Easy Red Velvet Cake with Oil Pastel: Learn to draw and paint 21 Easy Red Velvet Cakes and Slices

1. Welcome and Introduction : Welcome to this class on easy red velvet cake with the ILP is still in this class. You will learn to draw and paint this 21 easy, beautiful and vibrant red velvet cakes. This class is suitable for both beginners and experienced. I'll be explaining each predictor step-by-step so that if you prefer, you can join along with me. This class will help you get better in painting with the oil pastel and use of them. Most of the basic techniques with this oil pastels. Don't worry if you are an absolute beginner with the ILP still, I have covered most of the basic of the oil pistol that you will need for this class. By the end of this class, I am confident that you will be able to draw near the peak slaves as easily. As I have also covered the different ways of adding the layer for the cake and use different combination and feelings for the cake. And the additional elements for the toppings, like a strawberry blueberries, theories and Mulberry will come and you put the other paintings. I'm excited to begin this class. Thank you for joining in. We will start the class with the basic introduction to the ILP is still like a stroke, please it and few of the other techniques. Then we will move on to blending, overlaying, scratching, and outlining with the oil-based till. After that we'll be covering the consistency of the ILP is still with the examples. Then we will move on to the next two demonstration video, starting with the theories and the leaves. Then we would move on to diabetes than the list of the color that you can use for the project. After that does get just for the slices and then the sketches for the cake. Lastly, six demonstration of the red velvet places. Finally, we'll be moving to the 21 main projects, IRB, why did the main project into six parts, starting with apocrine, with the Ford painting. This part one is comparatively easy and will be mainly using the stippling technique. Continuing forward. Three paintings for the part two. For this part, I'll be adding variation for the layer delta red velvet cake. Then three paintings for the part three, red velvet cake with a gym cheering, Android velvet cupcake. Then we will move on to the platform with a five painting, mixing red velvet cake. Yellow is widespread velvet cake. Blueberry in mulberry, red velvet cake, Mary's red velvet cake, and four red velvet cakes. Then we will move to the fifth part, starting with newness and strawberry red velvet cake, a strawberry and mulberry red velvet cake. And find me to evade velvet cakes. Normal into the sixth and the last part, starting with strawberry and blueberry red velvet cake. Then moving onto blueberry red velvet cake. And finally, strawberry circular red velvet cake. Hi, my name is Michelle and I'll be your instructor for this class. My profession, I am an engineer and I'm an artist based Romania. I have few more classes in their skulls here that you can take and you can find me on Instagram. I hope you have fun with this class and learned something new and exciting. Happy painting 2. Class Project: For this class, the class project will be uploading any or all of the 21 red velvet cake. In this cluster, 21 red velvet cakes are divided into six parts. Part 123 are the small red velvet cakes in a pipe waste will be put. In fact, one, there are four paintings. They are easy and mainly consist of a stippling technique. In part two, there are three paintings. We add some additional element and t in the cytosol fatigue. In part three, there are three paintings. For this, we add more additional element for the single red velvet slices. Part for two sets are in a foot pays to people. Art board consist of five painting. They have simple big red velvet cakes, laser's been part fight. We are three painting can we heard a lot of toppings for them? And in part, since we have three paintings, Leonardo Stockholm, with a lot of strawberries, blueberries, blackberries on top of the rectangular and circular red velvet cakes. Or you can come up with your own unique composition of the red velvet cake. You can also upload the six simple red velvet slices from the demonstration videos. Or you can come up with other mosquitoes for the red velvet cake. Please upload a project so you can say whatever you have learned with me. And other students. Don't underestimate leaving a project, your project, and maybe it makes me really happy. I personally tear is all your projects. Happy painting. See you in the next video. 3. List of Supplies: For this class, you will need a pencil and eraser and it's happening. Colored pencil outlines. This color pencils are optional. Abreast and remove oil Peter does to avoid smudging, masking tape to secure that people run on paper to practice sketches. He still paper for me in drawing, but I need people with more than 140 DSM will do the work. Ilp style for this class, I'm using clip-path speechless, and you can use whatever oil pistol you have. Also for is creating. I'll be using the scratching tool. You can use toothpick card or white pencil. See you in the next video with the oil-based still basics. 4. Oil Pastel Basics : Let's start the class with the basics of the oil-based still, starting with the strokes. I'll be histones are very versatile. With ILP style, you can easily create a variety of strokes that ending from thinner strokes to take a stroke. My reading the side of the oral history and a place that you are applying, you can create a variety of his strokes. These are the few examples that I need from telescopes to take a scope. Now moving on to the appraiser, this oil pastels are very precise and maybe adding the pizza from low to high, you can achieve very different results. Here's another example of the strokes. This time I'm creating this too thin to thick strokes by wearing the preset. You can see there's talks with the router increases are very different from each other. We'll be mainly using the thin strokes with a medium to high presser foot outlining and adding detail and the tickets towards fulfilling their color. Now containing fiber with some other techniques that we'll be using with the oil picture for this class. With this oil pastel, you can create numerous techniques such as hatching, crosshatching, stippling, and blurring. Starting with the hatching, creating fabulous treatise, more lines for the hatching, crosshatching, creating crisscross lines for the crosshatching, stippling, creating random small strokes with the ILP still blaring, blaring the outer edge of the ILP still with the people. They just want the flooding. I'm using my fingers. Instead of your fingers, you can use Q tip, blending stump, or even a clue. Now moving on to the stippling for the cake will be using the stippling technique with the cadmium red BAU and not q, along with those in this manner. Here's a demonstration of how we'll be using this stippling technique for the red velvet cake. Starting with our Tirado? No, going in with cadmium red dark you knew going in with cadmium red pill, you were their top. I'm starting with my green. Low coupling. Disagree with away. With this. We are done with the basic of the oil butyl and some of the techniques. See you in the next video. 5. Blending Overlaying Scratching And Outlining: In this section I lead so he knew how we'll be using the blending, overlaying, scratching, and outlining for the red velvet slices. Starting with the blending. By blending, I mean, mixing two or more colors together are blending a single color to get a smoother consistency. For this demonstration, we'll be learning two or more colors together, starting with the three primary colors, yellow, red, and the blue. Starting with a yellow. Applying medium pizza. I think laid on top of it with the same medium prison. And finally India blindly yellow to blend it with a red. By mixing these two colors, you have got the dark color, the orange. Now reversing the order of the colors, starting with the red. Adding yellow. You can see the orange has formed. Adding a little bit of red. Reversing the order, yield different view of the same color. Maintaining the order of the collateral. Lending is important. Now going in with the red and the blue for the violet, starting with the rate applying low presser, adding them blue. Going back with the red, with the loop reset. Now violet obtained is not that consistent. Now using the same color but applying them medium places, Nicollet open my blending it somewhat more consistent. Finally, changing the order of the colors, starting with a new applying medium, preserve the color obtained by blending it somewhat more closer to the uniform, but totally different from the other two colors. That is, apart from reversing the order of the color application of the oppressor also yield different results. Finally, going in with the yellow and the blue for the green by applying medium pressure. For this first one, the blending result came out somewhat greenness. The blending result for the second combination chemotherapy, but blue is, you've got to experiment with the colors to see which colors work with width and in which order. Here's an example of how we'll be using blending for the cake. For the first example, I am starting with this tip link. With this, we are done with their data, those folders tripling. Now going in with the cadmium red VPU that I'll link that the railroads with this cardiomyopathy view as well as partially overlaying it on top of it. With these were done with the cadmium red BPM. Finally going into the cadmium red pale hue. Adding this cadmium red pale you on top of the DPU a little bit. This will be the basic construction of the red velvet week using the three colors. For the second example, I'm starting with a thick layer of data rows. The second example I'll be applying heavy press it to blend the color. Now going in with cadmium red BTU and partially overlaying it on top of the brown. And finally going in with cadmium red pale you in applying preset to blend it with the cadmium red deep you as well as the brown. This will be the basic construction of the red velvet cake using blending technique by applying heavy place it. So here's another example using heavy preferred to blend the color. For this, I'm going in with the green and the white fur, the top of that red velvet cakes. Adding right on top of degree by applying heavy pleaser and blending it with it. For our main project will be paying more attention to the top, will be adding the color in such a manner that they really contrast in-between the color as well as they'll be creating a region of the light myths and the saddles. Since the last example using the Green Knight for the top, using the stippling technique. Also for our main project, will not be only using the gray and white. We'll be using other colors like cell membrane. How good are the lian accept crust? And with these, we are done with the example of blending using the stippling technique, as well as by applying a repressor continuing quadrant with the overlaying. My overlaying, I mean, adding one color on top of the other, either to partially blend that color or to add details on top of the other color. Well, this bus example of modeling technique, I'm starting with a yellow as the base layer. And on top of this I'll be adding shadows. For this first example, I am using theta roles to overlay it on top of the yellow to add detail, but not to blend We'll be using overlaying for the berries and the leaves. The leaves, I'm starting with the lighter side of the green, overlaying that country to admit drifts and outline for the leaf by me adding the veins. Here's another demonstration of using overlaying technique for this time of starting with a lighter shade of green for the base layer. What our leaves in the main project we'll be using combination of overlaying along with the blending. Now going in with a darker shade of green, overlaying it on top of it and adding details in the palm of the midrib outline of the leaf. This leaf is not that clear for our main project will be paying attention not to cross the line with the colors. Now moving on to the scratching, scratching and new old carving out some detail from the oil-based layer. To use this technique, you need a sharp object like the edge of the card or a toothpick or painting knife. I'll be using Lewis betting tool that I have got from other ILP. Still say use this stretching first dry layer with the ILP still at another layer on top of it. Finally, use this graphing tool to carve out the details with it. Scratching work-based when you are using a light color and a dark color, Let's would be the primary layer and the dark lettered with a secondary layer. Here I'm kind of in the midrib and the mean for the leaves. If you don't want to use this clotting, you can use the white color pencil to get the somewhat same result. So you using white instead of the scratching, I'm starting to draw the ceiling, starting with our title with the state arrows. Now filling the color. Now going into the white to add the highlight. And using the white colored pencil to make the highlight quiz, but instead of using a scratching tool. Finally, outlining this outlining of the optional using colored pencil talk Leonard details of the drawing, e.g. and brown for the theories, really important lips or in your head for the strawberries, blue or purple for the various sectors. The example of the outlining, I am going in with the brown for the cheery. Going in with the clean food outlining the leaves. Moving on to the leaves of the overlap section with the green outlining the last leaf. And with this, we're done with this section. See you in the next video. 6. Consistency: In this section, I will show you how to achieve smoother consistency with the oil-based to make consistency, I mean how uniform the colors are. Starting this exit of the consistency in terms of the preset, using the same color by applying two different places. The low-pressure, the median fissure, and finally, the high place. And as you can see, the same color with the three different tracer, the consistency of the color increases as we increase the pressure. Now moving on to consistency in the context of stippling technique. For this example, I'll be drawing three slices of the red velvet cake using the stippling technique combined with the parcel overlaying for blending with a different kind of printer. Starting with a tear, adults were the first slice applying very low prison. Defining the outline for the slides with the pencil. Finally sketching out the outline for the title and the final slides. Going back with the data. Those were the first slaves applying very low presser with the data rows. With this, we are done with their data rows for the first slice. Now going in with cadmium red deep view, applying low presser with the cadmium red deep, you particularly overlaying it on top of the data rows, as well as surrounding the theta roles, whether adding a little bit of more cadmium red deep view for the inside. And with this, we're done with the cadmium red deep view. Finally going in with cadmium red pale hue, completely filling the inside of the slides with this cadmium red pale you. With this. We're done with the example of the red velvet slice using where the loop is. As you can see, the consistency of the colored after blending using the stippling technique is very low as we applied very low Pisa. Now moving on to the second example, the statement will be applying media implicit. Here I've already started with the data rows with the medium pizza and release. We're done with that data load. Continue forward with the cadmium red deep view. Doing the same parcel, you overlay it on top of that data rows as well as surrounding the pyranose with this cadmium, they'd be pills. Finally going in with cadmium red pale you completely filling the inside of the slice with this cadmium red hue, as well as adding a little bit of the scan when they fail you on top of the cadmium red deep view and on the top of that data rows. With this, we are done with our second slice. As you can see, the consistency is somewhat more better as compared to the earlier ones. Finally, moving on to the third place, applying medium to high pressure with it. This acting with their data rows, creating stippling marked with this data rows. I will be mainly concentrating the data rows on the corner and a little bit further insights. Now going in with cadmium red deep view, particularly overlaying this cadmium red deep view on top of that theta roles, as well as surrounding that arose with it. Earning a little bit of cadmium red deep few here and there. And finally going in with cadmium red pale you applying medium to high pressure with this cadmium red pale you and filling the rest of the empty spaces for the slides. As well as adding a little bit of this cadmium red pale you on top of the cadmium red deep you and on top of that data rows. And with these we are done with our third slaves. These were the three example of the slices. As you can see, the consistency it moves with the heavy presser. Foot out to me and predict will be a plain grease or in-between heavy to medium with the stippling technique. Now adding the top or the slices with low, medium, and high prices. For this first one, I am using gray and the white. The second wetland be using settlement pink and starting with the salmon pink for the top of the second slice, applying medium vessel with the settlement thing. Now we're going in with a white blank medium presser with this fight to blend it with this element being released, we're going to be the top for the second slice. Moving on to the third slaves, this time I'm using heavy please. Uh, starting with the settlement thing. With this, we are done with the settlement pink. Finally, going in with the white, applying high, we've listed with the white to blend it with the sedimenting by using stippling technique. With these, we are done with the top for the three slices using medium and heavy preset Moving on to the consistency of the color in context of blending this multipath live blending that color by our LinkedIn part of that color on top of the other. Well, this I'll be showing you two examples when we did the medium presser and other with the heavy bristle. Starting with the pencil escapes football does lysis. Adding the top for blending will be mainly using the having in medium presser disbursement needed with diabetes. And the second one will be with the medium pressure. Now moving on to the second slice with their data rows. With these, we are done with that data rows for what does licensed. Now going in with the cadmium red VPU, partially covering the data rows with this cadmium red deep view, as well as surrounding the data rows. And with this, we are done with the cadmium red hue. Finally, going in with cadmium red pale hue, completely filling the rest of the inside with this cadmium red pale. You applying high repressor with it, overlaying it on top of the cadmium red VPU as well as on top of that data rows. Now moving on to the second slice, applying medium presser with it. Silly overlaying it on top of that data, those, as well as on top of the cadmium red deep new, completely filling the rest of the inside with this cadmium red pale hue. And with this we're done with that can eliminate bill you for what dyslexia is. Adding a little bit of more cadmium red pale you for the second slays. An a. Now let's color the top for this license. For this post. Like I'm starting with cadmium lemon peel, you know, going in with the white to blend it with the, applying heavy pressure with the white to blend it with the cadmium lemon pale hue. And with this, we're done with our first slice using heavy Faisal. Moving on to the second slays, starting with autoimmune and now going into the white, applying medium pressure to blend it with the origin. And with this, we're done with the book does lasers using heavy paste it and then medium piece it. Lifts on Moscow or painting. See you in the next video. 