Create a Magazine Layout in Adobe InDesign

1. Introducing the Course: Welcome everyone to learning how to create a magazine layout in a doping design. Let's talk about the reason you are previewing this course, and by the way, thank you for stopping by. Well, you are here to create a professional and creative magazine layout by Apne Design Principles. This course will guide you in creating a magazine for your portfolio, whether it's a research project like this one, a school project, or a project for your clients. We will cover a range of concepts and techniques from basic to intermediate levels, including the creation of paragraph and character styles, guiding you step by step through the entire process. By the conclusion of this course, you will have a solid understanding of utilizing in design to create your professional magazine layouts. I am your host, Elias Aarapols, and I've been an educator over the past 30 years teaching paid layout, Vector Design and animation. A award winning author of the Church of ora, an Interactive Museum guide, featuring some of the oldest surviving Byzantine Mosics, and Frescoes in Istanbol. We'll begin the course, understanding how to create the magazines layout grid based on the letting value of the body text with margins, columns, and guides. We'll create the magazine cover as being the first thing to grab readers attention. The magazines folio for both page spreads, we'll build the content space for the corresponding articles. We'll add the feature magazine article with headline and strap liine, To spice up our layout, we'll use highlighted text and line caps. For decoravements, we'll add drop caps in the paragraphs. And lastly, we'll add a photo gallery using Gridify based on live captions coming from Adobe Bridge. 2. Document Set Up: All right, everyone inside our doping Design CC. I'll go ahead and start this off by creating a new document. Inside the document dialog box. I'll click on the print presets from the list of presets, I'll choose the letter size, which is the most common size in the United States. I'll give it a name of digital magazine. I'll change the units of measurements from picas 2 ", and that gives me a page width of 8.5 " and a page height of 11 ". I'm going to set the number of pages using the Aparok for now to four pages. I'll make sure that the facing pages option is checked on as it is by default, which means the magazine will be laid out as a two page spread. Now, margins define the content, which may include text images, another content design. Typically, we set the margins here, but for now, I will zero them out, and I'll set the margins in a different step. Bleed is the area extending past the edge of the page, and it's used to avoid strips of white paper showing on the edges of your prints. So I'll set the bleed to an eighth of an inch and I'll click to create the new documents. 3. Document Grid Calculations: Grids provide rhythm to your designs. They help give your page balance structure and readability. I'll go ahead and create a document grid with rows and columns separated by gutters. To calculate this, we are looking at the page size of 8.5 " by 11 " or 612 points by 792 points since this is the unit of measurement we will use as the letting size is always measured in points. Now, the letter size of this document has an aspect ratio of one to 1.3. And to maintain that aspect ratio, our document grid will have 13 rows and ten columns. That will give us the most square grid for the layout. The height of its row needs to be as big as one line of text, two lines of text or three lines of text, and so on. So for this print magazine, I'll set the height of it row with three lines of text, so that will be 13 times three, and that equals 39. Now, let's not forget the space in between each of these rows. That will be the gutters space. In this case, we will have a total of 12 gutters, 39 plus 12 gutters that equals to 51 lines from the top margin down to the bottom margin. Here, we need to make one important design decision that is to set the letting value of the magazine, which is the distance between two lines of text. On my end, I'm making the design decision to set the letting size 213 points. 51 lines times 13. This is going to give me a height of 663 points. Where most of the content will be contained. So to determine the amount of space for the top and bottom margins, I'll take the page height of 792 points and subtract the 663 points. That leaves me with 129 points, which is the top and bottom margins combined. Now, it is a personal choice, how to distribute the 129 points between those margins. For this print magazine, I'll make the top margin smaller. Since the bottom margin will include the folio referring, for example, to the page numbers, the name of the magazine, and the publication date. As for the inside and outside margin space, I will divide the 129 points by half, so I can center the entire magazine. 4. Margins and Guides: Now that I've done the calculations figuring out the margins and grid sizes, al goheds and set those up. What is important here is that we work inside the pages window and specifically with the A parent page. Since every time we need to have the margins and guides visible, both will appear throughout the entire magazine. Schohad and double click on the a parent to work on both pages, and then under the laud menu, I'll bring up the margins and columns. As you can see the unit of measurement is set 2 " since that's the way we set up the new document. But the calculations were done using the points as a unit of measurement. I'm going to cancel this out. Then right here in this corner where the rulers intersect a right click and switched points. B on the lad menu, March and columns, set the top margin 259 points. I press the tab key on the keyboard, set the bottom 270 points. Continue pressing the tab key. The inside margin will be set 64.5 and the same for the outside margin 64.5 to center the entire magazine into the page spreads. As for the go space, that correlates with the size of the body text, letting value, as mentioned previously, I've made the design decision to set that to 13 points and then click. For setting up the guides back on the lad menu, I'll bring up the create guide dialog box. I'll set the number of rows to 13. The number of columns to ten, and once again, the garrospace will be the same as the body texlating value, which set to 13 points. I'll make sure the fit guys is set to margins, and then click Okay. So, whichever page I navigate to, both the margins and guides are visible, so I can place the text and images following the layout. Now, this visibility comes from switching screen modes. Right now, the screen mode is set to the nom mode where all visible grades and guides are showing. I can also switch screen modes and choose the privy mode, which is how the end design will look, or we can use the keyboard shortcut to switch between those two screen modes. 5. Magazine Cover - Part (A): The first page of a magazine is the cover page. In this case, I'm just going to double click to get into the very first page spread. And look inside the layers panel, here's layer one. So I'm just going to click one and rename this two photos, and that's what I'm going to put the photos. I'll click on the PSC to create a new layer, then I click one and rename layer two text, and that's what the text will reside. So I'm going to lock this one temporarily and just work on the photos layer. So from the tool bar, I'll go ahead and grab the can tool. And then from bleed to bleed, I'm just going to click andr to create a rectangle shape. And for a fill color, and symsis libraries, I'm just going to apply this color of my choice, and then click on to rename this two BG. I lock this one, so don't accidentally move it and continue working with the rectangle tool from bleed to bleed once again, click and drag to create a rectangle shape acts. I'll release that and apply this fill color of my choice, and then click once to rename this two top box, and then hit enter return and then lock this don't accidentally move it. Continue using the rectangle tool. Once again, from bleed to bleeds. I'll click and drag to sat another rectangle. Frame here. Perhaps around here, I'm going to release that and apply this color of my choice. Let's say that will be the title box. Once again, lock the sons don't accidentally move it. Now I'm going to go ahead and place the photo of the cover this case, I'll use the rectangle frame tool. Once again, from bleed to bleeds. I'll draw this rectangle shape with a frame tool, and under the file menu, going to place inside my PS folder. Here it is the psb document, the head of the Alexander, and then click to open. All right. Now looking inside Photoshop, here is the head of the Alexander. Now, this document has the same dimensions as the magazine here. If I go under the image menu, image size and switch the unis measurements to inches. Here it is with 8.5 b 11. This is just the side notes. Back on the magazine cover here, that looks good. It's just what I can do is I can just double click to get into the photo and then just bring this down just a tad because I need to have a bit of a space breathing space breathing room between the title and whatever comes here. So the frame is still there. One thing is a double click to get into the contents of the frame. I'm just going to lock this one, and the next step is to add the corresponding text for the magazine cover. Okay. 6. Magazine Cover - Part (B): To add the corresponding text to the magazine cover first inside the layers panel, I will lock the photos layers so don't accidentally move its contents. Unlock the text layer, just click on it to make sure that all contents go inside that layer. So I've got some notes here. And the first I'm going to add to insert as a corresponding text will be the special collector's edition. I'll to the clipboards. Grab the type to form a tool bar, and then click and drag to create a text frame, release that and then past that in. I'll double click, and then select everything, and I'll set the phone family to aerial. Phone weights to