Creative Illustration: Transform Objects Into Characters With Story In Procreate

1. Introduction: Have you ever started the clouds and found the shapes and greatest from them? Also have been drawn some new faces from the drawing in your textbook. It would be so fun at that time. Shall be stimulated the greatest side of our brain. I will help you to bring the object to lie along the greatest shooting in our illustration, all you need is to be creative in your own way. Hi, I'm a freelance illustrator and a graphic designer from India. I have divided the core structure of this class into three parts. The dot decode of illustrations, sketch off radius, jury, detailed process from scratch. We will be looking at how we can compose the scene using the reference image. We have taken the code of illustrations. I will take all the illustration from the beginning to the end so you will understand the process we take carried out in the finished illustrations, which have a story in depth sketch of greatest journey. You will learn how to create a story and connectivity on seeing the images and how to make the basic sketch from the choose an image along with embedding a sketch by taking another image reference if needed. After the basic sketch, we will be doing the detailed sketch from it. And also I will explain you with more examples. Detailed process from scratch. I will be doing the entire process of creating the creative story illustration from the scratch. And also, I will show you how I color the illustration. So you will have a clear idea of grading a colorful story. Apart from the code structure of this class, you also will learn the variety of expressions that we can use in the illustrations. The basic lighting concept for a better understanding of the lighting and shadows, the basic color theory for shading and lighting. I hope you are all very keen to learn the techniques. I'm really excited to see where the imagination takes you too. Let's move on. 2. Class Requirement: Before we start the class, we need to know about the requirements needed to create the illustration with a creative story. I have used, I bet. Apple Pencil and procreate app. Mainly, you need some bit of drawing skills. Do you can use any medium to drop? That is no need for a particular medium. Even if it can be a paper and pencil. One day, you have to be graded. In order to be more convenient. Search for plenty of reference immediate to create an illustration. So far, you have gained the knowledge about the requirements needed. In the upcoming lessons, we will be looking at the decoding of illustrations. 3. Decode 01: Pizza: In this lesson, we're going to see about the process we take carried out in creating the object to life illustration. We will be seeing three illustrations in total. The first one will be the pizza illustration, which conveys a story by giving life doing. The other two will be in upcoming lessons. Now, let's dive into creating a bizarre illustration. I have chosen this bizarre image. On seeing this image, what I get an idea as the two friends are being separated, they are feeling really sad. I haven't decided that they had been separator. I need to give a character unity between these two pieces of pizza. What I'm going to do is let's add some cheese between these two pieces. So it will represent the activity. For instance, this is the main theme for an illustration. And afterwards, I will change the background to, because this image background is that I will add some other background which matters the existing sketch. I'm going to create a sketch under Canvas in the field or shift. I'm starting with the circle. I'm going to use a full circle, but not as an existing shape in the image. Now, I'm going to divide the pizza into equal parts. I'm taking on the Visa back as in the image and drawing along with the hand. First, don't be too detailed for drawing the sketch. Just do however you can able to drop. After that, we can make the final sketch. For the topping over the pizza. I'm going to use another image for the detailing. I'm meeting the basic sketch of the mushroom, chicken, olives, beans, carrots. Or whether B is a structure. I'm going to concentrate only on to pieces by leaving other pieces. Because other pieces don't make much sense. Let the emotions of the two pieces be too sad. To make the connection between these two. I will add cheese that is being stretched to make the center of attraction on these two pieces. I'm rotating this sketch to the center. For the background or fun illustration. I have to send another image and I will include the background in this sketch. For that, let me draw the towel on one side. Over that. I'm including the tomatoes and spin edges. As in the image. We can't simply pays a pizza or with a table. So I'm sketching the plate under read. Next, I'm splattering the leaves all over the table. After the basic sketch, I'm refining the sketch of the phasor illustration. Now we have finished the sketch. Always we have to start the coloring from the background. Once we have finished the background, then the main illustration coloring can be done with ease. Because for this type of illustration, everything matters. That is, the main illustration