Dark Doodles: Mastering Scary Faces, Eyes, and Hair Designs

1. Welcome and Introduction : Hi, everyone, and welcome to my brand new Skillshare class. In this class, we will dive into the wonderfully air world of scary and frightening doodles, focusing on creating haunting eyes and terrifying faces. This is not your usual art class. Here, we will be exploring the darker side of creativity, bringing to life characters and features that will give you chills. We'll be painting and illustrating a wide variety of creepy, horror inspired portrait from unsettling facial expression to surreal disturbing eyes arrangement that seem to watch you from every angle. Some of the project like this includes lots of eyes on the hair as well as on the face. Here we have got lots of eyes entangled on the hair. Same here. This time, the eyes are a little bit red and much more. We starting by going over the BC art supplies, you will need to do some supply tasting so you can get comfortable before jumping into the main project. Then then we'll practice different kind of eye designs, realistic, stylized, distorted and surreal before moving on to here variation, and finally, combining this element into full R portraits. This class will include both ink illustration and watercolor painting for certain projects. You will learn how to add color to enhance the creepy factor and create depth, atmosphere, and emotion in your work. I'll also be hearing my personal tips for achieving that unsettling uncanny look, how to arrange multiple eyes in ways that feel organic yet disturbing, and how to make your creepy characters both artistic and memorable. Whether you are into horror illustration, surreal art or just want to experiment with something totally different. This class will give you a fun. This class will give you a fun and slightly spooky challenge. Hi, my name is Wishal and I am an artist, passionate about exploring different styles from playful and hmsical to dark and haunting. You can check out more of my work on my skill set profile, my Instagram, and my YouTube channel, where I see a variety of creative project. So sharpen your pencil and prepare your paints and get ready for a class full of terrifying faces, horrifying eyes, and inspiring chilling creativity. Let's jump right into the class project. 2. Class project : For this class project, I did a precat for you to upload any or all of the horrifying and terrifying eyes and hair doodles we'll be creating together. You can sear your exact worson from the lessons. You can create your own unique combination based on the technique practiced, or you can experiment with different medium. For example, try ink instead of watercolor or use unusual color to see which effect you like best. All the projects in the class are in real time, so I recommend you to join along with me so that you can paint it easily. So why upload your project? I truly value and enjoy seeing your work. It helps me understand what you have learned and explode. Searing your project will also inspire other students in the class and give them new ideas. And it's a great way to track your own progress. I encourage you to upload your work. No matter what stage it's in, every project adds to our creative community, and I'll be genuinely excited to see what you have made. Here are some of the doodles that I tried on my own that did not turn out that good, but you can also experiment with your own creativity and see what you can make on your own. And you can say that in the project section. And you can go beyond the lesson, upload extra practice sheets of the faces here, style, or I or try your own experimental doodles using the same techniques, and you can combine elements from different lesson into something entirely new. 3. List of Supplies : List of supplies for this class, you will need a pencil, an eraser, masking tape to secure the paper. For this class, I'll be using a wide varieties of paint and fine liners. If you have only a micron pen, that will do the work. Apart from this micron paint, I'll be using brass paints. These are few of the paints that I got from Jikkuratake. This white paint to add the highlights for the eyes, here's another brass pin, sketch pin to fill larger areas. Here's another red sketch pin. Instead of this, you can even use a ball paint. You can also use red brass paint. If you prefer, you can use ink also. Here I have got plaguing, and this is the white ink. Also, you can use watercolors. So here I have got a simple set of watercolor. If you're using watercolor, you will need brasses. Here I have got a small brush and a large breast. Apart from this, you can also experiment with different paints that you have. Tissue paper to avoid smudging of pencil mark, as well as to keep it under your pump to avoid smudging of color, paper clip to secure the paper. So these are the basic supplies that you will need for this class. A big rust to remove the eraser dust. You don't need all the supplies, only a micron pen will do the work, but it will take a little bit more time. That's all. See you in the next video. 4. Testing the supplies : Welcome to this section. In this video, we will test out of various supplies we have and how many types of lines we can create with them. Here I have 0.4 MM sakura fine liner. With this, I can create varieties of the line to get thicker line, I just have to. To get a thicker line, I have to just go over it again and again till I'm satisfied with the thickness of the line. Here, I have got this breast pain. The good thing with this breast pin is that I can get a wide variety of the lines with it. By wearing the presser and the angle of the pain, I could get from thin to thick line as well as. If I apply more presser and change the angle, I will get lines like this. Whatever supply you have, experiment with it, apply different presser and change the angle to see what type of lines you can get. This kind of line provide much more natural feel to your painting, so I prefer to use this much of line wherever I can. Here's another pin. This is of gray color. This is also somewhat like brass pints. I'll not be using this a lot. Just, for example, here are a few varieties of line that I can draw with it. Mostly, I'll be using the micron pain, and I have one or two breast pain from the zikurataki. Now moving on here I have Jikkuraak white pain. So I'll be mainly using it to add the highlight for the eyes. So this is white in color, so it is not visible on this paper. I have to apply many layers of it to get the desired effect for the highlights. Here's another fine liner pen. As compared to the micron pen, it is more thinner. So here are the line compared with the micron pen. So I'll be using a little bit of it to add fine line details. Lastly, here's another breast paint from the ikura take that I'll be using. So as you can see, the line obtained with it is thick as well as dark in color. Also, by wearing the freezer, I can get more thicker lines. Once again, I can get a wide variety of lines with it just by wearing the freezer, as well as the angle of the pin. Now moving on to the sketch pins. So basically, I'll be using this sketch paint to fill the colors for large areas. With a sketch pin, you cannot get much thinner lines. So that's a drawback for the sketch pint. Now, here's another sketch pin, the red one. So to get a thicker line, this tree apply the sketch pin. Lastly, here's a breast pin, a red bras pin. Once again, I can a wide variety of lines with it just by wearing the freezer, as well as the angle of the pin. Now let's experiment with some of the watercolor. The main advantage you can get with them. One of the advantages that you can get with the watercolor is that by wearing the amount of water, you can get a wide variety of the pigmentation of the color. Here we have got light red color. Also, as you can see, I'm using thin bras, so the lines are small, we just by wearing the angle, I can get a little bit more thicker lines. Doing the same with the bras this time, using the black color. For bigger areas, using this small brush will cost a lot of time. So for that, I'll be using this bigger brush. Also, with this thicker brush, I can get more thicker lines with it. Also, I'll be using this type of lines to fill large areas for the eyes, for the large areas for the hair. The thing with the watercolor is by diluting the watercolor, we will get less pigmentation. We will get lighter shade of the color. To get a darker intensity of the color, I'll be using a little bit of the ink. In the case of the ink, the intensity, it's very dark. Mostly, I'll be using the micron paint and I have one or two breast paints from the Jikurataki also, these inks are waterproof. You are welcome to use whatever you have, experiment with the supplies you have to get a wide varieties of the thickness and the thinness of the line, as well as various texture that you can obtain with the paints and with the paints or the watercolor brushes or the brushes you have. Also, these inks are waterproof. So I don't have to be much causes when I'll be using this ink as compared to when I am using the watercolor. Now, let's try out the whiting from the Dkuratak. So it's not visible with the white paper, but when applying it but when applying on top of the dark in, it is clearly visible and the intensity is quite good. Also, you can clearly see it is visible on top of the red also. So these are all the supplies that I have that I'll be using for this class. If you have ink paints, you can use ink paint also. I do have one of the ink paint, but I lost them. So these are the supplies that I have that I'll be using for this class. 5. Sketching eyes: Let's talk about the eyes that we'll be creating for our scary peoples. So eyes are very simple. Today, we are going to skip some simple, spooky eyes. So drawing eyes is very easy, starting with almond for the shape of the eye, then a circle for the iris, and another smaller circle for the pupil. That's a simple sketch for the eye. Here's another sketch. This time, we are aiming for eyeball. So two circle, one for the iris, another for the pupil. A little bit of sading for the pupil and a little bit of highlight for the iris. Here's another one, combining the bow two this time. This time, I have made it more round, and the iris, as well as the pupil is comparatively bigger. Let's draw you more example of the eyes. Just by wearing the almond C, you can come up with different unique combination for the eye. Here. For this one, let's go with smaller I. For these sketches, we are keeping it simple, no need for complex setting or intricate detail. The goal here is to create eyes that give off a slightly unsettling feeling perfect for those horror themed character that we'll be creating a smaller circle for the iris and here's another one for the pupil. This time, let's go with bigger I, a big circle for the iris, another smaller circle for the pupil. So all these three eyes are bigger. Now let's make flat eyes. This time, this is an elliptical shape. So you don't have to draw both the IRs and the pupil. You can only create one single dot for the e to represent the pupil to represent the pupil of the eye, to create more eerie look. Now let's add more detail for the eye. Adding the eyelashes for this eye and adding a little bit of dark circle below a bit to give a bit more weary and a little bit of a scary look. Here's another example. Adding dark circles behind it, add few more lines just below the eyes, as well as on top of it. This time, I'm adding more lines to a bit more weary look. Now, let's draw a set of eyes. Now let's experiment a little bit more with different variation for the spooky eyes. Once again, once again, I'm making the eyes a little bit bigger. For this one. Let's create a big e, a big pupil, and a big Iris for that. For this pair of eye, I'll be adding dark circle below it to create more Ry look, adding the Iris and the pupil for the eye, leaving a little bit of a space for the highlight in the pupil. Now let's add the Now let's add the lines below and above it to create the spooky look for the eyes. You can add more or less lines, whatever you prefer. So experiment with different lines to create different look for the eyes. Now for this one, let's make it a little bit of feminine by adding the elases, creating the elases for it, adding it above and below. So this eye is looking upward. So just by wearing the angle by wearing the angle of the iris, you can make your eye look up down, left, right, or wherever you prefer. Let's experiment with another set of line. This time we are going this time we are going with the elliptical C for the eyes. Combining both the element of eye lasses as well as dark circles below it. And we are done with this one. Now let's experiment with eyeballs. So these are once again, meager eye This time, the SP is totally circular, adding the few lines above and below it to create more spooky look. You don't have to create the eyes in the normal way. You can experiment with various angles for the eye. You can make it crooked or you can make it a little bit jig jag. So here's two example of a little bit of varied eyes. Now, to make it more spooky, increase the number of eyeballs inside the eye, as well as you can paint the eyes black. I'm going for a little bit of detailed eye. So here I'm going for a little bit of detailed line. That's why I'm adding Sclera on the right and the left side of the eyes. Here's another two example of a little bit of crooked eyes. These are not the normal eyes that we generally draw. Now let's reverse this eye to get another variation of the eye. Let's create a little bit of more spooky eyes for this. For this, instead of the white part of the eyes, we'll be covering it. We'll be filling it with a complete black. As I mentioned earlier, filling this white part with the black. As I mentioned earlier, to make it more spooky, increasing the number of iris in the pupil inside the eye. So here we have got two iris inside the eye. You can leave it white or you can add black color or red. Now let's experiment a little bit more with a few with a little bit more variation for this type of eyes. Here we have got three irises inside the eye. You can leave it white or you can add black colour or red. So here's another example. This time, I'll be replacing the white with a black. So sketching with a pencil to get a little bit to get a little bit of darker color for the eyes. So these are the pencil sketches. Mainly, I'll be directly creating the eyes using the pen. So let's dive in with the pen. Starting with a simple eye. So here I am using the sakura pen to create the eyes. Now, let's make it a little bit of a spooky by failing the black. And Here's another example. This time, I'm creating two irises for the eye and filling the white part with the black. So you can experiment more with the pin. You can experiment with various colors to create various kinds of eye. You can create half irises or full irises. You can make the irises big or small. O. Here's another example. This time, I'm adding dark circle me and I is circular. Adding more details in the form of small lines. So adding more details to the eyes take a little bit of time, but it creates more spoke look for the eyes. Let's do for you more example for the eyes with the pain. This time, I'm only creating the pupil, not the iris. Here's another example. This time, I'm doing both pupil and iris. For this third one, we have the normal eye. Let's fill it with a color. So for this one, I'm covering the entire white section of the eye with a red. Here, once again, I'm adding the red for the white part. For this one, we are coloring the iris with the red. Now let's experiment with different supplies that we have to get a feel of the eyes that we can create with them, starting with the brass pain. So with this Sakura breast pain, I can get a wide variety of the lines just by wearing the placer as well as angle. So with this simple pain, I can get thin and thick lines. So that is clearly visible in here. The eye that I created with this brass pin is much more natural as compared to the one that I created with Sakura marker. Now, here's another example. This time, I'm using. This time, I'm using a thinner fine liner. So I'll be trying more supplies to get a fill for the type of lines and type of eyes I can create. I would like to give a few suggestions that you can use to create more spooky and horrifying eyes. Let's talk about wearing the eye save. Not all the hippy eyes need to be perfectly round or almond shaped, as you have seen earlier in A example. So experiment with jagged, uneven or droopy save. This distortion can make your sketches look more unnerving and add more air effect. As for the pupils, the side and the seep of the pupils can drastically change the expiration. Try small pinpoint pupils for sinister poses look or leave the pupils entirely black or blank to give eyes a hollow, soles vibe. You can also play with asymmetry, making one eyes slightly bigger or setting them up at slightly different angle. Now let's experiment with few vertical eyes. This time I'm using a sakura pigment micron pane. Let's talk about making it a little bit more spoke by adding veins or crack. Drawing tiny veins or crack extending from edges of the eyes can add a lot of creepiness. It suggests that the character is strained, injured, or or passively, even undead. These details are quick to add, but can gritty enhance the unsettling feeling. You can also play with different eye expressions. So you are welcome to play with various different kinds of eye, seats, sizes, color, experiment on your own to get a feel of the supplies you have and what type of eyes you can create easily with them. The more detail you add, the more time it take, but the result is worth the time. And with these, we are done with this section. In the next section, we'll be inking the eyes. 6. Inking and coloring the eyes: Welcome to the second part of the eyes. In this video, we'll be taking our pencil sketches and going over them with the ink paints to bring them to life. For this first example, I'm using a sakura micron pen. As you can see, simply adding ink over the pencil lines instantly makes the eye sharper clearer and more defined. I start by outlining the seep of the eye, then fill in the pupil while leaving a small white highlight untouched for that realistic sign. Around the iris, I add fine lines along its circumference to give depth and texture. The fine detail around the iris helps make the eye appear more three dimensional. Now moving on to the third eye, let's experiment with thicker outlines to add more depth and diamenson. Generally, I make the edges thinner and the center thicker, but you can make the edges thicker and the center thinner. So experiment with the thickness and the thinness of the edges in the center. I feel the pupil, again, preserving the highlight. Remember, you don't have to use the exact same pen as me. Feel free to use other ink, breast paints or even watercolor to see what works best for you. Adding more character to this e by creating fine lines near the edges of the iris. So yeah, let's add some fine lines near the edges of the Iris. You can vary the sizes and thickness of the fine lines to make the Iris more three dimensional. And with these, we are done with our third I. For this fourth thigh, we have a smaller iris in the pupil, much more smaller as compared to all the other 31. I decided to thicken both the upper and the lower outlines to create more contrast for this eye. Since I'm using this micron pen, it means I have to go over the same lines multiple times. If you use a pin with a larger nip, this will be much faster. To make this scarier, I decided to add small veins radiating from the edges of the eye. You can add as many as you can add as many or as few you like, depending on how unsettling you want the result to be. Now let's move on to the fifth eye. Now, let's start with filling the black part of the eye. This one has a partly covered iris and a larger overall eyeball. To fill this pupil much more faster, you can use breastpin or sketch pin or even watercolors. Adding much more finer lines to add much more details to it. Adding some more lines to give more depth to the eye. And with these, we are done with our fifth eyes. And we are done with the first row of the eyes, moving on to the second row, the slanted eyes, going over the pencil sketch, I decided to add the eyeless for it. So you can experiment with the eye Liss, too. You can make it more broader, thicker, longer, salter. So whatever you prefer. I'm not adding eyebrows for the eyes. If you prefer you can experiment with different sips and sizes and thickness for the eyebrows. So yeah, feel free to experiment with various sips sizes and now I'm using Zikkuraake brass pain. Going over the pencil sketch with this Zikura brass paint. The difference is immediately noticeable. The lines are crisper, darker and more dynamic. By wearing the freezer, I can easily switch between thin and thick lines, which adds more variety compared to the micron pines. Now continuing with this third row of the eyes, this row has more realistic eyes and with more dynamic braser with this ZikGuratake pen, I can create more three dimensional and more horrifying eyes. So yeah, let's make it more realistic and more terrifying. Adding wrinkles and dark circles below the eyes to make it more scary. And as you can see, I have already added eyelas. So yeah, feel free to add eyelass and experiment with various thickness and sizes for the eyelases. Find which pair of ILSs suits better for your painting and stick with it. Continuing with going over the pencil sketch for the IRS of this second pair on the third row. The whole rich and the pupil is clearly visible for this pair of the eye. Let's make it more weary to make it look more exhausted and weary. I am adding much more wrinkle lines and yeah, this looks more exhausted. As you can see, I am wearing the freezer with the pin to create thicker and thinner lines. Experiment with your breast pain and see what it can create by wearing the freezer or changing the angles. Let's add some very tiny veins around the edges of the eyes to make it look more exhausted and tired. Moving on to the third pair of eye for this row. Here I am trying to maintain the uniformity of the outline of the eyes, not wearing the freezer for the outlines of the eyes. If you prefer, you can make it thinner near the edges and thicker near the center. So whatever you prefer, this eye is looking upward. Just by changing the placement of iris in the pupil, you can change the place where the eye is looking. So this one is looking upward. And if I place the iris in the pupil on the downward right side, it would look downward and so much more. So just by changing the placement for the iris in pupil, you can play with wherever the eye is looking. And with these, we are done with experimenting with ikura breast pain. Let's try another pain. This time, once again, I'm using another Jikuratake pain. For this eye, we have got circular eyes, very tiny pupil and the iris. And as you can see, I am not going all over the pencil sketch, but I am creating some jig jag lines, adding some more wrinkles on top and below to make it look more exhausting. And we are done with this pair. Now moving on to the other pair where we have a slanted I and cat like I. For this eye, I'm experimenting a little bit by making it thicker near the edges and thinner near the center. Moving on to the other three eyes, doing the same, going over the pencil sketch. And let's completely go over the pencil sketch with this pane. I just facing just opposite of the one that we did earlier and with these we are done with this row. Now moving on to the other row where we have eyes with many more eves in the pupils. So let's first start with going over the outlines, and then we will decide to color it, whether red or blue or black or whatever color you prefer. But mostly, I'll be using black and red. I'm using micron pain in this row because I need greater accuracy and this paint with smaller knees provide much more accuracy as compared to the other urataki bras pains. I'm filling the pupil for this eye with black. And if you prefer, you can use red to fill the pupil, but this time I'm only using black. Moving on to this fourth eye and going over the outline of the Iris and adding a little bit of black for the pupil. And finally, outlining the fourth and the final eye on this row. So I use micron paint mostly because it gives more pre season, but it takes much more time because the nave is much smaller. Fill larger areas, I try to use breast paint or watercolor or ink. But sometimes when much more accuracy is required, I had to use the sakura micron paints. So that's why I'm using the paint here. But if you prefer, you can use the other ink pain or watercolor to fill the Iris or the white part of the eyes much more quickly. As you can see, just by filling the white areas with this black color, the eyes look much more menacing and frightening. Instead of this black, you can use red. That will also create a relo as you can see that we have done here on the next row. Now let's use another color. I'm going in with the red breast pain to fill the white of the eyes, carefully adding it near the iris so as not to merge the colors together. For this eye with three iris, you can experiment with a combination of red and black, but I decided only to fill the iris with the red. Now, moving on to the last I. So I am using Kura take breast pain here, and let's fill the entire I with the black color. Carefully going near the Iris so as not to merge the colores inside the iris and the pupil going over the outline carefully. And now let's fill the entire I with a black color. Carefully filling the black slowly and steadily. And we are done with inking all our eyes. So these are just some basic example. You can experiment a lot with various kinds of eyes. See you in the next video where we will draw the hairs. 7. Doodling hair: Now let's practice and create some exciting and horrifying hair. For the first portion of this hair demonstration video, we'll be creating very simple and easy hair style. Let's start with creating four faces. On top of that, we'll be adding very simple yet scary and frightening hairs. So here I have drawn oval set for the faces. Now let's draw the hair, starting with very simple variation of the hair. So this is our first simple variation of the hair. This is more doodle lines, seven or eight lines to create a very simple hair. Now moving on to the second one this time, I'm creating much longer lines. You can play with the thickness of the lines as well as you can play with the side. The thicker the lines, the more denser the hair will appear. The thinner the line, the less denser, the less denser it will appear. Now let's make it a little bit of curly, just like we do in the doodles, creating two points for the here and the lines coming in and out of them. This is one of the very simple hair style that we'll be using in our main project, just connecting two dots using straight and curved lines. And with these, we are done with this third example for the simpler variation of the hair. Moving on to the fourth one. For this one, let's create rough hair in the form of jig jag lines. So I'm just creating jig jag lines to create the hair for this fourth example. So these are the simpler examples for our main paintings, we'll be adding more details as well as more density to the hairs. And with these, we are done with the fourth example. Now, let's combine the hair patterns with the eyes. For this one, let's start with the eyeballs. So as we created here in the above example, creating random hatching lines coming out from the eyeballs in a bunch of eight to ten lines. With this kind of hair style, you can experiment with cross hatching also. In case of cross hatching, you will just have to cross the lines thus creating more denser. Look for the hairs. But I'll be showing you the example of cross hatching very soon. Let's skip this simple one and just use hatching technique to create the structure for this one. And with these, we are done with a hatching technique for the eyes. Now moving on to the second example. This time we have proper eyes, and to create the here, I'm just going to surround the eyes with some straight and curve lines, creating some jiggy patterns using this straight and curb line to surround the eyeballs, eyeballs and the eyes, and this is just yet another example of very simple hair structure or hair style that we'll be using. If you want to add more volume to it, you can just increase the thickness of the lines. This is somewhat similar to the one we did earlier. Just instead of the eyeballs, here we have proper eyes. And with these, we are almost done with the lines. Now, let's add the pupils. Now let me show you how you'll be using this hair style in your main project. So here's the example of hatching one. And here we have got the example of the next one, and here's another example of the hatching and the one we did earlier. So this is how we will be using this type of hair style in our main projects. Now let's move on to our seventh hair style. Now, let's create a few more simpler pattern for the hair. Starting with drawing simple seeps for the eye. And now creating random comparatively longer lines to surround the eyes. These lines are straight, but they curve when it comes in contact with the eyes. Surrounding all the eyes with this long and elongated random lines bending the lines when it comes in contact with the eyes, adding few more eyes wherever required. And now let's add the eyeballs. And with these, we are done with our seventh example. Let's move on to the eighth one. For the eighth one, I am starting with random circular C for the eyeballs. And now let's add the pupil inside the eyeballs. Leaving a little bit of white piece for the highlights. Now let's add some more details in the form of small fine lines on the circumference of the pupil. Instead of this small fine lines, you can create veins also for the eyeballs, and you can color the eyeballs using black or red colour. But here I am keeping things simple only creating fine lines to add more detail and depth to the eyeballs. And finally, moving on to the last eyeball and creating small fine lines surrounding the pupil. And with this, we are done with the eyeballs. Now let's create the hair surrounding the eyeballs. For this, I'm starting with creating random dots here and there, and now let's join these random dots in curved paths. This is similar to the one we did in the third example. But this time, we have incorporated Is among the heirs. Just follow the simple guidelines connecting the point from one point to other point in long and elongated, but curved lines. And now let's connect rest of the dots using these