Transcripts
1. Intro: Hi, I'm commercial and I am so happy that you
found this class. I have a question for you. Have you ever heard of
pho quilted designs? Is a no. So quilt, you actually
chunk the edges of the fabric inside the
styrofoam or it stays. And it gives that
illusion of a cool to peace without the
hassle of sewing. I wanted to create the same
thing using Procreate. For the first part
of this class, we're gonna focus on
shapes and talking, rectangles and trapezoids
and triangles. Don't worry. There's no test. And it's okay if
they're not perfect. This is not geometry. This is having fun in procreate. But I wanted to just do this
first step using shapes because a lot of quilts in
real life are based on shapes. One, they're easier to, so there are some odd shapes. Sometimes it's more
of an application. This is where the
cool two pieces underneath and the more bigger, oddly shaped as sewn
over top of the quilt, usually with some kind of decorated stitch
or a top stitch. We'll add some rugged
Valley seems just the shadow valley
that you would get if you actually took the
fabric and tucked inside of Styrofoam will do this by also adding some more
shadows and highlights. For those that like the
traditional quilted look. I'll take you a
couple of steps back and recreate that same scene and just do a top stitch around all those
fakes seems this way. It gives you a little bit
more of a traditional feel that you can recreate in other
aspects of your artwork. Then lastly, we're going to
create another cabin scene. Yes, I love Walgreens homes, but I wouldn't do a little
bit of a winter scene. This is going to be
created with more curves. Think of a no holds barred
kinda type of artwork. I wanted to bring
this aspect to you because this was
created in real life. You're gonna have a lot more
wrinkles in your fabric and a lot more shadows
and highlights because it's a lot more
difficult to tuck those edges in when you're working with a curved piece of fabric
inside the Styrofoam. I'll be using my iPad
Pro and an Apple pencil. I really hope you
are as excited as I am. Let's get started.
2. Class Project : For the class project,
I would really love to see your steps and sketch and process of creating the first
cabin scene project. This is one where
we're going to focus mainly on shapes
and creating it. Then if you wanted to go through the extra steps of
back stepping a few of the steps that we just created into more of a
traditional piece with just some top stitching and some very light shadows in
the valleys of our seams. I would really love to see how your cabin looks in the traditional sense of what equipped would
look like in procreate. After we go through the
process of creating more of a mixed matched cabin scene of curves and more wrinkles and
shadows with highlights. I was loved to see your creation in the projects and resources
section of this class. By you sharing the work in the projects and resources
section of this class. You never know how
much it might inspire others to learn this
process as well. I want to be honest with you. I love looking at other
people's projects. Not only to see
how they perceived a certain skill or
technique in a class, but I love to see
their style and their process when they share it with the
rest of the class. I know sometimes watching
a classroom having time to actually recreate it
can be overwhelming. But as a Skillshare member, you can come back to
this class how often you want and add your project up. Next, we'll discuss
the free resources I supply for this class.
3. Free Resources : In this class, I'm
going to show you some free resources that
I created to help make this process of creating
the folk quilted seen in Procreate little
bit quicker for you. I created several brushes. One I like to call
the rugged Valley. It gives you that remedy edge, whether you use it
and you smudge it or use the Gaussian
blur or use it as is. It just gives you an illusion of depth and unevenness inside those valleys of where the fabric gets tucked
inside the Styrofoam. A created a top stitch. So that way you can use this for a more traditional
type quilted scene. And I created several
pattern brushes. Three of them are just stamps. I wanted to create several
pattern brushes for this class just to give you more options to choose on you're
creating your piece. I know procreate
comes with several already stocked inside the app. And that's great. And some of them
are really cool. But as a newbie person
starting out on Procreate, you might not have
the library as someone who's had
procreate for three years. I also wanted to give
you some linen texture. This is applied as a JPEG that you can import
into your cabin scene. Should you want to give your
patterns a little bit more of a fabric look up next. We'll start looking
for some inspiration for our cabin scene.
