Draw Portraits Easily in Procreate: Loomis Method for Beginners

1. Introduction: Welcome, Ashudm, professional artist and illustrator. We work with global brands such as Adopt Play Irish and Prime medio stored off ring strings of Power Series, Develop time series and Study series. In this Skillshare class, I will show you how to paint expressive and impressive portraits with Loomis method. If you are interested in digital art and you are looking for class that shows the exact techniques that artists professional use in the end of this course, you will learn how to create impressive and really artistic portraits. I can't wait for show you my techniques and coloring methods and work love. If you're interested in portrait, let's join my class and create something amazing together. 2. Learn Andrew Loomis Method Basics: Welcome. In this class, we will talk about Loomis Method and head driving fundamentals. The Loomis Method developed by Andrew Loomis is one of the most effective systems for constructing the human head. It simplifies the head of the basic forms, making it easier to draw from any angle. So at Loomis Method, we need to start from a Sapir and I will show you like this and just like this and holding with my pencil and begin with drawing a simple circle. This represents the cranium, the main mass of the school. Think of it as a three D ball, not flat shape. So at the second part, you need to define the side planes. So for define it, cut off the sides of the saphir slightly to create flat surface. For example, at this corner, we will divide it, and other corner will be again divided. So this represents the samples. And draw a vertical line down to the center. For example, from here, I will down it, and this is your center line. And the center line will define our main angle. So draw a horizontal line in the middle. This is our brow line. For example, we need to find the middle of it and we'll paint horizontal line here. And this line will be your eyebrow line and eyebrow line. I will edit. These lines establish the orientation of the head. And at the jaw and chin attack the gel to do Saphir. For example, from here, from the sides, draw downward lines and connect them to the chin, just like this, depending on the angle. And for established propositions, divide the face into equal sections. For example, this line at the top defines the hairline. And middle was the eyebrow line, and noseline will start from this end of the circle this point. And this point will be eyebrow line, and this point will be our hairline. The face is generally divided into three equal parts one, two, three. It is equals. So hairline, bro, bro, nose, nose, chin. So for placed features, sits on the brawline. For example, if you paint another line here under brow line, it will give you to place for the eye sockets, and you can place the eye with the geometrical shapes for quickly sketch the shape of the eye and nose ends at the middle section. This part will be nose and this will be nose line. You can create a planes for nos. And mode sits about one, two, three between nose and chin. At here somewhere, and end of the e will be the borders. And for adding the neck, the neck drops down from behind the jaw and connect to the base of the skull from here, not directly under the chin, a bit farther away. It comes like this and comes like this. And the real power of the ums method is rotation. Tilt the center line to turn the head, curve the guide lines to show the perspective. Shift proportions slightly depending on angle. You are not driving a face. You are constructing a three D form, then placing features top on it. So for the noseline, I mean earline. It will be at this part. If we divide the corner, this one is our earline and it will be here. And if we add details quickly to complete the Loomis head, we need to define the planes much Me visibly, for example, I'm painting the eye here, just like this, and I'm putting the hairline from here, and I will add eyebrow to the brow line. And at the corner, I will make these corners much more visible and especially this corner, and I will paint the upper lip, and I will paint a line from here to boon chick. And basically, with this 3. Drawing Andrew Loomis Method Portrait : Welcome. In this part, we will practice the Loomis method. At first, I will paint with a circle, just like this. I created a ellipse circle, and after this, I'm defining the rotation of the head from the center line. And I will divide the corners just like this slowly, and the right part will be like this. After this, I need to find the middle point of center line, so it will be similar to it. And this part will define our a hairline and nosline and I will add the chin over here, and I will complete it. After this, I will add the fetal features just as hair and eye and other parts. I will select much more textured brush right now and with a larger brush, I will put the I under the eye sockets, for example, one eye comes from here, just like this, and I will add the eyebrow here, and the other parts again, will be just like this. And yeah. Basically, we are creating the nose line right now, and it comes from here. I will add the details of the nose, and we'll add this part here. And just like this. Yeah, and this part will be like this. And yeah, I will add the lip detail here, just like this. And here will be. And slowly, I will increase the detail level, and I will place the ear just like this. And Bonchi will be here, and yeah, it is really great male figure, and I will add also he here just like this. And let's zoom in. And this time, I will add some details for the eyes and maybe nose can be much more characteristic like this. And, it's looking really great. So I can add a bit much more mustache for make our character much more interesting and have its own characteristic. And for hair, I will make some curly hair, just like this. And these parts will be like maybe long hair and don't forget to add shadows depending on your light source, and put the main details for the face, for example, this the tails. And yeah, and neck is also so important, and maybe we have like old dress like this and shadows under the Loomis heat and yeah. Basically, if the light comes from the leftop, you need to place all shadows, depending on the light source. And all planes will get dark shadows and lights, depending on your light source. So we can add many details into this illustration and hope you enjoy this process. And the next parts we will continue to creating Looms heads. Thank you. 4. Andrew Loomis Method Drawing: Welcome. In this part, we will paint Loomis portrait together for practice. At first, we will start with the shape of the Saphir just like this. And we will describe the rotation of the portrait, just like this. And this part will be divided to find the middle point, just like this. And we will find the eyebrow line just like this. And this part will be our chin line, again, just like this. And this part will be our nose and eye sockets. And yeah. And this part will be hairline. So we defined all setup here and after it, let's zoom in here and try to put the sockets for eye. And the eye sockets can look like this at first. You can paint these lines for make it like this. And this plane will be like this, at here and yeah, and it's looking really great right now. And I will continue to create the shape of it just like this and like this. So eyebrow will be come here, just like this. And yeah, the eye will be placed here. And let's make it a female portrait. So nose can be much more smaller here, and we will have a lip here just like this, and here we come from here. So after decide to define the places and planes, go to the layers and make the opacity a bit down and open another new layer. And with textured brush, I will start to continue building the portrait. So, I will make it with a cat eyeline makeup, just like this, and I will be really dark, especially these parts of eye, and I will place the eyebrows. As you can see, after defining the old planes for the features, adding tatails is much more easy and fun. So this eye will be placed like this, here. And, let's put the nose here, just like this. And Yep, these planes will be like this. This planes darker. And, yeah. Just like this. So lip can be much more bigger here at the top of the upper lip can be bigger and darker. And the other part will be like this. And yeah. And for he, I will put details just like this. And chin will be much more smaller here. And let's continue to adding details here. Like this. Yeah. And sometimes you can I will show you one technique tool. You can go to the selection tool, and with the free hand tool, you can select the specific parts of the portrait, and you can adjust the angle and different kind of details to make portrait much more interesting. For example, I can select this part and move it around here a bit much smaller. Yeah. And maybe Chin comes much more petted for make the portrait much more feminine. And Loomis method makes everything so like calculated. So some people have bigger eyes, thinner eyes, and for this part, we can create the hair, much more larger and much more longer. And for cheeks, I can make it much more straight here like this, give it a volume, and maybe the parts much more curly hair, just like this. And yeah, it is looking really great right now, and I will continue to add details over the portrait. Yeah, maybe this part's darker, these parts much more visible. And in the next part, I will color this portrait with you and finish this Loomis method portrait. Thank you again. 5. Andrew Loomis Method Coloring: Welcome again. Now we will paint the this loomis portrait. At first, create a new layer under the portrait and select some skin tone like muted tone. Don't use light or dark colors at first. Because at first, all we need to do is create the volumes and define the light and shadow. So I defining the shadows here here will be much more darker because light comes from the left top in this portrait. And let's make much more darker tones to do lip, and these parts will be really, really darker because this part will be darker because light comes from the left top. Yeah. And maybe these parts will have volumes like this and especially this part. And let's continue to increase the detail level together. Yeah. And these parts will be much more darker. And yeah, it is looking really great right now, but what we're going to do is increasing the skin tone. So at searching points, we will add lights like blush lights. I will add much more highlights over here and here. Because portrait is not flat. Some parts of face is light and it turns think it like a turning object and try to define the planes of it depending on the detail. So these parts will be really darker and maybe we have a blush here like blush color, and these parts also darker. Yeah, it is looking really great right now and zoom in to the portrait right now with opening new layers over the old layers. So this time, we will make the search and points much more detailed look. So I will be a shadow here, and the other part also will be much more darker, and we will make her expression over the eyebrows much more visible and stronger and maybe have lashes here, just like this. And nose will be much more clean on this side because this plane is much more on the front and have some highlights over these corners, especially at these parts and these parts. It is all about finding planes and making them much more clear and better. So we can add the eye highlight with simple that here, just like this. And here with this way, we are increasing the realistic look of the portrait because it gives a really nice w and reflections from the wet edge. So it is really, really, really important for create these details on portraits working with the Loomis method. Thanks again for joining this practice. And in the next lessons we will focus on creating much more Loomis port plaits. Thank you. 6. Coloring Realistic Portrait : Welcome again. In this part, we will add realistic details over the Loomis method portrait. At first, I will start from the eyes, and I will add much more shadows near eyes for create much more realistic look for the eye. For example, like this, defining the shadow and highlights over I creates really great amount of detail for the portrait. So you can increase the detail level by increasing the color and adding much more tones, different kind of colors over portrait. For example, for I, I will use a bit much more orange tones and white highlight points for each corner. To create the much more realistic and artistic look. And these parts you can increase the shadows here, just like this, to create volumes. For example, some parts of the portrait in the shadow, just like this, especially these parts and these parts. And some points will be much more lighter and some points are much more darker. So I will make this part much more darker and even so much darker. And especially these areas, and maybe we can make it smoothly. You add the grade here and the grade here, just like this. And this area will be much more smooth. So it creates really great effect and realistic look. And I will continue to add the volumes over the portrait. For example, these parts can be really darker, especially these areas and these corners, and for hair, you can use the middle tones and mix it with saturated tones to create much more great and realistic care, just like this and continue to doing it slowly and create really good brains and volumes over portrait. For example, at this part, I make this part much more darker and especially this part too. And as you can see, the left side in the shadow, and this shadow is really pretty and have some volumes over here to make the portrait much more interesting. And you can use even the orange tones here, just like this to make portrait much more artistic and we brand. You can put these colors on the connection points of the light and shadow. And let's zoom into the lip and give it a bit, much more dark red tones, just like this for make it much more warm. And this place will be really dark and this place will be discolor, but I can add much more lighter colors here, just like this, and this place will be just like this. And for eye, you can use much more Katie makeup or some different kind of makeup for make it much more interesting and deep. So I created this tone here, and I will make this part darker, even darker. And maybe I can also put the some septum piercing here for even make our portrait character sterilized just like this and maybe here too, and I will use the same brush and will increase the look of the like expression of the portrait will be much more visible with this detail. So these parts can be much more darker. For give it a really great form. And hope you enjoy this process. And at the last I will add some lights over the neck for finish the portrait, and maybe wearing some black t shirt like this, and I will make it much more bigger and some red like some phones here, like metal t shirt, just like this. And yeah, it's looking really, really great right now. And with this portrait, it's pop up really great. And maybe these parts even much more curly, and these parts much more curly. I will add some dark tones near here. 7. Coloring Realistic Portrait II: Welcome. In this part, we will paint Lumis portrait. I sketched the portrait with Lumis method like this, and I open new layer under the sketch layer. So at first, start with the base colors. For example, you can put the base colors all around the portrait. And after it with much more textured brush, you can try to find the angles. For example, I will start from here, just like this and like this, I'm trying to put the shadows and light parts of the portrait. Just like this, don't be hurry about putting the details. Just try to find the general look of the portrait and try to define the shadows of the portrait. For example, these parts are really darker and these parts are much more darker. As you can see, I'm just trying to find the general look of the portrait. For example, I can put the lip texture here at first, and maybe at the cheeks, these things can be much more visible and maybe at the nose. And after it, I will continue with the color of the eye. It will be much more darker. And yeah, I will put the shadows of the eye. Let's zoom here and continue to adding detail for the eye just like this. This part will be much more darker and maybe these areas are darker. And for the other eye, keep doing this and add the much more shadow parts with much more darker tones, just like this. And yeah. And after it, select the lighter brush for the nose parts, and it will be our highlights point. So these parts will be much more highlighted just like this. And yeah. And after it, I will put the eyebrows just like this slowly. And as you can see, there is a shadows under the nose. So we need to place these shadows. For example, these parts will be much more darker and especially these parts and these check parts will be in the shadows. So it is for make the portrait much more realistic and artistic. So you need to define the shadows and highlights much more better. For example, these parts will be really, really dark and in the shadow and you can use textured brush or any kind of airbrush for create the illustrations part, and these parts are really darker. So let's zoom into the portrait and put the really dark tones for the lip. And these corners are really darker, and these parts is dark also. And it is always about turning to the shape. So in every painting, you need to define the shape and angles and try to turn the portrait. For example, these parts are really darker, so I will paint with the dark shadows here, just like this. And like this and this part also darker. So parts you can use much more bigger brush for complete the look and add it really dark tones over the portrait. For example, it can have some really, really, really darker planes and maybe curly hair. Let's take another brush. I will take a bit orange color hair. Yeah. And now with the really darker color, I will define the edge and planes of the eye. And the corners will be really dark for add much more realism into the portrait. For example, this part will be darker and this part will be much more darker. And these parts will be much more defined with the with a much more visible brush stroke, and these parts can be much more lighter because portrait contains only one color. I have different kind of color variations in it, and you need to find them and lock them with brush strokes and different kind of colors, shadows, highlights, and many more. For example, this part will be much more darker, especially this cheek part, and I'm blending the colors much more smoothly to catch the really vibrant and realistic look for my portrait. So these planes are also darker at this part and this part and this part, yeah, just like this. And I continue with adding the really dark tones here, and it will be really, really darker at this corner. And I continue to add colors to the hair just like this and like this. Yeah, it is going to be much more better with these details we add with the time, and maybe these parts can be much more in the shadow. And but don't overuse the shadows because you need to find the balance depending on your painting. So I will zoom in here with the darker brush, I will continue to increase the detail level and at much more portrayed details. And maybe I can select much more lighter and yellowish brush. Here at the highlights for the portrait. And at this part also a bit, much more. And these planes will be much more lighter, especially these parts. And maybe these parts a bit much more lighter. And the checks will be much more saturated. And what we're going to do is add much more light and saturated color here. Or define the lip shape just like this. And you can also use these for