be using, black on blue and white. And the same size sheet am using here. And these are the brushes, same brushes which we have used earlier. So let's start with the blocking first. With our flat brush. I'm just dipping the brush and water, as you can see. Just taking this cerulean blue and applying on the top of it. So just applying a thick coat of surrealism blue on the top layer. And as we will go down, The, We'll add more depth to it that is more white to it as you will go down. So we're creating a nice value from the darker one to the lighter one. Now, again, I'm taking this blue and mixing little white. Too weird because as we're going down, we're adding tint to it. I'm just adding little white to it and I'm just trying to blend both the colors. Whenever you are blending the color, always move from the lighter, too dark position, not too dark to light. Otherwise you will mess up whole background value. So always try to move from light to dark. So I'm just trying to blend also as I'm going down. In poster color, blending is quite easy because it is, you can always read. So you can see just doing the blending part. So blending is easy because since these are water-soluble, so you can always reactivate those colors, right? So that's why it is easy to blend the colors. But this is not in the case of acrylics and gouache also, you can reactivate the colors. So that's why blending part is easy and gosh as well. So you can see I'm just moving the brush and trying to blend the colors. Now you can see my white as financial off. So I'll be needing more white. But before that, let's create the mountains is on same am using same brush and raw blue color. And just trying to create a nice mountain. So I'm actually creating the mountains one over the other that they are overlapping each other. So first blue color. Then as we go down, the color value increases. So I'm just adding little black to it that is, in some already creating shades. You can see by adding black. When we add black, it called, we call it as a shade. That's what I'm doing over here. I'm just, I've just added a little black to it and I'm just creating the mountains overlapping one another. So when you haven't, you must have noticed that when you come towards the foreground, color value increases the darkness. So that's what I'm trying to create over here. So as we're coming towards the foreground. So the darkness of the mountains will also increase. So again, I will add a little more amount of black to it to increase the darkness of the color. Or you can see the shade different, darkens the shade of the color. So I'm just, you can see, I'm just using the tip of the brush and filling up the color. This is how we can use a flat brush for creating some nice mountain ranges which are overlapping one another. Now comes the next mountain, jaundice, more black. I have added to it, as you can see. And I'm just creating this mountain range, which is on the lower end. And finally, we are done with these four mountain ranges which are overlapping one another. So once this is done, now we will be creating the pine trees. So that is, this will add beauty to this painting. So here I'm using my same rigor brush, a little bigger size, that is size one. And I'm just creating the lines as we did earlier in the previous paintings when we were creating the palm trees. So here we are creating two pine trees, as you can see, with one bigger and one smaller size. Now we'll start creating the leaves with the brush, with the same liner brush, just making it a little thick. Now once these lines are created, we'll start creating the leaves. So make sure that your color is in liquid form when you are using, when you are creating these palm trees and creating some nice free textures. So what I'm doing is I'm creating dots and simple dots, not in random directions on both the sides. So my motive is that to create a triangle as we go down. So you can see I'll keep on increasing the size of the leaves as we're going down. Because most of the pine trees are in a triangular shape. So that's what I'm trying to create a where you can see I'm just creating small, small dots and increasing the size of the leaves. So this can only happen when your color is in liquid form. So make sure that your color is in liquid form. Not take. Otherwise you'll not be able to create such small, fine details of your trees. This is one technique of creating simple pine trees. You can see there are many classes in which I have painted different types of pine trees also. So you can check that as well. So as I'm going down, I'm increasing the size of the leaves on both the sides. So that gives a nice triangular shape, Lakes deep triangular shape. Actually, I really love creating pine trees. So in most of the paintings I do create pine trees, especially in whenever I'm doing any landscapes. So I think I really like creating pine trees. So I hope you guys will also enjoy while you are doing while you are creating such pine trees. I'm just using the tip of the brush and just creating these lines and dots in random fashion. So I will not go towards, till the end. I'll leave some place for the tree trunk also. Then little bit lines and stems in between. I'm just trying to create that. So this pine tree is almost done and we'll go for the second one. So same technique we will use for the second pine tree, just creating small, small dots. And as we are going down, the size of this tree, leaves will increase. This background I have created with blue color. You can drive a different color also with purple or magenta, but any color and you can add same neutral color, like white and white and black. And you can create different, different backgrounds of the hills and all of the background of this guy. It's not necessary that you have to create with blue color only you can create with any color, whatever you like. It's just trying to teach very simple painting, which not only looks beautiful, but also gives a natural look of the landscape as you can see. Just done with this tree also. So some lines here and there. Now, all this to pine trees, almost complete. So now what we'll do is we'll create some grasses with the same brush. Just some lines. You can leave it like this without creating any grasses or you can draw it. It's up to you how you like your painting to be done. I'm just creating small, small grasses in different directions I'm trying to create. So now the spot is done. So now we will take our fan brush and with the tip of the brush I'll try to create some textures. Some more grasses with this flat brush so that it gives more nicer look to the grasses. This brush is actually very good for creating grasses three textures, anything, especially the Bristol fan brush. So now let's take out the masking tape and see how it looks. You can see a nice border which is being created when we use this masking tape. Finally, this painting is done. I hope you enjoyed doing this painting as well. So do share your projects work. I love to see that. 8. Misty Forest Background Blocking: Welcome back. So let's start with our next painting. So these are the colors which we will be using here. So first is burnt sienna, yellow ocher, lemon yellow, white, and black. So these are the colors which we will be using. So here we are painting the misty forest and same brushes which we will be using, which we have used earlier. Let's start just dipping the flat brush with water and taking this burnt sienna and first applying on the corners. So as we move towards the center, the color value changes with dark to light. That's what we have to create. The corners are dark, so we have used burnt sienna on both the coordinates. And this is in portrait form and we are moving the brush in the vertical direction. So likewise, you have to move your brush in the vertical directions. So now we will use this yellow ocher. Again, apply this on the both the ends and we'll try blending mode the colors. So I'm just, you can see I'm just trying to blend both the colors. Because blending is also very important when you are doing such type of painting. On both the sides, you have to apply and you can see how the color is thick. I've not put so much of water in these colors. Water is only used for blending purpose, that's it. Otherwise, I'm not using any more amount of water in it. So it's just like gosh, like gosh, we use the colors, same thing, we have to use it. So now what, Now this lemon yellow on both the sides and I'm just blending the colors. Blending should always be done from light to dark. And it should not go from dark to light always from light to dark. So this way we have to do the blending. So this is blending is being done in vertical directions. Just moving the brush from up to down and again down to up. So likewise, I'm moving the brush and blending the color. Now, let's start the center part. I'm just washing off my brush, taking white color and applying in the center. Now, again, I'm trying to blend with this lemon yellow. You can see how the contrast is from light to dark on both the sides. So does background part is almost done and we will be now creating some trees, which are background trees. And there will be one front tree that has the center point on which the whole painting is being focused. So both the sides, I'll create the trees. So let's start first creating the trees. For creating the trees, we need the darkest color, not too much dark, but yes, we'll add burnt sienna. Will just take burnt sienna. And we'll start creating the lines. It's not compulsory that you have to create like same straight and stream size lines. It should get can be different sizes. It can be in someone bending or should not be required that you should have to create like very straight lines. It can be thick, it can be thin, so trees have different sizes. So you can do that also. You can see I'm just trying to create the background trees with stems. So slowly, slowly, I'm just adding little bit yellow ocher also do it to make it more light when I'm coming to the center part. So that's what I'm trying to do here. From dark to light, we have to move. You can see, you can also try this and gosh as well. Same technique you have to use, like you use when booster colors. Same technique you can use for gosh, all sorts. It's not like only you can do with poster colors, but also same technique with gosh color. You can try it out. And even you can create different shades of the background. You can use blue and yellow, you can use green and yellow and white. So different, different shades you can create. Even you can use magenta colors that will also look very good. Magenta, blue and white. So that will also look very nice. So different shades you can different values you can create in the, at the bottom, at the backside. So you can see the trees are not of same sizes. I've tried creating it in different shapes and sizes. And now I will create some stems. So whenever you are creating stems, try not to create like a straight line. Try to give us exact motion to it. You can see I'm just using my liner brush and trying to create those stems here and there that are coming out of the branches. So as I'm going this inside, so I'm using the darker color. So likewise, we have to create the branches. Take your diamond, do it very slowly. It's not like in a hurry you have to do where you can take your time. So this is a recorded video. You can pause it and you can do it, and then you can start it. So no need to do it in a hurry. Take your time and do it very slowly because when you do it in a hurry, all your paintings will ruin. So take your time, take breaks, and then try to do this painting. So this is a ten day painting. You can take 20 days, just fine. You can take two days to complete one painting is not necessary that you have to complete it in just one day. So again, see how I'm creating some stems here and there. But these are not straight. These are like zigzag