will merge with the background. But for the fork right time drawing, this is not the case. We can make any typos, the background. This type of illustration to background, also tell the story. We can't easily change the background because both the background and the main illustration can read the story. You feel change the background, it will affect this journey. Also. Make the background first and then the main illustration. With the help of the sketch, do the refinement in the expression. Once we have finished at 90 percentage of the work, we can make the enhancement in the illustration, lake shadows highlights except Dre. You can see how we change the image to this illustration with a story. In the next lesson, we will see what the other examples, illustration with analyse journey. 4. Decode 02: Candles: In this lesson, I will create a story for the candles with some of the macro that gets embedded with a sketch. Finally, with color to the sketch. Let's browser the story to the candles. For that, I'm choosing this cattle image. And let's recreate this image with a story as the large candelas mocking the small candle for the light went out from it. First, I'm sketching with these two candles along with the bottle on its side. I don't like this background, so I'm choosing some other image. And I include this background to this sketch. For more thing, standing straight will not be so efficient. So I'm making the candle to lean back and love or with a small candle. In another layer. I'm refining the sketch with our idea. I'm making the large cantilever to lawful love. The small candle gets shocked on seeing the light windowed from it. Now we have made the main sketch that represents our idea. As we have discussed in the previous lesson, always start with the background. I've done the basic coloring for the candles bottles. And I mean the shadings highlight along with the expressions. Also, I did the details for the background as in the image. In the next lesson, I will show you how I made the orange to play with other oranges in my illustration. 5. Decode 03: Oranges: What I will do in this lesson is I will make an illustration of the orange to play, hide and seek. Let's see how I made that. For that, I have chosen this on an image as the main character. His orange has a long list with a reasonable hiding it from others. That's why I made this jewelry S hide and seek. For the background. I need some other oranges which are running from behind. I have chosen another image that suits our sketch. As I'm concentrating on to oranges behind the main orange, I have made the expressions to be happy that the main sketch I colored the background and the oranges along with the shadows needed areas. In the next lesson, we will come to know over the basic lighting concept and how light plays a major role in a particular origin. 6. Basics Lighting: Everywhere. I don't s, we have lights that are with natural light and artificial light. Light convinced the mood to the objects. Just think of an illustration. Without light, it will be so flat. One only because of light, we will come to know the shadows and highlights on a particular thing. The shadows will see about where the object is residing, whether it is tiny on the floor or floating in the ad. It's the main thing we have to consider. Let's understand the concept of light on the object by using a simple sphere. Different lights have different types of intensity. It may be the bulb, flames, torch, etc. When you bring the light closer, that particular object will get brighter. When the lightest farther away from it, then the lighting on the body or object will be lighter. These are all the things we have to consider. Let's assume the light is coming from the source. Where already studied in school. That light always travel in a straight line. We are demonstrating an *** Yesterday line. Now that light falls on this beer. The particular area will be eliminated. Because of the light. That area is known as the illuminated area. After that, 1, illuminated area will end where light does not fall after that particular point is known as Dominated. If the light falls on this PR, at one particular point, the shadows will be formed. Beyond that dominated point. That shadow is known as code shadow. That is, the shadow is formed on that object. It says the shadow will be formed on another object. That is, this fear is a reside on another object. What we have here is the floor. That spirit shadow will be formed on the floor. We call the shadow as guessed shadow, because the shadow of this sphere is casting on the floor. It is called as cast shadow. The light travels in a straight line. When the light falls on something, that light will bounce back, that is, it reflects back. So what I'm trying to say is this light reflected back to this bill and forms the reflected light and also again, reflect on the floor. Those are contests, reflected area. Last but not least, that is the highlight. The basic light is always on one particular area and informs on one particular side of the object. It's farming based on the perspective we are viewing that object. That bright part is known as highlighted. Now we come to know how the light source affects the appearance of one object. And also everything is all about how intensify delight is. In the next lesson, we will see it with expressions we can use in the illustration. 