4. Finding Inspiration : In this lesson, we're going
to find some inspiration by searching Pinterest and other websites to get inspired. Although my main focus is
going to be a cabin scene, you can choose any
other subject that you are inspired to draw today. I created a couple of Pinterest boards for you to
check out for inspiration. You can find them under the
About section of this class. Under the nose. So quilts. I wanted just to give you some more ideas and inspiration. Should you choose to design
something other than cabins? But I also wanted to give you some more ideas as to
what exactly is a no. So quilt. Inside the winter cabin board, you will find several examples and ideas that you can
choose for your cabin. I like this one. We have a frame. A frame. As you can see, there are several styles
of cabins to choose from. But my first class, I'm definitely doing a frame. You can also choose Unsplash, pixabay and Pexels.com. For other inspiration. Just search for cabin
or cabin scenes. Winter cabin. If you had something
in my more specific, like you could search for an A-frame cabin or a Cape
Cod cabin, ranch cabin. Or you can choose to draw something entirely
different for this class. If you want to use one
of these as a reference, just take a screenshot
and you can crop it down inside your
photos app like this. I'll show you how to add this
to the procreate canvas. If you want to use
a reference photo. Up next, we'll start sketching.
5. Sketching : In this lesson, we're
going to start sketching. I'll be focusing on the A-Frame
style cabin for my scene. But you could choose any other
subject that you desire if a cabin isn't what you want to draw today. And that's okay. Open Procreate, tap the
plus symbol top-right, and tap the folder
at the very top, we're going to choose
inches, 14 by 11. With my iPad, I get 131 layers, but I definitely won't
be using that many. I'm going to show you
how you can combine layers just in case your iPad is limited on how many
layers that you are allowed to create. Tap Create. I'm just going to choose black. I'm going to show you how to add your reference photo directly
inside of Procreate. You can do this by
tapping your Actions menu top-left go to Canvas references in the middle of that menu. Move the toggle
switch to the right. Now Windows is
going to pop up and you can import your image. And I'm going to add it
from my photo gallery. And you can move
the photo however, you need to be positioned
inside that little window. And you can move the window by dragging it in place
using the top bar. To begin our sketch, I'm gonna be using
a sketching brush supplied from procreate. And I'm gonna be
using a six B pencil. Now I'm going to go up
to the Actions menu, which is the wrench, and
turn on the Drawing Guide. I just wanted to use it as a reference when I'm
drawing my lines. Because I don't need
the reference photo. I'm gonna go back
to the Actions menu and turn the
reference photo off. I'm just going to start drawing. I'm using the break
for my sky and grass. Now I'm going to
draw out my cabin. An A-Frame has a
really steep pitch and that just means it's
a really high peak. It's definitely a roof that you would not want to
have to climb on. I would definitely suggest leaving that to
the professionals. We're going to draw some
sliding glass doors. The front. I'm going to add
more to my roof. This is the overhang. We're just going to be focusing
on drawing it face on. I'm not gonna be adding
sides or 3D perspective or 2D perspective and just drawing it SFM looking at face on. I'm just repositioning
it just to give myself a little more
room for my background. Now I want to draw the windows
at the top of my A-Frame. If you see some A-Frame that you'll notice that
sometimes they have a huge window right underneath
the peak of that roof. Now I want to
duplicate this window, copy it, and use it
for my side windows. I can do this by grabbing
the lasso and circling around that window and
tapping copy and paste. Now I want to go
to the Move tool and move it over to the side. I'm going to erase the
lines I don't need. I'm going to
duplicate this layer. Tap the Move tool, flip horizontally
and now I'm going to reposition it on the other
side of that middle window. This helps keep your
cabin more uniform. Although it doesn't
have to be perfect. Imperfection just gives it more characteristic when you're
adding your patterns. Now I'm adding a deck. I want to add a
walkway or driveway. I am going to add a sine. This is the only circle in my composition that
I'm going to add. But I feel like it's
gonna need something. Now this is going to be a cloud. I'm just giving myself
the space I need, but I don't want curves. I'm going to try and draw
this without curves. I'm going to do it like this. Race my curves. I'm not liking this. Let's go back. And
let's make this more of a trapezoid
side like that. That's a little bit better. Now I'm going to use
triangles for my trees. I'm going to lasso around that first line and I'm
going to copy and paste. I'm going to flip horizontally
and move it in place. I don't necessarily want all
my pieces to be perfect. I'm just going to reposition
some of these trees. Disagree myself a little bit more room for the background. Sometimes you have
to play around, which is always good
when you're sketching. Because starting out with
a sketch this way you can move things around,
erase things. A lot easier to do
it when, you know, is just a sketch than
if you wait to move things around after
everything is set in place, It's best to give
it a position where you thank you wanted
from the start. Just going too
fast for the video while I try to figure
out the placement. Now I'm going to
add a wooden frame around my sliding glass doors. Next, we'll start
adding some color to this beautiful
scene we just created.