bolts, I'll up the phone size to 18 points. The text will be white and to center this first with the selection tool, I'll double click in any handle right here to quickly fit the frame to its contents. Now I can center this right here with the horizontal center. But first, I need to make sure from the options that I'm going to in this to the page and then click to center. Now, with the darrow key, I'm just going to not this a bit. And no center this here. I like that. I'm going to lock sod on extent move it. Continue. The next will be the archaeological times. That is the name of the magazine. I'm going to cap this. Grab the type tru, click and drag to create a text frame. I'll paste that in, double click select everything. The form family will be set to the data pro, and that will be bold and I will up the size 246. I'll give it a color. Let's see this color of my choice. Once again, I'll go ahead and fit the frame to its contents by double clicking on this handle here. Center this. And maybe bring this up just to Tad, and then continue. That would be the tmchological Museum. That's like a by line here. I'll copy this. Grab the type tool, click drag, I'll past, double click, select everything. Once again, I'm going to use a P. That would be extra bolts The size will be set to 18 points. I will be all caps, and this is the call of my choice. Once again, double click to fit the frame to its contents, and then center this. I like what I see. I'm going to lock this both. Next I'm going to add more text to this negative space. 7. Magazine Cover - Part (C): Continuing adding more corresponding text. I've got some notes here. The first article would be the lysian sarcophagus. Actually, this is going to be the main article. I'm going to copy this. I'll grab the type tool from the toolbar and then click and to text frame. I'll release that I'll double click to get into the paragraph. I will select everything, and this is going to be a line to the right. For the phone family, I'll set the son to aerial. Area black is okay, but the phone size will be set to 19 point verleting of 21 point, that will be all caps, and this is the color of my choice. Now, let's make sure that this actually lines up to the boundaries of the margin. I'm going to switch between the preview mode to the any modes. I'm going to bring this right here inside the boundaries of the magazine, and I'm going to resize the text frame like so. I'm going to bring this up. There we go. We've got that. Let's continue with the masterpiece of Hellenistic sculpture. I'll copy this. Grab the type tool, click and, I'll paste that in. And I make sure again this lines to the right. This is the color of my choice. Fun fan will it be set to aerial, regular font size to 13 points of a letting of 15 points. And I'm going to resize that. No need to add any break Lex. Going to bring this close since this actually is part of the lysian sarcophagus. All right. S lex kits. I'll continue this. Next, we got the sarcophagus of the morning women. That's another article here. I'm going to copy this to the clipboards and then click Andra create a text frame. I'll paste that in. I'll select everything here. This is going to be again aligned to the right. The phone family will be set to aerial black over 14 points and 18 points of letting. The color my choice will be this color here. Let's make sure we are within the boundaries of the margin and we are going to bring this close. Alex we'll continue this with the Alexander the great. I'll cap this and create another text frame, paste that in. And what I'm going to do is actually is double click to get into the paragraph. I will select everything from the tool bar, I grab the eye dropper tool, and I'm just coin two. Let me a bit here to just sample the properties of this text and this will be applied to this text here. L? Nice and easy. All right. And I'm going to bring this close and perhaps I can resize the text frame just a tad, something along those lines. We've got, I believe, Omer text to go, the sculptures of Hellenist Roman period. I'll copy this. Do the same pretty much Paste that, select all this, grab the eye dropper, sample this text properties. Of course, now I need to resize the text frame so things fit correctly. Maybe resized it this way. There you go. The crit. Of course, adjusting the position will be necessary, but for now this scrit we've got a couple of more things to add and the magazine cover will be ready to go. 8. Magazine Cover - Part (D): All right. So a couple of things to finish off the magazine cover. And that is with the selection tool. I will make you select all of these text frames. And pressing the shift key. Just going to bring this down to Tad like so. Maybe I can bring this up just a bit. Now I would like to have some separation between the two articles here. For that, I grab the pen tool for a tool bar. Click one, press Shift key, and click again to create a straight segment. Now I want the straight line to have two points of thickness, and then this color for straw color. Zoom in a bit here. Maybe bring this up just to Tad and bring two to kind of split the distance between those two. All right? For this one here, maybe I can bring this down just a little bit. And then I've got some notes that will be the plus C one here. That will be area Bolt 48. So I'll click reg, I'll type the plus icon, I'll select that a a color of my choice. That would be aerial bold set to 48 points, and then double click to fit the frame to its contents and just bring the scene right there. There you have it, we just finished the magazine cover. 9. Magazine Folio - Left Side: Magazine folos can have page numbers, names, issue dates or months. And so in our magazine progress, I'll add page numbers and names. Now, for the folder to appear throughout the magazine. That means we need to work inside the a parent page spreads. Double click to get into that. I'm also going to switch between the previous modes and on my mode to be able to see the margins and guides. In addition, inside the layers panel, I'll block the text layer, and then I'll click on the plus sag to create a new layer. I'll click one, rename this two folio. I'll grab the type tool, and then click drag to create a text frame. Okay. Release that. And the first element that I'm going to insert is the page number. So under the type menu, insert special character markers and current page number. Now of the bat, we get the letter A, and that's because we are inside the A par and page spread, but that will change once we start navigating throughout the magazine pages. All right. After that, I will insert a white space. So instead of using the space par for that, Design can do this for us. Under the type menu, insert white space and insert and space. After that, I'll insert a vertical line or what we call the pipe symbol. We can do that with the help of the glyph spanel Under the type menu, I'll bring up the glyph panel, and I'll do a search for vertical. Here it is. When you have it over, you can see the name vertical line. All you have to do is just double click to insert that. Great. After this, I need another white space. I do the type menu again, insert white space, and then insert an n space. After that, we're going to have the name of the magazine. That would be the archaeological times. I'll paste that select everything, and I'm going to assign a pago of style. I'll click on the Parag of style panel. Then click on the plus I' going to create one. I double click to get into the paro styles options. I'll give you a name of folio left spreads for the basic character formats, for the phone family, I will assign aerial. For the phone style bolts and I set the size to 7.5 points and then click. Now, the event that you see this plus icon, that means we have some mixed overrides. All we have to do is just right click and then apply fool your left spreads, and then clear overrides. 10. Magazine Folio - Right Side: So we've got the folio left spread. Now we need to work on the opposite side for the folio right spread, since after all, this is a special edition magazine. We are still inside the A parent P spreads and also inside the folio layer. And once again, I grab the type tool. And then click rag to create a text frame. Release that. Now, the mouse is black in here, which means we need to actually be on the other side on the right side to start. So up in the control bar, right here, I'm going to align this to the right, and the first element to add to insert will be the page number. Under the type menu, insert special character, markers, and then current page number. Now, to move past the page number, I use the left RO key on the keyboard, and then under the type menu, I will insert an n space. Again, to move past the n space. I'll use the left RO key on the keyboard. Then back on the type menu, I'll bring up the glyphs panel. I'll double click to insert the pipe symbol. Then again, to move past the pipe symbol. Use the left arrow key on the keyboard, and then back on the type menu, insert an otherwise space, and space. And to pass that. Again, I use the left arrow key on the keyboard. Now, this is going to be the special addition, so I'm going to capy this, and then paste that in. I will select everything and create another part of style. Inside the par of styles panel, I'll click on the plausc to create one, double click on it, and give it a name of folio, right spreads. For the basic character formats, font famer will be set to aerial, P style to bolts and the size will be 7.5 points us to double check my work inside the in spacing, the alignment is to the right and then click. 