form stems which I'm trying to create. Now once we are creating this background tree part will create the main tree which is in the center. That is actually our center point. So I hope you guys enjoying this, doing this poster color painting. You can see a background as ready. Background trees are ready. Now, let's start with the main tree. 9. Misty Forest Final Detailing: So now let's start creating the center tree. So you're just, I'm mixing black with this bond C, and I don't want it to be totally black. So I'm just mixing this bond C and a very little amount. And then we'll create this centered tree. So here I'm using again my rigger brush to create the tree part. So if you're not comfortable directly using black color, then try to first create the rough sketch with your pencil and then blocking it. So I'm doing it directly, but you can, you can always draw and then you can paint it. That is also fine. So you can see I've just drawn drawn the tree trunk and I'm just filling this with black and a little bit of burnt sienna and this color. Just trying to create nice tree trunk. Now we will create some stems which are going outwards. So whenever you are creating any stems, makes sure that the origin should be thick and as you go further, it should be ten. This is how we create the three branches and stems. So thickness should start from the origin, that from where it is starting. And as you go towards the end, it should be thin. Far as what I'm doing is I'm just drawing a rough sketch of it where the line should go and then I am just thickening these lines. So that's how you can also do it. But if you're not comfortable directly drawing it with the black color, always try to draw with your pencil first, and then you can draw or paint this with your black color. This, you have to do it very slowly because it takes time. If you're doing, if you will do it really fast, there are chances that you can spoil the tree structure and there could be some thick lines and thin lines. Draw it very slowly. Take your time, take breaks and then draw it. If you are done with the background part. If we're not willing to draw the tree part, liver droid next day, it's not compulsory. They are. Do you have to do it in just one single day? This is how you have to. This is how we can also build patient's level. As you can see, this is how I have my patient's level because I also used to do it very easily, very fast when I started my painting, then slowly, slowly. When I started doing more and more paintings every day, I started learning to gain patients. And I started to do not only just one painting like I have to complete it. If I'm not in a mood, I was I leave it there only and then again, I start the next day. So this is how you can also try it out. If you want to go with the painting and you are a beginner and you haven't tried. It takes time. Even if it is not coming perfectly, it's fine because in one goal, if you are a beginner, it, it happens that it should not come like this. But with practice, it will definitely improve. You can see I'm just using the tip of the brush to create fine lines. So when you are pressing the brush, you create thicker lines. When you have to use the thin lines, you just have to use the tip of your brush to create some nice fine thin lines. So the more and more stems and two eggs you will create, the more realistic the tree looks actually. That's what I'm also trying to do it. We started with a simple painting. And as we are moving towards the paintings, more and more paintings, which will be intermediate level. So this is what I have made this class for. So to start, from easy to let tell, beginner and intermediate to advanced level. So I've tried to do this so that it also gives you a practice to how to hold your brush, how to use your liner brush. And I haven't used so many brushes, I have just used 34 brushes so that you can also use only 34 brushes and you can paint it. You can see the more and more stems you create. It looks more realistic. Now, little leaves, little dots, are there, small, small dots? I'm just making small small dots here and there to create. It should look like, okay, these are small, small leaves. This is not completely blank. Stems are there only their leaves also in-between? Just dots here and there. So now let's use this yellow ocher and create some textures. Some lines. Just adding little white to this yellow ocher and creating some nice lines to give a nice texture to the tree trunk and the branches. You can leave it like this also, but if you want it a bit more realistic form, you can add these textures to give more realistic to the trees. Just giving an adult shape to this tree. So now there's three partners, almost done. So let's create some grasses. So you can see I'm just moving my brush in the upward direction and creating some glasses. These glasses you can also create with your fan brush also that also you can use for creating the grasses. So both the sides you have to create. This is De Forest. Painting is almost complete. If you're not comfortable using liner brush create, using the fan brush as we did in the earlier paintings. You can do with that also. I've added little yellow and white and creating some nice dots. But just take white little bit more. And then small, small dots to create some flowers effect. You can see this painting is almost complete. We will take out the tape and we'll see how it looks. Let's take out the tape. So I hope you enjoyed doing this one also. To share your project works. I would love to see them. This is our complete painting. You can see how nicely the border looks when you put the masking tape. This is it. Thank you. 10. Magical Sky Background Blocking: Hello friends. Welcome back. So now let's start with our next painting. So for us we will be doing the drawing part and then we'll start with the painting. So I have just taken my pencil and we'll just draw the mountains. That's it. That is the only drawing which we need to do it and after that we'll do the painting. So these are actually overlapping Mountains which I'm trying to create. So this is the first one. Then the second one. You can see I'm drawing the second mountain and then just creating some lines. I'm not trying to create very straight lines because mountains are nevertheless trade. And this is the third one. So just this much sketching and we are good to go with the painting. But finally, as sketching is done, now let's discuss about the colors which we will be using for this painting. So these are the colors. First is black, magenta, cadmium, orange, purple, cobalt, blue, white, and lemon yellow. So these are the colors which we'll be using here for doing the painting. So let's start with the painting. So I'm using my flat brush and just wet my breath flat brush and I'm directly using the color. So I've just taken ample amount of color in my brush. And then I'll apply on the top part of it because we are first doing the background part. And then we'll go with the mountain then part. I'm just applying the colors. Try to again, I'm adding little more of this purple and white to red because I want little purplish shade also do it. So should not be completely blue. So I'm just adding little bit purple also do it. I'm just blocking in again that top part. And as we go down, the colors will change. So I'm adding more white to this purple color and a little bit of cobalt and more of purple. So I'm just adding little bit of white to it. And again, I'm just applying another layer. And simultaneously we will be blending the colors also because blending is very important when you are doing the background part. You can see I'm just doing the blending also. So water is only needed when blending needs to be done. That's it. Otherwise we have to use very less amount of water. Now I am adding little bit of magenta to this, this purplish shade and little bit more of white. Little more magenta, again, another shade. So you need to do the blending simultaneously when you are blocking in the colors. If your brush is getting dried off, just add little bit of water on your brush, remove extra water, and then again start blending it. So this is the technique of blending any painting. If you're using gosh, if you're using acrylics or any other colors. So this is the most important step of the blending part, which everyone should do. Again, adding little white to it, magenta and little water because my color is getting dried. So I'm just adding little water also. And now this cadmium orange, I'm adding little more water to it because I want my colors to blend. If your color is getting dried off, you can always reactivate your color by adding water. So we can see how this color value is changing from dark to light, but with different or colors. So they are mixing so many colors and creating some beautiful values to it, some beautiful colors you can say. So. Likewise, we also learning some mixing part also. So now I have mixed here this cadmium, lemon, yellow and white and orange. So three colors I have mixed here. And I'm just applying, makes sure that you don't do the mountain part. Because otherwise the color will change when you will apply blue on these mountains. So take care of that because these are post-tax dollars and they reactivate very fast when it gets in touch with water. So make sure that it is not going inside that mountain part. So do it very slowly. Take your time and complete this background, but you have to take care of this as does not acrylic. So you need to take care of that attitude, not go inside this mountain, but otherwise the whole color will change into green when it comes in contact with this blue color. So you can see I'm just blending also bought the colors. So once we are done with this whole background, but we'll start with the mountain pod and then some tree leaves which are falling from the top. So you can see as we are going towards more and more painting, the painting is becoming little, little complex but interesting. So I have started with the basic level and I'm slowly moving towards the intermediate level. So that does what I want to paint, so that people can learn not only the basic part, but also the little bit of intermediate level also. Finally, my background is done. 11. Magical Sky Mountain Blocking: Now let's start with the mountains. So I'm just taking a little wide because my wife has finished. So you can use always your palette knife to take out the colors. Don't use your pressures. So let's start with our liner brush. I'm just taking this blue color and it'll white and a little bit of purple mixing it with my rigger brush. This is of size one, which I'm using here. And now I'm just trying to first outline it and then I will start blocking the mountains. Just adding little water to it because it is getting dried very fast, because the summers has started over in India. The colors also getting dried very fast. So it all depends upon the weather where you are living, the dryness of the color, how fast it dries. I'm just blocking in with that same color. Very slowly. You have to do it, take your time and do it very slowly so that the colors are only on that line, area, only on that borders. It should not go beyond that because impostor colors, if the colors goes out and mix with the color and it can turn the color value. So that's why, Because it is reactivated very fast. So you have to take care of that. Whenever you are doing any layering over d, any texture or any mountains, try to use colors. If you are doing any layering over this or creating any details, you are. What I'm doing is I'm just trying to block in the entire mountains. All these three mountains are of different shades. I'm just trying to create that. And I'm slowly painting it. So most of the paintings are off like 15 to 30 min I have created. So I think this painting is almost 30 min painting. So take out your time out of your busy schedule, just 30 min or 1 