Create your own GIFs using Adobe Illustartor & Adobe After Effects

1. What is the Project and what will you learn: In this pandemic time, we're all sitting at home and wait in Netflix through a list and you serious. Hi, my name is Alina sour and I'm a freelance motion artist and illustrator based in Pittsburgh in Germany. In this class, I will show you my whole process of creation, this Chu and Netflix gift pack, starting in Adobe Illustrator, where we import our sketches, will explain you how to create a cool illustration for animation. All my tips and tricks. In this class. After that, we will go in Adobe After Effects and animate all our created stickers. Don't worry if you're new to Adobe After Effects. This class is beginner friendly, but also great for intermediate that would like to learn some new techniques and practice the skills in Adobe After Effects. I will guide you through the whole process and step-by-step, we will create five gifts. For each gift, there is a separate lesson. After that, we will export our gifts using Adobe After Effects and Photoshop. And last but not least, we will upload our gives us into Instagram. You can use it in your Instagram story. This class contains five kips and is organized in sub-units. We will illustrate one stick and then animate it in Adobe After Effects. I think it's the best way to stay inspired. After this class, you will be able and inspired to create your own stickers and keeps using adobe Illustrator and Adobe After Effects. You will be able to export them as gifts and use for your own Instagram story. Take your ideas and lets the magic begins. 2. First Sticker: Turn on Netflix!: I'm really happy and excited that you took my class. Lets the Johnny begin. I created my sketches in Adobe Fresco, but you can use Procreate or your sketchbook. Import your sketches in Adobe Illustrator, and let's jump straight into Adobe Illustrator and create our first sticker. Let's start with our main GIF, Netflix. And for this reason, I create an artboard, 10841080. I can also use it for my Instagram feed, but you can also use another Square Artboards, such as 800 for 800. And I have already created a color palette and edit all the colors for swatches. It's easier to uses as swatches for the process. You can download all files in Project downloads. I will provide all you need for this class. The cutoff is on the separate layer and I looked at I will delete it, we don't need it. The opacity of the sketch is already 50% and unlock the layer. On the separate layer we will create a thumb because it will be movable in Adobe After Effects and the rest shapes will create on the separate layer I'm using the pen tool shortcut is P and pencil to create all my shapes. And we always name layers, so it's sum. And the next one hand, I'm starting with a stamp tool. I used the stroke with this color and I'm tracing my illustration, my sketch. With the capture tool, we can add the sheep. Now I will select the color for my thumb. Act will be of this pink color. Now I will trace the rest of the shapes also using Pen tool. I think a pencil will be also good for this patterns product first on the Pen tool. Now I will remove all my shapes from the thumped layer to the hand layer. For the remote control, I will use a normal rectangle tool, shortcut is M and I'm greater than normal shape. And with this points I can adjust the roundness of the ages. We can also rotate it. I adjust the size. We need to bring this fingers on the front layer. I'm creating a new layer. The fingers selected and bring them new layer. Now, I will create also the buttons for the remote control. We don't need all these details, will only create these patterns. And it will be called hold out and drag it to the right to copy the phone. Press V. Then select all the shapes and ultimate out. Copy them like this. Now, I will put it a little bit down. I will group them with Control G. And now we will create also the sleep of this sweater using the pen tool. And now we will create a sleeve off this sweater using the pen tool. Adjust the phone. Want it to be curved. Bringing to a little bit down. If you want to make a round edges, you can double-click on the point and it will be rounded. I will also add this farm on a new layer. Now we can turn off our sketch. Now we can see how we can also add the shapes of the finance, for example. And at a Netflix title here. And hold Shift to move the shapes, the lines. Now it looks good for me and I will add a Netflix netflix lava. We need also on the hand layer. I'm using scissors to cut out this middle part to make all the corners of the strokes around it. You can edit here. I think we can make the stroke a little bit bolder. Yes. Now we will also add and Netflix title. It's APS, you can keep it and paste on a new layer. I will also select a color from our swatches. When we animate it, the hand will go up and then with the thumb, we will turn on Netflix and Netflix title will be scaled. I will also align Netflix title in the middle. Now, I will say it as Adobe Illustrator file. And in After Effects, we'll turn it into a cool Netflix give. 3. First Animation + Exporting: Turn on Netflix!: Let's start and create a new composition for the Netflix sticker with the frame rate 24 and duration 2.5th 1080 by 1080 as our Adobe Illustrator file. Drag and drop the Illustrator file and set as composition. Now, you can see all our layers