these corners and the connection points of the portrait, especially this area, this area, and this area. And hope you enjoy this process, and I can't wait for you show much more detailed portrait illustrations, and I will add much more orange tones to hairs, and I will finish this lomis head coloring, paintly coloring part. And hope you enjoy this process and I can't wait for see your own projects with this method. And you can always send your illustrations to my Instagram address. You can find it from my page and you can search it with my name and see my page. Yeah, these parts are also darker, and these parts are also darker. And hope you enjoy this process and can't wait for show you much more in the next. 8. Drawing Head from Left Angle: Welcome. In this part, we will paint Loomis method from the left angle. So just place the middle and divide the corners of the middle and define the shape of the head just like this and place the shadows and neck area and put the nose area and hair line. And after you define these things, you can make the nose like triangle here, and the mouth comes from here under it and connect to the neck, and this is the eyebrow line. And from here, you can create the side planes of the portrait and place the mouth here, and you can modify the nose can modify the nose depending on your choice. And this part will be the hairline, and you can create the hair here just like this. And you can continue and add many details as possible. Basically, it was a quick video to show you the planes. And for example, at the mouth, here is some line like this in this angle, and you can place nose and mouth connects to these angles. And hope you enjoy this part and can't wait for show you much more process. Thanks a lot. 9. Character Sketch with Loomis Method: Welcome. Now we will practice much more looms heads. I will create circle and to find the edge of the rotation of the portrait, and I will put the eyebrow line, hairline and noseline. And I will define the chin line from here and ears. And yeah, if you complete these basics, you are ready to put every detail into your portrait. For example, instead of human, now I will create some fantastic character like from the Lord of the DRings universe or similar to it, like org and nose will be really bigger than the usual size, just like this. And the mouth will be also bigger, and it will have really big teeth here. And yeah, looking really great. But from the eyes part, it will be much more like this to be much more interesting and realistic. I will put the eyes on the eye sockets, and for hair, I will use, like baldness and this ear will be much more interesting. And this neck will be like this. And as you can see, with the Looms method, you can also create really fantastic characters. And depending on your facial features, you can play with the angles of it and put shad offs of it and set how it looks. And it is really important to create something interesting, yeah, it's looking really great and interesting with these additional details. It looks a bit sad, but, I mean, I don't know what happened to him. But maybe he has some piercings here and some hairs here, just like this. Like, different character, maybe dress have some wrinkles here, and these parts are darker. Hope you enjoy this process, and I can't wait for show you much more press in the next videos. 10. Drawing Head from Front Angle: Welcome. In this part, we will paint Loomis method from the front wave. And at first, like usual, we will describe the middle point of our portrait and we'll draw these white lines and put the middle point for the brow line, hairline and nosline. And after describing this detail, put the chin line and just like this, slowly, and to find the eye sockets, and after it, everything is easy. Put these side planes, and nose will be and here, and mot will be here, and I will paint bros here like this. And let's continue to add ice in here. I will paint much more round the ice here, just like this, expressive eyebrows just like this. And let's add some nos details over here and here, just like this and put the shadows for nose part, and I will paint the moat here just like this. And for this part, we will paint the side corners. These side corners in the backwards, so you can put and place the dark tones for these corners, especially at the right and left. So I will paint the hair at the hairline, just like this and like this and hope you enjoy this process, and I can't wait for show you much more process in the next videos. But for now, we will focus on the general shape of the head and the tails for maybe eye shadows and maybe the bonche will be much more stronger and maybe even these parts will be like this. And neck comes out from here and here, just like this. And you can add many details over the eyes and the other details depending on your portrait, and don't forget to add them sepal if you are painting man like male figure, and there comes like this. And yeah, in the next lesson, we will continue to create much more luminous method from different angles. Thank you. 11. Drawing Head from Right Angle: Hello. In this class, we will paint Loomis head from the right side. At first, I will start with the painting the base of the head with ellipse and create another shape for divide the corners for this plane. And after it, put the eyebrow line, hair line, and noseline and complete this illustration with putting the chin line with the neck and put the eye sockets line and after it, put the eye sockets and at the nose from here, and this part will be our lip just like this. And yeah. At the eyebrows, I will define the eyebrow and we will find the side planes with this line. And let's continue to add I over here, just like this and over here, yeah, it is looking great. And it is really great, and we defined the portrait from the left side. And I'm adding minimal details, such as a hair line just like this. Maybe it comes from here, and the other side will be t like this. And the humans, you need to add the Adam's apple at the neck part just like this and let's zoom here and put some facial details and finish the illustration. For example, you can make the side planes much more darker, just like this. For example, these planes are darker, and these parts will be darker too. And at the right parts, we will add some shoulders and hairs will be really, really, really curvy, maybe for give it a really artistic look, and hope you enjoy this part. And in the next lesson, we will paint much more different angles loomi heads. Thank you. 12. Basic Coloring for Portraits: Welcome. In this class, we will paint this portrait together. At first, go to layers and open new layer under the sketch layer, then select some brush. For my painting, I will use airbrush. And at first, just gently build the background color for all edges of the portrait. For example, my portrait will be like this. And after putting this detail, select darker tones, and apply over your illustration for create the three dimensional look. For example, these parts of the portrait will be really darker and especially under I just will be like this and these parts will be darker. Maybe these places can be much more darker again. At first, do not rush and just try to build the general look. For example, lights land in the portrait, and which places have highlights and which place in the dark. For example, I will use lighter color for create some light comes from this angle, and also some planes of the portrait has these tones, and I will select blue color for eye, and I will apply here the blue color. And for the lip, I will use muted red color just like this. And it looks really great right now, but we need to create eyebrows much more visible. And for this portrait, I want to keep the color of the hair is a bit blond, so I will select really dark blonde at first or create a background color for portrait. And I will apply here just like this, and these parts will be really darker and especially these parts of hair in the dark and after it, I will select some hair brush. And with the much more highlighted color, I will brush over the hair. And these parts are much more darker, and some parts will be much more lights just like this. I will put this shiny look for the hair texture just like this. And I will keep adding the details all over the portrait just like this. And maybe these areas will be much more visible and really great color here. And just like this. And these parts will be much more clean. And for this detail, I will make it much more lighter, maybe with these tos, and it will be also same here. And for the shadows of the hair, you can use darker tones to create some three dimensional look. For example, I'm adding shadows over here, and these corners will be in the dark also. And these corners too at the top of it, it can be a bit pink or reddish color here. And for the dress, I will use muted color just like this, maybe this color is looking really great. And with this color, I will continue to add details. And these planes will be really dark. And especially these parts of the portrait will be much more visible and these parts. And after it, you can select different kind of color. For example, I selected a bit red and we'll give the color here and another red will be here. And you can add many details as you want. But for example, I will select much more lighter color here and we'll add some extra colors over here, and maybe these planes will be much more lighter. Yes, it is looking really great right now, and I will keep doing these details and we'll add some light effects here. And here, I will use these colors just like this and maybe a bit much more yellowish colors, just like this. And like this, it is looking great. And I will continue to at this maybe shadows over dress, you can put these shadows at some planes of the portrait just like this, and maybe this area and this area. And these parts will be really darker. And especially this area of the portrait will be much more darker. And hope you enjoy this process, and in the next lessons, we will talk about different procreatee works. 13. Anatomy Basics for Loomis Method: Welcome again. In this lesson, we will talk about basic anatomy and anatomy may sound complex, but it is really easy when you start to think simple. And for your portraits and illustrations, you need to learn perspective at first. For example, we have bugs here just like this, and we have the neck under it and the ribcage body comes under it, just like this. At first, always try to create different perspective with the geometrical shapes. For example, paint the surrenders just like this. And like this, try to create a different ave for your eye and educate your eye with these geometrical shapes. And it will be helpful for your figure painting. For example, you decided to paint a character. So start with a simple box just like this, a bit much more like stretched box like this and neck here, and the ribcage will come from here, just like this. And put a cylinder here like circle and put the arms here and put another cylinder here and put the other detail for the these connection points. And if you go to the face and put the head, for example, put the Loomis head in it, just like this. And connect the lines and put the rib cage here. You can work the body anatomy from the skeletal works, and it will be helpful. Just like this, you can create anything so easily. And you need to think simple at anatomy. For example, you are painting, man sitting and looking to the right. You can simply sketch the lines of it. Making simple things create much more power. For example, the human is lie down here and arms come here, and the body will be like this. You need to simplify everything for create much more powerful figures and complete the illustration. And with this method, you need to understand with the first work with simple shapes. Simple shapes is decay, and another work is skeletal and another thing is working line, and line defines everything. For example, we have human happy and open hand just like this or targeting something with a different kind of weapon. And it is all about simplifying the things. And thanks a lot again for joining this part and see you in the next parts. 14. Learn Shape Language: Hello. In this class, we will talk about shape language for your illustrations, and it is also important for creating portraits. So, let's talk about those circles. Circles represent oftenly friendly, easygoing, and round the characters. For example, if you think Mario, Mario is really friendly and good character. And if you imagine this triangle, triangle characters or things represents danger and much more sharp edge. And for example, in Mario, some enemy characters have the spikes, for example, it is triangle. And in the Sonic, you know, the red Sonic knuckles have these spikes in his her, arm. So this one represents danger and much more action characters. And let's talk about the Sequare. Sequae character is represents stability and because hard to move, right? It is strong. And it also represents some really powerful characters and in the shape language, you need to combine these shapes. For example, if you create a really funny and happy character, friendly character, you can use these round shapes just like this. Even the mouth will be roundy, and your character will look so cute right now. And if you want to build a dangerous and much more wild character, you can use these triangle shapes just like this. It creates much more dangerous and various characters. For example, if you put the middle this triangle, it will look gorgeous. If you remember the Dracula, his body is also triangle in many movie like dangerous. But you can combine these things. For example, you can paint the ellipse for the head. And for example, some spikes at the head and combine it with the round box shape. It looks friendly and have some dangerous things, and it is strong and well placed. 15. Loomis Method Sketches: Welcome. In this class, we will do Loomis Method practices, and I will start from here. And I will start from simple shape just like this and will create my first portrait sketch inspired by Loomis Method. And you can do these practices in your daily routine for create your hand much more practice it just like this. The hand comes from here. And let's start another one and try to build effective and fast sketches. At Loomis Method, you can create much more free hand portraits. If you working for practice, donut think about the details, try to build the face and COVID looks and angle. For example, in this part, I will make it looking like the much more upside, and I'm defining the lines. And yes, it is looking a bit much more higher, if you see it. And let's start much more. For example, in this one, I want to make the portrait look like from the side, just like this. The chin side will look much more thin, and these parts will become like this, and we will see hair line more here, just like the box. For example, if you paint a box like this, and this box go down in the perspective, just like this. And if you place Loomis head in this perspective from upside, we will see the upside down version of the portrait. So nose will be visible a bit, and we will see the hairline from the top of it and for example, like this. 16. Painterly Loomis Sketch: Welcome. In this part, we will practice Loomis set with paint Ally brrush. At first, I will paint background, the gray scale, and I open another new layer, and with selecting Skinton, I start from the base color of the Loomis set. And I started from the circle, and I will build the chin line from here. Just predict how it looks depending on your previous works, or you can create the base here for C slightly. And Loomis head comes like this, and this chin area will be here. And let's place the eyes. And I'm painting the eye sockets here just like this, and nose will be here, and mot will be here, and these parts will be really darker. After you add these details on the Loomis head, you can put facial features like I, for example, I put the e here, just like this. And other eye will come like this with the nose detail here. And for the lip, I will create the lip texture comes like this, and this place will be much more maybe roundy and chin will be and much more softer since it is female. And I will add some hair here just like this, and it have a different kind of hair. Maybe much more larger here, and it ends like this. And the other side will be like this. And with much more darker color zooming and you can put the details of the Loomis. For example, I can create the eye here, just like this, and maybe this detail will be much more thin and it will be much more septum here. Yeah. And the face detail will look like this. And I will put the cheek details. Let's paint the lip detail here, and it will be piercing here also. And I will add much more larger makeup here and here. And I will paint hair, much more darker, just like this and like this. Yeah, it is looking great right now. And I will paint this part, much more smaller, and maybe cheek parts can be much more rounded here, and this part will and thin and nose will be much more darker hair like makeup, and I will make the hair much more larger, like this. And I hope you enjoy this video, and in the next parts, we will paint much more Loomis head. And, it is basically like this and hope you enjoy this process and can't we for show you more. Thanks a lot. 17. Painterly Loomis Sketch 2: Welcome. In this part, we will paint Loomis Method, portrait sketch. At first, create with ellipse, and with the circle, continue to find the planes, as I showed before, and continue to add details just like this. And if they building this main step, you can select one color because it will be painterly portrait. So paint all over the face, just like this. And these corners will be much more darker. And yes, after this, select darker color and apply over here for define edge of the portrait, for example, I find it like this and here comes from here. And after it, you can place the eye soketsF example, these parts will be darker because eye sockets will come here and nose will be here, and you can also place the lip parts here. So after describing these details, put the other details here just like this and lip will be much more bigger, and the hair will start from the hairline just like this. And you need to be sure about how to place the details for hair, for example, it will be much more characteristic like this, and you can select much more darker color. And this time, you can place your details for the portrait. For example, I will make the portrait much more darker, especially this side, and I will add much more lipstick here. And with darker tones, we are defining the general look of the portrait. So these details is really important for create the general look for the portrait. And for example, lights come from the leftop at this portrait, and like this, we are building the general shape of the like shutoffs for the portrait, and you can continue and create much more details over portrait. So I will select lighter brush here and we zoom here. And this time, I will increase the shadows and lights over the portrait. For example, this part will be much more lighter over portrait, and I will make this part much more smoother. And especially these parts will be much more lighter and let's add details over the eye just like this. And sns will be thin here, and maybe these parts will be much more thinner, just like this. And yeah, it is looking much more better right now, and I will put the shadows for this area and we add much more shadows and dark colors over the hair. And yeah, it's looking really great right now, and I will increase the shadows here, just like this. And hope you enjoy this process. It was a painterly Loomis sketch and can't wait for show you more in the next lessons. Thank you. 18. Experimental Portrait: Welcome. In this part, we will paint experimental portrait. So at first, I will select one brush for experimental utrox and I will start with Loomis Method, but I will be totally experimental. For example, I don't know what kind of portrait I'm painting, but I'm just trying to be like experimental and maybe I will paint different kind of creatures or different kind of anatomy. But it started with the Loomis set. And after it, I will zoom here and I will start putting the facial features like eye sockets. Again, for example, it will start just like this and like this and yeah, it is looking really great right now, and I will continue to increase this detail level of the eye. And I will start from the right eye just right now, and I will put some shadows here and maybe like most sockets will be like this, like craturehad and yeah, maybe like lien and some kind of different creatures. And do not rush about any details. Just try to create the general shape of the portrait. For example, maybe it is a sea creature and have some tentacles here, just like this, like octopus, and it's looking really great right now. But for defining the anatomy, you need to define the whole the modes look and how the feature, for example, nostrils will be like this and maybe another detail on the portrait, yeah, it is looking really great, and I will continue to add details over the portrait. For example, it is shoulders can be much more maybe larger like this. And let's zoom here and try to put the general details much more visible. And I will finish this quick sketch video and after some put some shadows and highlights over the design, for example, this part will be dark and this part will be dark and this part also will be dark, and it is looking great. And I will make this eye much more visible, and maybe these parts will be like this and this part. And thanks a lot for joining in this sketch video and see you in the next lessons. 