long and curved lines. To add more depth and dimension and volume to the here, you can use thicker paints or you can use brass paints to create dynamic lines by wearing the preser and thus creating thinner and thicker line. Also, you can place the dot much closer to each other and then connecting the dots. Thus, it will create a sense of much more volume and dimension to the here. Now let's finish this eighth example, adding some more curved and long lines along the sides of the hair, and we are almost done with our eighth example. Now, let's create some here that have more volume and diamensono it. For this, we'll be creating here that are very small in size, that is jig jag lines and that are very close to each other. As you can see, the lines are very small, but they are very close to each other. It's similar to the one we did in the first example. But here we are adding much more volume to it. And thus the here are very close to each other. Adding small eyes in between the here, and later on, we'll be adding the eyeballs inside it. The problem with this kind of here is that the ice does not become that much clearly visible. So either you have to use color or you have to make the ice a little bit bigger, or the third option is to use very thicker panes to draw the eyes. Let's add some more lines near the bottom of the here to get more dimension and volume to it. Finally, adding the eyeballs. As you can see, the eyes are not that clearly visible, but the hair is dark and have much more dimension and volume to it. Now, let's create completely different kind of hair. Here, we have got pon tails. So starting with basic shapes for the eyes and adjoining them in the middle. So for this simple example, I'll be creating eight to ten eye like structure on both sides and connecting them in the middle. And then we'll be connecting both the sides together using small fine lines. Now let's add the lines connecting both the sides of the eyes. To make it more bold, you can go over the outlines and make it more thicker so that the whole painting will not be that much confusing. So I'm going over all the lines and thickening it. Instead of this fine liner, you can use the brass pins to get thicker and thinner lines. And now let's add the fine lines in between the edges. Adding few more fine lines for the last three, and with these, we are done with example of the ponytail hair. Now, let me show you how I incorporated this kind of hair style in our main project. So here's the example of dense hair, and now let me show you the example in which we incorporated the ponytails. So here we have got four heads with ponytails, and on each ponytails we even have got the eyes. Now, moving on to the final two example. For this, I am expanding the type of here that we created in the fourth example, the one above it. So criss cross and random lines, and in between that, I'll be adding some eyeballs or eyes. So just create some random and jig Jag lines make it more denser wherever you want to add more volume to it. Here I am adding more volume to the center of the head, and you can add volume on the top part or bottom wherever you prefer. Now, adding some small random balls to represent the eyeballs. Now let's add pupil inside these eyeballs, adding small black dots for the pupils. And now let's add more volume to it in form of more random jig jag lines coming out of the center. It's clear that it's an expansion of the fourth example. And let's add some more volumes to it. Instead of the eyeballs, you can use proper eye, and you can also play with big and small side of the eyeballs thus creating more interesting varieties. And we are done with our 11th example. Now, let me show you how I incorporated this example in our main project. So here we have got an example. As you can see, I have played with the seep inside of the eyeball, as well as for the second example, I painted the eyes black. Moving on to the final example. For this, we'll be creating unruly hairs. So let's create some unruly hairs. So just random seeps, but instead of single lines, we are doubling the lines, thus creating a little bit of more dimension and volume to it, and we'll be doing the same for the main portion of the hair. This is just for the side lines. You can increase the number of the unruly hairs that is coming from both the sides, or you can make it smaller, longer, thicker, and even straights. Now now for the center, I'm starting with some elongated long random lines, but on top of it, I'll be adding unruly hairs. To create those unruly hairs, I'll do the same that I did for the side lines, two or three lines to create a little bit more depth and dimension to the unruly hair. As you can see here, I'm just creating two or three thick lines to represent the unruly hairs. And now let's add eyes for the hair. For this time, I am going in with simple shapes of the eyes and adding pupil and iris inside it. To add more volume and thickness to it, you can increase the number of random lines and unruly hairs that will make it more dense and thick. But for this example, I'm keeping it a little bit moderate. And yeah, let's add more eyeballs. Adding a few more unruly hair here and there, surrounding the eyes, and with these, we are almost done with this example. Since the eyes are not that clear, I decided to add black for the white sexon of the eyes, as you can see, by adding the black for the white sexon of the eyes, the here and the eyes become much more contrasting, and you can feel the depth and dimension for this here and the eyes. Adding few more random here here and there. And with these, we are done with our 12 example. Now let me show you how I incorporated this kind of hairstyle in our main project. So here's the example in which I created unruly hair, but I did not incorporate the eyes, and with these, we are done with this hair demonstration section. See you in the next video with our first project. Happy painting. 8. Simple faces: In this section, we'll be painting some simple faces since I'm keeping this class simple, so I'll be drawing simple faces. For this, I'll be using egg like zip to draw the fishes. We'll be using very simple seeps for the face like this egg like seep for the feas and then we'll be using horizontal and vertical lines to divide the feces into various sections. The first section for the eye, the second section for the nose, and the third for the mouth. Starting with another egg sip, a straight line to divide the space into two part, another horizontal line for the placement of the eyes, one for the nose, and here's another one for the lip. Basically, I'll be dividing the face into three parts. These parts can be equal or unequal depending upon the kind of face I'm drawing, I'll be experimenting and playing with is proposing for the face. Now let's draw faces looking at different angles. Just by wearing this vertical line into different angle, you can create phases looking at various angles. You can clearly see just by making the angle of the straight line a little bit towards the left. The face is facing towards the left and looking downward. So we can just change the angle of the straight line and the horizontal line thus making the face facing forward, downward, upward, and other directions. Now let's try something different. Now let's play with the distancing of the lines. Here, instead of an oval side, I'm making it more rounder. The eyes are far apart, and the nose and the mouth is much closer. Now let's make it thinner. Again, starting with the vertical line, an elliptical sap for the face. The eyes are much closer. The nose is far away from the eyes, but it is comparatively closer to the mouth. Now let's draw a face looking upward, starting with this vertical line in an angled form, horizontal line for the eyes. Now encircling these horizontal and vertical lines to get a rough C for our face. Sketching out the eyes. Moving on to sketching out the face looking downward, starting with the intersecting lines. Now let's encircle this phase. You can make the intersection appear at top of the face, thus making the eyes on top or you can do the vice versa, making the intersection at lower part of the face, thus creating es at the bottom part of the face. So these are the basic seats that I'll be using to create the faces. We are not aiming for some fancy faces, so we'll only creating simple faces. Allowing these guidelines, you can create the faces easy. The guidelines that I'm using to create this feces are not uniform. I'll be wearing it depending upon the position and the s and sizes of the face. Just by wearing the horizontal intersexon and the lines that create the mouth and the nose, you can create variety of feces. Experiment with different kinds of faces with different placement of the eyes, make it closer up or down, as well as play with the placement of the nose and the mouth and find out what suits you best. And yeah, this all video is in real time, so I would recommend you to join along with me so that you can practice a lot. So these are the few of the sketches that will help to create phases easily in various angle. Now let's sketch out a few more faces. This time. I'll be wearing the proportion a lot. So starting with drawing four ovals for the faces. For these four faces, we'll be experimenting a little bit further with the eyes, nose, mouth, and the faces and its placement. Now let's add the vertical and horizontal guideline to add the placement of the eyes nose in the mouth. For the second one, I decided for the second one, I decided to add the eyes on the top. Now for the third one, let's add the eyes at the lower part of the face. And for this fourth one, let's do something different. How about we place the horizontal line of intersection at somewhere at the middle. But we will make the eyes appear somewhat far away. Now let's add the eyes, nose and the mouth for all these faces. For our first phase, let's keep it simple. The eyes, nose, and the mouth are in the right place for the second one, adding the eyes on the top of the head for the third one, the eyes are at somewhat lower portion of the face. And for this one, let's add the eyes farther apart from each other. And yeah, with this, we are done with four simple faces and the placement of eyes nose in the mouth. So This is the basic shape of the feces that we'll be using. I'll be adding the eyebrows for our main paintings. But yeah, this is simple facial characteristics that I'll be using. Now, let's add more characteristic to our faces by going over with the paint. Starting with this first one. You don't have to follow the exact sketch. Make adjustment wherever you prefer. For our main project, we'll be adding more characteristic features to other feces, making the eyes, nose, and the mouth more sharp and more detailed. But since we are doing this simple demonstration, here we are just making simpler see for the eyes, nose, and the mouth. Circular C for the eyes, I'll save for the nose and simple saves for the mouth. And the placement of the ears is just a little below the eyes. And now let's do the inking of all the pencil sketches. I'm using sakura micron pen, since this provides much more pre season and easy to control. If you prefer, you can practice with different tubs. If you prefer, you can practice with different supply tools, you can use sketch pens, bras pins or watercolor brushes. So yeah, let's do a lot of practice together. While I'm going over the pencil sketch with this fine liner, let's talk about a few of the point that you can use to create more spooky faces for your paintings. You can focus on the distortion. Slightly distorting the physical feature can instantly make the face look unsettling and thus creating spooky look for your faces. For example, elongating the mouth, enlarging the eyes or making the nose barely visible can create an unnatural creepy vibe. The key is to make the proportion just off enough to make the viewer uncomfortable. To create more spooky and horrifying faces, you can make the eyes look more hollow and you can play with the sunken teeth or no teeth or you can make the nose fractured or facing towards right or left or as I said earlier, no nose. And yeah, you can add more wrinkles as well as some facial ma, as well as some facial scars and tattoos, also. So yeah, feel free to experiment with various facial expression and some facial accessories also. Some more point that you can keep in mind while doing the practice along with me. So here, the seep of the feces is somewhat an egg zip. You can make the faces more elongated or more elliptical also. You can make the face somehat bandaged or you can have the faces look very old, young, as well. And for the mouth, you can make the smile very long or you can add TT smile that will make it look more horrifying and scary. Apart from this, the use of various kinds of supplies will create different kind of texture for the faces. The use of Kura taki brass paints will create dynamic lines, thinner and thicker lines, and the use of this sakura micron paint will create precise lines. So play with that, too, the dynamic lines and straight and uniform lines. Here, we have only got the straight and uniform lines, but I have used the micron brass part, if I had used the brass paints, the lines would have been much more dynamic and that would have created much more characters and depth to the faces. Apart from the scaring and frightening faces, we will have different accessories that will create much more horrifying and scaring effect like the different kinds of hair, the atmosphere, the background, the clothe that the character is wearing, as well as some designs and various elements that we'll be adding to create a sense of depth dimension and create an environment that will make the figure appear much more horrifying and terrifying. So we will be combining all the things that we have learned in our main project, the faces, the eyes, the hairs, and adding various elements to it. This will be interesting to see what we can create along with the watercolor and the ink llustrations. And here we are almost done with adding the ink outline for all the feces. If you prefer, you can add more characteristic feature to the feces. You can add more details to the eyes, nose, and the mouth, but I'm keeping this simple, and with these, we are done with the faces. See you in the day one of our projects. I 9. Floating eyeballs extra project: Welcome to the bonus video. Here we'll be creating multiple eyeballs of various CP and sides and we'll be trying to create three D effect with the eyeballs. So here I have already started with creating dynamic lines for the eyeballs. So let's create somewhat circular C for the eyeballs, and I'll be wearing the and the sides of the eyeball, feel free to create larger and smaller eyeballs and the number of the eyeballs depends upon you. And I'll be filling the entire peach with the eyeball. So I'll be creating lots of eyeballs and wearing the same sizes. And one thing I would like you to recommend that create larger eyeballs for. And in between them, you can add the smaller ones, also, the whole video is real time. So I would just to join along with me. Et's continue with adding the lines for the outlines of the eyeballs. And I am using this brain Zikkurataki brastpin to create dynamic lines. By varied lines, I mean lines of varied thickness. Here we are creating here we are creating the dynamic lines, but I'm not wearing the thickness that much. And if you want more uniform and consistent line, you can use the fine liner or the ballpoint pink, and always ensure the pin or the supplies that you are using does not bleed that much. And to avoid smudging of the color, ensure that the ink has dried up or use a tissue paper under your palm to avoid smudging of the ink. Let's add some smaller eyeballs. If you prefer, you can add more eyeballs that lies below other eyeballs, and that will be really fascinating, but it will take more time. The thing with this kind of doodles is there the number of eyeballs, the more time it will take. Also, the smaller the size, the more time it will take to add details. So it's a fine balance between the numbers and the sizes, as the more the number, the smaller the details, the larger and the more time it will take. And since we'll be creating and adding extensive details, this project will take more time. Around 20 or 25 minutes. We have got only a few more eyes to add to fill the entire peak. I have left a little bit of space on the bottom left side. If you prefer, you can add more eyeballs there. And yeah, I am satisfied with the number of eyeballs that we have created, and we have a wide variety of the eyeballs of various sizes. And as you can clearly see the size is not totally circular, but a little bit skewed. So yeah, we are done with the basic outlining for all the eyeballs. Now, let's add the pupils and the Irises inside them, as well as let's encircle them so as to create a three dimensional look and gab and provide it with depth. And so for more precision and accuracy, I am going in with the fine liner. It's at the Irises inside the eyeballs. So once again, you can vary the sizes of the eyeballs. By wearing the sizes of the eye mean, the proportion in between the side of the eyeball and the pupil is comparatively two is 21, but you can change that composition or proportion that you can create much larger irises that accompany almost all the spaces inside the eyeball or you can create even much smaller Irises very tiny. Also, the number of the Irises and the pupil inside the eyeballs, you can vary that I'm only creating a single Irises, but if you prefer, you can add multiple one. A One more thing that you can control is the placement of the Irises. So you don't have to add the Irises exactly the center. You can add them on different sides. Here I have created a larger one, larger Iris, and here we have got a smaller one. Also, this Rs is facing towards the upward. This is at the center. This two isn't at center. This one is facing downward. So yeah, feel free to add them in different direction, different places, and different sizes. And with these, we are almost done with all the Irises, the last one. Now we'll be adding pupils inside the Irises, as well as adding fine lines details alongside Let's fill this entire pupil with the black while leaving a little bit of white for the highlight. Now, the details I was talking about is to create these fine lines alongside the circumference or the sides of the iris. And the other details I was talking about was to create lines that encircles the eyeball so as to create it more so as to give it more depth and dimension. And this is how we'll be creating most of the eyes. Now let me show you other kind of eye that we'll be creating. For this, I am not adding or creating any irises, only the pupil, and a little bit of white for the highlight. Now, let's encircle it. For this, we are not adding the fine line. For this, we are not adding the fine lines alongside as there is no iris. Here's another example with only the pupil, a little bit of white for the highlight and encircling it on the left side to create a little bit of three dimensional or three D look. So just by encircling the eyeballs, we can make it look a little bit three D and give it more volumes. So let's do a bigger one, a little bit of white for the highlight. So it would be very easy. It would be easier if you create a very small circle and then fill the black for the rest of the area. And now let's add the fine details. Now, let's continue with adding the fine lines throughout the irises. One more thing that you can do with these fine lines is to make it a little bit dynamic. Here I have ritted uniform lines. Instead of that, you can make it. Instead of that, you can make the lines smaller and bigger or change the density that some parts have more lines, others have less lines. So yeah, experiment and see what fits best. Now let's do the coloring for this one, filling the entirety of the pupil with the black. So to speed this process up, you can use the brass paint or the sketch pin or the watercolor. Here I am sticking with the micron pen, but to make it faster, please feel free to use other supplies. Lines as the lines that we are creating with the fine liner is very thin, so it takes much more time to fill the entire space. Continue on with adding the fine lines alongside the Iris. For the eyes, you can create veins alongside the eyeballs to make it to give it more creepy and haunting look. Apart from that, you can add the multiple pupils that I discussed earlier. So this will mean time consuming process. So let's be patient and add the lines, the fine line details and the inking for the pupils. While I am doing this, let's talk about the other projects that we'll be attempting. So we'll have a total of 14 projects, and our main focus will be on the eyes and here. So we'll be creating different kinds of eyes and different kind of here. And as you have seen, we have practice various kinds of eyes pupils and different seeds for that as well as different kinds of here. So we'll be experimenting a lot with the various feces, eyes, and the hair. As for the nose and the mouth, we're keeping it simple. Generally, I'll be creating two dots for the nose or an Als for the nose, and as for the mouth, two lines will do the work. As for the CP and the sizes of the face, we'll be keeping that simple too. We'll be using the intersecting lines to create the face, vertical lines for the placement of the nose and the mouth and two horizontal lines, one for the placement of the eyes and other for the nose or the mouth. We'll be creating a like cap for the head, and as for the clothes, we'll be keeping that simple to. Only for the two or three project, we'll be creating the whole body. But for the rest of them, we'll only creating up to the neck or up to the bus. And as for the details for the cloth, only the two will have details, other will be very simple. Et's talk about the additional things that you can add. You can add creepy or scary looking tattoos. You can create some pattern or designs on the face or on the body. And as for the nose, you can make it long, crooked or no nose at all. For the mouth, you can create stitched mouth or very long, smiling mouth, but long and creepy. But with long and creepy tips, or you can create no mouth at all. So these are the few options for the nose and the mouth. Seem goes for the ear. You can create some crooked and long ear. You can add piercings, eyeball or ear rings for the ear. You can cover the entire ear with the hair. And as for the hands and the feet, for only one project, we'll be creating multiple hands. For the rest of the project will be either creating two hands or no hands at all. So if you prefer you can add multiple hands or no hands at all. And as for the rest of the body, Only two project I believe have legs, so others don't have legs as well be only creating up to the neck or up to the bus. But if you prefer, you can add multiple legs like spiders. So yeah, feel free to experiment a lot. You can just use the basic guidelines from the project and add various elements on your own. So experiment a lot and feel free to share your work. Also, for the background, I'm keeping things simple. For two or three projects, we have the background completely covered with the here. For others, we have nothing at all. So for the background, you can create patterns, designs or you can add various kind of creepy eyes or insects or some creatures, or you can just add simple colours for the background. So once again, experiment a bit with the kind of background you want to create. As for the paper in the PS, I'm using this sketch pad, we have got E five side paper in here. The thickness of the paper is 250 GSM. So if you want to add so if you want to practice using the watercolor, it's advisable to use paper of density more than 250 or at least 250 GSM to prevent the bleeding of the color. And since this sketch pad is small, it would be very comfortable for me to rotate the piece to add finer details. Also with a small size of the paper, we will be able to create the project much more faster. Let's continue with adding on more details for the pupils and the iris by adding black for the pupil, a little white circle for the highlight and little fine lines alongside the sides of the Iris and more fine lines that encircles the eyeball to give it more three D look. Also, as you can see, I have made the circumference of the irises a little bit dynamic. By dynamic, I mean that some part of the circumference of the irises are much thicker as compared to the other. Generally, I add more thickness to the two or three sides of the irises to make it look more dynamic and give it more depth perception. Now let's have a closer look at another eyeball. So this time, I'm creating a medium eyeball, starting with adding the black for the pupil. You can jump from one eye to eye. That is you can add the black for all the pupil at once and then add details for the Isis later on. And at the third stage or at the third step, you can add the fine lines that encircles the whole eyeball, the circular lines. So yeah, feel free to add colors and ink the way it is easier for you. Some of the suggestions that I would like you to give for the rest of the project, feel free to use different kind of supply to make the process much more faster and quicker. For precision and accuracy, use fine liner for dynamic lines, use bras paints and to fill larger areas, use watercolor, gauze or acrylic or other brush paints. Also, there are some mistakes that I made while doing the project. I'll mention them. So try to avoid those mistakes and feel free to let me know if you have any questions or doubt in the Also for most of the project, we'll have many repetitive and tiny manu details that will take a lot of time. So to avoid getting bored, listen to some music or listen to an audio book or you can do that or you can do the repetitive process while talking to someone on the phone. So it will act as therapeutic engine like experience. And yeah, let's continue with adding the details for all the eyeballs and completes. For this project, the number one mistake that I made is using this fine liner paint to fill the pupil. As this fine liner paint takes a lot of time, please use sketch pain or breast pain or watercolor to fill the black and use the breast paints to create the dynamic lines that I am creating in here that surrounds the iris. This This will save a lot of time. Instead of these 22 minute long video, you can create the same project in 15 to 17 minutes. Always keep your supplies at hand and see which supply can make the process much faster and with more accuracy and crispiness to the project. And now I think we have only 15 Is to complete. Let's be patent and complete all the Is. For this project, you can add black color for the background or red color, or you can create some kind of pattern and design in the background. Yeah, that will take a lot of time, but the result will be amazing. Feel free to experiment with the background of this project, or you can create chain like structure in the background that connect each eyes to each other. One more thing I would like to recommend. For some of the project, you can create or add wings, like the project we have with the full body portraits, you can create folded wings or long wings or bat like wings, so that will make the project more scary and frightening. Apart from that, you can also add horns for the top of the head, and you can also give long nings to the fingers. Since the whole process was repetitive, I decided to add the fine line details on my own. And yeah, let's add the final touches for the rest of the eyes. Adding fine details to some of the eyes that were not up to the marks. Like increasing the thickness of the eyeballs or the Iris or the pupil or increasing the number of encircling lines alongside the eyeballs. Take a look at your project and add the fine details or remove some of the details that you don't see fit. Adding some more fine lines alongside the edges of the Iris. And here, I think I am satisfied with this project. So see you in the next project with our Day one and the first project. Happy painting. 