7. Emotions: Expressions are the thing that conveyed thoughts and feelings. We can understand the mood of any 11 link through the expressions. The same applies to our illustrations to expression will give the needed emotions to the object that we are using is a maintenance of the story. Without a week on understand this jewelry, which we are trying to convey. Let's see about some of the expressions that we can use in this lesson. Now, I'm starting to smile expression. For that. I'm starting with two eyeballs and with smiling ellipse. Now for the pupil, according to the data section view, the pupil direction launch of change in new York, the directions will not affect the expression on the face. For now, I'm making that view upward. Next I'm moving onto the expression, happy. How the happy face will be with a broad smile, which shows that the heat. Even though I bruce place in the explanation, I'm making the position of the eyebrows in various places. Even it affects the expression on the face for the happy face. And I'm Bruce will meet at the top. Let's move on to the expression cry. What I plan is crying silently. To do that lip, unlike with the eyebrows, will be cranky. I'm adding the stagnation of deals in the ice. So it wouldn't be like crying silently. Then what about crying? Luck. With the eyes closed, with a mouth open. It will represent the loud screaming. The AI improves, should be drawn downward on either side. Here, that's my tip for drawing the expression. Make the expression on your face. So based on that, in your mind, making do come to your hand. Now for the winking eye, if I do it yourself, why do you absorb on a winking one I, one part of the multiple will go up according to the wink. Apply it in the sketch. Back to the sketch. The drought, one eye to be winged and another eye to be opened. What we have observed, the mount a goes upward to be in a cartoon type, rather mouth a little bit upwards. As usual, grow the teeth, tongue and darkened the inner side of the mouth. Along with pupil. One of the I pose will be cranky. Adult, will read normal. Next as a sort of full face. Make the expression in your face while you're sorrowful. Implemented the sketch for the sad face. The phase will read them. Just concentrate on your expression when you're sad. Just implemented. And also for the eyes. The eyelids will be partially closed. Even the eyebrows will be done. Now for the angry facial expression, the amount will be on one side. Make it like that. The ice will be aggressive and let's make the eyelids it partially closed on its site. As I said earlier, I press play a major role in the expression for this angry face. If you make the eye blues like these are born with good, both the eyebrows should be cranky in order to express the angry face. Next, is it irritating face? How will you all will get irritated by biting the teeth with the eyes open. Just make it like that. Now the columns face. The calm fees will be like by closing the eyes and with a light smile on their face. The excited face, how you will keep your face while you're getting excited. With their vote. Eyes and mouth are wide open. Whatever the pupil, it will be starting on something. Confused state I'm looking at something. We will have a question like what it is. Just make it as starting with confusion. Be more precise. Add a question mark. Next. Whatever the funny face. We will put our tongue out to be funny. For the codons, pupils would like cranky. That is, each of the pupils will read in and done. Next is shocking face on scene. It's something we will be shocked like what happened you just expressed in this sketch. The PT phase, the malt will look sac and the ice will like a logging on something. However lowly, just with a smiling face. And along with the hearts in the ice. We have finished some of the expressions which we are mainly using enable illustration. Even you can try more expressions for your practices. In the next lesson, we will go into see how to find the greatest Judy from an image. We are going to use a plenty of examples to understand the concept. Let's more into that. 8. Sketch 01: Car & Cycle: With the knowledge we have gained so far from the previous lessons, let's see in detail how we can possibly bring a real image to a life with a positive story by boring or imagination into it. With plenty of examples I'm going to work on. You will get the idea to create a story in your illustration. The first step you need to carry out while sketching is choose the perfect image. You will get plenty of references in unsplash.com from it, choose your desired image. The second step is after choosing the image, look at the image keenly. You will get some story in the image that is known to establish it exactly in the Canvas. But at first, draw the main character exactly on the canvas. Or you can alter a little bit also. But always do the sketch. Acid is in the image. It will get some of the ideas after I added. The third step is after your basic sketch, meet a refinement on the sketch based on his