19. Experimental Portrait 2: Welcome. In this part, we will paint character portrait and at first, start with filling the background with gray color and open another new layer and select smooth line and start with the Loomis sketch. At first, we will create a circle and we'll divide the circle to find the corners of the portrait. For example, it looks like this side. So the corner plane will be like this, just like this. And the other plane will be like this. And I will add this a eyebrow line. And at the top part, we will paint the hairline, and this part will be nose part. So after it, I will complete the chin area, and after this, I will paint eye sockets area just like this. And nose will be here. So after putting these details and putting these details too, I will go to layers and make the layer opacity really low. And with this way, we will have really low opacity background, and we will add the I and I details just like this. For example, she will have some almond e. So this part will be almond site. And I will add the I detail here, just like this. And from the other side, I will keep adding the tail for eye just like this, again, and nose will be much more visible here, just like this. And for a mont it will be smiley, some smiley here, just like this, like this. And after it, I will add the corners of the portrait. For example, it will be much more roundy and here will be somewhere here. And if you paint line, from here, you will find the punchi. So it will be easier for us to define the details of the portrait, for example, here and here, and some here details will come here like this and shadows here. Yeah, and it will be like this. I will continue with the sketch. And after you define all details, you can make this layer disappear and make this layer really low opacity and zooming. This time we will create much more certain lines and this time I will use some texture brush, and I will focus on the characteristic look of the portrait. And for example, this eyesight will be like this and like this. Yep, it's looking really great. And the other side will be much more visible, just like this. And I will add the eyebrows just like this and nosy tails will be like this and like this. It is really not real character without makeup, and hope you enjoy this sketch. So we started with the Loomis Method, and we created the main features of the portrait. And the other details just like this, maybe her hair is a bit stylish just like this and have much more detail over here and here, just like this. And for the dress, I will use some cute and great textures like this. Yeah, it's looking really great right now, and I'm trying to make the portrait much more effective here. And also, she have some let's zoom here and check out the face details. And you can always, for example, I will close this layer too. You can go to Selection Tool and with the free hand tool, you can select specific sites and select move tool and free form or verb will be better. You can move the planes of portrait. For example, you can make the portrait much more roundy with less details in it, and these parts will be much more pottery, and this part will be really dark. And these parts will be much more specific and good, especially the left side will be same again. And after these details, you can put the general details for the portrait and put for example, dark tones for the lip texture here, just like this. These parts will be dark and these parts will be dark again. And yeah, it's looking really great right now. And let's continue to create much more detail over here, and the left side will be detailed too. It's sketch paintings, don't rush about any detail, but really focus on the general look. For example, COVID looks and try to improve the shadow and highlights. For example, you can place the shadows for make the portrait much more visible, especially the uh left part. It will be much more darker. Yeah. And these parts will be like this. Hope you enjoy this process and I can't wait for show you much more process in the next videos. Thank you. 20. Experimental Portrait 3: In this lesson, we will deep dive into Andrew mus method. Andrew lumus method is simplifying the human anatomy and head for create portrait much more faster. At first, we need to start with the simplified cranium, just like this. And it is circle, but we need to dilate these corners with cutting it. For example, just like this, and let's paint it to this color for show you much more easily. This line is here, divides the cranium from here and like this. First, want to start by drawing a perfect circle, and you don't need to be so perfect, and you can use quick shaped hole in procreate. And for the next step, we need to define the center line both horizontally, and vertically across this circle. You can do this across the front and side. And next, we will create an oval on the side of the head. Help this oval helps us to define the side plane of the head. And I have had a lot of practices on this anatomy, and you can improve your eye with doing much more examples. And let's talk about the basic shapes. And for example, circle for the eyes and upside down triangle for the nose, for example, the nose line will come from here and the hair line from here. And nose parts can be upside down triangle. With simplifying. And you can paint circles for eye sockets here. And after this, you can at the chin area just like this. And basic shapes that I use for facial features are like this. You can use two line and this line for the end of the lip for show it. And for example, let's do some examples for show the head anatomy. For example, I will create another layer just like this and we'll paint quick shape circle. 1 second. Let's do it again, just like this and add the circle here, divide circle and find the middle of it and find another middle of it and put another ellipse here. It will be nose ellipse. So it will be hairline, it will be nose line with the same angle, and we will have the center line just like this. Chin will come out from this area and from here and for defining the I. Let's paint this color here and color here and upside down triangle here and Much just like this. And after it, select the darker color and start to put the eye here, just like this and do it the same for the other parts and put the eyebrows at the brow line. This is our brow line. And after this, put ice in it and other parts. And put the nose here and paint the lip details, and maybe have some moustache or something. And to find these edges over here and paint the here and maybe he comes like this. And yeah, you can add many facial features like this at the corners and like maybe wrinkles and other things for create portrait much more effective. For example, I will create a moustache here and maybe cor shadow over here to make the neck much more visible. And with these details, you can simplify the head and head anatomy and create your own Loomis head. Hope you enjoy this part and see you in the next parts. 21. Experimental Portrait 4: Welcome. In this part we will paint another Loomis head portrait. At first, start with a sketch. And for sketch, I will use smooth line and stabilize smooth line. At first, start with the ellipse of the portrait, and after this define the angle of the portrait. For example, I will make this portrait size and just like this and finding the middle point of this angle. And after this, I will paint another line here that reflects the ear place, and the other planes will define the rotation and chin. For example, this is our chin area, and it out here like this and connects to the chin, just like this. And if you paint another line from the center, just like this, it defines the side plane of the portrait just like this. And with painting the eye sockets here, just like this and another eye sockets here. And hair line will be here. And after it, you can put the triangle here for create the place for the nose and also these two shape for create the location of the mode. And after it continue from here and define the edge, and you can define the hair style of the character just like this. And especially these areas will be much more larger and after you define all of them, you can select any textured brush and start from the eyes. So at first, we will define the shape of the eye just like this. You can define it, and the endpoint will be much more wrinkles and some maybe he looking at the left place just like this, and these planes will be much more darker and eyebrows will be set in the eyebrow line here, just like this. And the other side, we will continue to create the tail level. For example, another I comes from here, just like this, and I looking at the left part just like this. And the nose will be much more interesting here, just like this. And I will connect points of the nose here, just like this. And maybe we can make him look much more happy and thinking about something like this. And after it, don't stop adding details over the corners and build face details. And for example, I will make the eyebrows much more visible here and maybe moustache will come here just like this and another moustache here, and I will add much more smaller place here just like this. Hair will be curly and will come to behind the ears. Just like this. And other side at the right place, I will do the same thing. And after you putting all details, you can put the small details of the portrait. For example, you can create the shadows. For example, if the light comes from the left top, you can set your shadows at the right place. So for example, these parts will be really dark, and these parts will be really dark. And moustache will be really visible here, and I will be much more darker. And these parts are much more darker also. And yeah, it is looking really great. And you can create really characteristic and interesting illustrations with the looms method. And it can have some different kind of things like this. For example, we can put shoulder detail here and make this chin much more smaller, because to make it look much more, not real, hope you enjoy this Loomis method portrait, and after adding much more shadows, I will end this video and hope you enjoy this process, and I try my best to show you the process, and I will be really appreciate it if you give rating and review for my content. Thanks a lot. And if you will have questions, I will be here for you as always, and these parts are darker and thanks a lot for joining this part. 22. Experimental Portrait 5: Welcome. In this lesson, we will paint the Loomis heat, but much more realistic and detailed and create the cranium and divide it from corners here. And to find the eyebrow lines. For example, this is our location, and it will come from here. And I will add some details from here, and eye sockets will be like here, and nose will be here, and these parts will be just like this. And after it, you find the eyebrows and ice again, just like this. And ice comes like this and nose plane will be like this. And lip will be much more with the lip fuller. It is a female figure, and maybe with the cat line eyeline here. And hair will be maybe like this. And the other part will be comes from here. And yeah, it is looking great right now. And I will make the layer much more less visible and open new layer. And this time, I will use textured brush. You can use any textured brush in Procreate library because for artistic look, we are done with the rock sketch. But now we need to create this sketch and define the edge of the portrait just like this and define the planes. For example, I will create the eyebrows much more strong here and we put the eye here like this and nose will look much more small here just like this. And I will try to be realistic in this Loomis hat, and it is really great technique for creating the illustration and much more faster and much more interesting. Just like this, put details, and for hair, we can define the other hair shapes. For example, with a larger brush, I will start to add the head a bit much more bigger here. Just like this comes under the here and we end here like this, maybe small and cool hair she has just like this. And this corner will be much more darker and especially this part. And let's continue to creating the elashes just like this, like this. And these parts will be much more darker. And especially the upper lip will be really darker, too, just like this. And the nosia, especially this part will be much more darker and this is looking great right now and looking really expressive with the shadows. As you can see, these shadows creates the depth in the illustration, and it is really so important to create the dark, really dark shadows and find the balance between them just like this. And these parts will be much more smaller and have the dress also maybe like this. And it is looking really traditional and great and zoom in to the portrait. And you can put shadows over the eye for make the it is visible and especially these parts can be darker. And Hope you enjoy this process, and these parts also will be really darker, and these parts also darker and maybe ears will be much more visible here like this. And maybe eyelashes will be much more visible. And it is looking really great, and it reminds me the Vedness Day character or some Tim Burton character. And you can add much more shadows over it for turn the face because it is not flat, and you need to create the balance and turn the things. For example, I want to make chin much more smaller, so I can erase it from here and maybe make these parts much more darker, just like this. And thanks a lot again and can't wait for show you much more in the next lessons. Thank you. 23. Experimental Portrait 6: Welcome. In this part, we will paint Lomi's head from the circle. And at first, I'm creating the circle, and then I'm adding the corners of the ellipse, and I'm adding the line here. And another line here. And after defining it, you can create this brow line and find the center of portrait, and at the tails here for create chin from other side, I will define the chin area and I will put the ear here and another line under the eye. I mean brow line and another line here at the end of this circle, and it is our nose line, just like this. And here is our eye sockets will be and hair line will be here. So after creating these details, take a light blue and define the eye sockets and details for, like, shadows of the portrait. You can define it with this kind of color or different kind of color. And for example, these parts will be in shadow and neck will come out from here and maybe another shadows here. And after defining these shadows and select darker color and continue to create the shadows and eye shape, for example, my eye will look like this here and maybe much more round the eye, and I will continue to create the other eye, but try to create all eye details before the coloring because the general shapes are much more important than details. So silhouette is really important before you put details in it. So these details will look like this, and I will add dark shadows over eye here. And also here will be like this. And I will look at a bit left here, focus point, and other parts will look like this. And I will add the tails for the mouth, just like this. It will look like this, a bit much more expressive and realistic. So after these details, you can create bon check and maybe eyebrows just like this, and maybe hairlines will look like this. Hope you enjoy this process. I'm trying my best for create the portrait much more aesthetically. And he will have some curly hair like this. And I will add much more curls here especially this area, and I will create the neck area, and it will be like this. And after this, I will zoom into I and I will add small but effective details. And with much more shadows and bolt lines, I will define the portrait. So this part will be really darker to show the anatomy of the eye, and I will look like this. And from other side, it will look like this with a bolt line, and this part will look much more effective. And eye will be connected nose like this and shadows of it. Will be really visible, and lip can be much more like this. And the eyebrow will look a bit much more like this. And I will continue by adding some details and muscles here. For example, I will add Bonchi here and maybe this line here, and I will create the this part much more masculine like this. And I will create the ear comes out from here, just like this. And curls will be much more bigger here, like, much more aesthetically and randomly here like this. And maybe much more larger and curl here like this. And I will add the neck details here and here. It looks really great and we can add the shadow over lip and here. Also muscles can be much more visible here and maybe drop shadow here with more darker colors. Because the shadows and drop shadows create three D look for your illustration. It is really important to create these details. I will add some details over here too. It makes age. For example, if you make these lines so much, your character will look much more older. So it is depending on your choice. So I will add a much more smile here and I will make this parts much more darker. Yeah, like this. And I will add some this the tail here or not. Let's make it live like this. And maybe one dress like this would look great. And I will create much more curls, mini curls and maybe piercing here, just like this. And another piercing at the nose. It's looking really great right now, and I will add another piercing here. And it's looking great. And with the practice, you can create really characteristic portraits. For example, I will add much more shadows over here, just like this and much more curls. And yeah, it is looking great and it was a quick Loomis method portrait. And thank you for joining me and see you in the next lesson. 