10. Girl with three eyes: Welcome to our first project. For this project, we'll be drawing a very simple doodle of a girl with lots of eyes in her hair. Starting with basic intersecting lines for the face, I made this vertical line a little bit slanted as the girl will be facing towards the left side. Now let's add the eyes. I decided to create larger eyes Now, adding a small face in the shape of litter and tiny mouth. Let's add few more eyes on the top of her head. If you prefer, you can add few more eyes, but I'll be adding only two or three. Now, let's draw the Now let's draw her neck and basic guidelines for her hair. So her hair will be completely covering the entire bottom part of the page and Yeah. So this is just a basic cuff sketch for her hair, and we'll be adding normal ice in her hair. So now let's create small ice throughout her hair. So instead of creating small eyes with a pencil sketch, I decided to do it directly with the pin as it will take a lot of time to erase it and then doing it once again with the pin. So I'll be using this sakura micron pen to directly draw the eyes. Here I have already started going over the pencil outline for the freeze. And now let's do the eyes. Adding more finer details to the eyes in the form of wrinkles. And if you prefer, you can add more smaller hair coming out from her head, but I'll be keeping it a little bit simple, only a little bit of hair is falling from her head. And yeah, we are almost done with the hair that is covering her top of the head. And now let's create some tiny eyes throughout her hair. So just small elliptical shapes for the eyes and we'll be adding later on the pupils and the ears. And I'll be keeping this a bit simple and only focusing on the pupil and a little bit of white for the highlight. If you prefer, you can if you prefer, you can add circular eyes, but for me, I am going in with a elliptical seat for the eyes. I'm switching in between small eyes and bigger ones. So if you prefer, you can create only small eyes or on big eyes or a combination of both small eyes and bigger eyes along with circular eyes. Since this is the first project, I'll be only using the black color. And if you prefer, you can use red color for the eyes and the hires. So it all depends upon your choice. And we are almost done for the addition of eyes for this side. Let's add a few more eyes, and then we will switch over to the other side. Some tiny eyes for the upper part of her head. And now let's create eyes for the other side. Doing the scene that we did earlier, some random, small and bigger eyes throughout her hair. Try to cover her ears with her hair. If you prefer, you can lit a little bit of ear to be seen through her hair. Now continuing with adding some more eyes. Um these eyes are very easy to draw and adding some more eyes here and there, and we are almost done with adding the eyes for her hair. Now let's add some more ice wherever required or wherever. The density of the ice is very less, and we are done with the eyes for her hair. Now, let's do the original eyes, the circular ones. Adding a little bit of dark circle below her eyes. Adding few more dark circle above her eye. As for the nose and going over the outline for her face. Now let's sketch out the guideline for her neck and the rest of her hair. So only a little portion of her neck and her chest is visible. The rest is covered by her hair. Adding a few more smaller eyes here and there. I'm now adding a few larger eyes. And finally, the lips, add details to her lips, all three small curved lines for her lips. And now let's add more details to the eyes, adding pupils and coloring it with a black color. Adding pupils with the black and leaving a little bit of white for the highlight. I'll be doing the same for all the eyes. Okay. So this process is a little bit repetitive. Enjoy the process and add a lot of eyeballs for the eyes. Since this project is a very simple one, you can add more details with the eye. You can create eye veins. You can create veins for the eyes, or you can add more details to the eye in the form of small finer lines for the pupil and the Iris. Since I have not created a differentiation in between the pupil and Iris, you can create differentiation in between them and then add finer details for the iris. And as I said earlier, you can use the color to add more depth to the painting so it all depends upon your choice. But since we are keeping this project very simple, so I'll be only adding the pupil and a little bit of white spice for the highlights for the eyes. Continuing on with adding more people for the eyes. And what else you can do to make it more horrifying and terrifying is to create some backdrop. So in the background, you can create some frightening or scary scenes or you can create some spiders or bats flying around. Or you can create background of different colors like red, black, or some splattered or different kind of atmosphere for the background. So to add more details and dimension to the painting, And we are almost done with this left side for her hair, adding few more eyeballs for the eyes. And now let's finish the right side of her hair. Since I'm using this micron pain, there is not that much differentiation between the lines. So you can use bras pain that will create dynamic lines, and that will be really helpful. So by dynamic lines, I mean thick and thin lines. With the micron pain, you can only get lines of same consistency. But with the brass pains or ink pains, you will get lines of various varieties. And we are almost done with ice. Let's add few more ice here and there, wherever the densities of the ice is a little bit vacant. Adding few more tiny eyes for the right side of her hair. And now let's create her hair. For her hair, I am just creating long and elongated curve lines coming out from the top of her head and Okay. Now, let's continue with drawing the hair for her head. Long and elongated line comes in contact with the eyes. I just disappears below it and comes out again from the other side. So I'm using these long and elongated lines to define the outline for her hair. And if you prefer, you can create a distinct or definite outline for her hair, but I'll be using this long and elongated line to create the outline for her hair. Continuing on with reading more long and elongated line for her hair. Once again, this process is very repetitive. You have to be a little bit careful when adding the lines in between the eyes. But otherwise, this process is very easy. So curving her lines a little bit near the ice will create a little bit of more depth to the painting, and it will change the flow of her hair. So I'll be changing the flow of her hair two or three times. So I'll be changing the flow of her here for two or three places near her neck and near the bottom of her hair. So, yeah, let's continue with adding more long and elongated curved lines for her hair. So other ideas that you can implement with this doodle, instead of this long and elongated lines, you can create very small but denser lines that will create more volumetric hair for this painting, and you can attempt other kind of eyes that we have discussed in the hairs video. So these are some of the ideas that you can implement with this hair. And apart from this, you can also use dark dark black color instead of lines. Completely fill the hair. So that will be also a different ideas for the hair. Carefully adding the lines in between the eyes for this side. Continuing on with adding more long and elongated curve lines for her hair. Curving the lines a little bit near the eyes. And now I am changing the direction of hair a little bit, continuing on with adding more long and elongated curve lines for her hair. If you prefer, you can add color for her face and neck, also for her chest, a red colored Thirt or black colored Tsirt. It all depends upon you. If you prefer you can use colors for the background also. And we are almost done with the side of the hair. Carefully adding the lines in between the eyes. So here I'm changing the direction of her hair near her neck a little bit. Instead of going directly downward, I am bending the hair a little bit toward her neck, carefully adding the lines in between the eyes, curving the lines a little bit near the eyes. Adding the lines near the bottom of her hair, adding a little bit more lines near her neck so as to create a little bit more volume for the hair. Have more volume for her hair, you can pace the lines much more closer to each other, and to make it less denser, you can place the lines farther apart. Carefully adding the lines along the neck and the chest. Since this is the place where both sides of the hair comes in contact with each other, I'll be making this side a little bit more denser and I'll be using a lot of lines to create distinction in between both sides. By a lot of lines, I mean, I'll be going over the same lines twice or thrice so that there will be a distinction between both sides of the hair. Let's do the same for the right side, the long and elongated curved line for her hair. Starting with the top of her hair, for the top for here, I'm creating some small lines in the form of curved lines and carefully adding it in between the eyes And now let's add here throughout the right side of her head. Adding the hair near and neck and the chest. So here we are creating some straight lines and now, once again, elongated and curved lines for her hair. So small lines in between the eyes for her hair. And more lines in between both sides of her hair. So I prefer to create lines in between the eyes and then fill the rest of the space in between them. So it helps me to guide the flow of her hair. So you can choose this method, or you can just add or you can just keep on adding here as the way you like it and adding here in between the eyes So we're almost done with this section of the hair. Now for the outer section of the right side of her hair. So I'm using this line as the outline of her here, and then let's add here in between this outline and the rest of her head. Small lines for the here in between the eyes. A few more lines in between these eyes. And now let's create a little bit of variation in the flow of our hair. And so these hairs are facing a little bit towards the right side. So let's create a gap in between the hair. And now let's feel this empty spaces with some more curved and elongated lines. Adding some more lines in between the eyes to make it a little bit more denser. And we are almost done with this section of her hair. And we are almost done with the hair. Now moving a little bit upward to add some more hairs and to train the flow of her hair a little bit more. So here I am changing the flow of her hair a little bit in the form of an elliptical seep. And it's a final outline. And now let's feel the final line with some more hair. And now let's add the rise in the pupil for her eyes. Using the eraser to erase the earlier outlines of the pencil. Now let's feel the black color for the Iris and the people living a little bit of white for the highlight, for the eyes. And we are done with the left eye, moving on to the right eye, filling the ist of the pupil with the black color. And with these, we are done with our first project. See you in the next project. 11. Girl with thorny hair : Welcome to the day two and the second project. This will be another fairly simple project, and let's start, starting with the vertical and horizontal line to draw the guidelines for the face, dividing it into three parts, for nose and the mouth, and now let's define the outer C for the face. So this phase will be a little bit of egg like s and defining the head for the face. And now let's add the eyes and the eyebrows for the face. So for this phase, I decided to create some bigger eyes and the eyes are farther apart from the center, two dots for the nose, and three line for the lips. Defining the outline for her hair. So this is just a basic rough outline. We'll be adding further more details when I'll be using the pain to draw the rest of the painting. Here's the rough guideline for her neck. H and now continuing on with the guideline for her hair. So both side of her hair comes in contact in the center. And now let's ink her face. I am using micron pen. If you prefer you can use the brass pens or watercolor. But for consistency and uniformity, I'm using the micron pen, and, yeah, let's go over the pencil outlines, starting with her face, defining the s for her face with a micron pen. Defining the eyebrows and long eyes for her face. So for this phase, I decided to create some larger eyes, larger and droopy eyes, adding longer and elongated IVs and pupil for this face. And creating some finer details for is in the form of some finer lines and going over the iris once again to create more dark and denser iris. Now let's add eyelass adding the eyelass on the upper side. So more elases to make it more bolder. So these are a little bit more defined eyes. And if you prefer you can add one more eyes on the center. But I'm keeping it simple two dots for the nose and now going over the outline of the pencil for her lips. And with these, we are done with her face, now for her neck. So let's create longer neck for this painting. And let's go over the outline for the hair. And now let's create Is for her hair. So for the Is, this time, I'll be using two or three pupils and IDs. So multiple Is and the shape and the size of the eyes are random. Some are big and others will be small. And this time, I'll be adding thods in her hair to make it more distinct, as compared to the one we need in the first day of the class project. And that's why I'm creating a little bit more and bolder eyes for her hair. Also, the last time, we added a lot of ice and they were very tiny. That's why it took a lot of time. But here we are creating a little bit bigger ice, and that will save us a little bit of time. So the smaller the ice, the more time that we take, the bigger the ice, we don't have to waste that much time for the finer details. Adding some more ice here and there. So if you prefer, you can use circular eyes instead of these. But yeah, I'm using this elongated eyes. And now let's move on to the here. Let's start with the thorn. So these are the guidelines for the thorns. I'll I'll be using darker intensity of the micron paint to create distinction in between the eyes and the thorn. And I'll be feeling the long and elongated lines in between the thorns. And now let's move on to the other side and create some more guidelines for the thorns and the hair. So I'm just creating some long and elongated lines and intersecting them with each other and with the eyes. So these are just some random lines, and I'll be going over them once again to darken it. So these are just random lines. So if you prefer you can use brass paints to create darker and more intensified lines. But since I'm keeping this project simple, I'm using this micron paint to have more precision and consistency throughout the painting, adding a few more lines for the thorns, and we are almost done with it. Now let's erase the pencil outlines. Now I'm going in with a breast pain to create intense outline for the thorns. So yeah, going over all the outlines of the sakura pain, and let's cover all the outlines with this so if you prefer you can use the other breast pain or you can use the watercolor black color to create a more bolder and intensified outlines for the thorns. But I am using this as it provides much more pre season and control. Going over the outlines on the other side of her hair. I'll be creating very simple thorns for her hair, and I'll be filling the lines in between the thorns for her hair. You can see how much difference it makes with the use of different kinds of supplies. The lines from the sakura micron and the lines created from this pain is totally different. The intensity and the darkness of the color varies widely with the micron pain and this brass pain. Now let me show you how I'll be creating the thorns, some small tiny rectangles for the thorns. And now let's go over the outlines of the eyes to create more denser and different seating look for the eyes. Since the outlines with the micron pin is not that bold, so I decided to use this pin to create much more bolder outlines for the eyes. And on the edges of the eyes, I'm adding a little bit of plaque. So I'll be going over all the eyes for her hair with this pin. Adding a little bit of black sketching on the sides of the eye. And with these, we are almost done with the left side of our hair. Go over a few more sakura micron outlines with this breast pain, going over the final outline on the left side with the breast pain. Now moving on to the right side, doing the same, going over the earlier outlines. So if you prefer, you can use directly the bras pain. You don't have to start with the micron pain. Feel free to practice with different kinds of supplies that you have and choose the best going over the outlines of the biggest eye on this side. Adding a little bit more black near the edges of the eye, and we are almost done with the right side of the eyes. We have got only three or four more eyes. Now we have only one eye, and with this, we are done with going over the outlines for the eyes. Now, let's do the same for her face, starting with going over the outlines for her neck and now going over the outlines for her face. Going over the outline for here and the eyebrows. Defining the lips a little bit more. Let's make the eyebrows a little bit more bolder, adding more details for the Iris and the pupil. And with these, we are done with the face. Now let's add the thorns. So some small and very tiny rectangles for the thorns. So this will be a very repetitive process. And yeah, let's add a lot of thorns for her hair. So tiny and small triangles for the thorns. And let's cover all the outlines with these thorns. Instead of this triangle shape, you can use some other shapes like small semicircle arcs or upside down semicircle. And you can experiment on your own. Let's add more thorns for her hair. So these are tiny details and this took a lot of time. So be patient and keep on adding the thorns for her hair. These projects are very simple to do, but this takes a bit of time because of tiny details like this, and there is no other way to do it faster because these are tiny details and you'll have to repeat it continuously till you get the desired effect. And if you prefer you don't have to add the thorn, you can keep it as it is. But since we created the hair in the last project, I decided to make it a little bit different than the last one. Now moving on to the right side, adding the thorn for her hair, doing the same small rectangles for the thorns. Instead of the black, you can use green colours, using dark green and light green brass paints to create the thorns for her hair, and then using golden colour or ochre color for her hair and red for her eyes. So that will be a real interesting doodle. But we are keeping this project simple and only using the black color. So that's why we are only using this breast pain and the micron pain. Continuing on with adding more thorns throughout her hair. Adding the thorns carefully near the eyes. And we are almost done with the addition of thorns for her hair. After that, we will move on to the eyes or create elongated lines for her hair to give it more depth and volume. Also, if you prefer, you can use red or black color for the eyes, but I'll be keeping it simple and we'll be only using the black color for the pupil and the iris this time. And we are done with adding the thorn for the hair. And now let's add the iris and the pupil for the eyes on her hair. Not that much detailed Iris and people. So we are going with simpler version of the Iris and pupils. And instead of single IRs pupil we'll be adding multiple ones. So by multiple, I means two. And if you prefer you can add even thing, but more than that, and it will be really chaotic. So let's keep it simple one and two, pupil for the eyes. I'm using the micron pin, and if you prefer you can use the brass paint to make the process much faster. But for precision and uniformity of the pupils, I'm using this micron pain. With this micron pin, I have to go over the pupils three or four times so as to make it more darker. And with these, we are done with upper sexonf here. Now moving on to the lower sections. As you can see, it is once again repetitive process, and I'll and I have to go over the lines six or seven times to get more denser and darker tones for the pupil. Creating small pupils for the small eyes and comparatively bigger pupils for the larger eyes. So I would advise you to use so I would advise you to use brass paints or skage pines for creating the pupils. It was my mistake that I used this micron paint to create the pupils as it is taking much more time. If I had used the breast paint or the skege pen, it would have been much more faster. But I'm sticking with the micron pain, and I'll finish it using the micron pain. So just to show you that even if you have only one pain, you can create the doodles quite easily. It may take a bit more time, but yeah, you can create the doodles with having only single pain. And with these we are done with the left side of her hair, moving on to the right side, creating random pupils for her eye, one or two for each eye and small pupils for the small eyes and comparatively larger pupils for the larger eyes. The pupils are facing in different directions and they are not close to each other. They are a little bit farther apart from each other. So here, as you can see, the one is on the top right side and the other is on the top left side. Here we are creating smaller pupil for the smaller eye, and we have got only four more eyes to add pupils to, and then we will move on to the heirs. Once again, this process is very repetitive. And since I am using the macron pain, this is taking much more time. So yeah, use the breast pain, sketch pin or other supplies that you have to make the process much faster. So we have got two more eyes to add pupils to, and a small pupil for the small eye, finally moving on to the last one. So let's create a bigger pupil for this one, adding more black to make it more bolder and we are done. Now let's add the hair. So I'll be creating lines in between the thorns following the contour of the thorn. So I'm using the micron pine since it has much more precision and accuracy, and apart from that, and the lines it's creating is much more lighter as compared to the lines we created using the brass pine. So that's create a little bit of contrasting effect for the hair and the thorn. So that's why I'm using the brass pine. Instead of this micron pin, if I have used the bras pain, the distinction between the thorn and the hair would not have been that clear. So I'm sticking with the bras pain to create the hair and following the contour of the thorn to fill the rest of the empty spaces for the eyes and in between them. As you can see, I'm curving the lines to follow the contour of the thorns for her hair. If you prefer, you can place the lines much more closer to each other, thus creating more thicker and denser hair. And if you prefer you can keep it much more farther apart to create lighter hairs. Adding the lines near her neck. Now, filling lines for this section of the thorn. Moving on to the lower section of her hair, following the contour of the thorn and filling the lines in between the eyes and the thorns. Filling the lines for this triangular sp and let's fill rest of the empty spaces with this micron pane. Once again, continuing on with following the contour of the thorn and adding these lines for the hair. So once again, I would like to suggest that instead of creating these lines, you can completely fill it with red colour or black color to create much more denser and thicker look for her hair. Now, let's define the outline for her neck and then let's feel the hair. Defining the outline for the bottom section of her hair. And now let's continue with feeling the hair in between the thorn. Since it was all very repetitive, I did the lines on my own. You will have to do the hair on your own. You have got the gist of it, how to do it. And with these, we are done with our second project. See you in the third project. 12. Sleepy girl with open eyes: Welcome to the third day and the third project. So this is yet another simple one. But this time, this will be a full spread page. That is, we'll be covering the entire page with the doodles. So let's start with drawing the guidelines for the phase. So I'm directly starting with drawing the seep of the face. If you prefer you can use guidelines to draw the face. But it's quite simple one. So now, let's add the horizontal and vertical lines for the placement of eyes, nose, and the mouth. So let's draw the eyes. This time, the eyes will be closed, and, yeah. Now, let's draw the hairs. So her hair is covering the upper part of her head, and now let's draw the guideline for the neck. So we are done with the basic outline for the face. Now, let's do the Is. So for the eyes, I'm starting with the breast paint to draw out the guidelines for the eyes. And unlike the first and the second project, where I only focused on the pupils, this time we'll be drawing proper eyes. That is the eyes with both pupil and the IRs. So let's cover the whole page with the eyes. So we are creating the elliptical sep eye. If you prefer you can use the circular sep or only the eyeballs. I'm not wearing the side of the eyes that much. I am keeping it a little bit constant. If you prefer you can wear it, making it smaller and larger or a combination of both the smaller and larger. So I'll not be covering the entire piece with the eyes, but only a small portion of it. If you prefer you can add more eyes, but since this is yet another simple project, I'll not be adding that much eyes, as the number of eyes will increase the time to complete the project will increase, too. So let's add a few more eyes, and then we will then we will jump on to adding the hairs and going over the outlines. And we are done with the eyes. Now let's go over the outlines for the face. So as I said earlier, closed eye. So let's add the eye lasses for her eye and upside down triangles for her nose. Three lines or two lines for her mouth. Now let's add her ears and going over the outline of the face. Now let's do her neck. And yeah, we are done with her face. Adding few more eyes where the number of eyes were less. Yeah, we are done with basic outlining. Let's store the eyebrows for this project, a little bit of dust line for her eyes and Yeah, we are done with the basic outlining for our face. Now, moving on to the eyes. Let's add the Iris, and later on we'll be adding the pupil inside the Iris. So instead of half or three fourths of the Iris, I decided to do a complete circular Iris. So that is all of the Iris is visible. Instead of making the entire Iris visible, you can make it only half the Iris is visible or only the three fourths is visible. So the choice depends upon you. And now let's add more circles for the iris for the rest of the eyes. And we are almost done with adding the Iris. If you prefer instead of one Iris, you can add two or three, and you can color it even. But since I'm keeping the project simple, we are only adding single IRs. And we're almost done with adding the Iris. Now let's move on to her head and add the banks for her hair. So her banks are covering the upper part of her head, and for her banks, I'm using this breast paint to create the outline for it. And later on, I'll be using the sakura micron paint to do the hair. Since the saca micron pain is much lighter in intensity as compared to the breast pain, that it will create much more distinction in between the eyes, hairs, and the banks. So now let's erase the pencil outlines, and, yeah, I'm using bras to remove the dust of the eraser so as to avoid smudging of the ink. And now let's add the hair using the micron pain. So as you can clearly see the use of micron pain and the use of breast pain, the difference is obviously clear that the intensity of the breast pain is quite dark as compared to that of the micron pain. Now, let's define the rest of her body, and, yeah. Let's add here for the rest of the page. So this will be quite time consuming to make it more to make it more easy for us to draw the hair. I'm starting with creating some random dots here and there, and then I'll be joining the dots with each other using the simple straight lines, thus dividing the whole page into different sections of the he. So I have created some random dots which are farther apart from each other. If you prefer you can make it much more closer to each other for a denser look, or you can place them far apart for a lighter or less denser effect. So yeah, let's connect the dots with the elongated and curved lines for here. So once again, this will be a time consuming process and it will be repetitive connecting the dots with each other through elongated and curved line this to create reasons that to create flow of her here in different directions and to create variety for her here. And yeah, let's continue with adding the here throughout the entire page. You don't have to follow the exact steps and you don't have to just go over the dots. If you prefer you can avoid the dots completely, but the dots will make it easier for you to draw as it will act as guidepost. And yeah, the choice is yours to follow along with the dots or do it on your own. But try to create variation in the flow of her hair and create some regions with much more denser intensity of her hair and regions with less density. That's to create variations with her hair. And now let's move on to the rest of the peach with adding her hair. So apart from these, we'll be adding much more detailed lines on top of it to divide the hair in different sections. For that, we'll be using darker sets of the pain. That is we'll be using either brush paint or using the same micron paint and going it over those extra lines twice or thrice so as to darken it. And instead of that, you can even use sketch paints or watercolors. And yeah, let's move on to the other sections and add the hair for that section. So adding a little bit of curve for this here. Now, let's feel this section completely with the long and elongated curved lines. Bending the lines a little bit near the eyes so as to maintain the flow of her hair. And now, starting from the downward portion of this section to add the here. Now, let's fill the entire section with the here. And we are almost done with this section. So once again, I would like to remind you that these processes are much time consuming. So I fast forwarded it and I did all on my own, it took me around 15 minutes. And as you can see, I have created some regions where the flow of hair is completely changed. And now let's add the pupil for the IRs and eyes and let's create the different sections for her hair. So I'm going in with this brass paint to create different section as well as adding the as well as adding the pupils inside the eyes. So using the dark paint to create different sections for her hair and joining those different section using eyes as their center points. Darkening the lines a little bit more for the different sections of her here, adding the pupils inside the iris and leaving a little bit of white for the highlights of the eyes. And now let's continue on with adding the lines that divides her here in various sections. So you don't have to follow the exact steps. You can create other kind of sections with the breast pains. You can even add thorns like we did in earlier section or you can create different kind of patterns with the hair, like thinner and thicker lines that we practice in the hair section for that you have to place the lines much more closer to each other, just to create a sense of volume. And for the edges and for the edges of the eyes, I am adding a little bit more black near them. So to create a little bit of more contrasting effect, between the eyes, the lines and the differentiating sections using the black. So we'll be dividing the whole page into a lot of different sections for her he to create to create and so the different section of her hair as well as the flow for her here. If you prefer, you can divide it into less section and you can also divide it into much more sections. The choice is yours. And now let's continue dividing the whole page into different sections. Adding a little bit of more dark color near the edges of the eye. Adding the pupil while leaving a little bit of white for the highlights for the pupil. Intersecting some of the lines. It's not necessary that you don't have to intersect the line, so intersect the lines with each other, that's to create a natural flow of the lines and to make it more interesting and varied. So don't try to avoid intersecting of the lines. Whenever the lines intersect, do so. Adding on the pupils for each eye and leaving a little bit of white space for the highlights for the pupil. Going over the outlines of the eyes to make it more bolder and differentiate in between the hair lines and the eye, doing the same for this eye, adding a little bit of more black for the edges of the eye, and adding the pupil. And with this, we are done with this top left side of her hair. Now moving on to the bottom left side to completely finish this side of her hair. Adding the pupils for the last two eyes. Now outlining the last this and adding the pupil for it. And with this, we're done with the left side of her hair. Now moving on to the right side, doing the same repetitive thing, connecting the eyes with random elongated curved lines to create a flow of her hair and outlining the eyes with this breastpin as well as using this dark breast pin to create the pupil inside the iris and leaving a little bit of white space for the highlights. Don't avoid intersection of lines so as to create more variety. And yeah, let's continue with adding the lines and going over the outline and adding the pupils. A few of the suggestions that you can keep in mind, you can use color for her hair and you can also use different varieties of yes. Instead of this normal eyes, you can use the eyeballs in her hair, and instead of one pupil or Iris, you can use multiple ones, or you can completely cover the eyes with black color. And instead of closed eye, you can create open eyes for her face. And instead of two eyes, you can have four or five eyes. The choice is yours. And instead of covering the entire page, you can only cover the lower section of the page. And yeah, let's continue with the rest of the page by adding more lines and connecting it with the eyes. So we are almost done with the upper part of the page. Only a few eyes remains, and yeah, let's continue. Now, let's connect the lines and go over the outlines with the breast pain. And we are almost done with the upper section. On this side, let's move on to the lower sections, doing the same repetitive thing, going over the outlines and creating the pupils inside the eyes and leaving a little bit of white space for the highlights. Only a few of the eyes remains, and then we will be done with this third project. So only three more eyes remains. And after finishing these three eyes, we will add a few more lines where the space is empty, and then we will go over the outline of her face and here a little bit more to create a little bit of intense look. So we have got only one I remaining, and let's do the last I, adding the pupil, going over the outlines, and we are done. Now let's add some more random lines here and there, wherever the space is empty and intersect some of the lines. Adding a line here as the space was completely empty. A line here. So add the lines wherever the spaces are empty and you don't have to join it with the eyes. And yeah, we are almost done with her hair and adding some more lines here and there to finish this portion of her hair. So now let's go over her banks for the top of her head. So adding a few of darker lines to redefine the banks and going over her eyes to darken it, doing the same for her ears and the face. With these, we are almost done with this third project, adding a few more lines for her top of her head. And yeah, let's add one more line here. O line here, and let's go over her nose and we are almost done with this project. Let's see. Did I miss anything? And we are done with the third project. Adding the final touches here and there and see you in the next project. Happy painting. 