and drop them into the walk-in area. With this icon, we can turn on and off the transparency of the composition. And with the shortcut Control key, we can change the composition settings. Let's put the layers in the right order. The thumb should be on the top of the smartphone and the sweater should be above all the layers. Before we start with animation, we have to put the anchor port to the right place, press Y, and put the anchor point of each layer to the right place. For example, for the thump, it will be the bottom of a thump. And for this petal also the bottom. This is important because from the anchor point, the movement will be started. For the Netflix label, I will put the ink point in the middle of the title. The next step or before the actual animation is to parent all the layers. Parented thumb and the fingers to hand, and the hand toward the square term. Now let's Dimaggio begin. We will turn all the layers into 3D layers with the icon except the Netflix layer. Pens Tide with animation. Select, split our layer and the thumb layer and press Enter to open the rotation properties. And then go to ten frames and put a first keyframe on the X rotation property. And then go at the beginning on the composition and put the second key frame and change the value to minus 20 minus 25. So we tilt our composition in x-direction. So at ten frames we have a normal state or where the thumb will be pressing the Netflix button. I copy and paste the same keyframe after eight frames, because I will that the hand stays in this stage for eight frames. Go to the thumped layer and select the orientation and extra rotation properties. But the key frames at ten frames now select the orientation key-frame, and change the value of z axis to five. Now go to 14 frames and put another keyframe on orientation property and change the value of the z axis to 35. Now, copy of this first keyframe of the orientation property and paste it at 18 frames. Now copy this first keyframe of the extra rotation property of this better and paste this keyframe at 1 second 4 frames will be graded this a clip effect for the remote control and the press movement of the thumb. Now, I will also like to add extra X rotation for the thump. And as we change the value, we can see that the thump is now above the sweater and we should fix it. Before we do, I will copy and paste the first keyframe of the extra rotation property. And in the middle I would also add another keyframe and make the sound a little bit down. Now to fix this problem, B should parent all the layers and go to this petal layer and change the x rotation value on the second and the thought keyframe make it five degree or 60 degree. And now the sweater is above of the thumb. We can parent all the layers as we did that for the thumb and the fingers toward the hand and the hand tool this better. Now, this problem is solved and all pulls together. It looks fine for me. And we can also change the iteration of the composition and make it a little bit shorter. With the shortcut Control car, I will make it to 1 second, 8 frames. The last step of our Netflix Animation is to animate the Netflix titled. And we will animate the scale property. Press S to open the scale property and prove the first key frame on 15 frames, the second one on 12 frames and change the value to 0. Now go to 18 frames and put another keyframe. So we will change the scale on the middle keyframe to 110 or 20. It will create this bounce effect. You can see this effect a lot in cartoons. Also in social media. I want this title to stay for a while, and that's why I put the same keyframe on 1 second 2 frames. And on 1 second 4 frames, I will add another keyframe and change the value to 0. I want this Netflix button to stay pressed for a couple of keyframes. And so I copy and paste the middle keyframes one more time. Now, I will play with the timing of Netflix title and make also these Part a little bit longer. If you want to slow down the keyframe sequence, you can select it and holding out bracket to the right, select all the keyframes and press F9 to easy ease all the keyframes, the animation will be more smooth. And that's it. We did our first Netflix give. I really like it. And now I will also show you how to set the export settings and go to composition, add to render queue or Control M, the shortcut. You see the listless title, click on it. This panel, we will select the QuickTime format and format option animation. For the channels, we will select attributes and alpha. In Adobe After Effects, we cannot export gifts with transparent background. That's why we will use also Photoshop. Select where do you like to save your animation and press Save. Now, I will render out my animation and press Render in the right corner. And after that, we'll go to Photoshop. Open Photoshop and drag and drop your saved animation. Now go File, Export and Save for Web. The format is give, colors are key, set, met tool None, and check the transparency. It's important that the looping option is forever. Then you can choose your safe place and save. We animated our first Netflix give and export it as a gift using After Effects and Photoshop. It was really cool and I hope to see you in the next lesson. 