Acrylic Painting : Vintage Door

1. Intro: Have you ever been fascinated by the beauty of vintage doors, their rustic charms, weather textures, and timeless stories. In this class, we will bring that beauty to life through acrylic painting. We will start first with a simple sketch and then basic acrylic painting techniques, creating depth texture, and weathered effect color blending and layering techniques. How to create a perfect rustic look adding florals and abstract detail for a unique artistic touch, finishing touches that make your painting stand out. So grab your paints, brushes and canvas and let's create something beautiful together. 2. Materials Required: Welcome back. So let's discuss about the materials first. So the base which I'm using here is a canvas, which is of five is to seven inch canvas, which is from Brostro. It is a canvas board which I'm using here, as you can see. So this is the painting which we will be learning. So let's first discuss about the colors which we will be using. So the first color is the permanent rose, which it will be the whole background. Then a mix of permanent rose and white. So I'll just push it a little bit below so that you can see the colors also. Another color is orange with a mix of permanent rose and cadmium yellow. So these are the three colors which we will be using for the background. So you can see this permanent rose which is there. Then the white and the rose mix, then the orange, which is, again, permanent red and yellow mix. That is cadmium yellow. So all these textures, we will be using all these colors for the textures, and background will be just rose and white color. Now comes the viridian color. This is a viridian mix of Prussian blue and viridian and a little bit of white, which we will add to the door part. So this is a color which we will be using for the door part. Then comes the edges of this is with the Christian blue color. Then comes the the color, which is the color that is mix of this violet color, which we will be using. This is a windsor violet, which we will be using for the flowers. So this is, again, mix of this viridian, then cadmium yellow, a little bit Prussian blue to create a nice dark greenish color for the leaves. All these colors we will be using for this. Then lastly, a little bit of black and also burn sienna, which we will be using in some of the places. So all these colors will be required for a painting. Then come so this you can see for the door knob, burn sienna now let's discuss about the brushes. So these are the brushes which we will be using flat round and the rigor brush. So you can see there are two flat brushes which I will be using, then some round brushes and some rigor brushes. So all these brushes we will be using. And some of the brands which I will be using for this is the Windsor Newton brand. Then comes the Montmarte brand, and also the Brostro brand. All these brands I will be using for the painting. Then pencil, that is the technical pencil which I will be using for drawing, then the scale, all these things which we will be needing for drawing, then the palette, you can use any palette, whichever you have, then the container, all these water container, then the tissue or the tissue cloth, anything you can use. So let's start with this beautiful painting of the Vintage tour 3. Sketching And Underpainting: Welcome back. So let's start with a new painting that is Vintage Door. So first, we will do the drawing and we'll start with the drawing part. So this is a canvas which I'm using. It is a rectangle canvas. You can use any size canvas. This is five is to seven, which I'm using here. But you can use any size canvas, whichever you want. I'm using my scale, and first, I will create the door structure. So using my pencil, so this line which I'm drawing here, it is not exactly in the center, and it is a little bit side of the canvas, and I have kept it till the middle part of the canvas. So this much straight and vertical line I have drawn, and a little bit of one inches, you can see like 1 centimeter, you can see, I'll keep it the borders. So everything depends upon the size of your canvas. If your size of canvas is big, you have to use a bigger size door. But if your canvas is small, you can make smaller doors. It's just a prox idea which I'm giving here. So this is around 1 centimeter, which is the width is and just drawing the lines on the top also with a normal 1 centimeter. So we will also add the details in the doors later on. First, we will add the upper line which is there. That also you can keep it 1 centimeter so that it looks like even. Now, if you're using a bigger canvas, you can use a bigger value. Like I have used 1 centimeter, you can use two or four centimeter also. It depends upon how the size of your canvas is. So this is the door structure which I have created. Now I will create a little depth inside the door, a little edge, which is going inward. Then the straight line joining all these edges. Try to use the scale everywhere because we will be needing this everywhere while drawing the structure of the door. So this is how I have just drawn the lines. On one side, I will draw a little narrow one because on one side, it is a little deep and the other side, it is a little narrow depth. So it's like that. After this, the design in the door, which is a rectangular design. Once we are done with this design, we're almost done with the painting drawing and rest we will do just by using the colors. So just creating equal size blocks. So just first drawing the vertical line, and then similarly, I will draw the horizontal lines. So whenever you are drawing any blocks, try to make it even. Like, I'm just drawing the lines first on both the sides with same size. So first one is 1 centimeter, then it is like 4 centimeters, then again, little one centimeters