h. And you can paint really very beautiful landscapes. It's not only a practice to do it daily, but also you will see your improvement, how you are holding your brushes and how you are doing it. And slowly your speed will also increase if you practice it daily. So it's very important to practice paintings if you are really serious in it. As a hobby, also known as art therapy also you can do it whenever you feel like you are getting bored or you're not feeling happy, just do one painting and you will see magic. Your mood will suddenly change. And do the painting and side-by-side listen to soft some music. And you will see the magic that is happening when painting and music combines together. Now here I've added a little black to it. As you can see, I'm just adding more of blue because I don't want it to be totally black. So it's sort of black, blue and populist mixture. So now I'm just creating the outline. And then I'll start with D blocking, just outlining it first. And then we'll do the blocking part. So I'm just adding little white to it because it's quite dark. I don't want so much dark color. So it should be darker than the upper one. So likewise, you have to create it because when we come closer to the foreground, it is much more darker than the one which is behind. So that's what you have to think in mind that the one which is near to us, that as the foreground should be much, should have much darker value than the ones which are behind. So this blocking you can do with your round brush also and with your small size flat brush also. It's not compulsory that you have to use your rigger brush only. I'm using because I feel comfortable doing this brush. So you can use any brush, whatever you feel like and you can paint it. Now you can see here I'm using my round brush to just fill in it quickly because that rigger brush was taking time. So I've used a little bigger sized round brush and I'm just blocking in the scholar. So similarly we will be doing the lower part, but that will be more darker. In summer's color dries so fast that you have to be very careful. But this is good that poster causes can be reactivated. But with acrylics, you have to do it really fast. So you can see just blocking D2 Mountains. Now the last one is left. So for the last one, my this blue color has finished off. I'm just taking a little blue color and mixing it with black. So I want a darker shade so you can see how dark cutters when you add black to this blue. So this is how the mountains have been distinguished between the, between others. So as we come towards the foreground, the value of the color, intensity, you can say it should be dark. So the mountain part is almost done. And we will now to the sun that is in between the mountains. And here I'm using my sponge, round sponge to create this nice circle with white. I've just used white here. I'm just using little magenta also because I want a little bit of pinkish also. So I've just added a bunch into two-word, very little amount. Now complete white color. To create this center part. Again, I'm using my rigger brush and just to create some outlines because outlines are missing. Just adding little white. Because I don't want one sword. Dark color. Outlining is done. I'll just use raw white. And I'll just apply it in the center. So this is how we can create a nice sun or a moon and just adding little yellow to it to the outside of the circle. So our sun is done and now we will be moving towards the trees. 12. Magical Sky Final Detailing: Okay, So now let's begin with our trees which are falling from above. This also will be using same black color. And my rigger brush makes sure that your color is in fluid form then only you will be able to create these lines. I'm just being small, small dots and lines to give a nice leaf texture which is falling from above. It is not a complete tree, but it's just branches of trees which are falling from the top. I'm trying to do that. If you're facing any issue for creating pointed leaf pad. So you can always turn your journey or you can face difficulty while creating some leaf texture. So what you can do is just turn your sheet upside down towards yourself and then you can paint it so you can see how difficult it is to paint. And you stick it. If you can. If you are using any board, you can just turn your board towards yourself. Or if you're not using any board, just remove the tape slowly and just move it upside down and then start making those leaves. Because for leaves we need pointed thing to create some nice leaves. Have just to turn my painting upside down and I'm just doing creating some leaves for college. So it's not necessary that you have to do it. If you are comfortable doing it like that only, then you can do it. It's up to your comfort level, how you can do the paintings. So it's completely fine if it is straight and you can paint it. So this is one of the easiest way you can do it while Just moving towards yourself, turning your sheet and creating the small, small leaves. So I'm just trying to create bunches of leaves without creating any tree stems and anything. And after that, you can just join it. So make sure that your color is like very fluid form. So you can see the shape should be like this, like the bunches, like ground bunches of leaves which are there. Likewise, you can create some bunches of leaves falling from the top. Similarly, I will do for the other side also. I'm just trying to fill this entire upper area. These Falling Leaves gives a very nice, so this adds actually the beauty to this painting because in landscape trees leaves a very necessary part of it. So there's all these ads, beauty to the painting. Few more details are left and we are done with the painting. You can see how I'm creating the leaves. So whenever you are creating any leaves, try to make it a bunch and as you are going down and the leaves should be less. So likewise, you have to create the leaves and it should be quite like, it should be like Goya, cork rowdy actually. So you can see, I'm just creating dots here and there in random directions. It's not same directions which I am doing. Another side, I'm doing the same thing. And after that, we are done with the painting. Just bunches of leaves. So I actually really enjoyed doing this painting. I hope you guys are also enjoying it because the sky part is very vibrant and looking very nice when you are creating some nice trees. The trees, the leaves, textures. I'm really enjoying this. I hope you guys are too. And don't forget to share your project work. It's not necessarily that you have to share each and every painting. Whichever you like, the most you can share it. I will love to see those. But if you are doing it day by day one to day ten, that will be a practice for you if you are a beginner. And even if you are intermediate, that will be a practice for you guys. So do share your project works. And this painting is almost complete. So now we will just take out the masking tape and we'll see how it looks. So slowly. Take out the masking tape and you can see how nice the borders have been created. And I love this painting out of all the ten paintings. So I hope you guys will also enjoy doing this. So do try it out. And finally, we are done with this painting. 13. Starry Night Background Blocking: So let's start with our next painting. So let's first do the sketching a little bit and then we'll start with the painting. So this is the landscape which is going from the left to right side. And then a little bit of like pine trees will be there, which will be creating directly using the black color. I'm just giving you the reference like this we'll be creating and there will be one small dent in that portion and that land land area. What we are doing is we are creating some starry nights and the tent is there. So when stars will be there. So just this tent pad does ten Dario, just top circle and little bit lines. And then like an umbrella you can see you can create like that. And then the line which is joining half of the stent, that should be bright. Actually. So I'm just giving a rough sketch to this area will be a little brighter than the above part. So this much drawing is done not more than that. We have to do it. Now we'll start with the painting. So the colors which we'll be using here is black, porcelain blue, white, cadmium orange, and chrome yellow. So these are the colors which we will be using for doing this painting. Let's start. Just black and a little bit of Prussian blue. And we are starting from the top. So just making sure that all the ends are covered nicely. Don't use too much of water when you're using poster colors. As you know, we have to use only water for mixing and blending the colors so that much amount of water is needed only on your brush. It is required that much water is more than enough. So I'm just adding white and you can see I'm just trying to blend both the colors. So as we are moving downwards, we will add more and more white to it. And now we will not add black. We have just added black on the top. So as we are moving down, we'll add more white. So from darker to lighter value, we have to create it. So you can see as we're moving down the I'm adding more white to this color. If you don't have Persian blue, you can use your civilian blue and add black to it. It will create some what like this Prussian blue type color. You can use that also. So adding more white as I'm moving down, we're just covering this whole entire area. At line part. It's okay if some of the colors are going inside those landscape area because we are using blacks where it will not make much difference even if the color goes inside that portion. So it all depends what color are you using. Black is very powerful color, so this will overpower that color. So it's fine if it is going inside that also for blending, just take little water and then start blending mode the colors. Because blending is very important. We don't want any lines in between when we're doing the blending pod to take more water, you can see my brush has dried off. So I'm adding more water to it. And I'm just blending mode the colors, trying to cover each and every area of the corners so that it is not showing off. Blending the colors and moving towards the top. You can see whenever you are blending the colors always go from light to dark. Don't go from dark to light. So does you have to take care when you are doing such blending part? Now again, I'm taking little blue because I want the blue to be there. Just mixing the colors more. And I'm going just above from light to dark portion and slowly blending the colors. You can see from dark to light value, you have to move. You can see there's a line of blue color, but when it will dry off, it will let the colors little fade off when it dries, especially in poster colors. So that's why we need to use bright colors to do the post-doc color painting. But when it will dry off, you can see that that line will remove slowly. So now let's do the tent part first. So here though, for the tent, I'm using my liner brush and this chrome yellow. And just first doing the inside part, just making it a little bit and just adding little orange also two-word. And just first doing the outer part, just outlining it. And then taking this yellow and covering the inside part. Very slowly. You have to do it with your liner brush. Or you can use your round brush, smaller size to do these are filling of colors and detailing. I can see I've just blocking in with this chrome yellow. And now we need to do the outline. Or doing that. I'm just taking black and a little bit of orange so that it becomes a little bit of burnt sienna type color. It's when you add a little black to this cadmium orange. And I'm just outlining those lines which we have created. Just outlining or taking little fight and mixing it with the yellow. Just taking a little wide and mixing it with the yellow and just applying at