Create Seamless Brutalist Patterns from Scratch : Procreate | Srihari Muralidhar | Skillshare

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Create Seamless Brutalist Patterns from Scratch : Procreate

teacher avatar Srihari Muralidhar

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      1:11

    • 2.

      Understanding Seamless Patterns

      4:09

    • 3.

      Setting Up Your Base Template

      24:25

    • 4.

      Creating Bold & High-Contrast Color Palettes

      5:19

    • 5.

      Designing Your First Brutalist Pattern Tile

      11:09

    • 6.

      Bonus: Creating Brutalist Pattern Variations

      7:19

    • 7.

      Bonus: Turning Your Design into a Seamless Pattern Brush

      3:24

    • 8.

      Class Project

      1:44

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About This Class

Tired of perfectly polished designs? Want something bold, raw, and expressive?

In this class, you’ll learn how to create seamless Brutalist patterns in Procreate—a design style known for its bold shapes, imperfect layouts, and striking visual impact.

Unlike traditional patterns, Brutalist design embraces asymmetry, contrast, and controlled chaos—and in this class, you’ll learn how to turn that chaos into a perfectly repeating seamless pattern.

This is a beginner-friendly class, so even if you’re new to Procreate or pattern design, you’ll be able to follow along step-by-step.

In this class, you’ll learn how to:

  • Understand how seamless patterns work
  • Set up a base template for clean repeating designs
  • Build bold and high-contrast color palettes
  • Design your first Brutalist pattern tile
  • Create multiple expressive pattern variations
  • Turn your design into a seamless pattern brush

By the end of this class, you’ll have your own unique Brutalist-style pattern and a strong understanding of how to create modern, bold surface designs.

This class is perfect for:

  • Beginners in Procreate
  • Designers exploring modern and experimental styles
  • Creators building digital products or visual assets

All you need is your iPad, Procreate, and a willingness to experiment.

Meet Your Teacher

Hello, I'm Srihari.