13. Boy with freaky hair and three eyes: Welcome to the D four and the fourth project. So this one will be quite easy too. Let's start with drawing the guidelines for the face, horizontal line for the e, and let's go over the outline for the face. Now, a rough guideline for the here. And let's draw the nick for this boy and et's draw the eyes. For this painting, we'll be having three eyes on the top of head and another one in place of the mouth. Sketch out the ears. Moving on, let's create the rest of its body. So instead of only the neck, I decided to add a little bit of chest, and for the rest of the body, I'm going in with a half coat. So yeah, let's draw the coat. Drawing out the guideline for the coat and let's complete the ate, and we will move on to the here and the rest of the pace and sketching out the guideline for the other side. And here, we are almost done with the clothing. Let's go over the outlines with the pen, starting with going over the outlines with sakura icon. Now, let's add the here, starting with Sakunaicron to add the heirs. So his hair will be random and heap of jig jags. So we are not aiming for the curve here that we practiced in the here section, but jig Jag here, the one we practice as the fourth example, and we'll be adding random Is in his here. Let's continue with adding more curvy lines to define the outline for his hair. So I'm defining the outline for his hair, and later on, I'll be adding more details for his hair. And with these, we are almost done with outlining for the left side of his hair, moving on to the right side, adding a little bit of curve seeps for the outline of his hair. Continue with adding more curvy lines to define the outline for his hair. Instead of this sakura micron, you could have used the breast pins to create more dynamic lines, but I'm using the micron pane. And with this, we are done with the outlining of his hair. Now let's do the same for his face, starting with outlining the ears. And now let's define the face. So starting with the upper section of his face and some hatching for the sides of his face. And now let's define his jaw line. So we have got the basic seep of his face nailed down. And now let's draw the outline and the guidelines for his three eyes that sits on top of his head. Adding another concentric circles inside the bigger circle and another circle for the pupil. So this is a little different I and Now, let's draw the fourth eye in the form of his mouth. So we have got four eyes in his face, three circular ones, and fourth one is the normal eye. But instead of the white section, we'll only having a complete black eye. So now let's fill the entire eye with a black ink. And we are done with the fourth eye. So now, adding some curve veins like structure on the sides of the eye. And now we are done with the pace. Now, moving back to the here, adding more curve lines for the here to make it more denser and unruly. So creating random lines for the here to make it more unruly, adding details for the here. And yeah, let's continue with here, adding more unruly hairs in the form of jig jag and random lines. So we are done with this portion of the hair. Now moving on to the upper part of the hair, more random and curvy lines for the hair. So I'm keeping the density lower if you prefer you can add more lines to make the density of the hair much more heavier. So these are random jag lines a little bit time consuming, but yeah, let's completely feel the top of his hair, top of his head with this random hair, and then we will move on to the rest of his body, adding nose and details for his clothing and adding eyes on top of his hair. So instead of normal eyes, we'll be having black eyes. And yeah, let's continue with adding more unruly hair for the rest of his head. So we are almost done with the half part of his head. Now moving on to the other half, adding more unruly hairs. Instead of these unruly hairs, you could have chosen different styles that we have discussed in the hair section. So feel free to experiment with various other styles for the hair and see which suits best for your painting, and you can even use colors for your hair. And we are almost done with adding the unruly hair for his head. We are done add few more lines here and there, wherever the density is lighter. We are done with this. So now, moving on to adding the eyes. So I'm starting with the pupil and later on we'll be defining the sip of pupil for the eyes. So I'm drawing semicircle. So I'm drawing circle with a little bit of white for the highlight. And yeah, let's add more circles for the pupil and two points for highlight, one a small center and another a small semicircle for the highlight and adding it at random places and adding it a little bit closer to each other. If you prefer you can add it much farther apart from each other, but I'm adding them close to each other so as to get much more thicker consistency of the eyes for his hair. And yeah, we are almost done with the addition of pupils. And now let's draw the rest of the eye. So instead of the white porton, we'll be adding the black. So let's define the seek of the eye with the ink. Let's continue defining the outline and the seep of the eye with a black color. So I'm curving the edges of the eyes towards the right or the left, so you can keep it straight or you can experiment with making it more curvier or elongated or even rounder. Experiment and see what fits best. Let's continue with adding the eyes for the rest of the pupils. Instead of this black color, you could even use the red color, and you can also use some other color, but I find it red and black much better options. This is a little bit time consuming with this sakura micron pin. If you want it to make it much more faster, you can use sketch pin, breast pin or watercolor. But I'm sticking with the micron pin this time. Let's continue with the rest of the eyes. Mm hmm. As for three eyes on the top of his head, I choose circular eyes. You can choose the normal eyes or you can choose eyes with multiple pupils and ones or you can add no eyes at all. You can cover the head with hairs and you can even cover the head with a piece of cloth, experiment and see what you like. And as for his mouth, I choose a piece of eye, and instead of instead of this eye, you can create big canine or larger monstrous teeth, or you can experiment with other kind of mouth or no mouth at all. And we are almost done with the addition of eyes on the top and on the left side, only the right side remains. So four or five more eyes, and then we will move on to adding the details for his cloth and the rest of the face. We have to add nose, a small tiny nose for his face and more details for his cloth. And we are done with eyes. So if you prefer, you can add few more eyes here and there. But I'm satisfied with this moving back to the eyes on top of his head, filling the regions in between the iris and the people with the black. Adding the black for the third and the final eye on top of his head. And with these, we are done with three eyes, adding a tiny nose. So with these, we are done with a piece and the here. Now let's move on to the neck and the rest of his body, adding some hatching lines to create shadows for his head. And now let's add details for his jacket or coat that he's wearing, going over the outlines. So earlier I decided to cover the entire page, but then I decided, Okay, let's keep it simple and only do the chest portion. We are not covering the entire page, only this much. If you prefer, you can extend the painting to the full page, but I am but I am keeping it simple and only drawing up to the chest, adding straight line as a design for underset. And now let's darken it a little bit. You can keep it as it is done with it, but I decided to add further details to his clothing, so random straight lines for his coat. To make it more denser, you just have to place the lines much more closer to each other. And going over the outline of the jacket once more and darkening it with a layer of sakura micron pen. Now going over the jacket outline to make it more darker, adding more black for the sadoregions beside the neck, adding the black on the other side. And yeah, going over the inside of the jacket with another line, adding another line for the inside of coat. Darkening the button on the coat. Let's darken this side also. Going over the outline of the jacket and we are done with the outlining of the coat. Adding some more details to the ears, and let's finish this project with straight line as a design for the coat. Yeah, we are almost done with this fourth project. See you in the next project. Happy painting. 14. Boy with black eyes: Welcome to the day fifth and the fifth project. So this one is going to be quite challenging, but this one will be very fun to paint. Now let's directly start, starting with a little bit slanted vertical line for the alignment of nose and the face. Now let's encircle this line with the seep of the face. Horizontal line a horizontal line for the placement of the eyes. Since this painting will be wearing a jacket. So instead of the neck, I'm drawing out the guideline for the jacket and the coat. So yeah, the guideline for the arm. Now let's draw the eyes. So this time, I am making some big and round eyes. Sketching out the guideline for a tiny nose, and now let's draw a little mouth. Let's draw a rough guideline for the ears and moving on to the hair. For this painting, the hair is partitioned in the middle. So let's do that. And now let's complete the rest of the outline of the hair. So these, we are done with a rough outline for the face and the rest of the body. Now let's go with the paint to add more details. For this painting hair, I'll be adding round and circular eyes, and for the clothe, I'll be adding a little bit of black but normal eyes. My little bit, I mean seven or eight eyes, but the side of the eyes will be comparatively larger as we are doing here. Adding randomly the circular seeps for the eyeballs for his hair. Now, let's add more details to the hair. So I'll be inserting these eyeballs with this kind of small tiny lines. Now let's define the outline for the hair on top of his head. So I am making the outline in this sap if you prefer, you can make adjustment. And now, adding the details alongside the eyeballs. So yeah, small jig jag lines on one side, or you can add it on both the sides. But for the starting, just add it on one side. The size of the line decreases as we move away from the eyeballs. This project is divided into two sections. So this is the first section in which we will be mainly focusing on the eyes and the face. And in the second section of this video, we'll be focusing on the clothe and adding the finer and final details. So we are almost done with adding details alongside the eyeballs. Now, let's make the ears more detailed and defined. And we are done with the ear. So I have only sewn one ear. If you prefer you can add a little bit of second here that is sewing on the other side. Now, the hair that is covering his forehead, I'm starting with doing some vertical and long lines. So yeah, we'll be adding the hair in this same. So you can consider it so you can consider it as we are doing hatching in small specific portions. So we'll be doing the hatching type of here for this whole head. Simple straight or a little bit of curved lines alongside the hair. And now let's do the outlining for the rest of the here, starting with the left side. And yeah, let's define the seat of the pace. And we are done with defining the set of the pace. Now, let's add mode here for this side. We are using the hatching technique, just simple straight or a little bit of curved lines alongside the here. To make it more denser, just increase the number of the lines and to make it lighter, just decrease the number of lines. And let's fill this entire region with this hatching technique. And yeah, the choice of pain depend upon you. I'm going with saconamcron, and for darker tone or darker regions, you can use the other breast paints or sketch pins. So we will be filling the hair in small sections so as to create some different regions throughout his hair, that it will produce a result that his hair is in different sections. Now, moving upward, doing the hatching technique in little bit curved fashion for the hair on top of his head. Now, we'll be filling the entirety of his head with this kind of hatching. So yeah, be patient and create small tiny lines and place them closer to each other. Once again, this is a little bit time consuming process. To make it a bit faster, you can use different kind of tools or you can instead of creating this kind of hatched hair, you can just entirely fill the hair with black color that will do the work also. But I'm continuing with doing the hatching to create a very distinct and different kind of hair for this fifth project. And with these, we are almost done with the half office here. Let's continue with the other side. Try to curb the hair wherever the eyeballs are present. And yeah, let's continue. So here the hair was a little bit lacking, so I decided to increase a little bit of his head, and now I'm filling the entire area with elongated lines in the form of hatching technique. Gradually filling this right side of his head with hatched line. Gradually feeling the right side of his head with the hatched hair. So whenever you are adding the hatching line near the eyeballs, be a little bit careful so as to avoid touching it or crossing it. Encircling the eyeballs that are near his hair. And yeah, let's completely fill this side with the hatched lines. And we are almost done with this side. Only a little bit left alongside the ear and a little bit near his neck. Now adding the hatching line below his ear for the hairs. Now, encircling the eyeballs that are near his hair. And yeah, let's completely fill this side with hatched lines. Instead of this hatching technique, you can even use cross hatching technique to make it even more denser. And now we are almost done with the hairs, a little bit more, and we'll be done. I say we are done with this hair. So I find it very interesting and fascinating this type of hair. So now let's add the Now let's add details to the eye to make it more scary and frightening. So I'm starting with adding a little bit of concentric circles alongside the eyeball to make it much more terrifying. So these are concentric circles, but they are not complete circles. Let's do the eyebrows. So I am just going over the same line again and again to get a darker consistency of the ink. And if you prefer, you can use the sketch pen and brass pen to make it directly much more bolder and darker. Going back with the eyeballs to make it more frightening by adding two or three concentric circles alongside the circumference in the form of das and dot lines. And yeah, only two or three more eyeballs remains. To make it a little bit different, you can even add eye veins and And with this, we are almost done with the here and this section of the video. See you in the next video in which we will completely cover this horrifying creature. 15. Boy with black eyes final details : Welcome to the second part of the day fifth project. So far, we have created the here as well as did the outline of the piece and laid the groundwork for the eyes. Now we'll be adding the eyes and finishing this project. So let's add the pupils inside the eye recess. So I'm continuing from where I left off, adding a little bit more concentric circle alongside the circumference of the iris to make it a little bit more detailed and defined, darkening the eyebrows a little bit more. I have not created eyebrow on the other side as his here is covering most part of his face. But if you prefer you can add eyebrow on the other side also. Add some more final touches to the Irises wherever required. And yeah, I think I am almost satisfied with the type of irises that I have created and the number of concentric circles. Now I'll be adding the dark pupils inside it. So I have decided to add a single pupil. If you prefer, you can add two or three pupils or you can use color like red or black to completely fill it. So, yeah, we are leaving this as it is for now. Now let's add details for the clothing, Smuffler or the scarf that he's wearing around his neck. Now moving on to his face, going over the outline over the eyes the tiny nose and the mouth. So we are done with outlining his mouth and the scarf and the muffler. Let's add the eyes. I'm starting with making it a little bit darker. So yeah, you can use bras pin to make it much faster, but I'm using the micron pen to show you that you can create much more terrifying and horrifying feature just by using a simple micron pen or a simple pen will do the same work. But it will take a little bit more time, but yeah, adding a little bit of dark circles alongside his eye. Now, let's create tiny black pupils for the center of his eyes. So for his eyes, I am adding fine details in the form of very small and fine dot dot kind of line alongside his pupils into concentric semicircles. So adding this in this way makes it much more detailed and defined and add another touch of frightenss and spookiness. And with these, we are done with making some terrifying and really detailed eyes. Let who want to, adding details and definition through the clothes he's wearing, starting with the scar or the muffler around his neck. For this, I'll be using the hatching technique. So yeah, let's do this. For the muffler, I'll be creating the hatching technique in this way, dash, dash dash and for this, I'll be doing five or six line in vertical and followed by five or six line in horizontal in alternative fashion. So yeah, let's do this starting with this first row. And then we'll be continuing with rows by rows or rose and column. Whatever will be easy. So yeah, let's continue adding the hatching lines to cover his muffler. And if you prefer you can create other kind of pattern designs or doodles for the muffler, or instead of the muffler or scarf, you can just create his neck. But I was trying to create a little bit of different painting for this project. So I choose to go with the hatching to match it with the hatched hair style. And you can see the difference And with these, we are almost done with the scarf or the muffler he's wearing around his neck. Now, let's draw the rest of his cloth and add details to it for the clothes I said earlier that I'll be adding a little bit of ice. My little bit, I mean seven or eight eyes, but the ice will be a little bit longer. So yeah, let's draw the guideline for sicky eyes. And yeah, I'm just glazing it randomly, but they are all facing seen direction that they are facing in vertical direction. And now let's add the veins on both sides of the eyes. So let's darken the veins a little bit, and we'll be covering the entirety of the and we'll be covering the entirety of the eyes with black ink. Let's continue with adding veins alongside the edges of the eyes and darken it. Instead of the veins, you can create different pattern if you prefer, and you don't have to create the same kind of eye. You can use different kind of eye or increase or decrease the number of pupils, use colors. So feel free to experiment and try different things, and let's see what we can create by using this simple and get a little bit scary and terrifying pattern with these kinds of eyes. And now we have to do three or four more. Let's talk about some of the suggestion that you can implement with this painting. So I'm keeping the background simple. You can create some pattern style or designs for the background or you can paint it using different color. And apart from these, I have only created the chest of his, you can create the rest of his body. Instead of using small paper, you can create it on a much larger paper and create his rest of his body, hand slings and experiment with some more spooky and frightening things on his hand or leg. So yeah. Let me know if you experiment and please see it on the project section. Now, let's add the tiny pupils for the eyes. So tiny pupils in form of small circular dot. Now, let's encircle all our pupils with the iris and fine let's paint it using the black color to paint it. Instead of this black, you can use other color red, blue, but I am using this. I'll be using only the black color. And as I said earlier, the design and the choice is yours, so experiment and see what fits best. And yeah, let's continue and fill all the eyes with a black colour. So while we are doing it, let's talk about a few more chins that you can make to make it a little bit more scary. So for the face, you can do some piercing around his nose and eyes and ears. You can create tattoos or a little bit designs around his eyes or around his neck. Also, also, you can create a Al you can create fog like background and feel free to use other art medium to create some more scary and frightening scenes. So we'll be slowly and gradually filling all the ice with a black color. And yeah, let's continue with filling it completely with black. Let's talk about some of the mistakes that I made during this painting. First one is the density of the hatched line along the muffler around his neck is a little bit varied. It is darker on one side and a little bit lighter on the other side. So pay close attention to do that. And the next thing is the eyeballs that we created. In the first I decided that small lines that encircles it will be much more pronounced, but it is not that defined, only a single line or you can see only a only a little bit of it can be seen, but if you choose, you can surround it completely to create much more darker and differentiating look for that. And then the third thing I would like to recommend is you can make the ears look more scary or frightening by adding piercing to it. And yeah, let me know if you have any more faults that you can find in this painting, and I'll try to make it much better in next painting. So we are almost done with all the eyes only this one remains. So let's feel it completely with the black, and then we will finish the ice on top of his hair. And with these, we are done with all the eyes. Now, let's add a little bit of sados around his neck, doing a little bit of hatching, and let's move on to the eyes on top of his head. So let's create pupils with a little bit of white for the highlight. So just small circles, and let's encircle that circle till we get a little bit of highlighted portion for the reflection. So this will mark the end of our fifth project, and then we will move on to sixth project, which will be somewhat similar to this, but a little bit different too. So yeah, let's add a few more pupils for the last remaining three or four eyeballs and we'll be done with this fifth project. Adding the last eyeball and with these, we are done with our fifth project. 16. Man with eyes on his spikey hair: Welcome to the sixth day and the sixth project, so this will be a little bit different. Let's start drawing out the guidelines for the pace, starting with vertical line to draw the guideline for the length of the pace and another set of vertical line as the first one was a little bit on the left, let's encircle our face with an egg like see for the face. So you are welcome to play with the placement of the vertical and horizontal line, and that will change the placement of eyes, nose, and the mouth. So we are done with the basic p of the face, adding the guidelines for the ears, adding the guidelines for the ears. And now let's add the neck. So this project will be a little bit simpler than the one we did earlier. And for this here, we'll be having spikes. The spikes will be much easier to paint. Just consider it as adding petals to the flower. So let's start with drawing out the guidelines for the placement of the spikes on top of his head. And by spikes, I mean he spikes. So these vertical lines will help to place the spikes much more comfortably. And yeah, so this is the area that will be filled with he. And yeah, just consider it adds just consider it as adding petals to the flower. So in the scene of the petals of the flower, let's add here spikes. Yeah, inside this enclosed outline, let's add the petals or here's in the seep of the flour petals. So I'll be adding ten to 14 spikes of his hair. You can add more or less or you can use any other hairstyle, any other different hairstyle. And for the center of this hair spikes, I'll be adding a single I, single simple I. If you prefer you can add different kind of eye or eyeballs. And for his face, I'll be having a pair of not a pair, but four pair of eyes and a lot of eyes for his neck. So this face will have multiple eyes on his face. Then each here, the spikes will contain a single eye and a lot of eyes on his neck. So yeah, man with multiple eyes. And flower like spikes. So we are almost done with the basic pencil sketching. And as you can see that I have made a little bit of mistakes on the size of spikes on the right versus the left. So when you are sketching out the guidelines for the spike, please ensure that both sides are somewhat equal. Now, let's draw the guidelines for the eyes. So starting with the first set of eyes, the normal eyes, and drawing out the guideline for the face. So I'm using the two vertical lines that I drew earlier as the guidelines to place the nose. Now let's add spare of another three eyes. So that is six more eyes alongside the main two eyes. Moving on to the neck, adding few more eyes. By few more, I mean eight or ten eyes. Or if you prefer you can add more than that. Instead of this normal eyes, you can add the eyeballs or leave it simply as it is. And finally, a single e for the center of his head. And with these, we are done with our basic pencil sketch. Now, let's add the eyes for the center of the he spikes. CP will follow the contour of the he spikes. So let's add the here. Once again, you are free to add different kinds of hair or you can go with a single eye then followed by eyeball or mice that is a pattern of eyeballs and the eyes and yeah, experiment with different kind of eyes and eyeballs here and see what fits best. So I'll be continuing I'll be continuing with the same kind of eyes for this project. So the main theme of this project is the same simple single kind of eyes. And we are done with adding the guidelines for the eye inside here is spikes. Now let's do the inking. This time I'm using the bras pin, starting with inking out the guidelines of the eyes inside the here spikes. So yeah, this will be normal and simple eyes. Now, let's add the pupil inside the IRs. Going over the guideline of the here spikes with the bras pin. So let's first cover all the hair spikes and then later on, we'll be adding the eyes inside the here spikes. So I'm not keeping the lines straight. I'm making it a little bit rough, so to get a good texture of the hair. And if you prefer you can make it straight and spiky, but I'll be making it a little bit of rough. The choice is yours once again. And with these, we are done with the right side, moving on to the left side, going over the pencil outlines to create the spikes. So as you can clearly see there is a little bit of difference between the spikes of hair on both the sides and the symmetry of the hair is a little bit wrong. So try to correct this mistake on your own painting. I did not read at zen until the last moment, so that's why I made a mistake in here. But if you will be paying much more attention to your painting in the beginning, you want me making a mistake like this. Now outlining the hears. And finally, let's outline the face. So I am very carefully and slowly going over the pencil outline so as to not too smudge the ink because I am using breast pain and the ink is much more volatile with the breast pain as compared to the earlier ones while