4. Second Sticker: Pick up your Popcorn!: In this lesson we will illustrate pumpkins sticker. So create their hand layer and using pen tool as we did it for the first ticker, create the hint. This light yellow color. I forgot to act on the swatches. Five, the hand hoping pink. And after we did the shape, we adjust it with curvature tool. Create the main shape for the hand, and then create also the fingers. It will animate them separately in Adobe After Effects. Select the farm and then right-click, arrange and send to back to adjust the position of the shapes. Using the pen tool, create awesome day sweater on the hand, and it contains two shapes. The front one and also the ship that is behind this feta. It will be in black. Sent the black shape to beg and change the color of the front shape to yellow. Now on the separate layer, we will create a popcorn books. For this. I'm creating a basic shape for one side. Then I'm using my rectangle tool. Grading air rectangle. The size should be such as this stripe like that. Now I make this corners around, like this, pulling out. I can copy this form on time, make it a little bit narrow. Now I'm selecting all the forms. Great one shape. Now with the curvature tool, I can add the shape. Now we have a perfect box side. Now, I will do the same for another side. We have the basic shape of our popcorn box, and now we will create a red shapes inside of this box. For this reason, I'm selecting the shape and choose the mode drawing side. Select the rectangle tool. You can also do this with pencil, but rectangle, it's more straight. I'm creating. I don't need it with stroke. Rotate it. Now. I will copy of the same red shape and paste it into the side. Without, you can copy it and paste the shape again. I think now it looks cool and we can create popcorn with a pencil. I will create a new layer. Select the pencil shortcut is n. Forgot to add the car, so it will be this color. You can use your mouse or you can use a graphic tablet to create the shapes. I like this. I was a bit messy, hand-drawn feeling. With the same technique we will draw awesome inside of the popcorn. Like this. Can copy it, this PEP Cron. The last one I will draw on this layer because it will be animated altogether. The last step, I will also add some stripes for his film. I think it looks fine. We can delay the sketch layer. I think it looks great before we start to animate in Adobe After Effects, I will show you how I separated the layers in Adobe Illustrator. On the hand layer, I will make a sequence of the group layers here. Release to Layers Sequence. And so they are all separated layers. Going to rename it. It's important to have all layers separated for the Adobe After Effects and because we can animate separately, thinner and then hand and also sweater. And in Adobe After Effects, I will show you later how cool we can animate this gift. 5. Second Animation: Pick up your Popcorn!: Welcome. In the next lesson. In this lesson, we will animate a popcorn sticker. So create a new composition with the same settings and drag and drop your Illustrator file. The same procedure as in the first lesson. At first parent, all the layers so thinner to the hand and sweater back to the sweater, hand to split up popcorn hand is this popcorn piece in the fingers. So popcorn hand to hand and popcorn, popcorn box. After that, put the anchor points to the right place. You can also solve the layers. Pressing this left circle, it's easier to set the anchor points. It's really important to set all the anchor points from all the layers to the right place. Before we start to animate, at first, we will animate the scale property of the popcorn box and the same technique as we did with the Netflix title. So we need three keyframes. One, took your friends, the second one on four key frames, and the third one on seven keyframes. The middle one is 110, the first one is 0, and the third one is 100. So we have this pop up effect. I will copy and paste these keyframes also at the end of the composition. At first the key frame 100, the second 1, 110%, and the last one is 0. After popcorn box a period, we will animate the hand that comes from the right, select the sweater layer and press P to keyframe the position, and go to nine frames. Put a keyframe, go to 13 frames, put a key frame, and the last one put at 1 second. Now go to the first keyframe. Can't adjust the position of the hand. You can easily drag the sweater out of the composition. Now copy this keyframe and paste at the end of the composition. So the whole disappears at the end of the sequence. Now we will animate the rotation property of the hand. It will be rotated towards the popcorn and set the first keyframe, add frames, and put the second one in 19 frames and set the value to 17 degrees. Now, copy and paste the first keyframe to 1 second 2 frames. Now we can adjust the position of the popcorn box so it matched with a hand and the thickness. Now select the popcorn hand. This is this popcorn piece in the fingers and we will animate the opacity property. Two key frames. The first one is 0 and the second one is 100. And we will only see the popcorn after the hand is completely down. I think it's better than the opacity keyframes of popcorn hand match the key frames of the hand rotation. Now I will copy and paste the middle keyframe or the hand rotation. So the hand stays in the same position for a couple of keyframes. So the main animation is done and now we will adjust on the little things such as easing the keyframes, select all the key frames and press F9 to easy ease all the key frames and adjust a little bit the timing of the keyframes so the keyframes match each other. Now, I really like it, and the last step is to animate the singer. And so press R for rotation. And we will set three keyframes to rotate the thinner as the hand moves down. Rotate this thing. I add the middle keyframe for ten or 15 degree and easy ease all the keyframes. We did our second popcorn sticker and animate it. And now you can export this with the same technique as I showed you in the first lesson as a GIF. Thank you, and I will see you in the next lesson. 