again. So like that, I have drawn the lines. Similarly, I will be doing on the other side also the lines. And here also, I've just drawn a little bit of, like, half centimeter lines because there's a very small area. It's not very big. Now, depending upon your canvas or your paper, you have to decide the lines. Try to make it even so that it looks like a similar and even around the doors. It's not like you have to also draw the three lines. You can draw two also, but try to make it even. Take your time and draw the lines one by one. So here you can see I have drawn two blocks. Try to make both the blocks similar so that it looks very even and neat. Similarly, for the second block, which is in rectangle shape, it should be in same line of the first block. Then only that will look like a uniform line which is being formed here. So give time to your drawing and just this much is there for the drawing and rest we have to do with the colors. So you can see all even all the two blocks, even and in the same line. It's a very simple and a very beautiful painting with a little abstract touch to it. I've tried to make it a little bit more in the abstract form, which you will see in the coming sections. A little door knob, which is in between the door and another door handle which is in between. So this is it with the drawing rest we will do with the colors, the whole drawing which is there, we'll all do with colors. And this is the area which is in the shadow area. That's what I'm drawing the line here. So this will be in the shadow region. So this we will do with different color. So this is the entire drawing and now we'll start with the coloring part. 4. Wall Painting And Texture: Welcome back. So let's start further. So now let's do the background painting. These are the colors. The first color is rose, then cadmium yellow, white, and burn sienna. So if you don't have permanent rose, you can use Alazarin crimson also. So first taking this burn sienna and applying to the entire canvas. So this is just applying to the entire painting, this thin coat watery coat of burn sienna. So the reason behind applying this coat is like when you will apply this coat and when you will apply the second layer of paint, the colors will get more absorbed and more clear. You don't have to repeat the background painting again and again like we do in canvas painting because canvas whenever we do any canvas painting, we have to do at least two to three coats. So in this while applying this layer, you can just add two coats of it and that will be perfectly fine. So this will absorb all the colors which is there and once it settles down, once it dries, then we will apply the color. So you will see the difference here when we are applying the colors. It will be more visible and more clear. And also more opaque. So try to make it as thin as possible so that you can see whatever you have drawn. So don't bother about the brush marks. It's perfectly fine if there are brush marks. Once it dries, when you will add the colors, everything will be gone. So we'll wait for this to dry first. Once it has perfectly dried, just touch your hand and check if it has dried or not. Once it has perfectly dried, then again, we will use the same flat brush for filling the background. Now in this, I'm mixing this rose color, the white color, and making it very light pinkish color. So if you don't have this rose color, you can use Azarin crimson also. Or you can use cadmium red also or vermilion, any color, whichever color you feel like you can use it. Now, you can see I'm applying the first coat on top of this canvas, and you can see how thick the color is coming. But it does not happen when you will apply directly on the plain canvas. You'll see the difference when you will try it by yourself. So I'm just applying an even coat all over this wall which is there. So just filling the entire wall, leaving the door part. I will be applying second coat to this also because whenever we do, at least two coats are necessary for the background to make it more smooth and clean. But here we are not even bothered about the smooth background because we have to create textures on the wall. That's what we have to create here. So it's a little abstract type, so we have to create textures on the wall. So even if there are marks on this, don't worry about that. So this is the whole pink color which I have done. So this is a one coat which I have done, and I don't think I need to apply one more coat because it is already very good. So I'm just making it orange by mixing it with yellow, a very light pastel orange I'm making and just adding more white and pink colour and a little bit more of the whitish and yellowish color. So three colors I have made, as you can see. One is dark orange or light orange, and a little bit more lighter pink. So using my brush, which is the round brush, I'm just applying it randomly here and there. My brush is completely dry. It is not wet. It is damp brush, which I'm using. And I'm just applying randomly the textures here and there on the wall part. So, similarly, you have to also do it, apply it randomly here and there on the walls so that these walls will look like there are some dust or something which is there on the wall, and the wall is not clean. It's an old wall, just to look like that. So somewhere I'm just applying the light orange color, somewhere dark orange, somewhere more light pinkish color with a white mixed to it. So just randomly fill all these textures around so that it looks like an abstract painting. So it's like an abstract painting, which we have to apply all these textures everywhere. So here, also, I'm applying some darker orange shade. Just keep on filling the space, leaving some pink space also, not filling it entirely. You have to leave some space of pink as well. So just randomly, I'm