Jodi, you get in your mind. The fourth step is with the help of sketch, make the detailed sketching that conveys this Jody. These are all the steps we have to consider while grading a sketch. Back to our lesson. First, I'm enabling the drawing guide for the guidance of your sketch and adjusting the grid size according to my Wish. I have taken the god photo on seeing this image. What I have filled is this car is having the wharf on the road along with its frame. To start with, I'm sketching the exact shape of this guy first would squash shape and circles as a base. With this guide shift, I'm sketching the card shaped as in the photo, in a new layer by reducing the opacity, I'm spicing it up as the card is having a conversation with full of enthusiasm. So I am making the cut to lean back slightly. What I have decided is to me, the friend glass as it ice. I rose, I'm sketching like the shuttle. Now. I need to decide where the goddess viewing on that. I made the arrow for the direction. I'm drawing the pupil according to that direction. The car is having a conversation and the cycle, I'm growing the basic structure of the cycle, form inconvenience. Want the next step is how the God speaks with the cycle. It's not just smiling, it's having the conversation. I wanted to grow as it is speaking the bicycle. It's not looking at when the mouse is in the center. So I'm selecting the mouth but moving into sine. With slight enlargement, the car will have headlights. So I'm gonna drawing as a blush on the cheeks of the gut. And I'm sketching the remaining parts of the CO2. Let's move on to the bicycle or trends. I have chosen this image as a reference with the eye viewing direction of the cut. I'm sketching the bicep constructor. It seemed very light when come back to the car. And also the cycle will be a little smaller than Dakar. So I'm reducing its sinks and continuing to draw The handled board. I'm marking it as it's ice in a new layer. Let's draw the detailed sketch. I'm doing the handlebar as it's eyebrow, just beneath it, assets eyeball. If you're built to be citing to the car. This bicycle has a broad smile while speaking with a car. Now I'm making the remaining structures of the cycle with battles, tiles and seats. After finishing the main characters in a new layer background for it and withdrawn as they are walking. And I'm making this sketch by having the conversation between these two. Let's design the shadows for the object. First, understand where the light is coming from. Undo the shadows based on that lighting. Finally, let's make the trees, bushes in the background with a grasses leaves. The friend. Now, we have made a story from the photo we have chosen. In the next lesson, let's create a story with glass of tea. 9. Sketch 02: Tea & Samosa: Here is a second example for another greatest Jody, which we will be going to create. What I have chosen is the image which has three glasses of tea and a Somoza, which is designing the table. Noticing it. What idea I get this? Somoza, a safe guarded by these glasses off T. What do you feel about my idea? I think it will come out well. At first we have to make the basic sketch to implement our idea. Let's make this sketch in the Canvas. First, always make the sketch as it is in the photo. After that, we can recreate that case to our imagination. I'm making the sketch of three glasses of t on the table along with the Somoza. In this end up adjusting the size of the sketch to my requirement in order to weigh look like the Somoza, I have chosen another image of Somoza. Now I'm switching to some Moses, as in the image, you just laying on the plate. And I have a container. Does some authors asked to VIPs because the Samasource are safeguarded by the gliders of t. I'm considering the Somoza us as we APs. I'm enlarging it to get the attention on it. Now in a new layer, let's grow the detailed sketch from the base sketch. I'm drawing the glass of tea to look like the team. Just draw this full on dirty. Make it like a glass effect. Draw the fine lines on the glass. I'm repeating the same on other two glasses. Diving into the sketch off someone's us. I'm drying the details of the Somoza in the sketch along with this railings and texture, same follows for the second Somoza. Make the somos us as VAP or a celebrity. I'm adding the sauce on it. So it will look like a special VIP Somoza us. Let's bake the expression for the sum Moses, as they are feeling happy if I stay safe, guarded by this class of days. Now, I'm not happy with the background. I'm choosing another image for the background. Get the effective illustration. Always search for more reference, that good margin with the registration. Even we can match to our three immediately Frances for the illustration. Here, I have chosen the image that is with the table, and we knew I feel like it will be sold all four over. Let's make the background sketch. Acid is in the image along with the table and the windows on its side on fire. And I'm sketching the small, small thoughts and textured wall and also the hanging plant on top of the window. In a new layer. Let's draw the detail is sketch by reducing the opacity of previous layer. Draw the leaves which is hanging from the window