11. Magazine Folio - Positioning Text Frame: All right. Looking at these two foliar text frames, they are glued to the bottom margin of the pages. We need to add some breathing space in between. I'll click to select the text frame and then right here at the center, I will double click to fit the text frame to the contents. I'll do the same on here. I'll double click right here to the center to fit the text frame to the contents. Now to add the breathing space, I'm actually going to do this numerically. I'll click to select the text frame. Then on the wide location, I'll add 25 points, and then press enter return, and that moved 25 points. I'll do the same one here. I'll add 25 points, press enter return, you can see, both volar text frames have equal spacing at the bottom of each pay spread. And navigating, for example, to the second and third page spread, we can see the page numbers, as well as the names, the archaeological times, and the special edition. I. 12. Magazine Folio - Removing from Cover: Okay. There is one more point I would like to bring to your attention, that is, folio page numbers do not appear on the magazine covers. So in this case, I'll double click to get in to the first page. Looking at the very bottom of the magazine cover, here is the folio, special edition and the page number one. So in this case, we need to ommit this. From the flat menu, I'll click one and then choose apply parent two pages. We are on page one. So apply parents, none, and then click, and now you can see the folio has been omitted from the cover page, but it does appear to the rest of the magazine page spreads. 13. Body Text - Paragraph Style: What follows the magazine cover are the articles and the page spreads. That means we need to lay down the foundation of the magazines reading text. Inside the magazine progress, I'll double click to get into the pages 2 and 3. I'm also going to switch from the preview modes to the m modes, from the toolbar, I'll grab the type tool and then click and drag to create a text frame. I'll release that. Under the type menu, I'll fill this with placeholder text. Now, to be efficient with my work and make sure throughout the magazine, reading text is the same for every paragraph. I'll create a paragraph style, so I don't have to repeat the process over and over again. I will double click to get into the paragraph. I will select everything inside the par styles panel. I'll click on the plus icon to create a new paragraph style. I'll double click on it, inside the styles options. I'll give it a name of body text. Under the basic character formats for the phone family, I'll assign the data P. Phone style will be set to regular. Size will be set to ten points, and the letting value 213 points, and then click. So to demonstrate this on this next page spreads. Once again, I'll grab the type rule and just create a text frame. I'll release that, and then fill this with placeholder text. So to apply the same style as this paragraph to this paragraph reading text. All I have to do is just click on the paragraph, and then apply the body text paragraph style. 14. Two Column Paragraph: To showcase the next steps and before I move forward, I will temporarily transition from a single column to a two column format and provide a visual reference to see how paragraph text appears across spreads. With the selection two, I'll click to select the text frame and under the object menu and inside the text frames options, I will increase the number of columns two and set the go space to 13 points, which is the same as the letting value of the body text then clicker. 15. Body Text - Hyphenation: Continuing with our magazine in progress and to improve the reading text, I'll make some adjustments to the words that get hyphenated inside the paragraph. You see these words gets hyphenated, this word, the words and so on. In this case, I'll double click inside the body text paragraph style. Under the hyphenation and the options, first, we have the words with at least. Here we can control how long a words need to be to get hyphenated. I'll set this one, two, seven letters. There will be four characters kept at the end of each line, and three characters carried down to the next line. It will be only one hyphen for every row. I'm also going to move the slider all the way to the left for better spacing, and no need to have any options for capital words across column and last words, and then click. 16. Body Text - Justification: I. Word spacing plays a big role in determining the density of the type, and the place to go is the justification settings. I would double click on the body takes paragraph style and inside the paragraph style options and under the justification settings for variation in word spacing on its minimum, I'll set this one to 85%. I'll press the tab key twice, and to balance that, I'll set its maximum 250%. For the desired I'll use the uparoky on the keyboard to increase the space between words and adjust it slightly to an increase of just 10%, and then click. This is just a personal preference, and what suits the typeface. When these settings are applied to a large amount of reading text, they can have a big impact. 17. Body Text - Baseline Gird: A baseline grid is a grid of horizontal lines evenly spaced across the document for aligning columns of text, and that's what we're going to create here horizontal guidelines that keep lines of text consistent from page to page. I'll spits between the preview modes and the m modes. To make the baseline ride visible under the view menu, grids and guides show baseline grids. And to customize the baseline grid, according to the type, I'll bring up designed preferences panel. Inside the grids, we've got some options. I'll change the preview color to a light color. The starts will be set to zero, and it will be relative to the top margin. You see, this is the top margin. Increment e very refers to the space in between grid lines, which corresponds to the letting value of the body text, which is set to 13 points. Finally, I'll check off the grids in back. The baseline grid stays in front of any object like a photo or a solid filled object on the page, and then click Okay. Now, let's not forget to set the body text to be locked to the baseline grid. I'll double click on the body text part of style, and inside, it is in spacing for our align to grids, I'll click on the OPT menu and then choose all lines and then click. So whatever I move the body text around the page spread, it always snaps to the baseline grid. 18. Body Text - No Indent: Continuing improving upon the body text paragraph style is to indicate to the readers the start of the new paragraph by creating an indentation. I would double click on the body text paragraph style, and then inside the inds in spacing. I'll set the first line indent to be equal to the point size of the body text, which is set to ten points and then click. Now we have indentations when paragraphs begin throughout the text. Here's a new paragraph, another one, another one, another one, and so on. Now, one thing to be mindful is first line indents are not necessary at the start of a new paragraph or when the body text follows a heading or a subheading. In this case, I will make a variant of the body text by pressing and holding the k of the option key, and then click and drag this right on top of the plus icon to create a new paragraph style, double click on it. I'll give it a name of no intent And inside the incident spacing, I will zero out the first line indent and then click. Now to remove the indentation from the beginning of the paragraph. All I have to do is double click to get into the paragraph and apply the no indent paragraph style. 19. Body Text - No Break: On many occasions, even if previously have set the hyphenation settings for the body text, some single letter words still get hyphenated. So it's a good idea to prevent that. Here's an example of a single letter word that gets hyphenated. I double to get into the paragraph. I select the single letter words. And then inside the character panel. I'll click on it, and then click on the flat menu, and then choose no break. Now, to be efficient with my work, I would create a character style and apply that anytime a singular word gets hafinated. Inside the character style spanel and all the way at the bottom, I'll click on the plus second. The creates a new character style, double click on it. I'll give it a name of no break and then click. Whenever I come across a single letter word that gets half an edit, all I have to do is apply the no break character style. Here's another example, double click on it and just apply the no break character style, and that continues throughout the entire magazine. 20. TOC - Setting Up: The table of contents serves as an outline and it is a central reference for the content in a magazine, and that's what we're going to set up here. No need to have those two text frames. That was just for us to set up the magazines body text. I'll go ahead and press the delete key on the keyboard to remove that. I am inside the page spread two and three, inside the text layer. I'm also going to switch between the privy modes and the modes. I grab the rectangle tool from the toolbar. And from bleed to bleed and some right here at the center of the spine of the magazine. I create this rectangular frame. I'll release that. I'll make sure that I'm right here on the fill option. And then inside mysisa libraries, this is the color of my choice for the fill color. I'll rename this two frame, and I'm also going to look it. So I don't accidentally move it. All right. The first thing I'm going to have is the contents heading. So I'll grab the type tool from the toolbar, and then click and drag to create a text frame, I'll release that, and then paste the word contents. I'll double click select the words, and then inside the paragraph style spanel. I'll click on the plus icon to create a new paragraph style. A double clickon and give it a name of contents. This is not going to be based on anything, no paragraph style. I'm also going to remove all of these style settings. Click to reset to base. For the basic character formats, I'll set the phone family to aerial. For the phone style, that will be set to black, and the point size will be set to 24 points. For the paragraph shading, I'll turn this on. The color will be set to yellow. No need to have any transparency so that will be set to 100%. As you can see this occupies, the shading occupies the entire column. In this case, I want on this to affect the text. So the width will be set to text. I'm also going to disable the chain icon and set the