Adobe Premiere Pro Masterclass

1. Class Introduction: Hey, guys. Welcome to this Adobe Premiere Pro master class. My name is Gabriel Shaare, and I'll be your facilitator in this high value packed training. In this training, you're going to be learning so much exciting and creative things that you can do in Adobe Premiere Pro. I'm going to be showing you how to get started in Adobe Premier Pro. What the interface is all about, how to use the timeline, how to use the different tools in Adobe Prime Pro, how to create a fast and slow motion effect, how to cut and join your videos, how to add effect, how to use keyframes, how to track your videos in Adobe Prime Pro, working with typography, adding subtitles to your video, creating lower thirds, adding end credits to your videos, when you're done, synchronizing audios together, freezing and reversing videos, creating a slideshow in Premiere Pro, removing and editing green screens, creating the twin effect, and how to export and render your videos. This training is for all levels, whether you're a beginner, intermediate or an advanced user. Okay? If you're ready, then I'm ready. So let's get straight into it and I'll see you on the other side. Is out. 2. Exercise Files: Hey, guys, welcome to this video. In this video, I'm going to be talking about the exercise files. The exercise files are resources that will allow you to follow along with me during the course. You should find the exercise files below this video. Simply click on it to download it to your device. Okay? Don't forget it's a zip file, meaning that once you're done downloading it, you have to extract it with your PC. And to do that, you just simply double click on it, and that's it. Okay? And you can open the folder and begin to use those files to follow along with me during the course. I'll see you guys in the next video. 3. Getting Started in Adobe Premiere Pro: What's up, guys. Welcome to this first video of this Adobe Premiere Pro training. In this video, we're going to be talking about how to get started in Premiere Pro. So let's get straight into it right now. Okay, so we're right here in Adobe Premiere Pro, and to get started, we basically once we launch Adobe Premiere Pro, it shows us this welcome screen, and we just need to click on this new project. And by the way, I'm using Adobe Premiere Pro, 2021. So if you're using 2020, 2019 and below, you can still follow along in this training, right? We just have slight differences, which I will always mention when I, you know, stumble across them. Okay? So to get started, you click on New projects. If you don't have a welcome screen, you can just go to your menu, click on file. And you see new, and then you can choose new project right here. Okay? So let me just choose the one for my welcome screen, and, you know, that's going to give me this new project tab. And a couple of things I just want to do here is number one, give my project a name. I'm going to name this Adobe master class, right? And the location is the next thing. So if you don't want to save your premier pro project in this default location, you can click on Browse and then choose a folder that you're comfortable with maybe your desktop documents, downloads, whatever it might be and save your project right there. You can click on Choose and I'll save your project over there. I'm just going to leave mine in the default. Okay. Now all of this, you want to leave them in the default because it's fine. Alright. If you have a graphics card on your system, you see all of these options. But if not, you just see mercury playback engine software only, which is also fine because you don't have a graphics card on your system. Alright, so every other thing here should be left the default. The important thing here is the name and the location at which your project would be saved. So I'll click on Okay. And that will create my new project and open up Premiere Pro for me, okay? So that's just loading up, and you can see we are inside Premiere Pro right now, and this is what it looks like. But you can see that everything looks empty, right. And that's because we don't currently have any sequence in our project. Okay? So if you've done the after effect training, there's something we've called composition in after effect, and that is similar to sequence in Premiere Pro, right? So this sequence is also similar to, you know, an artboard in Illustrator or maybe a document in Photoshop. All right, we need this to start anything in Premiere Pro. So if you don't have a sequence in Premiere Pro, you can't begin anything. And you can create this sequence in two ways, right? You could decide to create a blank, fresh sequence in Premiere Pro, or you could create a sequence from an existing video. All right. So those are the two ways of creating a sequence in Premiere Pro. You can either create it by just going to file new, creating a new sequence, fresh sequence, blank sequence. Or you could do that by importing an existing video and then from that video, create a new sequence, and Premiere Pro will use all of the settings it needs to extract it from the existing video and use that to create a new sequence. Okay? So how do I create a new sequence fresh without an existing video? All I need to do is to go to my menu. I'll click on file, and then on that file, I'll see new, and then now I can see sequence. And the shortcut for this is Command N on Mac or Control N on Windows. So if I click on that, that's going to bring up my new sequence tab, okay? And then from here, I can choose the settings that I want. Okay? So these are sequence presets. And like I used to say, the full meaning of preset simply means predefined settings, meaning that if you use a preset, you basically don't have to do anything manually. It just helps you to, you know, do all of those things because the settings have been predefined, alright? And using the preset in Premiere Pro is very simple to create your sequence. Okay? So we have different folders here. Let me just close this. So you can see all the different folders that we have right here, okay, in Premiere Pro. And let me just open one, the DNx HD. And then on that ds, you can see we have something like 1080, seven, 20. And then after that, we have things like 50, 59, 23, 24. So what does all of this mean in choosing a preset in Premiere Pro? And the reason why you should also choose a preset in Premiere Pro is because videos generally have the way they look. All right. If I ask you the question, the videos look portrait or landscape, most of the time, your answer will definitely be landscape because, you know, we can see our laptops, our TV, most screens are built in a landscape format because they are meant to play videos, right? So using a preset is the best option. You don't as a beginner, you don't want to go enter some wit and by yourself, and just choose any size that you want for your video, and then your video ends up not looking like, you know, every other regular video. So using a preset is the best way to go, especially as a beginner, alright? So as you advance, you can then begin to enter your own sizes because you now understand all of this. So now, what we have right here is a preset name. So the preset name is DNx HD. Alright? So what does this tenet P tenet I 720? So what do all of this mean, okay? This is the size of the video. All right? This is the size of the video. If I go to another fold or DNxHR, we can see that we are seeing two k, four K, UHD, and so on. And then if you go to other ones, you know, we get to see more and more different video sizes. This is 480, this is five, 76, so many other video sizes right here, one K, four K, five K, you know, HD, four K, 720, and we have a lot of them there. So that's the different video sizes that we have when it comes to video. So let me open back the DNx HD. Okay? These are the different video sizes. Okay? So the smallest video size that we have is 144. Then after 144, we have 240. After 240, we have 360. After 360, we have 480. After 480, we have 576. After 576, we have 720. After 720, we have 1080. After 1080, we have two K. After two K, we have four k. And we even have the highest of today, which is eight K, right? So, four, 5k8k simply means 4,000, 5,000, 8,000, and that's what the K D stands for. So 1080 is like one K, Alright? So that's how videos, you know, sizes are being named and mentioned, okay? So if, for example, I'm creating a video that is that is maybe 720, okay? After creating that video, if I watch that video on my tablet or my smartphone, that video will look really, really, really sharp, right? Even if I'm watching it on my laptop on, you know, 13 " laptop and stuff, it really look very, very sharp, okay? But if I take that same 720 video and I play that video on, you know, some laptop with big screens, you know, some TV, with very big screens, I'll begin to notice that that video is not as clear as I thought it was when I was watching it on my mobile phone, okay? And that's because what determines your video size is basically the device that your video will be played on. Okay. So if you know you're creating a video that will be mostly played on mobile devices, you know, laptops that are, you know, not really big laptops or just, you know, normal personal computers and, you know, tablet and, you can do a video with 720, and, you know, if's going to look very clear and sharp, nobody will complain. But if you know your video is going to be played on TV screens, you know, big laptop screens, then you want to do something like 1080, right, which is 1,000 pixel, 1080 pixel, right? And, you know, if you play that kind of video on your laptop screen, on your TV, you know, it will look really, really, really sharp, right? I will look really, really sharp. So when you see most TV stations saying, Oh, we are streaming in HD, they're actually telling you that they're streaming in 1080. So all of those subscription channels that we watch All right, and the right HD in front of it, all of those channels are streaming in 1080, and you can see how clear they are. But if you take that same 1080 video and you put it on a cinema screen, all right, you'll begin to notice that, oh, this video is not really as clear as I thought it was when I was watching it on my TV, on my laptop, right? Why? Because the screen is now bigger. So the video has to stretch. And as the video stretches, you know, it begins to lose quality. So that's why you see that people in the movie industry, the minimum they shoot nowadays or edit is four k because they really want their video to stand out in the cinema screen or to be really, really super clear on the cinema big screen. Okay? So these are the different things that will make you as the editor, decide what to do, what kind of size to use for your project. Okay? So it is totally up to you to decide the size that you want, right? Because the bigger the size of your video, the bigger the file size of your video also. So I can't imagine myself creating a forki video for Instagram, a 1 minute video, and then I'm ending up with, you know, 700 megabytes for my 1 minute video or maybe even one gig. And I'm trying to upload that on Instagram, considering network availability in my area. You know, I might spend the whole day just trying to upload a 1 minute video, which is four K on Instagram. So I'd rather do a tentative video. And upload easily on Instagram, right, and know that people would still watch it and it's still going to be really, really clear. Okay? So choosing the size of your video is totally up to you, right, and the kind of project you're working on. Okay, so that's what this is. Then the next value we are seeing here, this 50, 59, 23, 24, 50, 60, and the likes is basically the frame rate of your video, the frames per second of your video, right, called FPS. Okay? What's the frames per second of your video? Okay? Now, like I used to say, videos are actually made up of steel images. Okay? So to put that another way, videos are made up of pictures. Okay? Videos are made up of pictures, and those pictures is what we call frames. All right. Those steel images is what we call frames. All right. So to explain that further for you, if you remember, one of your friends in school, back in the days, you know, who is an artist that loves to draw, imagine he has a joa with him, and he draws you on the first page of that jotter, maybe you were like this. And then on the second page, it draws you like this. And then on the third page, it draws you like this, and it keeps repeating that for about 50 pages on the jotter. Alright? If you take that jotter and you flip it really fast, like you flip it really fast, what would you do? Actually notice that it looks as if you're walking or you are running depending on how fast, you're flipping that Jota and the pages. Okay? And that's the whole genesis of video, how video started. Okay? So you know, frames per second is the total number of frames or images that you have in 1 second of a video, right? So if I tell you to count, for example, if I'm using this 25 year and I tell you to count one to 25 in 1 second, you know, it's going to be really tough or difficult for you to do that as a human because if I say, Okay, count one to 25 in 1 second, you'll be like, one to 225, and then 1 second is gone, alright? So that is the same, you know, process it is for your you know, video player when playing a video, it has to show you 25 images in 1 second, okay? I show you 25 images in 1 second. So it has to show you those images so fast that you don't even see that they are images, and all you just see is a video. That's what goes on when it comes to, you know, frame rates and how they come together to actually form a video. So the higher the frame rate of your video, the better, and the lower the frame rate of your video, you know, it might not really work. All right. So the minimum recommended is about 23 frames per second. And the maximum is totally up to you because we have video shot at, you know, 240 frames per second and even higher than that. Okay. So but know that the higher your frame rate, the higher your file size of your video. And also, the kind of camera the video camera you use also determines the highest frame rate you can shoot with that camera. Remember I told you that the other way of creating a sequence in Premiere Pro is that you could import an existing video and create a new sequence from that video. So all of these settings you are trying to choose right here in Premiere Pro, they are also available on a video camera, and you can set all of that. So if you are using an existing video, Premiere Pro just tell you, Okay, don't bother about all of this. I'll just extract it from the video and then create a sequence using the exact same settings of the video. Okay? So that is all about four frames per second. And the reason why I said that your frames per second should not be lesser than 23 is. Imagine if your frames per second is two frames per second. If I tell you to count one and two under a second, you can do that. You just do one, two, one, two, and that's, you know, you're counting to under a second. So what would happen if your video is two frames per second is, you know, your video will probably be C, C, C, C. And then people who start seeing those images actually come together to form the video, okay? So that is what FPS or frames per second is all about. And my favorite is always 25 frames per second, okay? But like I said, you can go higher, you can go lower depending on what you are doing. You know, you can really go higher. If you are going to be doing a lot of slow motion in your video, then it's always best that you go for a higher frame rate, right? And even when shooting with your camera, it's always good that you shoot at a higher frame rate because by the time you're trying to make your video slow mow, you are actually reducing the frames per second, right? So if you're shot at maybe one, 20 frames per second, by the time you are doing slow mow, you're actually maybe now reducing your video back to, you know, maybe 60 frames per second or 30 frames per second, right? So it's as simple as that. So the one I'm going to choose here is this ten AT P 25, okay? And if you open that, you can see we have different versions of that. And the one I'm going to choose is this first one, DNx HQ ten ATP 25. And you can see the information of what I'm choosing right here. You can see this is 1920 by 1080, 25 frames per second. Square pixels, you know, and everything looks good the way it should be. Okay? So this is my favorite preset in Premiere Pro for making my videos. Another folder I usually go to is this HDV folder. I can also find ten ATP 25 right there. Okay? So if you want something higher and you still want to use this DNC DNx here. You can go to the other DNx folder, which is this DNxHR, and you can see we have higher video sizes here, like two K, four K, and UHT. Okay? So like I said, it's totally up to you. So now that you understand what all of these things mean, you can actually choose the particular presets that you want to use. So let's go back to our DNx HT, ten ATP, and then DNx HQ, ten ATP 25. Alright? So this is set I'm going to use. But just in case you find yourself in a situation whereby you want to use a custom settings, okay? You want to use your custom settings. You can always come to the setting tabs right here, click on that, and you can see all of this. So all of the settings that made up this sequence is now available for us to, you know, edit here. But I won't be able to edit anything until I change my editing mode from DNx tent P to custom all the way at the top. So once I change this to custom, then everything here is now editable for me. I can change my, you know, width or change my height. Okay? So this is the 1920 by 1080. I can actually change this to maybe 1080 also, and this will give me a square video. Alright? So I do that a lot, usually when I'm doing videos for Instagram and I want my video to look like square or if I'm doing a video for IGTV, I can change this to a portrait video and then do 1920 on this side. So that gives me a portrait video which is a flipped version of my normal landscape video, flipping it to a portrait, and then that will be able to fit into IGTV properly. Okay? So this is, you know, where you come to if you like to, you know, change your settings or do all of those stuff, you know, for your video size, right? So if you just want to use a preset, which is what I usually recommend, you just come right here, select it. Then you give your sequence a name. So we're going to name our sequence adobe master class once again. Alright, so your sequence name can be the same as your project name, okay? Sequence name adobe Master class and then I'll click Okay. And when I do that, you can see now that things are now clickable in Premiere Pro, and you can see this black screen here, which is the sequence I just created. I can begin to drop videos into my timeline and begin to edit in Premiere Pro. So that is how to create a sequence in Premiere Pro, and T here, guys, and I'll see you in the next video piece out. 4. Importing Files in Premiere Pro: Also, guys, welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about how to import videos and other files into Premiere Pro. So let's get straight into it right now. So to import an existing file into Premiere Pro, all I need to do is to go to my menu, click on file, and then the file, I'm going to see Import. The shortcut for that is Command I or Control I if you're using Windows. So if I click on that, it's going to show me my file explorer, and we can go to the Exercise files. Don't forget that you can download the Exercise files, okay, in the resource center on the website and you can follow along with me in this training. So in Premiere Pro, I can select a folder and then click on Import, and that folder itself will be imported. All right. On Windows, you might see a third button here called Import folder. That's what you're going to use. Or you can double click on the folder to open it and you can select a file and just import one file. Okay. Another option is you can hold down Control and select multiple files to import. Okay? That's another option. But basically, what we're going to do is to just go back to the exercise files, click on the folder itself and import that. Don't forget if you're using Windows, you might see another button called Import folder. That is what you use to import a folder. So I'll click on Import and now we import my files and you can see that it immediately takes me to my project panel. All right, if Premium Pro didn't take you to your project panel, if you're still in libraries, you can simply just switch to your Project panel or you could go to Window, and under Window, you will see a project, and then you choose Adobe Master class project. And that will switch you to this project right here, okay? And that is how you import a folder or files into Premiere Pro. All right. Now, this is a way of viewing your files in Premiere Pro. Another way you can actually view your files in Premiere Pro is that you can click on this icon view, and it will change from a list view to an icon view. So you can actually see that you can see a Tom nail of your videos right here. To open up my Exercise files, I'll just double click on it and watch. It's going to open a new tab here with the name Exercise files. So you have to take note of that. So if I double click, you can see that there's a new tab right here, which is a bin or a folder called Exercise File. So anytime I want to go back to the project, I can always come back here. And then if I want to go back to the videos inside this folder, I can go to my Exercise files. And you can see, these are all the video, audio and images that we've imported into Premiere Pro. Alright? Is as simple as that. Now, how do I create a new sequence from an existing video? I told you in the previous video that you could actually create a new sequence from an existing video. Okay? You could create a new sequence from an existing video. And how do you do that? You simply select the video, right click on it, and then choose new sequence from clip. New sequence from clip. That's all you need to do to create a new sequence from an existing video. Remember, if I go back to my project, all right, we have an existing sequence here, which is the Adobe Master Class sequence. But right now, if I go back to my exercise file, okay, I'm trying to create a new sequence from this existing video so I can right click and say new sequence from clip. Boom. And that will create a new sequence for me using the exact settings of the video. So I don't need to bother myself about DNx HD, DNx HR, HDV, tenet, 1920, all of those settings that we were, you know, looking at in the previous video when creating a sequence from the preset. Okay? With this method, you don't need to bother yourself about that. So if the video was shot in tenety, automatically, your sequence will be tenet. If the video was shot in 720, automatically your sequence will be 720. Frame rate used when shooting the video was 30 frames per second, then automatically your sequence will be 30 frames per second. If the video was four k when it was being shot and was shot at maybe 25 frames per second, then your video will be four K, and the frames per second will be 25 frames per second. Okay? So that's how it works. So if I'm working with an existing video, most of the time I just like creating it this way, right click new sequence from clip, and then it just gives me the exact same settings of my video, and I move on with my editing, okay? So, but in case maybe you're curious about what settings came with the video? What's the size of the video? What's the frame rate and everything? You can just simply go to your menu. You see sequence, and then on that sequence, you're going to see sequence settings. Alright? And when I click on that, it's going to actually show me the settings that was used in creating the sequence from that video. You can see that this video is also 1920 by 1080, okay? And it's 25 frames per second and every other thing like that. So this is giving you information about your video and, you know, the settings that came with that video. So in case you want to still change it to something, you can always do that under the sequence settings. Okay? So let me just click Counsel now because I don't want to do anything to that. Now, if you look at my timeline here, you can see that we have Adobe Masterclass. If I click on that, it takes me back to the Adobe Masterclass sequence. And then if I click on this Cu three, it takes me to the new sequence I just created with my video. Okay? Now, if I come back to this my Exercise files tab here, you can see we have Kho three here. If I scroll back all the way to the top, you can see I also have Kshot three here again. So what's going on here? What's going on here is that this is the original video, and this is the sequence created from that video. So most of the time, when you create a new sequence from an existing video, they always look alike, you know, with the video, and then you'll be wondering, so how will I know the difference between the video and my sequence. It's very simple. All you need to look at is this icon at the bottom, right, okay? This icon at the bottom right. You can see that this icon we can see here is way different from this icon we are seeing here. This icon tells us that this is a video that has an audio and is currently in a sequence, okay? And then this tells us that this is an audio, this is an audio, okay. This tells us that this is a video that has an audio, but it's currently not being used in any sequence, okay? And this tells us that this is an image. You can see the PNG. So every single thing here, it should be recognizable. You can see this that video that has an audio, but we are not seeing this second icon here because it is not being used in any sequence. So the reason why this one has this here is to tell us that this video is being used currently in a sequence. Okay? So we don't delete it mistakenly. This is a picture picture. All right. And then we're back to the sequence. If I go back to my project, you will see that Adobe Master class also has that same sequence icon. Okay? You can see this icon here. This icon tells you that this is a sequence. If I go to my exercise files, you can see that this icon is the same as the icon we saw in the Adobe Master class. So let you know that we have two sequences now in our project. And in Premiere Pro, you can have as many sequences as you want in Premiere Pro. And, mind you, whatever I do in this Keshu three sequence doesn't affect Adobe Masterclass sequence. And whatever I do in Adobe Masterclass sequence doesn't affect Keshu three sequence. And I can export what I have under this schedule three sequence as a video on its own. And I can also export what I have under this Adobe Master Class sequence as a video on its own, okay? So if I have up to ten sequences, I can actually export ten different videos, okay? So sequences are more like pages or artboard in Illustrator, you know, or composition in after effects. All right. So that is how to create a new sequence from an existing video. But before I In this video, let's talk about offline files. Okay? Now, when you import videos into Premiere Pro or files or images or whatever it tells you import, it doesn't necessarily mean that the video is now living in Premiere Pro, or the image or the audio is living in Premiere Pro. If I go back to my exercise files folder, the original place where it was stored on my laptop, if I go there and I select an image and I delete it, okay? By the time I come back to Premiere Pro, you can see that Premiere Pro is telling me, Hey, missing media for this clip. I cannot find this John Fnada image again. Where is it? All right. And that's because I just deleted it. So if you when you're working in Premiere Pro, you don't want to delete your source files. It is very important that you remember this, right, or else you might get in trouble for it, maybe editing, someone's video, and then you went ahead and delete the source files. And then now you can't edit anything in Premiere Pro because you can't find it, okay? So you must be really, really careful when doing this, okay? So you don't go and delete your source files. Make sure you're done with your editing. You have exported your video and you like a video, there's no need for you to edit anything again before you say you want to delete the source files. But as long as you feel like you still need to be editing the video in Premiere Pro, you want to make sure that your source file are not deleted, okay? And if you're also, editing the video from an external hard drive or maybe a USB flash, you want to make sure that that external drive of flash is always connected to your laptop before you launch that projects in Premiere Pro, right, so that Premiere Pro can easily locate it, and then you can continue working on it. Alright? So it is very, very important. And it's not just deleting that, you know, makes this happen. Another thing that causes this is when you rename the file name. So if I come here, let me just change this to newscaster and type anything there. Okay? Let assume I type anything there, and I rename that. By the time I'm coming back right here, if I cancel this, another one will load up and say, Hey, I can't find newscaster again. What happened? All right. So even as simple as renaming your video file, it will also cause this. And another thing again is if you change the folder of your image or your video or your audio, all right, it's also going to show you this, Hey, I can't find it again. Where are these files. So if all you've done is to rename or move it to another folder, you still have a solution for that. And I can come back here. Okay. And let me just undo that and come back here and say, Hey, sorry about that Premiere Pro. Let me locate it for you now. You click on Locate, and then you go to the exact folder where you have that you know file. And then you can see mine is under the Exercise files. I can see the newscaster I can say, Hey, I'm sorry I deleted it. Here is a video now. Go ahead and replace it. Okay? So let me undo my deleting again. And now I'll bring you my image. Okay? So it was in my recycle bin. So I'll just come here again and say, Hey, Premiere Pro, I'm sorry. Let's try and locate this video again. All right, so I can come to Link Media. That will bring me back here. I can say Locate, and that will bring me back to the folder. Don't forget that if you change the folder, you have to go and locate that new folder, and then you click Okay, and everything comes back and it is linked together. Alright? So that is that for offline files. Just have it at the back of reminder Things are not really being imported. A link is only being created to that file on your laptop, okay? And that will save you some, you know, stress if you take that instruction. Thank you so much for watching this video. Guys, I'll see you in the next video. 5. Premiere Pro Interface: What's up, everybody. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about the interface of Adobe Premiere Pro and some of the things that you need to note when using Premiere Pro. So let's get straight into it right now, and I'll show you just that. You. Okay, so right now we're in Premiere Pro. Let's just talk about the interface, you know, of Premiere Pro. So right here, we have a menu at the top here, like we already know, okay? And then next to that is our workspace is our workspace. Now, as a beginner, I would strongly recommend that you don't come to this workspace for now because a lot of people come here, select stuff, and then they think that Adobe Premiere Pro is totally messed up. All right? This is your workspace, meaning that if I change this to any other thing, okay, it's going to rearrange everything and kind of make my premiere pro scattered. So basically, what I'm using for this training is editing, and that is what you should also, you know, be on by default. If I change this to effect, for example, you're going to see the way it's going to totally rearrange everything here. And then it's going to look as see if my premiere pro is different from your premiere P. You can see the way, you know, this is here, this is here, this is here. If I change this to audio, it's going to rearrange everything again, and you can see we have this here, we have this here, we have this here. So if you're seeing something like this, you might think, Oh, my premium P is, you know, broken. Don't know how to fix it. I don't know how to fix it. Things are not working well. Even if you close this restart it, it's still going to show this. Even if you restart your system 100 times, you're still going to end up here anytime you open Premiere Pro, right? And the only solution to that is to just make sure you come back to editing and that you always remain under editing. All right. But as you advance in Premiere Pro, you could actually come here and choose, you know, different workspace because now you understand what is going on. You can change it to maybe audio until still Premiere Pro. I want to focus on audio. So rearrange everything for me. You know, so I can see my audio very well. All right. So but before then, always make sure that you are under editing, okay, so that you can, you know, have your premier pro like this and everything looks fine. So the next thing I want to talk about here is the source monitor. This is the source monitor. Under the source monitor, you'll be able to preview your videos and also trim your videos. Alright? So you can see that we have nothing in the source monitor for now. And that is because if I want to put a video in my source monitor, all I need to do is to double click on the video. So let me just double click on this right here and you can see that the video is being opened up in Premiere Pro. All right. So sorry, the video is being opened up under my source monitor. And then from here, I can preview my video. All right. So my video showing here doesn't really mean that it is now part of what I am working on. All right? What I'm working on is what is showing right here. So this is called the program monitor. Alright? So this is where I see my life edit. This is where I see the things that I'm working on, right? Because what I'm seeing here is based upon what I have in my timeline, right? And if I move this, you can see that the video is being updated to that point. Where I have my playhead. Okay? So you must make sure and understand that this is just for preview sake, wow this is for preview, but in this case, you're previewing what you're editing live. So whatever you see here is what you are going to get at the end of the day when you export your video. Alright? And then next to that is our audiometer, okay? If I press play now. Color of this to this. You can see my audiometer was moving to show me the level of my audio, okay? And then next to that, we have our timeline, okay? We have the timeline. So this is where we see the timing of our video. This is where we get to drag the playhead around, and this is where we get to also see some things right here that I'm going to be talking about later on. Okay? Then moving away from that, we have our to bar right here. So this is where we'll be able to pick some tools to use in Premiere Pro later on. Then lastly, we come back to our exercise files or our Bin or our project panel. So we have a lot of panel stacked up here. We have the project v Ben, media browser, libraries, info, effect, markers, history, and so on and so forth. I can use this double arrow pointing forward to quickly switch between the different panels here. I can go back to my Project panel, or you can go to Window and just activate any of those panel, and that will pop the panel up. Okay. Now, also, if you mistakenly scatter things in Premiere Pro, so maybe I mistakenly grab my source monitor and then boom, I do notice, Oh, my source monitor is now under net. Oh, I can't find my timeline again. Oh, what's going on here? Oh, my project is now here. Oh, I can't see my program monitor again. Oh, my program monitor is now here. Oh, everything seems scattered and I'm on editing. I don't know what is wrong. I'm not on any other after work space Mr. Kish said I shouldn't go to. I'm on editing. So what's going on? Please help, please help. Alright, don't you know, stretch yourself out. Just simply come to Window. Since you're already on editing, you can also confirm that here. So you go to Window Workspace editing, then you go to reset to saved layout, right? So once I click on that, that will rearrange everything back to the way it was before I messed it up, okay? So that is that. And you can actually mess things up intentionally, okay? You could arrange things, you know, separately, move things up and down, say, Oh, this is the way I like my own premiere pro. And what you could basically do is to save this as a new workspace. And you can do that by going to Window workspaces and then saying save as new workspace. It's going to ask you what name do you want to save this workspace as, and then you can enter the name and click Okay. So I'm going to cancel that because I'm not saving this. So I'll go back to Window Workspace and then choose Reset to save layout. And that will reset it back to what it was. Before, okay? So that is that with the workspace of Premiere Pro and its interface, thank you for watching this video, and I'll see you guys in the next video piece out. 6. The Source Monitor in Premiere Pro: Hey, guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about the source monitor, right, and how to use all of those buttons underneath it. Alright, so let's get straight into it right now, and I'll show you how to do just that. Okay, so we're back right here in Premiere Pro, and we want to focus on the source monitor right now so you can see. And the source monitor, I can easily press play to preview and hear my video. Was, show. How you doing, man? Good to see you give me you got now. Okay. All right, guys, so that is the source monitor and how to use it to preview your video in Premiere Pro, right? And it's as simple as that. So, let me go back to my exercise files and let me put in this video in the source monitor, alright? And when I come back here, press play, you can see the video starts playing. What's up, everybody. My name is. All right. And the first thing we have under the source monitor right here, markers, okay? Markers. Now, markers allow me to add markers to my video at specific points, okay? So there are times when editing that you want to add a marker to your video, basically because of, you know, a particular reason. Now, for example, if I go back to this video and I double click, let's zoom, I want to mark that place where I begin to pour, okay? So that point where the, you know, juice begin to come out, I can place this playhead here. You can see this is a mini playhead. This is the main playhead. Alright? You can place this mini playhead here, and then I can click on this ad marker, and you can see this green marker appear at this point. So what is marker? Maker is just like when you're reading your Bible. And you find a particular scripture that you're really interested in. And then you grab a marker and you just, you know, paint that portion of the Bible. And you're painting it because the next time you pick up your Bible and you're looking for that particular verse, you want to make it easy for you to locate because right now, as you flip through the chapters, you can easily see that marked portion and then say, Hey, there you are. So the same thing with Premiere Pro, you add markers to your video to easily locate specific parts of your video, right? So if you know, Oh, I'm going to be needing this part of my video, you know, very soon or later on, you can set a marker there so that the next time that you want that part, it's going to be easy for you to locate, right? So you can see I've placed the marker there. So even if I, you know, go somewhere else, I work on other things, do other stuffs in Premiere Pro, okay? Oh, come on. Do other stops in Premier Pro. If I come back to this video and I'm looking for that point whereby, you know, the yoga starts pouring out from the laptop, okay, I can easily locate it now. Why? Because I can see the marker is still right there. So if I had not said this marker, I would have to play this on the beginning again. You may, may. Okay, until I'm able to locate that point. But with my marker, I can just simply click on this green marker I have here and you can see it quickly switches to that point and I can press Play. You can see, you know, you got pouring out from the laptop screen. Okay? So that is how, you know, easy the marker makes your life to look, okay? So I can set markers in different parts of my video depending on different parts that I want to quickly take note of. And the interesting thing about markers is that if I double click on a marker, it's going to open this marker option and I can give the marker a name. I can say, you know, drink or something. And then I can even choose a different color, maybe like blue, right? And then I can also click Okay. And you can see the marker is now color blue. Oh. Let me know it's blue. Let me use something like red, so it doesn't look like the same color of my playhead. All right, click on that and you can see the color is now red, right? And when I put my mouse on it, it's going to show drink. So let them know that Oh, this is the part where the drink starts pouring out, right? So that's with markers. I can even double click on my marker again, and then I'm going to see delete. Alright. So you can delete a marker if you're no longer interested in using that marker, right? And that marker will disappear. And the good thing or yes, the good thing about markers is that if you don't delete a marker, if I send a file to you, Okay, or you copy this same video file for my laptop. Once you open a video file in Premiere Pro, you will notice that you can see the markers right there. So if I click on this marker again, I can actually use this marker to communicate to a fellow editor on some things that the person can do in the video. All right. So without that we have this comment section. I can say, Hey, please cut this part of the video or something. Okay? And and once, you know, the other editor, you know, downloads this video file or do whatever he wants to do to it, copy from a flash or something. By the time he gets it, he's able to see that, Hey, when he puts the mouse here, he's saying, Oh, drink, please cut this part of the video. And he said, Oh, he wants me to cut this part, and then the editor can help me to cut this part out. So you can actually use it to communicate with an editor, you know, to, you know, do specific things at specific points in your video, right? So that is the essence of markers. Another essence of Maker is that you can actually use it to edit to you know, the bit of a song. So if you have a song, you can set markers on specific, you know, times of that song. For example, maybe set it at the kicks of that song. And then when you are now editing, you know that every time you see a marker, that is where you have the kick of the, you know, music, and then you can begin to edit to follow that workflow. So makers have a lot of uses. It's just basically something that allows you to grab a marker like in real life and mark spots, you know, to know what to do when you get to those spots. Okay? So if I don't want this marker again, I'll just double click and press delete, and I will remove the marker, and I can see that the marker is now gone. So that's the essence of markers, right? And the next one I have here is my mark in and Marko. Okay? If you've done the after effect training, this won't be new to you again. All right. So mark in and Mo, this is what we use to trim the video. All right? This is what we use to trim the video. All right. So let me go back to this su three video. Double click on need to open it in my source monitor, press play. So you can see at this part of my video, at the beginning part, I was trying to get ready to begin with a shoot. Okay? So I was kind of adjusting myself What's up everybody before I said, What's up, everybody, okay? So in my normal editing, we want to remove that part and make it start from exactly the point where I'm about to say, What's up, everybody. Okay? So that is important for us to note. Okay? That is important for us to note. So I can take my playhead, put it just before I say What's up everybody can see somewhere around there. So you have to move it gently, okay? Or you can use this step backward or step forward one frame to move gradually. You can see. I can tap this and you can see I'm moving frame by frame. So remember that those pictures, I say, make up a video. You can see those pictures right here. This is a picture. This is a picture. This is a picture. This is a picture. Because right now I'm moving frame by frame, frame by frame, frame by frame. All right. So let me take this back to just the part before I start. Whats up everybody, and you can see somewhere around here. And what will I do? I'll come to this MAC in and click here and I've told Premiere Product, I don't want everything from this point to this point. I want my video to start from this point, okay? And then I can go all the way to the end. But show up tutorial. And in today's tutorial, I'm going to show you. Okay. Intro. Simple. But before then, intro. Alright, so you can see that's where the video ended, okay? So I'll show you how to change the color of this to this. Very simple. But before then, intro. I'll pause it right there, so I'm using the space bar to play and pause. Alright? That makes it easier and faster. And, you know, I want to stop at that point where it says, before then, intro alright? Because that's where actually ended the video. Then I can come right here to my mark out. Tell Premiere Pro that I don't want any, you know, part from here to this point, right? So I don't want this part to this part, so help me to remove that. So if I come to Makot, click there, you can see that Premiere Pro will now end the video at this point. Okay? Premiere Pro will now end the video at this point. So if I come to this timeline, I see this one, the timeline just has everything from the partway I was still adjusting to all of this part to all of this partway Im still adjusting. Let's get straight into it. Okay? Before the and even when I was trying to repeat that again and all of that, you can see. So I can select this, press delete on my keyboard. And this one now that has been trimmed to the exact and perfect, you know, way that we want it, I can put my mouse here, click and drag and drop that into my timeline. So if I press play in my timeline now, you will see that nobody will even know that at the beginning, I was trying to adjust my self, and then at the end, you know, it just stops where it's supposed to stop perfectly. So let's play this back and see what we have. What's up, everybody. My name is Gabriel Sho, but you can call me Kisho. And welcome to another Photoshop tutorial. And in today's tutorial, I'm going to show you how to change the color of this to this. Very simple. But before then, intro. Okay. Great. So you can see what we have right there. You can see that this is really perfect. Nobody will know there's any mistake anywhere or some adjustment anywhere before the start of the video and after the end of the video. Okay? So that's how you use your marking and mako to trim out your video to the specific point that you want exactly, okay? And you can see that when you're done with that, you simply drag from here and drop. If I drag this and drop again, I will just have two versions of this same video, okay? So I want you finish playing just play again. Very simple. But before then, intro. What's up, everybody? My name is. Alright, so we don't want that, so I'll just select that and delete that off. So you can see how easy it is to use Premiere Pro to trim your videos to the right portion and then drop them into your timeline into the main project you're working on. All right. So what is this guy used for? And what is this guy used for? This is go to in and this is go to Out. Right now, my point is this point right here, and my out point is this point right here. So if I click on Go to In, just take my playhead and, you know, just make it jump to this endpoint. So if I click on that now, you can see that my player just jumps to the endpoint. And when I click on GTO, it just takes my player to jump to this outpoint. All right. So very simple. All right. And we already spoke about the step back one frame to allow me to move frame by frame. All right. So this is useful. If you're looking for a specific point in your video and you don't want to miss it, you can use frame by frame, step backward or frame by frame, step forward. Okay? So instead of dragging here. I'm dragging this way, I might just keep that path. I might not be able to get that part. But frame by frame, I can always get the specific points that I'm looking for. Alright? So that is that. And we know what this is used for. It's a playable thing. I very simple and then you can stop it also right there. We can also use the space bar to play. But before then and to stop, okay? So that is how to use all of these buttons here. Now, this insert and overwrite, okay, allows me to also drag my video from here and import into my timeline. So let me open another video here. If, for example, No, I have this right here, and I want to import this video into my timeline. If I put my playhead somewhere in the middle of this existing video and I click on Insert, it's going to split this video into two and drop this new video in between them because my playhead is somewhere in the middle. So if I click on Insert now, you can see exactly what I just said. You can see this is a video that was there before, and this is the video that was there before. And this is the new video that has been inserted. And why did he split it up? I did that because my playhead was in the middle of the video. Before using the inset button. So if I undo that and I put my playhead somewhere after the video and I click inset, you can see that it just inserts it at the exact point where I had my playhead before now. Okay? So that is inset. It allows you to import your video into the timeline. So if I put my playhead once again in the middle of the video and I use overwrite this time. Now, if I use overwrite, overwrite would not, you know, create space in the middle for the incoming video. I will just clear everything from here forward, right, meaning that it's going to delete this part of the video. Okay. So the only part of this video that I will have left is just this part before the play. So if I click on overt, you can see that it just removes everything from this point of the video away, and you can see it has replaced it with this video that I have right here. So if I play this now, you can see from here, it will just switch to this video. O tutorial, you may. Alright. So that is your insert and override. But personally, what I love to do to import my videos into the timeline is basically just put my mouse right here on the video, click and drag, and I just drop it where I want to drop it. I can drop it right there. If I undo that, if I click and I drop it on top of this video, it's going to do the same override that the override button does here. So personally, I just like dragging from here and placing it where exactly I want it to be. Okay. So that is that fourth. I can see what we have right now. Now, the last thing I have here is the export frame. So let's assume that part where I had that drink. You can see now that because I've removed the marker from this video, I'm finding it hard to locate that part where the drink starts pouring. All right. So as I s had my marker here, I would have easily be able to locate it without me having to scrub through my video. So now I have to scrub through it. Okay, so it's right somewhere here. So let's zoom I like this and I want to take a screenshot of this, okay? Or I want to have a picture version of something like this. What am I going to do? I'm going to simply come to my export frame here, click on it, and it's going to ask me what name do I want to name my image and what format of image do I want? So I can choose JPEG, PNG and the likes. So I'm going to choose JPEG. I'm going to leave it as the name of the video and then it's asking me, Where do I want to save this image? All right? I can click on browse, Choose document, download or Dk stop. And then after choosing that, I can say choose, okay? And we have this import into project. What that means is that if I export this as an image, it will also help me automatically import it into Premiere Pro as an image. So maybe I want the screenshot in Premiere Pro. Maybe I want to use it for something. Something like that. Okay? So you can click on Import into Project. So let me click on Okay, and you will see that to export it and also help us to automatically import it into Premiere Pro as an image. So if I look here, I'm not seeing the image anywhere here. It is because this is my Exercise files folder. Remember, if you import anything new, it's going to be added to your project panel. So you must be conscious of the fact that this is just a folder. This is not your project panel. If you're looking for anything imported newly or created newly, always go to your project panel. All right? And when I go back to my project panel, you can see that image right here. So you can see that this is not a video. This is an image, and I can use it for whatever I want to use it for. If I also go to my desktop or my laptop, okay, I'll see the image right there. And the image quality totally depends on your video quality. So if your video quality is low, your image quality is also going to be low and vice versa. Okay? So I can use this to do whatever I want to do. I'll just delete that. And I know that when I come to Premiere Pro, it's going to tell me I can't find the image again. I'll just cancel this and also delete this from my Premiere Pro. Okay. So back to our ExcesseFles, and that will open up this again. So you can see what all of these are used for. So before I leave the source monitor, we still have some things here that I need to talk about. Now, the time that we have here is your playhead position. That is your current time. So as I move this playhead, you can see that the time I have here is also changing. Don't forget this is your hours. This is your minute. This is your second, and this is your frames per second. Alright? So to pronounce this, I would say that my playhead is currently at 13 frames and four Sorry, I would say my played is currently at 13 seconds and four frames. Okay? So do this here, my player is currently at 18 seconds and 21 frames. My played is currently at 4 seconds and 19 frames. So this is minutes and this is hours. Okay? So that is what we have for this time. And this time here shows you the total time of your video. So the total time of this video is just 34 seconds and 14 frames. 34 seconds and 14 frames. Okay? So that is that for these two timings that we have right here. And then this right here is your Zoom level. Right now it set to fit. If I click that and I change that to 10%, you can see that it has zoomed out of my video. Okay? And if I click on this drop down and I change it to 150%, you can see that it has zoomed into my video, right? So you must take note of that. So if I want it to fit back to my screen, I'll just click here and change this back to fit. Okay? The next thing I want to talk about here is this full here. Now, if you press play here. And for whatever reason, you find out that your video is kind of, you know, joking or it's kind of slow. That is because the file size of the video you're trying to play is really big, right? Or your system resources, talking about your ram, your processor, and all cannot accommodate that file, and that is why it is kind of skipping. So in that scenario, you might want to drop this from full to half or cutter. All right? And even depending on your system resources and how big the file size is, Premiere Pro might release for you 18 and one 16th. All right. But, mind you, as I drop this to Cotter, it's also going to drop the quality of my video. All right. So when I press play, you can see that the quality is not really that clear. You can see that when I press play, that the quality is not really that clear. Ahead. Okay. All right. And that's because I'm at COTA at this point. All right. So that doesn't mean that when you're ready to export your video, that your video will be exported in this low quality. All right. By the time you're exporting, even though this is in Cotter, your video will automatically be exported as full resolution. Okay? So this is just for you to drop down the quality so that you can preview your work and edit faster. Alright? So that is that. And then the next thing I want to talk about here. So let me change this back to full. And then the next thing I want to talk about here is my drag video only and drag audio only. Now, if I go back to putting my mouse here and I click and drag, you'll notice that two things are being, you know, dropped into my timeline. The one at the top is video. The one at the bottom is the audio. And that's why when I drop this and I play. Okay, show. My how you doing, man? You can see that I can see the video and I can hear the audio, okay? And that's because I am dropping in both video and audio. Now, if I undo that and I use this drag video only, and I click and drag on that and I drop into my timeline. If I press play this time, you can see that there is nothing like sound going on, but I can see my video. And that's because I only have video. And you also notice that we just have one, you know, layer coming in. I can do that again. And then if I do drag audio only, you can see we only have one layer also, and I can only drop it in this audio section and not in this section. And once I drop that and I press play now. Laptop. Okay. You can see now that I can hear my audio, but I can't see my video, and that is how, you know, it works. So there are times that when editing, all you need is just the video. You don't need the audio, right. In that case, you can use drag video only. And there might be time that you're editing, you like the audio that came in the video and you want to use that audio for your project also. You can actually drag audio only, right, and just use the audio alone. But if you want both video and audio, you can just easily drag from that place, and you get both your video and audio. Good to see you. Alright. Great. So that is that for the source monitor, and I'll see you guys in the next video piece out. 7. The Timeline in Premiere Pro: What's up, everybody. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about the timeline, how to arrange videos as layers, how to, you know, put them together in the sequence in which you want it, and how to create a beautiful video out of it. Alright, guys, so let's get straight into it right now, and I'll show you how to do just that. Bill. Okay, so we're right here in Adobe Premiere Pro, and let's focus on the timeline right now. So right now we have two videos in the timeline based on dragging from here and dropping here. You know how we do that already. So but this is just one scenario with arranging your video in the timeline. Okay. But before I talk about arranging the video, let's talk about some of the, you know, icons here. All right. This is our video track one. This is our Video Track two, Video Track three, and then we have our Audio Track one, Audio Track two, Audio Track three. Right now, our video is on Video Track one and Audio Track one. All right. And that's why we see that it's right here. And this second video is also on Video Track one and Audio Track one. So we can actually drop videos on Video Track two, Video track three, four, and so on and so forth. All right. So that's what this means. And then this padlock icon here is to lock your tracks. Okay? If for whatever reason, I want to lock this track, maybe I don't want to move it. You can see if I click now and I move, things are moving. But if I log this track, you can see that I won't be able to move this at all. I can also log the audio track and I won't be able to move anything here at all. So that's what your lock is used for, right? So it's totally your preference. If you want to lock your track, you can always do that. And to unlock it, I'll just click here and click here, and that will unlock both tracks. Okay? And then we have our visibility right here. If I click here, I won't be able to see my video, and if I click here, I'll be able to see my video again. So if I click here, all the videos on Video Track one would not be visible again, right? And the same applies to this mute that I have here. If I mute this track, all of the audio in this track would not be, you know, audible again, all right. So that is your visibility and mute, okay? And then we have this record icon here. For voiceover, right? This is for voiceover. If I want to record directly into Premiere Pro, I can actually do that. Okay? So let me quickly do that recording with my laptop microphone. Okay. So to do that, I'm just going to click right here. Okay. And when you're doing this, if you're not using an earphone, like I'm doing right now, you might want to mute the audio or the speaker of your system so that when you are recording, you don't get a hole back. Okay? So let me just put my plate somewhere here. Click on this. It's going to count three. Sorry, it's going to count three, two, one, and that would start recording my audio. Okay? So you can see, as I talk, the audiometer is going up and down. And then when you're done, you just stop it or you click on the record the voiceover record once again, and that will stop your recording. Okay? And when I play this back, you can see what we have. Stop recording my audio. Okay? So you can see, as I talk the audio mix. Okay. So that's how you quickly record directly into Premiere Pro. So you can connect your system with a professional microphone so that I can get better quality, you know, and all of that. Okay? So that is that. And it will also add this to your project. So if I go to my project panel, you can see that the audio one wave is also right here. So I can use it multiple times in my project for different purples, okay? So that is that. Okay. Let me just delete it because I don't need it again. It's going to say yes. That is going to tell me it's currently in a sequence. Am I sure I want to delete it? I'll say yes, and that I'll delete it from my project. Okay? So that's up to you the voiceover record. Now, this voice over record, I think you would find it versions of Premiere Pro from 2017 and above. Okay? So if you're using something lower than 2017, you might not see this voiceover record icon there. So just get a newer version of Premiere Pro, and that would solve the problem. Okay? So it's a new feature that came with a newer version. So that is that for the things we have here. So now let's focus more on the timeline itself. Now you will notice that when we're creating our sequence, Premiere Pro didn't asks what is the time of our sequence? And that's because in Premiere Pro, your time can just keep extending forever and ever and ever. So right now, the total time of my project totally depends on the last video I added. So right now you can see that the total time is 54 seconds four frames. If I go to my exercise files and I add another video, okay, for example, you will see that it has now changed from 54 seconds to 1 minute, 7 seconds, 18 frames. So the more I add videos to my timeline or audio to my timeline, the longer my sequence becomes, okay? So that's the way it works in Premiere Pro because Premiere Pro is an editing software, and I believe you can come here and edit, you know, videos of 3 hours, 5 hours, 10 hours, totally depends on you and what you're trying to edit. Okay? So that is that. And you can see the way I've been arranging my videos all this while, okay? This is like a sequential arrangement. And what this simply means is that as I move from one video to another video to another video, that's the same way I'm going to see it play in my program monitor here. So by the time I get here, you will see that to switch from this video to this video. Intro. You may, may. And let me fast forward that somewhere here, and you will see to switch from this to that other video also. So you can see, you know, how we've been arranging our video and how it works now. Okay? So let me delete this and delete this. Another way to arrange your video in Premiere Pro is that I can actually you know, drag my video from here. So basically, it's not always compulsory you put your video in the source monitor before you add it to your timeline. I can basically drag the video from here, okay, and those drop in my timeline. So about this time, I don't want to drop it this way. I want to drop it on top, okay? I want to drop it on top. Now, don't drop your videos like this, okay? This doesn't really make sense or this doesn't look like efficient because this and this are the same result. Okay, so there's no point dropping a video like this and say, Oh, I just want to put it in video track two because this is the second video. It doesn't make sense because you're going to get you the same result of after this video plays, the next video will play. Intro. You may. Okay, so instead of me dropping it like this, I could have just dropped it immediately after this video, right? So if you're planning on using Video Track two or Audio Track two, it should be for something like this. Alright? You should be so for something like this, whereby you want to, you know, play the two videos simultaneously. Now, if I play this bat, see what we have. Come to another photoshop tutorial, and in today's tutorial, it's going to show you you can see that in this way, we can see one video, right, but we can hear two audio. All right. So we are seeing one video, and we are hearing two audios. Alright? So why is that? Is Because this video in Video Track two has covered this video in video track one. But since audio has to do with listening, they don't really disturb each other. And that's why we can hear both audio, you know, even though we can't see both videos. Okay? So it's as simple as that. Now, if I find myself in this kind of scenario, another thing I could do is I can undo this. And then this time when I want to drag from here, I will just come to drag video only and just drop the video on Video Track two. And when I play this to another Photoshop tutorial, and in today's tutorial, I'm going to show you how can see one video, which is this video on top, but I can hear the audio of the video underneath it, right? So this is another way of dropping it. So I'm just trying to show you different scenarios you might encounter trying to arrange your videos in the timeline, right. So but something that would have really made more sense with this is that Now that I've put this video at the top and I have a video underneath it, I can come to this video at the top, double click on it, and that will give me this bounding box around my video, and I can come to the edge. And when I put my mouse in the edge, you can see where my mouse turns to, okay, an arrow pointing diagonally up and down. I can click and drag that to reduce the size of the video on top, okay? And I can place this somewhere anywhere around my you know, video, maybe put it somewhere around here, okay? And this time when I play back, you'll see so but video me. You can see now that I can see both video and I can hear only one audio, which makes more sense than it was before. Hey show, and welcome to another Photoshop tutorial, and in today's tutorial. So you can see what we have right there, okay? So these are different scenarios where you want to arrange videos in your premiere P, and you're thinking of how to go about it. So that is simply that. Another thing I can do is I can even bring in more videos. I can double click this, put it drag video only and drop again, and then double click this and reduce the size of my video. Okay, and maybe position that somewhere here also. All right. So I'm just creating something here. It doesn't really matter whether it makes sense or not. So, oops, I'm still moving it. So let me just reduce the size or more and just position that also right here. And then you can see I can see three videos now, but I can only hear one audio. Hey, but you can call me Kisho. And welcome to another Photoshop tutorial. And in today's tutorial. So you can see that right there. So these are the different scenarios you might encounter while trying to arrange videos. It could even be an image that I want to add here. You can come to any of this image here. I can drag this, drop it also now. You notice that when we get to V three, there is no V four, right? There's actually this empty space here. And to create V four is pretty simple. All I need to do is to just drag any video or image like I'm doing right now and just drop it in that empty area. And Premiere Pro will automatically create V four or Video four, okay? And the reason why I'm not seeing it right in my, program monitor is because my playhead is not on top of the image, right? So at this point, the image is not long enough to this point. So you must always take note of this. So don't drag stuff and say, Hey, I'm not seeing it. I don't know what happened, blah, blah, blah, blah, blah. Just check your playhead and say, Oh, okay, my playhead is not on top of it. And when I move my plate on top of the image, which is right here, you'll see that the image will now reflect on my program monitor, okay? So I don't know what's going on. Oh, I think my system is acting up. Okay, so you can see is now showing the image is really, really, really large, all right, really, really large. To the extent that even when I double click on it, I won't see the bounding box. So what I can do in this case is that I can zoom out. I'll click on Fix and change it to 10%. And then at 10%, I can begin to see the bounding box, and then I can just reduce the size of the image, right, so that I can see the entire image and even reduce it further so that I can see the video beneath it, right? And I can change this back to fit and I can grab my image and also put it somewhere at the corner right there. All right, so this image is really, really large, right? It's taking toll on my system resources already. Okay? And I'm running a background app, which is also very large with my premiere P, and, you know, that is what is causing all of this. Okay? So if I press the play button now, you see that everything is now showing in my layer general show is what we have right communication. So this is a video video. Not the shop to top. What we had at the top right here is an image. Okay? So that is it, guys. That is how to arrange different videos and everything as layers in your premiere pro. Thank you for watching this video, and I'll see you guys in the next video 8. Premiere Pro Tools: What's up, everybody. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about the T bar and how to use the tools we have there to create awesomeness in Premiere Pro. So let's get straight into it right now. Whew. Okay, so we're back right here in Premiere Pro, and it's time to talk about the tools we have here and some of its usefulness. So let me just quickly come back right here and just say, right click New sequence from clip. And I will just create a new sequence from that same video, okay? And this time without all of those other things I have in this previous sequence, okay? So just know that we have two versions of this sequence now, the one with all of the ones I did in the previous video, and then this one is just totally empty. What's up, everybody? My name is Gabri. Alright. So the first tool I have here is called the Selection tool, okay? The Selection tool. And the selection tool is basically used for selecting stuff. So that's the tool we have activated all this while while we were talking about Premiere Pro. So I can click and move this around. You can see that, okay. Another thing about the selection tool is that it can also allow you to trim in your timeline. So even after trimming my video here, I can still, you know, trim it further in my timeline if there is a need for that, okay? And how do I go about that? All I need to do is to move my playhead somewhere close to the edge of the video, and you see turn to this red icon pointing backward. Meaning I can click and drag like this and trim my video further. You can see I've made it shorter. Okay? And I can also go to the edge at the beginning of my video, and you can see that red icon pointing forward, meaning I can click and drag and move that forward like this. And I would have successfully trimmed my video to this small part. Okay? So if I take this now and I press Play, you can see you can call me it's not starting from the very beginning and it's not going to end where it ended initially. This. Okay. And then we have this black spot here. So when I press play, you can see, we have a black spot for a while. But you okay. And when it gets here, it started playing. So if I want to if I don't want to this blank spot here, I can just click this drag to the beginning of my timeline, and then the very beginning would not be blank again. I would just have my video playing from there. But you can call me Kisho, and welcome to another Okay. So that is how to go about that, okay, in Premiere Pro. So that's a selection too. It allows you to select stuff, trim stuff. Now, even though I've trimmed this, I can also trim it back to the very original. Okay you can see it's back to the very original, even those part that I've trimmed off here, they are now showing here and everything. So that is your trimming option. So let me just undo it back to what I trimmed here so that I get the right video. Now the next thing I have here is my track select forward. Now, to use this track select forward, I would need multiple videos in my timeline. So I'll just, you know, come here, maybe drag this video, drop this one here, and drag another. Now you can see it looks as if I don't have any space to drag any video further. And that's because I am zoomed in my timeline. Okay? So if I tap plus, I will continue zooming into my timeline. Oops, sorry, I was stapping that in the wrong place. So you can see this was a panel that was active when I was tapping Plus. Alright, that's why I was zooming into this. So make sure that this is a panel that is active when you want to zoom in. So as I zoom in, you can see that it's even zooming in further, and the second video is almost looking like it's gone. And then if I continue that, you can see that the video is even totally gone. And when I press play. What's up, everybody? My name is. You can see how this is moving very fast because I'm totally zoomed into my timeline. You can see this is 1 second, 15 frames. This is 1 second, 20 frames. I'm still in 1 second up to this point. It is here I get to two second and I'm still in 2 seconds here. Also this is zoomed all the way in. And if I tap minus, okay, you can see this is the panel that was active while I was tapping minus. So it's not going to answer me. So make sure that you click somewhere around here to make this panel active. And then when I tap minus, it will start zooming out. And you can see I can see that video, I just added now. And I'll just keep tapping it until I see the end of that video. So you can see that I'm zoomed out now. I can see my first video here. I can see my second video here, right? So I can come now, drag in my third video. I can come again, drag in another video, and you can see everything. So you can always zoom in plus or zoom out minus in your timeline. Okay? Just make sure your timeline is the active panel before you start tapping your plus and minus, okay? So that is that. Now, my track select forward, what it does is that it allows me to select my video from here forward. Okay? It allows me to select my video from here forward. So if I click on my track, select forward now, if I click on this phase video, you select this phase video and everything forward, you can see that, okay? So let me undo that this select select my track select forward again. And this time, if I begin from this video, it will ignore this video behind it and select this particular one and everything forward. So when I click, you can see it selects this forward. So your track select forward is just a selection to select your video. It doesn't do anything special to your video. So it's just for selection. So after selecting my video, I can go back to my selection I can move all of those selected video together. All right. So the reason why you might want to use your track select forward is you want to select all your video and maybe move all of them together or delete all of them, or apply something to all of them at once. Okay? So that is your track select forward. We have another tool called the Track select backward. For me to find that I will need to click and hold on this dropdown arrow here. But for those of you that might be using an older version of Premiere Pro, you'll find out that your track select backward is actually just directly underneath it here. So you won't see anything like this mini dropdown arrow that we have here. Okay? I'll just click and hold on that dropdown arrow and I'll see Track select backward. Okay, I can click on that. And this time, this Track Select Bacod will just do the opposite of Track select forward. So if I come to this video here and I click on Track Select Barcode with it, you can see that that's the only video you select because there's actually no video backwards of this particular one. So if I come to this very last one here and I click this one, it will select this video and everything backwards. So if I click, you can see the way it selects the entire video from there. So Track select forward, select the video you select and everything in front of that video. And Track select Bot, when you click on it, it selects the video you clicked on and everything behind that video. All right. So that's how to use your Track select Barcode. So basically, like I said, they are not doing anything special. Like, they've not added any effects to my video or anything here. It's just for selecting my video. So I can go back to my rackec my selection too, and I can move everything together or maybe delete and I'll delete everything together. So let me undo that. Okay? And you can see my video is back. Alright? Great. So the next tool I have here is a ripple edit tool, the Ripple Edit tool. Okay? Now, to explain this ripple Edit tool, I would need to arrange my video. So let me just delete this video here, and I would need to trim my video. So before you find yourself in a situation whereby you'll be needing the ripple Edit to, your video must have been trimmed, okay? So if your video is not trimmed, you won't be having any need for your ripple Edit tool. So to be able to use the Ripple Edit to, I'm just going to simply come to this newscaster and trim this video come here and trim the video, okay? And since this one is already trimmed, there is no problem. I'll just join it with you. So you can see that my videos are trimmed. If your videos are not trimmed, let me undo that. You'll be seeing something like this white, you know, triangle at the video and at the audio. And if you look at the end also, you will see that white triangle right there, okay? So that's to let you know that your video is not trimmed. So but when you trim your video, so let me redo that. Once you trim your video, you will see that those white triangles are not showing again, and that tells you that your video has been trimmed. So Once again, using the ripple Edit tool is not compulsory in all of your project because it is not all of your video that you will need to trim every time. Alright? It is my duty here to teach you how to use the tools, but it doesn't mean that you must use them in your video. So don't go and say, I've not used the Ripple Edit in this video. Mm, how will I use the ipleEdit tool? You know, don't disturb yourself asking yourself those kind of question. You only use the particular tool that you need at every particular time, alright? So let's talk about the ripple Edit to. Now, before I even show you how to use the Ripple Edit tool, let me show you what is how you can still do something that the Ripple Edit to will do using your selection tool. Okay? So I can come here on my video here, I can click and trim this video and when I trim this video, you can see there's a space here. All right. In order for me to avoid this space, I can click on this, drag it and join it back to this right here. And that will join my video to that one. Okay? And that's basically what the ripple Edit tool does actually. So let me undo that and grab my ripple Edi too. And what I did now, I will just do my ripple Edi too. You can now use in between your video. It has to be towards the edge of your video. So I'll click drag and you can see that I'm trimming my video here. But when I release my mouse, you can see that it leaves no space right there. I automatically just joins this video to that video. And that's exactly what I did initially with my selection too. So the ripple edit is just like a faster tool to do what I did initially with my selection tool, right? So that is how to use the ripple Edit tool. Let me undo that and talk about the rolling Edit tool. And for me to get that, I will click and hold on the drop down arrow I have right here, and I can see my rolling Edit tool right here. Okay? So with my rolling edit tool, I'll select that. But before I show you how to use it, let me show you an example with the Selection tool again. So with my selection tool, let's assume I want to trim this video like this again, right? Now, instead of me carrying this video and coming to join in with this to fill up this blank space, all I would just simply do is to also click on this video and extend it or trim it to this point. Remember, we've trimmed this video initially. So when I'm clicking like this and I'm extending it, I'm only bringing back parts of the video that I trimmed off initially. All right. And when I do that, you can see that this one is now shorter and this one is longer, right? And that gives me that, you know, cover of my blank space here, okay? Now, what I just did with my selection tool is actually what the rolling Edit to does for you. So if I undo that, undo that, ok and I come to my rolling Edit to and I put it in between here. As I click and drag to the left to reduce the first video, you can see that the second video is getting longer. Alright? So when I release my mouse here, you can see that this is now shorter and this is now longer. Alright. So rolling Edit two is a faster way of doing what I did with my selection to, okay? And that is that. Okay, guys, I'm going to be stopping right here, and in the next video, we're going to be talking about how to create slow motion and fast motion. See you in the next video. Piece out. 9. How to Create Slow/Fast Motion in Premiere Pro: What's up, everybody, and welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about how to create slow motion and fast motion inside of Adobe Premiere Pro using the Rate stretch too. So let's get straight into it right now, and I'll show you how to do just that. P. Okay, so we're right here in Adobe Premiere Pro, and we stopped at the Rolling Edit two. So right now, we're going to talk about the Red stretch two, the red stretch two. And before I talk about that, let me just delete this video right here. Or let me just undo that back to what it was before and delete. And I just want to focus on I'm so tapping plus to zoom in. So I just want to focus on my video right here. What's up, everybody? My name is abra. Alright. And with my gtretch two, I can use that to create a slow motion or fast motion on my video. So to use the agrech two, you can use it like somewhere in between your video here. You have to use it at the edge of your video, right? So if you put it here, you can see that red sign telling us that we cannot use it at that point, okay? So we'll just come to the edge click. And when I drag this to the right, what I'm actually doing is stretching the video. All right. And when I stretch something, I make it longer, and that would eventually make the video slower. So if I press play now show me what you can call can show. Can see how we easily create a slow motion in Premiere Pro. I can undo that. Okay? And this time, if I click and drag to the left, I'm actually compressing the video, and that would make the video faster. So if I put my play then I press Play. Prefer now. All right, so you can see how the video now plays super fast. So that's how to create a simple slow motion in fast motion in Adobe Premiere Pro. If I don't want it to affect my audio, I would have just dragged in video only, right, and then drag and adjust slow motion of fast motion and to just be applied to my video, okay? And so it totally depends on how you want your slow motion of fast motion in Premiere Pro. Piece out. 10. The Razor and Pen Tool in Premiere Pro: Hey, guys, welcome back. And in this video, we're going to be talking about the Razor two and the pin tool in Premiere Pro. So let's get straight into it right now. So we're back right here in Premiere Pro, and this time, let's talk about the Razor two, okay? Now, with the Razor two, the razor two allows me to cut my video into any part, right? So this is one of my favorite tool in Premiere Pro. If I put my sort here right now and I just click, you can see that it just immediately splits that video into two. I can click here, and then it splits it there again. I can click here, and then it splits it again and again and again. If I go back to my selection to now, you can see that these videos are now separate from each other. Okay? And one cool thing I can actually use this to do is that if I grab my razor two and I cut here, okay, I can actually use that to go back to my stretch two. And this first one here, I can make this part of my video first, okay? And then this part here, I can make it slow. So that when I play my video back, it will go from fast motion to slow motion, right? So let me press play. A how to change So you can see how that went from fast motion and go to slow motion. So when you use risotto to cut your video in any part, you are indirectly, you know, separating that video from the rest of the video. Okay? A another thing I can actually do is that I can you know, quickly go to my effect. We're going to talk about effect later on. Let me search for Tint, and then I'll just drag that, drop it on my video on this part. It means that you can see that when I come to this part of my video, it is black and white, and in this part of my video is colored. Why is it not affecting this part? It's because I've used my razor to cut this video into two. So Premiere Pro is seeing this as an independent video and this as another independent video. So but we know that these two videos are actually the same video. So when I press play here, tutorial. And in today's tutorial, I'm going to show you how to change the culture. So you can see how you went from color to black and white. And in today's tutorial, I'm going to show you Alright. So that's why the razor tool is one of my favorite tool in Premiere Pro because I can just use it to cut, cut, cut, cut, cut, cut, cut, and apply different effect to different parts of my video. So let's go straight back to our, you know, project panel, right, and, you know, talk about all of that right now. So another thing I want to talk about now is the pin tool, the Pen tool. Alright, in order for me to use the Pin tool, I have to make my video track and audio tracon bigger than what it is now. And to do that, I will just put my mouse in between video track and Video Track two. You can see this line right here. I'll just put my mouse there, and my mouse will change to this arrow pointing up and down, and I can click and drag that up just a little bit, and you can see, I'm beginning to see preview of my video here. Then I'll come to Audio Track one and Audio Track two, put my mouse in between that, click and drag down, and then you can see that I'm seeing more of my audio wave, and I can zoom in some more so I can see very well. Now, with my pen to, I can set key frames on this line right here for my audio. Okay? And I can also do that for my video. So but before then, I can't seem to see the line the opacity line for my video. And for me to see that I can come to this et, right click under EX, and I'll see opacity, and then I'll see opacity here. So it looks as if it's selected, but I'll click on it again, and that will now bring up my opacity line. And then this is my volume or audio level line. Now, with my selection too, what I can simply do with my opacity line is I can reduce the opacity here, and you can see that the opacity of my video is dropping already and dropping. When I take it all the way to zero, I won't see my video again. So that is my opacity line. Then my volume line, let me play this. What's up, everybody? My name is Gabriel Show. So if I reduce that halfway, you can see that your audio level is now low. So if you're looking to reduce the volume of your audio or increase the volume of your audio, you can actually do that from this volume line, right, using your selection too. So if I take this all way up, it becomes very loud. And welcome to another pods. Okay. So that's how it works in Premiere Pro. So by default, it's always in zero. Okay, so I'll just change that back to zero, and then this is always in 100. So but now with the pin two, I can actually set key frames on this line with my pen two. Now, what are key frames? Keyframes things in Premiere Pro that allows me to animate my video or to cause certain changes to my video at certain points in time. So what do I mean by that? If I come right here and I click on this line with my Pinto, I will see a keyframe upe. You can see this blue line right here. This blue thing that look like a diamond right here. Okay? And I can come to this point also and click and I'll see another blue diamond appear right there. Now, what I can do is I can actually create like a fade in effect on my audio with this, you know, two key frames I have here. Now, if I go back to this first one here and I click and drag that blue diamond stuff and I drag it down. Can you see the way that this one stays where it was? And then as I drag this down, only this part is being dragged down. And then you can see this line going up right here, okay, based on these two keyframe. Now, what that means is that when I play from here, I will see that my audio will go from low and go high. So giving it that fade in effect. So if I press play now, What's up everybody. My name is Gabriel Show. So you can see how that went from low to high. Everybody, my name is Gabriel Showa. Okay. And that's simply what I can use my pen to do on my volume line. I can also replicate the same thing on my opacity line to create a fading for my video. So if I click this, you know, here for my opacity line to set a keyframe there, I can also set a keyframe there, and then I can come to this one and drag this down and you will see that my opacity will also go from low opacity to a high opacity and that will give me a fading effect. Let's play that and see how that looks like. All right, so you can see the way the video came in gradually, okay? So the same thing was happening with the volume was coming higher gradually, okay? Everybody. My name is Gable. So you can use your pen tool to quickly do a fade in or fade out on your opacity and volume line in Premiere Pro. Alright? If you don't want to keyframe again, you can just select it and press delete or select and press Delete. And that will just remove the keyframe. Let me undo that to just bring that back. Okay? Thank you so much for watching this video, and that is how you use your pen tool and your razor tool in Premiere Pro to create amazing stuff. Alright, see you guys in the next video. Piece out. 11. The Effect Control in Premiere Pro: What's up guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about the effect control and how to use all of the elements that we have right there. So let's get straight into it right now, and I'll show you how to do just there. You know what I mean? Ha. Okay, so we're back where we left off in Premiere Pro, and I just want to change my two back to the selection too. You can also come here, click and drag this down again to kind of minimize it back to the normal size it was before when you're done with your opacity line and volume line. So let's talk about the effect controls now. Let's talk about the effect controls now. So let me undo all I've done in the previous video, okay? Just undo my cutting and everything here. All right, so I'm back to my normal video. What's up, everybody. My name is Gabriel Shoal. Okay. Now I can go to my effect controls. So if I come to my source monitor here, I can see that there's another tab here called the Effect Controls. Okay? The Effect Controls. If I click on that tab, you can see all of these plenty things that I'm being shown. Okay, so let me minimize them. Let me click here to minimize motion. Click here to minimize opacity, click care to minimize volume. All right. So by default, these six things should be what you are going to see right here. Okay? The first is motion. The second is opacity. The third is time remapping, and these three are under video. And then under audio, we have these three also volume, channel volume, and Panner. All right. Now, if what you have selected in your timeline is just an audio. All right, you only see these three options right here. But if what you have selected in your timeline is a video, then you only see these three right here. But if yours is the same as mine, whereby we have a video and audio selected, then you see the six of them right here. So let me quickly show you what I'm talking about. So apart from the fact that we've brought in our video and audio into our timeline, we can actually still separate them inside the timeline. So even though we didn't use drag video only or drag audio only, I can still separate this my video from my audio because you will notice that every single time I click any of them, both of them get selected. So if I click this, both of them get selected. If I click this, both of them get selected. So I can actually unlink them. How do I go about that? I can select right click and then I can come here and choose on Link. And when I do that, anytime I select the video, only the video gets selected. Anytime I select the audio, only the audio gets selected. Okay? And if your Premiere Pro has been behaving like this from the very beginning, then it means that this guy right here is not on on you. So make sure that this is on so that by default, when you drag a video into Premiere Pro, they both stay linked together, all right? Then if you want to link them, you can just simply right click and choose on Link. Okay. So now you can see that when I select the video, I'm only seeing these three properties here, when I select the audio, I'm only seeing these three properties for audio right here. So that's why I was trying to let you know the other time. And if I don't have anything selected, when you come to the effect controls, you're not going to see anything. Okay? So for me to link this back, I'll just select both of them. I'll hold down Shift, select the audio to right click, and then I'll come back here and choose Link. And I'll link both my video and audio back together. Okay? So when I click on any part, both of them get selected. All right, so let's talk about the effect control. So what's motion all about? What is motion all about? So let's click the drop down to see what we have on that motion. So when I click the drop down here, you can see we have position, scale rotation, anchor point, anti flicker filter. Now, those of you that have done the after effect training, this won't be new to you. You already know what they mean, right? But for those of us who don't, this position is actually what we can use to change the position of our video in our project. Okay? And you can see that this position we have two values there. We have this 960 and we have this 540. The 960 is our X axis, and the 540 is our Y axis. So if you remember when we were being taught graph in school, Okay. And they draw a, you know, cross like this. This is our Y axis, right? And this is our X axis. All right. So meaning, if I come here and I adjust my X axis, I'll be moving my videos position left and right. And then if I adjust the Y axis, I'll be moving my video position up and down. All right. So that's what it simply means. And to test that, I'm going to put my mouse on this X, which is 960, and you can see showing me this sign of an arrow pointing left and right, so I can click drag on that to the right and you can see my video is moving to the right, drag to the left and you can see the video is moving to the left. I can undo that and I'll bring it back to the middle. If I put it on Y and I click and drag, you can see if I take it to the right, the video goes down. If I take it to the left, the video goes up. So position here is used to change the position of your video. Scale. Allows me to make my video either bigger or smaller. So if I click here, I can make the video bigger, if I take it to the right. And when I take it below 100 by dragging it to the left, I make my video smaller. Okay? So that is your scale. Let me undo that. Okay? And then next we have rotation, which allows us to rotate our video. If I click and drag, you can see that my video is being rotated. And when I get to 360, we're going to see something like one X up here. Okay, can you see that one X. That one X means one time. All right. So if I go on that 360, I'm going to see that one X return to two, which means two times or twice. And that simply means that my rotation is going to occur twice, 360 degree. Okay? But if I don't want it to rotate 360 degree, I can just rotate maybe 45 90 and just stop where I want to stop. So if we take to the left that's minus, we take to the right that's plus, okay? That is your rotation too. Now, this ankle point and antlifreker, I guess going to leave it and maybe talk about it in the advanced class, right, because you don't really need it for now. Okay. So the next thing I want to talk about now is opacity, okay? Opacity. So I can close this motion and you can see we have opacity standing on its own. Open that up and we can see that we have our opacity right here, okay? Now, the same opacity we're adjusting at the bottom here is the same opacity that we have right here. So if I click and drag this to the left, I'll be reducing my opacity. When it gets to zero, I would not even see anything at all. So that is the same opacity that we were doing right here, okay? And under this same opacity, we have some extra buttons there. We have this, you know, Ellipse Max, rectangular max, and we have this pen tool right here. Now, if I click on this Ellipse Max and I click on that, it automatically creates a max for my video in the form of a circle. Now, what are MAX? Max is basically telling Premiere Pro that I want my video to be restricted to this shape. All right? So when I drew that circular mask, you can see that my video is now restricted to this circular shape, and I can just come to the edges here to adjust this circle to fit into my video. So I can adjust it like this. I can grab this, take it to the right, you know, just to kind of show my face very well, and you can see what I now have. So the remaining parts of this video, because this circle is not covering those parts, we cannot see them. So it's only this part which I drew the circle that will be visible to people to see. All right? And we have this thing. When you draw a max, you will see max one will appear. And under that Mx one, you have max feather. And then by default, the max feather is ten. If I increase it above ten, instead of now, let me play this so you see what it looks like. But you can call me K. So instead of having that sharp edge around my circle, I can increase my max feather, and that will kind of smoothen or feather out the edges of that circle, okay? So that when I press play this time, You can call me Kisho and watch. You can see how soft the edges around that circle is and even making this to look like maybe a keyhole or something. Come to another photoshop tutorial, and in today's tutorial. Okay, so you can see that nice effect right there. I can even go all the way in with my feather just to, you know, give it that subtle look show you how to change the color of Alright, something like a vignette around my video. So you could do circle. You could do rectangle. I could do rectangle. You can see this gives me a rectangle. I can undo that or grab my pen to and draw my own shape the way I want it, and then join this. Okay? And when I join that, you can see what I have right now that my video is only showing through this particular shape that I have right here, okay? And I can also feather it depending on what I want to this Okay? So that is that. If you don't want any max again in your video, you can press Odo a couple of times or just select the Max one and just press the delete button, and that will get rid of the max from your video. Okay? And then the next one I have here is blend mode, blend