we are using the micron pane. So I'll be adding the hair in this fw. So in small fine lines in the form of sading. Now let's do the outline for all the eyes inside the hair spikes. And we are done with this right side, moving on to the left side, carefully at the eyes on inside all the hair spikes. Make sure that our ink has dried. Otherwise, you will smerge the inks. And we are done with the basic outlines. Now, moving on to outlining the eyes inside the face, the center eye. Let's do the eyebrows. So I'm keeping the eyebrows pretty simple and single line. Now, the main eyes, the main two eyes. So these are very tiny one. By tiny, I mean long and elongated ones and adding some lines below it to make it look tired or exhausted. Adding the eyes below the main two eyes. Now, let's go over the outlines on the other side, and we are done with our four pair of eyes going over the outline of the nose. And finally, let's do the lips. And we are done with the eyes on the face. Now, let's do the eyes on the neck. So just vary the set pin side of the eyes a little bit. We are done with the right side. Let's add the eyes on the left side. If you prefer you can cover the entire neck with the eyes or you can cover the neck with more hair, or you can create beard or the muffler or scarf that we did in the last video. Now let's add details for the ear. And let's add more details to the pair of eyes below the main eyes, adding few lines below it to create a sense of more depth and dimension. Now let's do the he spikes. So I'm going over the outline of the face for the first layer of hair. So just consider it as sating. When we use pencil to do the sading, we are doing the same with the hair, carefully adding it on the other side. Try to maintain the sep of the face while doing the sading type of hair can be considered as an example of hatching technique and the lines placement is much more closer to each other. Move your painting so that it will be easier for you to create the hair in this manner. Carefully adding the seeding near here and we are almost done with the first layer of here and also defining the outline for the upper part of the face. Now let's make it more define the upper eye. So yeah, adding some wrinkles in form of encircling lines for the eye on top. Now carefully erase the pencil outlines. Ensure that the ink has dried up before using the eraser so as to avoid smudging of the ink colors. Gradually apply freezer with the eraser so as to not remove the ink from the paper. And now let's remove the dust, use dust so as to avoid smudging of the ink. And now let's paint here and add the eyeballs to finish this simple project. Now I'm going in with a sacro micron to create the hair, as it is much easier to handle. While I was using dust pin, it was a little bit challenging as the ink takes a little bit of time to get dry. That's why I decided to use the micron pen. Adding the eyeballs and the iris for all the eyes inside the spikes. Yeah, it's very simple to concentric circle one circle for the iris, another for the pupil and filling the pupil with the black while leaving a little bit of white for the highlights. And we have got a few more eyes left. Eyes and the people for rest of the eyes on the spikes. And we are done with all eyes for the spikes. Now moving on to the eyes for the face. For the centered, I I decided to add two pupils. So yeah, if you prefer you can keep a single line, but here I added two. Now let's add the main two eyes. These two eyes are not clearly visible. Only half portion of the iris in the pupil is visible. And yeah, let's add the pupil and iris for the rest of the six eyes, and the pupil and the Iris are facing in different directions for all the six eyes. Let's add here for the spikes. So just some long criss cross lines for the hair in the form of batching. Slowly but gradually adding the hair for all the hair spikes. If you prefer you can add other colors instead of the black, you can use the red or instead of it, you can use simply black ink or blank sketchpin or water color to completely fill it. Instead of creating this kind of pattern or this kind of texture for the hair, you can just completely cover it with a single colour. So we are done with two hair spikes. Let's add the hair for the third hair spikes. So once again, this is a little bit time consuming process, but the results are somewhat distinct and different from all the other kind of paintings. So yeah, let's do this. This is much simple but time consuming. Ater on in our project, I'll make another piece with multiple eyes, but they will be but they will be placed in much more different direction and different kind of eyes. So yeah, stay tuned for the projects, and let's finish this fourth here spikes. Carefully adding it near the edges of the hair spikes. And let's do the fifth one. It is easier to paint if you move your paper. That's why whenever there is a possibility I move the paper so that it will be easier for me to paint. Finish this fifth one. Now moving on to the sixth one. Small and tiny fine line for the hair spikes. Carefully adding it near the eye. Carefully adding the here near the edges of the spikes. And we are almost done with our sixth here spike. Let's do the seventh hair spike. And after that, we'll move on to the rest of the hair spikes. Apart from this, what else you can do to make it more scary and terrifying. Instead of this small mouth, you can make a very big and frightening, scary smile. You can add long and large teeth. You can create some tattoo patterns, or you can cover the main two eyes with clothes. You can create a completely blank face with a single eye. And we are done with the side of the hair spikes. So let's move on to the other side. Since this process is repetitive and time consuming, but I have done all the other spikes in the same manner. Now let's finish this painting by doing the eyes for the neck. Adding finer details in form of lines below the eyes to make it more to make it more distinct and volumetric. So let's add some more lines below and above the eyes in the form of simple curved lines. Finally, let's add pupils and the Iris. And if you want, you can make it pace on the same direction or in different direction, you can keep it in the middle or pace it in different corner of the eye or instead of single pupil and Iris, you can create multiple pupil and Iris like the one we did in the center of the head. And with these, we are almost done with all the eyes, only two remains and adding the final pupil and the Iris. And with this, we are done with our project. See you in the next project with something different. Happy painting. 17. Sad melancholic boy: Hi, and welcome to the T seven and the seventh project. For today's Vino we have got a little bit different kind of noodle. So let's start with drawing out the basic guideline for the phase. So starting with a vertical and horizontal line for the guideline for the pace now let's draw the outline for the guideline for the here. Now let's draw some big eyes. So we have got big down eyes for this one and a little nose and a sad expression for his face. Let's switch out the guideline for the neck. This seventh project is divided into two sexon. This is the first sexon in which we will draw the basic guideline and do a little bit of inking. And in the next one, we'll be finishing it, drawing out the collar for the cloth And now let's at the here, starting with the outline for the here. For the eyes on top of his head, I am going in with big and small eyeballs. Let's draw a variety of big and small eyeballs and place them relatively closer to each other. The choice is your instead of this down eyeballs, you can choose different sames and the placement, also, you can make it much more closer to each other or much more farther away. Let's add few more eyeballs in between, and we are done. Now let's start the inking process. So I'll be making this boy. So I'll be making this boy look tired and exhausted. So let's add a lot of dark circles above when below his eyes, starting with the upper part. Now let's draw the pupils. I'll not be drawing the Iris. I'll be directly drawing the pupils, so two black holes with a little bit of white for the highlights. Going over the outline for the nose. And now let's add lots of dark circles. So this will make it look more weary and exhausted or tired. Let's draw the face a sad excretion or upset expression. Now, let's go over the outline for the face. Now, let's go over the outline for the face. So as you can see, these are the dynamic lines, there is not uniformity in it, a little bit of variation in the width of the lines, going over the outline for the neck. And now let's add a little bit of veins going over the outline of the clothe And we are done with the basic outlining of the face. We'll be adding more details later on, but for now, it's done now. Let's do the heirs and the eyes, starting with outlining the Cp of the eyeballs. So I'll be making concentric circles for the eyeballs and I'll be trying to make it more three dimensional. So yeah, let's do our best. And to get more precision and control, I'm using the sakura micron pine. If you're comfortable with the breast pain, continue with that. But I'm going in with the micron pain to get better and uniform circles for the eyeballs. So let's add lots of small and being eyeballs. So I'm concentrating more smaller eyeballs near the central region of the head. But if you prefer, you can distribute it thoroughly throughout the head. Adding few more eyeballs here and there. Instead of the eyeballs, as I said earlier, you can choose different kind of eyes or you can just simply make different kind of hair. Don't need to add eyeballs. Yeah, experiment and see what fills best. Now we are almost done with the seats for the eyeballs. Now, let se the pencil outlines. So I'm trying to create an expression of sad and gloomy looking face. That's why I made it look a little bit upset or sad and his eyes are pointing towards right in a menacing or sad way. So yeah, play with expression. You can make you can make his lips curve upward, get scary smile or you can make his mouth a lot bigger with lots of jagged teeth, or you can create a scar face for his mouth. So yeah, the options are endless. Now let's continue with the micron paint to add the pupil inside the eyeballs, and I am placing the eyeballs, and I am placing the pupil inside the eyeballs in different positions, trying to make look more three D and in different directions. And to create three dimensional look for the eyeballs, I'll be adding some curved lines alongside the sides of the eyeballs to make it appear a little bit tilted or to make it appear looking at different direction or make it appear that it is popped out from here. So yeah, I'll try my best to explain it while I'll be doing that. So stay tuned with me and try to follow along with me as the whole video is in real time and with these, we are done with adding the pupils inside the eyeballs. Now, let's do the rough guideline for the hair. For this portrait, we are creating rough and unruly hairs, and we'll be using a combination of both the paints, sakura micron to get lighter sets of hair and brass paints to get a bit heavier and darker sets. So let's keep on creating some unruly hairs in the form of the carved or jig jag lines. Instead of this curve jig jag lines, you can create hatching lines that we used earlier in the fifth project. That will be also interesting. But I'll be sticking with this curve and unruly hair for this project. And, let's continue with defining the outline for he throughout the page. We are just creating noodles like seeps to represent his hair. So two lines, basically two lines, two parallel and following lines to create the outlines for his hair. And this will be a little bit time consuming process as we have to cover a lot of area for the hair. And if you are using the breast pain, it will be a bit faster, but it will lack the tiny details that we can create with using the micron pain with much precision and uniformity. So right now, I am entirely focusing on creating the hair on the outside, but later on we'll be adding a little bit dense hair for the inside or the central part of his head. Moving on to adding some more hair near his forehead to cover it. And if you prefer, you can cover some part of his eyes with curly and unruly hair, but I am keeping his eyes look menncing in this way, and I am not covering it. Since it was a repetitive process, I decided to do the curly hair on my own for this side. And now let's continue with adding more curly and noodles like here for the other side. So it took me around five to 7 minutes to do it and experiment and do it on your own. You can pause the video while you are doing it. Yeah, let's increase the intensity of his hair wherever required, especially near the central region of his forehead and adding much more hair, near the right side to finish it. So this is what we will be covering in this section, and in the next section of this video, we will be adding more details to the head and the face as well as the neck. So this is all we will do cover in this section, and we are about to be done with addition of curly hair forehead. So as you can see, we have got a rough look for his hair and rest of his face. And you can imagine how it will appear when we will add much more darker color to it and much more details to it. And you can use colors also. So see you in the next video. 18. Sad melancholic boy final details : So let's continue where we left off with the first part. Now let's add some darker tones for his hair. For this, I am using the Kuratake breast pain with much more varied intense inclines, um, much more varied intense lines. What I mean by that is we will be getting much more dynamic lines of varying thickness. The intensity or the blackness of the color will be relatively much more darker as compared to the one we did with micron pain. And it will create some interesting pattern for the hair as a combination of lighter and darker sets, as you can can see in here. And we'll be adding a little bit more of the inprain near the central region of his forehead and try to add it carefully in between the eyeball so as to avoid the color getting on top or on top of the outlines of the eyeballs. Also, as I mentioned in the earlier section of the video, that I'll try to make it look a little bit three dimensional the eyeballs. And you can see that I have covered some section of the eyeballs with the hair so that it will look that it's popped out from the hair. So yeah, try to cover some section or some part of the eyeballs in such a way that it looks that it is covered by the hair. And we are done with this side now. Let's move on to the right side. And yeah, let's keep on adding the darker side of the black with this breast pin. Instead of this black, you can use the red or how about yellow color. So we can make it blond or orange and yeah, even green. So yeah, that choice is yours, and we are continuing with adding the black for his hair. Carefully adding it in between the smaller eyeballs. So this is our first attempt of covering the sacra micron pen, and later on we'll be adding a little bit more breast pain to make that a little bit more distinct. Now going back with the micron pain to redefine the outlines of the hair a little bit. As with the breast pain, the outlines has become not that defined. So yeah, let's define the outlines for both the eyes and hair. And I am using this time to also do the eyeballs, adding a little bit of lines, curved and concentric lines along one side of the eyeballs to make it look more three D. Some of the eyeballs, I will be making it comparatively weaker and others somewhat smaller and most of them will be of normal size, a circle and a little bit of white for the highlight. The problem with using the micron pen is that it takes a bit more time. If you prefer you can continue with the breast pin to do the eyeballs, but I'm sticking with the micron pen. It provides much more accuracy. So let's color all the eyeballs black. And also, you can instead of doing all the eyeballs black, you can do some blacks, the others with Rod and instead of one eyeballs, you can add two or three. You can even add veins for the eyeballs to make it more scary or weary. And we are done with this eyeball, moving on to the adjacent eyeball, a small portion for highlight of the eyeball and filling the rest with the dark plaque. So this is another time consuming process, and there is no other way to do it. In case of the doodles, some of the tiny and minute processes takes a lot of time and you have to do it so many times so that total accumulated time becomes a lot. But this tiny and minute details that sets the thing apart. We are continuing with doing this tiny and minute eyeballs throughout his top of head. And that's why I choose this small drawing pad. If I have to use bigger page or like A four or sketching pad, the same thing would have turned to more than an hour, but the more details we add, the more time it take and the tinier the details, more precision it requires. Also, the use of different supplies plays a vital role too. So choose carefully and let's just finish adding all the eyeballs for his head, and let's finish it quickly. We have got a few more eyeballs to do, and then B moving on to adding more details to his face, his neck, and the clothe By cloth I mean only we can see the collar of his shirt or test, whatever he is wearing. If you prefer you can add his chest or you can just create some skeleton like chest. We got a few more eyeballs to do. To make it look more three D, as I said earlier, cover some sections of the eyeball or add some lines on one side of the eyeball to make it look in different direction. Let me show you what I mean. Here I'm covering some section of the eyeballs with the hair. So it looks that the hair is covering the three diamonds the eyeball. Let's do the same here with the smaller eyeballs, covering a little bit of the eyeballs with the hair. And for accuracy and pre season, I'm using micron pin. You cannot do it properly with the breast pin. But if you want to try, just attempt covering few eyeballs with the breastpin and if it's doable, then stick with that. Otherwise, use preseason with micron pin or any other ballpoint pain. Also, I'm defining the outlines of the hairs a little bit more with the micron pain. As with the use of breast pine, the outlines does not become the outlines become a little bit hazy. So let's define the outlines much more precisely and uniformly for all the unruly hairs, and let's make it a little bit more denser. Let's make the hair for the center of his forehead a little bit darker. And now moving on to the other side, doing the same, increasing the intensity of the hair a little bit, as well as redefining the outlines of his hairs. Adding a little bit more urns and definition to the sap. Add the lines wherever required for the outlines of his hair, and I think we are done with it. Now, let's finish this project with adding more details to the rest of his face and the neck. Let's start with his neck. Let's create a reason of Sadok below his chin, so a triangular portion with completely black. Let's leave a little bit of white lines to create much more contrast and a little bit of black for his shoulder bone and some black for the collar. And now let's add some hatching lines to sew some more shadows below his face. And we are almost done and a few final touches wherever required. And, yeah, I think we are done with this one. Adding few more lines for the eyeballs to make it look more thred or make it look more weary or tired. So just add a few more final touches wherever you think that's required and don't overdo it. If you overdo it, all the things will become unclear. And with this, we are done with our project. See you in the next video. 19. Twin girls of terror: Welcome to the day E and the AD project. So this will be a little bit different. And this is the biggest of all project, as it contains a background as well as it has a lot of tiny details in the form of lots of eyes. So let's start with drawing out the basic guidelines for this. So starting with two slanted horizontal lines for the hats. This picture will contain two twins wearing hats and facing towards the page. So yeah, let's do the outline for the hats quickly, and then we will do the guidelines for the face. And since the girls are facing towards the page, so we won't have to draw much more detailed faces. So let's draw the face. Just this tiny sp for the faces. And now let's add the guidelines for the here and these small seeds for the here. Only a little portion of the twins face is visible. That's why on small see for the face and now continuing on with drawing out the guidelines for the here. So here we'll be covering most of the beach. So yeah. Adding more definition to the seep of the feast. And now let's draw the soldiers for both the fins. And we are done with the rough seeps and the guidelines for the body of both the twin girls. Now, let's quickly ink it. So this is the easy part. The hard part will be to do all the doodling around it, as the girl's hair will be covered with ice and seen for the background. So that will take a lot of times as it will contain lot of tiny and minute eyes as well as some bigger ones. And so let's continue with the outlining for the face and here. And later on we'll be adding more details for the background eyes and the rest of the painting. So to make it much more quicker and faster, you can use color or you can don't add the background, or you can use different style or different options for the eyes. Since I'll be adding a lot of ice, you can add less ice or different kind of ice or instead of normal ice, you can use bigger eyeballs or as I said earlier, don't add the backgrounds. You can make the phase much more detailed or make it phase towards us. But since the whole project is much more detailed and time consuming, I decided to not add more details to the phase. Also, this project is divided into two sections. This is the first section, and in the next section, we'll be adding final touches and more details to it. So we are done with the basic outlining for both the twins. Now, let's do the background. So I'm dividing the whole page into rough two sections, and then we will add some curving lines to so that the edge of the background is far away. The aim of the curvy lines is to create an edge like background which is far away and which intersects at the middle of both the twins. I was not able to properly explain it, but you will see what I'm trying to express through the painting. Now, adding the eyes. So for this, I'm drawing the normal eyes. You can use different kind of eyes or eyeballs or don't add the background at all, simple lines, simple curvy lines filled to the work too. But I am going to do the eyeballs along with the eyes, so I'll be wearing the seat and sizes of the eyeballs, bigger and smaller ones. So let's do the eyes for the left side first, and then we will do it on the right side. Try to maintain the perspective that the eyes that are nearer to the girls bigger and the eyes which are farther away are getting smaller. That it looks that it's three dimensional and there is some edge or center just at the middle of both the girls. So I am making the eyes a little bit tilted in that direction that it's going towards the center of the page. And we are done with adding the eyes for this side, and we will move on to the other side, trying to do the same thing, adding the eyes in such a perspective manner that it looks that the eyes are coming from the right side and going to the center. That is add smaller eyes for the center, and as we move further away from the center, make it a little bit bigger. And add the eyes in slanted Imagine that you are following some curvil lines or some slanted light that is going directly towards the center and at the eyes on those lines. And we are almost done with adding the eyes for the right side. After adding this eyes, we'll be filling this entire empty bite space with curvy lines, and for the whites of the eyes, we'll be adding black. So what I mean is there will be black for the entirety of the eyes and a little white for the Iris followed by black for the pupils and a little bit of white highlight for the pupil. Are done with the eyes. If you prefer you can add few more eyes. I'm satisfied with it. Now let's draw the curvy lines following the perspective as well as going over the eyes. So when you go over the lines, make the lines curve in the seep of the eyes and make it merge at the center and from the center, take it towards the right side, following the scene perspective, that it's coming out from the center or that from both the sides, the lines are merging at the center. Make the lines parallel to each other and make it curve along the sides of the eyes. Also vary the sweep and sizes of the lines a little bit and the direction too. But keep this thing constant that the lines are coming from the outer edges of the piece to the center. Or you can think it in a different way that it's coming out from the centered towards the edges of the page. So for the top and the middle part, it will be a little bit straight, but as we move downward, the lines will become much more slanted. I'm using the micron pen to get thinner and consistent line. If you want more dynamic and varied lines, you can use the bras pins, or you don't have to use the lines. You can just completely fill the entirety of the background with colors. You can use black, red, or other watercolor or ink color that you have. This will be a little bit time consuming, not a little bit but a lot, and we will be doing it together. So let's continue with adding on the curved lines along the eyeballs, merging it at the center, and making a little bit of distinction in between the sets of line we are creating. This will be time consuming process, so listen to some music or audiobook and do it on your own. I'll be showing you how I did it for just now. And and I did the rest on my own. It took me around 15 minutes to do the rest. And as you can see, it's follow a perspective line that the lines are coming from the outer edges to the center. And yeah, I hope you will do it. And now let's add eyeballs for the hairs of the twins. So instead of these eyeballs, you can use the aisles, but I am trying to create a little bit of distinction in between the background and the foreground. So we are creating some random eyeballs. By differentiating the sizes, making some of the eyeballs bigger and other smaller and adding it randomly throughout the hair. We are done with adding eyeballs for both the twins and now, I'll show you how we'll be adding here. Same curvy lines for the here as we did for the background, but this will be in the sip of eyes, and we will be completely engulfing the eyeballs with this kind of see. And we'll not leaving the space for the white portion. We'll be only focusing on the eyeballs. So the white triangular see on both side of the eyeball will be completely filled with the lines. You will understand what I mean when I'll be filling the entirety of the eyes with the lines. So let's do the sip of the eyes. Let's do the sip of the eyes with the micron pen. And with these, we are done with the left side, moving on to the right side, doing the same, defining the Cp of the eyes, doing the seam, going over the outlines of the eyeballs with the Cp of I and later on, as I said earlier, we'll be covering the entirety of the sides of the eyeballs with the lines just like we did with the background. This will be yet another time consuming process, but the result will be worth it. We have got few more eyes to do, and we are almost done with it. So let me show you what I mean by covering the entirety of the eyeballs. So as you can see, as you can see, we have covered all the white regions near the eyeballs with the white and following the scene, contour and the Sp as we did for the background. Add more volume to the hair in the form of the curvy lines. Adding it near the eyeballs and not leaving a little bit of space beside it. So just encircle the eyeballs with the curvy lines, and later on we'll be adding more lines that will be following the contours of the rest of the eyeballs. As you can see, we'll be adding the lines in this form and fill the entirety of her hair in this manner. So just changing the directions of the lines a little bit, but following the contour of the eyes. This will create some regions of a little bit dark color because of the change in directions of the flow of the hair. Let's do the same for all the eyeballs. And then we will fill the entire region with more lines. Adding the line for the rest of the e. For this part, let's add the lines for the eyeballs. And later on, we will add further lines for the rest of the here. Just covering the sides of the eyeballs with the lines, and we will be done with it. You can even cover some sections of the eyeball to make it look that here is covering some part of the eyeball. And we have got a single eye wall left, and we are done with this section. See you in the next section, we will be finishing this project. 