24. Experimental Portrait 7: Welcome. In this class, we will paint Lumis method with painterly style. At first, start with the sketch, and I'm using some skin color for the sketch, and you can use any skin color you wish for your character. And at first, just try to build the silhouette. For example, neck and the other details. For example, some shapes like this. And after it, try to define the cranium, just like the previous examples and make the chin area much more visible and you find the edge much more visible and clean, just like this. And after it, zoom into the face and build the pad of the nose and forehead. This area is forehead, and there will be here, and these planes for eye sockets and nose is here, and mouth is here. And select the much more saturated dark colors. For the shadows for the planes of the portrait. For example, this part is eye sockets, and I will make this part much more dark. Maybe even with much more saturated color, you can blend much more easy and much more smooth. And at this step, do not rush about any details. Just try to build the shadows and light points. For example, you can make this part much more darker because this part is in the side plane. Defining planes is much more important and priority in the ums method. And I will continue to create this part just like this. And if you're interested in portraits, please join my other classes, too, because I try my best, create the most helpful content for your artworks. And after building these steps, go to colors and select much more, saturated color and apply over the cheek, just like this and apply over nose and cheeks and continue to adding details. And right now, I will select darker color and zoom into face. And with a white color, I will define the eye. You can put some white line here, just like this to make a place for the eye. And with a dark color, put the eye just like this easily. And after it continue and add the lashes over the eye, just like this. Maybe she's looking at the uh, left side, and I will continue to create this part again like this. And I will add the eyebrows just like this, and I will continue from here and we put the shadows of the nose just like this. And I will continue to create the portrait like this. And it is looking really great from now, and I will continue to add the Much details, and it will look like this with a dark color. I will define the lip just like this and we put the and point of the lip, just like this. And I will use the same brush and will continue adding the tails from here. And this part will be like this and chin much more will be smaller. And I will paint here, here, and I will continue to blocking the hair. But with the same color, I will use same color for the all area of the hair, and if you wish, you can add details of it later. But at first, we need to block the color just like this, and it will down from here like this. Let's continue to adding details over the hair. And the left part, this part will be much more definite edge of the hair. For example, is down from here like this with much more larger brush strokes, and maybe chin and neck will be much more shorter and thicker from here to make it much more look like feminine. And let's add shadows of the here and zoom into the face, and this time, I will add shadows of the eye. This part will be really darker, and I will continue to increasing detail over the eye. The shadows can't be black because it will look boring. So you can consider to use much more saturated colors of brown and pink and other colors, and it will be much more better because to keep portrait much more alive, you need much more saturated and warm colors. But in the shadows, you can use really warm colors to keep it much more interesting. So you can check the color theory, and the examples of portraits will be helpful for you. And I will continue to create the color of the lip. This lip will be like this, and I can be much more larger because I feel like it is a bit small compared to the portrait. So I make it much more bigger. So now it is looking really great, but I need to make this part much more. For example, lip can be much more bigger, and the eyelashes can come from here, and the chin can be much more thick, just like this. And for the shadows, you need to use really dark colors and especially this area because this area is in the back of the portrait. So I need to make this much more darker. But if you wish, you can add much more saturated color over here near the dark place to keep the portrait much more even interesting. So let's continue. And I will add this part much more orange tones, and these tones will be orange again. And to dress will be these colors. Just like this, I will add texture of the dress, and she looks gorgeous. So zoom in here and keep continue to add the tails and finish the portrait. I hope you enjoy this process, and I try my best to show you the most amazing portrait techniques, and I can't wait for show you more in the other lessons. So be sure you checking the other lessons because I show textures and other details about digital art. And let's add some earrings here for portrait. I will use white tones here. And now, it is looking really great. And I will make this just like this and maybe another piercings here and zoom in here. The I will keep adding the shadows for nose. This area will be really black and detailed, and maybe this part will be with a lip fer, depending on your choice, you can select your own decision, and I will select saturated color here for add much more shadows. For the portrait, and for the checks, I will use much more white color, and I will improve the color here and here. And don't leave the colors flat because you need to change colors with hue saturation and brightness when you're painting the portrait to create planes because eye and nose and chin is not flat, and it needs to be rendered tready. So be sure you adding much more interesting colors and highlights and other details into your painting. So it is essential to create much more impressive and really realistic looking illustrations. So let's continue to adding details here, and I will continue with some hairs trends, and it will look like this, and maybe this part will be much more curly. And nose part will be much more defined, just like this. And I will add much more details over here, too, and maybe here. And it is looking gorgeous, and I will finish this class shortly and hope you enjoy this process, and I can't wait for see what you done from these lessons. Thank you again and see you in the next lessons. 25. Experimental Portrait 8: Welcome. In this part, we will talk about how to color Lomi's portrait and with easy technique. At first, open the layers, and you will see we have a sketch line art and tap to nve layer and open nve layer under the sketch lines. So go to the colors and select some skin color and apply over the portrait. But be sure about that, you are using middle tones, not so saturated, dark or light. So after it, select darker colors and try to define the portrait with simple shapes. For example, there is a triangle here and another triangle is here, and opposite triangle is here and another triangle here at the full lip here and another big shape here and another triangle here. You need to divide the portrait into shapes. For example, another shape will be here. At first, it will look so dark like this, but don't mind it and continue to create the details. And for here, I will add the details like this. This coloring method is for just show the shadows and light points. After you complete it, go to the adjustments, select gsm blur and swipe your finger at the camas to the right and use it gently and make it much more like this. And after it, tap to adjustments menu again to cancel it. And after it, we will need some like saturated colors and different color variations. So open another new layer and change the layer mode to color. Then select reddish color and apply over the place you want to blush. For example, the parts and maybe eye parts. The places the veins is much is look much more red like this. And it is really important to create portrait. Color variations is really important. So then open another new layer and zoom into the I. This time we will continue to adding the I detail. For example, I will start from the saturated color, then select much more darker color and apply over here to make I look much more realistic. And after making this, tap to normal base color and select a bit much more yellowish white and apply over the places you want to look much more vivid, for example, over here, just like this, and maybe this place and planes you want to make much more alive. And you can use much more red colors over the lip. For example, I will add the color from here, and it is looking already great, but we need to use much more dark colors over the edge. This edge defines the drop shadows. And for example, this part and maybe end of the lip, these parts shows to who body and skin reacts to edge. So you need to make sure you make these parts much more darker or lighter depending on your light source. And I will add much more dark colors for the hair and like this. And this part will be much more like this. And yeah, it is looking great. By the way, I will share this sketch at the projects. And you can use this reference and create the portrait by looking at this sketch or you can use your own reference. Let's continue to make this part much more darker, just like this. And this part will be darker too. And at the shadows, you need to use much more saturated colors, for example, like this. And maybe end of the eye can be much more darker, too. And it is already looking great and go to the layers and collect all layers by pinching the fingers together and go to the adjustments and go to the curves and play with the curves and make the pour plate much more saturated. The zoom in again. The create the much more lighter color for the edge and try to make portrait much more interesting with the light effects. For example, this plane is lighter, and maybe in eye, we can make this part much more lighter too. All we need to do is preparing the portrait and shadows. And for example, this part will be really darker just like this. And hope you enjoy this quick coloring quite and can't wait for see what you done from these tutorials and thanks a lot for joining this 26. Experimental Portrait 9: Welcome. In this part, we will do Loomis Method portrait. And at first, I will start with the circle again, and I will make the corners divided again. And this part will our center line. And this is our chin line. And we will divide the corner just like this, and I will put the eye socket here, and I will put the triangle here for nose, and chin out from here. And you can create the nose from here, and eyebrow line is here. I'm defining the shape quickly before I start adding the tails, and hair line will be around here. And after this, I will start with creating the eye. For example, I will be here and another eye here, and ear will out from here, and nose will be much more shorter here. And I will add the neck area here and here. And it looks really great right now. And I will open another new layer, and now I will select a much more textured brush, and I will start to adding some painterly details to the eye just like this. And another will be here. Loomis Method is really helpful for creating portraits, but for make it even better, you need to practice much more and practice daily and try different stuff for create Loomis Method and maybe make this part much more darker because it is in the dark and let's make this part look like this, much more sweet, and maybe he's smiling. And I will start from the hair, just like this. And yeah, it is looking really great right now, and I will keep adding the tail over portrait, and this part will be like this. And I will it like this here will be much more visible and dark. Eight. Here will be much more bigger here and maybe some two lines here. And maybe we can make chin much more shorter to make it much more even interesting. And I will add chin area from here and here, just like this. And it is looking really great right now, and I will continue to create the details of the dress just like this. And you can also go to the actions and Cavas and Flip horizontal and with changing the perspective and Cavas location. You can understand your mistakes much more easily and create the portrait much more even easy with these details just like this. And I will make this part much more bigger, and these parts will be really visible, and these parts will be like this. Also, you need to define the planes of the portrait when you're creating this portrait, and these parts will be really darker and this part let's mirror the game. And I will add much more detail over here, just like this. And for example, I can delete the eye with razor or white brush, and we can change the location of e. For example, she can look forward here. Just like this. Loomis Method is really fun and helpful for create different characters. So you can do practice and try to see what is best and working best for your portrait and decide. So I will keep it like this. Maybe I can dilate this eyebrow and make it much more like this. Like maybe like this or like this, it adds emotion to the portrait depending on your line. And I will leave it like this, and I will add much more dark shadows here and here. I will give you another tip right now. When you go to this selection tool, I mean this tool and select verb you can play with the perspective and like stretching the portrait. So it is really helpful for adjust details. For example, you can make her much more larger or much more look maybe eyes like this. You can change the direction of the head with this option. So it is really helpful for create different kind of details. For now, I will leave it like this, and maybe I will make this lip much more bigger, and I will add the dark parts to the hair. Maybe curly hair will be better like this. And the dress will be black too. Hope you enjoy this Loomis portrait. And in the next lessons, we will continue to create different portraits and practices. Thanks a lot and see you. 27. Experimental Portrait 10: Welcome. In this class, we will paint Loomis Method from the right side. At first, Selec sketch brush and start to create the Cronium ellipse just like this. And we need to find the middle of this cronium and it will be like this, but maybe much more centered, and I will make this center line for portrait, and I will make the chin just like this. And it will come like this. And there is a eye socket. And at the end of the circle, there will be nos and at top, we will have a hairline here. And at this part, we will have here. And at brow line, zoom in here, at the brow line to find the shape of the eyebrow. And let's put the nose here, just like this, and mouth will be here like this. And maybe chin will be much more shorter, just like this. And we will have eye here and maybe nose will be much more here to keep balance. And after you define these small details, you can make these parts much more less visible with the new layer, I will zoom in here, and I will put the details of the eye. From left side, eye usually looks like this. And for example, I will add e details here, just like this and nose will be out from here. Maybe much more with the bone, we will add some different nose. You can slice the nose as you wish depending on your character. In this, I will leave it like this and I will put the lip detail here, just like this, and I will add another detail for the lip. And maybe we can make the eyelashes much more interesting like this. And I will add some much more hair for this part and this part, just like this. Let's add much more beard here. And from the chin, you can add much more beard. For example, I can make it look like this, and maybe hair is like some metal fan, just like this. And maybe have some piercings here, and maybe at the mouth, have another piercing. And let's continue to create the details of the Loomis portrait, and it will be like this, and Yeah, it is looking great and maybe these parts will be much more visible here, just like this. From left side, we will see this part much more shorter and maybe this part like this and yeah, it is looking really great, and I will continue and add much more detail. And for eye, you can add much more specific details here and put maybe shadows and highlights over portrait to make it much more interesting. And if you close this sketch layer, your portrait will be much more visible and much more clean. And you need to work with some sketch brush or inart brush for creating this stuff. It will be better. For example, you can make the corners much more visible to make it much more interesting. And these parts will be maybe wavy and hope you enjoy this part. And in the next part, we will continue to create much more portrait. Thank you. 28. Experimental Portrait 11: Welcome. In this class, we will paint Loomis portrait. And I will start with the simple painting of the cranium, and I will start with the circle, and I will paint over it with base color. And after creating the base color, try to put skin colors directly over the circle and try to understand how it looks and for example, these parts will be much more lighter, and the face will look to this area, and neck will come out from here. And these parts will be side, and eyebrows will be here and eye sockets. I'm slowly building the appearance of the facial details such as lip, nose, eyes, and the bonche maybe some dark parts for define the eye. For example, it will be like this, and the other side will be like this. And nose will look like this. These parts will be darker and lip will be like this. And this one will be male portrait. So I will make the chin much more like this. And maybe you can add these details for give age if you want to give like wrinkles for describe the facial details. So I will continue from here and I will make eye much more darker at these parts. And maybe he has a mustache like this and maybe even beard. It is depending on your choice. So take your time on these details for put these old details. For example, I will make this part much more like this and it is looking really great. So hair will be long like this. And these parts will be like this. I will continue to add the hair details. For example, this part will be much more like this. And these parts will be really darker. And I will continue and add details over here, like wrinkles, and maybe much more bigger shape for these eyebrows, and these parts will be darker. Now I'm adding the shadows. For example, for shadows, you can use a bit much more vibrant and darker color, just like this. And Yeah, it is looking really great right now. And these parts will be darker. For example, you can add boon to the nose if you wish. Again, depending on your choice, just like this. And maybe the eye will be much more bigger, just like this. And nose will be much more lighter over here. And these parts will be much more lighter and maybe the neck will look like this. Yeah, it is looking pretty good right now, and I will make the hair much more longer and zoom in here and let's add some details for these parts. These highlights gives a really great effect for realism. So you can work over this area to create the realistic look for the portrait. And for example, adding some lights over here will be better. And after you put these details, you can open new layer with red color and change the layer mode to color. And with this option, you can add extra colors without losing details. So I added a bit much more pink over the lips and maybe at the eye area, and now it is looking much more interesting. And for shadows, you can use some dark tones, such as a blue, just like this, and some similar work to this. And I will continue to add details for the neck and we'll finish this Loomis method portrait. I hope you enjoy and can't wait for