mode. Okay? So this blend mode is basically you know, if you've done the Photoshop or the after effect training, you already understand what blend mode is all about. If I open my exercise files, okay, you can see all the different things that we have right here. I'm trying to find you know, let me just drag something, maybe an image or something, drop it on my video and just extend it to show across my video. All right. Now, I want to reduce the size of this image. It's too big, so I can select it, go to my motion, go to scale, and just scale that down, right to fit my video. And you can see what we have now. So what is blend mode? If I go to the blend mode of this image and come right now, you can see that by default is a normal. Okay. But if I click on this normal here and I change it to darken, you can see the way it blended on my video which is underneath it, okay? I can choose lighting, and you can see how that blend. I can choose overlay, and you can see how that will mix with my video and stuff. Alright. So this particular image I'm using as an example is not really making sense at this point. So let me delete it. Okay? Let me bring in something that would really make sense to you. So I'll go to file, I'll go to import. Okay, and just quickly go to where I have that inside my exercise file. And let's bring in something like this lens flare. Okay? Click on Import, and that would import it into Premiere Pro. If I drag this and I drop it on Video two, okay? I press play brochure. You can see that it's covering my video with a black background. But this is exactly what I need. So what do I do? I select this. I go to my motion. Oh sorry, I go to my opacity. Okay, and I go to blind mode. You can see that the blaind mood right now is in normal. All right. Now everything from this dark in to this darker color. When I use this option, this removes everything white or light. And then this option that I have right here, it gets rid of everything, you know, black or dark. And then the options here, this one gets rid of anything gray in color, right? So these get rides of white, these get rid of black, and this gets rid of gray. So you can see that what I have here is a black color, okay? It's a black color. So I'm going to use options here. And the most popular here is screen. All right, the most popular here is multiply, and the most popular here is overlay. So I want to use this one that removes Black. Click on it, and you can see that it removes the black, and I can only see this, you know, lens flare showing on my, my name is Gabriel Shoale. Okay. So that is actually how you use your blend mode. And not without example, I was using the image. You just try out different stuff, okay? So that is that. So let me just delete this and remove that from my image. So that's what plane mode is all about, okay? So I'll close plane mode, and let's go to the next one, which is time remapping. Okay? Now, I'm not going to talk about time remapping now because what time remapping allows me to do is basically the same thing we can do with our reach stretch tool and our result tool to create slow motion and fast motion within your video, right? And it's kind of more complicated right now for a beginner. So I'm not going to talk about it. We'll probably talk about it in the Advanced premiere pro class. Okay? So let's go straight to audio. And the first thing I have on that audio is volume. Okay? Volume. Now, if I open up this volume, this level that we have here was that same level that we were adjusting at the bottom here when we were trying to use our pen tool. Okay? So if I press play now, you can call me Kisho. You can hear the level of our audio. I can increase it 0-6 or whatever amount I can increase it to and press play, and you will see that it's now louder. You can call me Kisho. And then I can reduce that from zero to minus or something, and then you notice that it is now lower. You can call me Kisho. Okay. And you can see that this blue icon here we automatically turned on, okay? And it was setting key frames for me automatically. Now, if all you want to do is to reduce the volume of your audio generally, right? Without making one part loud and one part blow, make sure you turn off this keyframe by clicking on it. Alright, it's going to say, Oh, do you want to remove your keyframe? Say, right. And that will remove my keyframe. And when I play back now, you will see that the volume is low generally across. But Okay. And then when I increase the volume, the volume is also loud across. Tutorial. And in today's tutorial. Okay. So that is how it works, okay? So that is how to use your level. You can also turn off this one so that your keyframes are not, you know, active all together. All right? So that is that. Then we have the channel volume. You can see the keyframes are also highlighted by default, so I'll just turn everything off so that everything I do applies to my video generally. But let me change this back to zero so I can get my normal volume. And what this channel volume simply means is that in audio, audio usually have two sides. We have the left and the right. So if I play this video, I'm going to show you how to change the color. You can see here that we have two things moving, one on the left, one on the right. This two all right. So that means that my audio is stereo. All right? My audio is stereo, meaning I have my left and right channel. It's no mono. Okay? Now, if for whatever reason I want to increase the volume or reduce the volume of my left channel, I can do that in Premiere Pro. So if I reduce the volume of my left channel a little bit and I press play, you'll notice that the left channel will be, you know, smaller than the right channel. And in today's tutorial, I can see what we have right there. And then if I do the same thing to my right channel, undo that and then reduce my right channel and I press play. In today's tutorial, I'm going to show you how. You can see that my right channel is now lower than my left channel. So that's basically how to use a channel volume. You can adjust your volume based on left and right basis. Okay. And lastly, is a Panner. All right. The stopwatch is also turned on, so I'll turn it off so that what I do applies to everything. Now with my panner basically, with my panel, I can take all my audio to either the left or take all my audio to the right. So if I click right now and take it to negative, it means I'm trying to take all my video to the left. So when I press play now, change the color of this. You can see that all my audio is on the left side. And if I undo that and I take it all the way to the right, you can see, Oh, sorry, turn off my key frame. Take it all the way to the right, and I press Play. Very simple. You can see that all of my audio is now on the right. So if I want it balanced, I'll always put it at zero. Okay? So that is it for your effect control. Before I leave, let me just quickly dive into this audio clip mixer. All right. It's something that you'll be needing to know. If I press play Home K show, and welcome to can see this audiometer going up and down, and this is called Audio One. Alright? Audio two and Audio three has nothing moving there because in my timeline, I have nothing on Audio Track two and Audio Track three. Okay? So when I press Play, only Audio one moves. Another Photoshop tutorial and into you feel like reducing your volume from your effect control is kind of tedious or reducing your volume from this point is kind of tedious or adjusting your volume from there. You can basically go to your audio clip mixer and, you know, do your audio mixing right there. So I can come here and as I play this. I can reduce the volume using this slide. I'm going to show you how to change the color of this to this. I can also increase it. Intro. Alright, so you can see. What's up, everybody. My vom is now really, really loud. Am Gabriel Shoe but you can call me Kho. And welcome to another Photoshop Tutorial. Okay. So that's how you can increase or decrease your volume under your audio clip mixer. Alright, it's as simple as that. Thank you so much for joining me in this video, and I'll see you guys in the next video. Pooh. 12. How to use Keyframes in Premiere Pro: What's up guys. Welcome to another video in this Adobe Premiere Pro training. And in this video, we're going to be talking about key frames. Alright, so let's get straight into it right now. But. Okay, so we're right here in Adobe Premiere Pro, right? And let's just quickly grab our video here again. You can call me Kisho. And welcome to Alright, so now let's talk about key frames. So when I was talking about the effect controls in the previous video, we spoke about motion, opacity, volume, channel volume, and panna and all of that. So let me open up the motion again. Alright. So, but something we, left out in the other video, and that was key frames. Okay? So if you look at these icons here, they look like a stopwatch, right? And this stopwatch is what you use to set key frames in Premiere Pro. All right. So basically, what are key frames? Keyframes are just elements that allows you to animate your video inside of Premiere Pro, right? So if you've gone through the after effect training, you understand better what key frames are because that's actually where you do, you know, more of animating than Premiere Pro. All right if you still want to animate your layers, your, you know, items in Premiere Pro, you can use the stopwatch available to you right here. So, let's just quickly animate something. And let's take my video, my play head to the very beginning. Let's assume at the very beginning. I want my position of my video to fly in, alright? Meaning I want the video to just come in from outside of the screen, inside the screen. So if I adjust my position now, you can see that I can take my, you know, video all the way out and I can want it to just come in like this into the screen. Let me just undo that. All right. So that's basically what I want to do. And I can do that with the help of my keyframe because if I just adjust my position now and I play my video, What's up, everybody? My name is You can see nothing happens. It just stays at that position till the end of the video. So let me undo that. What I can do is to set key frame. So since I want it to happen at the very beginning, I'll take my player to the very beginning. Okay. Click on the Stopwatch for position right here. Okay. And when I do that, a tiny keyframe appear right here. Okay. So there's a mini timeline here, right? And the essence for this timeline here is because of key frames. So if you want to see this very well, we can give this some more space. I can just reduce that come right here and just expand this right so that we can see what we're working on. And I can also tap the plus butts in here. And that will also expand inside of this place. Alright, you can see the ways expanding the timeline here and here. That's what we have right there. What I can now do is after setting this first keyframe using this stopwatch, you can see there's a blue keyframe appearing right here. Alright. So let me just, you know what? Let me just undo that and, you know, set it. You can see that as I move this playhead here. The play EDA is also moving, and I can see my video being updated here to the particular time where my play ED. So this and this are basically the same thing, but you're going to be focusing here when setting keyframes. So let me just put this somewhere not at the very beginning of my video, so you can see the keyframe very well, and then click on my stopwatch. You can see the keyframe I'm talking about now clearly. Looks like a diamond shape, right? And that's a keyframe. Now, because I want my video to come from outside the screen into the screen, at this very keyframe, my video should be outside. So I'll come to my position, click and drag the X axis to the left so that that will take my video to the left side. You can see the way my video is going to the left as I do that. Okay? Let me just minimize this a little bit so you can see some part of the video more. So what I've done now is that I've told Premiere Pro that at this point of this keyframe, my video should be outside, okay? Then I can, you know, press play. What's up? All right? So that part where I said, What's up? I want to stop you right there and then say, Hey, my video should come in at this point. All right. So you can see for this second keyframe that is showing here, I actually did not click on this stopwatch to make this show here. And why is that? That is because once you set the keyframe for once you click on the stopwatch to set the first keyframe, your stopwatch remains active. All right. So as long as my stop patch remains active, as I move my player to any point in time and I adjust the value of my position, a keyframe will automatically start appearing. So let me undo that and show you again. So you can see for this second keyframe, all I need to do is to adjust the value of my position. And in this case, we want to bring the video back to the screen. So I'll click and the mite I start dragging, you can see a keyframe appeared right there. Okay? So I'll click that drag, drag and drag. So I think the value that was here before was 940. So let me just type 940 there. And you can see that that brings my video back to my, you know, screen, okay? And then there's another keyframe here. So this keyframe tells Premiere Pro that my video is outside. And this keyframe right here tells Premiere Pro that my video is inside. So if I take this to the beginning and I press play again. What's up, everybody, my name? You can see the way the video flew in from the left into the screen, right? So that is how keyframes work in Premiere Pro, right? So let's play that again so you can see what I just did. Press play. What's up, everybody? My name is. What's up, everybody, man. Alright, so very, very simple. Okay? Now, I can also go to the end and do the opposite of what I did here. So I'll take my play head there. Remember, I've tapped the plus to zoom in here, so I need to use my scrollbar to move left and right. So I can go to the end, click somewhere here. You can see that my play head also moved somewhere to the end. So this part where I'm going out, I can just Intro. So this part where I said intro So just before I say intro, I want it to go out from there. So I'll just come to my position again, alright. Now, I want to set a keyframe here to tell Premiere Pro that this video should remain here at this point, okay? And our stopwatch is already on. So what I can simply do is you can see this box right here. Alright. You can see add or remove keyframe. I can actually click on it to add a new keyframe here. And this keyframe would just automatically use the current, you know, values of my position here, which is exactly what I want, meaning that at this point, I want the video to be inside, then I can go to the end, okay? And what come to my position and take the video outside. Okay? And I'll take my video out. So what do this keyframe mean again? This one says that premiere Pro, let my video be inside. And then this one says Premiere Pro, let my video be outside. So when I play this in Intro. You can see everybody. So at the beginning, so let me just tap minus to kind of zoom out so we can see all our keyframe right you can see, at the beginning, this is out, this is in. And then this is in and this is out. So that's how to set keyframe. So come in and then go out. It's as simple as that. All right. So that is how to set keyframe. Let's try out another example with rotation. So let's assume maybe somewhere in the middle of my video, I want to rotate my video. All right, I want my video to rotate. Or let's say I want it to scale. Let's do scale. So maybe somewhere after my video comes in. Okay. All right. So maybe this part what I said. Welcome to welcome. I just want you to scale up and then scale down and then come back to where it was before. So I can click on my skill stopwatch here, and you can see that it sets the first keyframe right here, right. And at this first keyframe, I want my skill to remain 100%, meaning I want to see my video the way it is, right. Then I can move forward a little bit. Welcome. That welcome to right. I'll pose it right there. Okay. So basically you want to determine where you want all of these things to happen, right? You want to determine what type of animation you want, whether it's position, rotation, scale, whatever it is, okay? And that's the way it works. So I've set this face scale here, which is normal 100%, meaning my video should look like this. Then I move forward a little bit that welcome too. And at that welcome to part, I want to increase my scale up. So I want it to kind of zoom into my face, okay? I can see that. And what do you notice here? You notice that another key frame was automatically set at this point, okay? And I will now move forward again, t star play to another. So to another, I want to scale down, so I'll just grab my scale and scale it below 100. Okay. So I'm not even checking the values here. I'm just looking here, while scaling down to see if I like what I have here. Okay? I can see another key frame has been set there. Then I can move forward again, let just start playing. 40 show. Photoshop, and I'll change this back to 100, okay? And I will bring my video back to the normal size. So what do I have here? This is 100 meaning normal size. This is above 100, meaning scale up. This is below 100, meaning scale down, and this is back to 100. All right? I want to play that that's exactly what we're going to get. Taisho. And welcome to another Photoshop Tutorial. All right. So you can see how that worked. It scaled up, scaled down, and came back to normal. And welcome to another Photoshop tutorial. All right. And you noticed that the animation was kind of slow in my own eyes, okay, personally. It's kind of slow to me. I would have wanted it to be faster than that, okay? And what that means is that the distance between two keyframes determines the, you know, speed of the animation. Okay, I'll repeat that again. The distance between two keyframes determines the speed of the animation, okay? So if I want this animation to even be slower, I can grab these keyframes and just separate them further. And what would I notice? Notice that when I play this now, welcome to another Photoshop tutorial. And in today's tutorial, I'm going to show you how to change the color off. You can see that it was even really, really slower, but I really want it to be fast. I'll bring them very close to each other, very close to each other and very close to each other. Alright, so now that when I press Play, it happens really fast. Hey show, and welcome to another. Alright, so I see every one faster, so I'll just select. So you can just click on any queue frame to select the particular queue frame you want. Okay? Drag that closer. So instead of me struggling this way, I can actually just put my playhead somewhere there and tap plus to zoom in more. And you can see that I don't have to struggle now. I can just easily drag any keyframe and, you know, easily move them close to each other. So when I press play now, and welcome to. Wow. I like that. So welcome to. Just scales up scales down. Okay? Call me Kshow and welcome to another. Alright, so you can see that effect right there. Call me K show. And welcome to another. Okay, so pretty cool. So this is how you work with keyframes in Premiere Pro. Alright, so let me just do one more example with rotation, and then that'll be it for key frames. So let's come to rotation. So I want to set rotation somewhere here. Show you how to change it. Nicola. I'm going to show you today's tutorial. Alright, so today's tutorial, I'll just come right here, click on my rotation. Okay. And a keyframe is there. And this keyframe information says my rotation is zero, which is exactly what I wanted at the beginning. I want my video to look normal like this. Then press play. I'm going to show you how to I'm going to show you how to. Then I'll just pause right there, and I can rotate my video 360 degree. Alright? And that will just give me one X. Okay? And that will rotate my video 360 degree, and I have one X right there. So that's one time. So let's play this back and see how fast or slow our animation is. So well, I'm going to show you how to change the color of this Okay, so you can see what we have there. So if I wanted it faster, I can bring it closer and tutorial, I'm going to show you how to change. Okay. You can see how we just created that. So this is how you work with keyframes in Premiere Pro. And another thing you can do with keyframes is that you could select multiple keyframes at a time, move them all around together, or even delete if you want to delete. So let me just undo that. Okay? And you can also select them right click on your keyframe and you can choose the type of keyframe you want. So Easy In simply means that towards the end of your key frame. So you should always add easy. So what I actually meant to say here is that you should add easy in to the end of your animation and ease out to the beginning of your animation. And that will kind of smoothing your animation show you how to. Okay. You can see the difference between what we have now and what was there before. I'm going to show you how to. Okay. So you can see that it kind of starts, you know, slow, becomes first, and then ends slow. So that's what it does. Okay? I can do that to my keyframes here too for my position. The ending keyframe, go to temporal interpolation and then choose ease in so I don't know why Premiere Pro kind of, you know, made it. The last one is in, and the last one is out. So just have it at the back of your mind and that's the way it works. So this is not in. This is out. So the first one is out. The second one is in. So when I press, see the way it came in smoother than it was. What's up everybody abra So without it, let me undo that. You see how What's up everybody in. But with my easy Is it and ease out. I can see smoother. So I'll just do the same thing to this right here. This first one will be Ease out, and then the last one or the second one will be ease in, okay? Then Intro. Alright, so that is how to work with key frames in Adobe Premiere Pro. Alright. Thank you for watching this video, and I'll see you guys in the next video. 13. How to Add Effects in Premiere Pro: What's up, guys, welcome to another video in this Adobe PremieP training. In this video, we're going to be talking about how to add different effects to your video inside of Premiere Pro. So let's get started right now, and I'll show you how to do just that. Okay, so we're back right here in Adobe Premiere Pro, and you can see our animation and everything is still there. Everybody. My name is Gabriel Shoale. Okay. Alright, so we're just going to come here. And let me just right click on this Kasha three again, new sequence from clip to create another Kashaw three with a different video. So what I want to do now is I don't want all of these my keyframes, rotation and everything in this new video. So I just want it plain. What's up, everybody. My name is Kip. All right. So with this, let's talk about the effect. How do I add effect to my video in Adobe Premiere Pro. Okay? To simply do that, if I go to Window, under Window, I'll see effect. And I noticed that my effect panel is already active, but I can't find it anywhere looking around here. That's because it's a tab that is somewhere around here. So if I click on this media browser, then I can see something like click on that or libraries, and then click on Info. And then after Info, I can now see effect. Okay? So basically what I do in Premiere Pro is that I close all these other tabs because I don't often need them. So what do I do? I just go to Info close Panel. Libraries, close panel, media browser, closed spanelo. And I always want to have my project, my folder, and then effect so that I can easily switch to my effects panel anytime I need to add effect to my video, right? And that's how I go about doing it. So you can see all of the effect available in Premiere Pro, right, ranging from preset to lumentary preset, audio effect, audio transitions, video effect, and video transitions. Okay. And what I'm going to be doing is I'm going to be opening each folder, and then I'll just talk about one or two effect from that folder and then move to the other folder, okay? Because obviously, I won't be able to talk about every single effect in Premiere Pro because these videos might then take about 3 hours or so, okay? So what you're going to do is when I'm done with the effect, you want to take your time on your own and go through every single effect. Okay, and add them to your video. The same way, I'm going to show you how to, you know, add them to your video and how to adjust them. Okay? So let's get straight into it. So I'll open the first folder called preset. And like I used to say, preset simply means predefined settings, predefined settings, right? So, meaning that there are settings that have already been created, and one should use them on your video or your audio, you don't have to basically do any special thing. It does what the setting that was predefined there is supposed to do. Okay? So if you look at this preset, if you look at mine, you're seeing Kshow audio, Kshowblackout, color and stuff. These are presets that I have created personally for myself, okay? And because presets are predefined settings, it means you can also predefine a setting in Premiere Pro and save it as a preset. And that's why I have all of the other preset. And there are some other presets I've also downloaded online, okay, and added to my preset in Premiere Pro. But I'm sure the first thing you're going to be seeing when you open up that preset is bevel edges, okay, bevel edges. And under these bevel edges, you can see that this is a folder, so I can click and open the bevel edges. And you can see we have two bevel edges there. We have the tick and thin. So let's say I like this preset and I want to add it to my video, how do I go about doing that? All you simply need to do is to click and drag. So I can come over here, click on this bubble edge stick, drag it and drop it on my video here. So this preset doesn't work with audio, so I won't be able to drop it in my audio section, but only on the video section. So just drop it on the video right here. And as I drop it here, watch over here and see what will happen. So let me drop it. Pooh you can see the bevel edges around my video, kind of making my video look like it's in a glass or in a three D format and stuff. Okay? So that's the bevel edges. Now, what do you notice? Immedily I drop these bevel edges on my video. My effect control automatically shows me a lot of stuff. Okay? So apart from my motion, let me just close my motion. So apart from the normal motion opacity and time remapping that was here, we can now see another layer has been added here, which is the bevel edges that we just added to our video. Okay? You can see what I have here. If I minimize this, you can see that it's just a layer right here. So but when I open it I'll see some other settings that are available for me here. So that's why this place is called the Effect Controls, because from here, you can actually control your effect settings, or you can actually control the amount of your effect on your video. Okay? For example, right here, I can see edge thickness. Okay? If I change this to maybe 0.2, okay, you can see that the thickness in my bevel edges is now bigger than it was before. Okay? If I do a 0.3 or 0.4, you can see that that's almost covering the entire video. So let's even do something like 0.5, okay? And at 0.5, you can see what it kinds of do to my video. So this could also be another effect you could act to photo shop. Okay. So that is your thickness. So let me undo undo that, okay? Back to what it was. Then next thing here is light angle. So you can see that the light is kind of reflecting somewhere here, and you can see that's why this, you know, circle is point -45 degree. But if I click and drag that, you can see that I can change my light angle to whatever, you know, direction that I want just by clicking and going around with this slider. Okay? So that's my light angle. Okay, I can even change the light color. I can change it from white. I'll click on this white color and change that to maybe a red color. All right? I can see that it is now giving me this red effect around my video. I can even increase the light intensity, okay, or reduce the light intensity. All right. And you can see that just by playing around with the same effect I've added to my video in my feed control, I can get different results with the same effect. That is why it is important that anytime you add an effect to your video in Premiere Pro, always go to the Fed controls and check out all of the control settings available for that effect because from there, you can get ideas of other things you could do with that same effect, okay? So even though this was a preset, I can actually still manually adjust some properties in it to give me exactly what I am looking for. Okay? So that is that for Bevel Edge steak. Now, if you don't want an effect in your video again, you can simply press do Control Z or Command Z or you can select the name of that effect in your effect control, and you press the delete button. And that will remove your effect from your video. Okay? So this is just one effect under the preset. We have so many other presets available. Okay, that you can choose from. So but basically, let me undo what I've just done now and show you quickly how to create your own preset. So, for example, if I like the way my bevel edges look like now, right? So let me just, you know, adjust it a little bit. So let's say I like the way it looks like now, and I want to save this as a preset so that the next time I want to use this same effect, I don't have to first out the bevel edges stick, then come here and begin to change the light angle and everything and begin to do all of that stuff. I can just simply come to this bev dge stick. Right, click on it, and then in the options here, you can see that I have something called safe preset, okay? Safe preset. So I can click on this safe preset and then give these bevel edges maybe red. Okay? Bevel edges red, and then click Okay. All right. So the next time I come to my preset right here, you can see that under my preset, I now have bevel edges red as part of my preset. So that's how I was able to create all of this preset. So because there are certain things I do in Premiere Pro, often, And I really want to save time instead of always doing it over and over again. And that's what led me to creating my own preset, okay? And some others have also created their own preset and placed it online for you to download. And that was how I was able to download some other preset right here. Okay? So even if I go to another video, Okay. Another video entirely, I can simply grab this my bevel edges red, for example, and just drop it on this video here, and you can see that it immediately adds that bevel edges to it with all of the settings right there. Okay? So that's the advantage of creating a preset or saving a preset in Premiere Pro. All right. So let me just undo that and go back to where I was. And then if you don't want to preset again, you can simply delete it by just right clicking on it in the preset. And then choosing the delete button. All right. So if I click on the delete button, ask me, am I sure, I say, and that removes the preset from my list of preset. Okay? So basically, that is all about that for preset. You can go check out some other preset available here in Premiere Pro. All right. Let me do do do do and do, and do and do do that to get that off my video. So let me just try one more on that preset. We have 12 in. If I drag that and drop out on my video, all right? I see nothing happened here. Okay. But from here, I can see that it has automatically set some key frames for me at the beginning of my video. So let's go to the beginning of my video and I can see what the princess has actually done. So if I press play. What's up, everybody. My name is Ke Okay, you can see that, you know, it actually 12 in my video, like the name says 12 in. Okay? I could also add 12 out, and you can see that that will add, you know, another key frame towards the end of my video. So if I come to the end of my video and I press play Intro. You can see the way my video 12 out. Okay? So this is how preset work. You can adjust them here. You can change the angle. You can even adjust the keyframe depending on how fast or slow you want it to be. If I do it now, you see that it's going to be faster. What's up, everybody. Okay? And so many other options available for you right here. So your effect and effect control goes hand in hand. When you add an effect, you go to effect control to manipulate it or control that effect. Alright, it's as simple as that. Uh, let me simply just select that and press delete to remove that and then also select the 12 out and press delete to remove that from my video. Okay? So that starts for preset. Let's go to the next folder, which is called um preset lumetrPreset. So if I open up my lumenary preset lummentary preset, the word lumetry itself means, you know, color settings in Premiere Pro. So when you hear the word lumetry it just simply means that is an option that allows you to, you know, change the color look and the color feel of your video. So this rumor preset are different color grading or color correction, you know, settings that have been saved for you. That's why the word preset is in front of it. So you can see this lumenary preset more like if you're trying to upload a video or image on Instagram. Instagram always gives you the options of filter, right? So you see those different filters there. And when you click on a filter, you will see that immediately it affects