20. Twin girls of terror final details: Welcome to the second part of this project. So let's continue where we left off. So let's add more details to the hair in the form of curved lines and changing the direction a little bit so that we get some regions of darker contrasting hairs. And yeah, let's follow the seep of the eyes and fill the entirety of the twins hair with this kind of hair. So this two is, again, a time consuming process. You can opt out by using different kind of pattern or you can completely cover the hair with red, black or other color. And to make it even more detail, you can add more eyeballs throughout the hair, some tiny eyeballs. And instead of one pupils, you can create three or four pupils inside the eyeballs. I'll be sticking with one pupil inside the eyeball, and the choice is yours. So please experiment as much as you can, and please share it on the project section. Let's create a little bit longer lines near the bottom of her here. As we move from top to bottom, I'll be increasing the length of the lines and I'll be changing the directions a little bit more. So that will create some more regions with a little bit of darker variations alongside her hair, and to make the distinction in between the background and here much more pronounced, I'll be adding a little bit of darker tones for the here to make it distinct later on. So don't worry about as you can see, just by adding a few more lines over the outline of the here, you can clearly see the distinction between the background and the here. Let's add more lines to fill the here. He since we are doing this for the hair of this girl, you can use different kind of hair for the other girls. Like, you can use hatching or you can create curly hairs for her, and apart from that, we have created the same kind of eyes for her. But instead of covering the entirety of the eye region with the hair, you can leave it as it is just like we did in the background, experiment a little bit with the other girl that is on the other side. We have got a little bit more hairs to do, and we will be done with this first one. After this one, we have got three things to do, the background eyes, the girl on the right side, and the hat, and we will be done with it. Since this is the biggest project, so have pasan and keep on adding the lines. And let's finish it. You can add much more details by going over some of the lines. Now, let's make the here concentrated at this point. Let's darken the outline for the here a little bit by going over the outlines two or three times. Now, let's darken the soldier a little bit. And here we are done with here for the first gun. Now, let's complete her hat. I'm just going to completely fill this part of the hat with the black. If you prefer you can add ice for it too and you can create some pattern or design with it. Same goes for the top and the circular part of the hat. I design, add some creation or pattern or ice, but let's keep it simple and adding black for the rest of it. And now we are done with the black. And now let's move on to the second girl, doing the same for doing the same for the hack. Adding black for the entirety of this region. Instead of using the micron pin, you can use the breast pain. So what happens when I'm using the pain? So this happens sometimes when I'm drawing, so my brain completely sets off, and instead of applying my brain to use breast pain to make the process become faster, I just stick with what I'm using. So be conscious what you are doing and change your tools to make the things appear or happen fast. So let's define the outline much more clearly to get a definite and clear distinction between the background and the girls. So I'm going over the outline of the hats and adding few more layer of the sakura micron pen, make it clearly distinct from the background and the rest of the girl's body, doing the same for the other hat. Instead of keeping it white, you can add the colors to the hat. And with these, we are done with outlining both the head. Now let's outline the face structure more. Adding a little bit of definition to the shape of the face and defining the outlines much more clearly. Doing the same for the soldiers, we are done with the outlining section. Let's move back to the background. We'll be adding eyeballs, iris and covering the entirety of the white sexon of the eyes with black. So once again, it's my mistake that I use the macron paint to do it, use the sketch pen or brass paint, and the process will be much more faster and quicker. So I'll be doing the same for rest of the of the background, adding the Rs and the pupil and filling the entirety of the eyes with the black ink. And So you have to be a little bit careful while adding the iris and the pupil for the smaller eyes as they are very small and it will be not that much clear the distinction in between the iris and the eyeballs. So be careful with the smaller ones. And instead of doing the eyes separately one by one, you can do it in batches like doing the iris and eyeballs for all the eyes and then filling the entirety of the ice with the black instead of what I'm doing here one by one. So let's do this. Adding the iris and the pupils for all the eyes and then adding the entirety of the eyes and then covering the entirety of the ice with the black colour. Okay. It takes more time as the intensity of the micron pain is not that dark, and to make it and to get it darker, we have to do we have to go we have to go over the same lines twice or thrice to get much more intense look. So continuing on with adding the Iris and the pupil for all eyes. We are almost done with adding eyeballs for the background. Now let's add the Now let's add the iris and the eyeballs for the foreground. And for the foreground, we are not going to add Iris, we'll be adding the pupils. So black circle with white in the middle for the highlights. This was the project that took most time for me and I got born with it. So I took breaks in between and listen to the music while I was doing it. And I was also contemplating on the mistakes I did with this drawing. And it did not turn out the way I expected. So the background in the forgown becomes a little bit muddy because I did not create that much distinction with it. So if you have any ideas and to make it much more brighter or much more distinct, let me know in the comments. We don't have that many eyeballs for the hair, only a few, so this will be a little bit faster as compared to the background. We are done with the pupils. We have to do the same for the other side. But for now, let's add the black for the eyes. Slowly, slowly and gradually filling the entirety of the white regions of the eyes with the black sakura micron ink. And this will take time. Let's be patient and cover all the eyes with the black for the background. So we are almost done with the figure of the girl on the left side. We will be doing the same with the girl on the right side. So this will be exact copy of the girl on the right and the girl on the left. So you can say I was trying to create a symmetric horrifying and terrifying picture with this painting, but it did not turn out the way I expected, and it's taking a lot of time. So I decided to do it on my own. So I filled the entirety of the side with the black ink and did the same for the other side, added the eyeballs and the he for the girl, as well as created the eyeballs and the pupils for the eyes. What I have got left is adding the black for the rest of the eyes. The truth, it took me around half hour to do all the eyes and details for the other side. We present and do it. And if you get bored, take a break, listen to the music or audio book or do something, but try to complete this project. And if you are too much bored or if you think that it's too much hassle, just avoid this project and jump on to the next one. So let's continue with adding blacks for the eyes. Once again, let's time skip a little bit and add blacks to the rest of the eyes. This time, it took me around five to 6 minutes to add blacks for all the eyes, and with these, we are done with our project. See you in the next video. Now, all that is left is adding some final touches here and there, defining the seat and defining the seat and more details to the here and see wherever there is inconsistency that you can make it better. Try to amend that mistake, and we are done with this project, see you in the next video. 21. Floating head ponytails : And come to the D nine and the ninth project. So this will be yet another long one. Let's start with drawing out the guidelines for the head. So we have got four heads with eight pony tails. And this is yet another leny one. So it's divided into two parts. And yeah, it will take a bit more time as compared to the other ones. But yeah, this will be fun to practice. So let's continue with adding the pony tails for the heads. So you can play with a seat and side of the head. You can play with the sides of the head, make it more small or little bit larger. And yeah, instead of two ponytails, you can create one. But I'm going to create eight pony tails, two for each, so a total of eight. Let's continue with drawing out the guidelines for the pony tails. Make adjustments where you see fit, and this head was a little bit misplaced. I made a little bit adjustment for the placement of the head, and now I'll I'll be adding the hairs for the heads. So simple hatching lines for the hairs, and this will be taking a little bit of time, but the result will be worth it. We will be concentrating more for the center of the head to create partisans of the hair. And we'll be using hatching technique to create the hair for the top of the head and for the ponytails, we'll be using tiny eyes and the hair that we created in the last project. So we'll be creating here the ponytail in that manner. So this is the demonstration of how we creating the hair for all the four heads. So these are floating heads. If you prefer you can even create the bodies, that will become too much work to do, so I am only creating the heads. You can even add eyes to the heads, but let's keep it simple as it's difficult on its own. Now, let me show you how we'll be creating the details for the ponytails. In the seep of eyes, we'll be creating the ponytail. So consecutive small eye like seeps for the hair, and we'll be adding tiny iris inside it. We'll not be adding the pupil only the iris, only the white portion of the eyes will be visible and dressed will be covering with simple and small lines. The sides and the width of the ponytails, you can vary, and I'll be keeping this ponytail a bit sorter, and the one on the top right side will be the longest ponytail that I'll be creating. Let me show you how I'll be adding the Iris only. So only small circles for the iris and will be filling the rest of the area with small lines. So you can see that we'll be using the hatching for almost all of the project. But the details it's a little bit tiny, so that will take a little bit more effort compared to all the other project, and that would take time. Also, you'll have to use ballpoint paint or fine liner. As creating this much details with breast paint will be very challenging. At the end for the ponytail. So for the end of the ponytails, I'll be creating here in this manner. Once again, I'm using the hatching technique. And so you have got the rough idea I'll be creating the hair and the pony tails. Let's do all the heads. Let me show you the other pony tail. So let's do the other side. But before that, we'll have to define the sweep and side of this here so that I can avoid overlapping of two or more ponytails. While I'm sketching out the guideline for the pony tails. Let's do the pony tails for all so to avoid the overlapping of pony tails with each other. As it's clear that one of the ponytail lies behind this head, so let's create ponytails a little bit carefully. So instead of creating the ponytail for the first head, I am creating the ponytail for the second head, and later on, I'll be creating the ponytail for the first head that lies behind this. And since this head lies a little bit below the top head, you can see this head lies at the bottom of all the forehead. So not all part of the ponytail will be visible. So we'll be creating ponytail up to the end of the beach and the rest will not be seen, not be drawn. So yeah. Let's create the ponytails for this first one, starting with the end of the hair and we'll be moving upward so as to avoid overlapping of the ponytails. Also, not all part of this ponytail will be visible as some of the sections of this bony tail is covered by the second head. If you want, you can avoid this overlapping completely by placing all the heads separately away from each other. Now, let's add the hair for the top of her head. Let's start with creating the partition for her hair, using the hatching technique. So while using this hatching technique, I create a little bit of tensor region near the center of the partition of the hair. If you prefer, you can create different kind of hair, and you don't need to create the partition of the hair. You can simply use the hatching to completely cover the entire head. The process is bit lengthy and the time consuming. The more layer you add, the more darker it gets and the more volume it and the more volume it gains. I'll keep on jumping from one head to other head as the process is a little bit tiring and boring. So add the line at your own piece and try avoid getting bored. Here I am continuing with adding the tiny Irises for all the sections of the ponytail, and later on, I'll be adding very tiny and minute lines to completely cover the ponytail. So let me show you a little bit closer how I'll be adding tiny my new lines for the pony tail, adding it just beside the iris on both sides of the ponytail. Initially, I thought that it will be much more clear and distinct, but as you can see it, it's not that distinct. So I would suggest you to use colors. So instead of the white Irises, you can cad red irises, and that will create a much more clear distinction or instead of using the black for here, you can use red. That will be more distinct and more clear. So continue adding the Irises for all the pony tails sections. I'm doing it from one side and then moving onto the other side. And now let's add tiny little lines to cover the rest of the sections of the ponytail. Let's complete this and the other head in this section of the video and in the other section, we'll be adding the lines and the here for the other two heads. Slowly and gradually adding the lines. Adding lines for the smaller saxons does not take that much time, but since the sexons are small, we have to be a little bit more careful and precise with creation of the lines so as to avoid merging of the lines with the other ponytails or the other head. Now let's make this area a little bit more darker where the head ends and the ponytail begins. And yeah, if you want to make your head much more darker or much more defined, add more lines to it. And with this, we are done with our first flying head with the ponytails, moving to the second, adding more volumes by adding more lines for the head. Now, doing the same with the ponytail, adding Iris for all the sections of the ponytails. If you want, you can add hit another black dot inside this Iris for the pupil, but that will make it even more unclear. So just add only the Irises et's add few more sections for the ponytail till the end of the speech. Doing the same for the other side of the ponytail, adding iris for all the different sections of the ponytail, and then V adding the lines. So what else you can experiment with this project is background. You can create some dynamic backgrounds with some lines or designs or patterns. And let's stop with adding this much Irises and detail to the project in this video. See you in the next video. 22. Floating head ponytails final details : Welcome to the second part of the ninth project, and let's continue where we left off. So in the last section, we only did the Irises, but I added the lines on my own. And as you can see that I did the same for the head to, adding lines for the head and creating ponytails for the other two heads. It took me around 15 minutes. Let's do the head portion for the fourth, starting in the same manner, dividing creating the partition of the head by using the hatching technique, and the more lines we add, the more volume or more darker the head gets. So let's add some lines. By some, I mean, a lot of lines for this fourth head. So you can experiment in a different manner. Like, for each head, use different supply or for each head, use different pattern or different kind of eyes or eyeballs or just keep it plain simple. It's a single and simple head and the others with some twist and turn. For all the heads, you can add necks to make it a bit more terrifying. And also, you can create mouth at the back of the head. So in Japanese folklore culture, the Yoki, there is a Yoki female Yoki who got mouth at the back of her head. I think it's called Roku Okubi and she is a female Yoki, which has two mouth, one which it does not eat normally, and the other is demonic mouth that eats a lot at nighttime. I might be re misremembering the name of the Yuki, but I believe it's Dokurokubi or no, no, it's FukaochiOa. The Yuki is called FukaochiOa Andy Ona Ona refers to woman in Japanese language. So yeah, let's continue with adding Irises for the fourth This is the longest ponytails of all the ponytails we have created, and we'll have to add a lot of ess for it. So how about for the next class I do on Japanese folklore and Japanese creature Yo kais And I'll try to do a better job with the next class because some of the paintings in here are a little bit longer and too much repetitive. Continue with adding lots of tiny irises throughout the different section of the ponytails. No, we're done with this side of the ponytail, doing the same for the other side. Small circular irises throughout all the sections of the ponytail. And we will have two more pony tails to go for the third head, and then we'll be adding lines to finish it. What else can we do with this kind of painting to make it more interesting? You can add horns on top of the heads to make it look more demonic. And as I said earlier, you can add mouth as in Japanese folklore creature, Fukatocia and apart from that, you can add big eyeballs at the back of the hair or you can great different kinds of patterns with the hair. As I remember that Yuki Fukaocia here she can use her here to hold chopstick or bring food for so on and so forth. So you can create tentacles like here. You can even add claws at the back of the ponytails. So we have got endless opsonsEperiment a lot, and please come up with something interesting and share it with us what you have created on your own and how terrifying or scary it is. Here we are continuing with adding small tiny minute lines alongside the Irises of all the sections of the ponytails. And yes, you can clearly see by adding some by adding a few tiny lines, how dark the ponytails becomes, the ponytail on the right with only the irises and compare it to the ponytails with the lines, how clear the distinction in between them. And that clear distinction is making the ponytails Irises seem rebellent. It's a fine balance scheme that we play with creating this kind of doodle. And we are almost done with this left ponytail, and then we'll move on to the light pony tail. And then we have got two more ponytails around six or 7 minutes, I hope. And with this, we are done with this left ponytail. Let's add some more lines to make it a little bit more head like because it was a little bit softer, I think. Now let's add lines for this. Tilt your page or paper or sketchpad, whatever you are using so to make it a little bit more comfortable for you. Otherwise, since the process is so much repetitive, you will get bored and won't complete this project. So use whatever you have got to finish it. If it's simply too boring for you, just avoid this project. This time, I am doing the ponytail of one section, and then I'll do it on the other sections. And with this, we're done with this side of the ponytail, let's do it on the other side. Tiny minute lines, four or five on each side of the Irises. I think if you even cover the irises, it will not create that much of distinction. It will create a bit of distinction, but not that great distinction. So we are halfway through this side. We have got onlyten or 15 remaining. No more than 15, I think, so let's be peace and add lines. Now, we have got three more sections of the ponytail lift, and with these, we are done with the fourth, the longest and the largest ponytails. We have got only two more pony tail left of the third head. So let's start with adding the Irises for all the sections of the ponytail, and then we will decide how we'll be adding the tiny heirs, like structure for the rest of the sections. So let's start with adding the Irises on one side of this section, and then we'll be adding and that we'll be adding on the other side. Irises left for this section, and we will move on to the other section. Now moving on to the other section with adding the Irises, and later on, we'll be adding the tiny lines for all the sections of the ponytail in one go. So let's add the Irises for this last pony tail of this third flying head. Only a few remains. So be patient and keep on creating small circular irises. Let's define the end of the pony teals with more hatching. Same goes for this side. Now, let's add the lines. And as for adding the lines, I did it on my own, and it took me around six or 7 minutes, so I first piece in ten was able to complete it. Now, let's add the final touches for all the flying heads. Add a few more lines wherever the consistency of the hair is not to your liking. And if there is any pencil marks or pencil guidelines visible, erase it. With these were done with yet another long and lengthy project. So I hope you stayed along with me and finished it. And, yeah, we have completed yet another project. See you in the next painting. 23. Girl with 6 hands: Welcome to the Day teen and the teens project. For this project, we have a totally different doodle. So let's start with drawing out the basic guidelines for the phase. So I'm starting with an elliptical s for the phase. And for this project, we'll have a full body illustration of ghostly woman with eyes that revolves around her head, and she has multiple hands. So this will be a quite interesting project. And now let's continue with drawing out the guideline for her body. For the top of her body, I drew a somewhat polygonal seep in the form of a rectangle. And for the rest of her body, let's go with a cylindrical seep that is a little bit broader at the bottom. These are the guidelines for her hand and we'll have multiple hands for this project. So this is the basic guideline, and now let's draw out the guidelines for here. I decided to create some long and wavy. So I decided to create some long and wavy hair for this project. Very long hair that reach up to the bottom of the page. Again, I would like to remind you the whole project is in real time. So I would recommend you to join along with me, and you are free to make changes wherever you see fit. And with this, we are done with the basic guidelines for our project. Now, let's add more details, starting with the breath, starting with defining a little bit more volume to here on the right side. The idea is to create here in such a way that it acts like a clop too. And I'll be adding multiple eyes on her here as well as I'll be using hatching technique to incorporate eyes on these. Now let's draw three pairs of hand, and we'll be intersecting few hands with each other. And for the top two hands, I'll be adding two candles. So these two normal hands are holding each other. So the right hand is holding the left hand. Now let's draw a guideline for the eyes that will encircle her head. So I'll be creating eyeballs that will be encircling around her head in the form of elliptical curve. Now let's add eyes for the face. So if you prefer, you can add eyes, but I'll be going with eyeballs. So these are the general two eyeballs and a little mouth. So for final and uniform details, I am using the micron fine line ten. And I'm going over the orbit that I created in an elliptical path to add eyeballs in the form of circular balls. So instead of the circular balls, you can add normal eyes. You don't have to add eyes. The choice is yours, but I decided to make it somewhat different from all the project. So I'm creating an aura or an orbit of eyes that surrounds this portrait or this project. Now our two main eyes on the face. Let's darken the eyeballs a little bit to make it a little bit distinct from all the eyes that revolves around her head. Going over the outline of the seep of the face, little mouth, adding a little mouth. Now, let's do her neck. Now, let's go over the outline of the hair. I'm not creating a straight and uniform outline for the hair, but I'm but I'm making it a little bit ununiformO you can see a little bit curvy. And I'll be using hatching technique to create some very dense hair, and among those, I'll be adding a lot of eyeballs. No, I'll not be adding eyeballs, but I'll be adding normal eyes. And now greeting here in such a way that it acts like a cloak. Let's create her left hand. So we'll not be adding that much detailed finger. So this hand that I created will be grabbing the other hand, and I'll be adding bangles on each hand. So we'll be creating a total of six pairs of hand. And if you prefer you can create even more hands or it's also an option that you don't create any hand, create big enough hair that it cover most of her body, and it appears that her hand is covered under the hair. So yeah, the choice is yours. Now, let's create another hand on this side. So I'm directly creating the hand using the pen. But if you prefer you can start with basic pencil guidelines or outline and then go over it with the pen. Here I made a little bit of mistake that I drew the hair earlier with pain, so it will be a little bit problematic to erase the lines. But if I'll apply a lot of presser with the pencil, I'll be able to erase the hairs outline a little bit. And these we are done with creating a pair of hands. Adding the fourth hand that is being held by the first hand. So just a little bit detailed for the fingers. Not that much detailed finger, but, yeah, what just somewhat recognizable hand. Now, let's add the final pair of the hand. So these two hands will be crossing each other and will be holding two candles. And instead of these candles, you can add anything or whatever you prefer. So we are creating fists that will be holding the candles and the outlines of the hair that we did earlier, we'll be trying to erase it or lighten it a little bit by rubbing the eraser a lot so that it may lighten the paint marks. And I would recommend you to use pencil to draw out the basic outline for the hands, and that will also make it easier for you to avoid mistakes. I am just guessing the placement of hand and drawing directly on the people. Avoid this if you are not confident enough, so With these, we are done with our six pairs of hand. We'll be adding a single bangle on each hand, so a total of six bangles. If you prefer, as I said earlier, you can create even more hands or also there is even more options. You can create some wings. Now, let's add the candles on the top two hands. And with these, we are done with our six pair of hands. Now let's do the rest of her body, the outline for the hair. And now let's add the pupil inside the eyeballs. If you want, you can add a little bit of veins and more details in the form of some dark circles. Now let's add eyeballs for each and every eyeballs that encircle around her head. So tiny details in the form of black pupils and a little bit of white for the highlights. Apart from this. As I said earlier, you can add a little bit of eye veins, and dark circle is not possible in this case, but you can add multiple pupils. But we cases when adding multiple pupils at it will be a little bit difficult as the size of the eyeballs is comparatively small. And now we have erased the pencil outlines. Adding a little bit of fine lines along the circumference of the eyeballs, very little and minute lines alongside the outer edges of the eyeballs. The use of this fine liner pen helps the process a little bit, not a little bit, but a lot because it would be very hard to create this kind of small and minute fine lines using the bras pins or sketch pins, as it will be very difficult and challenging to create those kind of these kinds of line using those big brushes and sketch pins. So for this project, I would recommend you to use the fine liner pen or ballpoint pen. And with these, we are done with this ring encircling her head. Now, let's add a lot of eyes for her here. So here we are creating general sp for the eye. If you prefer, you can add eyeballs. The same we use for her real eye and the ring of eyes that surrounds her head. But here to make it a little bit different and distinct, I decided, why not? Let's create the general sps for the eye with the pupils and the Iris. But since the Sp will be a little bit smaller, I will only be adding pupil with a little bit of white for the highlights. And make adjustment wherever you see fit with the hands placement. As I did not use the pencil outlines to mark it earlier, I directly drew the hands on the papers. So I made a little bit of mistakes with the size and width of the hands. And if you will use the pencils to create the guidelines and sketch earlier, you will be avoiding those kinds of mistakes. And we are almost done with adding numerous eyeballs throughout her hair. One more thing that you can do is to vary the sizes of these eyes throughout her hair to make it more distinct. Also, what I said earlier about creating wings. So that will be something interesting if you decided to add the wings. So since the space is not that much, you can create folded wings behind her back and also you can create a little bit of gloomy backgrounds or giant eyes behind her. Or you can add colorful background. The choice is your so experiment a little bit and and feel free to sear it. Now, let's create here. So we'll be using hatching technique, very small fine lines very closer to each other to create look of dense and dark hair. Instead of using this hatching technique to create the hair, you can use breastpin or sketch pin to completely fill the hair with a single color, black, red, or any other color. You can use the orange, red, green, or whatever other watercolor or sketch pin or breastpin you have. Experiment with the type of hair and the kind of color you want to apply for it. But for this project, we'll be only using this micron pen, the fine liner pen, and lb and I decided to create the hatching lines for her hair. So we'll be feeling the entirety of her hair with these hatching lines, and it will take a bit of time. So be patient and create small fine lines for her hair. One more kind of hairstyle that will suit this project will be wavy and unruly hairs. That will be also a unique addition to this project. Please experiment a lot with the project you are creating. You don't have to copy the exact scene, project that I'm making, add your touches to your paintings and express it the way you feel that it will make it more creepy and terrifying. Be careful while adding this small and fine hatched line near the eyes. As the siges of the eyes are tiny and minute, it may lead to less distinction between the hair and eyes. So be causes around the eyes and curve the lines a little bit to accompany the eyes. And now we can clearly see the eyes surrounded by this hatched line when we'll be adding but when we'll be adding the eyeballs inside the eyes, the distinction will be not that much clear. The same thing will happen that happened in the last project with the floating head girl. So if you prefer, you don't have to add the eyeballs inside these eyes, keep it as it is only white eyes. And we're almost done with this side of her hair. And yeah, let's be patient and fill the entirety of her hair with these hatched lines. One more suggestion I would like to recommend is to use different seds of paint. By different seed, I'm in different color like one line with the red color, one line with the blue color, and one line with the black color. And that will be a really unique and fascinating combination of her hair. Also, to make it more smoothly, you can start going over the outlines with the hashed line and later on adding the hashed line inside the rest of the outline. It will avoid the overlapping of the boundaries of the hair, so that's only a recommendation. And we are almost at the bottom of the hair. And yeah, let's finish this side of her hair. And since the process of creating the hair it seem, I decided to create the hair on her other side on my own, and it took around five to 7 minutes. Now, let's add the bangles. Simple bangles in the form of semicircle on each of her hand, a total of six bangles for each hand. If you prefer, you can add multiple bangles or no bangles or some kind of design or tattoos on her hand. So adding the bangles is quite easy. We'll have to darken the bangles a little bit so to make it clearly distinct from the rest of the hair and the body. Adding the color for her clothes or gowns that she is wearing. If you will add colour to her cloth, it will make it more interesting. Now let's add the eyeballs for each and every eye. Single black balls for the pupil. Leaving a little bit of white space inside the single black balls for the highlights. As I stated earlier, the choice is yours. As you can clearly see that distinction in between the hair and the eyes is not that clearly evident when I add the eyeballs. If the sizes of the eyeballs were comparatively bigger, that distinction in between the hair and the eyes would have been much more great. But since the eyeballs and eyes are comparatively smaller and of the same size as the hatched line, the distinction in between them becomes a little bit unclear. And we have got a few more eyeball to add for eyes, and we will be done with our tenth project. We are done with these eyeballs. If you have made any mistakes or if you want to add few more details, feel free to know that. Now, let's apply a lot of pressure with the eraser to lighten the marks of the pin for her hand. I'm applying a lot of preset with the eraser to lighten the earlier paint mark that we use for the guidelines of our hair. We are almost done with this project, going over the outlines of the hand a little bit to darken it. And with these, we are done with our tenth project. Now let's add some final touches and adjustment to the project and see you in the next project, happy painting. 