show you much more process in the next videos. For example, I added much more shadow here, and you can put these shadows over here, too, because these parts will be in the dark, and these parts will be also darker and maybe a bit much more curly hair here. And zoom in here and continue to make the eye much more dark tones, just like this. And yeah, it is looking really great right now. And with much more darker colors, I will add the last details I put on the portrait, and I will finish this video. I hope you enjoy and I can't wait for show you more in the next lessons. Thank you. 29. Experimental Portrait 12: Welcome. In this class, we will practice Loomis Method. At first, I will start with the sketching and at first, create an ellipse and to find the pat of the portrait. So after it divide the corners and each corner will be similar. And after it, describe the brow line and the hair line and noseline. And after it, describe the chin, and it will be like this. And at first donut brush, just focus on the general shape of the portrait. And to find the general shape and put some ellipse here and nose will be adhere. And after putting these general details, we are ready to create the details of the portrait. So if you want to paint female, this chin need to be much more small like this and face will look feminine. And for example, I start with painting the I. At this step, do not rush and just try to reflect what you want to see over your portrait. For example, what she looked like and try to improve the likeness of the portrait. For example, this nose will be like this and I will be like this, and I will put detail for Mut. If you don't like, you can always go back and try to define the different kind of details for your portrait. And I will create the hair just like this and we'll add many details as possible. For example, this mouth will be much more patted like this. And now I will select different brush. For example, maybe this sketching brush, and this time, I will create the sketch of the portrait. Again, do not rush over details. Just try to understand how it looks and try to reflect the details you would like to see in your painting. I started to adding details depending on my choice, and maybe this part will be like this. This part will be in the dark. And yeah, lip part will look like this, and I will add detail over here and here. Look like this. And I will continue to adding the tails, and maybe chin would be much more lighter. And these parts will be like this, and hair will be maybe a bit curly just like this. And just like this, I'm defining the tail for the hair, and this will be like this. I'm adding details for these parts again and maybe she has a curly hair, so you can add curly hair all around the face and start from the hairline and create these details for the curly hair and for example, these parts will be really darker. This neck will look like this, and I will increase the details of the hair. For example, it will look much more curly and long and like this. And for the eye, I will add much more makeup here, and these parts will be really much details. And I will put some shadows over the mouth. And let's continue to adding details over the hair. For example, right part will be in the dark. So a light comes up from this leftup. So you need to define the edge much more darker at the right part, just like this. For example, I will select free hand tool and we'll select this area and make this eye more far away from the other eye. I will select the other eye, and this time, I will make the other eye a bit much more up. You can always do these kind of adjustments over your illustration to make your painting much more acurate and give a likeness you would like to see over a portrait. And for example, chin will be much more darker at this point because I want to see much more dark shadows for turned face, and and nose can be much more like this and maybe this part will be darker. So let's continue to adding details over portrait. For example, this point will be really light. And the cheeks will be much more darker. Yeah, it's looking really great. And these parts will be much more darker. And these parts also. And let's continue and zoom in to the eye and add some lights over here, maybe much more soft corners and select a light brush and put the highlights over your eye because eye is reflective. Reflective things will bring us much more shiny and reflections over it. So I made it like this. And let's continue to edding details. I will make this part much more darker and maybe this part. Again, these parts will be really, really darker. And yeah, it is looking really, really great. And maybe the hair will be much more dark like this, and I will put the dress details much more darker. And yeah, it is looking really, really great. And I will put some dark, much more dark at this right point. And yeah, it is looking really good. And I will finish the illustration in a bit. And I hope you enjoy this process, and I can't wait for show you much more in the next steps, and thank you for watching. 30. Experimental Portrait 13: Welcome. In this class, we will paint lumis method from the colors. At first, start with the base color of the skin and apply it like the silhouette. And depending the looms set, at first, start with the circle. And for example, this is the circle area, and this is the point of the perspective. And let's make it zoom a bit to create the portrait much more easily. This is the eye sockets, nose, and lips. And here the ear and hair will start from the hairline. And at first, you just need to be sure about how portrait is look. And it tails over the details, for example, at the cheeks and at the nose, and, for example, let's take the darkest tone and try to put some eyebrows and yeah, it is painterly. So you just need to think about how it looks. And for example, I made it the eyes closet and like this. Maybe I can open the eye. You can always change the details as you wish. So don't stuck into any details. Just try to modify and define the edge of the portrait. For example, these parts are darker and lip will be here. And, it is looking really great right now, and I will continue to add the details to here, and hair will be like this. And the other details will end like this and I will make hair really long from these sides, and the other parts will be like this. And after it, I will make hair much more darker, and this nose will be darker from this side. And it will be much more lighter at this point. And maybe this edge is much more lighter. And after these general details, you can zoom in and put much more detail over the eye. And yeah, it's looking really nice. And from the other part, I will continue and paint the other eye. And yeah, it's looking really great. And lip will be really black. So maybe this portrait is some gothic portrait. Hair will be dark, just like this, it is looking really nice and I will keep adding the tails just like this. Maybe these parts are even darker and the hair parts will be more dark at this point, and I will paint the neck area of the portrait. And you can select much more vibrant and saturated shadows for nose parts and these parts of the portrait, just like this. And maybe these corners are really darker at this point. And this point is also dark, just like this. And yeah, it is looking really great, and I will add much more shadows over the neck and will make the hair much more darker, just like this. And yes, it is looking really great. And I will keep adding the tail over the hair just like this. And these parts also will be more vibrant and zoom into the eye and make I much more visible and strong. And this endpoint will be really darker also. And this part and for the eye, you can use some highlights that show the reflective surface and maybe these details for create the realism and add much more interesting look over portrait. And these parts can be vibrant to, and we can add piercings to the portrait. For example, we can make the eyebrow much more tiny and put some piercings over the all areas of the nose just like this. And maybe another piercing is here and another is here. Hope you enjoy this process and I will finish this portrait quickly after I add some dress details, and I hope you enjoy this process and I can't wait for show you more process in the next videos, and these parts will be lighter again and it is looking really great this part will be like this. Yeah, it is looking really great right now. And these end parts will be much more darker. And, yeah, it is looking really great. And I will add much more detail over the portrait and hair, and we'll finish this portrait. Maybe these parts are even darker or have some specific design that like maybe, I don't know, but maybe something like this. Like maybe checker here like this. And yeah, it is looking really great and maybe some earrings here and some cymbols here and metals here because she loves metal, right? And some tattoo designs here or the arm and maybe and here, yeah, it is looking really great, and I will cut hair from this part and this part will be the body. And yeah, I look like this, and I will make the hair much more sharp over here. This edge will be like this, maybe much more like this. And maybe even the red color over here is a dye. Yeah, maybe red hair in these parts. And I hope you enjoy this process, and I can't wait for show you much more process in the next videos. It was an experimental portrait again, and we will continue to create much more experimental portrait, and we'll do practices for improve our workflow. I hope you enjoy and can't wait for show you more. And let's make this part like this. Thank you. 31. Experimental Portrait 14: Welcome. In this class, we will do oil painting portrait practice. At first, start with the skin color and try to just add the main colors for the portrait and do not rush about adding details over it. Try to create silhouette with the bright strokes. And after you add this silhouette and define the edge, try to add the darker tones of the portrait. For example, if you have some darker tones over here, try to apply it with darker color, and painting with really dark color will help you to create and plant with the oil brush. It is a bit hard to use because, for example, this brush, because it's really experimental and with the stroke, it blends automatically and also will make your painting like fulant I will create these parts with this brush, and I will now select some extra artistic brush. I will select it maybe painting and spectra. And let's continue to create the Sutrox with much more painterly and spontaneous and trying to understand how it looked like. And this is experimental, so you can try different brushes. But mainly in this part, I will use artistic brushes, such as oily and textured brushes. And for the eye part, I will use this brush and will define the look of the eye. And I will do same for the other eye just like this. And maybe these parts are a bit much more like this. And yeah, it is looking great. And I will continue to create this corners for portrait, and lip will be much more bigger and maybe with the lip folder, it is a bit bigger. And of course, it is depending on your choice. And I will make this part much more darker, and these parts will be look like this. And, yeah, it's looking really great. We have the expression of the portrait. So all we need to do is have some painterly edge and need to have some hair for how it looks. For example, I started to add the curly hair just like this, and I'm blending the colors and adding the details over the portrait. And this part will be also a much more curly and these parts will be darker. And after you describe these all details, you need to add some lighter brushes over here for create the realistic look of the illustration. So these parts will be much more lighter. So you can create this light effect with the light brush and add for both eyes, and these parts will be lighter. And for lip, I will use dark red and we add some color over lip. And for the chin, I think it can be much more small. So I will cut it from here, just like this and from other parts will be here. These parts will be shadow of the neck and from the other side, I will continue to ding dark points of the hair. And with the mini bright stroke, you can work for make your illustration much more interesting. And for example, nose can be much more small and I will define the eye just like this. And yeah, it is looking pretty good right now. And nos also will be much more small and look like this. And yeah, it is looking really, really nice and maybe zoom in here. And it will be really dark over here. And yeah, and these parts will be much more also darker. And I will make this part also darker and maybe much more dark here and here to define the edge of the portrait. Yeah, I will make this part even darker. At the right part, this part will be really, really, really darker. So let's continue to adding details over all areas of the portrait and make it look like much more interesting with these details. So the neck will end here and will be much more small and from the other side, the right side will be much more darker in this part. And yeah, it is looking really great, and I think I created a really nice portrait in short time. And in the next lessons, I will continue to add many details to the portrait, and I hope you enjoy this process and see you in the next videos. 32. Experimental Portrait 15: Welcome. In this class, we will paint portrait. So I selected hair brush. It is like textured brush, but it's great for portraits, also. You can use any different kind of brushes and start to sketching the Loomis portrait. For example, I want to make it look to front. So I will divide the corners like this and paint the face and nose details. And try to combine the neck and this part of the neck and after it, you can define the nose with the opposite triangle and you can also use opposite triangle for this part and normal triangle and another triangle here. You can use any geometric shape fit for your illustration. So let's continue to adding detail over our portrait. I will make this portrait eyes closet, just like this with painting one arc closed eyes. It is helpful for reflect the emotion and detail of the portrait. So I will continue by making it much more maybe like this and moustache will be like this and mouth will be like this, maybe he's thinking something and continue from the ears. I will paint Elvish ears, and at this part, I will paint again. And it is looking really great and interesting. So I will make the hair like this, like from backwards like samurai, and I will drop shadow here. At the portraits everything depending on your lines and the light source. For example, if you see there is shadow, it will be like there's another shadow and another one. All these shadows are helping each other to give the three D look to portrait. So these parts will be really darker, and I will continue from the shoulders and complete this area like this and maybe he has earrings and some sword here at the back and I hope you enjoy this process, and it is for sketching character. And I try my best to show you the exact process. For example, if you don't like the moustache, you can always delate it. And for example, at the different details such as scar, for example, like this. I will make the bot eye scar like this, and it is looking interesting now. And you can always change the details of your painting as you wish. For example, if you want to turn it to hair shape, much more different style, you can edit just with adding extra strokes and this tie here and let's paint the tails just like this. And maybe let's paint a beard like this and if you want your character much much more different, you can add mask or different kind of things you can add over your painting and change the style. For example, I can make the eyes open with adding the different shapes here or you can add also like some bandage here like this for maybe like this. And it is all about the details. So I hope you enjoy this part and see you in the next lessons. 33. Experimental Portrait 16: Welcome. In this part, we will color this Loomis Method portrait, and it is a kind of sea creature. And we will open another new layer under it and we'll paint the who area at first. You can use the sea colors or some dark underwater colors to define the background. And after this, paint the areas you want to pop up the highlight and look portrayed much more like light coming from the top, just like this. And at shadows, I will use much more green tones and much more saturated and dark green tones. You can define the shadows and highlights with this method much more easily, just like this. And for the eye, I will use really black color just like this. And it's for define the edge and give the really good brains look just like this. And yeah, let's continue. This time, I will select this blue, and at the top of it, I will apply this brush just like this and maybe over the eye, I will apply the same brush, and here will be much more lighter and ears will be much more vibrant also. And yeah, it is looking really great from now. And I will make these parts really lighter. And with the really dark hues of this color, I will add some dark lights here, maybe much more dark blues on their eyes, and these parts. And these parts will be really darker. And yeah, it is looking really nice just right now. This part will be darker, too. And yeah, it is looking really, really great. And this time, I will select light really light color, and I will give the rim light, like the all from the back, it lights up the back just like this and like this and open another new layer then select color dodge for layer mode and select red color. And apply all over the ears. This will make some subsurface look for your creature. Like we can see the blood in it, maybe like transparency effect. And let's zoom in here and add some whites over the eyes just like this for both eyes. And for skin, you can add some really dark and light tones over the skin or create some fish texture. For example, not only with the same color, use some greens and some blues and some whites. And I hope you enjoy this process, and I can't wait for show you much more in the next lessons. Thank you and see you. 34. Experimental Portrait 17: Welcome. In this class, we will paint portrait with the Loomis method. At first, start with the cranium, and I will make the canvas much more like this, and I will paint the cranium like this. And after this, I will paint the side view of the portrait. So this plane will tell us how the portrait looks like and how to face is located. So it will be like this, and eyebrow line will be in here, and we will paint this chin line just like this to define the face. And this plane will be for neck, and I will paint another line under this place. So this part will be the eye socket line. So this part will be eye part, and nose will be in here, and I will paint female portrait in this lesson and let's draw together the chin and shape of the face, and maybe lip will look like this. And in this Loomis portrait, I will use different method from the other parts. I will use the blurry look and the technique I will add ICU for create faster and much more easier portraits. So let's start. I created the general shape for the portrait, and after it, I will open another new layer under this sketch and select some airbrush and continue to coloring. So at first, do not brush and just put the general colors like the base colors. But don't add any detail. Just try to be like think for shadows and highlight points and add experimental colors which show you to general effects for portrait. And I will use white color for these eye parts, and lip will be really dark color. And maybe this neck will be really darker again, just like this and continue to creating the general