your image and the color of your image changes depending on the kind of filter that you choose. So that's what, you know, this lumentary preset is kind of what it does. So if I open it up, you can see I have different folders underneath it. I have cinematic film stock, monochrome, speed look, technical. So if I open up the cinematic, you can see the options I have under the cinematic. I can drag in this Cinispace hundred and dropped out of my video, and immediately, you can see the way it affected the color of my video. I can do that and drop in maybe Sinispace 25, and that will not really be hash, like the cenispace hundred. Okay? You can see what that does. And the good thing about this is that you can also still come. So let me just reduce the size of this my key frame, since, you know, we are kind of, like, done with it, so we can concentrate more on the video. And the fat control. All right, so the beautiful thing like I was saying is that after adding a lmentary color preset to your video, you can come to the FED control, okay and still play with the controls or the settings of that preset to get something better if you don't currently like what you're saying. So I can come to basic correction, open that up, and then under this basic correction, we have so many things. We have imput lute. It's currently none. Let's change it to something and see what happens. You can see that that's more so many other different types of presets that I can also add to this to get some different results. So let me just change it to none, right? And then here we have temperature. If I increase it, I'll get a more warm look on my video. If I reduce it from zero, I get a more cool or bluish look on my video. All right. So these are the things that I use for color grading in movies. And then, that's why when you watch a vampire movie, it always has this bluish, greenish look. And just by you know, looking at that picture, you just want, Oh, this should be a vampire movie or something, right? And so we have different color grading for different, you know, scenarios and environment. So you can see how I can easily just adjust my temperature and get different results. I can undo that and go to tint. I can also adjust this add some green or some reddish look on my video. And then I can also increase my exposure if I feel like, Oh, my video is really dark. You can increase your exposure to kind bring you back that light in your video. Okay. And then you can increase the contrast, right, to make the light areas lighter and the dark areas darker. So that's what contrast basically due to your video. I can increase my highlight or reduce my highlight depending on what I want. So basically, I don't need to adjust my highlight here. Okay. My white, also you can increase everything that looks white or reduce everything that looks white, depending on what you're working on. So I'm going to leave that too. And the blacks, you can also increase or decrease your blacks, depending on what you're working on. And I'm going to leave that also. So basically, I'll just come to my tint and just add some little warm look to my video and maybe just counter that with, you know, something like that. Okay. So I have this, you know, look on my video. Let me just reduce that to maybe two. Okay? So you can see how I've improved on this. If I come up here, I can see these effects beside the lumeary color. If I click on that, that will show me what my video looks like before, and I'll be able to see the difference between what the video was before and what the video looks like now. Before I do that, I would like to come to this saturation open it and just increase the saturation a little bit. And what the saturation does, it looks at everything that has color and bring out more of that color in that thing. So if I take it all the way, you can see how the colors of the logos here behind are really popping up. So but I don't want to take it all the way to this point. So let me undo that and just increase it a little bit to just bring out my color some more. Okay? So let's check out the before and after. If I click on this FX here, you can see my video looked like before and what my video looks like now. You can see how better my video is now, okay? So that's with your lumetary preset. So I just dragged in this Sini space 25 and then came to the effect control and began to adjust it till I have my desired result. Okay? So that's basically how, you know, it works. So your effect and effect control work hand in hand. All right. So let me just select this and delete it. Uh oh. Yeah, so we don't want it because I have so many effects to talk about. Okay, so let me talk about one more on that the lumiary preset before I go to the next folder, which is audio effect. So if I come to monochrome, you can see Monochrome is just basically one color, meaning black and white. So I can drag this punch, drag it, monochrome punch, and I can see changes to black and white with this effect. I can undo that. I can go to normal contrast, use that and see how that works on my video. Okay. You can see what I have. I can drag the, you know, faded film. All right, making it look like an old school video or something. So so many presets here, and you can still come to the effect control and adjust it to your desired look. All right, so let me just undo that. Now, let's leave monochrome and leave lumary preset. And now let's talk about audio effect. Let's talk about audio effect. Okay? Now, if I open up audio effect, you can see we have so many folders also under the audio effect, right? And we can begin to open them one by one and use. I think in the older version of Premiere Pro, if that's what you're using, you won't see them grouped in folders. You just see them listed one after the other. But in the newer version, they've kind of categorized those effects together so that you can easily locate them. So for example, if I'm looking for echo or delay, I can open this folder. All right. We can see analog delay, delay, multi tap delay. So I can drag this delay. Now, this time, I won't be able to drop it on my video, but on my audio, and let's drop that there and listen to what we have now. So you can see how, you know, it's kind of echoing my voice and, you know, giving us that sound. Okay? Let's try the analog delay. All right, so you can see the slight difference between the two of them. Let's try the multi tape delay. All right, so you can see how this really looks nice, okay? And, you know, that, you know, it is a simple effect. You've already gotten something to make it look as, Oh, maybe I'm in a large, you know, room and when I'm talking, you know, it's echoing and all of those stuff. Okay? So that is that for echo. Let's go to another folder. Let's go to maybe Okay, so I have this noise reduction slash restoration. Now, don't forget if you're using an older version, all of this will not be in a group. It should be listed out one after the other. So what you want to concentrate on is the name of the effect I'm using. All right. So it is the name of the effect that you want to concentrate on, okay? So that's what you use. So right now, under this noise reduction, the noise, okay, the noise. So in the other older version, it was called Deniser. Okay? In the version, and that was just recently 2019, 2020, I think 2018 version, it was called adaptive noise reeduction. All right. But now in the 2021 version, it is now called the noise, okay? The noise. So basically, just take note of these three names the noise, adaptive noise reduction, and the noiser. So whichever one you see it does the same thing. And what does it do? It allows you to kind of reduce your background noise. So if you listen to my own, you know, video here. Show A, but you can call me K show, and welcome to it. So there's basically no noise, yeah. And that's the way I like to record my videos, okay? I basically turn off, you know, everything that can create noise. Fans, you know, Okay, maybe I leave the AC on. Make sure my environment is clean and clear. There's no, you know, jumping around or somebody honking, you know, outside and everything. So I just make sure I have a nice environment and I shoot. And then my mic also kind of help to kind of reduce the noise. So but if you have noise in your video, so I think I have a video that has noise. Let's go to our exercise files. I think this video right here, you know, let's check out this video. So I'll just drag that, drop it into my timeline. Let me play this. So you can see that the audio is kind of low, and that's because this particular video, the audio on it is, you know, the audio captured by the camera. So it's actually not the audio captured by this Lapel mic, right? And later on, we're going to be talking about on audio synchronization and we'll get to that. So but since this is an audio captured by, you know, camera's mic, and it's kind of noisy and stuff, let's try out that deniser on this. So first, let me increase the volume so that you can hear more of it. So I'll go to the audio clip mixer. Okay, and increase the volume. Now, disadvantage of using the audio clip mixer to increase or decrease your volume is that I have now increased the volume of everything here. So if I go back to this for the shop, you can see how loud this is and then, this is also still not allowed. So that is the disadvantage of using the audio clip mixer to increase your volume. So if all I add was this video on Audio Track one, I could do that, right. But now I can because as I'm trying to increase the volume of this, this will also get affected. So what do I do? I simply go to effect control. Open up the volume for this particular video, I can click on this level to turn off the stopwatch first so that it doesn't set key frames. So but as Zooming I wanted to make some part of the video loud and some parts low, I could use my keyframe. So I don't want keyframes, so I'll turn it off, and then I'll just come here and increase it to about maybe ten to kind of increase the audio of this. Okay, so let's take it to the highest 15 and see what we have. So you can see it's louder now, and I can now, go back to my effect, grab my denoise and drop it on it and see the result we have now. So without it, you can see the denoise, let me just turn it off. You see what we have without it. You can hear that, you know, ambient sound and, you know, the surrounding sound. But we might the noise on, you won't hear that again. Okay. So you can see that you can hear his particular voice very well. Okay? So even if, for example, this is all I have. If I had no Lapel mic to give the speaker or anything and I was using my, you know, sound recorded with my camera mic, I can still use something like this, the noise to kind of help me make the audio better, okay? So let's play that again. So this time I'll turn it on and off. And skill. So you can see, as I was turning it off and on, you can see the difference between the audio without the denise and the audio with the noise. Okay? So that is how to remove background noise. Not really remove, but actually to reduce, okay? Because if your background noise is really loud, Premiere Pro can't, you know, it's not a magician that would totally know that this is noise and then remove it. In fact, if the noise is louder than your own voice or the speaker's voice, then Premiere Pro will actually be trying to remove your own voice because Premiere Pro is going to think that your own voice is the background noise. That's why it's called background. Okay? There's a difference between background noise and noise. Background noise means, you know, just something, a noise in the background. While noise means it is noise. So like taking over your own speech and your own audio. Okay? So it's not used to remove noise. It is used to remove background noise. Okay, so when you're recording in an environment, always make sure that you have less noise as much as possible. And if you can get a professional Mike Lapel mic, it will make your audio fantastic. Okay? So that is that. So let's just check out some other audio effect right here. So let me just delete this video and just come back to my own video. Tutorial, I'm going to show you. So let me add the noise on my audio and see what happens. How to change the color of this to this. So you can see it kind of still improves it, you know, and made it better. Alright. So that is that. Uh, you know, change that back to zero. This show up tutorial, and in today's tutorial, I'm going. Alright, great. So that is that. Alright. Let's move on to something else. I've spoken about reverb, modulation. Let's see. So there are so many others here. Let's see special. What do we have there? Mastering. So if you understand audio very well, maybe a music producer or something. I know you know how to master sound and everything, you can drag in your Mastering here. You know, come right here. You can see Mastering, click on Edit, you know, and begin to play with all of this. Alright. So if you're, you know, if this is overwhelming you, you can just use some of the presets available for you right here. Club Master, dream sequence, drum spreader, mid enhanced reducer, stereotimno, subtle clarity, warm Concert Hall. All right. So I think we should get something different if you choose warm Concert Hall. Let's play this back. Welcome to another Photoshop tutorial, and in today's tutorial. So you can see that it kind of makes it looks as if I'm in a hall, you know, and my voice is kind of echoing. So anytime you're using any of these settings and you don't really know how it works, you can basically use any of the presets available for you here, and then Listen to it and see if it's what you want or not. All right. So let me just delete that mastering effect, and let's talk about something else. Now, I'm looking for a particular effect. Okay. Let's look for it. Pitch shifter all right pitch shifter. So you can also search. If you're looking for a particular effect, can just come to this search and type the name of that effect and you can see it the pitch shifter. So it's under time and pitch. All right. So let me cancel this. Audio effect, we go to time and pitch, open that up and you can see we have pitch shifter right there. So what is the pitch shifter used for? It is used to change the pitch of my voice or the speaker's voice or whichever voice. Okay? So if I drag this and I drop this on my audio, right? And welcome to another Photoshop Tutorial. So you can see nothing really happened. So when you drag an effect to your video or your audio, and it seems as if nothing happened, that is because you need to go and, you know, touch I go to the effect control, go to the effect itself and customize it the way you want it. So right now, under this speedShif I can see this edit here. I can click on that, and that will show me my pitch shifter editor, okay? And I can choose the one I want. Now, you can also choose preset, okay? You can choose this dark load, and I'll make your voice sound like, you know, your mega tron, or, you know, what's this guy, Magneto or somebody one wicked, you know, horror in a movie? All right, if I click on this dark load, for example, if I press Play. True. All right, so let me just change it back to the default, okay, and adjust it myself. Welcome. So to adjust it myself, if I take it to the left, that gives me that bass voice, okay? So let me press play. Let me just take it somewhere around minus six. Photoshop. You can see how that makes my voice ticker, like one bad boss All right. I can also take it up and that will give me a cheap monk or feminine voice. Tutorial, and in today's tutorial, I'm going to show you how to change it. All right. I can take it even higher. Color of this to this. Very simple. But before then GoatoriaTutoria. All right, so you can see how I'm able to manipulate my voice with my pit shifter. All right? I can close that and then click on my Pit shifter and just delete that. Okay? So I think I'm going to be stopping here for audio effect, right? So you can check out the remaining ones on your own, you know, and see how it works. So let's go to audio transitions. Audio Transitions, okay? So for this, audio transition kinds of allow me to add, like, a fade in or fade out on my audio without me having to come here and use my pen to fade in and fade out my audio. Okay? So quickly, let's just see how that works. So if I open up my audio transition, you can see we have just one folder there. If I open up that folder, you can see we just have three audio transitions right there. And the one that you can use for the fading and fade out in your audio is exponential fade. All right? So I can drag this, drop it at the beginning of my audio, okay, drag again, and also drop at the ending of my audio. So if I press Play now, what's up, everybody. My name is Gabro. Alright, so I'm sure you didn't hear that, but it was actually there. So let me just zoom in, okay? What's up, everybody, my name? You can see the way it came up gradually. But for me to allow you to really hear it very well, I'm going to increase the timing of this exponential fade. So I'll click and drag it to just maybe somewhere around here so you can really see how it works. Alright, so let me just take that to the beginning. Everybody. My name is Gabriel Shoe, but you can call me. You can see how it made the audio, you know, fade in gradually, right? So that's the exponential fade. And towards the end also, I can also add that make it look to let people know that I'm about to end my video, and it's going to fade out. Very simple. But before then. Alright, you can see how that faded out my audio. Okay? So that's how it works. You can drag at the beginning and at the end of your video. Now, the way I was adjusting is that when you put your mouse close to the edge of your transition, it shows you this red stuff, and that tells you that you can adjust your transition. So it's quite different from this. Remember this one is for trimming. Okay? So this is different from this. All right? This is for transition. This is for the video itself. All right. So that is how to add transition to your video. A another thing about transition is, let me just undo this last one I added here and go back to my exercise file and drop in another video right there. So let me just use this video here beside it. Okay? And you can see what I have here right now. Okay? I can add a transition here so that this will kind of fade out and this will kind of fade in. Okay? So if I go to my effect, go to exponential fade and I try to drag my effect here, you'll see that it's only trying to drop at one side of my video. Now, mind, if you are trying to drop yours if your video is maybe longer than mine, and you're trying to drop an effect, and you're not seeing your transition, it is because you are zoomed out. So you can just go to the point where you want to add your transition ta plus to zoom in very well. So that transition that looks really small there all that time. If I try to drop it again now, you can see it's looking bigger. And even if I zoom in so more and I do that again, you can see that the transition is even now looking longer, but you can always zoom in and out. So you can see if I zoom in out now and I try this transition, I won't even see it at all. So if you're trying to drop in your transition and I'm not seeing, just make sure that you are zoomed in so you can see very well. So like I was saying, as I try to drop this transition here, it's just dropping on this video alone. Okay. And the main effect I really want to do is that I want this one to fade out and I want this one to fade in. So to achieve that effect, I would need the transition to touch both videos. So if I drag again and I'm trying to drop it, you can see it's only touching this particular video here. And the reason is because this particular video is not trimmed in any way. You can see this white triangle here and this other white triangle right here. Okay? And when your video is not trimmed in any way, you will not be able to add a transition that will join it with another video. Okay? So before you could be able to do that kind of thing, you will need to trim that particular video. And how do I trim it? With my selection, too, I can just click here. Once I see this red, I can click and drag, okay? And then I can come to this ending to click and drag. And you can see that those white triangles are not showing again. Letting me know that my video is now trimmed. So I can drag this and put it close to my video here. And this time when I drag my exponential fade, you can see that it is now touching both video. So you can see that you can drop it here it will touch only this. If you drop it here, it will touch on this, or you can drop it to touch both of them now. Okay? And what will happen, it will simply fade out this one and fad in this one. Intro. So what is All right, so you can see how that entered in smoothly. Okay? So to make this let you see let me do something that is longer. So let me trim this more, put this here, trim this, put this here, and then drag my exponential fade, drop it, and I can zoom in so I can see my exponential fade very well. Okay? Then grab it and extend it so that you can hear it more. So if I come here and I press play this very simple. But before then, All right, so you can see how that entered in smoothly. So that's how to add transition either to a video or to an audio alone or to touch two audio, and it will give you a smooth transition between those two audio. Okay? So that is that for your audio transitions. All right, this constant power and constant gain simply means that if I drag and put it in between here, it's going to make the volume of two of them the same while the transition is going on. Very simple. But before then, I drew So you can see the way kinds of when this other video, while I was still watching my video, I was already hearing the sound of this video, and it had the same audio level with my own audio. And that's why it does. So I don't really use it because, you know, when it comes to transition, then why would I want, you know, another to be entering in at the same level when what is ideal is that the first one should go down. All right, while the new one is now rising, and that is what exponential feed will give you. So my favorite is exponential fed right here. Okay? So I'll just minimize, minimize that. Then I'll go to video effect. So now let's talk about video effect. So if I open up the video effect folder, you can see I have a lot of effect right here that I can add to my video. All right. So let's just open up maybe blow and sharpen. For example, you can see we have channel blow, compound blow, directional blow, Gaussian blow, and so on and so forth. So I can just come to this, you know, directional blow, drag that, drop it on my video. You can see nothing happens to my video, all right. But if I come to my fight control right here, you can see the direction now blow right here, and you can see that the direction and the blow length is currently set to zero. That's why I couldn't see anything. So if I grab my direction and I increase oh, sorry, Yes, if I increase the direction, nothing also happens because I've not added any blur length. Alright. So by the time I start adding my blur length now, you can see what is now actually happened. So the direction is actually what direction of blo do I want? And you can see the way it works, okay? So that is how this works. And guess what? I can set key frames for this to kind of give me a particular effect on my video. So let me undo undo, undo. Click on the stopwatch of my direction and blow length. I can move forward. Okay, and adjust this, adjust this. Okay? And if I press play now in today's tutorial, I'm going to show you how to change the color of this. You can see what that does, and I can even move forward and change this back to zero. And changes back to zero. And when I press plate tutorial. And in today's tutorial, I'm going to show you how to change the color of this t 14. How to Track in Premiere Pro: What's up, everybody. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about tracking, right? So let's get straight into Premiere Pro and do your stab. Alright, so we're right here in Adobe Premiere Pro, and let me just delete this video right here, remove my transitions, you know, just kind of get, like, the original video back. What's up, everybody? My name is Gabriel Shoal. Now, what we're going to use for this tracking example is we're going to blow I want to blow my face, right? Like what you see on CNN, they're trying to show someone and the person doesn't want to reveal his identity. And then you see this blurriness around that person's face. And then it follows that person's face everywhere the person goes, right? So there's a way you can do that very easy in Adobe Premiere Pro, right? So the first thing I need to do is to go to my effect and then on that effect, I'll go to video effect. And then on that video effect, I'll go to blow and sharpen. And then on that blow and sharpen, I can add Gaussian blow. So I'll drag that, drop that on my video, then head over to my effect controls. Okay. Then for my effect control, I can see the Gaussian blow right here, okay? And what I want to do is to increase the blurriness size, right? And as I do that, you can see that my entire video now looks blurry. But that is not the idea here. The idea is just to make my face look blurry and not the entire video. All right. So how do I go about that? Now, if you look closely here, you will see that this Gaussian blow effect has a mark around it, okay? It has a circular rectangular and my pain to max. Remember when we were talking about max under opacity, if I open up opacity, you can see opacity has its own mark. Now, this mark opacity applies to everything in your video. You can see what I have here. It applies to everything in my video. But if I undo this all right, close my opacity and apply the mark for this particular Gaussian blow effect. You can see that it draws a mark on that effect itself and is restricting the effect to the particular marks that I have drawn. All right. And this is not just a Gaussian blow. In short, let me even delete the Gaussian blow. Let's add another effect. Let's go to maybe black and white. Find out under color correction. And then under color correction, we're going to see tint. All right. So tint is black and white in Premiere Pro. I can drag that, drop it on my video. I can see it makes the entire tin black and white. But if I go to my effect control, I can see that tint there. If I click on this mark of the tint, you can see that it is restricting that tint color to just this area of this max. All right? I can even increase the size of that and, you know, make a particular section of my video black and white while the rest is colored. So you can see what I have right here. I can even adjust the max feather. Okay. And you can see if I press play you can call me Kisho. Guys anyway, my face just looks black and white. And welcome to another 40 show. Well, every other thing is color. Tutorial. And in today's tutorial, I'm going to show you how to change the color of this to this. All right, so that is the essence of Max. So Max comes with every single effect in Adobe Premiere Pro. Alright, so no matter what kind of effect you're adding here, you can always draw a max on it to restrict that effect to that particular portion of the max, right? So I don't want this. I'll just go to my tint and press delete. Alright? So let's go back to our Gaussian blow to do that, you know, blurriness on the face that we wanted to do initially. So I'll drag my Gausia b drop it on my video, and increase my blurriness, right? So you can see that everything now looks flurry. Then what will I do now? I will now create a max, all right? And then I want to move this to my face region, right? And I want to kind of restrict that so that it only applies to just my face, alright and not the entire video. So I'll just reduce the size of that. Alright? So if I come here now and I press play. Very simple. You can see it covers my face. But if I start from the beginning. What's up, everybody? My name is Gabriel Shae. But you so you can see that as my head is moving and everything, my face is likely to show. So what if I want this to follow the movement of my face? That is what is called tracking, right? Can call me Kisho. And welcome to another. Ah, I saw him. I saw him. I saw him. Alright. So if you don't want that to happen, we have to find a way to track this blurriness on my face so that it follows my face everywhere my face goes to. Alright. So somebody don't say, Oh, you said you blowed my face, where people were able to see my eyes and everything, okay? And you don't want that to happen. So the manual way to go about it is to actually start from the very beginning put the, you know, marks there. And every single time I move my face, I'm supposed to move this along my face, alright? And meanwhile, I would have clicked on this max part to set a key frame. That will set a keyframe there. And every time I move, I will move this. And as I move my max, okay, that would begin to set multiple keyframes for me. And if I move like this again, I move like this. If I move like this, I move this like this, and then you can see setting key frames at those points. So when I play back now, you can see that What's up, everybody. My name is Gabriel Shoal see that the max is now following my face. Show me K show. Okay. And then I'll keep doing that on and on and on and on. So if my video was for 30 minutes, then I'll have just eventually spent like maybe 8 hours trying to do this. So Premiere Pro has a simpler way of doing this. So let me undo the key frames I've set there, okay? Go back to the very beginning, put my Gaussian blow right on my face where I want it to be Okay. So I can even click out to see how nice that looks like. So it's covering my entire face. Select my video back. And then under this max part, instead of clicking this stopwatch and setting key frames one by one, I have this selected max forward. Alright? So because my plaid is at the very beginning, I want to track it forward. Assuming my plaid was at the very end, I can track backward. Okay? So track forward. So I'll click on this thing that looks like the play bottom. Click, and then I'll just relax, enjoy myself, and wait for Premiere Pro to finish doing its thing. And then now, if you watch this video, you can see it's playing gradually, and then it will start tracking my face as I move. Alright? So I'm just going to wait for this to get done. And then by the time we are done, you'll see that, you know, Premiere Pro would have done its job perfectly. Okay, so we can see that the tracking is done. And if you look here, you'll see the countless keyframes that has been set here. If I zoom in, you actually see that these are key frames, and you can see so many keyframes set here by premiere profiles. So if I go to the beginner and I press Play, you'll notice that this follows my face everywhere my face goes to. What's up, everybody? My name is Gabriel Shoe. But you can call me Kisho. And welcome to another photoshop Tutorial. And in today's tutorial, I'm going to show you how to change the color of this to this. Very simple. But before then, Alright, you can see how we've been able to do that. So I don't know why this guy is actually covering his face because he just told us his name. So why is it covering his face? Hey, I know you, man. You're Ksho. So why are you covering your face, huh? Alright, never mind. So that's how you do your tracking in Adobe Premiere Pro. Don't forget that this could be any effect on your video. And if you want that effect to kind of follow a particular movement in the video, you can just track that movement using this Max part in Adobe Premiere Pro. Thank you for watching this video, and I'll see you guys in the next video. Cover my face. 15. Working with Text in Premiere Pro: What's up, everybody. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about text, right? So we've neglected our brother text all this while, right? So where's Brother text? Let's find Brother text and talk about how to use it in Premiere Pro. Okay, so we're right here in Premiere Pro, and we want to talk about text now. So to do that, let me just remove my, you know, mark my deleting gaussian blow, and that removes the max and Ah. We're going to sees faves. Anyway, so how do we type text in Adobe Premiere Pro? Okay? So here is another new version, old version thing. In the new version, I think, starting from 2017, thereabout to 2021. Okay? You see this text icon at the bottom here in your tuba. I can simply select that, click on my screen, and type. Okay. So I can come here and just type K Show. All right. So you can see that on my screen. And then when I'm done typing, I can go back to my selection too and then begin to adjust. So before I start talking about adjusting and everything, in case you're using an older version of Premiere Pro, and you can find this text at the bottom right here, don't worry. All you need to do is to look up at your menu here. All right, you're going to see something called title. All right, title. So right now, I don't have title here because my title has been moved to my tuba. All right about you, you're going to see something called title here. You click on that title, and you see new title. Okay. You click on New title, and it's going to show you different options. And out of those options, you want to choose default steel default still. When you select default still, it's going to bring up something that looks like this, right. And then what you simply want to do here is to type in show, click Okay, all right. And I will show you something like this. And then, allr, let me just take my player a way. Oops. Oops Oops. Oops. Oops, I just messed everything up now. So let me just go to Window Workspace, reset to save layout. Okay, and then go back to my text. Alright, so sorry. So once you are here, you see a video like this. So I'm talking to those using the older version now. And in this screen here, you can simply click. You can see your own C right here. So make sure it's selected, and click on your screen and type the same show, and you're going to see that you have your text. So basically, the difference between the old and new version is that you'll be doing your own on the older version, you'll be typing your text in a different window, all right, in a different window. And when you're done typing your text, adjusting your font, your phone style, your font size and everything, and you like the way your text is, you just close this window, right? So on Mac, our close is here on Windows, your close is going to be somewhere here. So you don't need to save anything, close it. And then once it's closed, you will see a layer right here, then you drag that layer and then just drop in your timeline, right? And then when you put your playhead on top of that, you will see your text right there. Okay? So don't drop it on the video. If you drop it on the video, this is what you get. You will see that your video does play, and then when it gets there, you only see your text. This. And then until it passes that area before you begin to see your video again. But if you want to see both your text and your video, all right, those using the old version now, you drag it from here and you drop it above your text, maybe on Video Track two. If your video is on Video Track two, you can drop it on Video Track three, and then you can see that both my video and text is now showing. Alright? So that's how to type text in the older version. And you can see that in the newer version, everything I've just done now, it just kind of does everything for me at once, okay? You can see that mediately I started typing it added a layer here and then my text is already here, so I don't need to drop it on top or any of those stuff. So you just try to make, typing easier in the newer version, you know, than in the older version because in the older version, I always have to open that video, open that window, type there. Then when I'm done, drag it from here and drop here, and, you know, kind of stressful. So let me just delete, delete that. So those using the older version, so anytime you're typing, you just go through that method. And type your text and add it to your video. Okay? So, but this isn't the newer version. Let me even delete this one I typed initially. You can put your plaid where you like to type your text, grab the T, click on your screen, and start typing. So I can just type Kshow. Then when I'm done typing, I can go to my text here. So those using the old version, don't worry. I'm going to take time to also go through how to edit your text and stuff. So but now let's just concentrate on the newer version. So I'll come here, click on my selection two, and I can use that to move my text around across my screen the way I want it. Then to edit the properties of my text, I'll select the text layer in my timeline here. Go to Effect Controls, and then under Effect Controls, I'll see this my text, right, the acaso. I'll click on the dropdown to open all of this, and I can see all of the properties for my text. Okay? I can even draw a max for my text. All right, so we're going to do that now. So this is the font type. I can change that from minion to Montessorat, all right. I can change it from the font style from thin to maybe bold. I can see how my text is looking bold. Then what about the size of my text? Okay. So for the size of my text, you can see the font size. It's currently in 100. I can click this slide to increase it to the point where I would like my text to be. So let's just do something within here, and then just put that right there so you can see my text is right here. And what else I can align my text. So but now it don't really make sense because I don't have any second line. So alignment will really make sense. I can just click and drag and move my text whichever way I want. All right. So we have all of these other settings here that I'll not waste time talking about. I'll just go straight to color. Right now we're showing white, and that's because my feel is white. I can click on this white and change that to red. And that will change the color of my text to red or click here, choose another color like green or something, choose a darker green, lighter green and change that to my color. If I want an outline color of my text or stroke, I can click here to activate it. Okay? And then I can click here to choose the color of my stroke. Let me choose red so we can see it. You can see it's really, really tiny right there. I can come here to increase the size of that stroke by clicking and dragging to the right, and you can see I have a red stroke around my text. If I want a background on my text, I can click here and that will add a background to my text. You can see the background added here. You can see without the background with the background, okay? And I can increase the opacity of that background. I can change the color of that background. Or increase the size of the background depending on how I want it. Okay. I can see all I want. If I want to change the color of the background or click here, I can change it to a white background. Okay, I can see it now on a white background, you know, and so so many options here, I can change the position of my text. I can change the scale of my text. I can rotate my text, okay, I can change the opacity of my text. I can do all I want to do with my text right here in the effect controls. Okay? I can do all of that in the effect controls. Okay? So that's how to work with text in Premiere Pro. So let me just, you know, turn all of these things to what I want. So let me change the field to white. Okay? Let me change my stroke. Let me just change that. Let me just cancel that. Let me just remove it by turning it off, remove my background. Okay? So I think I like my text this way, and I'll just position it right there. Okay? So you can see that's how to easily add text in Adobe Premiere Pro. Alright, so this same text. Alright, let's talk about it in the old way of typing. Alright, so let them just move it. If I press play now, you see that this is the size of my text. But you can call me. When it gets to that point, it shows, and when the played passes this point, it's gonna disappear. Okay, so, and welcome to another Photoshop Tutorial in toa. You can see the way my text disappears. So let me just put my played somewhere away from, you know, this. And let's talk about the older version, for those who might be using an older version of Premiere Pro. Once again, you go to your menu, you click on Tit two. Then under tit two, you choose new title. Under new title, you choose default steal. All right, default steal. Okay? So when you do that, it's going to show you something. So there's actually a way I can type the old way in the newer version, and that was how I was able to get there the other time. So if you're using a newer version and you are used to the old way of typing and you want to type that old way, you can go to File New, and choose legacy title. Okay? So this of using the old version, you would have been here already when you chose default steel and I can just name this Kshow as the name of the layer. Then click Okay. And then once this comes up, you can see that it shows me all of this window here. I can click on the T here, then come to my screen, click and type K show. Okay? And then when I'm done, you first thing, go back to your selection too. Then you can come to the right here to adjust your text. So you can see the font family is also here. I can change that to Monticera again. So I'll just scroll down gradually. Okay. Because sometimes Premiere Pro crashes when you are trying to load up this font in your, you know, old way of typing. So I'll come here, click on this Montserrat, change it from thin to bold. So I'm doing exactly the same thing I did using the new version of typing, and then increase my font size to something around, you know, this size, and then just place my text right there. So you can move your text around depending on where you want to place it. You can see that we also have our color right here. I can choose red if I want red. For example, if I want my outline color around my text, I can, you know, come to this stroke and say d. You can see at a black stroke. I can change it from a black stroke to maybe a white stroke. And then increase the size of my stroke. All right. And you can see how that happens there. And then I can even add shadow if I want to add shadow to my text. I can change the distance of my shadow, increase the opacity of my shadow, so you can see how my shadow is, you know, being added to my text. I can turn it off if I don't want shadow. I can turn on background if I want a background. I can see that the background in this old version just fills up the entire space instead of just the text, okay? So if I drop this text on my video, I won't see my video again because this now has a background. So you want to make sure that you don't check on this background, and you can see how we can adjust everything just like in the new way of typing. All right? Just that when you're done, you have to close this window. You don't need to save anything. Come here, close, and then go back to your project panel. Okay. And then under your project panel, you can see the text right there or your tiles file, then I can drag it from here and drop it above my video. Okay? And you can see what we have. So they will both give you the same result, right. So if you have a newer version of Premiere Pro, you can type the new way. If you have the older way if you have the older version of Premiere Pro, you can type the old way. All right. And the time in which your text is going to show here totally depends on the length of your text here. So if I play this from here, to change the color of this to this. Very simple. But before then. I can see that when it passes that point, it disappears. If I want my text to show throughout my entire video, I can increase the timing, you know, to the entire video. And you see that throughout the video. Okay, so we remain there. It's okay. Okay, so that's that. Alright. So there you have it. So depending on you determines what you want. You can also reduce it if you just want it to show for a little time and just put it right there. Call me Kaso and you can see how that plays out. Okay? So, guys, that is how to type a default text in Adobe Premiere Pro. In other videos, we're still going to talk about text and how to do some other things. Alright. See you in that video. Piece out. 16. How to Subtitle in Premiere Pro: What's up guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about subtitling. Alright, under text. So let's get straight into it right now in Adobe Premiere Pro. Whoo. Okay, so we're right here in Adobe Premiere Pro, and we want to talk about subtitling, okay? So subtitling is not really different from the way we just typed our text right now. So once again, I'll just come to T right here. Click on my video. But before then, let me listen to my video. What's up, everybody. My name is Gabriel Show A. Alright, so what's up, everybody. My name is Gabriel Show A. That's what we have right there. So let me just delete this text here so it doesn't confuse me. So I'll click on my screen and then just type exactly that. What's up? Everybody then I can press Enter. My name is Gabriel Shaw. Okay. So you can see that Immily start typing that another layer was added here. So before I start adjusting everything here, let me just quickly go back to my selection too, and I can drag that and put that right here. You can see it's aligned to the left. So I'll open up my effect control, open up my text, make it centered. Okay. So right now you can see the alignment makes sense because we have two lines of text, and then I can reduce my text size. To something, you know, very small like that. Okay, let's do maybe 57. And then the only thing we need to do now is to just place this in the subtitle, you know, region of our video. And you can see what we have right there. What's up, everybody. My name is Gabriel Shale. I think I should make this medium. Alright. Yeah, better that way, sort of making it too bold. I can see that subtitling right there. So but when I press play. What's up, everybody. My name is Gabriel Shoe. But you can. So everybody already knows my name before I even hit Play button. Alright? So I'll grab this and move this to the exact point where it should appear. What's up, everybody. So at that point where I'm saying, What's up. I'll just move it to that point. Press play again. What's up, everybody, M. Alright, so I think it came in fast. So I'll just move it, so it just for you to arrange it and make it coming the right time. What's up, everybody. My name is Gabriel Shoale. And you can see that at this point, I'm done with this, so we trim it to end at that point, okay? So if you play this now. What's up, everybody. My name is Gabriel Shoale. But you can call me Kisho. Alright, so but you can call me Kisho. So how do I create that? But you can call me Kisho. Now, the fastest way to go about that is to duplicate this current text, right? And how do I do that easily? All I need to do is to hold down the O or option key on my keyboard, all that's out on Mac, out on Windows, I mean, and then options on Mac. If I hold that down, click and drag this as if I want to move it, you will notice that when you release your mouse, it actually make an extra copy of that. Okay? So if I put this right here, I have the same text in both of them. I won't see any difference. So what I can do now is I can select this one, head over to my et control, okay, to check the settings. And then to change the text, I can easily just double click on it on the screen. So the text I'm currently seeing now is the text for this because this is where my playhead is. So I'll make sure that my playhead is on top right here. Then I can double click on the screen to edit this text, okay? And I can change that to Okay, so forgot what I said there. But you can call me K Sho, and welcome to Alright, but you can call me Kisho. So I'll just come right here, select all and type, but you can call me Ksho. All right. And that's it. And then I go back to my selection, too. So if I play from the beginning now, what's up, everybody. My name is Gabriel Shoal. But you can call me Kho. And welcome to. Alright, so you can see how that played out, okay? But you can call me Ksho and I want to make it stops right here, okay, so that then I type the next day Come to another Photoshop, Tutoria. Welcome to another Photoshop, Tutoria. Click. Hold down O. Click and Drag, okay? And it's as simple as that. Come over here, put your play there. Double click here and just type, and welcome two, another photo Photo shop total. Okay. Let me just bring the another down, then bring this like this, okay? Yeah, welcome to another Photoshop Tutorial. Okay? I can see how that is being done. So I'll just go on. What's up, everybody. My name is Gabriel Shoal. But you can call me K Show and welcome to another Photoshop Tutorial. So it's supposed to end right here. Okay? So I'm going to stop right there with, you know, subtitling all of this because I'm not going to subtitle everything on this video to be longer than it should. Okay. So but you get the idea behind it. You might be acting, Oh, this is really stressful. This one I'm going to be doing the entire video. Yes, that's what I'm going to be doing the entire video. Okay? Although we have some caption, you know, auto caption generator software like YouTube, you know, I think Video and some other software like that that can auto generate captions. Okay? Even Facebook can do that. I think Instagram is now doing that too, you know, they just listen to it and auto generate the subtitles and everything. So but the reason why I'm teaching you this is that there are some subtitles that you might have to do yourself, okay? So maybe you are trying to subtitle from one language to another language. Alright, then all those auto subtitling software can't do that. So YouTube can't subtitle from English to French for you, okay? You have to you want to subtitle that yourself. So that is why you must know how to subtitle. And yes, subtitle is so you have to do the work if you want to, you know, get that perfect video with your subtitle. Okay? So that is how to go about that. And now, looking at my subtitle, I want to talk about something again. Some people might find it hard to maybe read, you know, some of my text right here. And what I can do at that point is that I can actually draw a rectangle here to kind of create, you know, a border for my text. And how do I do that, okay? In the newer version, I could simply make sure everything is diselected because if I have this selected, it's going to be drawing the rectangle inside this text. So for me to do this, I'll just make sure that nothing is selected, right. And for you to know that you can see that nothing is showing in the effect control. I say no clip selected, right. So once you have nothing selected, right here, you'll be seeing your pen tool, okay? You want to click and hold the dropdown of this pen tool to show you your rectangle two. And with your rectangle two, you can come to your screen, click drag and draw a rectangle, okay? Click drag and draw a rectangle. And you can see that that automatically places the rectangle on Video track three. Okay. But right now, what I want is actually the opposite. I want this to be on Video Track two, and then the text to be on Video Track three. You can see that the rectangle is covering the text, and that's because it's on top of my text, okay? So I'll just move this to the side, move all of these. I can select three of them this way, move them to video track three, grab my rectangle and complace it underneath this way to cover the entire thing. I can see that my text is now above the rectangle. Okay? So I can still adjust my rectangle. I'll just go back to my selection to select my rectangle and just, you know, add some more height to my rectangle up and down. Okay? And I can select my rectangle here, go to my effect control. Open this up and you can see the color of my rectangle. I can change that to a darker, you know, shade of gray. Okay. I can see that right there. And I can even scroll down to opacity for this and reduce the opacity to kind of give it like a transparent rectangle. Okay, so that people can still see what I have, you know, in the video at that point. I can do like 70, okay? And when I press play now, what's up, everybody. My name? Okay, so you can see my rectangle showing right there. So I need to just adjust it to, you know, go out of the screen so that people don't see that stuff right there. So let's play that again. What's up, everybody. My name is Gabriel Shoal. But you can call me K Show and welcome to another Photoshop Tutorial in today's So I can just continue on and on and on like that. I could just drag Oops, sorry. Let me close that. I could let me delete this. I could just drag my rectangle and make sure it covers my entire video so that as I keep placing different, you know, text here, they keep showing along this area. So I'll just keep doing my O drag, Ed detextO drag, Ed detext until I'm done, subtitling. Alright. And that's how to work with subtitles in Adobe Premiere Pro. All right, so let me just change this. Just let me leap it dip it right there. Yep. So everything can, you know, blend together. All right. So that is how to subtitle in Adobe Premiere Pro. Now for this is in the old version, let me just quickly tell you it's still the same process. You go to FLN. So you go to Tit two new Title default Steel. So it new title default Stele. So let me just quickly go to my legacy tit two here. Then you just call this subtitle two, right? You can call this subtitle two. Click Okay. And basically, you are doing the same thing we are doing. So let me just remove this rectangle here because let's zoom because in the older version, you would not see your rectangle right here beside you won't see your rectangle to beside your pen to here. So where you come to draw your rectangle in the older version is right here. Okay? So if you look here, you can see there's a rectangle two here. I can use that to draw a rectangle, right, and I can just close this and name this rectangle. All right, can name this rectangle. So you don't type there because if you type inside the same rectangle inside here, then you won't be able to adjust the rectangle independent from the text. All right? Don't forget this is for those using the old version. All right? You won't be able to adjust all of that. So you want to make sure you just draw a rectangle here, then you go back and now type your text. So you type your text separate from your rectangle, so I can call this sub type one, okay? Press Enter and then grab my T here. Click and now type. I can now type sub tie to one. Okay, change your font and all of that. Okay? So I can change my font and all of that right here. Let me just change it to something simple. Okay, make it like that. Increase my phone size. I'm just trying to create something fast here so that we can end this video. You can see I have my subtitle one there. I can close this. I can change the color of my text to, you know, black since my rectangle is already white. Okay, then close that. And you can see both rectangle and subtitle one is now showing here. I can grab my rectangle, place my rectangle here, can see my rectangle, then grab my text, drag it and drop it above the rectangle, and I can see subtitle one. So I can just quickly double click this to edit my subtitle one. Okay. And then reduce the size of my text so I can fit with my rectangle right there. Okay. And that's it. Okay? And then you do the same thing out drag to edit your subtitle two. So to edit your subtitle two, you just double click on this and it will bring you back here, okay? And then you can double click and change it to subtitle two. Okay, close that, and you can see we have subtitle two, and I'll just extend my rectangle to cover up for that. So I have subtitle one, here, and subtitle two here, just the same way we've created it in the newer version right here. So whether you're using the new version or the old version, that is how to subtitle in Adobe Premiere Pro. Piece out. 17. How to Create Lower-thirds in Premiere Pro: What's up guys. Welcome to another Adobe Premiere Pro Tutorial. In this video, we're going to be talking about lower thirds, okay, how to create Lower Thirds in Adobe Premiere Pro. So let's get straight into it right now and do just there. Okay, so right now we are in Adobe Premiere Pro, and you can see I've done a lot on this video right here. And simply what I'm just going to do is just look for the same video here. You can see this is the sequence, not the video. So I don't want to drag this. I'll scroll all the way up. I can see the video right here. I'll just drag that, drop it again, so give me another version of this video. Gabriel, surely. All right, so I can do what I want to do on this part of the video. All right, so lower thirds. What are lower thoughts? Lower thirds. Is that, you know, rectangle that comes at the bottom of the screen showing you the person's name or the person's portfolio while in an interview or maybe in a news or you're login on YouTube and stuff. So let's just quickly use that to create a lower though for myself here to tell people my name and my portfolio. Okay? And to do that is pretty simple. All I'll simply do is first grab my rectangle tool. Don't forget Di rectangle tool is where you have your pen tool. If you've seen the pen tool here, just make sure that you click hold and you see dictangoT then once I grab the rectangle tool, I'll just draw something very simple. Okay. I'll just click drag click drag to draw a rectangle. All right. You can see my rectangle right here. All right. When I'm done, I'll go back to my selection tool so that I can select my rectangle and move it around. So I want to make sure that part of this is off screen. Okay. Then I want to draw another rectangle. Okay? So I'll go back to my rectangle tool again and click and drag. Okay, click and drag my rectangle. Okay. So I'll just go back to my selection tool and adjust my rectangle. I'm trying to get that. Come on. Yeah, extend it like that. I move it up. Okay. But I want to change the color of this one to maybe a red, o, and just make it a little bit bigger like that, put it on top of this one change that color. So you can see that because I had this same layer selected when I was drawing the second rectangle, Premier Pro automatically say, Oh, okay, so you want this rectangle and this rectangle to be together. And it's going to automatically draw them so you can see shape one and shape two in the same layer. If I wanted it to be on a separate layer, I would have deselected everything before drawing another rectangle, right? So, but this is the way I want it. I want both of them to be on the same layer. So I'll just select my layer, then go to my shape two, open it up and change the color of that to a red color, okay? Right there, something around this color. Click Okay. And I can see what I have. So I'm trying to create the rectangles for my lower sort, and this looks good. All right. So the next thing I want to do now is to type, okay? And because I want to type and I don't want it to also be stored in this same layer, I'm going to first deselect and then click on my T, click on my screen so that it will create a new layer for me and I can type my name. So I'll just type Gabriel, show lay Okay. Go back to my selection to and grab that and put that right here. Okay? I can open up my text and just increase my text size a little bit. Something like this is really good. All right. Okay, so you can see that's my name right there. And still with this layer selected, I can type in another text on my screen. Okay, you can see right there, shape text too, and then I can just Oop, sorry, it's you know, adding it to this layer here. So I'm going to do that and make sure that this is the one selected, okay? And then I'll type CEO Ksho Concept Alright. And then go back to my selection to come back to my text right here, open it up. So you can see both texts are in the same layer, right. So that's the way I want it. And I would just come over here and reduce the sides. Okay? I could actually decide to put everything on one single layer. You can also do that, okay? It's just that if you want to separate your text from your rectangle in the future, you might not be able to do that. So I'll drag this and put that right here as my portfolio to let people know what my portfolio is. I think I'm going to reduce this some more. So maybe we'll do 36. Yeah. So that looks cool. Okay? And place that right there. So you can see how I've been able to quickly create this nice lower third in Adobe Premiere Pro. Don't forget if you're using the old version, you go to Title, new title, default seal. You give you layer name. Once the panel opens up, you draw your shape and type your text inside that place. And then when you're done, you drag both layers from your project or your exercise files and drop them on top of your video just the way I have it right here. Okay? So this is how to create a simple lower thought. So if I go back now and I press play. What's up, everybody. My name is. So I want you to come where I'm about to say my name, so I'll select both layers and just move it forward, okay? And press play again. What's up, everybody. My name is Gabriel Shoale, but you can call me Kisho. I want it to end right there, so I'll just trim both of them. And we have this. So play again. What's up, everybody? My name is Gabriel Shoale. But you can call me K Show and welcome. Alright. And the cool thing is I can go to my effect, okay? I don't know why this opened up again. I think it was when I was trying to reset my workspace. Okay? So I can go to effect and then go to video transition and go to dissolve and add the cross dissolve to the beginning of both layers and to the end of both layers. So they fade in and fade out. My name is Gabriel Shoal, but you can call me Kho and welcome. All right, you can see how nice that was done. Or I could remove the fading fade out. Grab both of them, or sorry, grab them one after the other. Okay, and animate this. Okay? So I can come to the position for this, set the keyframe for the position at this beginning point, move it outside. Okay. And you can see that spin moved outside. Okay. And then select this one too, and go too, sorry, I have to come to shape two, shape one, open up shape one, and set the key frame for that to position and move it outside. Okay? And then I have to do the same thing for text. I'll come to ext text one. Ah, this is looking so stressful. I should have just typed all of them on one single layer. All right. And that would have been way better. Oh, sorry, let me undo this. Instead of even editing this one by one, I could just select this layer of the shape. And instead of adjusting the position for the text itself, okay, at the bottom, you will see motion. So I can open up this motion and adjust the position so to move both layers together. So I'll click on my position right here, okay? Click and take that outside. You can see both of them is moving together now. Then I'll go to my text also and do the same thing. Click on the stopwatch for the motion position. And I'll move both texts out together, then move forward a little bit. Okay, and bring back my text in, okay, and then select my rectangle and bring the rectangle in also. Okay. And that's my animation. So if I press play now name is Gabriel surely. And see how that came in, but that's so frequent slow. So I'll just reduce the space between these two keyframes, all right? And then I'll go to my text also and reduce the space between those two keyframes and press explain them. Gabriel, show us. All right, so you can see how that came in, and then I can do my es in to the ending one and my es out to the beginning key frame. I'll do the same thing here. Okay? Es out. Oh, sorry, is in, and then the first one is out. First play. My name is Gabriel Surely. Can see how that came in smoothly. So this is how to create a lower third in Adobe Premiere Pro and begin to create great stuff. Alright, I'm going to end this video right here, and I'll see you guys in the next video. Pull. 18. How to Create Text Alerts in Premiere Pro: What's up, everybody. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about Alert, right? Those are the texts that you see that scroll across your screen while you're watching a video, trying to pass on information to you. So let's talk about how to create that inside of Premiere Pro right now. So we're right here inside of Adobe Premiere Pro, and let's talk about Alert. Okay? Let's talk about Alert. Now the thing about Alert is that to type that kind of text, you can only get it typing in the old way of typing in Premiere Pro. So meaning that even though there isn't a newer version of Premiere Pro, we have to go the route of typing the old way to be able to type that alert, you know, for our text. So how do I go about that? I'll simply go to file new and select Legacy title. Now, those using the old version, okay, remember when you want to type your text, you come up here and choose title. So when you click on that title, you're going to see new title, okay? And then under new title, this time, you're going to choose Crow left. Default Crawl, I mean, okay? You're going to choose default Crowl rather than default steel. Okay? So those using the old version, once again, you go to Title. New title, and then you choose default Croll. While those of us using the newer versions of Premiere Pro will go to FL let me cancel this. We'll go to Fle New and choose legacy title. Okay? So everybody should be here now, whether you're using the new or the old version. I'm going to come to my name here and I'm going to type in Alert, okay? And then click Okay. And when I do that, you can see we are back to our regular old way of typing. All right. Now, those of using the new version, in case when you get here, you are not seeing something like this, maybe you are seeing something like this, or you are seeing something like this or you're seeing something like this. Just press the tiled key on your keyboard, okay? The Tilda key is under the escape key on your keyboard. Just press that and it's going to show you your full window. All right. And if that is not working, you can simply go to Window workspace and say reset to save layout. Make sure you're in editing and then click on Reset to save layout. All right. That will close the panel, but you simply just want to scroll down in your project panel and you will see that alert you created. Double click on it, and this time it should show properly. Alright. So that's just that in case you are in that fix. So now that we are here for our alert, we're just going to come to our screen. Make sure you have T selected, come to our screen, and then I'll just type breaking news. Okay. Alright, so don't bother yourself about this. That's how the font behave. All right. So this is supposed to be semi colom and not this. So I'm going to change the font later. Anyway. Let's just keep typing. So what has happened? Breaking news. Cornavirus has been defead. Okay? And let's type something like that. Okay? And I can go back to my selection to go to my font family. Go to my font. Let me just choose something simple. Maybe use century goti. Then change the font style to bold. Now, it's not all font style that it's not all font family that have font styles. Okay? So is regular. When you even click here, the only thing you still see here is regular. Alright. So it depends on the font you're using that will determine the number of style you see here. Okay? So let me change this to bold and just reduce the stack size a little bit, maybe to this, and then I can grab that and just place that right here. At on my screen. Okay? Now, as we have typed this, okay, those are using the old fashion, you will notice that you already have a scroll by here because you've already told Premiere Pro that you want to create an alert by choosing that default Croll. But those of us using the new version, we've not told Premiere Pro that what we want to type is a default crow or alert text. All right, and we need to do that. Okay? So I'll come to this icon right here. Click on it. That icon is called the olllas CrolOptions. All right. Those of us in the old version. When you click there, you'll notice that you are already on Crow left. So those of us using the new version, we're just going to come here and select Croweft. Okay. And that's that. But there's something we all are going to do now, and that is to click on this start off screen and click on this end off screen. Okay, so what does that mean? That means that my text will come from outside the screen, come into the screen and then go out of the screen again. So to give you the effect of coming like that and then go out of the screen. So we're going to click on Start off screen and end off screen, and then click Okay. All right? And when I do that, those of us in the new version, we can answer that we also have a scroll by here to scroll left and right in case you want to read and confirm our text if there are no typos in it and stuff. Okay? And that's it. Okay? I can even double click on this breaking news. So I did the text and change the color of the breaking news alone to red, okay? And you can see that, so that calls people's attention. Okay? Now, once we are done typing our text, I can simply close this, and that will close my Alert text. And all I need to do now is to drag it from my project panel and drop it on top of my video. And when I play this back, tutorial, and in today's tutorial, I'm going to show you how to change the color of. We can see how it's playing really, really fast. Okay? So to slow that down, all I need to do is to extend it to give it more time. Okay? So this time when I press play. Oreal. And in today's tutorial, I'm going to show you. Okay. Come in. Let me just drop this. Well, and in today's tutorial, I'm going to show you how to change the color of this to this. Very simple. But before then, Intro. All right, so you can see what we have there. So that's how to create your alert text in Adobe Premiere Pro. So but to make this cooler, let me move this up. Go back to my file new legacy title, okay? Those using the old version, you go to Title, new title, and this time, you go to default Steel. Because what I want to do is I just want to create a rectangle for that text scrolling across the screen, okay? So I'll click Okay, and that would open up here. And I want to put my playhead on the text, so I can see the text right here. And all I want to do now is to just draw rectangle, click drag to draw rectangle. Oops, select my rectangle again. Click and Drag. Okay, so it's drawing now and draw rectangle right there. Okay. I'll make the color of my rectangle something dark gray. Okay, and also make it transparent. So let me just expand this so I can see this some more. So I'll come to the opacity of my color and just reduce that so that we can see that right there. But right now, the rectangle is above the text. No problem. All I'll just do is close this, alright, because I'm done, and then I'll just drag the rectangle, and when I'm placing it here, I can see I'm placing it underneath it. So it's going to show underneath my text. So if I press play tutorial, and in today's tutorial, I'm going to show you how to change the color of this to this. Very simple. But before then, Intro. Alright, so you can see how nice that looks like. So this rectangle is just to make the text more readable, right on that part of the layer. So that's how you create your alert text in Adobe Premiere Pro. All right. Thank you for watching this video, and I'll see you guys in the next video. Piece out. 19. How to Create an End Credit in Premiere Pro: What's up, guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about end credit, right? So that's the text you see after you're done watching a movie and it's trying to show you the cast and crew and all of those things. And the text just keep scrolling up and up across your screen. So let's get straight into Adobe Premiere Pro and talk about how to create that. Oh. So right now I'm in Adobe Premiere Pro, and let's create our end credit. So for this end credit, let me just take my playhead all the way to the end because I want a black screen to show while I'm typing my text. So to do this again, just similar to the alert in the previous video, we have to do this end credit by going the route of typing the old way in Adobe Premiere Pro. So those of us using the new version, we're going to go to File New and select Legacy title, and they will name this end credit. And if you're using an older version of Adobe Premiere Pro, just simply go to Title new title, default Role, okay, default role. And then you should open up this and then type in credit here and click Okay. Okay? So I'm right here. Let me just I don't know I have to adjust this every single time. All right. So you can see what we have right here. Now, the reason I'm seeing a black screen here is because my playhead is not on any video. Once I put my played on any video, you can see showing me a video here. So I want it to be somewhere at the end of my video so I can see a black screen, like we see on a regular movie or video after we see that black screen and we see the text move from bottom and goes up. Okay. So when it comes to end credit, we want to go to our T. But before we type this time, instead of just clicking and typing, you'll notice that when I type here, it just keeps going on and on to the right forever and ever. All right? It's not wrapping up my text. And when it comes to typing end credit, end credit is always a very long text, okay? If you put them in pages, you might have up to, like, maybe, you know, 50 pages sometimes depending on the cast and crew. So before we type, so I'll undo this, we're not going to type the regular way that we know how to type. We'll select our T. But this time we're going to use our text to create a text box. Okay? We're going to use it to create a text box. Alright, and how do you create a textbox with your text to or your type two? All I need to do is we're going to use this guideline here. So this is a guideline in Adobe premiere Pro, and we're going to use this inner guide for our textbook. I will come right here, click and drag to kind of make it look as if you're drawing a rectangle to fit that guideline. And when you're done, you release your mouse, and you'll notice that there's now a cussle blinking inside here. So what we have just created now is what is called a text box. Okay, or what is called typing a paragraph text. And this time when I type, even without pressing Enter, once my text gets here, it automatically come down here to the new line. All right. And you can see that my text is now being wrapped up rather than the other time where it just keeps typing on and on and on and on. And if I want you to come to the next line, I have to press Enter. So in this case, I don't need to press Enter. It just wraps my text around this box right here. Okay? So let me control A and delete all of this. And I have some text on my notepad on my system, so I'm just going to go and copy that text. So I have a dummy text there on my notepad. So I'll just Control A to select all of this and Control C. So you could also get any dummy text from your laptop. If you have any text or any document, you can just open it up, copy the text. If you don't have any text to copy anywhere, just come here and keep typing anything that you want to type. All right? Uh oh. What did I press? Okay, so back here, you can just keep typing anything you want to type here, and then you have so many texts. So let me paste that text right here, Control V or Command V to paste my text. And you can see it has pasted the text from my notepad. Okay? So I can go back to my selection tool. First thing I want to do is to change the font to Century Gothic again. Okay, make it bold. All right. And reduce my phone size. So this is an end credit. I don't want my phone size to be too big that people won't be able that it's going to cover the entire screen. So let me do maybe 38 or something. All right, so that looks good. I can see my text right now. Okay? So one more thing that we need to do. Alright, just like we did when we're creating the laps, there's something that we all need to do. We all need to come to this icon right here. Which is a roll and crawl option. Now, those of you using the old version, you will see that you are already on roll. So those of us using the new version, we have to change this to roll, okay? And then we all have to come to this start off screen, click on it, end off screen, click on it. Why so that it can start from all the way bottom, come into our screen, and then also go off our screen. Alright, so we have that effect like that. So you must check on your start off screen and end off screen. Now we click Okay. All right? And after doing that, you'll notice that I've pasted my text here. Now, if your text is not as much as mine, you know, maybe yours will stop somewhere around here or so, okay? But you can see that the text I copied is really a lot of text, okay? And when I come to Premiere Pro, I can see the text here. And I'm seeing this plus sign here. And this plus sign is telling me that, Hey, heads up. This is not all your text. Your text is way more than this, and the remaining of this text is not showing. All right? For you to make this show, you have to get rid of this plus sign. And how do I get rid of this plus sign? I'll just come right here, put my mouth on this small box here. You'll see my arrow pointing up and down, and then I can click and drag this down Okay. And you begin to see all those hidden texts. And for me to see those texts properly on the right here, there is now a scrollbar that is available for me. I can click and scroll that down, and I can see that there's still a plus here. So I'll come here, click and drag to also show the hidden text. Come back to my scrollbar. Scroll down. I can see there's another plus. So I'll just keep repeating this until I can't see any plus right there again. So I'll scroll down drag again. So this text is really much. Now you can see there's no plus here again, okay? So I'll just come up here and just make this end somewhere around here, okay? And you can see all of our text now visible right here. So the last thing I want to do is to center my text. So I'll come up here and just click this center align to give you that Hollywood effect, okay? Hollywood effect. Alright. So there we have it. You can see all that we have right here, okay? Great. And the beautiful thing about this is that you can even add images here, okay? Say, for example, at this point here, let me just edit this text here and break them into two. I'll just press Enter, Enter, Enter, then take my Coso and put it somewhere. Now, let's assume how to add maybe a logo in the middle here. I can actually do that. I'll just right click Okay. And right here, I'll see graphic, and then another graphic, I'll see insert graphic. So I'll click on that and it's going to load up my file manager and ask me what type of graphic do I want to import? So I can just go to where I have my file. Okay. And then writer, you can see I have this logo here in our exercise file. I'll select that, click Open. And you can see that it brought in the logo into my stuff. So I'll go back to my selection, too, so I can select the logo and move it the way I want it. So I need a lot of space right here so I can go back to my text. Okay, so you can see this is the logo. This is the text. So you must do the difference between the two of them. So I'll go back to my text. Double click on my text. Oops, sorry. You can see. So this thing is already causing some confusion here. Go back to my selection, double click on my text, okay? Use my cussle down to move down and keep pressing Enter, Enter, Enter, Enter, Enter, enter, Enter, Enter. I'll have enough space to contain this logo, and I'll go back to my logo, drag it down, okay, and fit it right in that empty space right there. So if I grab my scrollbar and I scroll down, you can see I still need some space here. So I'll go back to my text, select my text. Okay. I'm trying to select text. Great. Double click and you can see my Cusso blinking here. I'll press my Cusso up To get there and press Enter, Enter, Enter, and you can see this looks good now. Okay? So I've created space for my logo right here. Okay? So you can do whatever you want to do add images, edit your text, change some colors, do some other thing, do some alignment, all of that. By the time you're done, all you need to do is to close this, okay? And you find out that your end credit is right here, and I can drag that and drop right here after my video. And when I press Play, it's going to be really fast. Okay, so we don't want it to be that fast. So what do we do? I'll just use this my scroll to scroll here and then come here, make sure you are on your selection too, and then click drag to extend that, and I'll become slower. So if I press play this time, you can see still kind of fast, so I'll still extend it some more. And you can see what we have right here. Okay? So this is how to create an end credit in Adobe Premiere Pro for your movie, your documentary, your interview, whatever it is that you've done in Adobe Premiere Pro. Okay? I can also come to my project or my exercise files. I have an audio here, okay? I can drag this audio and just put it on the audio section of my end credit. And what will happen when I press play, I will hear the audio play while the end credit goes on. All right, so you can see how easy that was, okay? You can even be more creative with your end credit. I mean, you could actually drag and drop it on an existing video. For example, if I grab this video, put it here, I can actually put my end credit on top and I'll see that my video, and that is play Yo. Simultaneously. What's up? Cake show. Okay. Or I can actually do something really cool. All right. So I'll go to my video here, go to the effect control, select motion, and this gives me this bounding box here. Or you could actually get to this bounding box by also double clicking the video. But when I do that, you can see that the end credit is one getting selected. So that's why I have to come to the effect Control and click on this motion here, and then I can reduce the size of my video, okay? Sorry. Click and drag to reduce the size of my video. Okay? So let me just remove this end credit and get it out of the way for now, so I can just concentrate on my video. So I'll just reduce the size and position that right here. Okay. I'm sure you already seen where I'm going to, and now I need to go and edit my end credit. Okay? So I would double click on this layer to open up my end credit again. Okay? And once that opens up, I can come right here and just collapse it to the side like this halfway. Alright, so just to save time, I'm going to have to delete this logo because I don't want to start rearranging it all over the place again. And then after dragging it to the side like that, I can align left so that everything aligns to this part. I can move the entire thing somewhere around there so that we have some space here, and that's it. I can close this. So this is exactly what you see at the end of a movie, and they're trying to show the making or something on the side, okay? Yo, man. Yo. What's up? Show. How you doing, man? Good to see you. Okay, can even add my music there underneath it while the, you know, audio is going on. Okay. And I'll just need to reduce the volume of my audio here. So I'll turn off the keyframe, reduce it to like minus. Let's do -20. T gums on the background. Give me now. So you can see what we have. So that's it, guys. Ah, we're done for this video. And I'll see you. In the next In next video. Alright. 20. How to Synchronize Audios in Premiere Pro: What's up, guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about audio synchronization, right? So you have an audio here. You have an audio here, and you like to synchronize it. Maybe it was a music video or you were recording your audio separate from, you know, audio coming from the camera and you're just finding a way to synchronize your audio together in Adobe Premiere Pro. That is what this video is all about. So let's get straight into it right now in Adobe Premiere Pro and talk about how to do there. All right, so we're here in Adobe Premiere Pro. And like I was saying in previous video, we're going to use this video as an example to do our audio synchronization. So I have this video here. All right. Let me right click on that and say new sequence from clip. Okay? And I'll create a new sequence from this video. Let me play this so you can hear this. So All right, so you can see that the audio here is, you know, it's really bad, all right? We can hardly hear what he's saying, you know, because at this point, the audio that came with this video is the audio from the camera, right? And there was no mic attached to the camera or anything. So what's going on here is that I hear him wear this Lapel mic, okay? And I had a recorder in his pocket that was recording a better quality audio right there. And if I come right here, in my exercise file, you can see I have an audio here called nano audio. So this video is nano video, and this audio here is Nano audio. In case you're seeing something like this, just make sure to come here and change your icon view to this big one so you can see, you know, Tom nails of your video and audio. So if I double click on this to open it in the source monitor, I can play this and you hear how clear the audio is in this one. A lot of other things with regard to here. Let's move on. So what is no technology? The fundamental concept of it is you're manipulating something, and we talk about ski. Compared to this. So you can see the echo and everything here. All right. So my goal now is I want to synchronize this audio with this audio because when you're recording, you know, by the time you grab both audio and video, so let me just drag this audio and drop it into my timeline. By the time I press play here, I'll find out, you know, they are not synchronized. So what is now technology? The fundamental concept? You can see it is all over the place, right? The audio is going left. The video is going right. You know, it's not synchronized at all. So probably I started the recorder in his pocket on time, then I started the video. So that's why you can see that the audio is longer than the video. So I started this earlier before starting this. So this could be anything. This could be a music video that you want to synchronize. And that's why I said that when they are shooting the video for a music, you notice that they're playing the sound there and they want to ensure that the sound is getting into the camera, right, so that they can use that sound that came with the camera to synchronize it with the audio that was gotten from the studio. That's the wave format or P three format of the audio. Okay? So when you are now listening to the music video, you won't be hearing the sound that came in with the camera while the video was being shot. But what you'll be hearing is that you'll be hearing the audio from, you know, the one that was exported in the studio, or you'll be seeing the video being shot in the outside environment. So that's the exact thing we want to do here. All right. You could also find yourself in a situation like me whereby I most often do my recording separate from my, you know, audio recording. So my video recording is always separate from my audio recording, right, so I get a better quality. So how do I synchronize them when I get to Premiere Pro? All I need to do is to select both of them. So I'll just put my video and audio here and then put the audio alone from the recorder here, select three of them together. All right, right click and simply choose synchronize. Okay, and tell Premiere Pro that I want to synchronize based on the audio, based on the audio. Now, mind you, before this can work, this audio that is in the video has to be the same exact audio that you have recorded. So you can see that while this Appel Mike was recording his voice, my camera is also recording the same audio. So that is when this will work. So if your audio from the studio or your recorder is not the same audio with the one in the camera, then this cannot work because what Premiere Pro will simply do is to look at those two audio and see, you know, where they meet and synchronize it for you. And that's it. Okay? So I'll say I want to synchronize from the audio and then I'll click Okay and wait for Premiere Pro to do his thing. I can see that Premiere Pro automatically helped me to move this video to this point in my audio. So at this point, let me expand this so you can actually see the wave of the audio. All right, let me expand it. So you can see that if you look at the wave here, it's similar to each other. So meaning that Premiere Pro has done a very good job of helping us to synchronize this because if Premiere Pro didn't have this feature, what would have had to do is to do this manually. So begin you know, move it across and all of that. And that's why I see that in movies, we always have this, you know, clap at the beginning before starting recording so that the editor will be able to, you know, synchronize everything together. So we have that clapboard, you know, at the beginning, when you see camera rolling and action. Some people also do just clapping with their hands, right? So, but with Premiere Pro, I basically don't do that kind of thing because Premiere pro just makes it easy for me. I just synchronize does this thing, and I move on with my project, okay? So that is that. So now, when I play this pack, so let me just return the stuff pack to normal. So let me play this back you're manipulating something, and we talk about scale. So how big versus how small? And you see it's you can see the fundamental concept of it is that it is perfectly synchronized, right? As it's talking, I can hear the voice, and both audios are, you know, synchronized together. So once again, let me play this. I'll mute this, and you will see that only the audio here will be playing. And as it continues playing, I'll also mute this. So you hear the audio here alone. Technology. The fundamental concept of it is you manipulate and we talk about skill, so how big versus how small. And you see, it's a manipulation of matter. So you can see the difference right there. So it's always good that you have a very good audio recording because people can forgive you for poor video, but people won't forgive you if you have bad audio. You can imagine if you're listening to me right now and you can't hear me very well, alright? You're not going to forgive me for that. You're gonna be like, Oh, no, I couldn't get anything, right, because audio is kind of more important all right, the video, most of the time because people can overlook your bad quality video, but as long as they can hear you very well, they can still, you know, enjoy your video. But when you have a bad, you know, audio quality, you know, it just spoils everything, right? So that's how to synchronize. What I can now do is I can right click on this here and choose on Link. And what would that do? That will allow me to select either of the two. I can select this and press delete, okay? And then move this to the top. And then trim this to this point and then trim this to this point. And I can select both now, right click and say Link. All right, so that these two files are now one file, and the audio I have is the quality audio right there. So if I press Play now, so what is now technology? The fundamental concept of it is you're manipulating something, and we talk about scale, so how big versus how small? And you see, it's a manipulation of matter. Alright, so you can see how, you know, better this is than the initial one that we had right here. Seeing something. The fundamental concept of it is you're manipulating something. Alright. So that is how to synchronize your audio in Adobe Premiere Pro. I'm gonna see you guys in the next video. You'll better be in the next video or else. Hm, you're gonna see me in front of your laptop, and you might not believe what I'm gonna do to you. So jump right into the next video right now and see. 21. How to Reverse a Video in Premiere Pro: What's up, everybody. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about how to reverse a video in Adobe Premiere Pro. So let's get straight into it right now. Okay, guys, so we're back right here in Adobe Premiere Pro, and we're just going to quickly come here. Which video should we use? Okay, so let's use our normal K show three. So let me look for the video itself. This is a sequence. Where is the video itself? Right here. So this is a video. So I'll right click New sequence from clip to create another K three sequence. Alright. And you can see I just have multiple of it. My name is Gabriel Shu. So let's just reverse this video. So what I want to do is that when it says intro, but before then, intro. I'll just reverse it all the way back to the beginning at that point. So to simply reverse a video is simple. You just select the video, you right click, and then you choose speed and duration. And then just click on this reverse speed here. Click Okay, and that's it. The video is now reversed If I press play Oh, I didn't know that this was gonna be really funny. Sounds like Chinese, man? I'm speaking Chinese right here, man? Whoa. Oh, look, I see. I Alright, guys, so let's move on. But you can see that I was able to successfully reverse my video. But now it doesn't really make sense. This is not what I'm trying to do with my reverse. So let's do the right thing now. So I'll undo that. So I get my video back. So, no more Chinese. I'm going to show you how to change the color. Okay. So basically what I want to do is at this point, when it says intro intro. I want to pause it right there. I want to make sure that the video stops at exactly that point, okay? Then I want to contro see this, right? And I want to make sure that my playhead is directly whether intro stopped. And I'll press ControV. So I just copied and pasted this, right, copy and pasted. So people will see the normal version of the video. Then Intro. What's up? So instead of restarting again, this is the one I want to now reverse. So it will start going back to the beginning. So I'll just come to this one right here, okay? Right, click and say speed and duration, change it to reverse speed and click Okay. So when I get here, let's play this now. Simple. But before then, intro and I've started my Chinese again. So, but again, this is not what I'm still looking for. I want the reverse to actually happen, you know, faster than it was than it is now, okay? And to do that, what I'm simply going to do is go back to that speed and duration, okay? On this video, you can see that my reverse speed is still checked on, and then this time, I will come and increase the speed. So if I want to increase the speed, I can increase the speed like 300%, alright to really make it fast. I can see that trimmed my video, to this point. So if I press play now, when it gets to that point, it's going to reverse my video, but this time in a fast motion. But before then, Intro. Alright, so if I ever want that to be faster, I can just, you know, right click and this time, maybe let's do like 700%. You know, let's go crazy on it. 700, Enter. All right. And then press play. So it's just, you know, render. Intro. Fantastic. Alright? So this is how to simply reverse a video. Now, if you don't want your video your reverse to happen in fast motion, you could just leave it at 100. But if you want it to really happen in fast motion, then you can take it all the way up like I did on my own video. So let's play that one more time. Very simple. But before then, intro. Awesome. So that is how to reverse a video in Adobe Premiere Pro. I'm gonna see you guys in the next video piso. 22. How to Freeze a Video in Premiere: What's up, guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about how to freeze your video. You know what I mean. Okay, guys, so I'm right back here in Adobe Premiere Pro, and let's talk about freezing the video. So let me just remove this mine or delete it this reverse that we did in the previous video. And this time, let's freeze our video. So maybe at that point where I say intro, I'm just going to freeze it right there. Well, then True. Just freeze me right there and then we get that. So how do I freeze my video? Number one, you have to cut out the portion of the video you want to freeze. So right now, the portion of the video I want to freeze is this portion right here, okay? And I want to cut it. And because this is just a frame, a frame, remember a frame is like a picture, right? Because this is just a frame, I will need to zoom all the way in, so I'll be able to cut out this frame. So I'll click leave my playhead right there and tap the plus button all the way to the end. Then I'll grab my razor to click here to cut. Okay, then move one frame forward so you can see that the remaining part I have here is just the one frame left. Okay? So I don't need to cut anything. So if I go back to my selection so when I click here, I have my one frame cut out right there. Okay? So that's the one frame I want to freeze. So I'll just go back to the beginning part so I can see my video because at the ending part, you can see we are seeing black. So I'll just come back here and I can see my video. So how do I freeze my video? I just click on that one frame that I have cut out, okay? And you can see show me motion of pasencyTmpping. This is not what I expected to show me, and that's because I was right clicking on this effects. So make sure that your mouse is somewhere away from that effects. And then when you right click, you see all of these options. So here you want to choose free mode option, and it's going to show you this, and all you want to do here is to click Okay. And when I click Okay, this part right here has now been frozen. So if I play this back, let me zoom out by tapping minus. But before then, intro. I'm like, Uh huh. This is not frozen. Yes, I know it's not frozen. And that's because what we did is we took a frame, some I taped plus to zoom back in. We took a frame which is a picture, and we froze that picture. And that's all. So there's no difference between the picture and you freezing a picture that is already frozen. So all we need to do now is to extend this frozen part so that we can actually see it for a longer time, maybe a duration of 1 second or two second or something. Alright? So this time when I press play Intro. You can see that right there. All right? Let me just go back there. Let me extend that some more. Okay. And press play again. Oh, then Intro. You can see the wight, I froze me there. But you can hear that we are hearing some sound and some everything. So if I don't want the sound there, I can just select this right click on Link. Okay, select the audio and press delete. I don't have any sound at that point. But before then, Intro. All right, so you can see that is how you freeze a video in Adobe Premiere Pro. I could also make this layer more interesting. Instead of just leaving it like this, I can select it, go to the very beginning of that layer, go to my Fat control and set some key frames to this. So I can click on the stop patch for position, scale, and maybe rotation. So I want to change the position of my video, at the same time, change the scale of my video at the same time, change the rotation of my video, okay? Then I can move forward, and I can do some, you know, scaling up. I can do some position change. And I can do some rotation if I want to. All right. And you can see that right there. Okay? Rotate it some more and place that there. If I play this now on four then intro. You can see that. So if I want this happening faster, I can just, you know, bring them closer to each other. Oh, then intro. Okay, bring it closer and you can see what we have right there, and even select this and take it, you know, further. Okay. Intro. Okay, so you can see that right? I can even go to my effects, search for Tint, drag that and drop on my video to make it black and white. Intro. Alright, and you can see that right there. Now, if you do a search in effect, mind you, don't forget that you've done effect a search on it because maybe I'm trying to get an audio transition or audio effect. If I click this dropdown, you will notice that nothing is showing a game. All right. And that's because you have a search on. So when you do a search, don't forget to always click this Xia to remove that search, and then you can always see everything back. All right. So thanks so much for watching this video, guys. That is how to freeze a video in Adobe Premiere Pro. See you guys in the next video. Peace. 