descender. So just taking mixing both white and yellow because I want this middle part to be white. So that's why I'm trying to create little white texture to it. This is it. And just little widen these antibodies. Now this, again this orange color and creating the lines. Now we have to do the blocking part. But first, we'll create the pine tree structure on the top of it. And then we'll start with the blocking of the landscape. So using my same brush, that is the rigger brush, I'm just creating. These are small triangle shapes so that we can create mine trees. Same with black color I'm using and I'm just creating some doll and some short pine tree shapes so that we can create it later. Later we'll give nice detail into it. You can do this with your fan brush also, but I prefer doing it with this liner brush because it gives more detail to it. It gives more realistic and detailed look. When you use your rigger brush to create such details. Do it very slowly, take your time. And of different sizes you have to create. You don't have to create a same size. So try to create all different sizes and variations so that it looks like a realistic pine trees escape. Mic's on the top. These types of detailing take time. So do it very slowly and makes water so that you can create fine lines. And as I'm going up, I'm creating some small sizes of pine trees. Because as we go far, it, it becomes smaller. Whatever object you see, it becomes smaller. So that's why I'm creating smaller sizes. Now let's create with fan brush some stars. So just taking white and water is there on my brush. With this fan brush, I'll just sprinkle white color on top of it. You can see I'm sprinkling it. I'm just taking while just sprinkling on the entire that blue surface. So whenever you are doing these sprinkling, don't do this black area first for sprinkle it and then do the black part. Otherwise again, you have to redo that black portion. So see how nicely this sprinklers coming out when you are using some liquid form or for color. So now we'll create the lower portion and some stars, like some shooting stars also we can create. Now since there's a white spots on them, so I have to cover them all. So that's why I was telling that do for us the upper bod, that Stars part and then go for the lower part. 14. Starry Night Final Detailing: Now let's start with our remaining part of the painting. So here I'll be using my flat brush for first doing this lower part. So this is cadmium orange and little bit of black mix. And I'm just filling this lower part first and then we'll go for the black part. So very slowly you have to just fill in this area. So it's actually brownish in color. You can directly use brown or you can just mix this cadmium orange and black and you can create some nice burnt sienna color with very slowly so that the color does not go inside the tent part because that is the yellow color. So do it very slowly, especially the corners of the tent. So take care of that. If you're not comfortable doing with your brush, then take smaller size brush and then to take your liner brush and then fill in those areas. Now once we are done with this part and the upper part should be with black. So just take enough of black, sewed it should be very thick color. Don't use too much water for black, otherwise, it will turn into gray and recreate some patchy effect. So take, take colors, don't take too much of water and just apply black on top of it. Again, you have to take care of that tent part when you are using black. So this painting is not like very difficult. It's easy. But you have to take care of all the details and corners so that because we are using very dark colors and this, so you have to be very careful, especially with that yellow part so that the color does not go inside that yellow. So it's better that you use like smaller size brush or liner brush. Here I'm using my liner brush to create those corners, to fill in those corners. You can also do the same thing. You can also use your liner brush to just paint the boundaries and the corners which are joining the Denver area and the upper area. So again, I'm taking a little thicker brush because that was very thin. So I'm just filling in this spot very carefully. Now once this part is done now we will be doing some more detailing. Because detailing is still left and just gives a nice outline with black color also to this tent part. So now let's start with our detailing part. I mean, detailing the again, I'm using a smaller size brush that is two by zero for creating some pine trees. Just creating lines and creating small, small lines on both the sides. So I'll try to zoom in and so that you can see it a little more clearly. So very small, small details like triangle shapes. You have to create very small, small dots and lines you have to create. For creating such a pine trees. Have just zoom in a little so that it is more clear to you how I am doing the texture pod. I'm just creating dots and lines. One board decides to create such trees of different sizes. These are not all of same sizes. Try to create some different sizes of trees because whenever we see trees, trees are not of same sizes, so try to create different sizes of it so that it looks more realistic. So slowly, slowly we have to cover this entire upper area. So always use your liner brush for creating such details. Because these are very minute details which needs to be done only with your rigger brush. So you can see the dots. I'm just creating small, small dots on both the sides to create a shape of the pine tree. So we need to cover this entire area. So you can see the sizes, the sizes which are above these are small sizes because those were far. And as we're coming little nearer to it, these are little bigger and sizes. You're almost done with this pine tree part. And then we'll do a little detailing on this lower part, which is where the tent is there. Let's add first little bit more of white in-between these dense suggest adding water to it because my wife has dried off. So just adding white in-between those tens. So that gives more brightness to this tent part. This tent part is almost done. Now, let's create this texture. I'm using my fan brush. And this both color mix. Just yellow, chrome, yellow and orange and just crying to create dots. Just using the tip of the brush. I'm just trying to create these smart small, small dots. Don't use too much water in this because otherwise that dots will not come up. Tried to take very less amount of water. I've just taken that much amount of water so that it gets reactivated. So that much amount of water only you have to use when you are doing such a fine detail things. I'm also adding white to this color. And again, I'm trying to create some textures over there. The brightness, these brightness I'll due to this tent. So that effect I'm trying to create. And then more of white and let more of yellow. And to this side of this tent, more of this white and yellow mix. So likewise, we have to create it to give more like brightness to that. And now let's, now let's first create some shooting stars. On the top with our liner brush dot and just creating lines, some few more dots here and there. And we're good to go. So let's take out the masking tape and see how it looks. Take off the masking tape very slowly, otherwise people will tear off. So this is it. So the complete painting. So I hope you guys enjoyed it and do share your project works. I would love to see them, so I'm just using little bit of lemon yellow to give a nice shine on the top of this dent. First time just creating the borders with this yellow, lemon yellow. And then on the top of it, I'll just create some nice lines with the yellow so that it just turning this color. And then with the same brush and just creating some fine, very light, very thin lines to give like shine to this dent. Take more of a yellow and then again create some nice lines. So and this is it. This whole painting is complete. Thank you. 15. Mountainscape Blocking: Hello friends, welcome back. So now let's start with our next painting. So first we will do the drawing, and then we'll start with the painting. It's not too much drawing just little mountains and then we are done with it. So here also some overlapping mountains are there, which I'm trying to create with my pencil. So each and every painting is of different form even if the overlapping mountains are there. But the painting is entirely different. So this is the sketching and now we'll do the, the painting part. The colors black, cobalt, blue, purple, magenta, and white. So these are the colors which we are using a flat brush. So let's start with the painting. Just dip your brush in water and then just take the first color. That is the cobalt blue and white. So almost same amount of weight should be there because I want a little lighter color. I don't want very dark color. So little bit of purple is added to it. So I just want some like purplish blue color for the clouds. So I'm just adding the, on the first layer. We'll start with the first painting. So again, again, just mixing a little more amount of color. I have changed the direction so that my shadow doesn't comes my shadows. So again, I'm mixing the colors. And now again starting from the top and adding little more blue and purple, little bit of white. And again, because you need to take colors, you cannot take like ten colors otherwise that, that value, that intensity of color will not come off if you add too much amount of water to it. Same goes with gosh, when you are using goals, you have to use thick Carlo. You cannot use ten colors for gosh. So these are also same post occurs also same leg. You have to use the colors for doing the painting part. So just adding little bit of magenta to it to give us some nice pinkish shade to it. Just mixing the colors. It's the same cloud which we have done in the fifth post-doc color painting, but it's a little different. So just mixing a little more magenta and wide separately. And then starting to add little bit of violet. And again, starting from the edge of the mountain and then we'll go above. So this is the pattern which I'm trying to do. So you can see I'm just adding white a little bit more. And then applying on the job and then starting to mix the colors. Blending is very important for mixing. So even if that color has dried off, my brushes wet and it can reactivate the blue colors. So for this, we don't have to take care of the light. The color has dried off and we cannot blend. So this is not a case with poster color. So we can easily blend the colors. So I've just added water little bit. And I'm just blending those color. Blending should be with very light hand brushes. You don't have to press your brush too much. So very light hand brush and just mixing it very lightly so that you have to blend your colors. So our top sky is done. Now, let's start with the mountains. So before mountains, I'm just filling this with this white, blue, and purple color or violet color you can see. So just adding more of white because I wondered too lighter shade. So that's what I'm trying to do when I'm just filling the entire this mountain area. So just filling this whole mountain part. Even if I'm blocking the color since my color is very light. So I can see the lines of the mountains. So that's why I'm using Lake light colors. So just doing the edges and the of the mountains and governing the entire mountain part. Now we're almost done with this mountain blocking. 