7. Cherries and Leaves: Moving on to the leaves and the theories. Starting with a leave. He had either two of the pencil sketches for the leaf. When a new set of three leaves. The second one you said talk to leave. Well, the leaves we'll be using any two sets of the green and dark state analyte, does it? Well, this bus example, I am starting with the hookers green dark side of the green, overlaying this on top of the pencil outline. Now going into the spring green as the lightest shade of green and filling the insights as well as blending the insights and ideas. Moving on to the second live with the spring being. Finally moving on to the third and the final leaf spring being with this, we are done with the spring green, going back with the hookers green to redefine the edges and adding them midriff and the veins. Finally, going in with the scratching tool to carve out a detail for the midrib and Nevins for the leaves. Moving on to the second leaf with the splitting tool and release, we're done with our first set of three leaves. Now moving on to the second set of leaves. For the second set of leaves, I'm using amigo as a darker shade of green and yellow. Green is the lighter side of the green. Here I've already started with the indigo. With this, we are done with the indigo. Now going into the yellow green, filling the insights with the yellow-green, blend into indigo with a yellow green. A little bit. With this, we are done with the yellow-green going back with the indigo to redefine the edges and to add the matrix along with the means for the leap. With these, we're done with the list for the second set of leaves. This time, instead of using the scratching to carve out a detail for the leaf, I'm going in with the white colored pencil to add the midriff and the veins were the leaf. Now for the outlining going in with the green colored pencil. With these, we are dealing with the leaves. Moving on to the Jerry's, Jerry's and very simple to draw the starting with that data. Those were the outline. Adding the cadmium red deep view for the ones I know going in with the cadmium red pale hue, filling the rest of the theory with this cadmium red pale hue. And for the highlight, I'm going in with the white and going back with the brown for the outline. Here's another sketch for the two theories. And finalists gets were the three Jerry's following the same procedure, starting with data without lane? This time reading a little bit updated, those were the inside to create more variation and saved for the color. And with this, we're done with their data rows. Now going into the deep view of cadmium red for one side. And with this we are done with the DPU. Finally going in with the cadmium red pale you for the rest of the empty space. Now let's outline Nigeria, going in with the brown colored pencil. Finally adding the highlight for the series with the light. And release. We're done with the cherries. My knee moving on to combining both the cherries and the leaves. For this first example, I have started with that data rows for the signal cheering. And I'll be adding to leave designed it. And with this we are done with their data, those for the outline as well as for the inside. Now, going near with cadmium red deep view, adding this cadmium red dp on the one side. Finally going in with cadmium red pale you for the rest of the inside. With this, we're done with the cherry going in with the hookers, green for the leaves. I think the second leaf. And with this we're done with the hookers green. Now going into the spring green. With this, we are done with this spring green lead defining the outline and adding the details for the leaf. Finally, adding more details with the scratching. Lastly, doing the outline with the pencil. And with this we're done with the first set of cherry and the leaves. Finally, moving on to our final demonstration of the theory and the leaves. For this, we'll be drawing three cherries along with three leaves. Starting with the tear is going into the cardiomyocyte DPU. Finally going in with the cadmium red pale hue. This gives you a guideline for the leaves with the pencil. Following the same steps for the leaves, starting with a darker shade of green for the outline, and then midrib along with the readings for all the three leaf node going in with the lightest shade of green, filling the insights and blending it a little bit with a data set of the greens. I'll be using different rate of green depending upon the color of the pea. But what I, what I mean, those are finally moving on to the last leaf. And with this, we are done with the lightest shade of green this day. I'm not going back with a darker shade of green as the outline and insights are clearly visible. Now going into this graphing tool for the insights. Finally, defining an outline with the green. Lastly, adding the highlight with the white and release. We're done with the leaves and the theories. See you in the next video. 8. Berries: Moving on to the demonstration for their babies. In this section, I will show you how you can easily draw four different kinds of berries with the ILP is still starting with a strawberry. Discussing the outline for the strawberry. Starting with the whiteboard, the lightest again. I'll link this white with the yellow. Some orange stuck to the yellow are listing the pistol after blending with having continuing forward with the yellow. Now going into the thing. Finally going in with the cadmium orange. Cadmium orange on top of the other two color with low presser. Now I'm going in with cadmium red deep knew for the site, creating small semi-circles with this cadmium red. Now I'm going in with cadmium red pale, you adding a little bit of cadmium red pale, you find the mean going in with the arrows. Using scratching tool to create mark and carve out the red and the data rose from the top layer to soda underneath, colored by yellow. The pink and the light. Harding highlight with the white. If I knew going in with the orange outlines. For the leaves, I'm starting with the dark green excusing the outline for the leaves with this dot means no going into the light green and blending in with the dark green. Finally going to the scratching tool to create mark where the leaves. Lastly, outlining the leaves. Using the white colored pencil to add more detail to the lead. And with this, we're done with this probability. Continue forward with the blueberries. Starting with the Prussian blue would outline. Adding a little bit of dioxane viola, old links and Prussian blue on top. By me blending all the three colors together with the ironies. Put all these berries. I'll be reading the color depending upon the color of the paint. Adding highlights with the white. Here's another example of the three blueberries using the same colors and the steps starting with the Prussian blue Some dioxane violate our new blending that collect together with the IVs. Lastly, adding the highlights with the white. Elites were done with them. Blueberries. Continuing forward with the mulberry, starting with those kids. I'll be adding the colors in the form of conclude of them. I'll meeting. Starting with the theta roles for the center. Mel going in with cadmium yellow for one side near the upper part of the Mulberry, adding white on the other side. I think a little bit of orange. One more vibrancy by me lingering in with cadmium red deep view for the entire mulberry, overlaying it on top of all the colored with medium pressure. Lastly, I think the highlights with the white. And with this we are done with the basic color for the mulberry. Going in with a spatula tool to scratch the cadmium red to rebuild the underneath yellow, white, and orange a little bit. And release. We're done with the Mulberry, watered with the BlackBerry, starting with a skid. It will be the same as the mulberry Madrid different color. Starting with data rows where the sainted. I felt good to edit detail for the control. Adding that details with the pencil. Starting with Bruce in blue are the ones site. I think they're saying violet on the other. Now going in with iris to blend there to color in the form of small sphere. Hiding the IDs near the edges. Writing the IDs near the edges. Using a scratch into some of the curricular from the paper. By nulling going in with my white for the highlight. And with this we are done with the black maybe in the main project. And depending upon the color of the paper, I'll be using different shades of the same color. With this, we are done with the berries. See you in the next video. 9. Colors for the Class: In this section, I will show you the color that I'll be using. The re-development, I'll be using cadmium red deep and wide. And sometimes when he skin rate instead of that, they are adults who keep things simple for our main project. Instead of saying theta roles every time, always saying brown. And instead of cadmium red deep, you are visiting and be prayed for cadmium red pale you, Albion using red. The top of the cake, I'll be using different color along with the white, light green or OEM, salmon pink, and Naples yellow. What does draw me, at least Mulberry in the series, I'll be using cadmium yellow, cadmium yellow, cadmium red and cadmium and beat you and being used cadmium, orange and data at all. The leaves, I'll be using indigo, green, hookers green, yellow green, green, green. I want to go to Manson, cadmium lemon. Pay you for the talk. The blueberries and blackberries. I'll be using Prussian blue. Prussian blue, dioxazine, violet, ultramarine violet, iris, and your trope. The green of the leaves. You can also use Redeem new and permanent green. Dots and female beauty occur along with the white. I'll be using the colors depending upon the color of the pistol. People. Obese, we are done with the circling of the colors. See you in the next video. 10. Simple Slice Sketches: In this section I will show you the basic escapes his fullness, lysis of the red velvet cake in different perspective, orientation and placement. Sorry, I had to lower the brightness as the pencil sketch was not clearly visible. Starting with the first simple sketch of the cake in the form of a rectangle. Moving on to the second. The second is key to starting with a triangle for the top. Adding the site. No dividing the base for the slaves. Moving on to the third slice facing left, starting with the top, earning the other side of the cake. We're finding that nice. And lastly, adding the sides. Keep it low key, keep it soft. Spoken with no strings tying you to me. I'm happy in your company with no emulsion because my lab deserves to be free. For this vote slaves. I decided to add Trulia, following the same steps, starting with the top. Never want to lock, you know, your map mind. It's just mat turn but we can still have fun. Now. He told me You don't really do commend my trust me, consider your message received when you said you couldn't take us seriously. I must admit, I was relieved because I never want to play happy families with you, but I like having you around. The fifth one is three-layered red velvet cake. Starting with the basics people, this leads. We can still have fun now. So when you stop paying so much attention. And another direction, don't worry, I got the lead for the insight man. What a sad when a lady, he wanted a house in God and never want to lock you know, your mind, it's just math. We can still have fun. Now. No one will want to play happy families where you burn. Like having you around. The sixth slice is laying on the ground. Following the same state is starting with the top. This time is getting the top and the difference label. The sides. Finally connecting the site at the base layer for the inside. Keep it low key, keep it soft. Spoken with no strings tying you to me. I'm happy in your company would know emulsion because my love to be free. Data house and garden and never want to lock you know, your map mind. It's just my turn, but we can still have fun. Now. Now moving to the final one. This one, you just single layer facing directly at the center. It told me you don't really do commend my trust me, consider your message received. The side. You said you couldn't take us too seriously. I must admit I was relieved because I never want to play. If I knew that basically you burn. I like having you around fully aware this is a flush. We can still have fun. I decided to add more test cases for the other element for the cheese cakes, starting with a theory. So when you stop paying so much attention, first cutting out a strawberry reaction, don't worry about getting a minute. What I said when I said to them will vary You know, in my mind it's just math. We can still have fun. Now. I don't want to play happy families where you like having you go to the guidelines for the leaves are flashing. We can still have fun. Yeah, we can stay. Lean, moving onto this good for them, blueberries. And with this, we're done with the basic sketches. And now I'm going in with the black to darken the pencil sketch. Moving on to the second escaped, keep it softly spoken with no strings tying you to me. I'm happy with the pencils case for the third place is my love deserves to be free. Nano house and garden and never want to lock you know, your map mind. It's just my turn, but we can still have fun. Now, going on with the pencils case for the fourth slaves. Told me you don't really do commend my trust me, consider your message. When you said you couldn't take us too seriously. I must admit, I was relieved because I never want to play happy families. When we go to the pencil sketch of the fifth slice with this black. Fully aware this is a flushing. We can still have fun. Now. Stop paying so much attention. What are you going to the pencil skate of six in the finance lease? Don't worry, I getting a minute. What I said when I say God, I'm never want to lock, you know, Ian map. It's just matter. We can still have fun. Now. No one will want to play happy families with you. Like having you around fully aware of flashing the pan. We can still have fun from now. Yeah, we can still have fun. We can still have funds and now we've gotta keep it low key, keep it soft, spoken with no strings. Then you're moving on to the berries and the leaves. I'm happy in your company would know in motion because my love deserves to be free. Nano house and garden and never want to lock you down. And Noachian map mind it's just mattered but we can still have fun. Now, told me you don't really do commend, trust me, consider your message received when you said you couldn't take this too seriously. I must admit, I was relieved because I never want to play happy families with you. But I like it is in the pencil sketch with the eraser. Fully aware this is a flushing. We can still have fun now. So when you stop paying so much attention, when your dad had another direction, don't worry, I getting a minute. What I said when I said, God, I never want to lock, you know, in my mind, it's just math. With this. We're done with the basic sketches for this lesson. See you in the next video with more example of the slices. I don't want to play happy families with you. Like having you around 11. More Sketches: In this second video that's cages, I will show you different shapes and sizes up the red velvet cake for the main project. Starting with the elongated rectangular red velvet cake. Starting this gates with the front face of the King. Finding the length of the cake. Finally connecting the line at the back. For the second one, another rectangle. This time it is vertically long. Adding the two sides, connecting the lines at the back. Moving on to the third one, small cylindrical red velvet cake escaped, starting with the top, using them protecting line to draw the top or the cylindrical cake. Now defining the length with another two lines. Finally, I didn't know before this red velvet cake. This fourth is kitchens one side up around key, starting with Brian, this section of the circle. Now adding to another line for the side. Adding the lead, would the port gigs. Adding the label that cakes. Adding the lead for the cake. A new word will be crowned king. And with this, we're done with this case. Put this board clean velvet cake. Moving on to the ground game, you're the intersecting line to draw the top. Adding the sites would the cake. Finally, defining the base for this, B could own games. The sixth one is another big round cake with one slice taken out. Following the same steps, starting with them protecting line to draw the top of the key. I think the lines for the side. Another set of two lines at the center of the cake too. So this slice, this slice, adding the layer for the insights of the gate by ameliorating the Iliad through all the cake. With this, we're done with the 6 ft, moving with the seventh and the final escape, red velvet cupcakes. This will be the same as the third cake with frosting on the top. When these were done with the basic is good for all the kids. Bring in with the black over all the pencil sketches for the red velvet cakes slices. Starting with the outline of the cake as well as the basic shape of the kick. And then adding that repeats what the insights of the cake Moving on to the second SKT with the black. Keep it low key, keep it soft. We spoke with no strings tying you to me. I'm happy in your company would know emulsion because my love deserves to be free. Now moving on to the part escaped with this black hair, I don't want to lock you know, your map mind. It's just my turn, but we can stay on. Now. Outlining the fourth pencil sketch with the black. Told me you don't really do commend my trust me, consider your message received when you said you couldn't take us too seriously, though, writing the details was relieved because I never want to play happy families with you, but I like having you around. Fully aware this is a flushing. We can still have fun. Now. Moving on to the second sketch. So when you stop paying so much, your head in that direction, don't worry about getting a minute. What I said when I'm adding the layer for the insights, you know, Ian map, It's just matter. We can still have fun. Now. We go to the seventh and live by looking at the families with you. Like having you around. Adding more detail for the frosting of the key fashion. We can still have fun from now. Yeah, we can still have fun. We can still have fun. Keep it low key, keep it soft, bespoke and wouldn't know. And with this we are done with the black. It is in the pencil mark. Happy in your company with no emulsion because my love deserves to be free. Nano house and garden and never want to lock you know, your map. It's my turn but we can still have fun. Now. It told me you don't really do commend my trust me, and releasing. We are done with the second demonstration video of this kitty. As you said, you couldn't take us too seriously. I must have made a lot of play happy families with you, but I like having you 12. Six Red Velvet Slices: In this demonstration, I will show you the example of the red velvet simple slice using different techniques, color and layered. Starting with the sketching the outline for the six slices. Keep it low key, keep it softly spoken with no strings. Time, new to me. I'm happy in your company would know emulsion because my love deserves to be free. Natalie, about a house and garden and never want to lock, you know, you're not mine. I think that's helpful to sit places. We can still have fun. Now, told me you don't really do commit. Trust me, if you consider your message received when you said you couldn't. Seriously, I must admit. I never want to play happy families when you burn. I like having around the series of flushing. I decided to Adelaide for this license and then decided to show you how to add the list even without the sketchy layer for the slaves, as well as lightening the hole is kitchens. So when you stop paying so much attention, you're moving in another direction. Don't worry, I getting a minute. What I said when I said, God, I never want to lock, you know, Ian map. We can still have fun Now. No one ever want to play happy families where you burn, like having you around fully aware of flashing the pan. Now let's mean starting with the first simple slice. For this, I am starting with the white for the top and not adding any other color for the top. This last slides I'll be using blending by applying heavy blizzard. Applying it to celebrate this fight to get a uniform consistency of the color for the top of the slaves. I'm going in with the Pareto, defining the outline them in this data tools, as well as adding a little bit of data, those two inside this slice. Now going with the cadmium red deep view overlaying it on top of the brown as well as surrounding it. But any overlaying it on top of the roof as well as surrounding the data rows. With these, we are done with the DPU. Finally going in with the cadmium red pale you filling the entire inside of the slides with this cadmium red pale you as well as overlaying it pass early on top of that data rows and the cadmium red DPU. With this, we're done with the first example of the simple slice using blending technique as well as applying every place. We went to the second example of the slides. For this, I'm using stippling technique. Starting with the grip or the top of this layer is now going in with the white and overlaying it on top of the grid by creating stippling mouth throughout. And with this, we're done with the gray and the white for the top. Now continuing forward with the data rows, concentrating this data, those mill at the top and on the left side of this leaf Adding a little bit on the bottom as well as a little bit for the insights of the cake. With these, we are done with the data rows. Now going in with the caddy emulate VPU, adding it beside the data rows. I think it beside the data dose and basilic covering the data rows with this cadmium red, deep red. These we are done with the cadmium red BPO. Going in with the cadmium red pale you willing the rest of the inside with this cadmium red pale you. And with this we are done with the second example of the slave. Unfortunately for the third slice, my camera is done. For this part slice I used white and cadmium lemon peel you for the talk. And for the rest I use when it's in red and green codon. Moving on to the fourth one, starting with Naples, yellow for the top and the middle. Now going in with the white for the top and the middle. Now for the inside, starting with a