24. Girl with song vertical slanted eyes: Welcome to the 11th and the 11th project. So we have a simple and very easy project, a simple phase with lots of eyes and hairs with multiple pupils. So let's start with the guidelines for the fees. So I'm starting with a circle for the rough sieve of her face. So you can use compass or any other tools to draw the circle. I am drawing on my own, and it's not perfect circle, but it will do the work. Now guidelines for the nose and the mouth, which will not be drawing, but I'll be using these guidelines as perspective point to draw out the eyes, and it will help in the placement of the eyes. Yeah, now let's draw the rest of her mouth. By mouth, I mean the rest of her face. And now let's add the eyes. So I am adding Is in this manner. If you prefer, you can add the eyes in horizontal way, but I'll be adding the Is in this straight manner. So as you can see, I use the difference line for the nose in the mouth to adjust the eyes in such a perspective way that it's follow the guidelines and the contour of the face. The sizes of the eyes are dependent upon you. You can make it much bigger or much smaller. Instead of this kind of eye, you can create or add eyeballs only, and you can even add the nose and the mouth. Now let's draw out the guidelines for her hair. So I decided to create this kind of mushroom cut hair for her hairstyle. And I'll be creating very simple hair so that it would not take that much time. Here's an outline for the ear. If you prefer you can cover the ear, but I'll be making her visible. You can add some earrings and piercing for her ear. It's optimal, and we're almost done with the outline for the hair. Make some final adjustment for the placement of her hair. And, yeah, we are basically done with the outlines or the sketching for the eyes and the face. So her hair will be covering some section of the eyes. Let's add colors, starting with the fine liner to go over the outline. I'm going over the outline of her hair with the fine liner. Later on, I'll be adding brush paint on top of it to darken these lines. And now let's go over the outline of her ear. So here I made a little bit mistake. The side of the ear is comparatively smaller as compared to the rest of the fees, so pay attention to your painting and make the ear a little bit longer and more defined. And we are done with the basic outlining of the fees in here. Now, let's add the eyes. So try to follow the contour of her fees while adding the eyes and make the eyes a little bit curvier and bend it a little bit when following the contour of the fees. The sizes of the eyes are comparatively larger to the normal eyes. So if you prefer, as I said earlier, make it smaller or even more bigger. The choice is yours, and you don't have to create the same eyes. You can create different eyes at more depth and detail to it, you can add ins and you can create tart circles. I'm creating a little bit of bondary around some of the eyes, and I'll be using breast pain to darken there. Let's add some more outlines for the eyes on the sides of her hair. So for these eyes, I'll be adding multiple pupils. And instead of the whites of the eyes, I'll be adding black. So same kind of hair and a little bit curvier. I forgot to add the eyes on the other side of her hair, which I'll be doing it later on. Now let's erase all the pencil switch, and we will add more details using the breast pin and color the eyes with black and red. Now let's add the lines for her hair. So I'll be following the contour of her head to add this long and elongated curvy lines for her hair. Instead of this fine liner, you can use the breast pins or keg pins or even watercolor brushes to create some dynamic kind of lines for her hair. But I'll be creating these curved and long lines, and to make it more denser, as I said earlier, you will just have to place the lines closer to each other and to make it lighter, just place them farther apart. Also, since we'll be using color for the eyes, you don't have to create this kind of hair. You can just color the hair with any color of your liking. And if you'll use the watercolor, the process will be much faster and more uniform. So let's team the direction of the lines a little bit and completely fill this side of her hair with this kind of line. We are almost done. Just add few more lines, and we are done with this side of the hair. And yeah, the pattern is fascinating and interesting. Let's do the same for the other side, following the contour of her head, adding the lines in a little bit carved manner. I'm trying to maintain a constant uniform distance in between the lines. As I said earlier, the closer the lines, the denser, the here will look. The farther apart they are, the lighter they will. But I'm trying to maintain the same distance for her here, here to make it a little bit uniform. And now let's add a little bit of curve for here and feel the entirety of the side. We have got only a little bit of lines to add to finish this side. And for the insides here, I'll be adding straight lines. And we are done. As I said earlier, I forgot to add the eyes this side. Now, let's add the eyes. The side is comparatively similar to the eyes on her face. And yeah, we are done with it. Now. Adding straight lines, somewhat straight lines for the insides of her hair. And these lines are comparatively much more closer to each other than the lines on the outer sides of her hair. Darken the outlines of the eyes a little bit to make it more distinct and separate from the rest of her hair. And one more reason is that I'm placing the lines much more closer to each other to make it a little bit different and clearly distinct from her outside here. And to make it much more distinct, I'll be adding the bras pane to act as outline or boundary in between both inside and outside here of this hair style. And we are almost done with addition of this street, small lines for this side. Now let's do the same for the other side. The mistake is apparently very much visible. The side of the ear is very small, as compared to the face. Please make your ears much more larger and more defined. This process is a little bit time consuming as the other processes. So we will continue with adding the straight lines and being careful around the eyes. And now we have only a little bit of the straight lines left. A Let's feel the entirety of this side of her hair, and then we will proceed with adding further details, colors, and complete this project. Now I have turned the page a little bit so that it will become easier for me to add these lines. So it's one of the benefit of using small sketchpad. And if you are using the same kind of sketchpad or drawing paper, then feel free to rotate it so that adding of lines or creating of anything will become much more effortlessly. Um now let's do the inking. So I'm going in with the jig Gura take Bras pin. So let's start with going over the outlines of the eyes. I'll be creating dynamic lines. By dynamic, I mean lines of varied thickness. So somewhere the thickness of the lines of these eyes will be a little bit more thicker as compared to the other places. So generally on the edges and near the center, I'll make the lines a bit thicker. And for the other places, I'll make it comparatively less thicker. And now we will do the outlining of all the eyes for her face. So I am using this black for doing the outlining. Instead of this black, you can use the red, and for the interior, you can use black as I'll be using red for the interior of the eyes. So what I mean is to add the color in white versa manner, red for the outlines and black for the interior. So I am connecting some of the eyes with each other and others are not that connected. So once again, the choice is your. If you want, you can connect all the eyes or if you do not want, then you can draw them separately or outline them separately. Now we are done with the last IO, one more remaining. And with this, we are done with all the eyes for her face. Now let's do the eyes on her hair. So once again, I am creating dynamic lines of varied thickness and thinness. Now, let's go over the outline of her face. So for the face, I'm creating the lines which are a little bit thinner as compared to the eyes, moving onto the other side to do the outlining for the rest of the eyes. And finally, outlining the last eye on her hair, going over the outline of her neck carefully over the chin. And now let's do the outlining for her hair. So with the use of the breastpin, the outlines and the distinction in between the fine liner pen and the breastpins much more ilegar and distinct. So the various region, the upper hair or the outer region of the hair and inner region of the hair, as well as her face are now completely distinct from each other. That's the main benefit of using lines of various thickness and different contrasting values. For this side, I am making the lines a little bit more thicker. There's one mistake that I made. Both sides of the hair is a little bit skewed. By skewed, I mean this side has hair a little bit up as compared to the other, which has the hair a little bit down. And now let's do the pupils and Irises. Since I use the ink paint, there is a chance that it might spread. So I'm using the tissue paper to avoid smudging of ink. Once it dries, the smudging will not happen, but now it's a little bit wet. So to avoid smudging, I'm using the tissue paper. Creating all the irises with using the fine liner. Later on, I'll be using the breast paint to do the outlining. Now moving on to the eyes on her hair, adding multiple by multiple, I mean two irises for each eye. So I'm not creating circular irises, but only a section of the irises means three fourths of the iris is visible. And now we will add the pupil. But before adding the pupil, let's darken the irises a little bit and add the pupils. For this, I'm using this breast pin, another brapin from Zikuratage. With this, I can create much more uniform line as compared to the breast pin. I'll be doing the outlining of the iris, as well as creating the pupil with a little bit of white for the highlight. It is much faster as compared to the fine liner, but a little slower as compared to using the brass paint. The flow of ink with this brat paint is also mentioned by. So if I apply more presser, the flow of ink will be much more, but I'll lose a little bit of precision. So I'm only applying mild presser with it to get crisp lines We have got three or four Irises and pupils too and we will be done with the face. And then we will move on to the here creating two irises and pupils. So for the phase, most of the eyes are facing in same direction. If you want, you can make it pace in different direction. What I mean by same direction is that the highlights on each side of the pupil is on the left side. So if you want to make it pace in different direction, change the direction of the highlight. Now we are done with the piece. Let's move on to the hair. First, I'm going over the outline of the iris and then adding the pupils inside the iris. Also for the eyes in this hair, I'll be covering the whole white part with the black. So like this, now let's feel the entirety of the white with the black, carefully adding it in between the pupils and eres, so as to avoid the smudging of the colors as well as bleeding of the colours. Since we are using the breast paints, there is a chance that it might bleed, so be very cautious or careful. And if you're not that comfortable with it, you can use fine liner. Moving on to the other side, doing the same, going over the outline of the Iris, and then adding the pupil inside it. So we have got two more eyes to do. So let's go over the outline of the Is, and then let's add the pupil inside it. Carefully adding the black for this reason while trying to avoid smudging as well as bleeding of the ink. Now, moving on to the last I, going over the outline of the Iris. And now let's add the pupil as well as the black for the entirety of the last I. And we are done with all the eyes. There is one mistake that I did. The first eye on top of her head on the left side is a little bit less darkened so. So be careful while doing the outlining, make the outline much more uniform. Now, let's add the color for the eyes. This time, I'm using the red sketchin to fill the entirety of the white region with a red. And be careful while using the sketch pin, check it on a rough paper that if the color is bleeding or not, also try to avoid smudging of the color. Sometimes the ink and the color from the sketch pin or the watercolor gets mixed after a little bit of time. It's very advisable and recommended to use it on a tissue paper or a rough paper beforehand and check whether the color mixes or blends. Once again, I'm using tissue paper below my palm to avoid smudging of the ink. And we have got two more eyes to fill. Also for the part in between the pupil and the iris that is white for her hair, you can add red. That's optimal. And with this, we are done with eyes. Now, let's complete her ear. So adding details. And with this, we are done with this project. See you in the next one. 25. Angry girl with big red eyes: Welcome to the date 12th and the 12th project. So this project will be the first in which we will be using a little bit of different supplies. So I'll be using a little bit of watercolor, and in the next project, we'll be mainly focusing on watercolor. I have already started drawing out the basic guidelines for the phase. This project will only consist of a single phase. I'll not be creating any body. So let's do the guidelines for the phase. Once again, you can play with the intersections of the line so that you can add the eyes at different positions. Same goes for the nose and the mouth. For this phase, I'll be creating two very large eyes and three or four eyes at the top of our head. Apart from these, I'll be creating two earrings in the s of eyes. And as for the colors of the eyes, I'll be using red. Just sketch out the guidelines for the eye, two big circles. As for the nose, I'll be keeping it simple, two small dots. And for this, I decided to make a little bit bigger mouth. Let's create the ears. So if you prefer you can hide the ears behind her hair. Now, let's do the outlining for her hair. For this project, we'll be creating very simple ships for the hair, simple and pin here. Now, adding the eyes that lies behind the pangs of her hair. So some of the hairs that is covering her forehead is a little bit longer and it covers some part of the eyes, adding the pupils for the eyes. And yeah, we are deftly done with the basic pencil sketch. Now let's do the inking. So I'm directly starting with breast pain to do the inking. If you want more pre season and uniformity, you can use the micron fine liner paints. But I'm going with a brass paint, so to make this project a little bit faster. So as you can see, we are creating enough taxia for her hair, you are free to experiment with different kinds of hair style. Now, let's create the outlines for her face by going over the pencil outline. And we are creating some dynamic lines in here. The ears are outlined. Two tiny dots for the nose, you can create or make more detailed nose for her face. And now let's do the neck. So I'll be keeping it simple, so I'll be only sketching out the neck. If you prefer, you can add the rest of her body. Now, let's do the top of her head, the hair. These are just basic rough guidelines. Later on, I'll be adding colors on top of it, and simple color, I'll be using only black. If you prefer you can add or use red instead of this black. Now let's go over the outline of the round circular eyeballs. So we have got some big eyes for this project. And let's go over the outlines of the hidden eyes. So in the beginning, I decided to create four, but now I'm only doing the outlines for the three eyes, adding the pupils inside the eyeballs, so very tiny pupils. And I'll be adding a little bit of white for the highlight. Now, let's do the outlining for the mouth, and let's create small tongue, covering the rest of the mouth with the black and later on, I'll be adding red for the small tongue that we have created. And we are done with the basic outlining. Let's add more details for the ears and the final ear rings in the seep of eyes. So instead of the eyes, you can create the eyeballs of same size as that of her eyes. And yeah, let's add a few more lines for her here. We're almost done with basic outlining. Now we will add the colors. Before coloring, let's remove the basic pencil outlines that we did earlier. So applying mild presser with the eraser to remove the earlier sketched out pencil outlines. So if or when you are using ink lines or ink pens, there is a chance that when you apply high presser or more pressure with the eraser, the lines will get a little bit less dark. So apply less pressure with the eraser while erasing it. As you can see, the intensity for the mouth has decreased a little bit. So I'm going over the fine liner to add more black, adding more finer details for her eyes in the form of semicircular lines, encircling her ears. This is to create some terrifying and exhausted look for her face. Instead of this circular lines, you can add the fine lines that we practiced in our earlier sketches. Adding a little bit of tiny highlight for her pupil. Now, doing the same for this pupil, a little bit of white for highlight and filling the entirety of the pupil with the black. And with these, we are done with the fine liner for the eyes. Now let's paint. You can use ink or whatever supplies you have like watercolor or other kinds of ink. Operas paints, I'll be using the ink as well as watercolor. So now let's start with the hair. So I'm going in with the black watercolor to add the hair. I'll be completely covering her head with this black and I'm applying very thick consistency of the black to create the hair. But I'm not adding that much water to the bras, so as to get a rough texture for her hair. If I'll add more water to it, I'll get a very fluid consistency of the watercolor. But since we are aiming for a rough texture and a little bit of white of the paper to remain untouched, so I'm going with a thick consistency and high pigmentation of the black color with the watercolor. So you'll have to be a little bit careful while adding the watercolor. Now, let's add watercolor for the front of her head. So you'll have to be a little bit careful while adding the watercolor near her head. As we have got three head and eyes. Also, there are details in the form of ears and the sides and see of her face. So be caseous while using it also makes sure that the ink that you used or the breast pan or the fine liner that you are using is waterproof, as there is a chance that it might bleed or mix with the watercolor that we are using or the water from the watercolor may get mixed up with the ink illustration outline. So it's recommended to try the color or the supplies that you'll be using on a rough paper before applying it on your main project. Also, the one mistake that I did is using this small brush. Since I'm using this small brush, it will take more time. If I would have used bigger brush, the process would have been much faster. But I'm sticking with the smaller brush to create rough texture for her hair. As the smaller the brush, the more control and precision you will get. The larger the brush, the more water content it will carry, but the larger the brush, the more water content it will carry and the faster the process will need, but you will have less control over the pigmentation of the color that you'll be using. So carefully adding the black for her hair that is in front of her head. And with this, we're almost done with half of our hair. So let's talk about some of the suggestions and recommendations that you can use. The first one instead of using this smaller brush, you can use much larger brush, the process will be much smoother and more fast. Other than that, you can use the other ink supplies or watercolor supplies that you have, you can use sketchpins, watercolor, gauze, acrylic pins and other supplies that you have got. Then you can play with the sap side of her hair as well as the coloring. Instead of keeping it simple with only the black color, you can experiment with a combination of different color for her hair, and the same goes for her eyes. Instead of this big circular eyes, you can create other kind of eyes and the mouth and the nose. For the mouth, you can create much larger and scary looking mouth or a stitched mouth or no mouth at all. Same goes for the nose. Instead of this very simple and tiny nose, you can create some ugly or long nose or no nose at all, or you can create a hole in place of the nose. So experiment on your own and come up with very unique and terrifying creation As for the rest of her body, I only created the head, you can create the rest of her body, up to her torso, or even up to her legs. So for that, you'll have to use a bigger paper or you have to decrease the size of her face. And for the background, you can keep it simple with simple color in the background or you can add some pattern or designs or some eye related stuffs behind her. Experiment and see what bits best for your painting or the project that you are creating. And we are almost done with the hair, adding some very thick lines with paris water for rough texture for her hair. And, yeah, we are done with the hair. If you want, you can add more blacks for her hair to make it more dense, but I am satisfied with it. And now let's do the eyes for I, I am starting with the red, and I'll only be using the red for the two eyes and the three eyes on the top, as well as the two earrings that she is wearing. While using different color, especially dark colors like we are using here, the black and the red, these are of higher intensity. Always carefully was your bras so as to avoid bleeding and merging of the colors together. So always ensure that your bra is wasted properly before dipping it into another color. Careful carefully adding the red beside the here as well as the pupil encircle the pupil carefully. As the intensity of the red is high, there is a chance that it will overlay on top of the black. So be careful around what with this, we are done with this side of the red. Now I am applying a bit thicker consistency of the red to create a little bit of contrast using the same red for the tongue and adding a little bit more red just below the hair that is covering her eye. Now let's add the red for the earrings that she is wearing. So the red is of the same intensity that we used, darker intensity. Now, adding the red for the final three eyes that lies behind the hair. Carefully adding the red in between the blacks and avoid mixing of the two colors. And with this, we are done with the red for all the eyes. Now, let's add the final details in the form of pupils and the ears for the top three eyes and the two earrings. So I'm starting with the pupil for the center of her eye. I'm not adding any white for the highlight as the background is completely covered in red. If you have any white marker or super thick white color, you can use that to create a little bit of highlight for these pupils going over the edges of the eyes to create a little bit of veins. Now, let's add the pupil for both the earrings that she is wearing. And finally, let's add the details for her ear. And one more thing to keep in mind, while using the color on top of each other, ensure that the watercolor has dried. Otherwise, it will be very hard to apply the ink pin or the breast paint on top of it as the colors will merge and bleed into each other. And with this, we are done with our 12th project. 26. Watercolor portrait of a scary girl: Welcome to the date 13 and the 13 project. This is your first watercolor project. And this is quite difficult and different from all the other projects. Let's start with drawing out the guideline for her face. For this, I'm starting with the horizontal and vertical lines to draw out the BC guideline and the placement of her eyes nose in the mouth. The two lines represent the eyes and the placement of the mouth and the vertical lines is for the placement of her nose as well as alignment of her face. Now, let's add the guidelines for her eyes. For this project, I'll be creating bigger eyes and eye on the center of her forehead. Since I'll be making bigger eyes, so let's add a little bit detail for her dark circles. Now doing the outlining and a rough sketch for her hair. For this, I'll be creating a bit softer here, but I'll be creating curvy and curly hair for her. So we have got a thin neck. For this project, we'll be creating the full body. So let's draw out the guideline for her rest of the body. Both of her hands will be covered. So this is the rough guideline for the clothes she will be wearing as well as her face alongside the hair. Adding a little bit more detail for the face and the eyes. So instead of a circular eye, we are creating a little bit of skewed but larger eyes. Now let's do the outline. For this, I'm using the breast pin. Instead of using the fine liner, I'm using the breast pain as the outlines created with this breastpin' much more dark and intense. Going over the outline of the center eye, the center I on the middle of her forehead is circular. If you prefer you can make it in the same seat as of the other two eyes. Now let's go over the outline for her face. If you want, you can add ears on both sides, but her hairs are covering her ear for this project. Lightly erasing the pencil marks. Since I use the breast paint, the intensity of the ink was much more pronounced, since you can clearly see. The use of eraser has lightened the ink mark a little bit. So I'll go over the outlines once more. Now, the outline for her he just over her forehead. Do the outlining for the rest of her body. So I'm doing the pattern outline for her neck. Et's add a little bit of sados just below her neck. More details for her eyes, more details for her eye in the form of dark circles in the form of curvy lines just below and above her eye. Now adding the eyes, the iris in the pupil. Let's add few more lines to make it more weary and tired looking, as well as a little bit angry. So with the addition of this kind of line, you can make the expression a whole lot different. Adding tiny eyebrows. If you want, you can play with the sap side thickness of the eyebrows in various different expressions. Adding the pupil for the center eye oh very tiny mouth. And yeah, let's do her hair. So for this, we are creating the curvy and the curly lines for her hair. So just consider that drawing noodles. So we are doing the outer regions for her hair and adding a little bit of noodles like seep for the rest of her hair. You can make it more intense or more dense by adding lots of curvy lines, but we will be keeping it moderate. I'll be keeping it moderate, so I'll not be adding that much line for this since we'll be covering it with colours. Like the other project, this two is in two different section. For the first section, I'll be only doing the inking, so you can consider it one to be ink illustration verson and other to be watercolor. So if you want, you can let it only remain as ink illustration, or if you want further, you can add watercolor or other different color, bras paints, et cetera to make it colorful illustration. Continue on with adding curvy and curly hair. So let's go over the outline for the rest of her body. Let's add details for the rest of her clothes. For her clothes, too, we'll be adding lots of eyes. But instead of this kind of bigger eyes, we'll be making different kind of eyes. But here, I'll be definitely using eyeballs and a little bit of different kind of bigger eyes. Not this much bigger, smaller. First time starting with the eyeballs for the center of her clone. So I'm making the eyeballs a little bit dynamic. So lines are the lines I am creating to encircle the pupil is dynamic that is of varied thickness and thinness. If you want more precision and accuracy, you can use the fine liner sakura micron or ballpoint pen. For this project, I decided why not use this breast pain since I did not use it. Let's add a few more hairs here and there, as I was not satisfied with the intensity of her hair. Also adding more hairs on the right side as we did not finish it. Adding a little bit more here near the neck, so to make it more denser or have more volume. So adding more lines to make the hairs more fluffy or