16. Mountainscape Detailing: So now let's start with the detailing. For the tailing. We will be using our rigger brush or same brush. Size one I'm using here. So I'm just taking my rigger brush, putting it in water so that my color tones liquid. And just taking this nice color and just outlining it first. Just outlining the mountains where it ten lines you have to draw for creating the mountain boundaries and mountain edges. And after that, we'll start with the detailing also. So now let's take our flat brush and I'm just taking a little bit of magenta and violet and a little white mix, little more of a violet and blue. And now again, I just wanted to to darker color on the edges of the mountain. I'm just trying to fill that color on the edge where the two mountains are meeting as you can see. And I'm just trying to pull the color down. This is little darker version of color. We have used as a base for the blocking. So I'm just pulling this color down. Now, digging more white and just blending it with the same color. Blending is also very important. So just trying to blend these two colors together. So this is done the lower part. So now let's do the upper part. Just adding these same lighter color on the upper part as well, because this is quite dark than the one which we have used for the below one. And I'm just creating some textures like lines because mountains are never like smooth mountains. I'm just trying to grip nice textures to these mountains. Similarly, I'm adding little white and I'm just creating some textures for the lower mountain as well. Now, let's take our rigger brush and black color and just create the outline. So the outline is done for all the three mountains. So now we will be using our fan brush to create some textures. Just using the tip of the brush and the dry brush technique. I haven't used water in my brush. It's just dry only the water is on my color. That said. And just giving some nice textures to this. The one which is joining the two mountains so that it will appear like trees, small trees at far distant. Similarly, we'll do for above also. Little bit more textures we will create in between. So that it gives a nice shape of the trees in lines or bushes in lines. So what we are doing is we are creating some details so that the mountains look more realistic form. Then again, using my smaller size rigger brush and adding little blue to the black. And I'm just creating some lines with this brush. First I did with fan brush and now I'm using this liner brush for creating these lines. So take your time and do it slowly because these are little tiny, time-consuming because you have to create small, small lines. So take your time, do it slowly and make sure that your color is in fluid form. Then only you will be able to create some fine lines. Every beautiful thing takes time to create. So we are in the process of creating something beautiful. So let's enjoy the process of creating some small lines. And you will see how this mountain looks after completing those small, small details. So just urine there. I'm creating some lines so that it looks like there are some trees, bushes here and there. Just small, small details here and there. I'm just trying to create. 17. Mountainscape Final Detailing: Let's create some more details. So as we did on the other mountains will do this. Foreground mountain also very small, small lines I'm creating, as you can see, like ways urine there, I will be creating these small, small textures and lines with my rigger brush. You can also use your fan brush or your comrades for creating such lines. But I have used rigger brush because I feed it as more comfortable using this. Though it takes time by using this rigger brush, but the effect and the end product looks good. So that's why I use mostly the rigger brush for creating any such small details. We can see just small lines and I'm creating urine there with my rigger brush and I'm just trying to fill the entire this mountain, but now just taking a little bit in black and while it makes very little amount, again, digging a little bit of more violet and blue. So that was a little more black, so I left that. So now creating more details on the same edges which I have created that black lines. I'm trying to create in-between those same small dots here and there lines. I'm just trying to fill those entire area. So same thing I will do for the other two mountains also. So you can see we have started with a simple painting and via more going into the intermediate one. So this is how we have moved towards first the starting is simple and then we are moving towards little bit of an intermediate level. So again, creating lines on the top of the mountains. Very small, small details. Do it very slowly. Take your time and take a break and then do it. But do it slowly and take your full time. Then only you will be able to create these textures. Now we're finally done creating these textures. Now we'll create some clouds on the top. So for this, we will be using are this velvet brush and magenta and white. I haven't used any water on my brushes. It's completely dry brush. And I'm just creating just moving the edge of the tip of the brush and creating some nice cloudy textures. Don't use water. If your color has dried, just use a little bit of water on your color that certain not on your brush. Try to avoid water on your brush. And just creating few clouds, urine, they're adding little bit of violet also, just creating nice fluffy clouds. You can see straight clouds, not fluffy, but some small, small clouds, urine there. You're just a little bit of clouds is not required also, if you don't want to create clouds, you can leave it as it, as it is like this. But if you want, you can create crowds like this. So now let's take our white color because my white color has finished. And I'll take that sponge and little white color and then I'll create a nice sun on the top. So you can see how nicely that round shape comes up when you use this sponge thing. It's very useful for painting such round shapes. It comes in many sizes, like bigger sizes also it comes same thing now I'm just using that row wide. And with my rigger brush, I'm creating some nice so-called worse shape in between that little bit stars here and there. It's actually a more modest sun. So here in there I'm just creating some nods, some big, big stars. We're almost done with this painting. We'll just take out the masking tape and we'll see how it looks. Just a little bit more stars I'm creating. You can also blend those stars with your liner brush. Just take water and just make some round shapes. Some blending. Make it a little bit of bloody shape. And then you can put again one more than that so that it looks like okay, they're shiny. Likewise, you can create like shiny stars also. We're finally done with this painting. And now we will take out our masking tape and we'll see how it looks. This is our final painting. I hope you liked it. Do share your project works. 18. Cloudscape Blocking: So welcome back. So now let's start our next painting. So these are the colors to Daniel. Whites, really blue, lemon yellow, two types of green, dark and light and black. So let's first draw a rough sketch of our painting, which we will be doing. And then we'll start with the painting. But let's start just the, just the base. We have to create that as the land. And we are good to go after that. Just the base. There are two overlapping land area. And then we'll do the painting. So this much is the sketching part. So sketching part is always simple. When you are doing such kinds of paintings like landscape paintings, you don't have to do too much. So again, let's start the painting. I've just dip the brush in water, and now I'm using my colors. So let's first take my smaller brush to paint. Let's first use this Skype button. Then we will go with the land bought. Suggest mixing surrealism, blue and white and starting from the top, start, applying the colors in the horizontal direction. And as we will go down, will slowly decrease the color value by adding white. You can see I'm just applying the colors and moving the brush in the to and fro directions, trying to fill the entire area, all the corners. I don't want to leave the corners. I want to cover it very well. So try to make sure that you have covered entire corners of it and just moving downwards. So just blue and white I'm using for covering this. More of blue and less over wide. In this whole thing. I've used just one color because we need to create the clouds. So I thought of creating just one color at the backside. That is the background. So I'm just applying just same color on the entire background part. Then once the background has dried off, we will be creating some clouds. So finally, our background is done. Now let's do the down part. Let's use our flat brush only and we will be covering those first, I am using my darker color, that is dark green. And I'm just applying first at the end. And little bit of lighter green and lemon yellow mix and then moving upward. And I'm also blending those two colors. As you can see. You can use, use smaller size flat brush also for this, for doing this because this is a smaller area, or you can use your round brush for creating such paintings. Any brush, whichever you like, you can do it, just adding a little white to it. And again, moving upward. So these are actually very vibrant green colors. So it looks very vibrant when you use like when you add white or lemon yellow to it. So from dark to light, it does. The shades are now the upper part of the land. That is the greenery area. So again, the darker color at the base suggest. Creating the base and then a little bit thicker because it is very thin. And then the lighter color. For this same color which we have used for the below one we will be using for the above one. This is very vibrant painting as you can see, blue and green really complement each other really well. And it's really very cool colors as you can see. So, so slowly, slowly via doing the blocking part. And we're almost done with the blocking board. And then we'll create the clouds and some trees. Now just adding little more of this dark green and just trying to blend both the colors. So do it very slowly when you are doing such kind of paintings. Because in each and every painting that is blending, now Midas portion has dried off. Now, let's create some clouds with my brush. Filbert brushes are actually very good brushes when we think of creating such clouds and don't use any water on your brush, just use your dry brush. And only color on your only the colors should be little liquid form, not too much, but very little because we already have this blue color be at the behind. And as you know that the poster colors are the reactive. So you have to use, take colors. So don't use too much of water. So just trying to create some nice round fluffy clouds. You can see I'm not mixing also the colors. I'm just dabbing the brush. Because if I mix the colors and if I will press the brush also, what will happen? The color which is behind this white color will come up. So you'd need to do it very carefully when you are using the poster colors. Even when you are using the gouache colors, same thing happens. So that's why we use thick colors to create clouds, or we leave that area wide. So that also you can do it. But I prefer doing it like this because it gives them more natural look. So the bass part is done of the clouds will also do the overlapping of the clouds as well. Since these filbert brush have nice round shapes are at the top, it is very helpful for creating such clouds. You can just use the tip of the brush to create some nice round shapes of the clouds. So it's a very good brush for creating some nice clouds. These all are synthetic brushes, which I'm using here. So apart from the fan brush, all are synthetic brushes, which I am using. Fan brush is the Bristol brush and rest. All are synthetic brushes. Just giving some nice fluffy clouds, urine there. You can create any shapes of clouds, whatever you want. It's not necessary that you have to create this shape only. You can create any shapes because clouds are of different shapes. Now, just trying to add more white to these clouds on, especially on the edges of the clouds. You can see I'm just using the tip of the brush and just adding little more white to it. Similarly to the other clouds also again, taking little wide and I'm just adding little white to all the clouds. Again, taking little wide and just adding white to the upper end of the cloud. I'm not going till the end. Just adding to the upper end of the clouds a little wide. Just trying to add only in one direction, like the light is falling from one direction. So I'm just making it more bright and just overlapping again, one more Cloud with white color. So likewise, you can create some nice, beautiful clouds. Again, take, take colors. Don't use water in this. Otherwise you will mess up the paintings, so try not to use water and dry brush technique is used here. So use that only. Then only you will be able to create some nice white clouds. We're almost done with the cloud part, and now we will start with the tree part. But whenever you are starting the tree part makes sure that you are, this cloud part has dried off. Then only start with the tree painting. So let this cloud to dry out first because these colors dry very fast if you live in summer areas. So what's the color dries and then you can apply the next color for layering. So he has this cloud is done, this base area is done. And then we'll create some trees using Maya again, rigger brush, size one. I'm trying to create the tree branch tree trunk and then branches just black color. I'm using you and I'm trying to create nice tree trunk. 