top of set separately to a negative value of nine points and then click. All right. Now, to center this to the page, first, I'll double click to fit the text to its contents. I'll make sure that align this to the page. I'll go ahead and center this horizontally center. That looks good. The placement seems to be good like so. 21. TOC - Vertical Line: Another element to add to the table of contents is a separator between text. For that, I'll grab the pencil, and then click one to create the first C point and then press the shift key to create the straight segment. I'll use a two point stroke. I'll make sure that I have the stroke as an option here on the top. And then inside my libraries. This is the color of my choice for this stroke color. Now, go ahead and zoom in quite a bit here. You can see this is just a straight end. When I select that, I can go to the window menu and bring up this stroke panel. And for the cap option, instead of a butt cap, I can have a round cap and now have rounded corners. All right. So the lex kit. I'm also going to select that at the center to the page and also lock those two layers so I don't accidentally move them. 22. TOC - Heading: Okay. All right. Now it's time to create the headings and paragraphs for the corresponding articles inside the magazine. I've got some notes here. This is going to be the first heading, the si and sarcophagus, once again, this is going to be the man article. I copy this. Grab the type tool, and then click text frame and then past to get into the paragraph. I will select everything and then create a paragraph style by clicking on the paragraph style spanel All the way at the bottom, I'll click to creates a new paragraph style, double click on it. I'll give it a name of TOC heading. This is not going to be based on any paragraph style. I'm also going to remove any style settings by clicking on reset to base. For the basic character formats, I'll set the phone family to pro phone style to bold I will apt size 214 points, and then change the color of the character. I'm going to scroll down up and down and see that actually, the color of my choice does not populate inside the swatches here. I'm going to click for now. Diselect everything and then inside my CC libraries. This is the color of my choice. So right click to add that particular color to the swatches. Back on the TOC heading. I'll double click on that. For the color of the character and all the way down on the list, this is the color of my choice, and then click. I'm also going to double click to fit the text to its contents. Then just bring this to the side. Perhaps use the D arrow key on the keyboard. Place it on. 23. TOC - Description Text: I. The lysian sarcophagus heading does come with a short description. So back on my notes. Here's the short paragraph. I'll copy this to the clipboards, grab the type tool, and then click and drag to create a text frame, and then P. I'll double click to get into the paragraph. I will select everything and inside the pagas style panel, and all the way at the bottom, I'll click on the pec to create a new paragraph style. I'll double click on it. I'll give it a name of TOC left. Now, this paragraph style, for the most part, is going to be based on the body text, but inside instance spacing, the alignment would change from left to right, No need to have any first line indentation, so I'm going to zero this out. I'm also not going to align this to the grid as for the color of the character, and look inside, the swatches list, once again, the color does not populate. I'm going to click here, Diselect everything. Back on the CC libraries, this is the color of my choice. All click to add the color to the swatches. And then double click on the TOC left, and for the color of the character and all the way down the list. Here's the color of my choice. And then click. That looks great. Go ahead and zoom in a bit here. First of all, I'll bring this up close to the heading and resize the tad. All right. That looks good, perhaps. But I do have a hyphen in here. I will double click to get into the paragraph. Double click again to select the words that gets hyphenated the incite the character style spanel I will apply the no break. I've got another one here. No break like so. Bring this close, and this one to Is going to zoom out, and I like the spacing. 24. TOC - Remaining Left Side: The left side of the table of contents does have another corresponding article for the magazine. Once again, back on my notes, that will be the morning women. I'm going to copy this. Grab the type tool, and then click Ara to create a text frame, and I'll. That also comes with a short description text. I'll copy this two. Grab a type tool, and then click to create a text frame, and I'll past. Now, to apply the same paragraph style to this text frame as this one. All I have to do inside the paragraph style spanel to click ones on the TOC heading and then double click to fit the text frame into the content, and perhaps just right there, align it to the right. This one here actually already has the correct paragraph style assigned to it. I just need to resize its frame. I'm going to bring this close and make sure that it lines up. A close and resize the text frame. Let's zoom out. I'm also going to select both of these text frames and just bring them down to the tad like so. 25. TOC - Styling the Right Side: The right side of the table of contents does come with headings and paragraphs as well for the corresponding articles inside the magazine. Back on my notes here, the first heading on the right will be the Alexander the grades. I'll this, grab the type tool, and then click to create a text frame, and then paste. This also comes with a description text. I'll copy this. Grab the type tool, and then click rack to create a text frame, and then paste that in as well. For this text frame, all I have to do is assign the TOC heading and then double click to fit its contents to the frame. Align this right there perhaps for this one, well, this one, I'm going to create a new paragraph style, very similar to the TOC left. The difference is that this paragraph right now aligns to the right, but it's supposed to align to the left. The easiest thing to do is to click and drag this right on top of the plus icon to create a duplicate, double click on it, change the name two. To right. Inside inches in spacing, I would align this to the left and then click. Let's go ahead and position this quite close to that. I can bring the frame just a tad inwards. Like so. Perhaps just bring this up. There you go. All right. We've got that. I believe I have one more to go here, and that will be the gallery of sculptures. Grab the ta tool, create the text frame, paste that in that also comes with corresponding text. Copy this past that in as well. For this, I will assign the TOC heading, double click on it. Perhaps more right there. For this, I will apply the TOC. Now we've got that. There we go. I like everything right here. And the only thing I would like to change is actually position the entire contents here, just like in the center of the page. So inside the layer spanel, first, I would unlock the line layer. And with the selection to, I mark select everything. Bring this down to the center. L 26. About the Archaeological Museum: Moving forward with the magazine in progress. Now it's time to work inside the third page spreads. Looking inside the layers panel, I'll go head and lock all of these text layers. I don't accidentally move them. Unlock the photos layer and select it since I will be placing a photo here. So for that, I'll switch between the preview mode and the non modes. I grab the rectangle frame to and then creates a rectangle frame from here to let's say there, and release inside here, I'll place a photo. Under the f menu, I use the place command. Here's the photo of my choice, the front view of the archaeological museum, which is inside the photos folder, and then click. As you can see, this is a quite large photo. So with the photo selected, I'll click right here where it says, fill frame proportionally, and that looks so much better. All right. Now, let's go ahead and add some corresponding text, text, which is about the museum. So for that, I've got some notes. I'll copy this to the clipboards. Grab the type tool, and then click Andrag to create a text frame. I'll release that and then paste that in. As you can see, this text now has a paragraph style probably from this page right here. Inside the paragraph styles panel, first, I'll assign the basic paragraph. Then under the object menu and inside the text frames options, I would like to have two columns. I also need to change the ga space which is equal to the letting value of the body text, which sets to 13 points, and then click Okay. In addition, I do have a forced paragraph here. I will double kick to get into the paragraph and then press the backspace on the keyboard to remove the extra space. Since we are working with a body text, all I have to do is apply the body text paragraph style. 