monolayer. Adding the cadmium red hue or whether they're adults. We've gotta keep it low key, keep it softly spoken with no strings tying you to me. I'm happy in your company would know emulsion because my love deserves to be free. National data house and garden and never want to lock you know, your map mind. It's just mattered but we can still have fun. Now, told me you don't really do commend my trust me, the message received when you said you couldn't take us too seriously. I must admit I was relieved because I never want to find me blending the rest of the inside with the cardiac unit pay you like having you around. Fully aware this is a flushing. We can still have fun. Now. When you stop paying so much. Dad had in that direction. Don't worry, I can read these were done when the fault lies. Moving on to the fifth place. For this, I am using salmon pink for the top along with the weight. Then moving into the list with this element being the right and blending it with this element being gone. A lot, a lot. Jazz matter, we can still have fun. Now. When an adult want to play happy families where you're like Avenue. Fully aware now for the inside is following the same steps in the same color, starting with the data rows. With God and keep it low key, keep it soft. We spoke with no strings tying you to me. I'm happy in your company would know emulsion because my laughter serves to be free. National data house and garden I know you're not going into the cadmium red deep. You can still have fun. Now. It told me you don't really do commend my trust me, consider your message received when you said you couldn't take us too seriously. I must admit, I was relieved because I never want to play happy families with you, but I like having you around. Fully aware this is a flushing. We can still have fun. Finally, adding cadmium red pale you. When you stop paying so much attention, you're headed in that direction. Don't worry, I get in a minute what I said when I'm gone. And with this, we're done with the first example. Moving on to the sixth and final example, starting with the grief for the top. I think the grief or the layers. Beside this gray, I'll be using cadmium lemon peel you as well as the white matter. Now, I don't want to play happy families when you like having you around flashing. Now going with cadmium lemon peel you for the top and we can still have fun. Finally going in with the white to blend degree in the cadmium lemon peel you. With these Wagner me the top layer of the cake. And with these we are learning with the top and the layers of the cake. Well, we can do the rest of the cake using the same color and the same process. Starting with a rope. Keep it low key, keep it soft. We spoke with no strings tying you to me. I'm happy in your company would know emulsion because my love deserves to be free. Data house and garden. I never want to lock you know, your map mind. It's just matter and we can still have fun. Now. Know going in with cadmium red dots, you told me you don't really do commend my trust me, consider your message received when you said you couldn't take us too seriously. I must admit, I was relieved because I never want to play happy families with you, but I like having you around. I'm fully aware this is a flushing. We can still have fun. When you stop paying so much attention. Finally, going in with cadmium red pale you that direction. Don't worry, I getting a minute. What I said when I say God, I'm never want to lock, you know, in my mind, it's just math. We can still have fun. Now. Know an adult want to play happy families where you like gabbing, you are fully aware of flashing. We can still have fun from now. Yeah, we can still have fun. Have fun. With this. We are done with the demonstration of the six or eight development cakes slices. See you in the next video. 13. 1st Slice of Red Velvet Cake: Starting with our first project, first slice of the red velvet cake, starting with the pencil is good in the form of a square. Finding the top. This lace in the rest of the part one, I'll be using stippling techniques. I think the pencil mark with the region. Now let's mean starting with the top, going in with the cadmium lemon peel you for the top. Lightly going over this gate with the cadmium lemon peel you, I think a little bit of cadmium lemon peel you, for the insight of the Lear know going in with the white covering the majority of the lemon here with this white by using a stippling technique. With this, we are done with the white for now. Going in with a one-way adding it on the lower part and a little bit on the top, blending the grid a little bit with the white. And with this we're done with the top one. Now, continuing forward with the data, those things deploying mark on the bottom coordinate with the state arrows. Hiding the data rows below that green. Adding a little bit of more mark all the insights with the arrows. Adding a little bit of more marked with the stippling technique for the insights of the cape. Increasing the concentration of data rows for the corner. Discovering that I talked about that later. And release we're done with the data will continue by red with the cadmium dark. You said owning that data load as well as partially overlaying it on top of it. Good luck in and feel. To the other corner with the cadmium red dark hue. Finding the dot q for the upper part. Good, fully adding it below the top. And with this, we are done with the cadmium dark, you know, going in with the white. Adding a little bit of white with either cadmium red dot you adding some more white over the data rows. And with this we are done with the white by kneeling going in with cardiomyopathy you to fill the rest of the inside as well as particularly overlaying it on top of that data rows, cadmium red hue and the right. Rewinding the left side of the slides regulating texted outline him at this cadmium red pale you. I didn't get on top of the dado. Now to take a look carefully at your slaves and add the cadmium red pale you wherever required. With this, we are done with the cadmium red pale you doing Mac with a grid to create the cast shadow for the cake. Finally, adding some more grip on the top. If you're satisfied with your slides, there is no need to add any more colorful. And with these, we are done with the first letter of the red velvet cake, as well as our first main project. Let's unmask our painting. See you in the next video. 14. Three Layered Red Velvet Cake: Moving on to our second project, three-layer trade well-read key. Starting with the pencil sketch for this project, defining the CBO, the top sites one is lazy. You think it's connecting the sides and the base. Nina, please getting the three layers. With this, we are going to be the rough sketch for the slaves. Lightening the pencil mark. For this slides, I'll be using stepping technique. Now, let's paint our second slave, starting with a green border top, as well as the layer for this laces. Definitely defining the outline of the talk. Just fine. Moving on to the layer with the green. Moving on to the middle ear with the green moving into the last layer with the gray. And with this we're done with that report the layers. Now filling some grief for the insights. With this, we are done with the green. Now going to move into white, overlay it on top of degree, as well as filling the rest of the top and the layer with its way up laying here we visited with the white to blend it with the green. Now moving on to the layer with the white. I think now I put the middle ear just fine. And you think it's the right one. The last layer Adding some more white wherever required. And with these, we are done with the white and the gray for now. And now let's paint the inside, starting with a data mining into the corner. No, I didn't give just below the three layers of the way. I did some of this data that was on the right. Finally adding the data dose for the bottom of each layer. With this, we are done with their data. Those blend in with the cadmium red dark. Surrounding repeated rows with cardio May Donoghue as well as partially covering it. I want him to be riddled with cadmium red dot you as well as partially covering it. Moving onto the last layer with cadmium red hue. And with these, we are done with the cadmium red hue. Continue forward with the cadmium red hue. Preliminary list of the insights of the layer with this cadmium red pale you as well as partially covering it on top of that data rows, as well as cadmium red hue. Finally adding the cadmium red pale you for the upper limb. Just fine. Thank you. With this, we are done with the basic coloring. Now to add more definition. Adding some dark you for the talk show. Bringing back with the grid to define the edges a little bit more and partially blending it with the read and write. Adding some more white to blend with the other color. Now I'm going to separate the layers on top of the edges to create a transition from white to the ring. Going back to blend it with the white a little bit more with the rest of the lift. With this, we're done with that really ended velvet cakes life. No hiding the saddles. Going in with a green. I knew going in the right bundle saddles. And with this, we're done with the second project. See you in the next video. 15. Red Circular Top Red Velvet Cake: Moving on to our third grade valid slate. Slate, circular top, red velvet cake. Following the same steps. Well, as good as I told you in the sketching section, using the intersecting line, two daughters, kids for the top. Binding the height of the cake with the middle lane, adding the sides. If I knew that before the gate. Now lightening the pencil escaped for this cake also, I'll be using this Dublin technique. Starting with the data at once. What an outline with a low place. Defining the rest of the outline with the white. I'm using that data for the top and the bottom. Lean back with the data, those starting with the top light side with this data due to the lower text elemental state at all. Pioneering that data goes for the bottom layer of the cake, starting with underneath the white, with the state. Now moving to the bottom with this data at all. Good things in, but I'll be saying brown instead of data rows be played for the cadmium red dark hue. And it put the cadmium red pale, respectively. Adding some more brown for the top. With this, we are done with the brown. Now going in with their deep brain. Surrounding the brown with this deep red and partially covering the brown with listening bleed. Thank you. Thank you luck in and moving on to the bottom layer with this deep brain that are running the brand with this deep red as well as partially covering here Pardon me, I think maybe put it on the top. Defining that I want it on the tablet Israel. And release. We're done with that depleted. Finally going in with the rate for the rest of the cake. Starting with governing the white on the top. Willing then title the top. We're now adding it on top of the brown and the deep red. You went to the bottom in the red, filling the rest of the empty spaces with that egg. No basale overlaying it on top of the brown MLB played. Repeats. We are done with the red. We met with the grief or them. Bring the right side as well as the lower part of the Wide Web this way. Going back with a blanket on top of the gray as well as the rest of the empty spaces. Blending that aid with a little bit. With this, we are done with the king. No, going back with the green for the base, below degree at the bottom of the key. Some more white wherever required. If you're satisfied with your painting, there is no need to add more colors. These were done with our pod project. Let's unmask our painting. See you in the next video. 16. White Circular Top Red Velvet Cake: Start being out for white settler top two layered red velvet cake, following the same guidelines as a cylindrical cake. If I hide with them article intersection line. Adding the side, defining them is with these, we're done with that rough sketch with a big lightning, the pencil mark. You think that you like and you feel. Now let's screen starting with the bite whether top and the two left in the middle. Outlining the second layer with no eighth note outlining the rest of the shape of the cake. No outlining the rest of the shape of the cake. And with these, we are done with the whiteboard. Now, know going in with the group or the contrast, starting with the top. Adding the grainy and outline. Adding a little bit of grief for the inside. Adding a little bit of grief for the insight. Logging on to the second layer, adding a little bit of grief for the inside. And with these we are done with integrable. Now, going back with the white to create the stippling marks, filling the insights as well as governing megabit bar. So leave it the writers diplomat. Good. Governing neglect as well as we live the insights of the layer with the white. Just fine. And now adding the whiteboard, this layer governing degree as well as we leave the insights of the layer with the white And with this, we're done with the whiteboard, the layers and the top. Now let's mean the insights are starting with the brown. Starting to add the brown from the left side. Hiding a pin lane number stippling mark below and above the white layer. Well, you're going to them in the layer with the brown. Adding a thin line up a stippling mark below and above the white layer. By adding the brown for the bottom layer. I think they're brown for the base and reduced. We are done with them now. Continuing quadrant with a deep red set, owning them around as well as partially covering them down with this leaf brain. We went to the middle ear with the deeper in repeating the things that I will link them around, as well as partially covering the brown with this deep rail. Finally, adding that'd be great for the bottom layer and everything. The theme surrounding the brown, as well as partly covering them around with this visa. With these were done with a deep red. Finally going into the red, starting with the middle ear, filling the rest of the empty spaces with this rate, as well as partially overlaying it on top of the deep red and the brown. Moving onto the bottom layer with the red doing the thing, filling the rest of the empty spaces, as well as partially overlaying it on top of the red and the brown. Finally adding the rate for the top layer. I think somebody on top of the brown and the deep red. Now I'm adding some layered on top of the other two color beer. They required release. We're done with the coloring of the key. Removing the oil-based oldest. Finally going into the group or the side does on the ways. With this, we are done with the forward rate development cake. Let's unmask our painting. See you in the next video. 17. Red Velvet with Toppings: Continuing forward with our project, re-evaluate slices with other toppings. Starting with growing this kid for the slaves. Discussing the top in the form of a triangle. I think the sides defining the bees. Let's getting the lead for the slaves. Now let's lighten the pencil mark. Starting with the cadmium lemon peel you for the top. Adding a little bit more insight. Moving on to the layer with this cadmium lemon pain, you adding a little bit of more cadmium lemon peel you for the top. And with this we are done with the lemon yellow. Now going into the white, a blank heavy bristle with Debye to blend it with cadmium lemon peel you as well as we live the rest of the inside. Applying heavy bristling with the white to blend it with the cadmium lemon peel you to a finer, an uniform consistency. With this, we're done with the white for the torque. Well remember the site of the layer with the white doing the theme, applying heavy pressure with the white to blend it with a lemon due to a finer and uniform consistency. Moving on to the left, starting with the solid layer, applying heavy blizzard with this white to blend it with the rest of the colors. We went to the two layers of the lemon you in the middle and at the base. Moving on to the last layer with the white. With this, we are done with the whiteboard, the layers and the top, removing the oil-based Hilda's. Now taking a look back at your slaves and adding a little bit of more white as some of the places where not that consistent with these, we're done with the white for the layer continuing forward with them around, starting with the lower lip. Concentrating the brown and the continent and a blank medium for everybody said, but this down. With this, we are done with the brown. Now going into winter, be prayed. Adding it partially on top of the route and surrounding it, written on the corner. That eight on the side. I read this, we are done with that. Finally going into the red bleeding having been said, I'm blending it with the rest of the color Overlay it on top of the brown and the deep red. For this upper layer, I decided to use Elman pink along with the rest of the column, starting with the red to create random dots. And in some brown on top of it. Now I'm going in with this element being and covering the red in the brown, as well as filling the entire layer with the sibling. Gradually filling all the empty spaces with this elegant pink. With these were done with both the layers moving on to the top instead the top thing with debit own beliefs they miss that got a lot of semi-circles with the brown. These were done with creating semi-circles with debit own. Now going into the red to compete the semi-circles of the brown to complete the toppings. And with this, we're done with the red for the toppings. Finally going in with the white to add highlight what the toppings release we are done with. This leaves me with a grip on the sourdough, Laying wait on top of it and blending it with the grid. Using my finger to blend, agree with the white to create the blurring fact with us. I do. With this, we are done with our field project. See you in the next video. 18. Round Red velvet Cake: Moving on towards that project, nouns lights up an environment King, starting with the pencil escape, skipping the other side. They finding them before the slaves. Just getting the other place. This getting mixed up with a game. And with this, we're done with the basic pencils cage. Lightening the pencil mark where the region, the moon there it is. This does. Now let's beam, starting with the white to draw with a pencil outline, defining their lives. What does lays? Now moving on to the other slides with the white, I mean the Leopold, the other slaves. And with this we're done with the whiteboard outlaying. Continue forward with the grain, filling the green side, the white outline for the talk, as well as the two layers in the middle. These were done with billing degree for the top, moving on to the leaves, moving on to the layers of the other slice. And with this, we're done with the green, going back with the white to blend it with the gray, as well as filling the rest of the inside with the white. Using the stippling technique to feel the weight as well as blending it with the green Greetings diplomat with the Y2K over the top. I didn't. I might put the lower layer. Then moving on to the layers of this lays creating a stippling mark with the right to cover the top, as well as to blend with the green. Lucky I didn't know whiteboard the side. With these, we are done with the white. Adding the brown for the upper and the lower layer. I'm leaving them in the layer as I leave feeling brown and a yellow ocher later on. Moving on to the French slaves, earning their brown for the upper layer. Finally, earning their brown for the lower layer. A little bit of more brown for the second slice. And with this we are done with debit own. Now going into that deeply for the layers, starting with the friends lives, I didn't get partially on top of them around as well as surrounding them around with it. Moving on to the bottom layer with a deep red. Now moving on to the second slice with a deeply knowing the theme, I didn't get partially on top of the brown as well as surrounding them down with this deep. They're now moving on for the top layer. With this, we are done within the deep red as the second color for that we're feeling. Now continuing quadrant with the red, filling the rest of the insights with Israel. Completely filling the rest of the empty spaces with the rate as well as Martele covering the brown and there'll be played lastly, filling the lower layer of the second slice with the rain. And with this we're done with the red. Starting with the themes model, random stock with a brown for the board does lysis. Now I'm going in with the auger and filling the insides of the middle layer as well as overlaying it on top of the brown with the stippling technique. Moving on to the second sleep liberating machine, filling them sides of the middle layer as well as overlaying even pop up their brown with the stippling technique. Now going back with the grid to add more contrast to the top of this life by adding a little bit of green here the outline. Finally, partly blending, agree with the white background. I am starting with the green. Finally badly blending degree with the white background. Adding some more. Wait for the layer wherever required. If you're satisfied with your painting, there is no need to add any more color. And with this, we are done with devils x product. Let's unmask our painting. See you in the next video. 