shapes. But don't add any details. Just try to see which part is dark and which part have the light and which kind of colors it has. So slowly try to add some planes that show the general shapes over your portrait. For example, I will start to adding the eye here just like this, and maybe eyebrow will be in this part, and this nose part will be in the dark and nose plane will be in the dark just like this. And yeah. And I will continue to add the shadows over here and maybe over here also. And after you do this, you can select two layers and go to verb. With the verbing, you can modify the portrait. For example, you can make it much more skinny look or much more different kind of adjustments over the portrait. So it is really helpful tool for play over the details. And after it, I will continue and I will add the eye shadows to pop up the eye. And just like this, it will be darker at this part, and these parts will be really darker also. And I will add much more dark colors here. And, it is looking really good right now, and I will increase the lights over the nose. And lip will be really dark also. And this part will be really dark again. And Yeah, let's continue. This part will be really dark, and eye will be really, really, really dark over here because makeup will give much more feminine look on your portrait. So I will add this part, much more darker color, just like this. And for nose, I will make the nose part will be like this, maybe these parts will be darker. And I will use some light colors, and I want to change the nose because I want to make it much more soft and maybe it will be better to make it just like this. Start from this point. You can always adjust the general look of your portrait, and maybe sometimes you can flip horizontal to see your mistakes to create much more interesting details over your portrait. So let's continue to create the portrait. This part of the portrait will be in dark and these parts will be really darker, yeah, it is looking really great. And the right part will be again, dark, just like this. And yeah, it is looking great. I really love this look for here, it's looking great and soft, just like this. And I will continue to create the tail of the body. I will not paint details of it, because I just want to focus on the portrait. And at this point, collect all layers and go to the layers and duplicate it. At the top part, go to the Gaussian blur and make really blurry look. So take a razor and make the eye is visible and the nose and lip and these corners. Just like this. And yeah, it is looking much more good with the smooch tool, use it for blend the colors, and this time we need the shadows. So open new layer and make the layer multiplay and select skin color and apply over your portrait like this. And sometimes you need to select much more darker brushes to create these shadows because these shadows is make the portrait ready. For example, you can put really dark tones over here to turn the head. Just like the ball. Imagine it is not flat and it is all unique planes. So you need to play with the colors and Shadows with increasing the richness of the colors will make the portraits much more realistic and interesting just like this and continue to creating the shadows here, just like this, and maybe the part will end here just like this. Yeah. And I will continue to create the shadows of this part and this part and this part, just like this. And this part will be really darker. Yeah, it is looking great. And maybe for eyebrows, you can use much more smooth line, like sharp line for crated, like painted and really dark. And maybe with some nature trocks, it will look much more interesting. And I will put some shape here to define the end of the eye, just like this. Because it is blurry. So I want to add some emotion into the portrait and maybe some customization for nos and I will put another one here and here. I hope you enjoy this part, and I can't wait for show you much more process in the next steps. Thank you for joining this tutorial and portrait class. I hope you enjoy the Loomis method with me and see you in the next class. 35. Experimental Portrait 18: Welcome. In this part, we will do some proport practices. And at first, I'm starting with the base shape of the Loomis head. And this time, it will look front. And I'm defining the shape of the head, and it looks front, just like this. And after it defined the chin and after this, let's focus on the face. So it will be like this and I will put the mouth here, and ears will be here. And after you define these details, you can at the general details of the face. For example, create the shape for eye and define it to see how it looks like. And in my painting, it looks like this and Yeah, it was looking great. And nose will look like this, and maybe mouth will look like this. And after you paint these details, you can select with the free hand tool. For example, I select this one and move it here. Also, I can rotate it. You can manipulate the illustration with different kind of details. For example, I want to make eye look much more like this and yeah. And the face will look like this. Chin will be much more short in this composition. And for example, I make this like this shadow here, and this plane will be much more darker. And yeah, it's looking great, just like this. And for example, if you want to make portrait, much more realistic, go to adjustment and apply some Gaussian Blur. With this way, if you don't like the base illustration, it will give you to base plane. So you can create your illustration from zero over it. Sometimes the base illustration is different than you expected. So with this method, you can create anything again and again over your sketches. Because sketching is from imaginary sketching, sometimes will be different than your imagination. So it is really important to work with different sketches and experimental sketches. So it was experimental, so I'm making another phase for our illustration. So this time, nose will be much more small and shadow will be drop here. And yeah, eyebrow will be like this. And for example, I didn't like here, so I will dilate it. And let's continue to create the face. So this time, lip will be much more sterilized and, like, with maybe some lip fuller just like this. And yeah, it is looking really great right now. And I will continue to create the general shape here and at the details for eye, and I will use smooth shading like airbrush right now, and I will make the eye really darker this time, just like this. And I will do the other thing again, like this. And I will make portrait much more darker, just like this. And it is looking really great, and I will use it's much more dark here. And let's continue to create the face, and I will use black tones here and here. Always think about adjusting the values. Values are really important, much more important than colors itself, because shadows, highlights, and different kind of colors define your portrait, not just color. And the combination of them creates the really clean painting. So always think about creating the portrait much more with the different values, just like this. And yeah, it is looking really, really great. And after this part, I will go to adjustment and I will give different kind of color with the gradient map just like this. Maybe this color is really great. Let me check it. Yeah, this one. And I will zoom in here. And with this color, I will select the textured brush, and I will increase the tail level of this illustration just like this. And I will make the hair much more like this this time. And I will use these tones like this. And I really like the portrait right now. And you can always modify and add different details over your illustration. And yeah, look like this. And Yep. This time, it is looking really great. And for example, you can add different kind of piercings and different kind of details over your portrait, and hope you enjoy this process, and I can't wait for show you much more in the next lessons. Thank you for joining and see you. I'm putting some highlights, and, yeah, it looks really great. 36. Experimental Portrait 19: Welcome. In this class, we will paint another Loomis Method, but this time we will be sketchy at first, and we'll start from the silhouette, and we will continue to illustration with creating simple and fast sketch. And at first step, don't rush and just focus on the general detail of the portrait. For example, how it looks and how portrait looks and the other details. So I will start with the eye just like this, and I will add the details of the eye and nose just like this and the placement for the mouth. So after these details, I will give detail over the portrait. For example, it can have much more bigger ice. In my painting, I leave the ice much more smaller. So now I'm adding the extra details for the ice. And I will open another new layer and we zoom in here. And this time, I will add details much more bigger. For example, I will look much more larger in this shape and have the other eye will be look like this, and I will add extra details for eye just like this. And let's continue to make the eye much more effective, just like this. And this part will be much more bigger, and maybe this area for nose can be much more like this for create the shape, much more interesting. So forehead is a bit, much more larger. So I will make forehead much more smaller, just like this and give the hair this shape for continue and create the tails much more easily. And these other details of the hair under the ear like at the back part of the ear. And these details will be much more shorter. And for the lip, I will add this detail over here like this. Expression for portrait really important for create better illustration. So make sure you creating the general look interesting. So for example, chin is larger at this portrait, a bit much more far away from the lip. And these kind of details will adjust the detail level for your illustration and will make your illustration even interesting. And I will continue with the this detail for the neck, and this part of the neck will be darker, and I will continue to creating detail from here, and I will add the dress details. For example, she have some dress like this, and other detail, for example, for neck will look like this. And this part will be like this, and it is totally depending on your choice. For example, how you end the he or how you detail the illustration. And let's zoom in here, and I will add extra dark here, and I will add some shadows over here, and other shadows here, just like this. And maybe under nose can be darker, too, and look like this. It looks so innocent, right? And it is just because we decided to make it like this, and we need to delay from the top of the head because it ends a bit thinner, just like this much more thinner. And these parts of the portrait can be really shorter, depending on your choice, as I say, for example, you can plan and add details as you wish and create different kind of style depending on your choice. And these kind of details will make your portrait much more interesting. So these parts, for example, look like this, and the background is really darker. I hope you enjoy this part. And in the next lessons, we will do another practices. 37. Experimental Portrait 20: Welcome. In this part, we will continue to practice with the omiset. At first, I will start with the sketch like the previous examples. And this time, it will front portrait. So I will define the middle of it with painting it with the middle of the portrait, and eye sockets, and let's find out nosline hairline, and there will be ears and neck. Yeah. And this time, let's continue to create the base part of the portrait. Then we will create another new layer for create the painting for much more painterly and great look. So it looks like this, and yeah, it is looking like this. So after it open another layer and make this layer really less visible. So with paint ii brush, I will start from the eye, and I will define the eye just like this. And let's make the eye like this look much more sharp. And let's put the eyebrow here and let's continue to add details to the eye. And these part will be like this. And yeah, it is looking really great. And just like this at the nose, yeah, and nosline will be like this. And let's put the lip here just like this. And ears will be at the corners, maybe at this part and chin. Basically, we are defining the portrait, and it looks like this. Maybe we can adjust the tails later, but it is our first sign for the portrait now. So after you define these parts, you can adjust things. For example, I want to make the eye much more separated from each other. And with a free hand tool, select first, and with MOTol you can adjust the size or different things about the portrait. So let's do another one adjacment. Nose will be much more smaller, and this area will be much more close to the nose, and it will thin, just like this. So after this, open another new layer and make this less visible, like barely visible. Then after it, continue to create the portrait. So this time, I will make the portrait of this character, much more different than the first one. And this time, she will have much more I makeup just like this. And this part will be like this with much more shadow. It will be look like this. And yeah, it is looking really great. Yeah. And I will put another detail for the nose, and nose will be much more thinner. And it will have some maybe piercing here like this. And the lip will be much more bigger, just like this. And the corners will be much more confidently painted like this. And maybe let's make some contour or here for define the portrait much more better. Also, let's put another piercing here, here, and put the details of the neck just like this. And maybe this part will end thin, and this part of the hair will be much more curly hair. Like the curls will start much more larger and end thin at this site. And let's continue. Maybe these parts of the hair will be divided from the middle point. And yeah, it is looking really nice right now, and I will change the hairstyle because I want to see much more different style. Maybe this kind of style would more fit to these piercings and my character idea. After it, I will put the hair like this like this cat, for example, let's continue to put shadows over this area and put some hair details. Just like this and zoom into the portrait and add these shadows over portrait and place the shadows and try to define how the portrait looks. For example, I will make the chin much more darker and these parts will be much more textured like this. And for eyebrows, it will and thin and it will be sharp. As a style of the character, I want to make the eyebrow really, really tiny like this. And maybe we can put much more lushes here because my character is kind of good, so it will have much more dark makeup and maybe tattoos on the face or something like this, and hope you enjoy the illustration. And I can't wait for show you much more in the next lessons. Thanks a lot. 38. Experimental Portrait 21: Welcome. In this part, we will continue to create Loomis head portraits. At first, I will start with the base color again. And this time, we will paint much more painterly and much more interesting design. For example, I creating the shape for omsat. But this time it will be some orc face. So nose will start from this side will be much more bigger, and the chin will be also much more larger. And you can modify the loom set depending on your choice. So it will look like this, and cheeks will be something like this, and mouth will be like this and zooming. Then we will continue to create the details of the lumie head. And I will be something like this with much more wrinkles because it is or character. We need to put much more visible wrinkles to create the character much more interesting. So let's continue, and I will make this part much more visible and strong and like this. I will put the nose will be much more defined, just like this. And mouth will be really big just like this. And we'll have shadows over here, and ear will be much more defined, just like this. And yeah, our character is looking really great, but I will continue to create the shapes much more beautifully. And for example, we have extra shadows over here at the right part, just like this. And yeah. And this part will be much more bigger, and the corners are really darker, just like this. And this part of the head will be much more defined, and shadows of the head will be here, just like this. And this part will be much more defined, just like this. And this time, I will use a lighter brush and put some lights over here and here over the head. And at the mouth area, I will put the shadow, and we will have the some extra details over these planes. And this part also will be highlight point for the nose just like this. And I will add extra lights over here and here and here. And yeah, it is looking really great right now, and this part will be also lighter, and here will be much more bigger, like, much more defined and have the edge much more visible, just like this. And let's continue. Maybe our org have some he hair bondage and have the hair like this. And all you need to do all you need to do, you can increase the details of the org and put some really interesting details over the portrait, such as lights and shadows to bring it to life much more effectively. And this part will be really darker. And this part also and let's make it like this and make the chin much more larger. And forehead will be much more dark points just like this for bring much more realism into the portrait, just like this. Yeah. It is looking really great, and this part will be really dark. And this part also, this part, it is looking really, really nice. Just I will add extra details just like this and maybe over at the eyes and these shadows will give expression to the portrait also, especially these parts. And maybe this inner part of the nose will give us a really dark point and select much more yellowish color here, just like this and put some lights over the this part of the portrait to create it much more even interesting like this. Yeah. And let's use really white color and define the lights in the eye. So it will look like this. With shiny eye, it is much more alive. So for the background, you can use some white colors or warm color or cold to create the outlines of the portrait. And maybe these parts in the dark. So it needs to be really, really black, just like this. And yeah, it is looking really great right now. And yeah, let's make this part really, really dark this part. And maybe let's put some different kind of things. For example, for war wounds, like maybe different shapes over the head, like wrinkles and stretches to make it even interesting. So hope you enjoy this part, and I can't wait for show you much more in the next lessons. Thank you for joining me. Thank you. 39. Experimental Portrait 22: Welcome. In this part, we will create portrait with Loomis method, and it will be character illustration. So I will start with the base shape of the cranium again and we'll divide the corners much more visible and we'll put the details of the character. For example, this part will be really darker and these parts will look like this. And maybe ear will be really bigger like Elvish or some troll ear or some fantasy character. And for eyes, I will use really sharp details to the eye part just like this, and it will be really sharp. And Nos will be really big and down here like this, like the Troy or something, and maybe he's smiling like maybe evil smile at his face and looking to the screen like this. And yeah, it is looking really great, but we need to define the edge much more carefully. Maybe the nose will be end here, and the corners of the nose will look like this. Let's paint the mouth here like this. And some evil smile on his face. And let's put the tails together. For example, this part can be much more darker, and let's put the other ear here like this. And maybe ear will be some piercings here or different kind of things. And I will put shadows over here to create some dipped in the illustration, and you can add extra shadows depending on your light source. In this portrait, lights come from the laptop, something here, and let's continue and hope you enjoy this part and I can't wait for show you much more in the next lessons. It was a quick portrait with Loomis method and see you in the next lessons. 