6. Third Sticker: Cheers!: Hey, everyone already created two curves using rotation position and 3D property. I hope you like it. And in the next lessons, I will show you my favorite technique, how to animate with the path in atopic app detects. This sticker is really easy. We will create only four layers to list for the hint, two layers for the glasses and the vine in the glasses we will also create separately. The technique is the same. I'm using pen tool and pencil and now I will speed up my process. Now, I will look on the both hands layer and we'll create the wine glasses. For this reason, we will also use a shape builder tool. Create an ellipse. Then one more ellipse. Now we will add this to match this shape. Companies shape with holding and drag it. Will create one shape, select the forms, and go to path and create my shape. Let's try to match this shape. Make it a little bigger, rotate it. We can see we need this part to be a little bit bigger than what we can do. We can use scissors and cut this upper part. Like this. No scale. It. I think it's perfect and now we can hit the shapes together. I think it's perfect. Now we can add to come also this stroke here. It's a kind of group two layers. Now we can copy it to the other layer for my glass. Perfect. But the layers underneath. Now we have to put this above. We are in this layer. Select the path, duplicate it, Control C, Control F to paste it on the same place. Reuben will use scissors to cut out the shape. I will ungroup it. Select the thumb. Put it on a separate layer. There's some put it above. Perfect. Now we have to create on the spine shapes on the separate layers. Now we will create the vine shapes in the glasses. And for this reason we will not use the draw inside mode in this glasses because we will, we wanted to animate it in Adobe After Effects. And we will set a mat in Adobe After Effects. We will create in a separate layer a shape. Make it red. Instead of draw inside mode, we will use set met in Adobe After Effects for this one shape. We illustrated this fine sticker in Adobe Illustrator. In the next step, we will animate it in Adobe After Effects. 7. Third Animation: Cheers!: Welcome In the next lesson. And before we go into Adobe After Effects, please open your Illustrator file of this Vines sticker and adjust the layers. I would like also to animate the hands and that's fine. I reposition them into the new layer. So this is the one hand and another hand, and also the thumb is separately. And the vine glasses should be also in the separated layers. And I will also rename them to write an glutes lift. And also the spine should be renamed as Ryan right and one left. It will be easier in Adobe After Effects to organize them. Now we are ready to go into Adobe After Effects and animate the binding GIF. We are now in Adobe After Effects and can animate our binds ticker. I adjusted the composition settings with Control key. You can adjust the size with the composition. I'll make it 10,200 by 600. And it's perfect for this size. So next we will reorganize the layers and adjust to the anchor point of each layer. We can also change the colors of the layers for the left part and for the right part, select the layers and press this lavender color and you can select all calls that I hear. For example, pitch will be for the left hand and for the right, it will be yellow. You can solve the layers as we did it before and adjust the anchor point. If it is difficult to see in the transparent background, you can also turn off the transparency. For this animation, we will use a normal properties of the layers, but also animate the path. And so to do this, we should convert the glasses and the buying into the shapes. So to convert the layers into shapes, select the layers and right-click with the mouse. Create great Shapes from Vector Layer. Now they were created and we can delete all the illustrator layers for this shapes. Now we will set the mat for the wine and we will own only see the one in the glasses. Go for ethics and search for set met. Here. Drag and drop for the layer, for the vine. And now we have to select here glass left. So do the same with the wine. Would be fine farm we will adjust later at first milk parent all the layers. Let's start and at first we will animate the position of the hole. For the left hand, for the right arm, select the sweater left and splitter. Layers. Go to six frames and press P, the first keyframe, and go at the beginning of the composition. And select only been layer, for example, sweater left and change slightly at the position. Select the right layer and change also the position. Preview. Yes. Now, select the hand, left and hand. Write, press R for rotation and put a keyframe. Now, select hand left and change slightly the rotation. Now hand, right. Go forward ten frames. Key frame. On the