more curly. Adding two dots for her nose. If you want, you can add nose of different kind, or you can not add any nose at all. Let's do the rest of her clothes. So as I said earlier, both her hands will be covered inside her cloth or the gowns she's wearing. And you can let the project be up to only her chest, but I'll be sketching out more clothes. I was not satisfied with the hair, so I decided, Let's add more here. So I am increasing the intensity of the lines to make it more dense. Once again, the choice is yours. Experiment with different kind of hair, use hatching, crosshatching, or other kind of hair that we did in earlier project, or you can come up with your own unique own creation. Let's do the rest of her clothes. Once again, I am not creating uniform or straight line. I am creating a little bit of jig jag line or not that uniform lines. Doing the outlining for her hands. If you want, you can create sleeve lace trays for her hands that her hands are visible. But to make it a little bit simpler, I decided to cover her hand with the clothes she's wearing. And now let's continue with adding the eyeballs for the center of her clothes. So I added this a little bit off center. First, in the beginning, I thought that I'll be adding a lot more eyes, but then I gave up the ideas. So don't add the eyes off center from the cloth. Let's add more lines below and above the eyeballs to make it more three dimensional or to add more depth to the eyeballs. You can even add a lot of veins to make it more realistic. Also, the fine lines that we practiced earlier will also make it look more three dimensional and realistic. I made the highlights for the pupil a little bit comparatively little bit bigger. So if you prefer you can make it much smaller as the rest of the eyeballs we have practiced. But for this one, I decided why not make the highlights a bit larger. And we are done with the basic outlines, we'll be adding much more details in the form of other kinds of eyes for this girl. Let's do the basic SPs with the fine liner for the eyes, and then we will add more details. So I'm starting with the eyeballs, and then I'll encircle the eyeballs and proper sip of the eye. Since these eyeballs are much smaller, I decided to use the fine liner. If you prefer, you can continue on with the breast pain or ink pain. But I decided, why not use the fine liner this time, since the eyeballs are much smaller. I'll not be adding a lot of eyeballs for the cloth. If you prefer you can increase the number of eyeballs, you can play with the set sides and the placement of the eyeballs. Also, instead of eyeballs, you can add nothing at all, or you can create different kind of pattern designs for the clothes, or you can create garland or different kinds of accessories with her clothes. So the choice is once more yours and yours only. Let's continue with the eyeballs that I'm creating for this project. We have got only a few more eyeballs to add, and then we will add more details to the eyeballs in the form of proper sweep of the eyes, but with a full proper rise in the pupil. So let's do the proper sip of the eyes. But instead of the white of the eyes, we'll be completely covering it with the black. Once again, I'm continuing with a fine liner, as the seep of the eyes are comparatively smaller. And with this fine liner, I will get much more accurate and uniform lines. Also, this fine liner is completely waterproof, so there is no chance of smudging of the colours when I'll be adding the watercolors later on on top of it. So make adjustment to the eyeballs and the pupils wherever you see fit, make them much more bolder or smaller or increase the size of the eyeballs. So once again, this process is a little bit time consuming. Instead of using the fine liner, you can continue with the bras paint or instead of adding the black now, you can add it later on after adding the watercolors that I'll be using. So for the watercolor, I'll be using red for her head and the rest of her clothe, I'll be using a little bit of black alongside with a darker variation of the red. Also for the center eyes, I'll be using red. And for the other two main eyes, I'll be using a little bit of red, not a little bit, but I'll completely covering the white section of her eyes with the red. So, yeah, we will have fun with buttercolurs in the next section of this video. But for now, we are continuing with addition of the black for the corns and the edges of the eyes. So let's talk about a little bit about the background and more options that you can play with. So the first option is you can cover the entire peach with the hair or not the entire peach, but you can make the hair bit more longer, not bit more longer, but hole. So what I mean to say you can make the hair. Very long. So covering the entirety of the bottom part of the peach with the hair. Then the next option is you can create some kind of pattern for the background, or you can create very long and slim yes in the background, like we did in the last project that is vertical eyes with the red in place of the white of the eyes. Apart from these, you can create different colored background, since we are using watercolor for this project. So feel free to play with different kind of backgrounds. Like we did in the tens project, you can create multiple hands. Also, you can play with the mouth. For most of the project we have created small mouth. You can make the mouth very large or no mouth or mouth with very danger and horrific canine. By canine, I mean, teeth experiment a lot and create something really horrifying and terrifying. We have got only three more eye remaining, and that may well be mostly done with this part of the video. So let's do the remaining two eyes. And with these, we are done with the eyes. If you prefer you can add few more eyes wherever there is less yes, but I'm satisfied with it. Let's add a little more contrast to the whole cloth by adding the breast pain to darken the outlines of the clothes as compared to the hairs and the rest of her face. So I'm using the Jig orthakibas for this since it has the most intense lines of all the art supplies material for ink illustration that I have got. So carefully adding it for the top near her neck. And let's create the dynamic lines for the center of her clothe. The highlighted portion for this was comparatively much bigger, so I decided to make it a little bit smaller and we are done with this section of the video. And so you can see that we have completed the ink illustration. See you in the next video with watercolors. 27. Watercolor portrait of a girl final details : Let's continue where we left off. So we have done the ink illustrated part. Now, let's do the watercoloring. So I'm starting with the black for the center part of our clothe, so I'll be completely covering this region with the black. The choice is yours once again. Instead of this black, you can use any other color. And there is no need for you to use the watercolor. You can use dustpan, sketch pens or you can just let the ink Illustration be ink Illustration. I'm using a tiny watercolor brush to get much more uniformity and precision with the outlining of the eyeballs. If you prefer you can use different kind of bra or whatever you are more comfortable with. So let's field the entirety of this region with a black Okay. I have not added that much water with the black color, so to maintain the intensity of the black color, as you can clearly see, it's of the same intensity as that of the breast pain, and it's much more darker than the ones we created with the fine liner. So let's fill the entirety of the scent part of our cloth with the black. Also, you can do black, red and black or black and the rest to grade or as I said earlier, you can create pattern, texture, and different kind of styles. Et's continue with adding the color. Carefully adding it and encircling the eyeballs with the black. Since I'm using a very small breast, it's taking a lot more time. If you will use larger breast, the process will be done very fastly. As for the watercolor, I'm using sneer watercolor, and right now I have got only eight colors, but I can create any colors with the combination of all the eight colors that we have got here. Only a little bit remains to finish this center part of our clothing, carefully adding it and encircling the eyeballs with the black. And with these, we are done with the black for the center part for now. Let's add the final touches and do the outlining much more clearly. And let's wait for the watercolor to dry. So always ensure that the paper is dried before using the other colour to avoid the smuging as well as blending and bleeding of the colours with each other. And the paper has dried. Now, let's go in with the red. Also, always clean your breast to make sure that there is no pigment that is stuck to your breast, as it will create blending and smudging of the colors. Now I'm going in with the red for the white part of the eyes, carefully adding it and surrounding the iris in the pupil. Let's add the rate for the central eye. And these we are done with the rate for the eyes. I'll be using the same rate for the eyeball in the center part. So let's do that. So now let's add the red for the center part. If you want, you can let it remain the color it is in that is white. But I decided, why not? Let's add red. And I'm not completely feeling the entirety of the white part with the red, but I am letting a little bit of the white remains untouched. So the choice is yours once again, if you want, you can cover the entirety of the white regions. But I decided why not let a little bit of white remains untouched. Also, I have decreased the intensity of the red a little bit. And I was not satisfied with it, so I decided to add the color properly. Now let's do her here. So for this hair, I have added a little bit less water as compared for the central part. Now, starting with going over the outlines of her hair, by outlines, I mean, the noodles like curvy hairs. We have to be a little bit careful while adding the watercolor near the face as to avoid smudging, blending, and bleeding of the colours. So let's completely cover her here with the red. Instead of this red, you can use the black, the yellow or other different colours. But I decided a theme of red and black for this project, so I'll be sticking with the red and black only. M. So I'll be jumping from here and there depending upon which part is dry and which part is wet. Feel free to add the color the way you prefer depending upon the watercolor paper you are using and how fast or how slow it gets dried. Also, it's advisable to use also it's recommended to use watercolor paper preferably watercolor of density more than 250 GSM. Otherwise, your paper will bleed and that will be not good for your project. The paper I'm using is of 280 GSM. It's not watercolor paper, but it's not watercolor paper, but no bleeding occurs with this paper. I am satisfied with the paper, so let's continue with adding the red for the rest of our here. Carefully doing the curvy here for the outlines of her head and adding a few more curving here wherever I think it's required, like I did for the top of her head. And we are done with this left part, adding the right for the right part. One mistake that I made with this project when I was starting, I was not sure that I'll be using watercolor, so I picked the smallest watercolor that I was available to me at that time, and it was this smaller New Year student watercolor, and it has got a very tiny brass. So I should have gone back and bought a big watercolor brass or other watercolor set, but I decided, why not stick with it and complete the project. And that was a mistake as it's sticking much more time. If I was using bigger bras, I would have completed this project much earlier, since the watercolor brush is small and it's carrying very less pigment, so it's taking much more time. So use the brush wisely, or you can use the sketch pin. That will be also faster, and the bras pin will do the work faster as compared to the watercolor that I am using with this small brush. Only a few of the hair strand is left. So let's do those, and we are almost done with the hair at the red wherever required. And here, I say we are done with here. Now, let's do the rest of our clothes. Since it was taking a lot of time, I bought the larger brush. So let's do it much more quickly. So I'll mating the seam red. And since this brush car more pigment, it will be comparatively faster, but I'll have to be careful as the eyes in here are small. So I'll have to do the outlining of those. By outlining, I mean, I have to encircle those eyes to avoid overlapping of the colors as the intensity of this watercolor is very high. It might lead to overlying of the colors. That is it will cover the black from the markers. Not marker but dt paints, so I have to be a bit careful while adding it near the eyes. So we are done with this and only the rest of her cloth remains. So carefully adding the red for the rest of her clothes. Also, be careful around the watercolor, the black watercolor to avoid bleeding and smudging of the colors. So if I mistakenly use a bit more water with this, the black from the center of the cloth will get mixed and bleed into the red. Ensure that the paper is dried and be careful while adding it near the black. Also, it would be advisable for you to use lighter colours earlier and then and then add the darker color, here I made a mistake with a plaque that I used it earlier. I should have used the red earlier and then I did the black. Continuing on with the other side, being very careful and causes around the eyeballs and the eyes. And as you can clearly see, it's much more faster as compared to when I was using the small brush, and so experiment with your supply and see what fits best and what is much more faster and quicker. Also, precision and accuracy should be taken into consideration also. Only a little bit of her clothes remains. So yeah, let's continue with adding the red for the rest. The problem with using this bras, this larger breast is the intensity of the color has reduced a bit. While I was using this smaller breast, the intensity of the red was much more darker. But here with this large breast pain, the intensity is not that uniform, and the red is a little bit less darker than that of the one we used for her eyes and the head, but it's not that noticeable. If you are more cautious, you can create shadows and highlights with the color by adding a little bit of black to darken the red wherever there is folding of the clothes or wherever there is eyes. So a little bit of darker variation of the red to create sados and we are done with the red for the clothes. Oh. The upper part of her clothes, I'll have to add red for that. But I'll be adding it later on. Let's do the face for the face. I'm using a combination of yellow alongside the red to create the color for her face. So let's do the face carefully adding it. Since the intensity of the red was a bit larger, I had to add a little bit more water and yellow to make it of the same color for the skin to bring out the skin color. Experiment on the rough page first and then apply it on the paper. So what I mean by that is color mixing should be attempted on the rough page first and then on your actual painting. If I had made mistake with the mixing of the colors, the whole project would have been tuned. Let's head back with the rate for this part, and I was not satisfied with the central eyeballs, so I decided to add more to it to increase the intensity and to cover the white portion which I left untouched. And with these, we are done with this project. See you in the next project. Happy meeting. 28. Seven floating heads with Red eyes: Welcome to the day 14, the 14th and the final project. So this will be a very long and detailed one. Now, let's start with the basic guidelines for the pace. For this one, we'll be drawing seven faces. If you prefer you can add more faces or less faces or you can cover the entire pages with the faces. So here I'm adding except for the faces, and later on, I'll be adding guidelines to add the eyes, nose, and the mouth. I am overlaying some faces on top of each other so as to create some complex precal structures. So now let's do the intersecting lines for the guidelines for the eyes, nose, and the mouth. To keep this thing simple, I'm only using two intersecting lines for the guidelines of the eyes and the mouth. Yeah, we are done with the basic intersecting lines. And now let's do the outline. For this, I'm starting with a pine liner sakura micron pen. So let's do the outlining. The reason that I use this micron pen instead of the brass paints or any other material is that it will provide much more accuracy for the finer details as the sizes of the eyes as well as the mouth will be completively smaller as compared to all the other projects that we have created so far. Here I'm basically starting with using the horizontal line to create the eyes. That is I'm using that line as a reference line to place the eyes. And I'll not me adding detailed nose, but on an AC for the noses. And as you can clearly see, all the faces are facing in different directions. So are even upside down too. So yeah, experiment with different kind of facial expression and different placement. And as I said earlier, you can increase the number of faces and entirely fill the whole page with different kind of faces in different positions. And we are continuing with going over the outline for the phases. So let's do the outlining carefully while keeping in mind which phase lies above or below. So this phase lies on top of the other two phases, and this phase lies below the first one. Before the subject, we'll be creating hatching lines for the entire page, and that will take a lot of time. Also among here, I'll be adding multiple eyes. As for the coloring of the eyes, I'll be using a sketchment of red colour. Now let's add the nose and the mouth. For the nose, I am just creating very small As and for the mouth, two lines in the sip of ellipse. The outline for the faeces wherever you have not added. And yeah, we are almost done with creating the noses and the mouth. We will add the eyebrows later on. Now, let me so how we'll be adding the hair for this project. So these are the basic guidelines or the basic lines that will be used to follow the shape and structure as well as the flow of the hair. We'll be creating very small lines. We'll be creating very small lines, the hatching lines for the hair, and these are the guidelines for the s and the directions of those hatching lines. If you prefer you don't have to do these lines as this will be completely covered. But I'm doing this just to show you the directions for the placement of the hatching lines for the hair, and it's clearly went that the directions will be completely all over the page. It's a sty effort, so I would recommend you not to do it or use pencils to do it. And we are done with basic lines. Now let me show you I'll be adding the here. So since I said that this will be very long and lengthy project, the heirs will take the most time. We'll be creating hires in this form for all the entire page. Hatching lines and changing the direction a little bit. Also, we'll be covering some section or some portions of the faces that lies behind the other faces. By that, I mean, the faces that lies below the upper faces, we'll be covering some section of those faces. Here you can see that I have covered a little part of this phase as it lies below the first phase. And for the other phases, too, if the lies just below other faces, I'll add a little bit of here and cover some section of it. Now let me show you a closer look of how I'm creating the hair for all the faces and the entire pages. Very small hatching lines, Ogg jag lines to create hair, and we'll be filling the entire page with it. This process will take a lot of time. And some of the suggestions that you can use, the first one is the first one will be very interesting, as I said earlier, completely filling the entire pair with lots of faces. The second suggestion is, instead of creating this kind of hair, you can create other baby or curly hair that will be amazing or apart from this kind of simple faces, you can create very detail faces with multiple eyes or no eyes, or you can create tattoos or pattern for the faces. You can add long canine teeth, as well as some very creepy stitched faces or faces by faces, I mean mouth. For every faces, you can create ears with piercing or you can create very creepy looking noses, long, elongated and croud noses. So these are some of the sution that you can apply for the face. And as for the here, as for the here, as I said earlier, the curly hair will do the work. And not only that, you can create some kind of pattern and design for the background instead of adding the hair. And apart from this hair, I'll be adding multiple eyes throughout the page, and I'll be using red colour to fill all the eyes, the eyes on the faces, as well as the eyes that will be covering the entire page. I'll be adding close to 50 or 60 eyes throughout the page, and the size of the eyes will be comparatively larger or somewhat similar to the faces. This will be a firing, lending and long project, and I'll skip some part of it. I'll record it on my own. So stay pasent and if you're following along with me, stick with the kind of drawing I'm making or do experiment and come up with your own unique creation. Adding the lines for the middle of the faces. And with these, we are done with the here near the fishes. Now let's add the here throughout the rest of the pages. But before filling the entire page with the here, let's add the eyes for the page. So as I said earlier, you can clearly see the sizes of the eyes are a little bit larger than the eyes we added for the face, but some of the eyes are of the same sizes. So we have created few eyes and let me show you how we'll be surrounding the eyes with these hatch lines. So we'll be surrounding the eyes with these hatched lines, and we'll be a little bit careful and cosyus around the eyes so as to avoid overlapping of the eyes on top of the hair. And you can use the guidelines that we created earlier to add the eyes or you can add the eyes on your own throughout the whole pages. Also for the seep and the sizes of the eyes, you can add different kind of yes or eyeballs or you don't have to add any yes at all. Just cover the entire peach with this kind of hair or totally different kind of hair. Also, instead of using the fine liner to create the hair, you can use colours, watercolor or brass pin or sketch pin to fill the entire peach with different kind of doodles or completely cover it with a single colour. Slowly and gradually filling the entire page with these lines and be patient, listen to some music or audiobook, or just do it when you are talking to someone on the phone. So this will act as therapeutic or gen like practice. So stay tuned and let's add all here for the pages. Also, to make it more denser, just increase the number of lines and place them much closer to each other. Let's add one more eyes here and adding more lines near the eyes. Surrounding the eyes with the hair. And as you can see, I'm changing the direction of the flow of the hairs a little bit. So use the guidelines we created earlier to change the direction a little bit and sing lines can be used to add the eyes. Let's add a few more eyes. How about we complete this section, and then we will move on to the other sections. So to make things easier for you, start with the upper part and then move to the lower part, so as to avoid smudging of the ink. Since I am using the fine under pin, the ink get quickly dried, but if you are using other pints, make sure that the ink dries fast as to avoid smudging of the color. And to prevent that you can use tissue paper below your palm. And, yeah, we are almost done with this upper section. Only a little bit of he remains. So let's add the he carefully alongside the edges of the cage. And with this, we are done with the top right section for the hair. And since this was a very long, lengthy and repetitive process, I did the rest of the piece on my own, and it took me around 25 to 30 minutes to cover the entire pages with the small eyes as well as the hatching lines for the hair. We have only got a little bit of space left to fill the hair, and then we will move on to adding the colors for the eyes, as well as adding the irises and the pupils. And final touches, we have not added the eyebrows for all the faces, we'll be adding the eyebrows, and some of the nodes for the faces are missing. So let's move on to the face, starting with adding the eyebrows. So small lines on top of the eyes are a little bit darker to create a little bit contrast between them. Oh, yeah, let's add eyebrows for all the faces. You can make the eyebrows a little bit crooked or change the sp and sides of the eyebrows to have every face a different expression. We have got only three more face to add eyebrows to. And yeah, let's add the eyebrows for the last two faces. I have done very simple eyebrows. You can make it more complex and detailed. Now, let's add the pupils and the Iriss. So two circles for the pupil and the iris. I'm not coloring the pupil completely with the black, but only a little bit of black for the pupil. And yeah, let's add the eyes for the rest of the faces. I'm not creating a whole e by whole I means a complete circular, a complete circular iris and eyeball, but only three fourths of the eyes is visible and they are on the center of the eye. If you prefer you can make them see in different direction, but we are getting things simple. Now, let's gently erase all the tensil outlines for the faces. Applying mild pressure with the eraser so as to avoid lifting of the ink color. So I forgot to add nose for the three faces, which I'll be adding now, small AC for the noses. And I forgot to add nose for this one, so feel free to add a small l for the nose for this one. And now let's continue with adding the eyeballs and the irises for the rest of her eyes that are entangled among the hairs of all the faces. So small circle. So I'm only creating a pupil for this, not the irises, so only a small circle with a white for the highlights. So let's add pupils for all the faces. And as I said earlier, multiple times that I'll be using red for all the eyes, as well as the lips of the faces. If you prefer you can use different color or use completely black to fill the white spaces of the eyes, but I'll be using the red, and I'll be using red sketch pin. If you have bras pin, that will do the work too. But you can also use the watercolor or gauze. Whatever supply you have, feel free to use that. Oh when we are done with the half of the eyes, we have only got the right side to add the eyeballs to. As you can clearly see when we add the eyeballs, the distinction in between the eyes and the hair becomes a little bit hazy or unclear, but when we'll be adding the right for the eyes, the distinction will be once again much clear. The same thing happened with the earlier project where we created small eyes and use the hatching for the hair. So be careful around the sep and sizes of the eyes and the hair so as to avoid confusion in between them. Even at this stage, if you prefer, you can cover all the eyes with hatching lines to create a uniform here, but you are sticking with, but I am sticking with this kind of eyes that around the faces and is entangled in between the hair. And here with these, we are done with the eyeballs for all the eyes. Let's add the colours. So I'm using the red sketch pin for all the faces. For all the eyes, I'll be adding the red surrounding the eyeballs. So this will take a little bit of time and patience as the eyes are very minute. So let's continue with adding the red for all the eyes. Instead of using this red for the eyes, you can cover the entire hair with the red. And that will create some unique texture and pattern for the hair that is right along with the black. Yeah, feel free to experiment with that, adding the red on top of all the hair. Also, if you prefer, you can use the watercolor to add color for the faces. By color for the faces, I mean a skin tone for the face, or you can create some patterns, tattoos and a little bit different facial expressions for all the faces. Et's rotate the piece to make it easier for us to add the colors for the remaining eyes. Carefully and patently adding the right for the remaining eyes. Also, instead of the hatching lines for the here, you can create some snake like pattern to create that snake like pattern, you can create curly and wavy hair and make them very long and large like noodles. And that will create some snake like structure for the here and you can add snake like faces to the end of those here that will create medusa like here, and that will be really scary and fascinating. And we have got only a few more eyes to paint. Let's paint the remaining seven or eight eyes. Adding the red for the last eye and with these, we are done with the eyes on her hair. Now let's add the right for the rest of the eyes on the pieces of the girls. We'll have to be a little bit more careful around the pupil and the ibises as the sizes of these eyes are comparatively smaller than the eyes that we painted for the hair. Later on, we'll be adding the red for the lips. Let's add the red for the lips. Only a small simple line of the sketch pin will do the work. Adding the read for the last lips. And with these, we are done with the red and the final project. Happy painting. See you in the last video with the conclusion of this class. 29. Thanks and conclusion : Thank you so much for joining me in this class. I hope you enjoyed exploring the world of dark and scary doodles and that you learned something new and exciting technique for drawing terrifying faces, airy eyes, and haunting hair designs. Before we wrap up, I love to hear. Before we wrap up, I did love to hear from you. Your feedback, suggestions, and review mean a lot to me. They help me to improve future classes and also inspire other students. Don't forget to upload your class project, whether it's one of the exercises we did together or your own spooky doodle experiment. I absolutely love seeing your creativity come to life, and your projects also encourage and inspire other students in the community. If you enjoy this class, make sure to check out my other Skillshare classes for more art, inspiration and technique. I hope you continue to experiment, practice, and and most importantly, have fun with your art. Thank you once again for being a part of this class. I can't wait to see your project, and I look forward to hearing your thought and the reviews. Until next time, keep doodling, stay creative and let your imaging and let your imagination run wild.