6. Adding Color: In this lesson, we're
going to start adding color to the sketch
we just created. And no worries if you haven't picked out a color palette yet. We're just going
to start off with some colors that you would
normally expect to see. In this cabin scene. We can add more colors and different choices later when
we create our patterns. That'll be in another lesson. I'm going to add a layer by
tapping the Plus symbol. And I'm going to move
this below my sketch. I'm going to turn the
opacity down on my sketch. Now I'm going to grab
a monoline brush. This is gonna be in the
calligraphy brushes supplied by Procreate. I'm going to grab a
light blue for my sky. Just going to draw
straight across. I'm going to fill
that with color. Now I'm going to choose
green for my grass. I do not want to do that. I'm going to tap the
sky layer, tap Select. I'm gonna go down to the
bottom here and tap Invert. And now I'm gonna go
back to my layers and add a layer above the sky there and
drop in my grass. That is definitely
too bright for me. I'm going to go back and get a little bit lighter
color and fill it in. I'm going to turn
off the Select. Now I'm going to choose
a color for my camera. And I'm going to
draw out my cabin, duplicate that first
line of my roof, flip horizontally and
move it in place. Now I'm going to
merge these together. I'm adding a layer so I can draw the inside of
that roof pitch. This makes it easier for me
to duplicate that first line, flip horizontally and
move it into place. Now I'm going to merge down, down again. Now I'm drawing my windows. I'm making sure I
close all my lines. You don't want any
gaps. That way. Let me go back and
fill with color. We won't be filling
the entire canvas. I've done that several times. I don't know if you've
ever done that, but I have done
that several times. I'm going to
duplicate that whole house and flip it this way. I get the other
side and make sure all my lines of my
house right now. Remember jot down at a layer. Now I'm going to draw
my center window. Just cleaning up. I'm actually going
to go back lasso around that first angle, that window, copy and paste. I'm gonna go back and flip horizontally and
move it in place. I'm going to merge all
the layers together. I'm going to lasso around
that middle window. Copy and paste. And then I'm going to
flip horizontally. This way, I make sure it's all uniform. I'm going
to merge it down. I am going to last around that first window and copy
and paste and shrink it down. This is my window frame
for inside that window. I'm going to duplicate that. Flip horizontally and
move it in place for the other side as well. I'm going to merge together. Now I'm going to
grab that Lasso tool and circle around
my middle window. I can copy and paste that. I want to reduce
the size so I can use it as a frame just like
I did the other two windows. I'm going to have to
change it to free form so I can resize it to
where it needs to be. I'm going to merge that down. Now I'm going to draw my
sliding glass door frame, circle it, copy and paste, and then grab it and
flip it horizontally. You can see I'm a
little bit off, so I'm just going
to reposition it. I'm just gonna do some erasing here and try and
straighten that lineup. Draw out my frame, add color. This gives me a little bit
better idea of where I need to erase even it up. I'm just going to fill
the window frames and a roof overhang with color. Now I'm going to
change my color. Drop color to my house. Got to change my color again. Draw my sliding
glass door frame. I actually want to do this
on a layer below my house. I'm gonna go back to the
Layers menu and add a layer. Well, the house. Now I can draw my frame for
my sliding glass doors. I'm going to reduce the
opacity of my sketch, just a little bit more
liberal distracting. I'm going to duplicate
that first frame. Flip horizontally. Now I'm just evening out. I'm going to add a layer below the sliding glass
doors for my glass. Choose a little
bit lighter blue. I'm going to do the
same for the windows. Now. She's a darker green
and draw out my trees. For this one, I'm going
to duplicate the layer, grab the Move tool and flip horizontally, move it in place. This gives me a little
bit fatter tree. I'm just going to reposition it. Now. I'm going to merge all
the trees together. Now I'm going to
go above my grasp, but below all my layers of my house so I can
add my driveway. I'm going to duplicate
that layer and flip horizontally. Emerged down. Now I'm going to add a
layer and draw my deck. I'm going to add a layer
above my house for my Cloud. You have to make sure
it's all enclosed. I'm just going to add my son. There's the base of our project. Up next, we're going to add
our folk quilted cutouts.