position. Go forward ten frames and keyframe, the rotation of the both hands. I will slightly offset the both classes. Like that before we animate the past, I will also copy and paste the last keyframes. One more time. The first keyframes of the splatter, I will also copy and paste at the end of the composition. Now copy the second keyframe on the sweater also, and put it at the end. Copy the first keyframe on the hand left, put it, I think 22 frames and also hand fright. Let's preview. Let's make it a bit longer. I turned left and right. Now we can animate the paths. Select now been left-hand, outline and search path. The first key frame for the both layers. Let's start with the one left. Let us suggest this stage of the B9 select paths, the both properties but on the path. And you can see this grass and we can adjust the position of the points. So select the convert vertex tool to make. Also this point with Bayesian hands. Go at the beginning of the composition and we will put another keyframe. Align to the left of the glass. Select only path. We can change the phone, put another keyframe, and make the not so dramatic. Now let's do the same for the second line. Let's make this sequence a little bit shorter. Select all the keyframes and precedent out, direct them to the left. I think it looks really good. If this TE, for so long, that's fine. I will select all the keyframes from the split and the hand and put them in here at the beginning. Play with the time of the vine so it matches them with the rotation keyframes of the hand. I will put now another two keyframes for the vine. We have the buy-in to the left and to the right at the end. So we can copy the first keyframe of the vine and paste it. And copy also. Highest point or the buying and pasted. It's tasteful. I think at this point it will go up their hands and go from each other. I think I will add trust ultimately this path, Divine. It should not be so dramatic. Know it looks nice. But I will also offset two wines. Now let's create the last fun thing and it will be fine splash that goes from the left glass to the right. So grating, U-shaped layer. Press Enter to rename it. And golf for this position. Select the Pen tool. We need to know Stroke. Create the first path. Select the layer. And the first key frame, select the layer and press T for opacity. Put the first keyframes, select the layer and press U to see all the keyframes. Capacity should be here 100 and go from one friend back, putting out the key frame and set the opacity to 0, go 15 frames and put another keyframe for path putting out there capacity to 0. And now we will preview it. And I think we can do with the vines catch more dramatic at this point. That we can also create another fine splashes from the left. All right, class. Now let's select all the layers and press U to see all the keyframes. Select all the keyframes, and press F9 to easy ease them. Let's take composition to be 1 second, 2 frames, press Control key, and make the duration of the globalization to run second two frames. Yes. Let's prove it. I really like it and you can export it as I showed you in my first lesson. Thank you for being with me and I see you in the next lesson. 8. Fourth Sticker: It´s Pizza Time!: This pizza sticker we will illustrate really easy, and we need three layers for this piece and three legs for the rest of the pizza. So the first one is pizza base and the second one is cheese, and the third one is tomatoes, onion, and sausages. We will animate this illustration in Adobe After Effects using paths. Let's go. To make this onion shapes. We can use an ellipse form. Control C, control F to put it on the same place. It's fine. Select the both farms and go to Pathfinder. This mode. Now we can use knife tool to cut this piece in the middle away. Took cool pieces. Stroke. Now we can do the same with the tomato. We group two ellipses. Holding out, copy the element, select a knife tool and cut in the middle. Select the both forms we have here to meet him. You can also add more details to the sociologists pieces. Make sure that all the top elements correctly. This one also on the top layer. Now I will create the rest of the pizza. I did the illustration, and now we can turn off our sketch just a little bit. It looks really nice. I really like how are our pizza looks like in Illustrator? And now we can go in Adobe After Effects and animate it. 9. Fourth Animation: It´s Pizza Time!: Welcome. In the next lesson. In this lesson, we will animate pizza sticker using rotation, position, and path properties. Drag and drop your Illustrator file and create a new composition. Double-click and you see all the illustrator layers. So before we parent all the layers, we will create shapes for the pizza piece, especially for pizza piece cheese and pizza piece base. Select the layers, right-click, create great Shapes from Vector Layer. Now you can delete the illustrator layers and we will start to parent all the layers. To rename the layer selected layer and press Enter. I will also change the colors for the layers of pizza and pizza piece. Now, I will adjust the anchor point for each layer. Now we will start to animate and go to six frames. Select pizza base and pizza piece base. Press P for the position and put the first keyframe, select pizza base and press R for rotation and put the first keyframe, select pizza base and press U to see all the keyframes. Then