filling it here and there. Now I'm taking just white and filling it here and there in some points just to show that that colors are peeling off or the colors are coming out and the wall is very old. So just fill it with some white textures also. So this is almost done the wall part, and now we will do the details of the door. So try to play with the colors and fill it here and there and try to use a damp brush, not a wet brush. Otherwise, these dry textures will not appear. The more and more you will add, the more it will look beautiful. And now we'll start with the middle part, the door part, first the middle part, then the side parts. M 5. Door Blocking: Welcome back. So let's start further. So now we will do the door part. So for this, I have taken three colors. That is the first color is prescient blue. Then the radiant green and black Prussian blue is not visible, but prescient blue is there. So all these colors I will be using here for this painting. So first, I will mix the colors, and here I will use a smaller size flat brush. So first, I will wet my brush and take radian and a little bit of black mix. And using my liner brush, first, I will outline all these blocks so that when we color the entire thing, these blocks are still visible. So just outlining the blocks first with green and black mix. You can use any liner brush or rigor brush of size zero or two by zero, whichever is comfortable for you. You can also use round brush of size zero. That will also work for outlining. Try to make it as thin as possible, and to make thin lines, you have to make the color fluid. So try to use fluid color, not thick color for creating the lines. Once we have drawn all these lines, we'll start filling the colors. It is mostly like greenish blue color which is there. So just first outlining the middle lines which are there. And again, just taking green and black mix and a little bit of this Prussian blue and white and a little bit more white and Prussian blue. It should be a bluish green color, which we will use for painting this entire thing. So first I'm painting all these blocks which are there, just making it a little bit more lighter. So just filling all these blocks which are there first. I'm still using my liner brush for filling all these up because it's a very small area. You can use your round brush also. And depending upon the size of canvas and the shape of this, you can choose your brush size. Do it slowly and patiently one by one, each and every blocks. Take your time and do it slowly. The last two parts left. Now we will do the complete tore, which is there. Now for filling the door part, you can use a bigger size brush also. It's totally your choice mixing Prussian blue and this viridian and white mix. It's a similar color. It's just that I first block in these parts so that the lines are visible. So I'm just filling this entire portion which is there, which is the inside portion with this color. You can use bigger size brush also. It's totally your choice which brush size you want to use. So slowly, slowly with my liner brush, I'm trying to fill it up. Try to make your color a little fluid and try to fill it up the entire section. So it's like a turquoise color. If you have turquoise, you can use turquoise directly. It's a similar color. And if you don't have viridiant green also, you can use any green, whichever green you have, you can use it. Just mix it with Prussian blue and you can make this beautiful greenish blue color. So try to fill it slowly one by one without disturbing the lines, the black lines. It's okay to use smaller size brushes rather than using a bigger size brush. So you can see how slowly I'm filling the entire thing, leaving that knob and the area which is there where we have created the door knob and the handle that I will leave the section and the rest of the area, I will just fill it with this color. The more slowly and more patiently you do any painting, the more beautiful it will come up. So this is one of the secret of painting. So try to fill it slowly one by one, each and every area of the middle section. So just try to cover the center rectangular part which we have drawn, not the diagonal part, the center part we have to cover, and just fill it up nicely, leaving those black lines and just gradually fill it the lines. Once we have done the filling part, then we will do the details of the knob and the side part, everything. So slowly, I'm just filling all the details, leaving the knob and the handle part. So we're almost done with this center door filling. Now, we'll start with filling the rest of the parts. Be careful when you are filling all these things. It should be in a line and at. And if you feel that there are some cracks which are coming while you're filling this, try to add one more coat on this. Try to add second coat only when the first coat dries. 6. Door Edge Blocking: Welcome back. So let's start further. So now we have filled the middle part. Now we will do the side parts. So for the side parts, again, I'm using the same brush that is the liner brush, mixing this rose color and white color. So now my white has already dried up, so I'll take a little bit more white into it. And I'll just mix more white amount and less of the pink color, that is the rose color. And I'll just apply it to the sides, which is the narrow part of this door. Try to use the smaller size brush like zero size or one size for doing the side details, and just taking the color and applying it to the sides. Water is only there on my brush. That much water is only required, and rest are the colors. So we'll do all across the whole borderline which is there with this white color. So try to do it carefully inside the boundary line so that it is clear and crisp. So two sides I have already done. Now we'll do the third side. So this is how I