7. Faux Quilt Cut Out: In this lesson, we're
going to start adding our foe quoted cutouts by using the rugged value brush that I supplied in the
free resources. Make sure your
sketches turned off. Add a layer to the
very top of all this. But under our sketch, we're going to grab our
record Valley brush, which is in the patterns
brushes that I supply you. All we're gonna do is
trace around each element. You want to actually hold your pencil a little
bit straight on, so it doesn't give you a shadow, but gives you more of
a ragged edge line. I'm just going to
fast-forward this video. As I finish this part out. I am just going back to my driveway layer and erasing that edge so it
lines up with my deck. I don't know how I
missed it before, but I'm glad I caught it now. Again, you don't
have to be perfect, but I definitely want
that to line up. Now I'm going to speed
up the video and I want to finish outlining
the rest of this. Now that we have every
element outlined, I'm going to turn off
my drawing guide. I'm going to go back and draw the line between the
sky and the grass. I'm going to duplicate this
by going to the gallery, swiping left and
hitting duplicate. This way we can
always come back to that artwork before
anything is changed. I'm going to add a layer. I'm going to add several
horizontal lines, chopping my scene. I'm going to erase anything
that overlaps my main pieces. I'm just going to fast-forward this finish these
horizontal lines up. Okay, now we're gonna
add some vertical lines. I'm going to add a
layer above that. I'm just going to sporadically
add some vertical lines. These are lines going down. And I'm just chopping it up
almost like a brick pattern, but not necessarily
that uniform. As you can see here. I don't need an
extra line because a tree is already
chopping off that part. I'm going to keep that in
mind and finish this up. I'm actually going to go back to my horizontal rule line and
add lines for my driveway. Now I'm gonna go back to the
vertical lines layer and add lines for my driveway,
driveway, walkway. Now I'm gonna go back to my
gallery and I'm duplicating this again by swiping left
and hitting duplicate. This is a practice I like to do in case I need
to go back and I want to change something and I don't have to
recreate anything. I want to warp some of these lines because
right now they're a little too perfect for
my photo quoted scene. We're gonna do this by
grabbing the one which is the adjustments menu
and going to liquefy. My brush is about 23% and
the pressure is about 43%. Now, I'm just going to move
lines ever so slightly. I don't want big curves, but I also don't want
extremely straight lines. Now I'm gonna go back
to the next layer and do the same thing. Just pushing or pulling it. Just to give the
scene a little bit of dip, an imperfection. Now I'm going back to my
last layer and do the same for my son and the trees and the
rest of my elements. I'm going to fast-forward
the video wife finishes up. Up next, we're going to start adding our patterns and designs.
8. Adding Designs: In this lesson,
we're going to start adding our patterns and designs to our artwork to give
it more of a quilted look. We'll do this by using
some clipping mask. I'm going to start by adding
a layer above my grass. I'm going to tap on it and
change it to clipping mask. Now I'm going to go back to a different shade
of green and grab a pattern and choose a block area To fill. I'm going to go back and erase anything that
overlaps that block. You can choose to keep using that pattern
in different areas. Change your brush. I'm going in different areas just in
case I overlapped a design. It makes it a lot easier if I have to erase and clean it up. Just choosing another design. Here, I'm going to
add another layer and change it to clipping mask. This way I can go back and
erase the edges just to clean it up without erasing
the previous pattern. But I already placed down and changing my color
every so often. Let me show you some
really cool Procreate installed patterns that
you can choose from. You go to organic. It works best if you tap it. This one is another good one. Love luminous. Sometimes you have to
play with the color. Depending on your brush. You see I couldn't erase that, so I'm moving to
a different area. I'm going to go
to vintage binge. Each has several patterns
you can choose from. Sometimes you just have to undo or double-check
before you place it down. Textures is another good one for some really cool patterns. Now I'm going to my trees layer
and choose clipping mask. Abstracts a good one too. I'm going to my door frame, adding a layer, clipping mask and choosing a little
bit different color. And choosing my
pattern to my Windows, adding a layer, clipping mask. Sometimes you just have to
play around the patterns. Sometimes it just
doesn't seem to work. Now I'm adding a
layer above my desk, changing into clipping mask. I'm adding a layer
above my driveway. Changing it to clipping mask. Just going to repeat
this process. I'm going to
fast-forward the video. Why finishes up? Now I'm just going to do the
same for my cloud, my son. Anywhere. If you have space that's
closed for a new pattern, just add another layer
for a clipping mask. Then I'm going to finish it up by adding a clipping
mask layer to my sky. There we have it. Up. Next we're going to
start adding effects. This is where we add
some shadows and highlights to give it
more of a realistic look.