27. First Letter Drop Cap: To make things more interesting with this paragraph is to create a drop cap affecting only the very first letter, which means we need to create a new character style. That will affect just that. Inside the character style panel, and all the way at the bottom, I'll click on the plac create a new character style. I'll double click on it. I'll give it a name of drop cap inside the basic character formats. I'll set the font family to aerial. Font style to black since I want to have something heavy, and the size will be set ten points, which is the same size as the body text, and then click. So to apply this character style to the very first letter. First, I'll zoom I'll double click to get into the paragraph. I will just select this first character, and then incite the paragraph style spanel I'll click on the plus ac to create a new paragraph style, I double click on it. I'll give it a name of first letter, this is indeed going to be based on the body text, and then inside the drop caps and nested styles, the drop cap will occupy one, two, three lines of text. Here we go. One, two, three, one character, here's one character, and will be based on the drop cap character style. All looks great, but we do have this extra space. Now, this comes from the body text since the first letter is based on the body text and inside its in spacing, here it is, we've got the indentation. I'm going to zero this out and then click. That looks great, but there is room for improvement. For example, I can have space between this character and the body text, as well as I can change the color of the drop cap. With nothing selected in some CC libraries, I'll click to add this color to the swatches. Back on the drop cap and double click on this. Under the basic character formats, I'll increase the tracking to 75. Here's the breathing room between the two. And for the color of the character, this is the one that I would like to assign, and then click. The last remaining thing is to find the words that get hyphenated and remove that hyphenation with the no break character style. Here's another one. Here's another one, and so on. 28. Feature Article - Placing Photos: I Moving forward to the next page spreads in our magazine in progress for the feature article. I would double click to get to the fourth page spreads. Also going to switch between the previous mode and the normal modes. The first I'm going to do is place some photos. Inside the layer spanel I need to make sure that I'm working inside the photos layer. And from the toolbar, I'll grab the rectangle frame tool and then click rag to creates the first rectangle frame. I'll release that then under the file menu. I click to place the can sarcophagus, I click to open. I'm also going to click on the film frame proportionally option, which resizes content to fill the entire frame while preserving the contents proportions. Still with the rectangle frame tool, I'll click and drag sheets, another rectangular frame. I'll release that and then place another photo that will be the detailed view of the sarcophagus. Click to open, and once again, use the film frame proportionally option, like so. 29. Feature Article - Headline: The article headline is the first thing that grabs the reader's attention and leads us to reading more about the article. And that's what I'm going to add following the placement of the photos, which means inside the layers panel. I need to make sure that I work inside the text layer. So I'll grab the type tool from the toolbar and then click Andra to create a text frame. I'll release that. And for the texts. I got some notes here. This is all about the lysin sarcophagus. I'll copy this to the clipboard, and all I have to do is paste that in. As you can see, I need to clear up any paragraph styles and character styles. Inside the paragraph styles panel, I'll apply the basic paragraph, and then click and clear any character styles and starts from the beginning. All right. Now, we're going to create a new paragraph style for the article headline. Double click to get into the paragraph, we select everything and then click on the plus I' going to create a new paragraph style, double click on it. I'll give it a name of the article headline. I'll copy this. I'll paste that in for the basic character format for the phone family, I'll assign the era P. Phone style will be set to bolts and I will up the point size to 30 points and then click Okay. All I have to do is just double click to fit the text frame to its contents. The nicen slow by pressing the shift key. I'll send this to the page. 30. Feature Article - Strapline: A strap line is another headline written in a smaller font and gives the reader further teaser information about the article. I'll grab the type two and then click Andra to create another text frame. I'll release that back in my notes. This is going to be the corresponding text. I'll cap this and then paste. Once again, I need to clear up any paragraph or character styles. I will apply the basic paragraph style, and then click to clear any character styles, and then start from scratch. I'll double click to get into the paragraph. I will select everything and then click on the Plas Sg to create a new paragraph style. I'll double click on it. I'll give it a name of Article strap line. I'm going to cap this and then pace in and then inside the basic character formats. I'll set the form family to aerial, P star regular spine. I will up the point size to 13 and set the leading value to 15 points, which is different than the body text. The key thing here is to go inside the ints in spacing and align only the first line to the base line grids. Let me go ahead and demonstrate the effect of the first line only. Double click to go back to the strap line and inside the base character formats. The more I increase the letting value, the more a distance the remaining lines from the first line independently from the baseline grid by using a different letting value other than the body text. I'm going to set mine back to 15 points, and then click Okay. Now I'm also going to resize the text frame. I do have some hyphenation. I'm also going to center this. So back on the strap line, and inside it is the spacing, I'll set the alignment to center, and I will remove any hyphenation, and then click Okay. 31. Feature Article - Reading Text: Now, since this is an article that means we need to have some reading text. Background nodes, this is going to be the corresponding text. I'll copy this. Before I create the text frame inside the layers panel, I'll make sure that I'm working inside the text layer. I'm also going to switch between the pre modes and the ma modes. I'll grab the type, and then click Andra to create a text frame. Release that and then past that in. Now, this text frame here, this paragraph has the right paragraph style assigned to it, which is the body text, and then under the object menu and text frames options, I would like to have two columns of texts and set the gutta space to be equal to the letting value of the body text, which is 13 points, and then click. Now, looking at this paragraph here, this text frame. I do have some forced paragraph spaces which I need to remove. I will double click to get into the paragraph and then press the back space on the keyboard to remove that, remove this extra space and this extra space as well. I also get this plus icon. This plus icon indicates there is more text into the text frame, so I will create some additional space. So I'll bring this up a bit. In this one, two, and increase the size of the text frame, and now the plus scon disappears. I'll remove the first line indentation by double clicking and assign the non dent, whatever I find words that get hyphenated, apply the no break character style. Here two, and this one, two as well. 32. Feature Article - Kicker: The kicker will indicate this page spread is the feature article of the magazine. It is an additional headline helping to draw readers in and it is usually displayed at the very top and differently styled. To start this some working site, the text layer I'm also going to switch between the privy med and then meds. I'll zoom in a bit, grab the type tool and create a text frame that bleeds to the top edge of the page. I will click rag to create a text frame. I release that. Since this is all about the feature article, this is what we're going to have here, I'm going to copy this to the clipboards, click one, and then paste that in. I'm also going to make sure that this text frame lines up to the guides. Also you can see that I have this plus icon as an indicator. That means that I have some formatting issues. Inside the part of style panel, I have to do is apply the basic part of style. Here is the feature article. Now inside my S libraries. This is the color of my choice for the background color of the text frame. I double click to get into the paragraph. I will select everything. Then I will click on the plus I'm going to create a new park of style. I double click on it and give it a name of kicker. Under the basic character formats, I'll set the phone family to aerial, phone style to black, I'll up the size to 14 points, and that will be all caps. Under the intent spacing. I will align this to the center. For the color of the character, and all the way down, I'm just going to select this color of my choice, and then click Okay. All right. That looks great. Let's continue on that. So under the object menu, I'll bring up the text moms options. And for the vertical justification, I will align this to the center. We also have to take into consideration and count the magazines bleed space, which is set 29 points. For just for the top inset space, I'll set this one, 29 points. Then click Okay. Perhaps this can stretch out just a bit on the height. So right here, I'm going to this 250 points like so. Another thing I can do is inside the property s panel is to have a couple of corners to the bottom left and the bottom right. I'm going to click on that. Inside the cerptonsFirst, I will enable the chain icon and zero out all the corner sizes. And then disable the chain icon and set the bottom left to six points, and the bottom right also to six points. Now, the shape is set to none, so I'm going to set that round and round it like so. 33. Lycian Sarcophagus - Placing Photo: I Moving on to the next page spread, the fifth page of the magazine inside the pages panel, all the way at the bottom, I will click on the plus icon to create a new page and make sure that I'm working inside the photos layer since, I will be placing a background photo. For that, I'll switch between the prev mode and the modes, and from the tool bar, I grab the rectangular frame tool, and from the very center right here on the spine, I'll click and reg to creates a rectangular frame to the bleeds and all the way at the bottom. I'll release that and since I will be placing a photo, under the file menu, I'll use the place command to click select the corresponding photo of the article, and then click to open. All right. I've got the photo, now I just need to fit the photo within the frame proportionally. So with the selection tool, I'll click one to select the photo and then inside the