have just done the part which is on the sides. Now we will do the outer part, which is the thicker border part of this tote. So for this, you can use a bigger size brush also because it is quite thick part. So instead of using the smaller or liner brush, you can use thick brush also. But first, try to mix the color and make the color mixing this Prussian blue pink that is the rose color, little bit of black and white color. First, I will just outline this whole area with this color. So just outlining the border part, and then we'll fill the colors. So directly, I'm not using black color. I'm just making it a little grayish blue color, and I'm using it for the border, which is the thin border which is outside. Also, you can see the lines are also not very straight. It is a little crooked lines which I am trying to create, like the walls which have the lines which are not straight. So crooked lines are there. So like that, you can make the border. Now we will do the filling of the part which is there on this outer. Little bit textures, I'm adding darker color textures. Some white textures also. Now we will start doing the outer part of the door which is there, which is the thick borderline. So I'm using here the round brush, taking white colour, the rose color. Already, there is Prussian blue mix in it. So just adding some more white and just applying across this whole area. So it is a light, bluish pinkish, like grayish pinkish color which is there. So mostly it is white, very light color, so applying it all across. So actually, the wall is white only, but because of this dust and the old texture, it has become like that. So that's what here my motive is for creating the outside wall. So just filling it with this color. So try to do it very carefully within the boundary line. So once we have done the filling, then we will add some textures also, and also some lines or textures all across. So just filling it carefully without disturbing the inside portion. Also the lower part. So the door part is colored. Now we will add some textures across this whole area. So again, using the same brush, that is the round brush mixing rose and the white color, this has become a little not straight. I'm just making it a little straight by just adding the same color. So now we will add some textures in it. So before adding the textures, first, let's draw the outline, which is the outside outline, which is there. Again, those outlines should not be very straight line. It should be crooked lines. So just taking black and making it a very thin color and just making it very thin and just outlining the outside part. So some crooked lines which are there, it's not a straight line. Remember you don't have to create straight line. Then only that look will come, the vintage look, the old look will come. So just leaving some of the areas, also, I'm just drawing the lines all over. This will make the look of this old door more realistic. So just adding lines across all the sides. So you can see how old it is looking when we are creating some crooked lines. So more lines across the inside part. The lower part also just outlining it. And the line which is inside that also we have to outline it. Try to do it very carefully. Whenever you are doing any outlining, use very thin colour, fluid color, not thick color. So this is done the outlining part. Now we will add some textures to it. 7. Door Detailing: Welcome back. So let's start further. So now we will be doing the details of the side parts. So just making some light pinkish color and a little bit of black also I'm adding to this. A little bit more of white and just adding some textures. Try to make your brush damp. Try not to have any water in this. You should have a damp brush. And just using the side of my liner brush, I'm just adding some textures all around just to show that there are some old walls which are there, old pillars, which are there where the colors have come out, something like that. I'm trying to create all over. So all over, I will be adding these types of textures, some white and some light pinkish and with a mix of black to it. So just adding to all the sides, some pinkish color mixing with a little bit of black into it, just to make some thing look more raw and real. Again, I'll take the colors and I'll add some more below, little bit black and more of this. So Again, a little bit of this burns and so you can add different different colors. You can just make it just to make the wall look more old. So this is the outer part, which we have done with textures, like we did the walls also. Again, I'm taking my flat brush and creating some more textures. So just taking some more textures all around with a burn si and a touch to it. This thing you can do it randomly. There is no rule in this. Whatever you feel like, how you want to create the textures you can create. Now, just taking a little bit more of white and adding to the sides. The more and more textures and variations of colours you will add, the more it will look like raw and rusty look it will give. So you can see, I have added all around now, it is looking very different from the one which we have done just the painting, and now there are lots of textures in it. So now we will do the middle part also, which is the knob part that is there, also some shadow part. So now, again, I'm taking my rigor brush and just creating some nice white lines across in some areas, not everywhere in some of the areas. Just to highlight some areas with white color, there are some portions of white, which is left A taking some Prussian blue pink mix. I should look like a purplish color and just creating some shadow lines which are there on one side. There's one shadow which is there of the walls on one side, just adding that. Just to give a little more depth to the lines. So a little thicker