when it is in the frame, and the leaves, we bicker farther back side of it. The leaves gets smaller in our perspective. Fight behind. I'm sketching the two plant parts and outside that window, let's make some sense. Back to the glass. If I haven't decided. Those aren't body gods. So all the body goes, we'll have a keen eye on the head boss. The direction of the sun moves us. I say it off the body goes will be there. This glass isn't the front of the Somoza. So it looks at the Somoza, which is in the back, how we can make the body got low. Professionalism. Let's give time to the body or they will be like professional bodyguards. Now let's concentrate on the lighting. The light source is coming from the window and falling in the glass and Somoza us. So according to the direction of the light, that gas shadows will be formed on the table. Finally, let's make the touch ups on the windows on the table. Lost. We have created this judy with glasses of thes and the Somoza by giving the life to the object. In the next lesson, I will be using another food dish by broadening our imagination on it. 10. Sketch 03: Sushi: And just simply choosing one image will not give you ideas. One day on good grooming the plenty of images under the one concept. You can either do good creative ideas. If you see one image, you will get one perspective on for that research, E11 simply needs to be given a perfect idea. Now let's get back to the lesson. Next example of creative journey. I have chosen the foot. In the Canvas. I'm sketching the basic structure of the sushi with the help of reference in each. Now what I get an idea as one of the sushi is falling down and another sushi is trying to hold it from falling. This concept, it needs legs to Chan it from sliding. I'm drawing the legs for the sushi. One of the sushi keep the legs on something and it's slider. So how it can be represented by keeping one leg up or none of the two we slided. Sushi is a hood. I'm drawing the plate. Read the sushi is outstanding. The source of the sushi is kept on the plate. So it gets filled out on the plate. While on keeping the leg over it. The sushi gets lifted. The background, the scene is happening in the hotel. I'm drawing the windows and then glass along with the expression on the face. Let's make the detailed sketch in another layer. While the expression in the face of the sushi is the one which is holding, is seeing the other sushi. Finding sushi is viewing up. I'm drawing the hand that to hold the following sushi. Falling, what we will do, dry our hands up. I'm representing it in our sketch. Whatever the amount. They both got an a sharp mouth wide open. Now I'm drawing all of the things which I have done in the basic sketch. That is my rainbow window, Chat and the glass. Finally, I have made the fine cuny and the sketch. In the next lesson, we will be concentrating on the children's play toy. Perfect creativity. 11. Sketch 04: Train: Anna, the reference image we will be going to use is that children play toy. That is, that toy train image. After doing the basic structure, let's decide what concept a weekend make. Asked in the reference image. That drain is a toy. But let's make it as a real train. On looking at the face of the train weekend, notice that it has two eyes, nose and mouth. I'm drawing the basic structure as it is in the image inch. Completing the remaining part of the train. That is the compartment, rail track and windows in the compartments. What a good idea is, the drain is traveling over the rich. Let's make that a presentation of the bridge. How the story is, the client has fear of falling down from the crack because it is traveling over the bridge. Let's create this fear expression on the face of the train. In a new layer. I'm starting the detailed sketch. First. I'm doing the face structure of the train. As the train is siting down. I need it as a field. Need to represent in it ice asked the drain is getting 35. I'm drawing according to the terrified expression for the Mt. Let's add a trained numbers, true? I'm making the deep learning to the compartment of the train drag and the wheels. I'm drawing the windows drop a bit too small according to her pose. Back to next is the rich. For the background, I have chosen another image which has large mountains along with the train gets densified on seeing the levo. So I'm drawing the river below the bridge. Next, I'm growing the rocks on the bank of 30. Well, the basic structure of the mountain anecdotal sites along with dark clouds. The next lesson, let's see over the final example going quite a while finding creative stories section. 