9. Adding Effects: In this lesson, we're
going to add some effects. We're gonna do this by
adding some shadows and highlights and creating
some wrinkles, slight wrinkles
inside this piece to give it a more
realistic look. Here is the real-life
example that I created, just to show you that the
fabric lays semi flat, but you can still see
that there's wrinkles. Every so often within the piece. I'm adding a layer
to the very top, but under my sketch, grabbing black, I'm gonna be using the willow charcoal brush. This isn't a charcoal section
of your procreate brushes. I love using this for
shadows and highlights. This is one of my
favorite brushes, but if you have your
own favorite brushes, please by all means use that. I'm just going to
go over some of the dips that we created with
the rugged Valley brush. I just want to emphasize
it just a little bit more. But I don't want too much. Because in this piece, because there are
more uniform shapes, they're not gonna be as many wrinkles as you
would expect it to be. I'm just going over
every now and then, adding a little here and there. Even if I didn't alter that
record Valley seam line. Just adding a little
bit to the bottom of these a little bit to the sides
of these odd shaped ones. I don't want too much. If I have too much,
I can always go back and erase it
or smudge it later. I'm just going to
fast-forward the video or just a little bit,
finish this up. I'm going to go back and
smudge just a little bit, just to give it less
of a harsh look, more of a shadow. Just smudging here and there. Now I'm gonna change my color
to white and add a layer. I'm going to go back and just highlight next to that shadow. Just a little bit as if the
light is coming down and focusing on that raised
piece of fabric. Again, don't worry if
you did it too much. You can always go back and
erase it or smudge it extra. If it doesn't look right. Sometimes when you place
on certain colors, it doesn't look as well as
if it is one darker colors. But I like to add it just
to give it a hint of light. It emphasizes the shadow. Just to give it more of a raised and indented
look in your piece. Fast-forward the video. I finished this up. Now I'm going to go back and smudge. Fast-forward the video. I finished this up. Up next, we'll add some
texture to our cabin scene.
10. Adding Texture: In this lesson,
we're gonna tweak your artwork just a
little bit by adding some more texture to your piece to give it more
of a realistic fabric piece. We can call this piece complete. But I like to add just a
little bit more texture. Sometimes I like to add
this at the end because I don't always know if I
want to keep it or not. So let's import our linen paper that was supplied as a
download or resource section. Make sure it's at the
top of all your layers, but under your sketch
and we're going to position it landscape
and Fit to Canvas. Now I'm going to duplicate this. I'm going to make my
bottom image change it to multiply my top image, I'm going to change
to color burn. I'm going to reduce
the opacity of both. Just so I can see the
texture ever so slightly. Now we're going to group these. Label it linen. I didn't add a pattern to the
house because I wanted to be the focal point
of my artwork. By adding texture, it
almost gives your solid cabin a look that you already
added a design to it. You could call this complete. Now that we've
added the texture, this would be a
great time to add your finished piece to the
project section of this class. I can't wait to see
what you came up with. Up next. We're going to take a few
steps back and I'm going to show you how to create a more traditional quilted
look for your artwork.