19. Rectangle and Sliced Red Velvet Cake cake: Starting the seventh project with the pencil sketch for this will be drying two slices. One rectangle, Edwin and other non-Muslims, starting with a sketch for the rectangular headwind hardening, that means for the rectangular Slayer. This getting the front lays blaming liftoff for the slaves. Hiding their base, hurting the other side. It is in the overlap part of the rectangular slaves. These were done with the sketch for the two slices. Finally, lightening the whole escaped with the eraser. Now let's paint, starting with the why to draw the outline of the shape of the slaves. Learning that rectangle. Let's leave no outlining the layers of the slaves. Who I play, football does laces. Moving on to the French slaves with the way I think the final layer with the white. And with this we're done with the outline in this case is where the tooth lasers with the white. Now let's color the slides. Starting with a rectangular slave, starting from the back of the slaves, lived down on all the sides of the rectangular slave. Well, we went to the layers with the brown, I think comparatively more brown for the front layer. And with this, we're done with them around for now. Continuing forward with the red, starting with adding the beep it on top of the ground and then surrounding the brown with a deep pain relief. We are done with that deep red for the top. Moving on to the two layers, repeating the scene that starting with adding the deep laid on top of the brown And then surrounding it. With these, we are done with a deep red for the rectangular slaves. Finally going to be that n, starting with billing the top with the red, old lameness right on top of that deep red as well as on brown. Now moving on to the layers with that and feeling the layers with the red and overlaying it on top of them round and they're deeply. Finally moving on to the last layer. Doing lithium, willing the rest of the empty spaces with a rate as well as partially covering it on top of the deep lit and the brown. And release. We're done with that deep red LED and brown for this rectangular slaves. Now let's paint the leaves going in with their grief or the insights of the white layer. Adding a little bit of grief or the inside. No, going back with the white to fill the inside and blending the gray and a little bit of brown with the white. Earnings are more readily in the ED. With DC, we are done with the rectangular slaves. Moving on to the frontlines. I didn't agree for the sites and the layered going back with the white to fill the top and the layer, as well as blending it with the grid to as smooth consistency. Filling the lipid a dove. Lastly, filling the whiteboard, the side. With these, we are done with the white, continuing forward with them around for the three-layer, concentrating the brown on the partner. I think the brown for the middle ear. Finally adding the brown for the base layer. And with these we are done with the brown. Now I'm going in with a deep red parts, the leaker ring, they're bound with all the layer as well as surrounding the brown with a deep red. Now moving on to the middle layer of the deeply doing the theme parks, I like having them around as well as surrounding the brown with this deep red. With this, we are done with that deep red for all the three layers. Finally, going into without it feeling the rest of the insight of the three-layer with this red, starting with the base layer with this red. Moving on to the middle ear with the red. By merely adding the rate for the top layer. Adding some more red wherever required. If you are satisfied with your painting, there is no need to add any more colored fiber and release. We're done with number two slices. Moving on to the base. For the base, I'm starting with the brown. Now going back with the white and adding it on top of the brown and applying it to blend it with the brown. Adding little bit of more white for the base. Oil-based or dust. And with these, we are nothing without sound project. See you in the next video. 20. Jam Covered Red Velvet Slice: Starting on the agenda, gem colored red velvet cake. The school is in the form of rectangle, starting with the top of the slide, where the slaves. And with these we are done with the reference case for the slaves. Now lightening the whole pencil escaped with it isn't. Now, let's mean starting with delight to go but the shape of the slaves at times. But still calves. And crazy. With these. We are done with the whiteboard outline. No writing the whiteboard, the layer. For this slides, I decided to add three consecutive layers. With this, we are done with the outline and the layers. Now going in with the green for the top and for the three-layered, adding a little bit of grip on the top and for the side. Now moving on to the layers with the gray. With this, we are done with degree. Going back with the white tuple, the top, the sites as well as the three-layer, the starting with the white for the top. Using the stippling technique to cover the top and blended with the gray hoses. Now moving on to the sites with delight with you. I spend now You spin me on the way and release. We're almost in the middle, top in this age. Going back with a grid to really buy into it a little bit far to leave them in the green from the aid. Now, moving on to the layer with the white stippling with the right hand side, as well as cover that they'll be partially no going back and forth with the white over the top and the layer to get a smooth consistency of the color. With these, we are done with the right for the top layer, continuing forward with the brown for the other four layers. Starting with the French side of the slides, with the Minoan, mainly adding them down near the white layer and a little bit on obesity it and on the corner Moving on to the base layer. And with these we are done with the brown for the French were going to the side with them down the starting brother top layer and moving downward with them down there but on foot, olive oil layer, adding them down for the Padlet. Finally, adding more ground wherever required. With these, we are done with the brown for the leaves. Now going and even that deep red, I think that'd be bred partially on top of the brown as well as surrounding them around with it. I think that'd be played for the second layer. I mean, the deep red for the third layer. Here. I think that'd be great for the base layer. Adding it on top of the brown and surrounding it. With this, we are done with a deep breath for all the layers. Now moving on to the front side with a deep red or adding it on top of the brown and surrounding the brand when they're different. Just blow. This. Feels like that gauges please calm insanely. Fast becoming the side with a deep red by overlaying it on top of the white outline. And release, we are done with the depraved. Find the mean going millimeter in. Filling the rest of the empty space is called the layer with the raid. Moving on to the front side of the slides with the red, starting with the top layer and gradually moving downward with the red, filling the rest of the empty space for the layer with the red, as well as overlaying it partly on top of the brown and the deep red. Hi advice. So I turn the ashes sometimes small. But she'll still surprised if we had kept it going crazy now, but chewed on. And now it's not slipping the rate for the base layer, the frame, start to play. And with these, we are done with the colored for the cake. Now moving on to the gym, starting with the ground, this case the guideline put the jam on top of that slice, as well as unmodified With, you know, thrilling main sites of the dam with them around a little bit. Once you feel the way you got me, call me crazy. Now, going into that deeper to pin the rest of the insight that's been that's partially overlaying it on top of the brown. Doing this with all their dam. The mouse's down again. This rod to just blow this. No, going back once again to get them down to darken a jump to create contrast between the rate of the key and the Jim's. Gauges. Please come and keep them down again. Finally, lightning and jam with a bite. The, the white need the sides a little bit with the jam on the top. And with this, we're done with the jam. Moving unto the beast for the key, going into the grave with dummies. Take a look back at the old slaves and add a little bit of a required. I was not satisfied with the gem, so I decided to add a little bit of more deep played. With these. We are finished with our project. Let's unmask our painting. See you in the next video. 21. Cherry and Leaves Red Velvet Cake: Starting now at nine project, tearing the lethal aid velvet cake. Starting over the sketch for the nine project. Here I'm already starting with the pencil, this case for the top. Adding the site for the slave, defining the base wireless lays. These were done with the basic shape of the slaves. Know lightening the pencil mark with the visa. Reading the tea leaves and the leaves. A little random and painting. Now let's paint the starting with the green. We lowered the outline for the top and the side with the gray. For this cake, I'll be using green cadmium lemon peel you and a white for the sides and the top. Now feeling a little bit of grief or the insides of the outline. No going in with the cadmium lemon being you finding it beside the gray randomly. Moving on to the other side with the lemon yellow. With cadmium lemon peel, you finally going in with the white, finding a picky in and white on the top of degree and the cadmium lemon peel you blending the two colors together with the white by applying, I repeat it. Hi In times and smoke, but she'll still sue price. Caps. It call me crazy now. But because you live and release, we're almost done with the top plane. So again, this rod is moving on to the side, repeating the same, adding a peculiarity of white on the top of the tree and the cadmium lemon be due Sunday with you. I spend nice. My knee, I think that might put the bottom Texan adding a thick layer of white on top of that to be in the cadmium lemon peel. You blending the two colors together by applying heavy Peter with these weird delimiter white for the top and the sides. They moving the ILP style does. The garden was not, not clear, so I decided to add a little bit of more weight. Now let's color the enzyme using the same three color, brown, deep red, and the red. Starting with the Brown. Said arming them right on the side with the brown. I think some random strokes around in the middle. Lastly, having them around for the beef. And with these we are done with the brown watered with a deep red. I didn't get on top of the round as well as surrounding them around with the blend. I think that'd be played in the middle. Well, we look at the bottom with that being played more deep red near the head. With this, we are done with the deep red continuing forward with the rate for the rest of the insight covering the whole inside with Israel. I think a little bit of red on top of that deep laid and the brown. Well, we look at the bottom with the red. And with this we're done with the basic color for the key. Now let's add the theories and the leaf. I'm just darkening with the whole goods mean for the outline of the leaf. Using overlaying technique. This case the guideline of the leaf on top of the white, sketching the midrib than the mean for the leaf. With this, we are done with the hookers green for now. Know going into this spring green for the inside, filling the insights of the all three leaves with this spring green. Just blow. This. Feels like that gauges, please calm and hoses. And with these, we are dealing with a spring green going back with the whole gasoline to redefine the shape of the rib as well as to add details. Finally, using the scratching to carve out the green to the will divide, we need to add more details and contrast to the leaf midrib and the veins with the scratching. And with these we are done with the leaves. Finally, adding the theory's going in with the brown to squeezes or glyph or move the theory, as well as adding a little bit of brown for the inside. An ellipse set of two theories. Know going into the deep red, surrounding the brown with a deep red. Lynne going in with the rate of militaries naming the raid on top of the brown as well as completely filling the insights of the theories laid on top of the brown, as well as completely filling them sides of the TV. And with this, we're done with that red for the series. Know, going into writing them down near the theories. No, going in with the white to blend it with them around a little bit by overlaying it on top of it. Lastly, adding the highlight for the theories with divide. And when we're done with our ninth project, Let's unmask our painting. You in the next video. 22. Red Velvet Cupcake: When you're going through that pain for a developer key, that invalid read cupcake. Acting with a cylindrical shape where the beats of the cupcake. That's good thing that really is for the frosting. Well, hi and attend times and smoke. But she'll still surprised. We kept it call me crazy now, but chewed on coal and now I'm adding the colors in this manner to bring the contrast and tablets to the frosting. Nice to know, lightening the pencil is good to the region. Is fire hoses gleaming with OPIA wrapping for the contour of the frosting. I didn't appear up link on the top of the earlier this gives Blaine Blaine medium visit with this OP rubbing. No, I didn't copy this for the frosting. Some more up here, up in here and there. The D3, we are done with the OP wrapping. Know going into it. That's Elman thing for the salmon pink or whether we'll be wrapping with thick strokes and medium prison. Adding this element being on the top. And with this we're done with the salmon pink and open it up ink finally, going in even the white right on top of this element being and now be wrapping as well as covering the rest of the frozen. But despite while following the contour of the frosting, red, really moving upward with the white while following the contour of the posting. With you. Spend now you swim me. Feel for how you've gotten me. Go crazy. With these. We are done with the basic coloring for the processing of the gig. Later on, I'll be adding toppings on top of the frosting, as well as this thing. Note strawberry. Continuing forward with the rest of the key, starting with going over the outline for the tub, but this down, filling them around for the enzymes. But these were done with debit own. Continuing further with that deep rail. I think this deep they'd particularly on top of the brown as well as surrounding it. I think a little bit to be played on the other side. Release we are an enemy. They are deeper in the lingering in with the rate for the K, filling the rest of the insides with that aid and release, we are in London with their tablet, that egg. For the middle, I'm using a combination of brown, salmon, pink, and the red. Here. I already started with them around. A little bit of red I'm going in with a settlement thing, but the stippling technique, we went to the base. Unfortunately, I cannot record a little bit. I started out with their brown for the base may find outline and fill a little bit of brown on the left side and the right. Now going with a deeply, moving onto the right side with a deeply. With this, we are done with that deep red. Finally filling the rest of the inside of the beads with the red. Now going back with the white for the middle. Filling. That might wonder when del, by extending the reds and browns are born. Doing the same, extending the colors downward with the white. Finally, extending the sedimenting to meet with the extended break along with the white. Doing the scene with this element pink and the white board, the lower half. And with these two are delimit the basic color for the key. I didn't the toppings for the frosting, starting with the brown moving there does. I decided to cover the up, down a little bit more on the right side. Now completing the toppings with the red. Lastly, adding the highlights with the white. You can leave the cupcake acid, or you can continue forward with me to add a strawberry on top. Starting with a sketch for the strawberry. Following the same steps as I showed in the demonstration video. Starting with a wipe that are meaningless, right with the cadmium yellow. Now going into the cell, limping. Now going into the audit. So don't mean this element being with the already know going into it that way to create a small semi stuff goes with these. We are done with the Red new book contrast going in with the Minoan for the site. With this, we are done with the basic color for the strawberries. Moving on to the leaves, starting with the reading, you know, going in with the permanent green to add the volume to the leaf. Adding a little bit of cadmium lemon tail you for the strawberry and insulin. Finally going in with the white to add details for the leaves. I think some highlights for the strawberry with the white. Lastly, defining the outline of the strawberry. And with this, we're done with the strawberry in the key. Now moving on to the base for the cake, starting with the brown. Let's Moscow at bending. Know going in with the white to blended with the brown, completely filling the bottom part of the piece with the white. And with these we are done with the base for the cake. These were done with our teeth are in velvet cake 23. Big Simple Red Velvet Cake: Starting now in 11th grade velvet cake mix, simple data value. I pick this money easy to sketch in beam, starting with the top of the slice where they escaped. Adding the sites for the slaves. Now, defining the baseboard, the slaves. When I'm wrong. Yes. But when you question, I'll let you I'm saying, you know what I want I'm supposed to do when you question how much I'm saying You're making me so I don't want I'm supposed to do what I'm supposed to do. And with this we are done with the basic use case for the slides. Lightening the pencil mark, moving their desk from the eraser. Now let's paint starting with this L1, pink. Boom, over the outline for the top of my list, L1 ping. I don't want I'm supposed to do billing a little bit of solvent being for the top. Now moving on to the side with the cell, one thing I don't want I'm supposed to do, moving on to the layers with the cell when ping. Adding this element being for the second layer. I mean the sediment being put the third layer. To combine these, we are done with this element being for the top, the site, as well as this layer. Now I'm going in with the white using heavy pressure with the white to blend it with the salmon pink, as well as coating the entire top with delight. Tell me what I do when I'm walking down the street. When I'm when you question, I'll let you I'm singing making this up. I know what I'm supposed to do. When you question, I'll let you read these. We're going to be the right foot, the top. Moving on to the side with delayed. I don't want him supposed to do with these. We are done with the white world assign adding a little bit of more right near the edge. Pardon me? I'm going in with the layout for the weight, turning the whiteboard, the first layer, as well as blending it with a settlement ping. Now moving on to the second layer with the white. Lastly, adding the whiteboard, the third layer. And with these we are done with the white one, the sides, and the top. Now let's paint the rest of the cake. Tend to new flooded with them around for the insights of the key. Typing with a top layer with this brown, I'll be adding this brown along with a deep red and red on the top plate and the base layer with other Juliet, I'll be using a combination of other colored. And with this we're done with the brown for the top layer, moving onto the base layer with the brown, starting with adding the bone below the white. Now outlining the whole base with them around. A little bit of brown for the inside. And with this we're done with the brown containing forward with a detail. Starting with the top layer. I didn't get on top of the brown and surrounding it. I don't want I'm supposed to do What I'm supposed to do with this, we are done with that deep red for the top layer, moving onto the base layer with a deep drill, partially covering the brown with a deep red as well as surrounding it. For this base layer, I'm adding comparatively more deep red. And with this we are done with a deep red. Finally going into the red for the rest of the empty space for the base and the top layer. I don't want I'm supposed to do. When you question how much I'm saying I'm making myself what I'm supposed to do. And we'd need to add determine the rate for the top and the bottom layer. Now let's add another color for the other layers, starting with a little bit down, overlaying on top of it. By kneeling going in with this element being to blend it with the wrist. What I'm supposed to do, I don't know, going in with the ocher for the third layer, adding a little bit of Albert Warner insight. Winging of this element being to blend it with the alcohol. Now going back with the Y2K? Yes. In between the layers. Typically at a white over the previously or unblind naked with being a peculiarity of white or whether previously it and blending it above and below layer. I don't want I'm supposed to do what I'm supposed to do. I didn't little bit of white put aside list. But these were done with them. 11th grade Velvet tea. I don't want I'm supposed to do. When your question moving on to the means, going back with the same AKA what I'm supposed to do. Finding blurring the ocher with my fingers. I don't want I'm supposed to do going back and forth with mapping API layer TV smoother to Alice random loading effect. And with this we're done with the big symbol, red velvet cake and mosquito at painting. See you in the next video. 