property s panel. Under the frame fitting options, I'll click on the fill frame proportionally xo. That looks great. I just want to reposition the photo within the frame slightly to the right and reveal more of the photo. I would double click to get into the frame. Then nice and slow. I'm just going to click drag. I'm also pressing the shift key on the keyboard to constrain the movement. Like so, I'll click off to the select and inside the layers panel. I'll make sure that. I lock the photos don't accidentally move it. Okay. 34. Lycian Sarcophagus - Faded Gradient: For the next step, I create a side bar for the head line, strap line, and reading text of the article. I'll make sure that I'm working inside the text layer. I'm also going to switch between the privy modes and the modes. From a tool bar, I grab the rectangle tool. And from the top leads our clicking rag to create a frame that stretches out, let's say up to here and there, I least that grab the selection tool and make sure this frame lines up with the guides of the page spread from the control bar, so coin to fill this with a black solid color like so. Now, I would like to actually soften up the solid color with a faded gradient. First, I select a frame and then from the two bar, I grab the gradient feather toil. And that will create the feted gradient from the area of the frame to be solid to the area of the frame to be transparent. I'll click on that. Let's see around here. I'm going to click and to create the feted gradients. Now, that actual is a bit high. I'll tweak this again to move the transparency towards the bottom and be able to see the reading text. Let's see around here. I'll click and to creates another feted gradients and release. We also have the option to get into the effect and change certain things. So inside the property spanel under the appearance, here is the gradient feather effect. I'll click on it, and look inside the gradient stops, this is the midpoint, which I'm going to click and drag this to the right. Now, the gradient fades out towards the bottom, and then click. Now, I can still continue refining this fda gradient. But this time, I'll draw it outside the boundaries of the frame since the midpoint has already been defined. So let's say around here, I'm going to click rag pressing the shifting on the keyboard as well and go outside the boundaries of the frame. And release. I can continue this till I find something that I like. I think it looks good. Inside the text layer. I'm also going to an is two frame, and also it so don't accidentally move it. 35. Lycian Sarcophagus - Headline & Strapline: Since this is another article entry, first, I create the head line and strap line. I'll make sure that I work inside the text layer, and I've got some nodes here. This is the text for the side bar headlines. I'm going to copy this Grab the type tool, and then click and drag to create a text frame. I'll release that, I'll paste that in. I'll double click to get into the paragraph. I will select everything inside the paragraph styles panel, first, I'll apply the basic park of style to remove any kind of formats. Then click on the Placo to create a new park style, double click on it, and I'll give it a name of sidebar headlines. I'm going to copy this. Paste that in under the basic parketer formats. I'll set the font family to aerial font style to black, I'll up the point size to 15 points and change the color of the character to white, and then click Okay. All right. I'll click off and then zoom in a bit. Click to select the text frame, and then double click to fit the text into the frame and make sure this sits right here on the top and right here at the center in relation to the rectangle frame. So I'm going to zoom out a bit here. And work on the strap line. So I've got some notes here again. I'm going to copy this text. I'll grab the type tool. Click Andro to create a text frame. I'll release that. I'll paste that in. I'll double click to get into the paragraph. I will select everything. Once again, apply the basic paragraph style, Tremove any kind of format. I'll click on the plus second to create a new paragraph style. I'll double click on it, and I'll give a name of sidebar strap line. I'll copy this. Past Under the basic character formats, I'll set the phone family to aerial. Phone style will remain regular. I reduce the point size to ten points. I'm going to have all caps. Inside is in spacing. I will align this to the center and change the color of the character to wit and then click. I'm going to click off here for a second. Zoom and resize the text frame. Right there and right there and then just bring this in and then bring this up closer to the headline, like so. Okay. 36. Lycian Sarcophagus - Sidebar Body Text: To close up the space spread, a couple of more things to add, and that will be the reading paragraph with an additional drop cap. I'll make sure that I'm working inside the text layer. Looking at my notes, this is going to be the corresponding text. I'll this. Grab the type and then click and to create a text frame. I'll release that, and then paste that in. I'll double click to get into the paragraph. I will select everything, and inside the paragraph style s panel. I'll click to apply the basic paragraph style to remove any kind of formats. Now, the corresponding paragraph text has indeed an additional paragraph space, which I need to remove. But this is not visible here in this text frame. That is because I need to go under the tap menu, and then turn on the show hidden characters, and now we can see the paragraph symbols. For example, here's one, one, and one. This is the additional one that creates the forced space. Double click to get into the paragraph. I select that, and then press the backspace on the keyboards to remove that. Now, initially, I will apply the body texts for this paragraph here. But now I need to create a new paragraph style that has most of the formic controls of the body text without being based on. In this case, I need to duplicate this paragraph style, so we click and drag this on top of the plus icon. Here is, here's the duplicate, Apoc I'll give it a name of gradient text. This is not going to be based on anything. I'm just going to change the color of the character to whites, and then click. That looks great and now we're ready to create the additional drop cap. 37. Lycian Sarcophagus - Sidebar Drop Cap: For the creation of a new drop cap, I will need to create a new character style. Inside the character styles panel, I'll click on the plus second to create a new character style, double click on it and give it a name of side bar drop cap. Under the basic character formats, I'll set the phone family to aerial. The phone style will be set too narrow, and then click Okay. Now, what is important here is to not have any character style selected for the upcoming paragraph style that will be hosting the drop cap. So we select none. I'll click back on the paragraph styles panel. I'll click on the PLS Sac and to create a new paragraph style, double click on it, and give it a name of sidebar First letter. Now, this part of style will be based on the gradient text, since that's the style we applied for this text frame. And then inside the drop caps and esta styles, the draw cap will occupy one, two, three, four, five lines of text. One character and the character style would be set to side bar drop cap. And then click Okay. All right, so to apply this side bar first letter to this paragraph. I'll double click to get into the paragraph and just select the very first letter, and then just click on the side bar, first letter, like so. So here's the drop cap. But now, I need to remove the first line indentation, as well as to add extra space between the letter and the paragraph. So I will double click to get into the paragraph options, and inside incent spacing. I will zero out the first line intent then click Ok as for the extra space between the drop cap and the paragraph. Back on the character styles, I'll double click to get into the side by drop cap, and inside the basic character formats, I will increase the tracking to 100, then click Ok. Now, I do see a couple of words that get hyphenated, this one and this one. Double click to get into the paragraph, double click to select just the word that gets hyphenated, and then apply the no break character style right here to apply the no break character style, like so. 38. Alexander the Great - Placing Photo: Moving forward with a magazine progress inside the pages panel, and all the way at the bottom, I'll click on the plus second to create a new page. I'll make sure that I'm working inside the photos layer since I will be placing one. I'll switch from the prev modes to the animal modes and from the tool bar, I grab the rectangular frame tool, and from the bleed area, I click and drag creates a rectangular frame that stretches out up to here. I'll switch the selection tool and make sure that this rectangular frame lines up with the baseline grades. So to place the photo under the file menu, I use a place command to click and select the photo of the Alexander the grates. I'll click to open, and I'm also going to make sure that I fill this frame proportionally. Alex grades I just want to move the photo within the frame slightly to the left. Double click to get into the frame. The nice and slow by pressing the shift on the keyboard to constrain the movement, I'll move the photo within the frame slightly to the left. And I'm also going to make sure that I lock this photo so don't accidentally move it. Okay. 39. Alexander the Great - Headline: Since this is another article entry this time about the Alexander the Great, I'll start creating the headline, which means I need to make sure that I'm working site the text layer. So from a tool bar, I grab the type tool, and from site sites, I create a text frame. I release that inside my notes, here it is. I'll copy this. Then past. I'll grab the selection tool. And inside the par gap styles panel. First, I will apply the basic par g of style, then click to clear any character styles and avoid any formatting issues. I'll double click to get into the paragraph. I will select everything. Then click on the plan second to create a new paragraph style. I'll double click on it and give it a name of headline border. I'll cap this. I'll paste that in inside the basic character formats, I'll set the phone family to aerial, phone style to black. I the point size to 30 and use all caps and then click Okay. All right, so the legs cut, but I will continue refining the style. I will double click to get into the Parag of options and inside the park of border, I'll turn the borders on. The first thing you need to do is zero out all the stroke sizes. Here we go. Now I will disable the chain icon and set the top stroke 23 points. The bottom stroke also to three points. And looking here, the top stalk is axially glued to the cap height of the text. So I need to offset that a bit. Looking inside the offsets, first, I will disable the chain icon and then up the top offset. 