11. Top Stitch Faux Quilt: In this lesson,
we're going to take a few steps back of
the artwork we just created and add a
few adjustments to give it more of a
traditional quilted look. Let's duplicate this
piece of artwork. We're gonna go to our layers. We're gonna turn off
all the top few layers. This is a rugged Valley layers. The highlights, the shadows. All you have is the base with your colors
and your patterns. Now we're going to go back to the gallery and grab the one of your original
artworks where we had all the horizontal or
vertical rules added, but without the adjustments
of the Liquify tool, we're going to turn
off all the layers, except for those top few layers. We're going to turn off
the background color. All you have is this see-through
image of an outline of all your elements and your
horizontal and vertical roles. We're going to go to the
wrench icon and copy canvas. Now we're gonna go back to
that last duplicated file. We're going to tap the
wrench icon and paste. And we're gonna make sure that
that is moved to the top. Below the linen texture. I'm going to clean up a few
of these lines because it's going to show a little
bit more in this process. Now I'm gonna go back and
make sure I'm on that layer. Go to the Adjustments menu
and tap Gaussian Blur. And I'm going to slide
it to about three or 4%. So this piece is gonna
look like you physically sewed your pieces together. So there's not gonna be much of that jaggedness or
the imperfection. There's gonna be more
of a straight line and just double-checking, making sure everything was good. I may have to go back
and smudge something. Now I'm going to go
back and grab that stitch brush that's supplied
in our pattern brushes. I'm going to add a layer. I'm going to choose a blue for all of the
background scenes. I'm just going to run it
along every every seem. If this was a real
quilted piece, this would be called
top stitching, which would usually be
about 1 eighth of an inch. And what this does in the real-life version
of a quote is, when you So two pieces together, you should press open this seems and the back
or press it to one side or the other
depending on your project. And to keep that seem
flat and laying down, It's always nice to be able to go back and top stitch that and to give it more of a
flattened and decorative look. That's why we are doing a
top stitch for this piece. I am just going to go through
each block, an outline. Each piece. I'm going to outline the
bigger piece elements in one line. It just makes it a little
bit more even and uniform. So I'm gonna save
those pieces for last. This brush doesn't always start out exactly
where you need to be. So if you need to either erase
or tap, you could do that. Sometimes I go back and
grab the Lasso tool and circle around that stitch. Move it in place. I'm going to
fast-forward this video while I finish up
the background. I'm saving that outline
of the trees and the cabin in one long outline. Now I'm going to go back
and outline each of these. I'm going to add a
layer for the inside of the main elements that
I want to emphasize. I'm gonna change
my color to white. I'm going to go around
each piece with white. I'm going to fast-forward
this while I finish this up. Here's the finished piece. This gives you more of a traditional quilted
feel when you look at it. Now that you've added
your top stitch. This would be an awesome
time for you to add your finished piece into the project section
of this class. Up next, we're going to create our winter cabin scene
using more curves.
12. Sketching Winter Cabin Scene: In this lesson, we're going to create a winter cabin scene. We're gonna do this by using more curves and less
uniform shapes. We're going to tap the
plus symbol up at the top right and create a new canvas, 14 by 11 inches. And tap Create. I'm just choosing black. I'm going to turn on
the drawing guide. I'm going to tap the wrench and move the toggle
to the right. I'm going to grab
the six B pencil in the sketching brushes. Since I'm going to
focus more on curves, I'm going to draw more of a mountain side for my background. For this section, I wanted to draw a different style cabin. Just drawing a
rectangle for the base, trapezoid for my roof. I'm going to add
chimney, some smoke. I'm going to add a
door, some windows. I'm just going to resize this just so it's a little
bit larger for my scene. And just clean it up. A little bit bigger windows
so I can add some shutters. Duplicate that, and
move it to the right. I'm just going to
reposition my door. I'm going to make
this a night scene. So I'm gonna draw a circle. Just erase some of it to
make it look like a moon. Now I'm going to draw my clouds. I'm going to add some stars. I'm going to make trees. The first part of this
class we may triangles, but this part I wanted to add a little bit more curves.
Just repositioning. Here's my walkway. Going to add some bushes
in front of my cabin. Just going to reposition
this just a little bit more. Now I want to make this
more of a winter scene. So I'm gonna go
and add some snow, my trees, my roof. I'm going to add some icicles coming off of my
roof and a pile of snow underneath my chimney. Bushes, along with a small
pile that slid off the roof. So pretty much I've added
everything I wanted. Up. Next, we'll start adding color
to our winter cabin scene.