24. Yellowish White Red Velvet Cake: We're starting this case for our 12 project, too. Yellow is light red velvet cake. He alive already started with this kid's got the first place. Now moving on to the second slice, starting with us getting their top for the second slice, hurting the other side for the slaves. I think the Leopold does lays pellet back and put the layer will be completely uploaded for these slices when we'll be starting with the red and the yellow is why don't you tell me what I supposed to do when I'm walking down the street. When I'm making my friend me. When you question how much I'm seeing him making me so I know what I want I'm supposed to do. When you question, I'll let you in. I don't want us to do with these. We're done with the sketch is put the slices. Now let's paint. I'm going in with the white to cover the outline. If you prefer, you can erase the outline of the pencil is kids. I am not erasing it as I used colored pencil on the dark pays to people. So it will be difficult to erase it completely and some smudges may appear. So I decided to cover it with a color. I don't want I'm supposed to do with this. We are done with the right foot outlines, know, going in with the green, adding a little bit of grief for the top and the side. Moving on to the side with degree and release, we are done with the green know going in with the white, starting with the top of the slave filling the bubble that's laced with this fight. Covering the agree with it, applying hair replacement with this white to blend it with the green? I'm using a different technique with the white to blend it with the drain. Gradually moving towards the right to fill the rest of the talk with this white. And with this, we're done with the white-footed, the top moving on to the side with the white. Doing this in applying heavy pressure with the right and creating a stippling mouth to cover the gray. And with these we are done with the white for the sites and the top. Mel going in with the cadmium lemon pay you, applying medium presser with this cadmium lemon pay you and adding it on top of the white for that upper part. Now moving on to the side with this cadmium lemon paying you back once again on the top with this cadmium lemon peel you. And with this, we're done with the cadmium lemon peel you for the top and the side. Going back with the white to blend it with the cadmium lemon paleo, using stippling technique with the white to blend it with the cadmium lemon pay you mean the cadmium lemon peel you on the side with the white by using the same stippling technique. And with this we're done with the top, with academy and lemon peel, you gray and the white. Now moving on to the layers, starting with a white to outline the layer. Now going into the cadmium lemon peel, you applying medium pizza and appealing the insights of delirium in this cadmium lemon peel, you finally adding this academy and live and pay you for the bottom layer. Now going into the white using the stippling technique and overlaying this white on top of they can mainly when you Moving on to the second layer with the white. Finally moving on to the bottom here with the white doing the same, using the stippling technique took over the cadmium lemon peel. Finding a little bit of more white wherever required for all three layers. With this, we're done with the top, the site as well as the layer for the slice. Continuing forward with the other three, we're starting with a brown for the top layer, I'll be using the same color for all the three layer, the brown, the deep red, and the red. I'll be using them in the same manner as struggling with them around, then going in with that deeply to partially cover the brown and surrounding it. And finally going in with a way to build the rest of the empty spaces, as well as learning a little bit on the top of the other colors to blend it with them and to achieve a smooth transition in Britain, the tricolor. And with these we are done with the brown for the lift. Now going with their deeply, starting with the top layer with this deep red fatale covering the brand with the steepest as well listed, I will link them around with it. Now moving on to the middle ear. I don't want I'm supposed to do by nearly there be played for the base layer. Doing this in partially covering the bone and surrounding it. With this, we're done with that deep red. Finally going in with the rain, starting with the top layer, filling the insights of the lip completely with this rate. Moving on to the second layer, repeating the same feeling main sites of the layer completely with the rate as well as covering a little bit of the brown and the deep red. Moving to the base layer with the rayed with these weren't going to be the rate, but all the layers adding a little bit of red on the top. When you are done with this license plate. Moving on to the French slaves. For this, I'll be using the same color but in reverse order. He had already started with their own for their dark brown knee and back garden and on the thigh. Moving. Remember the other training with them in our outlining the side with debit. Feeling a little bit of brown for the insight needs. We are done with the brown for this lays now going man with a deep red partially covering them around and surrounding it with a deeply to tell me what I posted to be bred for the signs. When I'm walking down the street. When I'm wrong. When your question I'll let you I'm seeing him making this up. What I'm supposed to do when you question how much I'm singing making me so I know what I want. I'm supposed to do. Quite an elite going in with the red, fill in the rest of the Talmud, the red. Now, moving on to the same. What I'm supposed to do Doing the theme for the older, starting with the ground and then going in with their leaflet and finally filling the rest of the empty spaces for the layer with the moon to the second layer with the brown. Finally adding the brown for the last layer. With this, we are done with the brown for the layer now going in with a deep red for the layer, starting with the top layer, partially covering the brown with this deep red as well as surrounding the brown with it. Moving on to them in the layer with this deeply, moving to the last layer with this deeply. And with this we're done with that deep red. Now going into the red, starting with the top layer, with the red, filling all the layers with the rate, as well as adding a little bit of laid on top of the brown and the deep brain when we go into the middle ear with the red. Lastly, adding the rate for the base layer. Doing the same, filling the rest of the empty space if the rate, as well as adding a little bit on top of the brown and the leaf break. And with this we're done with the rates and the brown for the layer. Now I'm going in with the cadmium lemon, pay you for the other three layers. I'll be following the same steps as I did earlier. Adding a little bit of lemon you for all the layer. Then going in with a white dwarf planets, moving on to the final layer. And with this, we're done with the lemon. You. Finally going in with the byte, starting with the top, blending it with the lemon, You by overlaying it on top of it and fill in the rest of the empty spaces with delight. I don't want I'm supposed to do. Moving on to them in the layer with the white doing the theme. What I want I'm supposed to do. Finally moving on to the bottom here with a wipe. I don't want I'm supposed to do with these. We're done with the light with the board does licensed. Going back with the rate for the top, as I was not satisfied, finding a little bit of red for the other place. And with this, we're done with the two yellow is white, red velvet cake. Now, going into them down, put them is going to tell me what I supposed to do when I'm walking down the street. When a Mockingbird friendly? Yes. When you question, I'll let you I'm seeing him making this. So what I want I'm supposed to do when you question how much am saying You're making me so I don't want to wait on top of the brown for dummies. And what I'm supposed to do, what I'm feeling a little bit of more white. I don't want I'm supposed to do and will lead to a delimiter to wealth project. See you in the next video. We're going to tell me what I do when I'm working. 25. Blueberry and Mulberry Red Velvet Cake: Starting our 13th project, blueberry and malware. Malware take this bulbous get into cakes when with the blueberry little bit them already on top. This just lets us, well, we simple red velvet cake with two layers. Here. I've already started with the sketches for the slices. Be finding the sea border top. I think this item the meat would mode does lysis. You tell me what I posted too. Don't you tell me what I supposed to do when I'm walking down the street south. Me. When I'm wrong. When you question, I'll let you I'm singing weakened muscle, guarding the Facebook slaves. Do. When you question, I'll let you understand you're making muscle. No, excuse me for the blueberry. None of that FSK toward the mulberry. And what I'm supposed to do earning this aids border slave. What I'm supposed to do, finding the middle ear for both this later. I don't want I'm supposed to do. And we need to add element that sketches, lightening the pencil mark. Can you tell me what I supose to? Tell me what I do when I'm walking down the street, when I'm removing their desk from the reason. When you question how much I'm singing making now. And it's been starting with a male clean while loop called the outline of the berries, as well as adding a little bit further insight. No going in with the blue ocean blue color insight. This time I'm using different color as I told you in the bed is demonstration we knew as the paper color is light. Finally going in with the utero, put all the three Mary's supposed to do what I'm supposed to do filling the heliotropic, the last we re going back and forth the laity with smoother consistency and release. We're done with the utero. Going back with their dioxide violet to refinance happened outline for the blueberries. And with these, we are done with the three blueberries. Moving on to the mulberry, starting with the cadmium yellow. Cadmium yellow with this element being. And with this we're done with the solvent pink. Now bringing new directory define the seat than to tell me what I saw posted too. Don't you tell me what I supposed to do when I'm walking down the street. When I'm wrong? I'm seeing him making me so I know what I want I'm supposed to do when you question how much james senior making me so I know what I want I'm supposed to do what I'm supposed to do. The deep red for the insight. And a little bit on the top of the rail. With this, we are done with the deliberate. Finally going in with a brown for the center and outline to create the contrast. Using this grad input to reveal the yellow and the settlement pink underneath. Using this grad input to reveal the yellow and the settlement pink underneath some of the brown to reveal the read. And with these we are done with the mulberry. Now let's paint the slices, starting with a blueberry slaves, doing with the cadmium lemon pale hue. Defining the outline of the sides. Moving on to the middle with this cadmium lemon pale hue. Moving on to the mulberry slides with this cadmium lemon peel, you doing this in defining the outline of the site. Now moving on to the middle with this cadmium lemon pale hue, adding a little bit for the insights and going over the pencil is good for the top that site as well as the middle. With this, we are done with the cadmium lemon pale hue. Now going into the green. In this group are the top, the side, as well as the leader board, the board, the slices, and bring it near the blueberry too dark in the region for the cost side of the blueberries. Moving onto them will be replaced with this gray. Earning it near them omega to represent that can be done for the Gauss-Seidel. With this, we are done with the green. Finally, going in with the right, starting with the top of the blueberries lies covering the entire top with the white. Applying heavy blizzard with the white to learn it with the three and the cadmium yellow and pale hue. Fully adding the right knee, the blueberry To avoid the smudging. Now filling the entire top the repressor with this white. I'm supposed to do I don't want I'm supposed to do moving on to the side with the right, doing the same, covering the other two colors, cadmium lemon peel you and agree with the white. To tell me what I supose. Going to tell me what I do when I'm walking down the street. When a good question, I'll let you I'm singing making this, so moving on to the other side. I know what I want I'm supposed to do. When you question, I'll let you I'm singing, making muscle, finally going and doing the whiteboard. I don't want I'm supposed to do adding a little bit of white board, the age Now moving on to the mulberry slays, doing this in applying, have you place it with the right to blend it with the green and the cadmium lemon peel. You do good full year adding it near the mulberry towards Medina. Not filling the entire top with the white. I don't want I'm supposed to do with the question, how much am senior making myself? Moving on to the side with the white what I'm supposed to do. Moving on to the medulla with the white no. Lastly, earning the whiteboard design. What I'm supposed to do? No earning the white, we'll debit the consistency of the weight is not uniform. What I'm supposed to do with these, we are done with the right moving the ILP senior making myself going in with that eight and number around, starting with their brown for the blueberries lays, hiding it put aside and then below the weight. I don't want I'm supposed to do adding a little bit for the inside. I don't want them moving on to the base layer with this brown. That's how you deal with the brown. What I'm supposed to do willingly. Little bit further insight. Moving on to the mulberry leaves, starting with the upper layer, adding the brown for the both the sides and below the white. Adding a little bit of brown for the middle. When your question on what James Singer making mischief. Now moving on to the base layer with the brown doing the theme, adding this down to the corner and below the white. What I'm supposed to do with this, we are done with the brown foot board that's lazy, is now going in with a deep red. And in this deep red partially on top of them around and surrounding them down with it. Moving on to the base layer with this lady doing the theme. I think it partly on top of the brown and surrounding them down with it. Moving on to the mulberry slave. Starting with the top layer with this deep nodes doing the theme, adding it partially on top of the brown and surrounding them run with it. Don't you tell me what I do know? Moving on to the base layer, adding a little bit more. When I'm walking down the street When I'm when you question, I'll let you know what I don't want I'm supposed to do when you question how much I'm seeing him making me so I know what I don't want I'm supposed to end with this. We are done with their deep red for both this laces. Continue forward with the raid, filling the rest of the empty space with therein as well as partially overlaying it on top of the deep red as well as on top of the brown. I don't want I'm supposed to do what I'm supposed to do. Well, remember the base layer with the red. I don't want I'm supposed to do when you're pushing them, what James Singer making mistakes. These were done with the color-code. Them Blueberry, red velvet slaves. Moving on to the mulberry slave, doing nothing. Filling the rest of the mp3 syllabus lays with that, as well as partially overlaying this late on top of that beeping, as well as on top of the brown. Now moving on to the base layer with the red. I don't want I'm supposed to do. When you question how much I'm saying, I'm making myself. Lastly, adding a little bit of red here and there to a T refined inconsistency and release. We're done with mothers laces. Moving on to them. Is it starting with the brown for the wave? And release? We're done with them around for the base. Know, going in with the white, overlaying these white on top of the brown. And with these we are done with the blueberry and the mulberry red velvet plays. See you in the next video. 26. Berries Red Velvet Cake: Moving on to that for team project. Mary's red velvet cake. For this, we'll be painting strawberries, cherries, blueberries, and the mulberry, along with the three different tops, all the slices. Here, they've already started with this kid for the first layer. Adding the sides. Defining them is adding the inside layers. When I'm when you question the legitimacy. So what I want I'm supposed to do when you question how much I'm singing making me so I don't want I'm supposed to do. Moving on to the second escape for this lays replicating the first slice, just cleaning that I'd action. And what I'm supposed to do. My name is getting their thoughts lazy. I don't want I'm supposed to do adding the leaves for the second slaves. So starting from the left will be our pustules. Then the middle one will be our second slaves. And the last one on the right will be our third flavor. To tell me what I saw posted to. Tell me what I do when I'm walking down the street. When I'm writing, james singing making me. So I know what I want I'm supposed to do. When your question I'll let Jim singing, making the soup. And I don't want I'm supposed to do this, getting the outline, put the theories for the second slays. And what I'm supposed to do. Moving on to the first life, but that Apple's kids for this probability. What I'm supposed to do. And finally moving on to the blueberry in the Mulberry for the third slaves. I don't want I'm supposed to do with these. We're done with the basic sketch. Now lightening the pencil sketch. What I'm supposed to to me. Tell me what I saw posted to know Let's means starting with the strawberry for the bus lanes, going in with the wine, surrounding the right with the yellow. Now going in with the Naples yellow ones that are mainly yellow No blending with the identity, find this evil, the strawberry, as well as covering the other colors. With this, we're done with the orange know going in with that red on the top of the orange coat one side and a little bit toward the middle. With this, we're done with the red binder, me going in with the brown eyed in this brown on the left side and at the bottom of the strawberry for more contrast. With these, we are done with the brown. Going in with the white for the highlight. And release. We're done with the basic color for the strawberry. Moving on to the leaves. Starting with the deep printed rather reference for the leaves. So going in with a spring green to define the shape of the leaf. With this, we are done with the greens. Now going in with the splitting tool to scratch the leaves through the details. No God ring their details for the strawberry by removing the top colors to reveal the white, yellow and the Naples yellow underneath. Adding the outline for the leaves and release, we're done with the strawberry. Moving on to the theories, starting with the brown for the outline. And with these we are done with the brown. Now feeling the insights that the read and read this, we are done with the red for the leaves. I'm starting with that big green, starting with the middle lips with the leaf and then adding them means now going into the spring green to define the shape of the leaf. When these were done with the spring green. Going back with the green to redefine the outline of the leaf. Finally, carving on the details of the leaves with the stretching tool. And with this we're done with the theories and the leaves. Now moving on to their bodies, starting with a brown for the malware. That owning that Brown with the yellow. Know going in with this element being with these, we're done with this element being defining the shape of the Mulberry with the orange and adding it on top of the yellow and other colors. Singing, making this up. What I'm supposed to do. When you question, I'll let you I'm seeing him making me so I know what I know. A little bit of red on top of the orange. Do what I'm supposed to release. We are done with the red. Lastly, adding that deep red And with this, we are done with the mulberry. Moving on to the blueberry, starting with the brown know, going in with a needle. And release, we're done with the indigo covering the Amiga with the iris. I don't want I'm supposed to do with the question. How much