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Level: Beginner

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Transcripts

1. Introduction: Hi, everybody. Welcome to this class on how to create seamless Brutalist patterns Itrocreate. My name is re Hurry. I'm a digital artist and an illustrator. In this class, you will learn step by step what a Brutalist pattern is in general, how to create template for that, how to create different color schemes, and then how to create your own seamless pattern tile in Procreate. And as part of bonus, you'll create multiple designs from the single pattern tile and then even create a seamless Brutalist pattern brush in Procreate. I'm so excited to share everything I know for you in this class. This whole class is designed with beginners in mind. So every single lesson is kind of clearly laid out in a step by step process. As part of prerequisites, you might need just an iPad and an Apple pencil to take this class. So I'm so excited to kind of share everything I know about creating this beautiful Brutalist seamless patterns Itrocreate. I'll meet you in the class section below. 2. Understanding Seamless Patterns: So welcome to the first lesson of this class on creating seamless Brutalist pattern in Procreate. So first of all, what is Brutalist pattern or what is brutalism in the first place? So this is a style of architecture, which was evolved post World War two, especially in the Soviet region, where they used minimal amount of, let's say, textures, colors or materials to create a particular architectural style. The main cause was to reduce the cost. Eventually it transformed into a particular style called brutalism which has been taken up in different parts of the world, where they have used minimal elements or minimal construction material in terms of the variety and created the particular architectural designs, right? And we can see that same philosophy behind using minimal, kind of variety of things has been transformed and even imbibed by graphic design, postal designs, paintings, furniture design, so on and so forth. So this is actually a basic explanation of what brutalism is or what Brutalist patterns have evolved from. And now we will see how a seamless pattern functions in Procreate, okay? So, um, when you open a square canvas, again, you need not follow through the entire thing, just as a concept of how to create a seamless pattern or how a seamless pattern functions in the first place. In the kind of coming lessons, we'll go step by step onto how to create your own seamless pattern, right? So when you take a square canvas, for seamless pattern, any size is better, but to start off with, always we go with a square pattern or scared of square canvas, right? So let's say there is something which is on the top, okay? That should resemble the bottom part also. Similar fashion. If something resembles from the left, it should resemble the right side also. Why it is so? Because when we design a pattern tile, that will be copied and vertically and horizontally, right? So when we copy it, this particular, half circle or a semicircle on the right side will become a full circle because this particular semicircle will be combined by this particular semicircle. That's the overall concept of how a seamless pattern functions. Okay. Now we'll do a B six seamless pattern with just circles and, let's say square. Perfect. All right. So let's assume this is a pattern tile. Okay? Now we're going to copy and paste it to see if the seamless pattern functions. Like, as I've explained before, the top and the bottom part should be similar. At the same time, the left and the right part should be similar, right? So we'll copy and see how the functions, duplicate it first and reduce the size by half. Move it to the side, combine both, move it to the bottom. Perfect. So if you see in this case, we have drawn only a half square and a half circle. But if you see here, this is our actual pattern. This is a pattern tile which we have created, right? But if you combine that with the next pattern tile, you will see a circle, almost a circle and almost a rectangle. Okay? So this is our pattern tile functions when we're creating a seamless pattern. In the next lesson, we will see how to create a base template so that we can design our entire let's say Brutalist seamless pattern in Procreate. 3. Setting Up Your Base Template: Perfect, welcome to the lesson, too. So in this lesson, we'll be creating our base template for our seamless Brutalist patterns. Okay? So for this, we'll start off with creating a new canvas. So first, you tap the plus icon on the top right hand corner, then go for custom Canvas. Then, in this case, we'll go for 1,000 by thousand pixels. Okay, uh, this will be good enough. You don't have to go for a bigger canvas. The reason so is because you are creating only one single pattern tile, right, which can be replicated again. So thousand by thousand is good enough. But if you have, let's say a new version of iPad or iPad Pro, then since it has a better RAM, you can go for a bigger canvas, that's totally fine. But ensure that DPA is always 300, okay? Because if in case you want to print out your design on merchandises or physical products, at least the 300 DPA is good for clarity printing. If you reduce it, then it won't be a good kind of quality. Okay. And the maximum layers, it depends on your RAM quality of your iPad. So at least 50 is minimum. Ensure that is there, and you're kind of good to go. Then when it comes to color profile, you have two major color profiles. One is RGB, and the other one is CMYK. I would suggest you start with RGB. I do understand if in case you're printing out, then CMYK would be a better option. But in this case, we'll start with RGB since our pattern will be mostly used digitally, and if in case, you have to print it out in the future, then you can always convert it into CMYK using the tools we have, right? Actually once these things are taken care of, tap the tick mark on the top right hand corner and you'll have your square canvas with you. Now, we'll start off with creating