19. Cloudscape Final Detailing: So now let's start with our final tree painting. So I'm just blocking this tree trunk with black color. And same rigor brush I'm using here. And I'm just spreading little base area of the tree trunk with my black color. Make sure that your color is very thin. So just trying to give a shadow effect to 43 part with my rigger brush with black paint. Now let's create some trees. Suggest creating dots and filling this entire such branches and tree trunks am just trying to create and just filling this with black color. Now here you have to use thick black color because already there are two colors in the background. So try to use thick black colors because we're, we're doing the layering part and this is the postdoc colors. So you have to use tick colors too, so that the background color doesn't come up. I'm just trying to give nice shape to this tree, some nice round oval shape. So just adding dots, lines here and there. To fill up this whole space. Space where we need to create the tree part. And also we'll do the layering of the trees. So this is just one color which I'm adding because this is a black color. So always the base color has to be dark. And then we'll go with the lighter ones. So the base is dark and this as these opaque colors. So just creating the shape of the tree as you can see, I've just created some nice shape to this tree. And now we will add, will be adding some greens to it. Some dark green. Again, this is also quite thick color which I'm using here. You have to always use take colors. Then only you will be able to create the textures. I'm not covering the entire black portion, I'm just putting some greens urine. They're just also giving little shape to it. Adding greens to the edges also. Do it very slowly. And then light green, adding little bit of lemon yellow to it. And just adding on the top of this dark green, this lighter green. This is all we create some nice tree textures, some overlapping, some layering. This is called as layering technique. Also, which we also use an acrylic paintings. Even in Gosh painting also, you can use whatever medium you are using. You can use these layering method, except watercolor. Because in watercolor you have to use the base as the light color. And then we go to the darker one. But in this case it is opposite verse we have used darker color and then we are using the lighter and lighter colors. So likewise, we have to use it. I'm just adding little more yellow and white and green mix to give more shades to this tree. The more colors you add to these trees, the more realistic the tree looks. It all depends upon how you are layering your colors, how you are applying the colors. The more layering you do in clouds, orange trees, the more realistic these trees and clouds look. We are almost done with this tree painting. Just the final touch I'm giving to these trees. And we're good to go with the three-part. Haven't created any branches in this. I've just created a nice fluffy tree with lots of leaves. So just creating some nice edge also at D. That is the shadow part. But black color. So now again, very important thing, our sponge. So again, I'm using the same sponge, white color and just applying on the top to create some nice sun, which are having a nice raised to it. And to create those rays, we can use our rigger brush or our flat brush to create some nice raise. I'm just moving these colors since my color is wet. So I can just move the colors in the diagonal directions to create some nice sun rays to it. And then you can fill this middle color with more white. So take completely row wide without any water and just fill this middle portion. So we're almost done with this painting part. Just a few more details things and then we are done. I'm just adding little green and black to it. And I'm just trying to create some just stay more of green. And I'm just trying to create some nice fine lines which divides these two glass area. So just adding little more green. And just creating the line, I wonder too darker effects or just have additive black to it, to the darker green. And I'm just creating this line joins these two land part. So this is done a little bit yellow to this lighter color and just applying on the edge of it. So just taking a little more of yellow and just applying on the edge because that portion is light in color. So this is it. We're almost done our painting and just we'll take off the masking tape and see how it looks. So I hope you guys enjoyed doing this painting with lots of fluffy clouds. So do try out these, this project and do share your project, work in the project section. And I hope you guys are enjoying it. Few more paintings are left. And let's start with the next painting. 20. Sunset Blocking: Hello friends, welcome back. So let's start with our next painting. So this is the sheet and I've just put masking tape in between. So here I'm just drawing a rough sketch with my pencil. Some nice land area that does mountains. You can say small mountains. I'm trying to create on the top. So masking tape I have put at the center and nice circular son be there. So I have drawn very rough sketch because we will be using very light color. So let's start with our painting. So these are the colors which we will be using. First, orange and then yellow ocher. Little bit of burnt sienna. Just applying first code on these sides because sides will be bit dark as compared to the middle part. So just creating first to the sides. With my flat brush, I'm slowly covering the mountain part also and blocking these background. So you can see I'm only using that much amount of water, which is needed to move the color and blend the color. So you have to also use that much amount. Now in the middle, I have added little bit of this yellow that is chrome yellow. And I'm just trying to mix both the colors. Just trying to mix it. So as you know, these colors can be reactivated. So I'm just trying to blend these corner colors, also. Trying to cover the edge of borders of the mountain. It's a very nice, warm color. You can see, which I'm using here. So slowly, slowly I'm covering the entire background portion and blending also. So now again, taking little bit more of a yellow ocher because my yellow ocher has finished. So I've just added a bit of it with my brush. And then again, adding little bit more of yellow ocher to it and cadmium orange mix. And we'll do the lower part. First time doing the middle part. And then little bit of burnt sienna added to it, then doing the corner part. So same thing I'm doing, which I did on the above background. The foreground also am doing the same thing because we are creating water. So same color which we have used above, same color we will be using for below. Also. Just taking little bit of Chrome and just mixing the color. You can see I'm just trying to blend all the colors. Now, our background foreground is done. We are left with the mountain part. Now we will be using our rigger brush to create the sun in between. So rigger brush of size one, I've just taken, taking this row white color and just applying in the center, which we have created very rough sketch. So I'm just blocking in width this with white color. Very slowly. You have to do it. This time. I'm not using this sponge, I'm directly doing with my brush. So if you don't have smudge, you can also do it with your rigger brush. Now I'm just adding chrome yellow to this side and making the circle. So likewise, you can do it and create a nice sun. I'm trying to create some sunset view actually is. So it's the kind of warm color which I have used Rovio. Now, just blending with my smaller size. Flat brush. So like ways you can do your own blending. No need of that dose Sponge brush. Now you can see that round part in the middle which was white. It has become, it has blended with that yellow color. So what I will do this, I will again add white to it. So let's take again our row rigger brush and add white to it without using any water. I'm just using that row white color. And I'm adding in the center so that it looks bright. Now, the second part is also done. Try to give a round shape to it, proper round shape. Now let's do the mountain part. So for blocking this, we'll be using our smallest size flat brush. So just taking orange burnt sienna mix and a little bit of black in it because I want a little darker color. So just taking a little more water and then just blocking these mountains with my flat brush. I haven't removed the masking tape yet. We will remove after doing this mountain part. So if we're blocking these mountains, you can also use your round brush. That is also fine. But here I'm using my flat smaller sites flat brush so that I can nicely covered those border areas as well. I'm trying to create a little bit more orange with the just the mountain which is near to the sun. Just blocking in. Now once we are done with the blocking, then we will remove that masking tape. Try to use colors, don't use too much water in it, otherwise you will not create the nice opaque color. Stride to use the colors. So now let's take a smaller size rigger brush and black color and a little bit of burnt sienna mix. Just taking black and this bond sienna, I'm just outlining the mountain. Do it very slowly when you are doing this outline part. And the color has to be in fluid form when you are outlining the details, any details you are doing, try to use the liquid form of color. Then only you will be able to create some nice lines. Now once these lines are done, I'm trying to blend these lines with the brown color so that it doesn't look very sharp. You can see I'm just blending those lines with this brown color. So a mountain but is almost complete. And then we'll start with more detailing of the water and the part which is behind the tape. Just trying to blend that black color. 