go to the beginning of the composition and put this second keyframe for the rotation. Animate the rotation property for the pizza base and put the first rotation keyframe at the beginning of the composition and phase second one at six frames. Now press U to see all the properties and put the second keyframe for the position at the begin the composition and change the value. Pizza piece should go up after the rotation. And I will also drag the keyframes at eight frames. Now we'll animate the path properties called the pizza piece and select the layers, search for PAD, and book the first keyframes at path for it frames. Animate two bytes of the pizza piece and also rotate it from these two bytes at first to the left and then to the right. For the rotation, we use normal rotation property. And for the bag, we will animate the path of the pizza piece. Firstly, we will animate the rotation and then the path a little bit to the right, copy and paste the same key frame. And then a little bit to the left at 20 frames. And then copy and paste this second keyframe at the end. I think the pizza rotates a little bit too much, so I will adjust it. Additionally, I will also adjust the position of the pizza slice. Now it looks better and we will animate the bytes, all the pizza with the past properties. Press U to see the key frames for the property and put the second path keyframe at ten frames. So this is the aesthetic stage and add 15 frames, we will animate the first spot at the left corner with the selection tool, adjust the anchor points, all the pizza base. With the pen tool, you can add extra anchor points if you want to make it more smooth. Now we will do the same for the pizza piece cheese layer and adjust the a path for the bytes. Now we can see that the topic of the pizza to meet those, not on the right please, but we'll adjust it later. At first copy the pizza piece base keyframes and paste them to pizza piece cheese. Now we'll animate the second byte. When two frames put in. Now the key frame for the second byte for the pizza piece based and pizza piece cheats, you can also add the extra anchor point. So animated first the path on the pizza, pizza base and then copy and paste the same keyframes for the pizza piece cheese as we did it for the first bite, copy and paste the same keyframes, two frames after that. So this stage States for a couple of frames. Hubel adjust pizza piece top, go to the layer, press S for scale and change it to 80, 60%, and then press R for rotation and rotate it a little bit. You can also adjust the position. It looks better, but I would like to make the first byte stronger. Copy this first keyframe for the pizza, pizza base and pasted near the first byte keyframe. And do it also for the pizza piece cheese, the bad across more quickly and more dramatic. Now we'll adjust also the cheese layer. Okay, perfect. Now I will put this rotation and position pizza piece base key frames near to the byte key frames. So this byte is more quickly. Copy and paste this rotation keyframe at 19 frames. Now I'll select all the keyframes and easy ease them with F9. You can also play with the timing of the animation. And we are done. We animated this pizza and give and only this teacup will not be seamless. But I liked the idea and it's okay for me so I will export it as I showed you in the first lesson. Thank you for being with me and I will see you in the next class. 10. Fifth Sticker: Chill & Chips: Now we will create chips illustration, and as you can see, I have two sketches, but I will only trace this one and use as a reference for the first stage. For this sticker is something special and we will use a path function in Adobe After Effects. So for this reason, we have to grade this etiquette for the chips package separately and not use the draw inside mode because it will be not possible to add a path in Adobe After Effects. I will create on separate layers this package. Separately. I will also create an etiquette. And the chips will be also on the separated layers. I'm using the same technique and now I will speed up my process. As I said, I'm not using a draw inside mode here. In After Effects, we will set this layer as a mask and it will be on the scene in the packaged layer. So don't worry, we will fix it in Adobe After Effects, I created all my layers and I will also show you how I organize them. Here we see the etiquette separated from the other layers. Stroke one stroke too. It's important that they are. In this structure. We will add Set Matte in After Effects and it will be not visible, but it's important that stroke, fun stroke to this chips. All are separated. For chips I decided to create only one layer. We will not animate them separately. Only one layer, it's good. And the last layer, for the name chips, I will use a brush tool. Shortcut is me, right? Chips also on the separate layer. Now I will group all pieces of one letter or Control. G is the shortcut. Now select all the lead us and make them a little bit bigger. That's also grouped them together. I'm satisfied with my result and now we are ready to animate it. 11. Fifth Animation: Chill & Chips: Welcome to my last video in this class. I'm really glad that you're here. And now we will animate this chips. Stickers are using rotation, position and path property. First, make sure that all layers are named, for example, layer, a layer on as chips label. I will now