square units. Okay, square units, and then we'll actually go with hexagonal units also. So what does that mean? Okay? So imagine that this is our pattern tile. When you say Brutalist patterns, when we talked about what the Brutalist pattern mean in the first lesson, we talked about using basics of basics. So in this case, we'll use basic shapes. Let's say, basic circle, squares, combination of both or a basic triangle or let's say, a square and an inverted or an angular square inside, or there'll be circles and a square in center and circles. And actually kind of this could be one particular square unit, right? Or you can play with negative space also. Okay, so this can be one particular square. So this is how you create multiple square elements and then mix and match and play with the position of the oral pattern. Okay? Same with the hexagonal patterns also. Let's say you have right? So let's say you have this particular tile, okay? So in this case, when you're creating hexagonal patterns, you'll have one single unit like this. Perfect. And then you might have an offset. So this is one hexagonal unit. Let's say you have one more hexagonal outline like this. You can have something like this and fill this up with a solid color. Or if you have a hexagonal pattern like this, right? Something like this. So it's basically you're designing one single unit or creating multiple variations of the same unit. And then once you have sufficient unit, at least like four or five units or four or five square units or hexagonal units, then you will play with mix and match, okay? You will arrange each and every one of them in a different order and create the pattern and overall scale, right? So the first phase of this particular lesson will start off with square units. Okay. So for this, ensure you're using the calligraphy brush and the monoline brush. Go for actions, switch on the drawing guide, go to edit drawing guide. Remember, in our case, we have opened up thousand by thousand pixels, right? Edit drawing guide. So we'll have at least five squares, in single horizontal and vertical. So thousand divided by five would be 200. So we'll create 200 by 200. So this is the overall grid size. We will move the blue dot to the corner. So we have the entire canvas exactly divided by five parts in horizontal and vertical. If needed, you can increase the thickness of your i and the opacity of your guide also for clear visuals. Once that is done, you can tap tick mark on the top right hand corner, and you have a particular canvas with different units altogether. Always ensure that every time you create a particular unit, you're creating in a new layer. It's start open a new layer. First unit will be just a circle. Okay. Once you draw a circle, using the other finger, tap on the screen, you'll get an exact circle. Once that is done, fill the circle with a solid color and move the circle exactly to fit the grid. Perfect. This has become one square element for us. We'll go for the next. We can duplicate this circle. We can reduce the size. I'm breaking to the top corner. Duplicate once again. And combine all the four together. You will see they are slightly bigger, so we'll reduce the size a bit, they exactly fit into our square unit. This is two. We'll create one more unit with a semicircle. I flip it vertically and then bring it down and combine those both. That is one square unit on second for you. It's about mix and match, you're mixing up different less shapes and the overall border is squared. That's the overall idea, you can go with complete block square also. We'll do that in the last uh we'll do that in the last space. Perfect. We're almost completing a fifth square unit. You have a square here. If it's exactly not angular, you can correct it visually. It's always better to start from a bigger shape and then reduce the size so that you don't lose the pixel quality. A Perfect. We'll slightly increase the overall size of this particular square. Duplicate it, reduce the size here. Again duplicate the new one, reduce the size a bit, gain duplicate it, reduce the size by this much gain duplicate it, this would be a final square. Perfect. Now we'll combine all the squares. We have a shape like this. Okay y, so fill up the parts which you want to. And then this particular thing would be can be or square unit. In my case, I would want to erase this part also. So there's a virtual square boundary rather than a physical square boundary. Perfect. So in this case, we have five different square units arranged in a single line. Okay. We'll create five more now. It's all about just using your creativity and trying out different shapes. There is no hard and fast rule here on how to create it, duplicate it. Flip it vertically, sorry, by 45 degree, rotate it. Perfect. Now we'll fill this up. We'll fill this up now and we'll fill it up with a perfect circle in the center. To get a perfect circle, as I mentioned, tap the other finger on the screen. If that's not in the exact circle, you can slightly change the position of it. Perfect. Duplicate this square, bring it to the bottom, and play around with it. Combine all the four. This is one of your square once again. There are so many number of options you can always try out with. You can either change one of these into a circle. That's also possible. We'll copy and paste it and do the same. Instead of creating new circle every time, we'll just copy and paste the one existing one. Okay. Perfect. So this is one more. You have seen that I'm just copy and pasting things and changing certain aspects. It's all about trial and error. As many shapes you want, you can try. That's the overall idea. We'll create one more thing, one more shape, duplicate the main circle, bring it all the way to the bottom and create a semicircle. Combine all the four, all the four semicircles. And move it in place with the order. We're doing it in order. The reason is if in case in the future, you just have to pick and position different things, then it'll be easy for you to do that. That's the overall idea. So in this particular lesson itself, we have