13. Adding Color to Our Winter Cabin: In this lesson, we're
gonna start adding some color to our winter cabin. I'm going to merge all my
sketch layers together. I'm going to turn
the opacity down on my sketch layer and move
it below my sketch. I'm going to grab
a monoline brush and the calligraphy section. I'm choosing a
color for my cabin. I'm just drawing this out and fill them with color. Just clean it up. I'm going to add a
layer and choose a different color for my roof. I'm just duplicating that layer. Grabbing the Move tool and flip horizontally to make
sure it's more uniform. And I'm going to
merge that together. I'm just going to clean up. I'm going to add a
layer below my roof. Pick a different color and
draw my window frames. Now I'm going to
duplicate that and flip horizontally
and flip vertically. Merge down. Now I'm going to duplicate that. Move
it to the right. Emerged down. I'm
going to add a layer, choose a little
bit darker color, and draw my window shutters. I'm going to duplicate that flip horizontally and move to the
other side of the window. Emerged down. Now I'm going to duplicate that. Move it all over to the right
and flip it horizontally. Emerge that down. Now I'm going to add a
layer for my glass. This will be below
my window frames. I'm going to duplicate that. Flip it horizontally and
move it to the other side. Merge down. Now I'm going to add a layer, drawing my door,
changing my color, adding a layer and
drawing a door knob. Change in my color. Add
a layer above my roof. I'm gonna draw out my chimney. I am going to turn the opacity down a little
bit more of my sketch. Going to add a layer above my chimney and
draw out my trees. I'm going to separate this
by doing top layers first. Just clean it up. Now I'm going to
add a layer below that for the middle
part of my trees. And add a layer below that. For the bottom part of my trees, I'm just turning off
the middle layer to make sure I can
close this all up. Now I'm drawing my bushes
in front of my cabin. I am going back to my background
and changing the color. I'm going to add a
layer and move it all the way to the bottom
above the background color. Now I'm going to
add the sky layer. I'm going back to my
sky and tap Select. I'm going to invert. Gonna go to a layer
above the sky. The color for my snow. Gonna turn to select off. Now I'm adding a layer above my trees and drawing some snow. I'm going to draw snow for
my roof above my chimney. Some snow on top of my bushes. I'm also going to add that
pile of snow from the roof. I'm also going to add
some clouds layer. I'm going to draw
a circle, fill it. And I am going to reposition it. I'm going to take the eraser
and draw another circle and hold and edit it, tap circle, just
repositioning it. And now I will erase the inside. I'm going to reposition that moon at a little
bit more of a tilt. Maybe I'll just
keep it the same. Now I'm going to
draw some stars. I'm going to lasso that
tap, Copy and Paste, and I'm going to resize
and reposition. Now. I'm going to add a layer
and draw some smoke. Now I'm adding a layer
above my window glass. I'm just going to
make circle of yellow for a glow as if the lights
are on inside the cabin. I'm going to duplicate that. Move it to the other side. I'm going to turn my
drawing guide off. Emerging these together. I'm going to add a layer below
my cabin for my walkway. Just cleaning this up. I'm going to turn off my sketch. There's the base of our
winter cabin scene. Up next we'll add our foe quote, cutouts to our
winter cabin scene.
14. Faux Quilt Cut Outs to Winter Cabin: In this lesson, we're
going to start adding our fo Cold cutouts
to our winter cabin. I'm adding a layer
at the very top, but below my sketch, I'm grabbing the rugged
Valley brush that's in the patterns that was
supplied for this class. I'm choosing black. For this. We're going to
outline everything that we have drawn out first. Now that we have
all that outlined, I'm going to add another layer. I can see I added all of my foe cutouts on top
of that yellow stars. So I'm gonna go
back, erase that, go back to my star layer, circle that, and copy and paste. And now I'm going
to move it over to where it was previously. Now going back to my cutouts. Then I'm going to outline that star with the
rugged Valley brush. Now I'm going to add a layer. I'm going to just
start drawing cutouts. There's no rhyme or reason
to what I'm doing here. It kind of reminds me of
something similar to like say, a puzzle or a stained
glass version. I'm just cutting out
sections of everything. I can add my patterns. So this is more of a
mixed matched quilt. If I were to add some kind of decorated stick or
something like that, you might think this is
more of like a crazy quilt. I love the look of how everything
is just JICA sold out. There's not much
rhyme or reason. I just love that. Look,
I'm just going to continue this process of
connecting elements that I drew out to other
elements and chopping it up and creating
quilt cut out areas. I can add patterns to it. In the next lesson. I'm going to fast-forward the
video why I finish this up. Now I am going to my first
layer of my foe cutouts. But before I continue, I'm going to go back
to the gallery, swipe left and duplicate. Then I'm going to
start working on that last duplicated
cabin scene. I'm going to go to the
Adjustments menu and liquefy. The pressure is at 43
and the size is 23. Now I'm just going to go
through and I'm going to do some more being like I did in the first
part of this class. But I'm doing it a little
bit more predominantly because this is definitely
going to have more edges, more shadows, along
with more wrinkles. Because this is going
to take a little bit. I'm going to fast
forward this video. Why I finish this up. Now I'm just going to my other layer and
doing the same thing. I'll fast-forward the video. Why finishes layer up. Next, we'll start adding designs and patterns to
our winter cabin scene.