7-8 points x skirt, and also want to have the stroke only affect the text rather than the entire column. I'll set the width to text and then click select the text and then double click to fit the text into the frame. I'll make sure that I line this to the page, and then I will sent to this horizontally. I'll z bit here, and then use the dark on the keyboard to position this to the very top of the page spreads. 40. Alexander the Great - Highlighted Text: Highlighting text can add emphasis and draw attention to specific parts of your magazine, and that's what I'm going to create. Still working inside the text layer and looking aside my notes, this is going to be the corresponding text for the paragraph that gets highlighted. I'll copy this. Grab the title, and then click Andra to create the text frame and release that and then paste that in. As you can see, I do have some formatting issues coming from the previous paragraph style. I'll click on the basic paragraph style, and I do get this plus icon. When I have a over in design notifies me that I have some overrides and specifically mixed overrides. I will right click. Instead of clearing the overwrites separately and the character styles, I'm just going to clear everything and starts from the beginning. Now for this effect to work, I need to have paragraph breaks every line of text gets highlighted. In order for me to be able to see those paragraph breaks under the type menu, I need to turn on, show hidden characters. I will double click to get into the paragraph and then press the backspace on the keyboard to remove the space between the two words and then press er return. Here is the first paragraph break. I'll do the same right here. I'll press the back space on the keyboard to remove the space between the stewards and then press enter return for the second paragraph break. Here they are. I'm ready to create the paragraph style. With the text frame selected, I'll click on the plus second to create a new paragraph style, double click on its I'll give it a name of highlighted text. I'll cap this. I'll paste that in and inside basic character formats, I'll set the phone family to aerial, regular spine. The point size will be set to ten points, and the letting value will be set to 13 points, which is the same as the body text. For the case, I'll set the spine to small caps and inside and spacing, I will align everything to the baseline grids. All right. Now, how about the highlight effects? I can do that inside the parka rules. I'll turn the rule on. That would be the rule above. I'll set the weight to ten points. Now I need to change the highlight color to another color so I will be able to read the text, so I'll set mine to this column of choice. Because I would like to have the highlight affect only the text and not the entire column, I'll set the width to the text. In addition, I'm also going to have an underline. Click on that, I'll turn the underline on. I'll set the way to one and the offset 22 points and change the color of the text to this column of choice, and then click. That looks great, but I still need to refine this a bit because the highlight needs to get glued to the underline. I will double click to get to the paragraph style, and then back on the paragraph rules, I'll have a negative offset of minus two points, and then click. All I have to do now is resize the text frame, like so. Okay. 41. Alexander the Great - All Caps Line: Articles do come with some description text, and so my notes. This is a brief history about the Alexander the grades. I'm going to copy the clip parts. I'll make sure that I'm working inside the text layer. I'm also going to switch between the privy mode on modes. From the tool bar, I'll grab the type tool and then click track to create a text frame. I'll release that and then as you can see. I do have some formatting issues. Coming from the paragraph style. In this case, first, I will apply the basic paragraph style, and then right click and then clear everything since I will be creating a new paragraph style for this paragraph here. Now, this paragraph will be based on the body text. First, I'll click to select the paragraph and apply the body text. Then I will click off to deselect. Now, the plan here is to have only the first line of text with all caps, a heavier font weight, and a different character color. Inside the character styles panel, I'll click on the plac to create a new character style, double cricon and give it a name of all caps. This is not going to be based on anything inside the basic character formats, set, the font family to data P, font style extra bolts, no need for any tracking. Case will be all caps as for the size of the letting. No need to set those since this paragraph will be based on the body text. But I'm going to change the color of the character to this color of my choice, and then click. Now, before creating a brand new paragraph style for this reading text, I'll make sure that no character stars are selected, and then back on the paragraph styles panel. I'll click on the plus second to create a new part of style, double click on it, and give it a name of all caps. Line. Now, this is going to be based on the body text and inside drop caps and styles. Since we only want the first line of text to be affected, then we need to create a new line style. I'll click on that. The line style will be based on the caps character style and will only affect the first line, this one right here. Click Okay. Okay. Now, to apply the lines cap to this paragraph, I will double click toes into the paragraph, and then just click once to apply the all caps line, like so. All right. So things are looking great. I do have a couple of issues. First, I need to remove the first line intentation, as well, I can see that I have some words that get hyphenated. I would double click to get into the all caps line paragraph style. Inside, it is in spacing. I will zero out the first line intent, which comes from the body text since this is based on the body text, and then click. As for the singular words that get hyphenated, I will double click to get into the paragraph, double click to select the words and apply the no break character style. I believe I have one more here, double click on that and apply the no break as well. Last thing remaining is to select the text frame and resize it and position it at the bottom, like so. 42. New Parent Page - B Parent: Moving forward to the last page of the magazine progress inside the pages panel, and all the way at the bottom, I'll click on the blast secon to create one. For this page, I would like to cover it with a solid background color as I did with the table of contents. However, I'll take a different approach by creating a new parent page, and that will give me flexibility towards having a more visible folio since this spread will have a dark background. So go ahead and then click to duplicate the A parents and I have the B parent page with a folio as needed. I will be working on the photos layer, I'll switch between the privy mode and the mode. From the tool bar, I grab the rectangle tool and from bleed to bleed in the middle of the page, I create the rectangle shape. I release that from the CC libraries, this is the color of my choice. I'm also going to make sure that I lock this layer so I don't accidentally move it. Now, for the folio on the right side, the special addition, I need to change this color from black to a lighter color, and I can do that by duplicating its style which just a small modification. Inside the paragraph style panel, The fo right spread is the style that is assigned to this text frame, click and drag this run on top of this plus icon to duplicate, double click dates to the styles options. Then rename this two fo spread, W W is the abbreviation for the color weight and then inside the character color just contrasign the white color and then click. To apply this new style to this text frame, first, inside the layers panel, I need to unlock the photo layer since that's where we added the fool text frames. I'll click to select the text frame and just click to apply the new style like so. Back inside the layer spanel I will lock the photo layer, and to apply the B parent page to the seventh page spread, all I have to do is click and then choose apply parent two pages from the list, I'll choose the B parents, and then click. I'll double click to gets to both page spreads. Looking at the photo of the Alexander the Great, I can see that it extends past the spine. I will unlock click to select the frame and just resize it just a tad, and then lock it back again. 