line and just making it. And again, the crooked lines, these are not very straight lines. So a little crooked, you have to make the lines. Now there is the knob which is there. So for that also we will be using first, we will fill the colors with a mix of green, black and white together. And again, we will apply the colors because at least two coats of color should be there if you are applying on the canvas, especially the middle part. So just taking again my round brush and filling this entire portion again with the same color which we used earlier also, Same color mixing this blue, black, white, and this radiant green and applying it all over just to make the whole thing look more neat and more clean. Little bit of color variations will be there, so don't worry about that. That is perfectly fine. If you don't have this type of green, you can use any green, whichever green you have, you can use that. Even you can make this green by mixing this Prussian blue and yellow mix, and you'll get this green and a little bit of white also you can add to it. So any type of green you can use, there is no rule, but this green is looking more like bluish green, bluish, little greenish green, so it's looking different. So I'm just applying it all over with the second coat. This time, I've used a little thinner color, not very thick. Otherwise, the line would have been not visible because whenever you are doing second code, you can use a little thinner color. Now, again, the liner brush and taking the mix of burnt sienna and white and applying a little bit of yellow to it just to make it a little orangy and coloring the door knobs. Try to use smaller brush size, then only you'll be able to do the perfect detail of it. So this is whole door part. We will add some more details to it because still little bit details are left of the shadow and of the door details. So again, I'm taking that purplish color and adding to one side of it, which is the narrow part inside part of it, adding some of these colors. Now we will just take a little bit of white and add some more white to the side parts of the wall. Some thick color without any water. So we'll wait for this whole part to dry and then we'll start doing more details to it. 8. Shadow Painting: Welcome back. So let's start further. So now we will do a little bit of the above the part where the whole flower will be. So I'm just mixing Prussian blue, pink, and a little bit of white also. So just making a little more purplish, pinkish purplish color. So something like this type of color. So with this purplish color, I will be adding the back shadow of the leaves and the trees which are on the top. So we'll not be showing the entire tree just a part of the tree. So same color is there, that is the purplish color. And I'm just adding some background textures using my round brush. So it's better to rotate it so that it looks more clear. So I've just rotate the canvas, and here I will just be adding onto all the sides. Or instead, you can do it like this also instead of rotating it. Just apply and fill the above part and just some branches or some branches which are coming out a little thicker form. So just adding more and more branches shapes. So now I will use my rigor brush and I'll create some form of branches which are going down. So this will act as a reflection of the main branches which we will make. So just adding a few textures with the same rigor brush. So this is just the background detail which we will add. The front will be a different variations with green and some dark green branches. So you can see, I'm just adding some shapes of the branches, which will act as a background shadow of all the branches and the stems which are coming out. Once we are done with this, then we'll actually add the main flowers and the branches, everything. Keep the color fluid so that you can easily draw the lines and the textures. Now the above shadow part is done. Now we will also add the shadow to the door part. So I'm using, again, the Prussian blue, which is a very watery Prussian blue which I will use here, and I will just put this on the entire section, the half section, which is under the shadow part. So I'm using my flat brush and just creating a nice thin color like a shadow, which will act like a shadow. So try not to use thick colour. It should be a very thin color which will appear like a glazing effect on top of green. So just the Prussian blue. That's it. Once we have done with the shadow part, then we will create some lines of the center blocks which we have created. So this is it for the shadow part. Now I'll just take my brush, which is the liner brush, and I'll create some textures because the shadow is also not very straight. It's like a crooked shadow texture which I want to create here. So that's why I have used this brush, and again, I'm just using the same color and filling it with this color. So this is the shadow part which is there. After the shadow, we will be creating the door shapes and the door knob which is there. So go one by one at a time and do it slowly and take your time. It's perfectly fine. If you're not able to finish it in one go, you should always take break and then do it. Now I'm again taking black color and I'm just outlining it the all blocks which we have made. Use thin color for making all these outlines. If you're not confident enough to make with the brush, you can also use your technical pen to create all these lines. So very simple lines which we have already drawn earlier. You just have to outline it. So when you will outline on the darker part that is on the Prussian blue part, take more of black so that it is visible. So just drawing the blocks all over. And now taking white and black mix and just adding some highlights to these blocks. Simple highlights, simple lines. So this is it for the above