15. Adding Designs to Our Winter Cabin: In this lesson, we're going
to start adding our designs and patterns in our
winter, Kevin seen. Now we're going to start adding patterns like we did in the
first part of this class. I'm going to add a layer above my sky and turn it
into a clipping mask. And I'm just going to
start adding patterns. It's going to continue this
process out by adding layers and turning them
into clipping mass and adding patterns to
each of these sections, just like we did in the
first part of this class. Again, I'm going to fast forward this video while I
finish up this process. Up next, we'll start adding designs and patterns to
our winter cabin scene.
16. Adding Effects to Our Winter Cabin: In this lesson,
we're going to start adding effects to
our winter cabin. This is more highlights
and shadows to give it the look of
having more wrinkles. Here is the real life version that I created just to show you how the fabric reacts by
tequila inside of styrofoam, It's more of a curvy
unless uniform shape. You can see here that
there's more wrinkles in the fabric is tends to stick up a little
bit here and there. There's definitely
more shadows and more highlights because
of those wrinkles. It definitely does not lay flat like the real life version in the first part of this class. Now we're going to add
a layer to the top, but below our sketch, I'm going to change it to black. I'm going to grab the
willow charcoal brush. I'm just going to add some
shadows here and there, amongst some of those warped, liquefied edges that we created
in the previous lesson. I'm just gonna make
sure I add a little bit more like I did in the
first part of this class. And if I add too much, I can always erase or smudge to make it
a little bit less. I can always come
back and add more if I think it needs a little
bit more later on. That's the best part of having a digital project is
the undo feature. I'm going to
fast-forward the video while I finish this up. Now I'm just going through and adding some squiggle wines. This is going to be my
wrinkles in the fabric. This is going to
give it more texture and the illusion of wrinkles. Once we go back through
and add some highlights. Now I'm adding a layer
and grabbing white. I'm just going along my shadows just to
give up my wrinkles, a little bit more of
a realistic look. I'm going to fast-forward. The video finishes up. Every so often, you may have
to go around and smudge. If it's too much,
just smudge it out. You can see here, I need
to go back and fix that. So I'm going to go back
to my black layer. I'm just going to
smash this out. I'm going to
fast-forward the video. Next. We'll add our texture
to our winter cabin scene.
17. Adding Texture to Our Winter Cabin: This lesson, we're
going to add texture, just like we did in the
first part of this class. Here I want to add that
linen texture again. I'm going to go and add a layer to the very top of everything. But below my sketch, I'm going to grab
the linen texture that I supplied for this class. I'm going to import it, rotate it to landscape, and make sure if
it's the screen. I'm going to change
the blend mode to multiply for the bottom layer, I'm going to duplicate it and change the top layer
to Color Burn. And I'm going to
reduce the opacity. Here's our piece,
but the texture. You can see how the more curvy piece of
the cabin scene looks more realistic because there will be actually more wrinkles in your project if it
wasn't real life. Now they've added a texture
to your winter Kevin scene. This would be a great time to post it in the project
section of this class. I can't wait to see
what you came up with. Next is a heartfelt
thank you to all of you.
18. Thank You: Thank you so much for
joining me in this class. I really hope you liked creating the folk quilted cabin
scenes in procreate. As much as I enjoyed
creating them. For this class, I wanted
to show you how adding the different techniques that
we created in this class into other artwork that
you've already created, as well as thinking about it in your future pieces of art. Whether you're using
uniform shapes or mixed matched curvy shapes, interior pieces of art. And just by adding shadows and highlights to create wrinkles along with patterns into a totally different
unique piece of artwork. You're interested intake and the designs you just
created in this class. And turning them into templates
to create a 3D wall art. The real life version of
a folk quilted scene. Make sure you check out
my YouTube channel. The link will be posted
on my profile page, but direct links are added to the about
part of this class. This way you could check
it out and you can see how much more wrinkles and highlights
and shadows are curated. The two different methods. And let me tell you how much
fun I had in creating them. Would you mind if I ask a favor? Would you please leave a review? It would mean so much to me
to find out how you enjoyed the class and make sure you hit the Follow button to get
notified on my next class. I can't wait to see you then.
Kimber Shook, Artist | Designer | Creator | Teacher