created our entire five sets, or kind of like let's say we can see it as one set as five particular, let's say square units. So we have created ten different square units to be used in a Brutalist pattern, right? We'll create five more. Again, as I mentioned, it's all about trial and error has many shapes you can try. This is one. Duplicate it once again, move it to the side. Duplicate it once again. We will remove all the borders. Combine the both. This is one particular square unit. We can duplicate this once again and we can add a circle also. Perfect. Now we'll add in the circle here. Duplicate it. Move it here. A combine all the three. This is one pattern, duplicate the core, move it to the bottom so you have sufficient space to work on, and flip it by 45 degree and see if you can create an overall pattern from that. Yes. We'll erase things which go out of our square. Now, move it in place so that it's in order and we can find out when it's required. Perfect. We'll create one more. In this case, we can create something with, um, let's say circles. We have circles like that, the second circle. Well duplicate the square also and bring it on the corner. Perfect. So, you know, we have created three rows or 15 square units of kind of Brutalist pattern, which we can again, play by arranging them in a different order, right? So this is how you create the basic shapes first. Then you rearrange it to create a seamless pattern. So in this lesson, we have created these units. In the next lesson, we'll play around with the color shades. I do understand that Brutalist patterns are usually black or monochrome, but we can play around with subtle colors so that we have a depth in our overall pattern. I'll see you in the next lesson. 4. Creating Bold & High-Contrast Color Palettes: Welcome to Lesson three. So in this lesson, I will talk about how to create your own color palette sheet for your Brutalist patterns. So first, go to New Canvas, which is the top right hand corner plus icon. Then go for custom Canvas. For your kind of like the whole color scheme or color palette sheet, it's always recommended to go for a vertical layout. I'll tell you why so in the coming lesson also, right? So for height, uh, 500 is good enough, and for width, 250 is good enough because we just have to pick the color. So you don't need a bigger canvas for that, okay? Then tab tick mark and you get your canvas right. Perfect. So we'll draw a circle first. So since the Brutalist patterns we talked about where there are minimal color variations, we'll have maximum of three color variations in each set. Okay? So this is actually one set, and we'll copy and paste it down further to create multiple sets. All right. So this is our color palette sheet. Now we'll fill in the colors here. So first, we'll go with the monochrome color, starting with black and ending with a light gray. So first, we'll choose the gray color and fill it up. So before that combine all the layers, so it's easy for you to do the process. This is your first color palette where you have a small gradient of black gray and white, almost white, right? Second, we'll go with a greener shade. The third color palette will go for a lavender shade or a dark purple. I can reduce this shade a bit. Perfect. Then the fourth one will have almost a peach or an orange color. Perfect. So we have four color sets for our seamless Brutalist patterns. Again, I always mentioned that these Brutalist patterns needs to have that minimal tone only then it'll feel like a Brutalist pattern. We are taking a bit of leverage and using different colors, but usually it's more of a gray or black or monochrome colors, right? Now, since we have this particular sheet, we'll export it now to kind of actually kind of before exporting, ensure everything is in one layer. Go for the actions tab and go for share and then tab JP. You can save it in the files or in the gallery. I would recommend you to save it in the gallery, so it's visually available, and you can always import it as a reference, and save image. Right? So in this lesson, we have learned how to create your color palette. Again, it's a very organic process. You can choose your colors based on your liking, if you want them bright or if you want them monotone. Okay? So in the next lesson, we'll create our final and main pattern tile for our Brutalist pattern and incorporate the coloring also. 5. Designing Your First Brutalist Pattern Tile: Okay, perfect. So welcome to Lesson four. In this lesson, we'll be designing a seamless pattern tile with the Brutalist tile. So I want you to open the template file, which we have done at the Lesson one, right? So we have multiple square units in different layers. Just cross check it. And then we will rearrange it, okay? So actually that before that, we'll plan onto how our overall pattern needs to be there, okay? So for that, we'll start, we'll switch on the page assist. So it's easy for us. We'll go for the first layer. We'll choose the red, so it's easy for us to visualize things. Now, in this case, we have multiple things, right? We have multiple elements, multiple square elements. But it need not be that every single square element will be of the same size, are actually in the same block. So we can have one scaled up twice, so it can fit there. We can have one scaled up three times and it can fit here. Okay? We can have um, we can have small pieces here. Okay? Something like that. This is actually one option. Or if you go to other option where we have one, uh, one central like this, and we have one more mini version like this, right? And then we have all other small elements. So that's how you brainstorm and plan your square elements, which I have already designed for. Okay? So to decide on how we are going to plan our uh, page or the patentile we'll plan now. So we'll have two options. First thing is, we won't scale it three times, okay? We'll scale it only twice, so that we'll have two major focus points. Okay? So first one would be here. Okay. And the second one would be here or here. Right? And then all the remaining will have a smaller version or