21. Sunset Final Detailing: So now moving further, let's remove our masking tape. Slowly. You have to remove it because we are using papers, so you need to remove it very carefully so that it is not a tone. So just creating one outline and then we'll remove on the below side of the masking tape, just creating line with black color with my flat brush. And then we will remove the masking tape. So now we'll fill this color with bushes that is used same color that is black first, I'll fill in this line with black color. So try to use smaller size masking tape when you're putting in between. Don't use tape masking tape. So you can see I'm just covering the entire area with black and just making sure that the black color doesn't go beyond that line. So just blocking this with thick black color. Now we will create the bushes details. So for creating the details, we will be using a rigger brush, again, size one, and just creating small, small dots so that it looks like some trees or some bushes out there at far, distant. So just, and I'm not creating same sizes. I'm trying to create random sizes. Some are big, some are small. So that, so that it looks like a real bush shape. So I've just closing the camera so that you can see it properly what I'm doing. So you can see I'm just creating small, small lines towards with my tip of the brush and creating some sort of bushes form. So dry to use. Take goo color for this. Don't use too much water. Otherwise, you'll not be able to create such opaque color. So try to use the color. We're almost done with this bushes part and then we'll start with the water detailing. That is also very important because that will change the whole scenario of this image. Let's start creating the water. Now I'm using my flat brush and I have just used my tip of off brush. So just the tip you have to use. Make sure that your tip is quite sharp so that you can use it in nicely with the tip of the brush. You have to just dab, dab your brush to create some textures. Don't use a flat brush. If the flat brushes to try to thin it with water by pressing it with finger and then try to apply the color. So likewise, you have to fill in these whole water area and try to avoid lots of gaps in between. It should be very close to each other. The lines, especially the color which I've mixed is black and burnt sienna. That's it. I'm just trying to create the water effect with my flat brush, just using the tip of the brush. Now I'm adding little orange to it and it will black. Again, I'm creating the same thing. Either you can use directly burnt sienna or you can add orange and black mix to it. That is also fine. So both the colors will give the same result. So you can see how I'm creating it. I will cover this entire portion of the water with by creating such details. Do it very slowly. Take your time. You can see I'm doing it very slowly and then just filling this entire portion of the water part. We almost done with this first layer. We'll take again black, little bit more, little darker color. And then we'll apply on the sides because side's a little darker than the middle one. So I'm just making it a little more dark by overlapping these lines. So on both the sides you have to do the same thing. Then as we go down the foreground, water should be also dark. So likewise, you have to create the layering effect in the water part as well. So here also I'm just using the tip of the brush and creating these textures. So you can see the sites are dark and the bottom is dark. So now we will use the raise to create the race just using white color first. Just draw dry white. And just creating these, again textures with the tip of the brush. And it should be just below that sun area where the sun is setting. And as you go down, the lines should decrease. That means it should be like a triangle shape. So as you are going down, it should slowly be smaller, smaller and smaller. So likewise, we have to create the water part. Then little bit of yellow is added to it on the upper part. Again, another layering for the water leave the little white in both the sides and then just cover the center part with yellow. So you can see I'm just covering the center part now I'm adding white to this yellow. And again I'm covering the bot, which is yellow. So two to three layers are there on this reflection, which is the sunset reflection part. Now let's create some sky with the same yellow color, yellow and white mix. Tried to use dry brush technique over and dry color. Then only you will be able to create some lines. So just taking very dry color and trying to create some nice lines, just using the tip of the brush. So now let's take our rigger brush and black color to create some nice either this side or upside, whatever you like, you can create. The palm trees I create at these sides, just the leaves are visible, so I'm just trying to create the leaves with my rigger brush. Make the color a little fluid so that you can create some nice fine lines. You can create full tree also like starting from the lower part than going up. So whatever you like, you can create it. But I have decided to create this tree, just the leaves are visible of the tree. You can do this also, that is also fine. So try to create like bunches of four lines and they're like cloudy lines. You can see lots of lines very close to each other. So this is almost done this painting. And I hope you guys like this one. So this is something that the water Let's create. You can create boards also if you want. Or you can leave it like this. All up to you if you can, if you want to create birds or something. Just extending these lines more to create more Nice Look. I hope you guys are enjoying this and this is our most second-last painting. So do try out these projects. Whichever painting you like, you can try out. And I would love to see your project works. Because I really like seeing the projects, how it is going, how I'm teaching, I'm teaching correctly or not. So it's very important also give reviews so that I can get idea where I'm wrong and where I am right. So thank you. 22. Reflection Background Blocking: So welcome back to our last class of this project that we did. So let's first start drawing. I've just pasted the masking tape again in between, I'm just drawing some mountains. Some nice steep mountains. Now, same mountains we'll be doing the on the lower part also. Same but in the opposite direction. Because the, these are reflections which we will be creating. So reflection painting. So we need to have the same size of the mountains as we did on the top. So after drawing, this will do the painting. So let's discuss about the colors. So these are the colors which we'll be using. White, magenta, beach, cobalt, blue, and black. And also, I think. Yeah, so these are the colors which we'll be using. So let's first use cobalt blue and a little bit of white and peach color mix. So it will give a nice bluish shade. Differentiators like grayish blue, just covering the first top part. And then as we'll go down, we'll add more pitch to it. We'll start mixing the colors, also. Blending the colors you can see I'm simultaneously blending the color also because my top color is also wet. So it is easily blending. Now, again, I will take the speech and I will directly apply on the lower part. First, skipping the mountains and trying to do it very nicely so that it doesn't comes inside the mountains. Suggest applying and also trying to mix these colors, these two colors. This is a different type of sky, different color of sky. It's like a pastel shade you can see which. So it's a very nice color. When you add Peach to this blue colored, the color value changes and it becomes something different, something grayish, blue, pink issues also add different colors there. I'm just trying to blend these two colors. I've just added water and then just blending these two colors. Again, see I'm just trying to blend the colors so that it is blend nicely. Blending is actually very important when you are doing the background. So just trying to blend as much as I could, just adding little bit of more of beach to the lower part. So now let's take little more peach and then start blending. Then little magenta added to it. Little more peach. And to create some nice sky, some nice clouds. Just dry brush technique here I'm using. Now. Let's take a little bit of yellow, also. Very little amount of chromium I have added to this peach color. And again, I'm creating some nice clouds with this yellow so that there is also yellow color in this nice sky color. So now once our background part is done, we'll do the mountains. Now for doing these mountains we will be using are flat, small flat brush than this cobalt blue little bit of magenta. And get rid of magenta has added over here. Sorry, not magenta, it's violet. Violet is added over here and little bit of black also to create some nice bluish color. So white also little amount. And just blocking this whole mountain Part. Two Starting little more white because I don't want it to be so dark. So just covering these mountains would take poster colors. So you can see these are all take colors which I am using. You're taking care of the borders and I'm just trying to fill these colors. On these mountains. You can use your round brush also to fill these. It's completely upon you which brush you are using. So, but try to take care of the boundaries and the lines which are there in the mountains. So I'm just doing the blocking. My color is drying very fast because it is very hard in India. So that's why my main color is drying very fast. Now you can see I'm just trying to fill the areas which are left white. Do try to cover all the board. Now digging just blue and a little bit of black, a little bit of magenta mix. And just trying to create some nice textures on these mountains. Same color I have used but without white, little textures lines I'm just trying to create. So just few lines here and there. And then we will be doing this lower part also. So the upper part is done. So now we will be doing these lower part. 23. Reflection Foreground Blocking: So let's start with our bottom part. So here I'm using my rigger brush and blue and a little bit of purple, same color, which we did on the above mountain. So same color we'll be doing here. But first let's outline this mountain part and then we'll go ahead. Doing the lower part. Just outline it nicely with your same color, but it should be a little dark. Now finally, the outline part is done. So let's take our black and create a nice outline below the tape, masking tape. And just remove the masking tape after that. Now here we will be creating some nice pine trees. So what I'm doing here, I'm just creating the lines because you are we'll be creating some like visible pine trees. I'm just trying to create some lines, some triangle shape lines with my flat brush, as you can see, just using my tip of the brush and creating these lines. And also blocking at the same time because we have to cover this entire area above this line. So let's do it very slowly. And this is our last part of the painting, which will be our domain. But I'm thinking of doing one more bonus lesson for you guys. Let's see. That will be mostly seascape, so we'll upload that soon. So let's first do this blocking of this pine tree, which is at a distance pine trees series which are below the mountain that at the base of the mountain. So this is done. We'll also be creative. We'll be creating some pine trees above. But before that, let's first do the base. Let's add same colors, same base color, which we used for the background. And little bit of black also, and just covering this whole area with this color, this light color, which above this background part. Do it very slowly with your liner brush so that it creates a nice line to it. So just move your brush and create a thick line with this and then start blocking the mountains. This is a bit a complex part, but it's not so complex because as we are doing the painting so long, so this will be easy for you. If you are doing city is wise. Just apply this darker color to the mountain part which we have drawn. And you can see these are not like fully the lab, just creating the lines which are the mountain shapes are just touching those lines only. I'm just creating some lines. So as you can see, I'm just filling the colors and I'm just creating lines. There are no borders in it. So these are all water reflections, which I'm trying to create. So this is how we can create reflections of the mountains. So now we'll use this magenta and black also on