40. Experimental Portrait 23: Welcome. In this part, we will practice Loomis Method. At first, start with the cranium, just like this and find the middle point of the portrait and divide the corner as usual. And after this paint the eyebrow line and noseline and hairline. Then continue and create the neck just like this. And after it paint the portrait eye sockets to here and find the place for the nose. It will somewhere here, just like this. And check will be like this. And after it, I will paint the lip here just like this and put the I here, just like this and here it will look like this and nose will be a bit much more short and let's put the I here like she's looking at the middle and other I will be here and I will put The neck here and ear will be here, and chin will be and like this. And I will paint the lip just like this. Yeah. And eyebrow will look like this. And yeah, it's looking really great right now, and I will put the hair details like this. Maybe her hair style will be like this and hair and like this and zoom in and put the eyelashes just like this. And I will put some shadows over here. And for the other eye, I will apply the same methods just like this. And, it is looking really great right now, and I will add shadows here, here, maybe this part will be dark also, and lip will be really dark. So I will use black here, and this part will be also black, just like this. And yeah, make it much more even darker. And this part of the nose will be darker. And this part in the shadow, also this part have some lashes. And I will use much more bigger brush for creating hair. Just like this, for the right part, I will apply the same method. And these parts in the dark also may be much more even darker. And I will put the shadows for checks, just like this. And this part of the portrait will be really dark. So you can use really black color here, and maybe these parts of the nose will be also darker. And let's make the lip really darker also. And it is looking really great right now. And I will turn the face with adding much more shadows. Maybe we have really dark hair here. And these parts will end just like this. Yeah, it is looking really great. And hair and thin hair. Maybe we have some dress over here. And yeah, it is looking really great right now. And of course, you can modify the portrait with using this free hand tool just like this. Then with the warping, you can play with the proportions and play as you wish. If you want to modify the portrait, it is really great option for adding to the tails. And for example, I want to make this part even darker, just like this. And this part also dark. And this part. Also this part. Yeah. And maybe we have extra shadows over here and here, too, and hope you enjoy this part of the Loomis portrait. And in the next parts, we will continue to create much more experimental portraits. And I will add much more hair strokes here, and I will finish the illustration. Thank you. 41. Adjusting Detail Level: Welcome. In this lesson, I will teach you how to adjust details for the rendering. So at first, let's start with the ellipse here with the ellipse painting. And let's say it is red, just like this middle tone of the red. And for detail, I will write here. Detail is made by shadow and light and color and brightness and darkness And these all the tails, all options, and maybe even that per inch, DPI and Kavais and brush. These all the tails create surrender. And render creates the detail. For detail level at the render, for example, if the lights come from the top parts, for example, it comes like this here and it creates the highlights over this area. And this area is our highlight. And in this highlight area, I will show you later, this is the light area and it is the medium tones core shadow and reflected light. And the most highlighted area is highlight area, and light comes from the second And medium is the third, and it comes later. And reflected light reflects the background light like touches the corner. And if we say the detail level, the tail level, it is our shadow and the shadow and highlight area at 1 second. It will be here. Shadow core shadow. Detail level go it is highlights, for example, like this. And detail level, we will see our most detailed area at the highlight area. So you can add many details at the highlight area. And I will show you example. Let's alpha look here and select airbrush. And with the darker brush, let's try to just the colors. For example, imagine it is some textured ball. Right side will be reflected light here. And at the light part, this highlight area, we see the most textures and details of the object because we see directly the visible lights and shadows here. And at the dark parts, we see less detail. So you need to adjust your detail, look much more visible and look much more confidently high detail at the light parts. And it is so important for create the illustration. You need to focus your eye to the detail level. For example, we have a portrait here. I will show you. We have one portrait here, and it have the shoulders, body, and maybe hairs, just like this. And at the portrait, maybe there is so many other things at the background. But for the portrait, you need to focus your eye point at somewhere, and this place will be high and RanderPoint. And it is the most detailed area. So you need to focus your detail point, for example, detail point at the focus area and light areas because light creates focus and much more high rander area. Hope you enjoy this part and can't fate for C much more in the next essence. 42. Coloring Practice: Welcome. In this part, we will color this portrait, and at first part, I will open new layer under the sketchy lines. So after it, I will select the airbrush, and with the lighter brush, I will select skinton and I will paint the base color. So it will be really dark color just like this. And I will also paint the hair parts just like this and body parts. Don't rush into details at first. Just try to build the general look of the portrait. For example, at these cheeks, we will have really dark tones, especially at the nose, and these parts will be darker, and these parts will be much more darker. And I will add this part, much more dark. At first, just try to build where is the light source and where is the light source. It is key point for our painting. So this part will be really, really darker, just like this. And especially this part, again, will be darker. And I will add some shadows over here and here. And at the left part, I will keep adding to the tails. And for the hair, you can select the darker tone just like this and apply all over the portrait. For example, I'm making these parts much more visible, dark, especially at this part, again, will be really darker I will add some lights over here, just like this. And zoom into the face and select lighter brush and add light over the eyes. And with a lighter brush, you can create the base color for the eye. And after it's for the dress, I will use white tones. I will increase the dark tones just like this and like this. And at the corners, it can be a bit much more darker just like this and zoom into the lip and select red color and apply over the lip. And do not rush into any detail just like this. And go to the layers, open the new layer, and select color. Then with the color, select lighter tone at the color and make the nose much more red and also do cheeks, just like this. And the corners will be much more lighter, just like this. And for the hair, I will make the hair much more we brand at these parts, especially at the light parts, just like this. And maybe here. And these parts will be darker. So open another new layer and continue to paint your portrait. And at the dark parts, we will use some saturated shadows here and underns especially at this part, and these corners will be really, really darker, especially over this eyebrow site. It will be really dark this area. And for the left part, we will do it like this. And we will put other lights here. Between the bon check and this area of the portrait, you need to define these shadows much more carefully, and these parts will be lighter at the portraate let's zoom in, especially this part and this part will be lighter for the portrait. And again, this part will be much more lighter here, and this chin area will be lighter. Yeah. It is looking great right now, and I will continue to add details over the porpriit. These parts will be lighter, and let's zoom into I and select white color and add the highlights over the eye. And maybe you can even use much more light color here, just like this. And this part will be also lighter. And with this painting, we made this really expressive and looking much more live. So for highlights, zoom into this area and try to put some shiny dots here, again, just like this. And under the eye, we will have other light source here and this part and this part. So it is looking really great right now. And at this lip part, you can add extra lights comes over here, just like this. And especially at the neck area, we will continue to add some and again, zoom into the face, and these planes of the portrait will be lighter. And especially at this forehead, again, will be lighter, and these parts will be lighter. Main thing for creating beautiful portrait is describing the light and combining it with the shadow. So I will select much more lighter color for hair and we brush the hair with this textured brush to create some hair strands. So these planes will be much more lighter, just like this and like this. And maybe even much more lights will come here, just like this, over here, here and here. And at some parts you can create much more light shadows here to make it look like much more alive and effective. Let's zoom into the lip. And this time, we will select much more darker color and we'll increase the shadows of the lip. And especially this area will be really darker and at the eye, you can increase the makeup of the portrait, just like this with extra strokes, and I will select a bit yellowish white here, and I will increase these tiny details and these details also. Hope you enjoy this process, and I can't wait for show you much more in the next lessons. Thank you. 43. Coloring Practice 2: Welcome. In this part, we will color this portrait, and you learned the Loomis Method. And with the Loomis Method, you can easily create portraits, and the coloring is another part. So in this part, we will color this portrait together just like this. And first, just start from the base colors of the portrait and Dutush. All you need to do is creating the base colors of the portrait. And I will create the base colors just like this. For example, I will create the lip texture. I mean, the base color, and forehead, you need to adjust the colors. For example, these parts will be really darker, and these parts will be much more darker, especially at these parts, and these parts in the shadow. By the way, I'm using textured brush, and if you wish, you can use any kind of brush you comfor table with. So this part will be much more visible and this part will be darker, for example, and this part will be darker and just like this. And this part will be darker. And especially at this part, some contact shadows creates realism in portraits. So these details are really important for create something realistic. So you need to understand the contact shadows and create the portrait depending on these shadows. For example, these parts will be really dark and especially these parts, and these parts will be really dark. And these parts will be even darker, too, and I will select blue color for our color, but don't use it so vivid. So using muted tones is better idea for creating the eye. And with a really darker brush, I will keep adding details here. And in eye, we will have some lights here and here, again. And yeah, it is looking great right now, but you need to add shadows for the eyes because eye is not flat or looking so uh, shiny. And these parts will be really, really lighter, especially at this part. And checks will be really darker, especially at this area. And this area will be much more textured like this and especially this area, and this area like this. And you can mix the colors. For example, I will select much more dark color here, like brown and dark. And I will continue to adding the tail over the hair just like this. And from the other part, I will add much more lights here, just like this. And it is looking really great right now with these shadows. And I will keep increasing to the tail level. For example, after these dark parts, I will add much more vivid lights here. Like, much more shadows will be here and here. Just like this, and let's continue to increase the color here, just like this. And maybe this area will be much more even darker, this area, and the dress will be much more darker again. And adding details over the portrait is might be hard for first time and playing with the color variations, but uh you can try your best with adding the shadows, and you need to use different color variations and increase the light and shadows. For example, at the nose, we will have some highlight points just like this, especially at this forehead, we will have another light area here and we'll add much more lights here and here and here. You can add and increase the detail level with blending colors, much more detailed and put the details much more amazing. It is depending on your canvas. You need to create the details much more alive and try to understand the color. For example, these parts are in the light, and you can add much more hair strokes and different kind of details for give another dimension. Open another new layer with the color layer option and select much more, much more blush color, like pink and apply over face just like this. And maybe this area will be much more and this area also will be much more red. And after putting these details, go to I with the new layer. Zoom here and select this area and paint over it. And especially this part will be the same because we need to see light in ice and is also not flat, so we need to have some highlights. It is all about understanding the highlights and connecting them with the highlights and shadows. So I will select this color and will make my brush much more small, and I will play with the color here and we create some dark makeup here, and especially this area at the forehead, I will keep doing it and adding some extra details here. So I will select much more darker color here, just like this. And these parts will be really dark and you can make corners much more blend well, just like this for make portrait much more interesting and looking interesting also. And this part. And yes, it is looking really great right now. And especially this area will be much more darker and these parts are darker. And especially this area will be dark. And you can increase much more detail by adding colors over portrait. For example, I can make this area much more red or give it a really vibrant look because red is really feminine and strong and effective color. So I will use this as a background color in my illustration, just like this. And I will zoom in here and we'll add a bit much red makeup here, like i here, and the other part will be again. And at this area, I will add some extra colors here. And for example, here will be the highlight, and this area will be lighter. And yeah, it is looking really great right now, and these parts will be darker. And yeah, hope you enjoy this process, and I will add much more idle details here, and I will finish this illustration. Hope you enjoy this quick painting, and thanks a lot. 44. Greyscale to Color Paint: Welcome. In this part, we will continue to paint portrait flow from silhouette and with a looms method. At first let's start with a simple shape and try to focus on the general shape of the portrait. For example, start with a Sapir just like this. And after it, you can use quick shape too. And after that define the plane like where it looks. For example, I will make ears much more bigger here, just like this. Maybe some or from the Lord of dings Universe. And after it, I will start with much more lighter brush, just like this, and we'll add more details here especially at the forehead and light comes from the left top and I will add the details depending on the colors. So this part will be really, really darker, just like this, just like this here, too. And after it, these parts will be much more darker. So, select the gray color here. Make this part much more visible and also nose will be much more visible and strong. And drop shadow will be here, and I will add the mouth details here, just like this. And at the cheeks, I will use the much more lighter tones here, and I will complt these parts, and let's zoom in and put the shadows here. And these parts will be much more darker. And this part also will be darker, just like this. And mouth will be like this. And zoom into face and add much more shapes for the connection points of the eye. And it will look much more alive. And I'm just putting the luscious point, and I will be lighter just like this and much more visible at these parts. And this part will be much more lighter this part also will be much more detailed and especially this part will be much more textured. And let's continue to adding details here. I will continue to increase the shadows over here and paint theear details here, and these parts will be much more sharp. And this one, too. And use maybe details here and let's place the shoulders just like this. And after these details, you can go to layers and open leaf layer and select color for the layer option and select the green color and muted green and apply all over the portrait. So with this way, you already, created the base colors for the portrait, and we are putting extra colors for details without losing any detail, for example, I will select much more lighter brush here and will apply, and I will open another new layer with the over layer mode just like this. And I will apply over here for create the texture for the forehead. And this part, especially here and here and here. And it is looking really great right now, but we miss something and it is a color variation. So I will select much more yellowish color with the new layers, go to color layer mode again. And continue to add much more color variation. You can add these colors at somewhere, but don't overuse it, and maybe select a bit pinkish color and add over the nose and cheeks and head just like this. And for this eye, I will use a bit, much more yellowish color for make it look even interesting. And open another new layer now. And this time, we will add small but effective details over portrait. So I will create textures for the portrait and put the textures over here. And at the lip, I will have much more darker tones, just like this. And under the lip, I will put the shadows here just like this. And it is looking really deep. And this dramatic light and strong light creates really amazing look for the head. So we have really strong character portrait. And with much more light effects here, you can increase the detail level. And let's zoom in. And this time, I will select the darker tones and will define the