am saying you're making myself? And what I want I'm supposed to new garden negative for the berries. Moving back with a mulberry, exposing the yellow, white and this element being underneath. Now going into the white to add dilate with diabetes. Lastly, adding the highlight positive is with the white. And with this we're done with the berries. Now let's paint the slice is starting with this element being four-thirds lays out length as well as billing the insights a little bit. The outlining the leaves and the site with this element being released, we are done with this element pink. Now going in with the right, starting with the top with this wide, I'm feeling the top with the white and covering this element being by overlaying it on top of just adding them, I told the side what I'm supposed to do. Lastly, adding them right for the three layers. Moving on to the second layer with the white. With this, we are done with the white. Moving there does continue forward with the middle slays. The starting with the indigo is that only the Inigo with the iris being another indigo and iris. Now going into winter, deep red, adding a little bit of yellow on the top. Now let's blend the colors. Starting with this element being blending the colors with the sedimenting by surrounding. Last link going in with the white token is the blending, overlaying this layer on top of the other colors by using a stippling technique. And with these, we are done with the middle ear. Moving on to the other two layers. Well, this I'll be using the same three colors, that deep red and the red here. I'm already started with the brown for the top layer. Moving on to the base layer with the brown. With these, we're going to be around for the top layer. And with these we are done with the brown and now going into the deep red, partially covering inside our main number on with this deep red. Now moving on to the base layer with this deeply Christian know much him singing, I'm making myself what I'm supposed to do. A little bit more yellow in there wherever required. And with this, we're done with that deep fried. Finally going into the recto *****, both the layer. Now moving on to the base layer with the red Filling the empty spaces with that in, as well as partially overlaying it on top of the brown and a deep red. And with these, we are done with the third slaves. Moving on to the second slaves. For this, I'll be using the gray and the white. And for the insights, I'll be using down deep red and the red. Here they've already started with a grip on the top. Shadow mean the theories and the leaves with the green outlining the top and the sides with negative outlining the bottom with the green. Filling a little bit of grief or the sides. And with this we're done with the green. Now going in with the white to cover the top sites as well as the bottom. Blending this white with a green. Good fulfilling the right knee that series. Now moving on to the sites with the white. Finally, adding the light for the bottom. With these, we're done with the white for now. Removing their dusk. Defining the theories. Since I was following the same steps for the insights, I did not record it outlining their middle slice a little bit with the pencil. Now moving on to the last layer. For the top, I'm starting with the audio lean, dividing the outline for the leaves. And that's our instrument is audio only using a thicker stroke. Defining the outline for the release. We are done with the audio lean. Now going back with the right to blend it with the audio Lean, starting with the dove. That owning this strawberry. Not feeling the rest of the tub with the right release. We're done with the whiteboard, the top. Moving on to the site of the bite. And with this, we're done with the Whiteboard design. Finally adding the whiteboard, the layer, hiding the whiteboard, the last layer, removing the dose. Now let's paint them in the lid, starting with a deep red. Now going in with the white to cover the red fox delete and billing the rest of their lives. And with this, we're done with them in the layer. For the last two layers, I'll be using the same three colors, the brown bread and the red. Here I've already started with the brown, adding the brown for the base layer. And with this we are done with the brown. Now going in with a deep red, adding this deep red parcel, you're on top of the brown and surrounding the brown with it. I'm going to tell me what I saw posted. Don't you tell me what I do when I'm walking down the street for the base layer. When I'm making Hey, when you question, I'll let you I'm seeing and making me so I know what I want I'm supposed to do. When you question how much insulin you make and release. We are done with the deep red. Finally going to fill the rest of the empty spaces, as well as adding a little bit of weight on top of that deep red and brown. What I'm supposed to do. Lastly, adding the rate for the top layer. What I'm supposed to do with these, we are done with the three slices. Continuing on with the grief or the beef. I don't want I'm supposed to do governing named database with me. You tell me what I supose to tell me what I do when I'm walking down the street, when I'm removing the masking people to add the green. When you question how much I'm singing, making this up. What I'm supposed to do when you question on what James Singer making me so I know what I want I'm supposed to do. And what I'm saying, these were done without 14 predict. In the next video. What I'm supposed to do 27. Four Red Velvet Cakes: Starting our first team project for red velvet cake, starting with escape for the first slice. This project, we'll be drawing the poorest places. This one will be multilayered red velvet slice. The other two will be rectangular and a-squared slaves. And with one layer two, layer two respectively. And the last one will be single layered. The middle rectangular slides, I'll be adding the blueberries. And for the square, when I'll be adding the cherries, leaves are optional. You can add other berries or toppings or frosting, or you can leave it simply whatever you prefer. From now on. I'll not be detained me about the colors that much. It should be clear by now how we will be adding the colors in which manner, when to use this deeply and mental blender colors. I'll be mentioning the name of the color, as well as the order in which I'll be adding them. Apart from that eval be doing something different or use another color. I'll be mentioning them as well. Let's get this out in real time so you can always join along with me. And that's what the painting most part of the paintings are in real time. Just getting the last lace. Don't you tell me what I supposed to do when I'm walking down the street. When I'm making when you question how much. So what I want I'm supposed to do when you question how much I'm seeing you making me. So with this, we are done with the sketches. Now let's be starting with the first lays, the multilayered red velvet plays. I'm starting with the brown for the top and the side. And what I'm supposed to do, what I'm supposed to do. No. Going to be the deep red. I don't want I'm supposed to do. Moving on to the sign, following the themes div with a libri. To tell me what I supose stuff to. Finally filling the entire top and the side with the red. When I'm working. When I'm friendly. When you question, I'll let Jim singing they can do so. I know what I'm supposed to do. When your question no much in singing, making muscle. Moving on to the same what I'm supposed to do. Learning the first way it clear, starting with the green. And what I'm supposed to do, overlaying the white on top of it. I think another layer using the same three color, I'll be adding another layer of white and agree, and below them, the red layer of the brown, the deep red, and the red quadrant with a consecutive alternative layer of the color. Continuing with the consecutive alternative layer of the color. Continue forward with the white layer. Tried to maintain a straight edge of the sidewalk riding a different layer than to tell me what I supposed to do when I'm walking down the street? To me, when I'm wrong. Yes. When you question how much I'm singing making me so I know what I want I'm supposed to do when you question how much insulin you making me. So I, I want I'm supposed to do gardening white over all the alternative white layer. Removing their desk to avoid smudging? What I'm supposed to do. What I'm supposed to do. I don't want I'm supposed to do hurting the white and the gray for the last white layer. Command. To tell me what I supose stuff too. Don't you tell me what I do when I'm walking down the street? When a Mockingbird, when your question, james singing, they can do so. I know what I want I'm supposed to do when you question how much James Singer making me. So I'd invite over all the alternative layer. I don't want I'm supposed to do what I'm supposed to do. What I'm supposed to do. With these. We are done with the white and the gray for now with the slides, starting with a brown for the bottom layer, that the pigments for this layer will be the same as the top side. Leads. We are done with the brown now going into that deep red. But the leading this deep red on top of the brown as well as surrounding it. With these were done with a deep red. Lastly, during intimidated defining the base with them around. With these, we are done with the first lays. Moving on to the second slice. The starting with the group without lane nodes getting the outline for the blue marry within dioxane myelin. I have added for blueberries, if you prefer, you can add more or less and release. We are done with the outline. Adding a little bit of blues in blue for the inside. Finally going in with the utero for the insights and to blend it with the violet and the blue Going over the outline once again with the violet and release, we're done with the blueberries. Moving back with their grief with the top layer, adding it beside the berries and on both edges of the slides. Now going in with the right to cover the top as well as the site. I don't want I'm supposed to do when Christian know much him singing making me so what I want, well, we go into the print side with their body. They might put other thing. And with these weird delimit the right for the top and the sides, going back with the grade to redefine the edges and adding it a little bit near the berries. And with these, we are done with the top layer. Now pulling the color for the rest of the cake with the brown, that deep red and the red. He had already started with a brown for the front side. Adding the brown for the other thing, defining the outline for the base. And with these, we are done with the brown quadrant with a deep red circling with the French side having this deep red parcels layer on top of the brown as well as there are Linda Brown with this deep red moving on to the other side. And everything that's in partially covering the brand with a deep red as well as surrounding it. With this, we are done with that deep red by Lily going in with the rate of wilderness of the empty space. Moving on to the other side with the red, filling the rest of the empty spaces with this raid, as well as adding a little bit of red on top of that deep red and brown. And with this, we're done with the red, redefining the outlines a little bit further ways. Adding a little bit of white for the aid. With this, we're done with our second slaves. Now moving on to the slice and back, starting with a grid to define the outline for the top and assign filling a little bit of gray for the top. Filling somebody for design. With this, we are done with the green. Now going into the cadmium lemon pale hue, adding a little bit on top and the side. And with this, we're done with the cadmium lemon peel you for the top and the side by Emily going in with the right, starting with the side, governing nella cadmium lemon peel you and agree with the white. Moving on to the top without repeating the same, governing the cadmium lemon peel you and agree with the white. What I'm supposed to do? I'm supposed to do. I thought it would to add the color for the other side. Going with the same set of colorful design. And release, we're done with the top and the side containing flattered with the rest of the slides. As usual, I am starting with the browns and below the white and on the other side. What I'm supposed to do, I think a little bit for the inside. Now going into that deep red, I think this deep red bars on top of the brown as well as that arming them around with it. And with these, we are done with Addie paid by Emily going in with the red, starting with defining the ED, filling the rest of the empty spaces with the rate, as well as adding a little bit of red on top of that leaf blade. And the brown. With these, we're done with the slaves. Moving on to the third slaves. For the top and the layers, I'll be using the same color combination of the color gray, cadmium lemon peel. You and nobody. Here, I've already started with degree four, an outline on the top and the side, feeling a little bit of grief for the insights as well. And with this, we're done with the grapes. Now going in with the cadmium lemon pair you with this, we are done with the cadmium lemon. Tell him finally blending the colors that are in the yellow and filling the top and the sides with the white. Moving on to the front side of the green. Finally adding the whiteboard the other side. Now moving on to them in the layer with the green, starting with the outline, hiding the cadmium lemon peel, you finally going in with the right, earning the right for the other side. Defining the scope of this slice like this, right? And with this, we are done with the white. Now let's finish the slides, starting with the brown. Adding the brown for the other side. Moving on to the bottom layer with the brown. Moving on to the bottom layer with the brown. And with this we're done with the brown. Now going into that deep red, starting with the front side, adding this deep red bar cilia on top of the brown, as well as surrounding the brown with this deep red. Now moving on to the other side, adding this deeply and on top of the brown as well as surrounding it. With this, we're done with that deep red. Finally going in with direct openings, the coloring of the slices, starting with a base layer, filling all the empty spaces with the rate, as well as adding a little bit of weight on top of that deep red and number down. Moving upward with the red. I think that aid for the other side with these weird enumerate and never round. Going back with the white folder, white layer to sharpen the edges of the layer. And with these, we are done with the third place. I was, I was not satisfied with the consistency of the second and afford slaves. So I decided to add a little bit of more red, adding a little bit of more rare to get a uniform consistency of the color for this slide. Moving on to the fourth slice. And with this, we are done with the basic coloring on the force lasers. Now looked at the base. The base, I'm starting with the brown, removing the masking tape on the site. So add the brown, filling the entire base with the brown. You can use the bedding investigators move consistency for the base and release. We are done metallic open project as an example for ideas. Now I have either Terry's for the third slaves. You can do the thing or leave as it is to you in the next video. 28. Numerous Strawberry Red Velvet Cake: Moving on to the 16th project, numerous strawberry red velvet cake, starting with the pencil sketch. For this, there will be single slice of the red velvet along with the three strawberries on the top, when a strawberry on behind and for the strawberries at the front. So we'll be drawing, ate the strawberries in total. Since the colors and the stay put all the strawberries will be seen and not be repeating the same instruction for each individual strawberry. I'll be using the same steps as I soon in their baby's sex and for the strawberry. So I'll be only mentioning the steps and the color for the strawberries once or twice. Continuing forward with the last layer for the slice. Now it's getting under guideline for the strawberries, starting with the three strawberries on the top. Adding this case for one strawberry on the front. Adding another strawberry behind this layer, adding monomer on the left. Lastly, it's getting to more strawberries at the front trade. Since I've used a light colored pencil for this kid, I'll be covering it with a color, so I am not lightening this kid. And with these two are determined the rough sketch for our 16th version. Now let's paint starting with the cadmium yellow for the strawberry. Adding yellow wound up at section of it, individualist strawberry adding yellow for the last two strawberries. And release. We're done with the cadmium yellow for now. Now going in with a settlement being folder strawberries that are running the cadmium yellow with this element pink. Moving on to the front toe, strawberries with the settlement pink. Lastly, adding this element being for the top three strawberries. And with this, we're done with this elegant pink for the strawberries. Know, going in with the orange, define the schema of the strawberries, as well as adding a little bit on top of this element, pink and the yellow. Moving on to the strawberry behind the gig with this orange. I think the RN for the front tooth strawberries. Finally moving on to the last two strawberries with the audit. With this, we are done with the orange color style. Maybe it's continuing forward with the deep rain today, mainly adding the sleep debt on the sides of the strawberry as well as on the bottom. The league having the orange with this deep red thinking. Wow. No. Because Sean, It's been laid down Moving on to the other two strawberry juice. To finally moving on to the last few strawberries on the top. Two or five. And release we are done with a deep red. Now going over some of the strawberries 1 s when the deeper it, wherever the originalists contrast in between the color. And with this, we're done with that. Be paid for the strawberries. Now going in with a brown for the strawberries, many adding this brown on one side of the strawberries so as to add more contrast between the lights and the cytosol, the strawberries. I think they're brown for the strawberry and behind. Finally moving on to the last three storm at this, at the top with this brown. And with this, we're done with the basic color for the strawberries. Now, going into when that beam green for the leaves and adding the basic guideline for the lease with this deep green. Now moving on to the other two strawberries with this deep green. Finally adding the guideline for the three strawberries at the top. With this, we are done with the dark green for the leaves guideline. Defining the shape of the leaves with the Spring Green Bay surrounding and overlaying the earlier outlined with that deep green, adding the leaves with all the strawberries. Hello, Thomas. Even when you go Now, moving on to the strawberries, I had a talk with this spring green. Even if you've gone, I will know what ******* way down to 0. That's all. Finally defining the leaf, or this is strawberry. Going over some of the least 1 s to get a better representation of the leaf. Adding a little bit of deep green for few of the leaves. Going make once again with the spring green to blend it with a daydream and giving finally touches to the shape of the leaves and release. We are done with the green for the leaves. Now continuing with the scratching to add details for the lease by carving out that means to reveal the color of the people in the form of the veins of the leaf. Adding a little bit of spring green ketamine forward with the scratching. Moving onto the top three strawberries with this creating tool. Now moving on to the last three strawberries, carbon go into details for the leaf of the strawberries. Going back and forth, foot all the leaves till you are satisfied with the level of the details for the leaf. Green separate acquired Even in your home, even if you've gone all the way down to nothing really matters. That's all I have to say. For this middle strawberry, there must a little bit gap. Filling this gap with the orange. With these, I am satisfied with the level of details for the leaves and the color for the strawberry. And he's finally going in with the orange colored pencil for the outline of the strawberries. Gotta bring out some details with the orange for the insides of the strawberry. Moving on to that, to strawberries at the right. Finally moving on to the strawberries and the top, the cadmium yellow us too bright for the top three strawberries. So I decided to cover a little bit of that cadmium yellow with the orange. Doing the same for this strawberry adding a little bit of orange. And with these, we are done with the strawberries. Later on, I'll be adding outline for the leaves. Now moving on to the slice of the red velvet cake here, I've already started with their grief for the top, roughly going over the pencil sketch with the green and feeling a little bit of grief for the layers. I didn't agree for the two middle layer. And with these we are done with the green. Now going in