the top because of, because there are pine trees or little black reflections are also there. So that I'm trying to create taking more black and just using the tip of the brush and creating some more dots and lines on the top of that. Just using the tip of the brush, which we did in the last painting. The water part like that only we have to do it. Now let's take the lighter colors that is white and peach color and blue color mix. And let's fill in the colors. So just filling this lower part of the color and taking more of peach. And then again trying to fill the colors. Same Lego background which with which is above. I'm trying to create same thing. Just trying to cover each and every area. And again, creating like lines with this peach color. You can see I'm creating the lines with the same color, peach color, and also blocking in between. So this is one of the easiest method of creating reflections. Any reflections either in college or an acrylic. Any medium you use, you can create like this, the reflections. This is simple reflection which I've taught here. There are more complex reflections also, but I was thinking of the intermediate ones. So little reflections. Again, see the more lines and details you create, the more realistic these reflections look. Now I'm adding little more blue to it. Does the lines. Now let's more blue and black. Is there. So little darker color I want, so just dabbing my brush and creating some textures like we did in the last section. So just take your time and do it slowly, patiently because it is a bit complex. You might face little problem, but if you will follow all the instructions, you will be able to do it. So now I'm just adding more darker color and creating some lines of the water. We can see. Again more lines, good bit lighter lines to give the water movement. So this painting is almost complete. Only few more details are left. And we're good to go with this painting. Let's create some pine trees first with black color. So I've just zoom in the image so that you can see it nicely how I'm creating the pine trees. So what I'm doing is I'm just creating the lines. You can either create big trees or you can create smaller ones. It's up to you. I'm creating these smaller ones only. You can create big, big trees also. Just created the lines. And now some more lines which are moving downwards and creating some triangle shapes. Likewise, we have to do the entire portion of the tree section. Very simple trees. These are simple pine trees, which I'm trying to create. This gives more realistic look to the painting when you create such types of trees in details and always use your rigger brush, smaller size rigger brush for creating such details. And this is due by zero rigger brush which I'm using you. Now we are done with this tree part. So let's create a little more watery effect on the upper section or the lighter color with a peach color. Just using the tip of the brush and creating these textures. Adding little down also, the lines. The more lines and more details you create, the more realistic your painting looks. So there are so many colors and what DO, which is reflecting from top says almost the painting is done. We'll take out the masking tape and we'll see how it looks. But before that, let's add a little bit more blue to this mountain part. Now, let's take out the tape and do try out the project work. This is our tenth painting which we have already completed, and I'm thinking of giving one more painting. That is the bonus lesson, which will be a seascape. So that will also be, that will also help publish soon. So we'll surely update. You guys. Have a nice day. Thank you. 24. Bonus Lesson Blocking: Hello friends, welcome back. So let's start with our last bonus class that is the seascape, which we will be creating. Here. I'm just removing this tape. It is not straight. I'm just putting it straight in the center. Then we'll just do a basic drawing and then we'll start with the painting. So just the basic drawing that is the waves which we'll be drawing. And that's it. And we're good to go with the paintings, some nice curvy lines with my pencil. And this is it. This is the land and this is the water and above with the sky. So these are the colors that is first color that does blacks, radium blue, white, green, and brown. That is burnt sienna. So let's use a little water. And this surrealism blue. Just mix it with water very little amount and then take more amount of. First, let's add this color on the top of this. So we will start from dark and as we will go down, the value will decrease. Again. Now I'm adding little white to it. I'm just applying the color and I'm simultaneously blending the color also. Again, see my colors were drying so I took some water to blend it nicely. So this is the sky which we are doing. After that. We'll do the C also see blocking. So first I'm doing the sky. So adding more of white, taking little water because it is quite dry over here. So my colors also drying very fast. So just applying again. Very light color and I'm just trying to blend both the colors. Again, taking, adding white and then again applying the colors and blending the colors. So this is the step which we have done in our paintings. Most of the paintings, all the den post-doc color paintings. We have blended the colors nicely and try to use the colors. Now, let's do the C part. So I'll take green, this is a light green which I'm using. And little blue and white mix. I'll take a little more green. So it is like a turquoise color you can see. So just applying the color. So this is how you miss, mix. These colors. Nice. See color. It is just applying little blue on the edge and then just mixing it with green and blue mix. You can see I'm using the same brush which I have used earlier in all my paintings. This is the flat brush. So just blocking in the ocean Bart. It's almost the same color and then dilution, I haven't changed that much. Just at the edge of where the sky and the sea is joining. I've just added a little more blue to red, rest and dire colors almost same. So I have left little bit of area where these C is meeting because we need to create the waves with white color. So I've left that area little bird. And just adding little black to this blue and just creating some nice edge which divides the sea and the sky. Just mixing this color also that will wet so that it gives nice variation to it. So color blending is the most important part when it comes to any bending, either it is acrylic or gouache or poster colors. Any painting blending is very important. So now we're done with this guide and with the C. So let's start with the dust, removing excess of water and taking my white color and creating some nice so Skype. Some nice clouds we have to use here completely dry brush technique. My brushes dry and I have used dry color. It's not. Fed too much. So just using the tip of the brush, I'm creating some nice clouds. So now let's remove this tape and just block in that area also. So again, we'll take little white and add to that color, blue color. And I'm just applying it very carefully. I don't want the color to go inside that seed pod. Also blending that color. Just do it very carefully when you are doing this part. Because it is very critical part because these colors are water soluble, water reactive, it will react and the whole painting will mess up. So take it, do it very slowly and very carefully when you are doing the lines, especially the lines which are joining the sea and the sky. So now the above part is done. So we are left with d sand area. So the sand area we will be doing. So we'll just take white and this burnt sienna color. And we'll apply it on the sand part. So take little more white because I wanted to lighter color. So just applying over the ground area, that is the foreground. Just blocking the color nicely. So using my same flat brush and just blocking the foreground. Just digging a little more white and let just making it more light, the color. 25. Bonus Lesson Final Detailing: So now let's take our white color now my white color has finished and I'll be using my fan brush of size one. Just a dry color, which I will be using your take, liked this, take color and start creating this water effect. So just using the edge of the brush and creating some nice dots. As you can see. If you don't have fan brush, you can use your rigger brush also for creating such effect. That can also be used. Or you can use your flat bristle brush for creating such effect. So any brush, whichever is available with you, you can use it. So I'm just trying to give some nice water splash effect to it. So we'll also create some more waves in between. With my flat brush. I'm just taking the tip of the brush and just taking the tip. Just applying this white color with my tip of this flat brush and create just dabbing it and creating this effect. Likewise, you can also use your flat brush, which you have used for your background painting and all. And you can just use this tip of the brush to create some nice waves. It's a very simple painting. I haven't created much detail in it. I tried to make it more simple so that you can paint it easily. Since this entire poster color painting, I have covered everything. I didn't cover this part, so I thought of giving it as a bonus lesson to you guys. So now what I'm doing is I'm just creating this border of the sea wave with my black color. So by using my rigger brush, I'm just creating nice fine lines with this brush. It's very thin brush. So you have to also use thin brush for creating such lines. And then we'll cover the extra area which is white with this brown color, and we'll try to blend these colors. Now, taking my biggest size rigger brush, this is of size one and just adding one CNN black. And now I'm covering this whole area with this color. You can see after applying this nice thick layer of color, I will start blending it. By adding this color. It gives a nice 3D effect to this water. Like a shadow, it reflects. So this is very important to do when you are doing this, any seascape painting, especially when the waves you are creating. Now again, I'm taking my white color with my flat brush and just applying little brown and I'm just trying to blend these colors. My lighter color, like this, you can blend the colors. So since it does water reactor, you can easily blend the colors. So now again, I'm taking some fan brush and just creating some nice dots. By just moving my brush lake diagonally to all the directions, like adding little white also to this. And creating some nice dots here and there. So that it looks like the sand pebbles or something. So little, little detailing is very important when you are doing such type of paintings. So I hope you guys like these poster color paintings and do share your project works. I will love to see those fewer of them has already shared ID. Thank you so much for sharing your project work, but please do share your project work so that I can also see how much I have taught. You guys, have taught it correctly or not, and do shadow reviews as well. So now I'm just trying to outline again with little thick outline with black color to give more of shadow look to it. Do it very slowly, very patiently. So a painting is almost complete. Only few details are left and we are done with this beautiful ocean painting. And I'm just creating a few dots here and there with my black color only and with my buoyancy and also. So finally, our painting is ready. So let's take out the masking tape and see how it looks. I hope you enjoy this entire series of poster colors and do share your project works. And if you want to learn something new, you can tell me in the discussion, discussion box. So that prepared this for my next class. So if you have any questions, any doubts, you can always ask me directly from. I'm also available on Instagram that is more in the art gallery. So this is it. Thank you.