12. Sketch 05: Bottle & Insects: This is our last example for our creative sturdy lot I have chosen is a border that is partially submerged in the sand. Let's draw the basic structure of the garden, which is bascially open with the shape of a rectangle and circle. I like this background. So I'm using this background as in the reference image. There is the sun and the sunset. From the self-constructed. Let's draw the lid off the bottom. Now, what I can get an idea is the borderless trying to open itself to let the insects come out from it. The modal is all well, obviously the bottle has to look on, it's lit to open it really cautiously without hurting the insects. So I did ask viewing after this decision, I'm making the detail sketching for this race. Don't read to lead them widely, we have to put our imagination by doing the music sketch. After that. 13. Class Project: The project for this class is to create an illustration with a possible story in an in-order to start with that, you have to choose the possible reference image as a mean by keeping that as the main to some other sub images so that you can take inspiration from these two images for your possible storage, for your convenience. I will provide the resources which I have used in this class under the Project and Resources section, you can make use of it for your practices. And now, after choosing the images, make the basics image that you get while seeing that if you need it, you can merge other inspiration from another reference image with the help of the basic sketch. Do the detailing on the sketch after the completion of this sketching, do the coloring which suits the illustration. And also it should convey the possible students. So what you have to shout in the projects except our basic sketch, the sketch. And finally, finished illustration. So I could able to analyze your boss will transformation of an object to a character with a showing. I hope you all really shy your adverb. I'm very excited to see your illustration with their own surely. 14. Full Process: Sketch: In this lesson, I will show you the entire process which I'm going to carry out on creating his jewelry from an image by giving life to the object. I get this mushroom image as a reference. In this image, I'm going to use the mushroom as a main character. That is giving life to this mushroom with the expression on seeing the birth. It maybe the book is trying to make conversation with the mushroom. Now, what I felt as I wanted to change the mushroom type, this image, but I don't want this type of mushroom to be in my illustration. I want to change its type. When I was playing with my daughter in the play area, I said a mushroom time house. So I want to implement that type of motion in my illustration. Now I get some of the ideas to be implemented. Let's start to do the sketch. I'm using the grid to find the center. But as I said earlier, I'm going to recreate the mushroom type. Now I'm drawing the circle on its top. Let's move to the bug part. Fought it does a busy shape by using this alcohols and start to refine it. Asked, we have decided already the bulb list making the contact with the mushroom. In order to be in a cartoon type. I'm making its eyes a beaker with a smile on his face. A new layer. I will draw different types of expressions to the mushroom. And finally, we can decide which suits the best. At first, I'm making the mushroom to reset. The work goes crying to console it. Based on that, I have made this expression. Now in a new layer, Let's create another expression. What I'm going to draw, the mushroom gets shocked on seeing the book on its head. Now for another expression, the mushroom is happy on seeing the book on its head. I'm going to make it as a female because this mushroom gets the feeling of the buck decorating a head, somewhat like a clip on one side of her head. We have finished the three expressions. Let's go through one by one. I feel that last one seems good because both feel happy. I'm choosing this sketch in a new layer. I'm okay with this background. So I'm recreating this background in setting. I'm going to drink grasses, brush, glass, those and also the background, the trees, etc. Finally, I have decided everyday sketch I'm going to use in the next lesson, leaving the scene or the warm colors and cool colors, and how to choose colors for shadows and lighting. Seeing you in the next lesson. 15. Full Process: Coloring & Color Theory: We're going to color the background to our sketch and we'll do the shading to the mushroom along with the simple color and explanation in this lesson. Let's start to call it a sketch. Before that, create a new layer and drag it behind the sketch layer. I have already created the base color palette for the machine. The further shadows and the lighting. I will create it from the color wheel. Now let me show you. I'm going to apply this color in the sketch. For the head. I will use this red for the stem, light brown color. I'm using the red for the head. So I have chosen the blue shade for the buck. For the background. Obviously the grass will have a green shade for the drying grasses and the soil will have that brown shade. To choose the colors for shadow and the lighting. Let's nowhere with a warm colors and cool colors. A red, violet, red, red orange, orange and yellow orange L0 order warm colors. While it blue islet, blue, blue-green, green. I love green under cool colors. For choosing the cutoff where shadows, the color should be a darker color. On moving to the cool colors, the particular follows get cooler. And asked in the same way. Moving towards the warm color for the lighting, the particular color gets warmer. Because for the lighting, the color should be brighter, so it needs to be warmer. In other words, let's take an example. If I had orange as a main