part. If you feel in some area you want to remove that texture, you can always fill that green color. So this is how we have to do the whole part. Now we will add the details of the trees which I have made on the top. Currently, we have just made the shadow. It's still left. The flowers and the leaves and the branches which are coming out is still left. So again, I will take the Prussian blue color because I feel that color is very light. So I will just take one more thin colour and I'll just put it on top of that, again, the color, same color I'm using, same brush and just making it thin and just applying one more coat on top of it. Just to make it look more visible and just taking the color, which is the green color and little bit of blue mix and just applying same color which we have used for the background and just applying it everywhere. This is a thin color, so lines will be visible. If it is not visible, we will again do the lining part. So this is how we have to repeat the process until unless it looks like properly clean and beautiful. Making this line more crisp and clear. 9. Floral Painting: Welcome back. So let's start further. So now we will start creating some lines on the top, some branches and the stems which are going downward. So again, I will be using my rigor brush, taking this green and little bit of black mixed to it just to make it a dark green color and a little bit yellow to make it more, more greenish. So you can use your sabgreen also for creating these lines. So I'm just creating some thin lines which are going in the downward directions. So try to make it as thin as possible and use a fluid color, thin color. Then only you will be able to create the lines. You can see I'm creating the lines in between the shadows so that it will look like these shadows are of these lines. So just creating some random lines here and there, just like stems and substems are there of the flower which is blooming, covering the above part with more stems. So do it slowly, carefully one by one, these stems and make your color a little darker. You can also add Prussian blue to make it more greener. So by adding Prussian blue, it will become more greener. So some of the lines I've also created just going towards the door also. So try to make as many lines as possible, and then we'll start creating the flowers. Especially, I'm covering the above area where the roots are coming. So this is how we have to create the lines. Once the lining part is done, now we will add this blue and white mix where we want to create the flowers. So a little bit of this rose color also, I will add to it to make it a lavender color. And wherever I want to create the flowers, I will just make a circle over there, small circles. Using my round brush. Just small circles, I'm just locating where I will be creating the floral. So this time the floral will be with violet colors, so dark violety color. Just adding all these circles everywhere where I want to create the flowers. Now I will start creating the flowers using violet color. So instead of making violet, you can directly use violet. So just taking first, again, this blue colour and just making the circles. So you can see I filled these small, small circles everywhere. Now we will start creating the flowers and the leaves, which will add more beauty to our painting. So this is a violet color which I have taken out from Windsor and Newton. So this is Windsor violet, which I'm using here, and I am directly using that violet color to create a nice floral texture. So in all the directions, I will be creating the flower effect, just small textured flowers. It is not a perfect flower like you see. It's more like an abstract form. So I will just rotate this thing so that it will be more easy for me to create the florals. So again, taking this violet color and creating small, small flowers wherever I've created those circles, small, small textured flowers just with my liner brush. So I'm not using a very big size brush, just creating some flowery textures. Everywhere, wherever I have created those circles. So what I'm doing here is I'm just drawing the lines from all the sides so that it looks like a flower. Don't worry about the proper shape of the flower, add those in random circular textures, and automatically, it will look like floral. Since we are not going towards the realism, we are doing a little abstract form. So just adding everywhere wherever I've created those circles, So just do it randomly everywhere, wherever you feel like. It's not like whatever I have done, you have to also do the same thing. You can create your own pattern of flowers. It's just that it should look like, full of flowers and leaves. It should look like loaded with flowers and leaves. You can add as many flowers as you want. There is no rule in this. You can change the flower color also. If you want, you can change it to blue, you can change it to red, whatever you feel like. I'm just giving you an idea that how to create this. Even sometimes those random dots also acts like a flower. So you can see I have created the flowers everywhere. So just enjoy the process of creating these small, small flowers, and then we'll create the leaves. So just mixing some white in this violet and adding some textures of light. Just adding some dots, also, you can add in the center just to make it look more visible. So just making here the lighter flowers little bit. So if it is a mix of this light and dark color, it will look more beautiful. So just random dots and lights. I'm just adding. So this is it with the flower part. You can also add small dot of white in the center. That also we can too. So this is it for the whole flowers. Now we will start adding the leaves. 