eye. And for these other parts, I will also add much more lights, and maybe expression will be much more visible here. And these forehead details will be much more visible. Yeah. Hope you enjoy this process, and I can't wait for show you much more in the next lessons. Thank you. 45. Paint Cyberpunk Robot : Welcome. In this painting, we will create much more experimental, and with a Loomis, we will create something like mechanical illustration like robot face or some Cyberpunk face. At first, start with a Loomis Sapir and connect it to middle just like this. And to define the edge of the portrait, and it comes like this and divided. We have here here, but in this illustration, we will have much more robotic things here like this. This is our side planes, and for eye, I will make the eyebrow lines, but it is a robot, so all planes will be really visible and mechanical. So these parts will be mechanic also. And also these parts, and we will have maybe one shape like this here, and the mecca mouth will comes from this. And body will be like robotic again comes like this, and after this, zoom in and try to put the details for the face. For example, these parts will be in the dark, especially these eye sockets will look much more highlighted, and these parts will be like this. And as you can see, you can also create really great character designs with the Loomis head method. And you can design everything basically. But you need to plan out how the anatomy will look, and you can always modify and manipulate the anatomy. For example, I have nose here, but I can make it a robotic nose, for example, much more like this and have these lights here. And other part will be, again, like this. And these parts will be like this. And this part So light comes from this part, so this part will be much more darker. Let's continue to adding details over our robotic face. So I will make the face much more like this and put these planes much more, even much more shadows here. And I will divide this plane also, just like this and we paint the plane too. And make the planes much more interesting. So this plane will be really darker. So it have another dark edge here, and the parts will be much more visible and much more lighter. So you can increase the details as you wish. For example, I can create another plane here and complete it with another dark color and have some edge for the eye. For example, I will create the eye socket much more like laser light, like glowing red light here like this. Like sensors. And for the other eye, I will apply the same method like sensor, like eye with lumins here and here. And let's continue to adding details to our portrait. So this left plane is in the dark. So you can make this plane much more darker. So this plane will be really darker, just like this. And this plane will be darker. And this top plane will be much more dark, just like this. And I will continue to increase in detail level. And I will add much more stroke here to show the anatomy, especially this part will be darker. And now I will select lighter brush like reflections because it is a metallic heat. So it will have some really vibrant and metallic look which includes so much reflection in it. And all reflections show the anatomy much more better. For example, these parts will be darker here like this. And you can always add and include different kind of color variations in the metal because it reflects everything near it like a mirror. So you can add much more lighter colors and combine it with other shapes. For example, I will make the cables here just like this. And these cables maybe will be really, really, really brand. And these parts also will same. And let's continue. And in the end of this illustration, I will make this much more darker here, just like this, and we continue to adding much more lights, for example, like this. And these parts will be metallic like this and the cable, I will continue to increase the detail level. For example, we can have another cable here just like this and maybe connect it to this part of the head. You can create everything you wish. You just need to be creative and don't think so much about the details or make it look like so modern. It is the character, so it can be weird or different depending on your painting. For example, I can even make the mouth will comes like this and change the rotation of the face and make it like it is you have some filter like air filter. You can manipulate the digital art easily and much more easily if you compare with the traditional art. So it is really great to use these options and adventures of the digital art. So let's put an air filter here, just like this. Just like this, boom, boom, boom, yeah, it's like this. And thank you again for joining me in this arc sketch video. See you in the next videos. 46. Sketching Eye and Lip: Welcome. In this part, we will paint eyes and lip skates. For example, you can start with Sapir for creating the eye. And after you paint a circle, you can draw a line and you can find the location of the eyeball. For example, in this example, I looks to the right part. And you can add shadows for your eye. And after putting this, you need to connect the eye with the skin, and you can make it with practicing. For example, you need to close the eye from separating it with safir and all these areas should cover the eye. For example, if we paint I looking a bit, much more to the right, then I will look like this, just like this, a bit, much more out because it have really different kind of things in here. And after this, you can create the shape like this, like, but located to this area. To do totally right. And you can add these details over here, and it is basically like this. For example, let's practice from the front with and find the eye socket and put the eyeball here. And after this, you need to make the plane like this to close to eye. And because eye is not flat or looking fully sapphire, it is hidden into our eye socket. So we will see something like this. And for eye paintings, the visible area, this area is not totally white because the shadow shadows will drop from each angle and make it looks like much more tread, because if you imagine the eye ellipse just like this and paint it, but don't think about eye, just Saphir. So if it is tread object, it need to turn because it is not flat or two dimensional. So in dimension, we need to see dark parts, and it should turn and go to the back in three dimension. Not one dimension. So these areas will be really darker, especially these areas and these areas. And maybe these areas even much more darkest because the eyelashes are much more larger here. So these kind of shadows creates the realism. And if we talk about the lips and for lips, you need to understand it and make it simple lines. For example, these two lines is defines the middle and down lip. And if I paint again, just like this, these two corners and make it connect with each other and put this line and another line to the top. This line defines the top lip, the end of the lip and this time is down lip and these two is defined the lip perfectly. For example, I paint two line again and paint the shape of the lip just like this and put the open v shape here. You can put this shape much more open and define the top of the lip. So after it, you can connect the lines just like this and complete the lip. And from the left angle or right angle, it will look like this, and you can do much more quick practices to mimic the emotions. For example, if it is surprised, it will be open and like this shocked and maybe yelling. And if it is angry, it will be much more like this. Like every emotion can be captured with the quick lines. And for example, flirty one will just imagine like maybe some a litle emoji here, and it is flirty, right? Flirty one like this. So you can add, for example, sad. So sad lap will be much more like this in the angle. You can imagine everything depending on the situation. For example, this is a bit much more flirty, just like this. And you can define the shapes and practice this I. And for example, for creating I, you can create these ellipse shapes. This is a really quick way and connect to lines with each other to create perfect line and I. You can do quick sketches for improve your, for example, this is set eye, and this is angry eye. And all you need to is practice a lot. Thanks a lot again and see you in the next classes. 47. Painting Noses: Welcome. In this class, we will practice painting noses. And at first, you need to understand the anatomy of the nose. So basically, it is in the triangle shape, but have another triangle at the end of it, and you will place the nose over in this triangle. And nostrils will be somewhere here, but not all noses are same, so you need to understand how your nose looking. For example, if I paint a triangle like this and paint another triangle here and put the nostrils, then there will be extra plane here, just like this. And it will divide the nose two like one part here, but it is in the dark. For example, if you imagine the same nose and paint the nostris from here, and this part of the nose in the shadow like extra plane. So the most highlighted area is here, and these two areas are also in the dark. So let's do another attempt to paint the nose. We will paint the triangle. If you are painting from the corners like left or right, you need to paint triangle like this. So because the nose will look to this side, and after it the white here, like, cut these sharp edge and put the nostrils here, and here you go. And for example, if you're painting much more interesting nose, like for example, here have some bone and looking downwards, you can shape it as you wish, depending on your choice. And let's paint one realistic one, and at first, start with the background color, and I will use the skin color, and I will put the nose as a triangle shape for show you how to build it. And after putting this triangle, we need to add lights. For example, these parts are in the light. So I will put the lights here and maybe much more extra lights over here because it is the most highlighted area. Also, these nostriel top parts will have the extra color here. And this part will be really lighter, just like this. And after we put the nostrils, our nose will be really visible and just like this. Yeah. And you can define the edge much more carefully by adding shadows and highlights. And don't forget that the most highlighted area often this part. And you can create the texture of the highlight here for make it much more even interesting. And these parts are really darker at the down parts, like in the shadow, just like this. And thank you and see you in the next lessons. 48. Color Grading: Welcome. In this part, I will talk about the simplifying portrait for better painting. It means you need to see things like the color blocks, just not detailed, but you need to, for example, things simple. For example, this is a shape like this, and I'm defining the shadows. By the way, I'm using Loomis Method again. But this time, it is not about the Loomis Method, but it is about how to divide the painting to the shapes. Because it is really important for create portrait. And for example, this is the hairline, and I will make hair look like a block. And let's do another try from the left side. At first, I started with the gray and trying to define the portrait and the shadows of the portrait. And with this method, you will learn how to see values. For example, dark sides of the portrait and which place have lights and which place have shadows, you will practice it if you try to use this technique. And after this, you can put details over it much more. For example, shape of the nose and lip and details of this painting, for example, ear and hair and the other details for portrait. And it all will be easier after defining the shapes. For example, at first look, it might not look a bit great. But with that time, you will master it and you will understand how to create better portrait with defining the color blocks because portrait is not flat, and it have values. For example, like thing like you turn the object and our face is not flat. So everything should be turn and its own unique style. For example, I will make it curly hair, just like this. And yeah, I'm creating this part like this, and it will be something like this. And let's do another practice. This time, I will start with this gray scale shape again, and I want to make portrait look forward and quickly define the shape for the eye sockets, nose, and, for example, hair, and basically, it looked like a quick sketch of the placement. So after this, you can determine is the portrait have cap or some beard or different kind of details. It includes, for example, these dark shadows here, maybe this nose will be like this, and I turn it into a man portrait. So if I continue over it to adjust the neck and put the details for the dress and everything is just depend how you want to see your portrait. And it is really important to create for example, these parts will be really dark, and these parts are lighter, and these parts will be look like this. And with time, you will master this method. And if you think the geometrical shapes, for example, let's paint some shape. And if light comes from this side, this place should be really, really darker. So it turn the shape. And for example, if you think the tree and three dimension, this ball have the turning edges. For example, this is one plane, and this is another plane, and this is another plane. There's many planes in the painting. It is not flat. For example, our face is not at the same surface. There is many different kind of planes at every edge, for example, like this, really, really so many dimensions. So you need to turn the face with shading. And for example, we have one head here, just like this. And imagine light comes from the top. What will happen? Shadow will drop under the nose and underlip and these planes will be really dark. And this place will be the most light area at the face. For example, it will be visible here just like this. And hope you understand these methods and can't wait for show you much more in the next lessons. Thank you. 49. Coloring Portrait : Welcome. In this lesson, we will color this portrait. At first, open new layer under the sketch and use some middle tones for painting all areas of the portrait. So you need to just adjust hue of the color because you need to make it not so yellow or red. Use some skin color and put the shadows over here and here because for creating realistic portraits, you need to add lights and shadows to define the volumes. For example, this part is really dark and these part are also darker. And this part of the portrait will dark. And of course, lips will be dark, but we will add the details of the lip later. At first steps, just focus on the general look. For example, you can put the base colors over the hair. At first, always think simple. And after creating the base temple, you can add details to the background and increase the detail level. Just like this, I'm adding dark parts of the portrait. Yeah, I'm adding this part, really, really dark. And always try to define these parts separately. And for example, we need shadow, so I will put slightly darker colors. At the shadow points of the portrait. And for example, for the eyes, you can use some colors not so dark or some cold. And let's put the eye color, and don't use sovi brand colors at the eye because you are I mean, we are working soft, so we will need to adjust the light depending on our Light source. And yeah. After it open another new layer and change the layer mode to color. Then select red color, a bit much pink. Apply over some nose, cheeks, and lips. This helps us to create the extra volumes over the portrait and zoom in here and put some shadows over eye. By the way, I opened another new layer, and layer mode is normal, not color. Color layer mode only affects to the color. So you need to use much more darker colors for create these details over portrait. And I will select much more darker colors over here and we'll add some shadows over here too. And here Yeah. It is looking really great right now. And I will add some dark colors over here. And some light sources over here and here and here and here and here. And yeah, it is looking really great right now, and I hope you enjoy this quick coloring quite. And in the next steps, we will continue to 50. Painting Eye for Loomis Portraits: Welcome. In this class, we will paint realistic eye for portraits. For this, creating realism, create the baseline. At first. It is our skin color for placement for the eye. And after this select darker color and apply the fish shape like some almond shape or some different shape you wish, just try to define how it looks and what kind of details it has. As you can see, it is totally row. There is not details that show the I mean, there is not specific and clean lines because we don't need clean lines at first. And let's start to create the shape of the shadows, just like this and zoom into I and add details over here. These details will bring the portrait the realism. I will add these parts much more darker and these parts are really darker. Again, for create the realism and just like this and I'm adding the corners much more darker shadows for create the eye, much more deep. So after these details, you can go into the this middle point and then you can create some extra lights over here for create the realism. Because eye is not flat and it has different kind of detail in it. For example, there is a highlights like reflection lights, and I will add these white areas for create this illusion. And after it, I will add some dark or muted color here for create anatomy of the eye. Maybe we can add this part, much more lights for bring some details. And also at this part, it has lights just like this. And I will complt it just like this. And from the other side, I will make it much more darker. Just like this. And after these parts, you can create eyelashes, and I will use this brush. You can use any line brush you wish or drawing brush or inart brush or inking brush depending on your choice. You can find something useful and create the luscious like this and make sure the luscious is not look the same pet. So it will be look much more specific and much more interesting because if you make this look every single lush will look same area. It will be boring. And I will add the details just like this, much more lighter and This part will be much more lighter and these parts will be much more also lighter. And with the dark color, I will add much more darker shades here for make the eye much more interesting. So also, you can add some extra lights over here, like some reflections. And you can define the luscious with really light colors and just like this, it is looking really great. And sometimes you need to add light or the shadows for bring them much more realistic look and at the middle point, I will add extra colors here and here, also, and here. And it is looking really great, and I will continue to create the details much more. For example, these parts will be really darker, and I will continue to adding details over it. For example, let's create the eyebrows, and for it, I will use my eyebrow brushes. You can find these kind of brushes at my marketplace in Skillshare. For products, you can check it from my page. I will add this part, something like this, and maybe even much more strong eyebrows will be visible here, just like this. Yeah, it's looking really great, and I will continue to create the browse like this. And I will make these parts much more darker. These parts are darker, and this part is lighter, just like this. And maybe this part will be really darker and lighter. Just like this. And yeah, it is looking really great. And hope you enjoy this class and see you in the next classes.