color, to choose the color for the shadows, you need to come to red, orange, or red in the wheel. The orange color, that's cooler. I'm Lynn can choose color from the value. In other part, for the lighting on the object. For that, you need to go to the lower energy the wheel, so that the orange color gets warmer. That can be used for lighting. I'm Lynn can choose color from the value. Now I'm renaming the layers as Sketch and background. Even you can choose the color from the image and do the refinement afterwards. At first, let's make the background for the illustration. I'm choosing the green color for the grass. I play this color to the background wherever the green shape appears in the image. Now for the sign and the right grasses, I'm choosing the brown color and applying it on all possible areas. Again, I'm creating a new layer and drag it behind their background layer and renaming it as main background. And I'm choosing the black color for the background. Now I'm moving to the Gaussian blur and adjusting it to 23% for the blurry effect. For smudging in the background. I'm choosing the goal wish brush from painting. And I'm doing this Mandela effect in the background. Even in the middle needed color. Can we choose in an adjusted with a background? In the image, we can note the brighter grass. So the color to be chosen for this grass. Choose a base color in the color wheel for the brighter color, move towards the warm color. And just its brightness. Always are played on a canvas for the conformation of the color. I helped Jews in the color android and grass on one side of the canvas, even and applying it on the inner city area. Again, in the new layer. I'm drawing them bright drying rest over it. In the back sight, I could see the grass with a list of opacity here by reducing the opacity of the brush. I'm drawing the grasp as it does in the image. Again, I'm using that Gaussian blur in a new layer. Let me start to draw the stem and the handoff them my stroke. In the image, we know the light source is coming from the left-hand side and falling over them much love from me. Try to analyze the illuminated area, dominator under cold shadows. So foreshadows choose color by moving towards cool colors. Make the layer to alpha lock, and then starting to call it a mushroom stamp for the shadow. And I'm blending it. Even for more shadows, I'm choosing that color would a less brightness. And again, I'm playing it on a stem and I'm blending it. For the highlights, I'm moving towards a warmer color. I'm choosing the color with high brightness. I'm making the highlights on the stamp and I'm blending in. The light source will get reflected back to the object. In that part, do we need to do the highlight with the Alpha locus on? I'm coloring the inner part of the mushroom too. I'm drawing the fine lines, which is that in the mushroom in a new layer, by enabling the clipping mask, I'm drawing the circles over the handoff the mushroom has with the same color. By enabling the lighthouse guide with alpha lock is on. I'm making the shadow part of them are strong. Even I'm using the darker shade for the deep shadow. The lighting. I have chosen the one color and I'm learning it. For the highlight, I'm choosing further more warm color. Now I'm coloring they're flipped it, but in the mushroom, we have finished the main background shading to the mushroom head and the steam in this lesson. And the next person we will see with a father shading and the expression for the mushroom. 16. Full Process: Expression: We have completed the background and the shading or the mushroom. In this lesson, we will be giving the expression to the mushroom and we'll see how to make the expression to be real. Now back to our illustration. The circles over the emotional also are affected by the light source. So we need to do shadings over the circles with the shadow form beyond the dominated point. The illuminated area, I'm choosing the brighter color of it. To make the circles In module with the head of the mushroom, I'm blending the circles on its corner by using as much to even we have to cover the reflected area in the circle with a bright color of the base color. Now on enabling the sketch layer, let's start to draw the eye for the mushroom and filling it with the color. The dark shade, I'm moving towards a cool colors. The shadow for the eyeball is being colored. Ask this mushroom is a female. I'm making the eyelashes or whether I want even the eyelashes, we'll have the lighting. So I'm making those to the pupil. I'm drawing this so good and filling it with a black color. Alpha lock for the layer is switched on. Now I'm choosing the low on and shade to draw or where the pupil have Jews and the darker shade for the shadow in the pupil. Now I'm moving towards the warm color for the right shape to be drawn on the illuminated area. Even a reflective areas should not be missed. For the highlight in the eye, I'm choosing the eyeball color. I'm drawing an ellipse shape over the board. Now I'm duplicating the AI on by selecting the existing one, as well as the pupil for the eye, also, to be more realistic than darker shade of the mushroom color is chosen. And I'm making the shadow so that I bought will get ambushed. With the help of the sketch, the eyebrows on drawn. And also I'm drawing the smiling lips for the mushroom face. I'm doing the blending for the much enhancement to the lips. So finally we have finished the expression on the face of the mushroom. In the next lesson, we will be moving to the buck with excretion on its face. Along with that coloring. 