change it. We will animate the path property of the black background or the package. Package itself indicates stroke, one stroke tool. I select all the layers and right-click great shape from the Victoria. So after that we can select the illustrator layers and delete them. So now we will adjust the anchor point of each layer, press Y to select the anchor point and drag it to the right place of each layer. Next we will parent or the layers. Reposition chips after package, before black package. Select all the layers and press S to scaled, and then reposition all the layers in the middle of the composition. Just select all the layers, press a and you to hide all the properties. And now we will add sediment effect for the stripes and etiquette. Go to ethics and search for Sekhmet applied to the etiquette and select package in the effects applied the same effect for stroke volume and stroke tool. You can copy and paste the same effect with Control C, control V. Now let's start to animate select black package. Package indicates stroke and stroke to go to ten keyframes, search for path and put the first keyframe. Now we'll animate the chips that are on the etiquette select chip, chip, chip three, and press P for the position and first keyframe at ten frames. We will also add to rotation, press R for rotation and put the first keyframe at ten frames, select own layer and press U to see all the properties. Now select chips and go at the beginning of the composition and pulled the next keyframe for the position. The chips are hidden at the beginning of the animation. Now select package and press U to see you. The animated properties go at the beginning of the composition and put the next keyframe for the path. We will make this package closed at the beginning of the animation with the selection tool, change the farm or the package. Now we will do the same for the etiquette. Select the layer, select the pet palpating goal at the beginning of the composition and change the form with the selection tool. Perfect. Now hide with the same technique, the black background of the package, which tied the chips better. Now, do the same with the strokes and adjust the path at the beginning of the composition. It looks great. Now let's adjust the title chips. The chips on the etiquette. At first titled Select, they're labeled and put a rotation keyframe at the beginning of the composition and make it straight. I will also delete the position keyframes so the label we don't need them, will adjust the position and rotation of the chips on the label. So put the rotation key frame at the beginning and rotate it a little bit. Then adjust also the position of the chips applied also for the second and the third chip on the etiquette. Let's copy these last keyframes and paste them at 16 frames. Let's also copy and paste the first keyframes at the end of the composition. Let's also overshoot a little bit the chips select the layer and go to 12 frames, put the position keyframe, and make the chips a little bit higher. Control A's looked all the layers and U to see all the properties, select all the keyframes and press F9 to easy ease. Now let's preview. Select this position keyframe for the chips and go to the graph editor and adjust the handles for this bead. So it will be more pop up. Now let's preview the animation. I think we can also add a rotation for the chips package. So I'll select the layer, go at the beginning of the composition and put the first rotation key frame, then go to ten frames and pulled the second rotation keyframe and also the foot van at 16 frames. So let's rotate it a little bit to the right and the begin ten frames a little bit to the left, minus six degree. Put the last key frame at the end of the composition. I think it will be better if we rotate the chips to the opposite side. Rotate the chips in the same way as we did it for the package. Now, I will only adjust the etiquette path. It's dramatic. Okay, now, I'm satisfied and we animated our five gifts. It was the last video in this glass, and thank you for being with me. It was really a pleasure for me to teach you my key techniques for gifts. Thank you for chosen my class and I will see you in my future classes. 12. Uploading to Giphy: Upload your gifts, create an account by cheap fee and press Upload. You can upload your gifts who you can also create your own gifts. By geography. You have also an option to make your gifts public or private. You can also apply to be an artist by gypsies who create this account. And then only you will be sociable by Instagram. Otherwise, you can use your keeps private and use the link share to add them to your instagram stories. About ten relevant hashtags and press Upload to ChIP-Seq. After that, you'll give scope approved by the team. And it takes about three till seventies. Please visit to p.com, to non-white. 13. Final Thoughts: I'm so glad that you completed my class. I hope you learned something new in adobe Illustrator and Adobe After Effects. Now you are able to and inspired to create your own gifts pack for your Instagram story. Please support me and leave a review for this class. If you want to follow me. This is my Instagram account and this is my YouTube channel. In the next weeks, I will also release in your vector retro illustrations class on Skillshare. So please stay with me. Take care. Thank you a lot and I will see you in my next class. Bye.