even scale down version. We'll be scaling it by half, so we can have a smaller piece also. Or we can have a bigger version here, and have a smaller version, and here a scaled down version. Again, here a smaller version, smaller version, scale down version, smaller version. And we can continue like that. So we'll have a variety a bit. At the same time, it's not very so many elements at one go. Okay. Perfect. So this is the overall plan we're going to kind of stick with. Now we'll remove this layer and we'll switch off the drawing guide. Sorry, the page assist. Now we have the elements, right? Perfect. So we will scale twice this element, the one which is with the circle in the center. Okay? We'll scale up that element, so we'll find where it is. Yeah, this is the one. So we'll scale it three times and place it in this corner. And we'll have this element. Here. It's all about arrangements. Okay? If you arrange things in different patterns, then you will actually get a different pattern altogether, right? And in case you don't if in case you feel like certain square pattern or squared tile which I've already created, the square unit which I've already created, if in case you don't want in this particular pattern, you can hide it so that you can work on things which we really want to. You see that here we are scaling it down for better visual variations. You can do that also. Perfect. We have a few more squares to fill it up. We'd have the semicircle. Perfect. So to see what all things we have, we can hide the first one. We have the square block still. We have this and we have the strips. We'll hide the strips also. We'll take the box and move it across. Perfect. So now we'll switch on it. We can remove the drawing guide so that we can actually see the overall pattern how it is. We have one more box here. We can duplicate the same design and place it here. Yeah, perfect. It feels like this particular huge design which we have, I would want to reduce the size a bit, which you can do. Perfect, right? So we have a bit of play here. Now, you have these small two elements. We can fill it up with the strips which we, uh, choose to omit, right? Then we can add one more of these vertical and horizontal steps down here as its companion. Perfect. So we have our Brutalist pattern right, in this case. Now one thing is very important that we ensure that all the four corners are combined. Okay? So what do you do first is combine all the layers you have, okay, all the layers you have, combine them, and then have a white backdrop. Okay? So how you can do is either you can duplicate the file, so you have a original copy of it. And then whichever let's say the layer is hidden, you can delete it off so that universe it's not in use. And then start combining every single thing, right? Then add a new layer, go to bottom, select white, and then fill that layer with white color and combine the both. So now our pattern tile is 1,000 pixels by 1,000 pixels, and it's seamless in nature. So if you want to test the seamlessness nature, now duplicate it, rename the bottom layer as original. And then work with the working layer, select it, duplicate it, ensure the kind of magnetics and snapping are on always. Select one layer, move it to the side. Combine the both, duplicate it once again, move it to the bottom. Perfect. So this is our seamless pattern. Yes. So one aspect is a tile, and the entire thing is a seamless nature of it. Since it doesn't cross the edges, it doesn't seem like, you know, we have a lot of struggle to go through it. It's just that you're copying and pasting it in multiple ways vertically and horizontally, and we'll achieve the seamless nature of it, right? So now what you do is delete the things which we've already done now, go for the original, then share it. Okay? So go for Actions menu, share JP. And save it in your file, which is a save image, right? So this is our pattern tile which we can use to be printed out on fabrics or merchandise or even in our digital products, right? So in the next class, we'll talk about how many variations we can do with the pattern which we already have made. I'll meet you in the next lesson. 6. Bonus: Creating Brutalist Pattern Variations: Okay, welcome to Lesson five where we'll be using our pattern tile which we've already created of the Brutalist tile and adding in colors to it. Okay? So remember, in the lesson two, we have created a color palette sheet. Now we'll import that into our palette into our Canvas. So go to the Actions menu, go to Canvas. There's an option called reference, right? Tap that reference, and then you will see your reference window, go to Image, Import image. It will go to the photos. Now we can select the color palette which you have created. Now, remember in that last I told you that it needs to be a vertical strip because if it's a vertical strip, it can be like this, then we can have our canvas right next to it. It'll be easy for us to drop. That's the overall idea, right? Now, we'll duplicate the layer, and we'll work on the working layer. So rename it as working layer. And rename the bottom layer as original. Right? Ensure you're choosing the kind of working layer when you're importing the color. So in this case, we will we can have multiple colors in the same design or we can have only singular color. Okay? In this case, I would want to divide it with zones, okay? So the bigger zone, which is this particular zone will have one color shade, okay, or one color set. And this zone will have other color set, these two. Okay. And the remaining all, which is a smaller aspects, again, we have a different color set. Okay, so we'll stick with that. Or in a way, we can do it like this particular set will have one color set. This whole set will have one. This set will have one, and the other one will have F set. So all the four color palettes are being used. Okay. So we'll start off with the coloring process. First, we'll start with the brown layer. Okay You can move or you can change color schemes also. It's important that you make sure there are gradients, so you have a bit of variety in your