with the white coating the top with the white applying heavy, but instead of with the white to blend it with the green. Some of the colors most on the paper. So going in with the eraser to remove it, you can easily remove the lighters, Madison, the oil-based still with the knees in. Now continue forward with the white for the top. Marine over the top once again to get a smoother consistency of the color. Now moving on to the sides, adding the pink layer of white for design and blending it with the green. Now moving on to the other side with the wife. Finally adding the white border to middle layer. Bring onto the whiteboard the last layer. Adding some more white wherever required, delegate a smooth consistency and uniformity for the color. Moving there does release. We are delivered the top and the layer with the white and the gray. Now, moving into the insights of the slides, starting with the brown, I think they've known for each individual layer Even if you've gone, I will. Now moving on to the base layer with the brown ******* laid down by outlining the base with the brown to choose. Secondly, Thomas Thomas relief. We're done with them around. Now I'm going in with their deep red, silly adding this deep layer on top of the brown as well as surrounding them around with this deep red. Moving on to the middle layer. Lastly, adding may be prayed for the base layer. And with this, we're done with that deep red for the slice, continuing further with the rate to finish the slides, starting with the middle ear filling the rest of the empty space for this mini-lecture with this rate, as well as adding a little bit of red on top of that brown and a deep red. Now filling the entire layer with the red. Now moving on to the base layer with the red, filling the rest of the base layer with a rate, as well as adding a little bit of red on top of their deep red and brown. Finally adding the rate for the top layer, filling the rest of the top layer when this rate, as well as adding a little bit of red on top of the brown. And then the praise. And note to finalize the slaves adding the red wherever required. Oh, that's all of these. We are done with the rate, what does life? Now moving on to the base containing quadrant with their brown for adding them down here. All the strawberries, shocking to know going in with the white painting, the white on top of it. It's been like to ******* told us to do to filling the entire base with the white. Afraid to fall asleep. Well, I know that Joe you should know for way too long. Thomas, to go now. I think they're brown for the right side. Now I blame everybody is a little bit to blend it with the brown Thomas to oh, that's all I have to choose. Thomas. Thomas. Extending them around for diabetes for the left side. Thomas. Now I'm going in with the white to blend it with them. Carefully blending the white and the brown near the leaves. And with these, we are done with the maze. Defining the scope of some of the strawberry with the awning. Now going back to that deeply into add more contrast for the lame god being out more details by scratching. No, blending the abuse to a final consistency wherever required to know. Because Shauna, here, it's been way too long to do to choose say, Thomas. And finally, adding the outline for the leaves fall to fall asleep. Well, and I know that Joe and I believe, you know, moving on to the leaves on top, three strawberries with this colored pencil. That's all. I can tell. You. All. These we are done with our 16 project. Gone. Tom. Oh, that's unmask our painting. I'll see you in the next videos. 29. Strawberry and Mulberry Red Velvet Cake: Moving on to the 17th project, strawberry and mulberry, red velvet cakes life. For this, we'll be doing a cupcake with the strawberry and a simple slice with the mole berries and the leaves. And continuing forward with the sketching using the intersecting line to draw the top for the cupcake is getting both the sides for the cupcake. Adding the base. Now, moving on to the slides, It's getting that I've outlined for the three-layered frosting. Adding this strawberry and decked out this cupcake. And the slice mode will be three layered. I'll be using the stippling technique along with the blending for both the cakes. Finding the content for the layer from the thrusting. Much time. Thinking about your dog. Don't know. Sean. It's been way too ******* Thomas to choose. Just getting Melia sees now adding the malware is have to fall asleep. And well, I know that. No *******. Moving on to the leaves. Thomas. And with this, we are done with that basic reference sheet. Lightening the pencil mark. You on hold for kids. Even if you've gone all on. Tom, but that's all I have to choose. Thomas. Thomas. Now let's paint starting with a white for the strawberry. Now I'm going in with cadmium yellow. Continue quadrant with the sediment being surrounding the cadmium yellow with this element pink. And release. We're done with this element being the noun going in with the orange, redefine the sweep of the strawberry, as well as covering some of the white, cadmium yellow. And this element being And with these, we are done with the orange. Now I'm going in with that deep red. I think they can do for the strawberry with this deep played silly covering the orange on monocyte and at the bottom. And release we're done with that be played and finding going in with the brown. With this, we are done with the mesocolon for the strawberries. Continue water with the white to add the highlight. Later on, I'll be adding their lives for the strawberries. Now moving to Austin for the cupcake, I'm starting with the OP wrapping, going over the earlier pencil sketches that we do for the contour of the clustering. Even if you've gone to 0. And with this, we are done with the obeyed wrapping. And now I'm going in with a settlement being in this element being on one side of the Oprah pink release. We are done with the settlement being finally going in with the white. Using this white to fill the entire frosting, as well as blending the two colors evenly you go. Now, even if you've gone to 0, That's all of these were done with the frosting. Now they're moving the dust. Now let's paint the rest of the cupcake, starting with the grief for the top there, finding the outline of the cupcake. Now I'm going in with the white to fill the inside as well as blending it with degree. Found love to fall asleep. Well, I know that. No. Wait till the other two layers. I didn't get for the last layer and choose a non-defining that we use for the layered. Going back with nobody to finish that two layers. Moving on to the second layer, I can find reviews. We are done with the white for now. Filling the insights of the layer, starting with the brown for the top layer. That's all. Moving on to the middle ear with the brown. I think they're brown for debase Leah. Finding the outline for the base And release. We are done with the base. Now continuing forward with a deep played this deep red on top up their brown as well as surrounding it. Now moving on to the middle ear, adding there'll be played for the base layer. If I need the separating line for the other two layers. These were done with a deep red. Now going in with the red to fill the rest of the insight, as well as adding a little bit of red on top of the deep red and the brown. Moving on to the middle layer with the red. Lastly, adding the rate for the base layer, doing the same, filling the rest of the empty spaces with the rain, as well as adding a little bit of red on top of the deep red and brown. With this, we are done with the rates and the brown for the slides. Going back with the white stippling techniques to extreme the brown and the red for the layers. Moving on to the upper layer. Using a stippling technique to extend the browns and the rate for the leaves and release. We're done with the cupcake. Moving back to the strawberry for the leaves, starting with a megaphone outline of the leaves. Now going in with a spring green to define the same. Using this crashing to cardboard retail for the leaf. Lastly, adding the outline with the pencil. With this, we're done with the first gig with the strawberry. Now moving on to the other slave, starting with the settlement being roughly going over an outline of the slave. With this, we are done with the settlement pink. And now I'm going in with the green, adding a little bit of gray above and below the cell mapping as well as for the talk. Finally, going in with the white to blend the two colors and build all the layers. Here, Amos, starting with the top stippling technique to cover and blend the colors. I sleep. Well. I know that you should know. Now moving on to the side with the white ******* Thomas. Thomas. You go now moving into the bottom layer with the white All right, For the other side. And finally ending the right for the two layers. That's all of them, right, for the last layer, adding a little bit of more white wherever required. And with these, we are done with the top and the layer for the slides. Moving on to filling the color for the inside, starting with the rate for the Medellin. Buffy overlay in surrounding that aid with the settlement ping? No, filling the rest of the layer with the settlement pink. It's free. Love to fall asleep. Well. And I know that when these were done with the middle layer, adding a little bit of white for the site. At the site was not straight. Now moving on to the other two layers, starting with them, don't put vote. And with this we are done with the brown. And now going into that deep red, I think this deep red bars on top of the brown as well as surrounding it. That's all I'm now moving on to the deep red for the other lane. Doing the theme parks, really adding it on top of the brown as well as surrounding it. With this, we are done with their depraved. Finally going in with the red, fill in the rest of the empty spaces for this layer and adding a little bit of red on top of that deep red as well as on top of the brown. Moving on to the last layer with this raid, doing the same, filling the rest of the empty spaces for this layer, as well as adding a little bit of red on top of the deep red, as well as for the brown. Now adding a little bit afraid wherever required for the final touches. No blaming the red we added earlier. And with these, we are done with the slides. And now let's paint the mulberry, starting with a yellow. Now going to live with the orange, partially covering the cadmium yellow with this orange, bending them known for their middle. Now I'm going to define the shape of them already and parceling covering the orange over there. Now moving on to the second mulberry and partially covering the order and inventory Now going to be the whiteboard, the highlight. Finally going into the scratching boom to goddaughter detail and two, so the yellow and orange underneath. Now moving on to the limb, adding the details for the leaves, I did not record it the sex and for the leaf as I follow the same steps and Nicollet for the leaf. And as the painting was becoming so alone, I removed the leaf section, finally outlining the leaves. Now I'm going in even degree for database, starting with adding negative side of the cake and the leaf. Now feeling the grief or them riddle. Thinking. Wow. No. Because Sean, It's been late. Thomas. Thomas. Finally going in with the white phone number is blending with the green. Sock. Love to fall asleep. Well, I know that. You should know for way too long. Fulfilling my whiteboard there middle. That's all surrounding the leaves in the middle. Very shocking. Now moving on to the other slaves, even if you'd gone, I will. Finally covering the entire bees with the right shoe. That's all I'll say for Thomas to choose between 17 product. See you in the next video. 30. Three Red Velvet Slices: Moving on to the 18th project, three red velvet slices. Starting with a sketch for the first life. For this project, we'll be doing one, learn to lead and three-layered read well-read places. This first one will be two layered. Also for this first one, I'll be adding series and the leaves on the top for the other two Alvin leaving them back and you can add other Marys. Frosting are topping if you prefer. Now in defining the CPU and the slice, adding the meat. Moving on to the second slide, the sketch. This one will be three layer and put all these lasers. I'll only be using white and settlement being further top and around the brain and rate for this or that slice thinking. Wow, I don't know a lot. Because Sean, It's been way too ******* job. Finally is getting the last lasers down to I think this aid in the liver, as well as increasing this idea of the second slave to fall asleep. Well, I know that because you should know. And release. We are done with the basic shape for the slightest lightening the pencil mark. Shocking to you called out even if you've gone. Oh, no, let's paint starting with the cherries point, the fourth slice, the sketching the outline for the three candidates with the brown going in with the median for the sketches, for the leaf. Sketching the three, adding the mean for the leaf. Now, moving back to the theories, but there'll be played with this, we're done with that deep red. Finally going in with the red for the insights of the theory. Now moving back with the loose, with the spring green, filling their lives with their spring green. It's been way too long to do. Writing this being lean for the last leaf, node two. And with this we're done with the basic color for the leaves. Now, moving on to the slides of the cake, with the solvent being outlining the top of the slice, the sides, and adding a little bit of solvent for the inside With this, we are done with the settlement pink. Now going into the white. Now I'm going in with the light. I deny late for the theories. Now moving on to the slice with the white cap covering the top and the sides with the wipe. Starting with the same blending the settlement ping with a white kid fully adding them right near the leaves. Now, moving on to their top, covering the top with the white. Redefining the editor of this laser little bit. Thomas. Thomas. Mel going into this stretching tool to add detail for the lean. There's nothing much to do when thinking about. Wow, I don't know. Because Sean It's been late. And release where nullable the top of the first life. Lastly, adding outline for the leaves. Adding a little bit of more white to blend as much to green to the rest of the top and the side. Now moving on to adding them in the lid, starting with the settlement being roughly outlining the layer with the pink and release, we're done with the settlement ping, no going in even the white, filling the white for the inside as well as blending it with this element being released, we are done with the white. Finally moving on to the other two layer, starting with them, don't go no. I didn't never own for the other side. Even if you've gone, I will go to the bottom layer with the brown Tom, but that's all I wanted to say for a second. Defining the beat for the other side. And release, we're done with the brown. Now going into that deep red, I'm in this deep right on top of the brown, as well as grounding it. Now moving on to the bottom layer, repeating the same, adding this deep red partially on top of the brown as well as surrounding it. And with these, we're done with that depraved. Lastly, going in with the red, starting with the bottom layer, filling the rest of the empty spaces for the layer. Moving on to the upper layer with the red doing the same, filling the rest of the empty spaces of the layer with this rate, as well as adding a little bit of weight on top of the brown. And then he prayed And with this, we're done with the red. Now going back with the white to blend them down and the rate with the middle ear by extending the white and using the stippling technique. Adding their sibling mark with ascites. Now blending them Medallia. Do you defining that garbage Thomas to go now hold. Even if you've gone, I will know what I'm done. With this. We are done with the past life. Moving into the second slice with degree me finding an outline for the sides and the top. That's all of us. Adding a little bit of gray for the top. Now moving on to the two layer, I think a little bit of me adding more grip or the side. And with this we are done with the gray. Now going into the settlement ping. Adding this element being for the layer, moving onto the top of the slicer with the settlement pink. And with this, we're done with this element being continuing with water and with the white starting with the top of the slice. Filling the right for the top and blending it with the salmon pink and the green. Thomas. Thomas. Moving on to the adjacent side with the white writing that white for the two layers. Yeah, afraid to fall asleep. Well, and I know that Joe finally adding the way toward the side going forward once again for the top and the side for all Elliott. And release, we're done with the white and release. We're done with the top, the siren as well as the layer. Removing the ILP style does. Now moving on to the insides of the Lean, starting with the brown. Moving on to the middle ear with the brown. Finally adding them around for the top layer. And with this we are done with the brown know going in if that'd be prayed. Starting with the middle ear, ending it partially on top of them around as well as surrounding it. Now moving on to the top there with a deep breath and release, we are done with that deep grade. Lastly, going in with the rain, starting with the middle ear. Moving on to the top layer, filling the rest of the inside of the layer with this red, as well as adding a little bit of red on top of the deep red and brown Finally adding the rate for the bottom layer, repeating the same, filling the rest of the empty spaces for the layer with this rate, as well as adding a little bit of light on top of the knee played around. With these. We are done with the red for the space. Now going back with the right to blend it with a two layer. Then the saints with that second dose, This site of us a little bit groomed, fixing the side with another layer of white. And with this, we're done with our second slaves. Moving on to the third place. This will be simplest of all, starting with the brown for the outline, the top, and the side. I think a little bit of brown for the sign. Adding a little bit of brown for design, adding some more brown for the top. And when these were done with them around for the slaves. Now going in with a deep red, adding this deep red bar cilia on top of the brown as well as surrounding it. Moving on to the side with the detail going over the outline with that, then that's all off. And release. We're done with that deep brain. Finally going in with the red, filling the top, with the red filling the rest of the mechanism is best for the top with this red, as well as adding a little bit of red on top of that deep red and brown. With this, we are done with the top and the side. Now I'm going in with the settlement being marked with the salmon pink, adding the outline for the layer. And with this we are done with the settlement pink. And now I'm going in with the white to blended with the solvent being told no. Thomas. Thomas. And with these we are done with the white and this layer going back with them around learning and below the layer and creating the outline for the sign. Adding a little bit for the corner and the middle. Now going in with a deep-learning, I didn't this deep red parsley on top of them around as well as surrounding it. And with this, we're done with a deep red. Finally going in with the red, killing the rest of the empty spaces with this red, as well as adding it partially on top of that deep red and the brown release, we are done with the red for the slice. Lastly, moving on to the music because starting with the brown for the myth, writing them down near the site of the slaves. Even if you've gone to 0 That's all. For now, filling the entire maze with them around Thomas. Thomas. Thomas. Finally going in the right to blend it with the brown. I blame Harry, but instead of it, the vital blended with them around. Gradually blending all them around with the white to get a smooth consistency and uniformity of the colored. Thomas. Chill. Free. Love to hear your files. Sleeping well. And I know that you should know for way too long. That's all I'll say. Thomas, Cole. And I hope that even if you've gone, I will we be squared and then whatever a team project, Let's unmask our painting. See you in the next video. 