23. How to Create a Slideshow in Premiere Pro: What's up guys. Welcome to another video in this Adobe Premiere Pro training. And in this video, let's talk about slideshows. Let's get straight into it. So I'm right here in Adobe Premiere Pro, and let's talk about Slide Show. Okay? So slideshow is basically, you know, a combination of different images forming a video or creating a video with multiple images. Alright, so in our project panel, open up our exercise files, and we see that we have a couple of images right here. So we're just going to drag those images and quickly use that to create a slideshow. Okay? So I have the first image here. Alright, the second ime. So when it comes to slide shows, you have to actually create a new sequence because the images have different sizes. So we want to have a general size, which is the size of our sequence that all other pictures will now have to fit into. Okay? So depending on the size of your image. So if your images are small images, you want to create a sequence, which size is going to be really small. All right. But if your images are large images, then you can create an HD sequence. So let's quickly go to File New and then choose sequence. So we're going to name this slide show. Okay. And for this example, we are still going to use our DNx HD ten et P 25, DNH HQ tenet P 25 because my image images are, you know, bigger and above 2000 pixels. So you can see this is 1920 by 1080. That's 1,900 by 1080. So my images are bigger than this, so I can use it. So images are smaller than this, you might want to use a smaller, you know, sequence size like 720, so you don't have to stretch your image and then make them look blur. So I'll select this, name it slide show, click Okay, and you can see the sequence opened up right here. So I can now begin to drag and drop my images, so I'll scroll up on my project panel, drag my first image, drop it. You can see it's looking really small, so I'll just sap the plus button too. Zooming. So I can see my image very well. Then the second image, drag and drop, and then the third image, drag and drop. Alright? So you can see, it's as simple as that. By default, Premier Pro creates a five second long, you know, image. So right now, my total timing here is 15 seconds because I have three images. All right. So but you can always trim that adjust that depending on what you want. You can even go and change the default by going to Premiere Pro preferences. Then I think on Windows, you have to go to Edit and under Edit, you see preferences. But on Mac, you go to Premiere Pro and you see preferences. We can go to general Okay. And that will load up the general preferences. Okay, so you go to timeline, and on that timeline, you'll see we have still image default duration. You can change that from 5 seconds to whatever value that you want. All right. So I'm just going to leave mine in 5 seconds. So I'll click Count and you can see what we have right there. Okay? So if I press play now, I can see just goes from this image to this image, all right, and then to the next image, right here. So let me just make sure that all of my image are looking good. So this looks good. I like that. So but when we come here, you can see his head is kind of cut off. So I'll select it, go to my fret control, and adjust my scale. Remember the image is bigger than the video, so I can just adjust my scale. Now when I adjust to this point, and I have a black you know, spot here, and I don't want that to happen. So instead of me re scaling it down, what I'm going to do is you just change the position down, right, and this looks better. And then I'll go to the next image and do the same thing for the next image. Straggle down by using the Y position, click and drag to the left, and I'll bring her down. So everything looks good right now. You can see that Ar. So the next thing I need to do now is to add transition. So I'll go to effect video transitions. Okay, I like dissolve, so I'm just going to add cross dissolve at the beginning in the middle here, in the middle here, and at the end right here. Okay? So if I press play, you can see the way it fits in. And then when it gets here, it kind of fits into the next image that way. Okay? And then this one also fits into the next image, and then at the end, it fades out. Okay? So that is what my transition has just done for me, okay? And then another thing I can do is I can add some key frames to this, right? So I don't run away from key frames. So what I can do is I can select this here. So let me just remove my transitions first so I can see my images very well. I'll select this and I want to add some scaling up and position. So I'll click on position scale up, then move forward or move to the end of the image right there. Okay, and scale up a little bit and just adjust my position. All right. So if I play this from the beginning now you can see the way it smoothly zooms into the image. And I want to replicate the same thing for all of my image here. So what I can quickly do is I can save this as a preset. Okay? You can see where preset comes in. I can quickly come to motion, right click on motion. So because if you right click here, you won't be able to save one as preset. So you go to motion, you right click on that, save preset. Okay, and make sure you choose ankle to endpoint so that your keyframe will also begin from the beginning of your image. So I'll click on ankle to endpoint. So endpoint is the starting, outpoint is the end. So I'll just click on ankle to endpoint. I'll save this as Zoom K show Zoom. All right. So I know this is my own preset and then click Okay. Now I can go to preset and just grag that Kho Zoom and drop on this image. And when I come here, you can see the way it is, zooming into my image, right? And then I can add it to the third one, two here. And then when it gets down on two, it zooms into the image. You can see very, very easy at that point. So I just need to come to this guy here. And make sure that the position. So I'll go back to the very beginning and just come to the position and make sure it's somewhere down here. All right. So then it can now zoom in. So we have all of this here. I can go back and add my transitions. I'll go to video transitions, cross dissolve. So what I can actually do is that this cross dissolve is actually my default transition now. That's why I can see this blue box around it. Okay? So I can select all my images, go to sequence. And on that sequence, I'll see apply default transition to selection. When I click on that, it automatically add the cross dissolve to everything instead of me adding it one after the other. All right. And to make any transition, your default transition, just right click on that transition and say set as default transition. But right now, our cross dissolve is a default transition. So our press play, you can see how nice this looks like now than before. You can see the way it's zooming in and panning and making it more interesting as people watch. Okay? The final thing is to add some audio here. So I'll go to my audio drag once again and drop press my notes to zoom out so I can trim my audio. Okay? So for my audio also, I want to add some transition, the exponential fade. So I'll go to effect, close this, go to audio transition, go to cross fade, exponential fade, add that at the beginning, and also add that at the end so it will fade out my music. So if I press Play now, I have my lovely transition. Okay, sorry. Let me make this full so we can see it in full. So I just put my mouse here and press the Tilda key. That's what is allowing me to zoom into the program monitor alone. All right, so play that one more time, seeing the timeline now. You can see the way everything is going. Alright, guys. So thank you so much for watching this video. I'm going to see you inside of the next video. Piece. 24. How to Edit/Remove Green Screens in Premiere Pro: Whats up guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about green screen or, like, some people like to call it Cromer key. So let's get straight into it right now in Adobe Premiere Pro, and I'll show you how to do just that. So we're right here in Adobe Premier Pro, and I'm going to go to my exercise files, look for this videos right here and this image here. So I have this news background here. I'm going to right click on this and use that to create a new sequence. Okay. And then if I play this, you can see this is a nice news background, right, and gotten from online. So you could also search for different backgrounds to use. Then the next thing I want to do is o, actually, I actually need just the video of this. I just need the video of this news background. So I'm going to right click on Link T. Alright, so I'll be able to select the audio and press delete. So I just have the video alone. Then I'll look for this newscaster. So I'll come right here to my project panel and look for the newscaster, and then this I'll drag and drop on Video track two. Alright on top. Alright. Because my goal here is to remove this green background and replace it with a news background. So the news background is underneath it already waiting for it. Okay? So how do I get rid of this green background in Adobe Premiere Pro? Some of you wonder, why is it green? Why green? It is green because that is the color that is furthest from the skin color, right? So it's going to be very, very hard for you to find a human being that has green color on their body. I said that person is an alien or something. All right. So that's why the color green was chosen because if I was to use a black background, if I'm removing that black background, I'm going to be removing my hair, my eyebrow, my eyes, everything black in my body. All right? Or if I'm using a white color, I'll be removing my teeth, my eyes. So the color that you can't easily find checking out the human skin color is the color green. And the only alternative to that is color blue. Alright, so green or blue, no other color, right? If it's any other color, you're on your own. So that is why we use that color. And then there are some things that you must ensure that you do. Number one, make sure that your subject is not putting on anything green. All right? Because as I remove this green, if it puts on anything green, that will also get removed, and you don't want that to happen. Then another thing is that you should make sure that your subject is not casting shadow on the green because any shadow casted on this green will make that uh, part black and not green again. So you don't want that to happen, okay? Then also, make sure that you have uniform lighting on your green background. So you can see that there's a uniform lighting on this green background here. But when it came to this green background, the way they light up this green background made the green hair different from this green here. So that's going to give us a bit of some, you know, trouble while trying to remove this green. But there are still stuff that we can do right here. I personally love removing green screens in after effect, okay? Personally, I love removing them in after effect because, you know, after effects, key lights, you know, is really, really good with dealing with all of this. But there's a way to also remove green screen in Adobe Premiere Pro, and I'm going to show you that right here. So to do this, I would go to my effect under my effect, I want to look for video effect, open up video effect, go to Kin, open up Kin and then under King I'm going to see ultra key. I'll drag that ultra key and drop it on the newscaster, not the news background, newscaster, and I'll add that ultra key to this. All right. And I can go to my Ft control, look for the ultra key and then check out the settings I have there. Now, the first thing you want to do here is to change your key color to green. All right. And to change it to this exact green, I can grab my eyedropper or color pica e, use it to click on this green right here, and you can see that instantly it removes that green. Okay. And because of what I told you the other time, you can see that some part of this table is left. And if you look around this body, you can see some funny things around there. So let's talk about how to clean up all of this mess in Adobe Premiere Pro using Ultra key. So the first thing I want to do is to change my output from composite to Alpha channel. And why am I doing that? I'm doing that so that I can see clearly what has not been removed, okay? Because every other thing is supposed to be black except the subject, which is the newscaster, in this case. Alright, so missing the seen Sindis tells me that all of this needs to become black or I need to totally remove them. And to do that, after changing my output to Alpha channel, I'll go to MAT cleanup. Okay? I'll go to MAT cleanup. And under MAT cleanup, the first thing I want to change here is the contrast. Alright, so increasing the contrast would make this green here look more like this green here. So I'll just come, increase my contrast, and I'll see that it will start becoming black, like the regular or the rest of the green, alright? And that is good. That is exactly what I'm looking for. So I'll increase my contrast all the way to 100 and that, you know, takes care of almost everything except this guy hair, and then this guy here, okay? And then the next thing I want to do is I want to go to spill suppression, all right, spill suppression and just increase that also, you know, go to spill suppression and increase the spill value also. So that will also help me tidy up some few things. So I'll just click and drag that right to 100 and that will help me also tidy some things. And now I can go back to my output and change it from Alpha channel to composite, okay? And you can see that I still have some things left here, okay? So let me go back to my spill suppression, change it back to 50 let's see what's going on here, my contrast, you can see right there. Let's work on our MAT generation. So there's a lot of settings here that can help you with this, right? But in after effect, I'll just probably play with two settings and I'm already done. Okay? But with Premiere Pro, you have to keep checking out so many settings until you get the right, you know, result. So I'll go to MAT generation, and then on that this let me increase my pedestyle Okay, and increase that, and you can see that helps me to take care of all of those things remaining there. So the only thing I have left is just this tiny small part here. Let me change it back to Alpha channel. You can see just this tiny part right there. So change it back to composite. So for this tiny part here, there's really nothing I can do to it because it is not green at all in the first place, right? So there's nothing I can do to that. So the only solution I'll do to that is probably to just draw a max around my image here. All right, to restrict the video to this portion alone. And that's exactly what I'm going to do. So I'll go up to my Opacity, open up the opacity and I have my max here. I'll grab my pen to and then click click click click. By the time I join this, I won't be seeing this part of my video again. So I only see this part where I drew the max. So I'll join this and you can see that part is gone, and all I have showing of my video is just this portion, right? And that's exactly what I want. So now that I'm done with removing the background and cleaning things up, okay, I can now go back to my exercise files. And bring in one more layer, which is this table here. I'll drag that and put it on V three. All right. And by default, this is a picture, so it gives you just 5 seconds. So I'll just come and extend it so that it will go through all the entire video. All right, so you can see my table right there. So I'll select it Okay. Double click on my table and just track it somewhere down. Then I want to go to motion and scale my table down. So I'll go to the scale and scale it down because I'm trying to fit everything now to what I have, you know, based on the background, the studio background or the news background. All right. So my table is now small. Let me reduce it some more. Something around here looks fine. Okay. Then I'll select the newscaster. I'll double click on him to also reduce his size. So I'll go to scale and reduce the size. Okay, and then come here and put him to align with the table. So let me make the table a little bit bigger so to match the newscaster, strike that something right here. Okay. Awesome. So you can see what we have right now. So from that green background, we've placed him here, making it look as he was in this studio while, you know, the video is being recorded. So if I play this, the level of excitement and energy cannot be contained in this country as people all over the world celebrated with enthusia. Okay, so I feel like making the table bigger. So I'll come to scale my table and just yep, make it a little bit bigger like that and then just double click on it to just position it. And come to my newscaster and just raise him up higher, like that. So this looks perfect now. Okay? You can see that this new spa ground is not as long as the other ones, so I can just click on it, press Control C, and put my plaid at the very end of it and press Control V to paste another copy of that right there. So I can just end all of my video right here. The single most. And that is how to work with green screens in Adobe Premiere Pro. Thank you for watching this video, and I'll see you in the next video Peace Out. 25. How to Create a Twin Effect in Premiere Pro: What's up guys. Welcome to another video in this Adobe Premiere Pro training. In this video, we're going to be talking about how to duplicate yourself in Adobe Premiere Pro. Or you can call it How to Twin yourself in Adobe Premiere Pro. Yeah. So let's get straight into it. Right now. Okay, so we're right here in Adobe Premiere Pro, and for this project, let's open up the two videos that we have here. Alright? So I have this video of me, you know, Alright, so you can see me right there, okay? And then we have the other video here. Hey, guys, my name is Gabriel Shoe and I'm the CEO. Okay, so I have two video shot, right? And the goal is to twin myself using these two videos. And I'm here to talk about the Adobe master class. Alright. So it's as simple as that. So some ground rules you should obey while shooting the video is because sincerely, this twinning effect is basically shooting. All right. If you get it wrong in shooting, there's nothing Premiere Pro can do for you, right? So you have to get it right in the shooting itself. And some of the things you should take note while shooting is that, number one, make sure that your camera is on a tripod and stable, right. So make sure your camera is on a tripod. That is very, very important so that there is no movement in your camera while shooting. Number two, make sure that your background is stationary. Make sure that your background is stationary. You can see right here, this is a wall and a wall doesn't move, so my background is stationary. All right. Number three, create an imaginary divisible line between your twin, right? Right now, I created an imaginary line somewhere here, right here. So what is the essence of the imaginary divisible line? The essence is that when you're acting this twin here, you want to make sure that whatever you do, you don't pass that line. All right. So I make sure that all of my movement stays within this area. All right. And in the other video, I also make sure that all of my movement here stays within this border, right? And you're going to see the reason why you must create an imaginary, you know, divisible line while shooting. So you must be cautious of that line so that whatever you do, you don't pass, you know, that particular line in your video. Alright. So rule number 45 now, I'm not sure. Make sure you get a good actor, so you could come, you know, meet someone like me to act for you. You know, I'll just charge you per hour, you know, very easy, and you get the job done, alright? So get a good actor, right? It's very, very, also key. In the success of this twin in effect. So you can see that most of these things I've mentioned has nothing to do with Premiere Pro. It's basically in the shooting. All right? That's why I said, you know, 80% of this is based on what you shoot, and you just do the remaining 20% in Adobe premiere P. Alright? And what is our goal in Adobe premiere P? Our goal in Adobe Premiere Pro is to cut this video into half Okay. And then replace the remaining half here with me on this side. So remember this video, I'm on this side, this video, I'm on this side. So the goal is to get half of this right, for this side, and then get the remaining half from this video. And putting those two together would give me the two in effect because I will now see me on this side and also see me on this side. So why do I have this guy here, John, by the way, okay? Is here to help me with my acting, right? He's basically here to help me with my acting so that when I'm looking here, he looks I can look straight at a human being and, you know, be able to act properly. Because if he wasn't here, it might be kind of difficult for me to be able to act, you know, while I'm here, talking to an invisible nobody. Okay? But some other people use something like a tripod. You can also play something like a tripod here, the height of a human being, and you just look at the tripod. You know, you just need something here to help you with your acting, right? And that's why my guy here, John, is the one helping me out. Okay? So that is that. So now that we've gotten all the ground rules, done, let's right click on any of the video. And choose new sequence from clip, and that will create a new sequence from us. You can see we've created so many sequences so far in this training, and each sequence is separate from the other sequence. I can export them individually as a video on its own. So don't forget that. So right here, let me press play. Hey, guys. My name is So I do have me on this side, okay? And the goal now is to cut this into half. All right? And how do I cut this into half? I'm going to be needing my max. I'm going to be needing to draw a max. So I'll select my video here, go to fret Control, go to pasity and then under our past I can see the max tools there. I can grab my pen to click somewhere here. Okay? Click somewhere here. So it must be close to the video for you to use the Max. Then click somewhere here. Alright. Click and then remember that imaginary divisible line. All right? That is the same area you want to draw your max, right? So I'll come right here, click here, okay, and then I'll click here. And when I do that, you can see that I have successfully cut or trimmed this video into half using a max. All right? Remember, a max would restrict your video based on the shape that you have drawn. So drawing this rectangle here kind of restricts my video halfway right here, okay? You can see that. So that's why I said that when you're recording or shooting, make sure you don't pass that imaginary divisible line because if I pass there now, what do you notice? You notice that the hand will just cut off, and then people will be wondering what is going on, okay? So make sure you do that. Then now I will go to the remaining part, the other part of my video, right, and bring that in. Okay? So I have this part of the video. I want to bring this part in. But I don't want to cut this one into half. What I want to do is I want to place this video under this video so that when I place this under this, this part of me will cover, you know, John right here, and the remaining part I will see here will just be this part of me talking here. So to create space for this to come under this video, I will move this to Video two, Video Track two, and move the audio to Audio Track two, Ar. So I just click and drag. So I now have space right here to put a video under this video. So I'll just drag this video from here, and then I'll just drop it under the video right here. And you can see that instantly it just puts me on this side, right, and then I am right there acting already. Okay? So if you look closely here, you can see, it's even hard for you to see the line here, right. But if you look closely very well, you begin to see the line that we have there. So what I can do is I can select this video here. Go back to that max. Remember your max feather. I can increase the max feather a little bit more to kind of soften that line. And then at this point, you will notice that you are not even seen. There's no way you want to see any line here again. So basically what is going here what is going on here is just common sense. Alright? Our background is stationary. So when you take half a stationary picture, half of another stationary picture, and you put them together, it's going to synchronize perfectly that you will not know that they're actually you different pictures or different video. And that's why I said that your background must be stationied because if your background is moving, then people will begin to see something happen around here as your background moves or shake, right? And that's why your camera must also be on a tripod. And you can see, with that, I've been able to create my twin effect as easy as this, okay? Can see what I have here. I'm Gabriel Shu, and I'm the CEO of K show Content. Nah, that's not roman. It's your boy K show. Oh, you I'm here to talk about the Adobe master class. So you can see what we have right here, okay? You can see it's playing smoothly. Focus on teaching you graphics. Alright, so that is that. Of K show content. Nah, that's not roman. It's your boy, K show. So what is really helping me here or what I did while shooting was that while I was shooting this part, I had it recorded on my phone, and while I was shooting this part, I was playing it back in a very low sound, you know, in a very low way, okay? So that you know, it soon enter into my main recording, and I was just responding to it. Other people have different methods of synchronizing their, you know, twin effect. But that was how I was able to synchronize my you know, while recording this, I recorded, and then I was playing it back while I was responding to it. And that gives me a very perfect, you know, twin effect. Alright? So, guys, that is how to create your twin effect in Adobe Premiere Pro. I want you to go out right there and begin to twin yourself everywhere, alright, and create amazing stuff. Stay creative and I'll see you guys in the next video. 26. How to Export/Render in Premiere Pro: What's up, guys. Welcome to another video in this Adobe Premiere Pro training. And in this video, we're going to be talking about how to export our videos or render our videos in Adobe Premiere Pro. Stay tuned, and let's get straight into Adobe Premiere Pro. Alright, guys, so I'm right here in Adobe Premiere Pro, and let's talk about exporting. So to export my video, okay, so before Export, let's talk about saving. So saving our video, you go to File Save us, okay? Then you choose where you want to save it. I can choose Desktop or wherever I want to save my project and then click on Save, okay, and make sure that you, you know, have that saved somewhere, okay? And Eaving is, you know, I want to work on this later on. So I can save this, you know, post what I'm doing. Then at a later date, I can open it in Premiere Pro and continue editing. But exporting is, I need a video file that I can upload on YouTube, Instagram, Facebook, or whatever it is. Okay? So how do I export? I'll go to FL and under file, I'll see Export, and then under export, I'll see Media. File Export media. Shortcut is Command or Control. I'll click on that and it's going to bring up my export settings. Okay? So you can see my export settings is opened up right here. And basically, you will just want to come and touch four things. The first is format. The second is preset. The third is output name, and then the last one is Export. Okay? So what is format? Format is where you choose the codec you want. All right. And the codec we're going to choose is h.264 because this codec give us an MP four. Alright, so you can see MP four. Alright? So I want to choose h.264. We have other codex here and some other thing. You can even export MP three. You can export wave. You could export pictures. You could export, you know, AIFF, MPEG two, MPEG four, P two movie, all of that. So but the one I use personally is HD 264. Because that gives me P four. P four is the most widely accepted video anywhere in the world and across all devices. So I want my video to be able to play on any platform or on any device. Okay? Then the next thing is preset. So what you see under this preset is basically determined by your format. So if I change my format to something else, maybe quick time or you see that my preset had actually changed from what I was saying before to Apple ProRes, NT SCDV and stuff. So let me change you back to 8264, and you see that what I'm seeing on that preset now is different from what I just saw now. Okay? So which of these preset do I use? Alright? Personally, I use Mt sauce high bit rate or mat sauce medium bit rate. But it doesn't mean you can't use any of these other ones. The reason why I use March sauce is because I always want my video size to be the exact same size of my sequence. So I don't want to create a sequence that is 1080 and then come here and come and export in four K. All right? That will kind of just, you know, make my video quality drop because a small video fit into a big space would need to expand, and then your video quality will have to drop. So I don't want to do anything like that. Or I don't want to choose, you know, you know, 1080 in my sequence and then come here and do 720, which is something smaller than my sequence. That will also make it drop, alright, except that is what I want. Maybe I want a smaller version of my video or something. Okay? So I always like using march sauce, meaning match the exact same settings of the sauce, which is my sequence, okay? So why do I choose high or medium bitrate? I use high bitrate if I really want the best quality for my video. So the best best quality, I use high bitrate. And when I use high bitrate, I'm not really concerned about the file size. So if you look at the bottom here, you can see estimated file size is 34 megabytes, okay? So that is at high bitrate. But if I'm really concerned about the file size, you can see this is just a 26 seconds video. If I'm really concerned about the file size, and I still want my quality to remain, or I don't want too much compromise on my quality, then I choose March source medium bitrate. So when I click on medium bitrate, you can see from 34 megabyte, we now have ten megabyte, which is, you know, a reasonable file size, okay? So that is what determines which one I use yes. So right now, let me just choose high bit rate because I'm not concerned about the file size really much. Then the next thing is outputs name. All right. You click here. So here, you'll probably be seeing the name of your sequence. So I'll just click here and it's going to ask me, where do I want to save the final, you know, rendered video or the final exported video. So I'll choose maybe Desktop. Then the name here, I'll just choose twinning, all right. So I'll know that that's that video and then click on Save. All right. Then the last thing I need to click on here is the Export button, Export. Now, remember, if you've done the after effect training, I mentioned something in the after effect training about, you know, when you're exporting after effect, your file size is really huge. And I told you that you can actually bring in that video into Premiere Pro and reexport. So if you are reexporting that same after effect video in Premiere Pro, you can use these same settings. And you will see that that same video that we exported in after effect, it's going to give you a really small file size here. Even something as small as maybe five or 10 megabytes or I think around that, it's going to give you here. So you can use the same settings to export export your video that you've exported in after effect, okay, to get a smaller file size, but a very good quality. So we're done with format, preset, output name, and then we'll just click on Export, and that will begin the Export process. You can see showing us 12 seconds left, and that will just go all the way to 100%. And when it's done, I can go to my desktop to go and check out the video, play it, send it to my phone, upload it on YouTube, upload it on Instagram, Facebook, and the likes, and it's ready for the whole world to watch. Okay, so let me just chill for that to finish exporting, and I'll go and check it on my desktop. All right, so I'll go to my desktop. Pom. Then double click to open this and you can see my video right there, and I can click Play to watch it. Hey, guys, my name is Gabriel Shoe, and I'm the CEO of K Show Content. Nah now woman. It's your boy K show to talk about the Alright, guys. So that's how it's being done, and that's the way to go. Alright now, if you go back to Premiere Pro, don't forget that for this exporting, you have to be in the right sequence you want to export. So if I want to export this slideshow, I'll make sure I come to the slide show sequence first before going to file Export media. All right. And I'll be exporting this light show. So if I have up to ten sequences here and I want to export the ten sequences, I have to export it ten times. All right. But when you save, it saved the entire project all together. All right. Thank you so much for watching this video, and I'll see you guys in the next video. 27. Conclusion: Yo Whats up, guys. I'm super excited that you were able to complete this training in Adobe Premiere Pro. I'm sure you've had an amazing time and you've been able to create amazing stuff. Alright, so if you're asking me what next, you can rewatch this video for a start, right? And that would make sure that it stays fresh in your memory, and you'll be able to remember everything I mentioned in the video, okay? Another thing you want to do is you want to check out the advanced course of Adobe Premiere Pro right here on the website. Or you can also check out other courses that we have in Illustrator, photoshop, After Effect, digital marketing, web design, and a whole lot more. Okay, guys, don't forget to keep on creating amazing stuff and stay creative. I will see you when I see you. Piece out.