43. Sculptures - Headline: This page spread is all about the Hellenistic and Roma sculptures. The first element to add will be the headline. I'll make sure that I'm working inside the text layer. I'm also going to switch between the prev modes and the nom modes. I'll grab the type from a toolbar and then click Andra to create text frame. I'll release that and look inside my notes. This is the corresponding text for the headline. I'm going to this, and then paste that in. As you can see, I do have some formatting issues coming from another style. Inside the paragraph styles panel, I'll click to apply the basic paragraph style, and I'm ready to create a new style for this headline. All the way at the bottom, I'll click on the pla cc to create one Apoccon I'll give it a name of gallery headings, so I'm going to cap this. I'll paste that in Inside the basic character formats. I'll set the font family to aerial, font style to bolts. I'll up the point size to 24 points. I'm also going to change the color of the character to whites, and then click. Now with this text me selected, I'll double click to fit the texts into the frame. I'll center it, and then slightly position it around there like. 44. Photo Gallery - Gridify: For the photo gallery, I'll use the powerful grittifi feature in student design to create a layout of photos and captions combining paragraph styles and object styles. The gritty fi feature works with any of the shape tools. So in this case, form a tool bar. I grab the rectangle frame tool and click and drag out and draw a large rectangular frame, and with a mouse still held down, I'll tap one the right arrow key on the keyboard to divide the frame into two columns. By keep tapping the right arrow key, it splits the rectangular frame into more divisions. Tapping the up arrow key that will add rows and the opposite using the de arrow key, and the left arrow key will remove rows and columns. When I let go, it's going to draw as many shapes as I want. Now, the default gap space between those frames, the space between those frames, also known as the gato space can be found inside the marges and columns, which is set to 13 points as it has been configured from the very beginning. So to demonstrate that and change the gap space. I remove that and click and drag out and create another large rectangular frame with columns and rows. With the mouse still held down and pressing the control commands, and the right arochy that increases the vertical spacing. Similarly, pressing the control commands and the up arochy increases the horizontal spacing, like so. 45. Adobe Bridge - Asset Manager: Adobe Bridge is an asset manager that lets you preview, organize, edit meta data, add keywords, labels, and so on. So to generate my captions, I'm using Adobe Bridge to add meta data descriptions to my images before I import them inside design. So, for example, with the statue of Artemis photo selected, and under the IPT C core section. I have already added the corresponding description meta data, and the same thing applies for the rest of the photos. So I highly recommend you spend a few minutes since this is going to play such an important role for generating live captions insights, adb design. 46. Photo Gallery - Placing Photos: To create the photo gallery, first, Spitz from the preview mode to the mode to see the grids for lining the frames. I'll make sure that I'm creating the content inside the photos layer and from a tool bar. I will grab the rectangular frame tool to create a large rectangular frame. And with the mouse still held done. I'm also going to tap on the keyboard, the right arrow key twice to create those three column frames and release. Now, since I will have nine photos altogether, that means I need some duplicates. I'll use the keyboard scuds I'll shift option shift to create the first lubricate, then one more duplicate to go. And release. I will mark you select with the selection to all of these frames and double check my work to make sure that I have equal spacing between rows as I do. And I'm ready to place some photos inside those frames. So under the file menu, I use the place command to click and then shift click to select all the nine photos, click to open, and now the loaded cursor indicates the number nine. So nine images are ready to be placed inside those frames. All I have to do is just click one to place the photo inside the frame and keep doing that for the remaining on these boxes. Now, in the event that you missed as I did here, all you have to do is just under that, and then try again. There we go. Now, nine photos have been placed. 47. Photo Gallery - Object Style: The gallery photos, as you can see, they do not fit proportionally into these frames, and to address that, I will create an psi style and automate the task for future use. Okay. So under the window menu, I'll bring up the bzxtylepanel, and with nothing selected, I'll click on the plus icon to create a new object style, double click on it. I'll give it a name of fit photos and inside the basic attributes. I'll click on the frame fitting options. I'll turn on the to fit, and for the content fitting, I'll choose fill frame proportionally. In addition, I would like to have a stroke on each of these frames. So I'll scroll up and inside the stroke options. I'll set the strong weight 2.75 points and use this color of choice for the stroke color and then click. To apply the object style, all I have to do is with a selection tool, mark and select all of these frames and just click ones to apply the object style like so. 48. Static vs Live Captions: Now that each photo has a description metadata attached to it, I first need to set up the captions and in design gives us a couple of options. A study caption pulls a caption one time, and if the image or description changes, the caption will not update. With the live caption option, when an image is replaced, the caption gets updated. 49. Captions Set Up - Live Captions: To generate the description metadata or the photos inside the gallery. First, I need to set up the options for the captions. Under the object menu, I'll bring up the caption setup. I would not have anything before or after the description text. I'm going to set up the meta data to the description since every photo inside the Dobe bridge has the description metadata attached to it. For the alignments, I'll set this one to below image, and a positive offset will give a breathing space between the image and the caption. I'm going to set the offset to five points. As for the paragraph style, I'll set this one up on a little step and then click Okay. So to generate those captions with the selection rule, I will mark select all of these frames, and under the object menu, captions then generate live captions, and here they are all the captions coming from Adobe Bridge. Now looking inside the layers panel inside the force layer, I can also see those text frames. In this case, I would like to have those separate. I will shift select those text frames and then click drag and bring them in inside the text layer, like so. 50. Captions - Paragraph Style: So to create a new paragraph style, and I assign it to the text frames. I'll go has as a bit. I'll click to select the text frame, and inside the paragraph Sal panel, I'll click on the plusec to create a new paragraph style, double click on it and give it a name of captions. This is not going to be based on anything. So this is correct. Inside the basic character formats, I'll set the phone family to data P the font style to medium, point size will be set to ten points. Inside, it is in spacing, I'll set the alignment to the center. I'm also going to change the color of the character to whites, and then click. Now, design gives us this indication that there is more text inside this text frame by the plus icon. All I have to do is just double click to fit the text into the frame. We'll click off D select and continue proving upon the style. Double click on that. First, I'll add some border. I'll turn the border on. And zero out all the stroke values, disable the chain icon, set the top border to one and the bottom as well. Here they are. Also going to change the color of the stroke to this column of choice, and for the border actually, I would like only to affect the text rather than the entire column. I set the width, To texts, and then click. Not bad. But I can actually continue improving on this paragraph style. I double click on that. This time, add a background color with the shading on, I'll set this one to this color, my choice. No need to have any transparency and click. Let's go ahead and zoom in a bit and see how's that working out. Not bad. I just want to have border a bit outside the background. I double click back to this. Back on the paragraph border, I will disable the chain icon and set the top let's strike with 0.5, st and the bottom to 0.5. That also looks skits and then click. All I have to do now is basically select each of these text frames and apply the captions paragraph style, and also double click to fit the texts into the frame. I'll do this for the remaining of these text frames. 51. Exporting the Print Magazine: Now that the magazine layout is complete, I'll export the design document as a PDF file format. Under the file menu export and for Sava type, I'll choose Adobe PDF print. Inside the PDF dialog box, we can choose predefined presets from the drop down menu, which is a group of settings that affect the process creating a PDF and are designed to balance file size with quality, depending on how the PDF is used. We can adjust the comparability when we create PDFs and which version to use by choosing an option from the drop down menu. Under pages, we can select all pages and range of pages or spreads. Compression specifies if artwork should be compressed and down sampled, and if so, which method and settings to use. Marks and bleeds specify printers marks, bleeds and slug areas. We can have crop marks, bleed marks, or use documents, bleed settings, which is quite useful. In the outputs, we can have a color conversion, some advanced options, and security like password protection. And lastly, the summary of everything. So I'll go ahead to export as pages. Then head back to the file menu and export the magazine layout Aprets Inside the Adobe reader, the one exported as pages is ideal for professional printing purposes, and the one exported as spread. The left and right pages are nicely glued together, which is ideal for screens. 52. Thank you: Thank you very much for spending time with me and learning how to effectively use and design for your own projects. Reach out. If you have any questions or feedback about the course, it would be very helpful to hear from you.