10. Final Details: Welcome back. So let's start with the last part of a painting which is left. So first, we will add the leaves all around just by taking green Priscian blue mix and a little bit of white also, and a little bit of this cadmium yellow, just to make it more greener. And with my round brush, I will start adding small, small leaves just with the tip of my brush. Try not to use the complete brush. Just use the tip of your brush. You can use any size brush, either two, four, six, any size. But if you're using the tip of your brush, you can easily create the small leaves. Try to make sure that your round brush is quite pointed, then only you will be able to create nice and crisp leaves. Now, the leaves which I'm creating here is at an angle. As you can see, it is going downward at an angle. But when you will rotate it, you will see it is going down. Currently, it is upward, but when you will rotate the image, it will appear like it is in the downward direction. So it is easy to rotate your page or your canvas to create such type of leaves. It becomes more easier, actually, instead of keeping it at the same angle. So try to fill each and every gap with these small, small leaves. It should look like it is filled with leaves and flowers. This is such type of painting that you can arrange it on your own also. The flowers also you can arrange. The flowers color you can make changes. In fact, the leaves also you can add of different versions, some light green, some dark green, anything you can do. Now, just taking again the shadow color which we have made by mixing the Prussian blue and pink and just adding some shadow parts below a little more shadow below and to the sides. So this is about the shadow part. Now we will just rotate the canvas and we'll see how it looks. So you can see how beautiful it is looking filled with flowers and leaves. Now, again, we'll start a little bit of more details of this door, the center door which is there. So again, taking Christian blue with my liner brush, I'm just giving a little more crisp shape to it. A little bit shape and then again, taking green and white mix. Green and white mix and giving some textures to these blocks which are there. Since we are creating a vintage look door, so a little bit of abstract textures you can add into these blocks which are there. Some textures I've just added and filled with my liner brush and just again, making the lines straight and clear. So a little bit of final details are left and the knob part is left, and then we are done with this painting. So just taking black color. And again, I'm just outlining whatever is left out. So first outlining the part which is the corner part. Make sure that your color is fluid, A outlining these blocks which are there. Little bit lines inside also I'm creating, not proper lines, just some few lines in between these blocks. So adding the lines properly. So we are almost done with this painting. It's just the few finishing part which is left. So just taking some more white color with a mix of black and adding some more textures inside. Some more lines. This is it for the blocks part. Now we will do the door knob, which is there. There are two knobs which you can see. One is vertical and one is horizontal. Before that, let's make a little bit more textures inside this door little bit textures. I'm just adding with light greenish color with a mix of white to it. So just dry brush effect. I'm adding inside this whole door part. So this is it with a texture. Take very less color when you are doing this texture part. Don't take it too much. If by mistakes, you have taken too much, just fill it with the same color. In acrylics, you can always cover your mistakes by just putting the same color onto it once the color dries up. Now taking burn sienna and white mix and just covering this part, which is there and just adding a little bit more of white to it and a little bit more white color. And the burn sienna color, I'm just filling it up. And with some white texture and a little bit of black mixed to it, I will first outline the entire section. Once we have done the outlining, then I'll just add a little bit of details to this part. Try to make the lines as thin as possible. And just taking a little bit of white and adding a small.in the center just to add more brightness and more texture to it, like a shine to it. Again, taking a little bit of Prussian color and just outlining the edges of this reflection which is there. A little bit, you can push it down also to the stairs, which is below. So you can see how abstract this painting is looking with a vintage look to it. To try it out, and I'm sure you will also love while doing this. You just have to play with the colors, the dry textures, and just try to make it. Just adding small dots in the center, just taking white. This will add more beauty to the flowers. So do try it out this painting, and I am sure that you will love doing this painting because it is very beautiful and very different. Just some final touch with the lines. Some black lines below. Whenever you end any painting, there is always a final touch. But if you're fine with it, no need to do any more detailing. You can just mark it as complete. So this is the entire painting, and do try it out and share your project works. You can also tag me on Instagram that is Mohini Art Gallery. I would love to reshare your projects. And try to do this painting slowly and take your time. Don't do it in a hurry. Whenever you are adding textures, don't take too much color, take very less color for adding the textures. Then only that texture will look more beautiful and more subtle. So you have to give a subtle look to your textures also. So just do it slowly. Take your time and see where you can add the textures, where you can add the details. It's just you have to play with textures and colors. So this is it with the entire painting, and thank you so much for watching.