design. Perfect. So this is our one zone. Now, we'll go with the second zone, which is here. We have three color sets, right. So either we can go with green or purple or black and white, we'll actually go with black and white. Okay, black and gray so that our biggest parts are, you know, more colorful. Perfect. Now, we'll go with this part and we'll go with purple since it has a lot of variations. Slightly reduce the shade and make it more lighter. Perfect. I will go for the darker shade of this than this. At last this. Perfect. And now we'll go again with the green. Perfect. So this is our whole coloring process which we have done. So this has become one tile for you. So if we have to, uh, you know, kind of a test for seamlessness, we can do this. Duplicate it, select both, reduce the size by half. Right. Again, combine both, duplicate it so that you can see a bigger picture of your pattern. Perfect, right? So this is your seamless pattern. Actually, actually multiplying your basic tile horizontally and vertically. You'll combine both. And then go for a working layer. Now, you can add multiple color palettes like these, or we can even alter the same color palette which we already have. For example, we can rename this as one. A duplicator, hide the bottom layer, go to adjustments, hue and saturation and change your hue. So instantly, you will see a new color palette for you, right? So this is your new design, and this was your old design. Can you see instantly you have completely almost a new design just because you have changed the hue and saturation of it? So that's the idea. You can rename it as two. Right? So you can create multiple variations like this just by adding multiple colors. And if needed, you can even add textures on top of it. Yes, we do understand that the Brutalist pattern always focus on kind of minimalistic colors or a bit brutal colors. But again, we are trying to change that narrative by adding in few more variations. And it's nothing wrong about adding your own flavor to a particular style and not be very rigid onto what the style is all about. Perfect. Yeah. So in the next lesson, we will learn how to create a seamless brush of the pattern which you already created. I'll see you in the next lesson. 7. Bonus: Turning Your Design into a Seamless Pattern Brush: So welcome to this class. Welcome to the Lesson six, where we'll be creating our own seamless pattern brush with a Brutalist style. Okay? So I would want you to open the template, the template palette or the pattern tile file, which we haven't done. Now once that is open, ensure all other layers are switched off. Choose the layer on which you have your pattern. Then swipe with three fingers down, and then copy all. Okay. And then go to a new layer, switch off the pattern, ensure it's black. Now go to brushes, duplicate the monoline brush that's very important. Once you duplicate it, open the brush, go to properties like this, go to green and choose green source, import and paste. Right? Once you have pasted the particular patent, using two fingers, tap it so that it inverts, right? And then tap the tick mark, show it's texturized, so you change your feature to that can increase the scale of it. Yeah, this is good enough. Perfect. Now, we'll test it out. Right? If you change the color, right? So we have created this seamless pattern brush, where if in case you want this pattern and the background, then you can just choose this brush and create the entire thing. Okay? And this is actually a positive brush where it draws the pattern. But what if you want the negative aspect? Okay? So for this, what you can do is select a new layer to test out. Go to the brush, same brush, choose the brush, go to the green source. And using two fingers, tap it so it inverts. Now again, tick mark. Now we'll test it once again. All right. So in this case, if you see now, it's actually drawing the negative aspects, not the positive aspects. When I say that what is the difference is, it is actually drawing the parts which are not the pattern. Okay? So in this case, if you add something on the background layer, let's say you add a complete color, okay? You will see that the pattern is not affected. It's been shown as a backdrop, right? And you can use this pattern brush to even save it. How do you save it? Yes, go to the brushes again, swipe it from the right to left, and you can share it like this. Okay, you can either save it to your files or even um, kind of share it online using your mail. Okay? So I'll meet you in the next class where we talk about the class project and we'll recap everything we have learned in this class. 8. Class Project : Welcome to the final lesson where we talk about the class recap, what we have learned, and we'll go through the class project. So first, we have learned what the basics of Brutalist patterns are the Brutalist moment in general and how it has started with architecture and eventually moved into graphic design and illustration. And then we talked about how a seamless pattern functions in Procreate. Then to start off with a Brutalist pattern, we created a pattern. We created a particular template and square units. We created 15 square units, if you remember it right. And then we went on with creating a color palette sheet. Following it up, we have combined the lessons or learnings from lesson two and three and created our own seamless Brutalist pattern tile. Then we had a bonus lesson of creating variations using different colors, textures, and sizes. Then finally, we had one more bonus of creating a seamless pattern brush in Procreate. I'm sure you quite enjoyed the class. As part of class project, I would want you to create at least two or even three variations of a seamless pattern, especially the Brutalist style brush or even the seamless pattern tiles. After I've completed the project, I would really be excited to see your beautiful creations. So do upload it to the download section. And if you'd want to, you can leave a review of this particular class on how you felt in terms of the step by step learning. Thank you so much for taking this class.