31. Strawberry and Blueberry Red Velvet Cake: Moving on to the 19th, predict a strawberry in a blueberry red velvet cake, starting with the skateboard directory. And let's keep up the cake. Finding their friends or you have the key. For this. I'll be adding five strawberries, two on the top, one on the front, and the other two on the side. And then blueberries for on the top, one on the front along with a single strawberry, and two on the side of the slice of the cake. And the last three beside the strawberry, continue for the rest of this kit. With this, we are done with the music People of the slaves. Gammas are starting with a two strawberries on the top. Hailing the blueberries decided, defining the type or the top layer. Hiding them in the Lyn? No, adding the strawberry for the site along with the blueberries? I think if I know the strawberry for the front, I think the blueberry. And lastly it's getting the last two, No worries. No lightening the pencil marks. Now let's paint starting with a yellow borders drama series. Adding the yellow part or less strawberries. For the strawberries, I'll be using six color, the yellow, settlement, pink, raid, be plain brown, and the light and release we're done with the yellow. Continue forward with this element being said only in particle lemon yellow with the salmon pink. Now defining the one side of the outline of this chrome element, this element being and release. We are done with the settlement being. Now going in with the orange, defining the whole sweep of the strawberry with the iron and Martele covering this element and the yellow. Now moving on to the top, boost co-varies with this orange And finally adding the orange for the last two strawberries. And with this we're done with the orange. Now continue quadrate with the ribs, mainly concentrating this rate for the inside of this tube. Finding the rate for the other strawberry. Moving on to the friend of strawberries with this red, adding a little bit more red on the other side as well. Finally, adding the red for the last two strawberries. Before we are done with the red for the strawberries. Now going with the dark grade, starting with a strawberry at the bone. Moving on to the other two strawberries. But this dark grade mini adding this deep red on the left side over that. In. Finally, we learned that Bob, whose job it is with this deep fade out blame for the right side a little bit with the theme played. With this, we are done with a deep red for the strawberry. Lastly, going in with the brown, adding more contrast to the strawberries with this midtone brown for the other strawberries. Moving on to the front discovery with them around adding the brown for the last two strawberries on the top. And with these who had done with them around. And the basic coloring for the strawberry isn't. Moving on to the leaf of the strawberry. Starting with adding the guideline for the leaf of the frontal strawberry with this deep green. Moving on to the two strawberries on the side. Finally, and England guideline for the lease were the last two strawberries. With this, we're done with that big green. Now going into the screen, remember define the theme of the leaf. Adding this green, green for the other strawberries. I think this brings the mean for the friend of strawberry. Finally moving on to the strawberries and the tops Adding some water spring green wherever required. Release, we are done with the music color for the leaves. Continue forward with this crashing to Colorado detail for the leaves. Adding the midriff in the green for the leaves. You can use a toothpick or white pencil if you people moving on to the strawberry at the front. Moving on to the strawberries at the top, gardening older detail of the leaf. And with this we're done with the scratching going in with a pencil for the outline of the leaves, outlining the lead for these two strawberries. Finally outlining the leap toward the front of strawberry. Now to finally the strawberries going in with the white to add highlight. Adding the highlight, put all these probabilities with the way this time I'm not using or threatening to carve out the rates to reveal the yellow, That's Elman pink as well as the other colored. As I am satisfied with the strawberries as the art. If you prefer, you can go with this grating to throw some of that underneath colored. With these, we are done with the strawberries. Moving on to the blueberries, starting with the illegal border outline or the blueberries, outlining them blueberries and adding a little bit of amigo boiler inside. Moving onto the top of strawberries with the outlining the pod blueberries. Finally, moving on to the last three blueberries. And with this, we're done with the outline for them, blueberries with the ambiguity. Now going in with a little bit of Prussian blue for the insights of the blueberries. Finally going in with the heliotropic Elaine site of them blueberries and blaming the Inigo, the plus in blue together with this allotrope by overlaying this, Hey your truck on top of them. Now moving on to the single blueberry. Adding the color for these two blueberries. Finally, moving on to the last word, blueberries at the top. And with these, we are done with the YouTube going, met with the Prussian blue for some of the blueberries. And with these, we are done with the blueberries. Now let's color the slides of the kick, starting with a grid, adding negative beside the strawberries and blueberries. Now outlining the top of the cake with them green. Adding a little bit of grief for the inside. Outlining the faint when they agree Adding a little bit of grief for the inside. And with this, we're done with the tree now going anyway, this element being a little bit of solvent being for the top and the sides, covering some of the green with the cell and pink. And with this, we're done with this element being, now going in with the white, using the right to blend us element being integrated together. Filling this eta divided by covering the other two colors. Now, moving on to the front side with the white dust. Moving, went to the top with the light. Lima meetings with the white. Don't worry about some lemmings with them losing their age. Later on we'll be adding another layer of white to cover it. Now covering the entire top, Linda White. Going over the white me, their bellies once again. Adding the light between the strawberries. Tiffany adding the vital between the leaves and then blueberries. And with these, we are done with the top of the teeth with this fight. Moving their desk. Gammas are going to be new, watered with debit own, starting with a friend Collin, handing them down below the whites. Adding a small speaker brown for the middle. Moving on to the bottom layer when this brown outlining the theme of the layer window around adding them around in their corner. And when these were done with the brown for this side, moving on to the other side when the brown starting with outlining the feet of the layer, wind them around. And with this, we're done with them around. Now, going in there with their deep red, starting with the bottom layer, adding this deep red part, cilia on top of the brown as well as surrounding it. Moving on to the other side of that deeply doing the theme, adding it partly on top of them around as well as surrounding it. Now moving on to the upper layer with a deep red, I think that'd be blamed for the other side. Going back to the bottom lip of adding adding a little bit more deep red. And with these we are done with there being bred. Know going in with that end, starting with the top, spelling, the rest of the empty space with disarray, as well as adding a little bit operate on top of the leaflet and for the bottom layer. Finally adding the red for the front side of the bottom layer. Go master. And we leave we are. After the raid, I added a little bit of grief for them, We believe. Now going in the middle right, to blend the ugly for the middle ear. These were done with the 19th project. Unmasking our project. For this project, I'm not adding the base, if you prefer, you can add lobbies. Adding some finite that is for the project. And release, we're done with our strawberry and the mulberry red velvet cake. See you in the next video. 32. Blueberry Red Velvet Cake: Starting now at 20, blueberry red velvet cake. This little bit too late life for starting this kid with a straight line as the guideline to draw the top of the cake. The sketching an ellipse in settling the straight lane. I think the line for the slice section of the game, hiding the sites and defining the bees. She goes, she does. John Snow is getting the slaves, doesn't release. We are done with the reference gate for the gate using the guidelines. Now adding this case for the top and the bottom layer for the cake, for the leads of the key can be using green, cadmium lemon peel you and white. Good evening. This gives me the clock. Now let's paint starting with the Prussian blue for the outlines. Sorry, I forgot to show you the placement of the blueberries is getting them blueberries with the pencil on the top of this leaf. I think this blueberry beside each other for the entire aid of the cake. Some of these blueberries are behind. And now that I didn't show that, lightning, the pencil marks once again, removing the dust, going back with the processing load to outline them. Blueberries. You don't have to exactly draw with the same pencil escaped. Make a dispute as you go We went to the other thing. Finally, connecting both the site for the blueberries. I decided to add few more berries and release. We're done with the outline. Continuing forward with the illegal, adding a little bit of indigo Paula, insights of every blueberry. And with these, we are done with the indigo. Now going in with the heliotropic or the inside. Blending there in big 0 of the inside with this whole YouTube by covering it. All the blue babies with this hand your toe. I am adding the senior drop in a circular motion. By doing this, I am also blending the Christian view of the outline a little bit. Hey your Drupal, them blueberries that are behind me. And with this we are done with the hinging your truck, removing their dusk. Going back with Amy, go over some facts about lanes. I think this indigo and earlier outline of the proof is in blue for them, blueberries. Adding main legal for the last bearing. If you prefer, you can add white for the highlight for this blueberries. And with this, we're done with the blueberries. Moving on to painting the key, starting with cadmium lemon pale hue. Adding the cadmium lemon peel, you pull the inside of the top, defining the outline for the adults and release. We're done with the cadmium lemon peel, you know, going in with the green. So starting with the rounding of the cadmium lemon peel you with this leaf or the sides of the top? No, I didn't agree for the top. Adding this gray beside an in-between the cadmium lemon peel, you going over the outline once again with the green With this, we are done with the green know, going in with the white to blend the two colors to get them. Starting with willing to wait for the site. I think now wait for the bank side. No, moving on to the top or willingness right on top of that. And again, when lemon peel you starting from the center and moving outward with the white, adding the light in-between them, blueberries. Blueberries on the top with this white filling them right in between them, blueberries for the inside. Continuing forward towards around the blueberries with the white. Now feeling the top with the right. Adding another layer of white to lighten the loony other berries. We're busy, we're done with the white polar talk. Today moving. They're going over the three outlining with the white ones again. These were done with the top. Now, moving on to the middle layer, like at near the starting with the cadmium lemon peel new, defining the outline for them in the layer. And with these, we are done with the cadmium lemon paying you for the middle ear. Now going in there with a green feeling a little bit of grief for the insights. Finally, going in with the white to fill the layer or willingness white on top of the tree and the cadmium yellow and pale hue. Moving on to the other side with the white. And with these we are done with them in the layer, removing the dust. Now going into the brown, starting with the left side, gradually moving towards the right, defining the base of the LEA little bit with this brown. Moving on to the other ligand binding there be from the LEA little bit with this down a little bit for the ages? No earning a little bit of brown for the insane. And release. We are done with the brown continue water with a deeply starting with a deep red for the top layer. Adding this deep red partially on top of the brown as well as on top of the deep red. Moving on to the other side. And release. We're done with that deep red for the upper limb. Moving on to the lower lip, repeating the same. Adding this deep red part for me on top of the brown as well as the rounding it. Moving on to the other side. And release we are done with a deep red. Now continue forward with the red, filling the rest of the empty spaces with this rate as well as partially overlaying this on top of that deep red and brown. Moving on to the other side of the lower layer. Moving on to the upper layer, liberating the theme, filling the rest of the empty space with this rate as well as partially overlapping, but on top of the deep red and the brown. Moving on to the other side of the upper lip. And we need to we are done with the red. Now I'm going in with the white and using a stippling technique to extend some of the reds and the right to create an even texture for the layer. Doing their thing for the upper lid, that is using the stippling technique with the white to extend our aid and the white booklet uneven texture for the layer. Going over the layer one the other day. Now moving on to adding the final layer, starting with the cadmium lemon peel, you finding the outline for the bottom layer. And with this we are done with the cadmium lemon peel, you going in with the green, adding a little bit of grief for the inside. And release. We are done with the green. Finally going in with the weight. Starting with blending with the rate Our by using stippling technique. Now feeling the rest of the layer with the white covering the cadmium lemon peel you and agree with the white. Now moving on to the other side. When these were done with the slice of the cake. Moving on to the beef, starting with the brown shoe, not willingly entire base with the brown. Removing the masking tape to add more color. Now going with the right to blend it with the brown. Applying heavy, but instead with the right to blended with the brown. Good job. Released when nobody red velvet cake. See you in that it's medial 33. Strawberry Circular Red Velvet Cake: Moving on to the 21st in the last project for this class, strawberries have chlorine well-read game, starting with this Keith for the top of the QI site and defining the beef was getting there WAS, this will be the layered cake. No police keeping the strawberries for the top. This will be similar to the last predict, blueberry, red velvet cake. Adding this term and it's for the whole side of the key. I'm just thinking allows the strawberry. Now let's paint starting with the white outline of the strawberry with the white. I have not lived in the pencil escape, except really simple escaped. Also, there is no middle ear, so we'll be mainly using a dark color and a dark color will completely cover the pencil sketch and ask for going over the outline on the strawberry with the white. I'll be adding that deep red and brown to cover this outline. Continuing to add outline for the strawberries with the wife and release, we are done with the outline and the strawberries with the right. Now going into the cadmium yellow. This yellow on the top right side of the strawberry. For this project or less, strawberries will not be that much detail. It, if you can make them more detail. This will be fairly simple strawberry. And with this we're almost done with the cadmium yellow. Now going in with this element being said, I mean the cadmium yellow as well as overlaying a little bit of salmon pink on top of it. I think the cell limping for the strawberries and the back. And with this, we're done with this element being no going in with the orange lid binding the CBA, the strawberries, as well as partially filling this element pink and the cadmium yellow with orange. Continuing to add the autoencoder or less strawberries. Me if I knew the people, the strawberries with this orange as well as partially covering the cell membrane and the cadmium yellow. For the last three strawberries And with this, we are done with the orange, going over some of the strawberries with the orange. Instead of the rate I am going into the brown to add that distinction between the strawberry. I didn't listen down on the left side of the strawberries to create contrast and to fill the distinction between those strawberries ending never own for the strawberries in the back. We're almost done with the brown, adding a little bit of more brown for the printer strawberry. Now going into the red, overlaying this right on top of the brown and yellow endless element being partially covering all the strawberries with the red. Moving on to the strawberries and the backward rate. And with these, we are done with the red. Finally going into that deep red, adding a little bit of deeply for the sides of the strawberries. They merely overlaying this deep laid on top of the red and brown. Moving on to the strawberries at the back. With this, we are done with the basic coloring for the strawberries. Going into the deep green for the guideline of the leaves. Starting with the strawberries at the back. Adding four to six weeks of being green for the leaves. Moving onto those probabilities at the front. And important to city streets of being green for the leaves. And with this, we're done with that deep green. Know going into this brings me to define the tip of the leaf. Using deep green as the dye to draw the of the leaf. Gradually moving towards the right with the spring. The mean adding the leaves by overlaying is bring them in on top of that big green. Moving on to the strawberries and the back, whether the screen lean And with this, we're almost done with the spring dream. Now going over some of the nice ones are going to define the shape of the leaf. And with these, we are done with the green going into this graphing tool to add detail for the leaf. Adding detail for each individually. Hello. Moving on to the strawberries at the back with this veteran tune. Adding details for each individual leaf. With this, we are done with the scratching, going in with the pencil to add outline for the leaf. Ok Lane put all the leaves. And with this we are done with the leaves. I am keeping things simple for this painting. You can go in with the white to add highlight what the strawberries. Now going in with the white border top, filling the whiteboard, the front of the cake in-between the strawberry. Filling them right in between there strawberries. Now moving on to the middle of the cake with the white, carefully peeling the white border top of the king. Moving on to the side with the white applying a repressor with the bipolar side of the cake. Gradually moving towards the right. A blank area to achieve smoother consistency and uniformity of the white. And with this, we are done with the top and the side of the cake with the white. Moving on to the rest of the key, starting with the brown. Starting with adding the brown for the right side. Now adding a little bit of down for the insane. Moving on to the other side of the road. Outlining the layer with the brown. I think they're more known for the middle. And with this we are done with the brown. Now going in with a deeper, adding this deep red bar on top of the brown as well as surrounding it. Starting with the left side with this deep red. Finding the deep brain called the base over the bone. And adding the deep red for the middle. Moving on to the other side of the different repeating the same parts. Are we adding this deep red on top of the brown as well as surrounding it? Finally adding a deep red for the upper part. And with this we are done with that deep red. Now going into the red, filling the rest of the empty spaces with the rate as well as part in your link that's on top of that deep red and the red lead for the left side. I think this raid on the top and repeating the theme, willing the rest of the empty spaces with this rate, as well as partially adding this on top of that deep red and brown. And with this, we are done with the cake and the strawberry. Moving on to the base for the cake, starting with the brown. Now going into the white of blended with the brown, a blank paving. The way to blend it with the brown. And release. We're done with the base for the strawberry red velvet cake. Moving the dust. Let's unmask our painting. With this, we are done with our last project. 34. Thanks and Conclusion: Congratulations on completing this class, and thank you so much for taking my class and taking your time and creativity with me. I hope you had fun with this class and learned something new and exciting. Please leave a review so you can help me and let others know how you feel about this class. You can do this by going to the review section and then taken the liberty we went. And I did really appreciate that. If you have any doubts or queries, you can always ask me in a discussion section. Also, if you have done any of the red velvet cake, please upload it in the project section. Don't underestimate leaving a project work or reveal your reviews and predict what makes me really happy and also helped my classes to reach other students. Thank you again, and I hope to see you in my other classes. Happy painting