17. Full Process: Coloring Bug: I have completed the Muslim drawing. Now I'm going to conjugate on the bug along with its expression. I had chosen the blue shade from my color palette in order to be different from the current of the mushroom. I have chosen a blue shape for the book. By anything the sketch. I'm coloring the majority of the book, aspirin for the leg and the headboard. I have to Linda blockchain. I kinda able to cut out the BCG head. Clearly, I have disabled the background layer. I have finished this button. Draw the eyeballs off the bus by choosing the color of them. My strong I bought. By enabling the alpha lock, I'm making the sheets to die boys. I'm drawing the pupil along with the highlight. Let's move on to the body of the butt. With the darker shade off the blue color, I'm making the partition of the body, the shadow for the book. The farther shadow, and choosing the darker shade and blending it as sweat. For the lighting. I'm choosing the bright shade off the base color. Now for the highlights, I'm choosing the color from the high brightness, but now I'm coloring on the body, red light false, particularly on the mug. And I'm blending all those highlights in a new layer. I'm making the dots that will be there on the book, and I'm making the highlights on it. I have completed the bug with a string. The book has all of the mushroom. The shadow will be formed on the mushroom because of them, but with a black color, the shadow is being created. I have completed the coloring to the book. In the next lesson, I will complete the illustration with a final lead dialing and the lighting in the end. Let's see how to make that in the illustration. 18. Full Process: Final Details: In this lesson, we're going to move on to the further detailing in the background. The reason we have this needling part and the last is because we could see in the image the grasses are overlapping the mushroom. That's why we're doing it at the last with the share of the mushroom stem, I'm making the dry grass with just a list blurry. Now I'm moving this layer to the top of the stem layer with the smudge tool smudging it's both. And again, I'm blurring it with Gaussian blur. In the image. I could see the DOD, drying grasses. So I'm making those into Canvas. Again, blending it with the smudge tool and Gaussian blur. Now I'm blending the bottom of the mushroom stamp so it can merge with the grass. Let's concentrate on the grass which is in the frame with a slight brighter shade of the existing green color. Even the grass to have them blurry effect. Now I'm doing the clear part of the dry grass which is overlapping the mushroom. Enabling dal follow, just mocking the darker part in the dry grass. If I'm disabling the Alpha Lock and drawing the folder grasses in a new layer. Let's grow the clear at part of the fresh glass. I'm checking whether the color is suitable with the existing illustration. Even you can choose the color from the photo. I'm making those grasses on the illustration. Giving the shadow fought on the grass. Light of his falling under grasp. So that part gets eliminated. The light shade of the grass is chosen. And Ron, on the grass with a new layer, I'm drawing the friend part of the grass and I'm blending it. Now we're going to do the light source effect. In the illustration. For that, I'm creating the layer behind the mushroom lives. I'm choosing them Blackburn brush from drawing with the color off mushrooms step. I'm reducing the opacity of the brush and creating the strokes Crump top left and to the modern bright and the smudge tool, I'm blending all those strokes. Furthermore, I have used the Gaussian blur for the effort. I'm using the monoline brush from getting raphe for the sparkling effort in the background. I'm duplicating this layer with the help of gushing blood and again blurring it. Let's complete it with the finalization of the illustration, which needed refinement. Hooray. We have completed the n-type process on grading the illustration with the story along with the expressions. 19. Conclustion: Congratulations, successfully you have completed the class. Thank you for taking the time to learn with me in this class. I hope you gained some ideas that you can take on further in your practices. I can't wait to see your van dabblers creation and don't forget to post your creation in the project. And I will be grateful if you leave a review and what you liked in this class. If we have any questions regarding this class, don't forget to ask me in the discussion panel if we wanted to share your artwork on social media, please tag me on Instagram. If you want to stay updated on my upcoming classes, follow me on Instagram and Skillshare to learn more from me. I have a couple of classes here, so you can learn from them. Thank you guys again, I will be looking forward to seeing you in my next class.